[
    {
        "id": 206795,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 72,
        "title": "RAS-1973",
        "content_text": "66\n\nCHIU LING-YEONG\n\nThe style of I-seng was of Iranian origin, in which modeled and shaded polychrome figures seemed to stand out in relief, or even to float free from their background. His style is believed to have influenced Wu Tao-hsüan and to be traceable in the caves of Tun-huang.\n\n35\n\nFrom Chinese sources, Ta Yü-chih had three paintings extant in T'ang period, namely: (1) Liu-fan tu; (2) Wai-kuo pao-shu tu (the six foreigners); and (3) Po-lo-men tu (exotic tree from foreign country); (the Brahmara). However, according to Hsüan-ho hua-p'u, there were seven paintings of Hsiao Yu-chih's work, kept by Sung Hui-tsung, namely:\n\n1. Icon of Maitreya 彌勒佛像一;\n\n2. Buddhist icon 佛鋪圖一;\n\n3. Buddhist followers 佛從像一;\n\n4. Buddhist followers from foreign country 外國佛從像一;\n\n5. Avolokitesvara 大悲像一;\n\n6. Vidyaraja 智;\n\n7. Foreigners36;\n\nThese seven masterpieces were kept by the Emperor in the Inner Palace. Some of I-seng's paintings are still kept by collectors either in China or America, like the Dancing girl of Kucha #✯✯; A Sitting God 坐神; Buddha under the Mango Trees 吉羅林果佛; and Drunken Monk 醉僧圖.\n\nThe Yu-chihs were also masters of mural-paintings. Some of their works can still be found in temples and pagodas in China. In the Sung period, their works were classified as shen-p'in (divine category). I-seng also introduced the 'iron-wire' line to China—the Western technique of using a line of unvarying thickness to outline figures.37 I-seng, according to Chang Yen-yüan, had brought new light to Chinese painting and made more paths for painters of the later generations to develop.\n\nCh'in Ming-ho\n\nAt th...\n\nIn the field of medical science in T'ang China, Professor Lo Hsiang-lin inclines to believe that Persians had made tremendous contributions, especially in surgical operations. In A.D. 683, a Persian known as Ch'in Ming-ho, performed a neurosurgical",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 215114,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 210,
        "title": "RAS-2000",
        "content_text": "167\n\nhis patriotic rage caused him to grind his teeth so that after his death it was found that all but three or four had been worn down to the very gums.\n\nXu was a civil mandarin, the prefect of Suiyang, a native of Yanguang in Gansu province, who was posthumously awarded the title Weixian Wang by the emperor. His festival is celebrated on his birthday, the 29th of the first, or the 2nd of the sixth lunar months. In Mucha near Taipei an image of Xu's consort stands on a rear altar in his temple.\n\nAlthough their images are to be seen in most of their temples together, both on the same altar, in a few places they are also to be seen individually as the lone main deity on an altar. Further complications include both deities noted individually on altars in temples where the temple keepers deny that their particular individual deity is in any way connected with the other deity who is not present.\n\nWhen they are together as joint main deities their images are very similar and cannot easily be identified apart. They are usually portrayed as customary military figures, dressed in armour, sitting on thrones and holding unsheathed swords but without any unique identifying characteristics. In many temples they have a pair of military and civil aides flanking their altars and, in one instance, in Tainan, Zhang has an 'army' represented by six miniature images of military and civil aides on the altar table before his main altar.\n\nAmong the many legends told about these two deities one related in a Chaozhou temple in Bangkok related how the cult came from \"the north” and arrived in Chaoyang, a small city on the coast of Guangdong just south of Swatow [Shantou]. Zhong Ying, a Song dynasty soldier [ca. AD 1200], whilst escorting taxes gathered in Chaozhou to the capital was resting overnight in a temple somewhere in central China when he heard voices of Xu and Zhang, the two deities on the main altar, instructing him to carry their images on his return to Chaozhou to spread their cult into southern China, which he duly did.\n\nAccording to the Chaoyang county annals a force of foreigners [red-haired bandits] attacked Swatow [Shantou] in 1854. They were repulsed by the Chinese defenders when the latter were aided by giant apparitions of Zhang and Xu who, amidst a host of horsemen, came to\n\nPage 210\n\nPage 211",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215115,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 211,
        "title": "RAS-2000",
        "content_text": "168\n\ntheir aid.12 Thus it was that although neither of the two deities had ever set foot in the Chaozhou area during their human existence, yet their divine spirits helped the native Chaozhou people and became their patrons. Chaozhou emigrants to Taiwan bore their cult from their local cult centre at Chaoyang, together with images, over to the new lands where at present there are some ten or so temples dedicated to the pair.\n\nSeveral versions of the tales of their heroism during the siege of Suiyang are related by temple keepers and devotees. Individual stories about Zhang and Xu are well known to Chaozhou devotees, describing how they dug holes to catch rats during the siege, and about Zhang slaughtering his beloved concubine, either to spare her being taken by the enemy or, more morbidly, to be eaten by the starving defenders. Each of the stories highlights their heroism in the face of starvation with no hope of relief from the siege, and their choice of death rather than surrender.\n\nThe two deities are revered together on the main altar in at least five temples in Taiwan. Zhang has some eight temples dedicated to him alone in Taiwan, whilst Xu has a further nine. A further fifteen temples contain one of these two deities under their other titles, with both deities, again under their true names of Xu and Zhang, being noted as the main deity on secondary altars.\n\nA Chuanzhou immigrant named Chen brought an incense pot with him from the cult centre of Baoyi Dafu [Zhang Xun] in Fujian and set it up as a branch temple in Shen Keng village near Taipei. According to temple lore, the deified Zhang Xun proved very efficacious in helping villagers with both good fortune and excellent harvests. Later, as the cult developed, it emerged from dream messages that Baoyi Dafu was also very effective in coping with the ravages of insect pests and, moreover, had won local renown by helping Chinese immigrants overcome the original hill tribesmen.\n\nHowever, in the centre and south of the Taipei Basin, Xu and Zhang together were known by Chuanzhou Fukienese by the single title of Wang Gong 尪公, Wang Yuanshuai 尪元帥 or Wang Wang 王王. Their local legend claims that Wang Gong appeared to a temple keeper in a dream, warning him and the local inhabitants of the San Hsia, Mucha, and Hsintien areas of an intended raid by head-hunting tribesmen from",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215116,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 212,
        "title": "RAS-2000",
        "content_text": "169\n\nthe hills. In temples in and around Hsintien and Mucha Wang Gong is revered as the protective deity (with the pair being revered in a few places but still known as Wang Gong) with his [their] annual festival celebrated on the 10th day of the fourth lunar month, but largely without the great majority of devotees realizing the original identity of the deities. Wang Gong A is also referred to as Weng Gong and Huang Gong A, both of which are almost certainly erroneous titles due to mistaken homophones.\n\nIn and around Hangzhou they are known together as Er Da Ming Huang [The Two (Generals) of Tang emperor Ming Huang]. A fierce image of Zhang, with his mouth wide open used to stand on a minor altar in a small temple near Donghu, a city some sixty miles upstream from Hangzhou. Devotees there believed that pain could be cured merely by touching the abdomen of the image whilst throwing a few coppers into its mouth. Two large images of Zhang and Xu in an old temple some fifteen miles east of Hangzhou, destroyed during the Cultural Revolution, have been replaced with modern images with the image makers being guided by the elderly from memory. This temple stands out in the countryside with the nearest village some half a mile away and with the catchment area for contributions for the rebuilding extending some ten miles in all directions. The refurbished temple has yet [early 1994] to have the two dozen aides flanking the side of the main hall completed, though the images of their main deities and their consorts have been finished. They are regarded as the local protective deities.\n\nIn 1963 in Hong Kong, in a Chaozhou community squatter-shack temple on Lion Rock hillside above Kowloon [now long demolished], the two deities, represented on a framed paper icon on the main altar as two relaxed, seated mandarins in floral robes, were first identified as \"The Two Loyal Dukes\" or \"the Two Loyal Saintly Lords\". The two deities were later identified by several devotees as Wang Zhang Ek and Wang Xu Elf. The two mandarins, with long black beards, were identical and were prayed to as the patron deities and protectors of Chaozhou people.\n\nIn 1927 Goodrich in Beijing recorded seeing images of “two famous generals of the Tang dynasty, Zhang Xun and Xu Yuan” in the Dongyue Temple to the east of the city.13",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    }
]