[
    {
        "id": 209595,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 252,
        "title": "RAS-1982",
        "content_text": "230\n\n!\n\nCARL T. SMITH\n\nINNOVATIONS\n\nIn 1886 a musical sketch was introduced entitled “Cups and Saucers\". It was written by George Goldsmith, Junior, as a satire against the craze of the day for collecting blue and white china at exorbitant prices. There were only two characters, one male, one female, the latter played by Mrs. Fraser-Smith, wife of the editor of the Hong Kong Telegraph. It contained the song \"Foo-chow chan aring, ching a ring China”.\n\nThe Club announced another serious production for 1888, \"The Rivals\". There was the inevitable comparison with the earlier performance of \"The School for Scandal\".\n\nWhen it was announced that the A.D.C. had resolved to play Sheridan's comedy of \"The Rivals\", many residents entertained the feeling that they had undertaken too much, although against this idea it could well be argued that the performances here of \"The School for Scandal” were most enjoyable, it was argued that Sheridan's masterpiece was placed before the Hong Kong public when the A.D.C. was in the heyday of its existence. Furthermore, the successions of costume and scenery possible in \"The School\" were not available in “The Rivals\". Looking at both of these performances, however, and taking into account the gorgeousness of scenery and dressing in \"The School\" as well as the exceptional ability of several of the actors who have passed away from these shifting scenes, we do not find that the A.D.C. did an unwise thing in deciding upon \"The Rivals\". The Amateurs and the public have had their share of burlesque and of modern pieces of late; and it was, we think, a healthy change to come back to the legitimate comedy of the last century.\n\nThe reviewer noted that two of the actors in \"The Rivals\" were well on their way to filling up a gap left by the retirement of Mr. Hockey (Mr. Atwell Coxon) and Mr. Treab (Mr. Beart), an accomplished comedian. One of the newcomers was Mr. James Whittall, later to become a taipan at Jardine Matheson and Company,\n\nA first of a series of Christmas pantomimes was staged in 1889. It had \"splendid spectacular effects, light and appropriate",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209616,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 273,
        "title": "RAS-1982",
        "content_text": "251\n\n1932/33\n\n1933/34\n\n21 Feb. 1933 \"Nine to Six\" all female cast (Aimee and Philip Stuart, 1930) performance at Kings Theatre.\n\n—\n\n11, 12, 13, 14 Apr. 1934 \"The First Mrs. Fraser\" (St. John Ervine, 1929) performance at China Fleet Club to 1941.\n\n17, 20, 21, 23, 24 Feb. 1934 Armstrong)\n\n1934/35\n\nJ\n\n5, 6, 7, 8 Dec. 1934\n\n1935/36\n\nvenue\n\n\"Ten Minute Alibi” (Antony Mackenzie)\n\n\"Fresh Fields\" (Ivor Novello)\n\n18, 19, 20, 21 Dec. 1935\n\n1936/37\n\n4, 5, 6, 7 Nov, 1936\n\n—\n\n1937/38\n\n7\n\n\"Musical Chairs\" (Ronald Rattigan)\n\n\"Night Must Fall\" (Emlyn Williams)\n\n7, 8, 9, 10, 11 Dec. 1937 - \"Outward Bound\" (Sutton Vane)\n\n23, 25, 26, 27 Feb. 1938\n\n—\n\n\"French Without Tears\" (Terrence)\n\n1938/39\n\n8, 9, 10 Mar. 1939 \"The Shining Hour\" (Keith Winter)\n\n1939/40\n\nT\n\n22, 23, 24 Feb. 1940 \"The Circle\" (Somerset Maugham)\n\n(Note: all notices are taken from the English newspapers in Hong Kong, in most cases from editions of the dates given).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 211166,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 227,
        "title": "RAS-1987",
        "content_text": "202\n\nmony. Class and racial distinctions were sharply drawn.\n\nSelf-interest and a desire for public recognition caused many to push themselves forward as self-appointed community leaders. These unpleasant features of life in Hongkong became evident as the plans for the jubilee were discussed.\n\nThe press suggested what it considered appropriate official events for the celebration: a special session of the Legislative Council to adopt a congratulatory address with all the pomp and ceremony local conditions would permit, a reception at Government House to give an opportunity to pay respects to Her Majesty's representative, a general parade of troops with ships in the harbour dressed, and a royal salute both afloat and ashore.\n\nSuggestions for the festivities of the community included a general illumination for one night, a fete and fireworks at the Botanical Gardens on another, and for a third festive evening the British community might invite their friends of other nationalities to an entertainment at the City Hall with the Amateur Dramatic Club performing or the Musical Club might present an evening's entertainment of vocal and instrumental music.\n\nThe Sketching Club could also contribute by holding an exhibition of its members' works. Drama, music and art could thus each make its contribution.\n\nAs an alternative, a banquet was suggested. This, however, because of limitation of space, would have meant making decisions about who should receive invitations and who would have to be excluded. Obviously a situation to be avoided if at all possible.\n\nAnother objection to a banquet was that it would automatically exclude the women, as in that day they did not attend public banquets.\n\nAs it turned out, there was not much difficulty in deciding on a satisfactory programme to celebrate the event. The difficulty came over deciding on a permanent memorial.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 211832,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 247,
        "title": "RAS-1989",
        "content_text": "222\n\nthe stage properties were unexceptionable\". (NCH 22.10.1864)\n\n15,10-21. 10. 1864\n\nH.J. BYRON: \"Fra Diavolo\" (1858)\n\nT: Burlesque burletta (1 act)\n\nH.J. BYRON: \"The Maid and the Magpie\n\nT: Burlesque burletta (1 act), and other pieces.\n\nC: Lewis A.D.C.\n\nTh: N.N. (I\n\nR: NCH 22,10,1864\n\n17.10.1864 (Mon)\n\nConcert by Mr. Desvachez (violin) and some local amateurs\n\nTh: Shanghai Club\n\nR: Another musical evening was given by Mr. DESVACHEZ in the recently completed Shanghai Club building. On this occasion \"the audience was numerous and seemed to fully appreciate M. DESVACHEZ's musical talents”. (NCH 22.10.1864)\n\n22.10.-28. 10. 1864\n\nH.J. BYRON: \"The Bride of Abydos\" (1858)\n\nT: Burlesque extravaganza (1 act)\n\nN.N.: \"The Lady of Lyons”, (No author mentioned, so it may have been original play by Lytton or the burlesque by H.J. Byron (1868)), and other pieces.\n\nC: Lewis A.D.C.\n\nTh: N.N. (l\n\nR: For some actors of the Lewis troupe the strains of appearing every evening on the stage had become too much, for in the Herald it was \"regretted that in thus making strenuous efforts to afford satisfaction to their audiences, two of the most promising members of the Company have become so severely indisposed as to be unable for some time to appear in public\" (NCH 29.10.1864).\n\n5.11.1864 (Sat) (See: Theatrical Advertisement, No. 10)\n\nAmateur concert in aid of the repair fund of the \"Hongque Free Episcopal Church”, the \"Shanghai Vocal Quartette Club\" and Mr. Marquis Chisholm, piano, Programme:\n\n1. V. BELLINI: \"La Sonnambula\", duet (presumably 'Prendi l'anel ti dono' from act I) arranged for piano and harmonium by David Hermann ENGEL (1816-1877)\n\n2. Sir Henry BISHOP: \"Foresters sound the cheerful horn\" (glee)\n\n3. Marquis CHISHOLM: \"Japanese Fantasia”\n\n4. MULLER: \"Maying\" (sic; quartet)\n\n5. Ballad \"Arleen Aroom”\n\n6. Philipp Friedrich SILCHER (1799-1860): \"The Miller's Daughter” (quartet)\n\n7. G. VERDI: \"Rigoletto\", duet ('E il sol dell' anima', act I; 'Piangi, fanciulla', act I), arranged for piano by John George CALLCOT (1821-1895)\n\n8. Friedrich Wilhelm KÜCKEN (1810-1882): **Soldier's Love\" (glee)\n\n9. Valentin Eduard BECKER (1814-1890); \"Cheer Up Companions” (choral march)\n\n10. RADETSKA: \"There's music in the air\" (quartet)\n\n11. G. DONIZETTI: \"Lucrezia Borgia\", arrangement for flute and piano by JAMES\n\n12. Heinrich WERNER (1800-1833): \"War Song\" (glee)\n\n13. CAXTON: \"Breathe soft, ye winds\"\n\n14. William HORSLEY (and not F. Mendelssohn as stated in the advertisement): **By Celia's Arbour\" (song)\n\n15. Sir Henry BISHOP: \"Sleep gentle lady\" (glee)\n\n16. William Vincent WALLACE (1813-1865): \"Lurine\", duet arranged for piano and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    }
]