[ { "id": 204852, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 155, "title": "RAS-1964", "content_text": "130\n\nBOOK REVIEWS\n\ntoday. This information negates the subsequent statement \"The only specifically recorded Lamqua portrait in an American collection is that of Dr. Peter Parker\n\n+\n\n8\n\nA bibliography omitting nearly 50% of the last published bibliography will startle any serious scholar. It may be possible to write about Chinnery without consulting E. W. Bovil's articles in Notes and Queries and about the Opium War without using Maurice Collis' Foreign Mud with its Chinnery illustrations, but it is not recommended practice. W. C. Hunter, partner in Russell & Co., is quoted in the text, but both of his books The Fan-Kwae in Canton before Treaty Days 1825-1844 and Bits of Old China with its chapter on Chinnery, are omitted from the list. Any modern researcher will want to check the Jardine-Matheson papers in Cambridge, England. They are not mentioned here. There is a list of plates, but no general index.\n\nIn the China section of photographs, there are 57 oils, water-colors, and drawings captioned as by Chinnery, also 10 so-called \"School of Chinnery\", 28 port scenes, all called \"School\", and 2 miscellaneous. Authentication of any artist's work, particularly if unsigned, is a matter of opinion. When in doubt, it is far sounder to \"attribute\" and the best museums follow this custom. In recent months, a world expert on Chinnery and your reviewer considered together these 57 pictures and questioned or denied 21 of them, a substantial percentage.\n\n+ •\n\nIn 1953 the statement was made, and remains unchallenged, it is obvious that the Hong Kong Chinnery is the only portrait of Howqua that may be said to have been painted in a truly accomplished Western manner such as one would expect from the brush of Chinnery. The other portraits of Howqua, in spite of their long-standing attribution to Chinnery, almost without exception speak of Western art with a strong Cantonese accent\". There is no photograph of the Chinnery portrait of Howqua in Hong Kong in this book a significant omission. However, there are three portraits of Howqua11- all obviously by Chinese\n\n* Page 39.\n\n9 Arts Council Catalogue 1957.\n\n10 Albert Ten Eyck Gardner-The Art Quarterly, Winter 1953\n\n11 Plate 39 top and bottom, Plate 40 top.\n\n10", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 206958, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 29, "title": "RAS-1974", "content_text": "The Paper Chase\n\n23\n\nThe main function of the P.R.O. is the conservation of all government records of permanent value for official reference and private research. More specifically, this means all documents which possess value for:\n\n(i) documenting the constitutional and legal basis of government;\n\n(ii) documenting the origin, development, organisation, functions, policies and substantive activities of government departments;\n\n(iii) protecting the rights and privileges of private citizens and organisations; and\n\n(iv) research into political, social and economic affairs and the history of the community.\n\nYou will notice from this, by the way, that archives are not preserved solely in the interests of historians. The scope of modern government is wide and there are few aspects of human activity and environment to which official records do not refer. A government's archives, therefore, are potentially of research value to every academic discipline.\n\nArchive institutions, like libraries, museums and art galleries, need to be located in places where they are easily accessible to the public. The trouble is that archives, and especially government archives, need a great deal of storage space; so that in cities like Hong Kong, where office accommodation is at a premium, the housing of archives has special problems. Stored archives are immensely heavy and this limits us to ground floor accommodation or to buildings especially constructed to withstand high floor-loadings. Again, if one provides at the outset for long-term space needs this means tying up large building areas which will remain under-utilised for a long period. The alternative, of providing only for short-term requirements, means constant removal to new premises. We have had to compromise. The P.R.O. is housed at present* in temporary premises in Garden Road with accommodation for 5,450 shelf-feet of records. In about April this year we shall be moving to the Murray Road Multi-storey Car Park Building where we shall have room to accommodate about 15,000 shelf-feet of records. The new premises will be equipped with, among other things, a document repair section and bindery, a photographic laboratory and, I\n\n* January 1974.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 209964, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 223, "title": "RAS-1983", "content_text": "201\n\nThere were two museums which I intended to visit but as my daughter's birth day approached the time available for such luxuries declined.\n\nI wrote to the Duke of Edinburgh's Royal Regiment museum, at Lichfield, Staffordshire, and received a very helpful reply. The 98th Regiment, later the 2nd North Staffords, served in the First China War and in Hong Kong.\n\nOn display at the museum are a \"soldier's watercolour\" in the uniform of the period c1840-50. \"This also shows a sentry box and the Colours and seems intended to indicate a coastal location. The 'China Dragon' is on the colour and the painting could well relate to the Regiment's subsequent service in Hong Kong (1842-45)\".\n\nThere is an officers' Shako plate (1829-44), an officers' shoulder belt plate, an officers' sword belt clasp (1826-55) and \"two buttons, a shoulder numeral and a few other relics of the period, subsequently dug up in Hong Kong\".\n\nThe other museum which I missed was that of the Royal Berkshire Museum, successors to the 49th Regiment, in Salisbury, Wiltshire.\n\nMy experience in 1983 proved that visitors to England should make a point of calling in at virtually any regimental or army museum that they pass. What may be judged an unimportant relic against the span of centuries of regimental history may be viewed quite differently from a Hong Kong point of view.\n\nNot army, but equally interesting, is the National Railway Museum, in York, which might seem an unlikely place to search for souvenirs of China--but it houses what is probably the biggest one in Britain. There, sparkling and gleaming, is a mighty Chinese National Railways Class KF 4-8-4 locomotive. The 93-foot long behemoth was built in the mid-1930s at the Vulcan Foundry, Newton-le-Willows, to haul 600-ton trains over the mountainous central section of the Canton-Hankow Railway. After 43 years in service the locomotive was presented to the museum by China and it left Shanghai for England in 1981. The sheer size of this monster makes it stand out and it looked to me far and away the biggest in the extensive collection. The engine weighs in at 114.9 tons with a 77-ton tender.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 211534, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 251, "title": "RAS-1988", "content_text": "227\n\ncertainly quite old, which proves that these pieces of equipment are durable and have long working lives. That particular one had been in use until after the War.\n\nThe newer of the two hullers was already 35 years old in 1972, and had been made in the village a few years before the War. Its maker was a Hakka man named Tse (i) from Kai Ham (4), one of the villages above Ho Chung in Sai Kung District. He was skilled in their manufacture and had been called in to do the job. This information came from another lady, 71 in 1972, who had come into the village upon her marriage at 25 years of age, about 1926.\n\nMr. Tse first wove the bamboo frame for the huller, and for the base on which the huller sits, and then filled the insides with local earth that was free from sand, stiffened with slivers of bamboo. The earth (PCE) from the hills round Ma Yau Tong was said to be good for this purpose. The earth was then pounded until it became very hard.\n\nThe huller was clearly very heavy, and turning it to separate the husks or hulls from the rice kernels (*) requires a lot of strength. It was usual for two persons, men or women, to operate it, pushing on a wooden handle. The handle was bow-shaped, with a crosspiece at the end against which the operators pushed. (See plate 13). The lower end of the handle fitted into a hole in the beam which turned the huller. This handle was made in the village.\n\nThe (*) was put into the top of the huller, and I was told that both the kernel and the husks came out together from the slightly protruding rim of the grinder onto the ledge below the rim.\n\nThe final piece of information given by the friendly villagers was that the grinder had cost $30: meaning that this was what they had paid Mr. Tse. I don't know how long he had stayed in the village to finish the job, as I forgot to ask this question!\n\nMr. Lawrence Yau, Curator, Regional Services Department, Museums Section has drawn to my attention a description of a rice huller of the same type as the one I saw at Ma Yau Tong in the book Tin Kung Kai Wu (NZM) by Sung Ying-hsing (!) of the Ming dynasty.", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211583, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 300, "title": "RAS-1988", "content_text": "Plate 13. A New Territories Rice Huller (photo courtesy of Regional Services Department, Museums Section, Hong Kong)\n\nPage 300\n\nPage 301", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 216152, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 451, "title": "RAS-2002", "content_text": "385\n\nINTRODUCING THE CONSERVATION SECTION OF THE HONG KONG GOVERNMENT\n\nPAUL HARRISON1\n\nI am sure most members of HKBRAS regularly attend Hong Kong's museums and libraries. They might, however, not be familiar with all the work that goes on behind the scenes to make these institutions effective.\n\nOne group of specialists are the conservators. The author is employed as a conservator and is a life member of the HKBRAS. He is one of a team of thirty-five specialists who work at laboratories at the Museums of Art, Heritage and History, the Film Archive and the Central Library. These are further divided into ten specialist teams, to work on the many varied materials that these institutions collect. There is another similar team at the Public Records Office to conserve the Government's archives.\n\nA question that the author is often asked is 'What did you study to be able to do this?' The answer is that he has a B.Sc. in Archaeological Conservation, and an M.Sc. in Ancient Metal Working Techniques from University College London, and, accordingly, works in the Metals team. The other teams are Archaeology, Ceramics/Stone, Central Library, Film Archive, Historical Documents, Organic Materials, Paper, Photographs and Textiles/Natural History.\n\nThe other, curatorial, members of the section are locally employed chemistry graduates who after serving an apprenticeship at a museum head overseas to study a conservation discipline. Previously they all went to UCL too. Now people have been to Canberra University, Australia; the Canadian Conservation Institute, Rochester, New York, USA for Film Conservation; De Montfort University, Lincoln, England, and Southampton University for textile conservation; and Camberwell, London to study paper conservation. But training is a life-long experience and experienced conservators are sent on short training courses, overseas, to expand the skills base of the section.\n\nAnother question that I sometimes get is 'Can you do carbon-14 dating?'", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216158, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 457, "title": "RAS-2002", "content_text": "391\n\nOne of the prime roles for a museum is to preserve the past for future generations. The author hopes that, from this article, you have gathered some idea of the work that goes on behind the scenes in museums both here and overseas.\n\nThe Conservation Section maintains a bilingual web site at http://www.lcsd.gov.hk/CE/Museum/Conservation/index.html where the reader can gain further insights into our work.\n\nREFERENCES\n\nBryne, L. St G., The corrosion of shells in Cabinets, Journal of Conchology, 9, (1899), 172-8, 253-4.\n\nKeene, S., and Orton, C., Stability of treated archaeological iron: an assessment, Studies in Conservation, 30, (1985), 136-142.\n\nLeonardo: The Last Supper, by Pinin Brambilla Barcilan and Maroni P.C., University of Chicago Press, Chicago 2001.\n\nRavished Image or How to Ruin Masterpieces by Restoration, by Sarah Walden, St. Martin's Press, New York 1985.\n\nSistine Chapel: a Glorious Restoration, by Carlo Pietrangeli (Ed.), Abradale Press, New York, 1994.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]