[
    {
        "id": 204315,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 83,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol 1 (1961)\n\nISSN 1991-7295\n\n79\n\nBut this does not explain satisfactorily the record in the Mahavaipulya Mahasamnipata-sutra (李大集遺設堂訴言),21 in Catur-maharaja (四大天王), which maintains that each maharaja has ninety-one sons, but gives no names. And this does not explain the case (in the Janavasabha suttanta22 in chüan 5 of the Dirghagama) of the other god who, because of his accumulated merits would be re-born after his death as a son of Vaisravana in the Caturmaharajakayika (四大天王部). In the Buddha Preaching Jên-hsien Ching (作請人軟訣),* (AB jên-hsien being the Chinese translation for rsi jina) concerning the future of King Bimbisara (望界藤王), it is alleged that he would be re-born as the son of Vaisravana,\n\nPerhaps such confusion would explain why the author of the Fêng-shên, though knowing a good many of the Tantric legends, and adopting (in Ch.99 of the novel)23 the Chinese names for the four heavenly kings as \"Protectors of the Tripitaka and the Country, and Regulators of Wind and Rain\", abandoned the use of the name of Tu Chien and, in order to make his name conform to those of his younger brothers, invented Chin-cha (\"金吳), as the name of the eldest son of Li Ching. Chin-cha, though his origin does not appear in any reliable records, may, I suspect, come from the Tantric dharanis. Also, I have found in Act 1 of the anonymous play, Yüeh-ming Ho-shang Tu Liu-ts'ui (月明和尚堂留利清)24 of the Yuan dynasty, the following words chanted by a priest:\n\nAn! Ch'ih ling Chin-cha, Chin-cha, Sêng Chin-cha, Wo chin wei ju chieh Chin-cha, Chung pu wei ju chieh Chin-cha, An!\n(Listen! I am speaking of Chin-cha. Chin-cha, monk Chin-cha, I come to release you from Chin-cha, not to tie you up with Chin-cha. Listen! 哈！我今為你解金吳, 终不為你縋金吳。哈！)\n\nSince the author of the Fêng-shên was interested in both Buddhism and Taoism and is proved to have known many plays and other works of popular literature, he might have made use of materials such as those quoted above, in his creation of his characters.\n\n3. A LUMP OF FLESH WAS BORN\n\nThe story of No-cha's mother giving birth to him, in Ch.12 of the Fêng-shên Yen-i is as follows:\n\nLi Ching's wife, née Yin, had been pregnant for three years and six months, so he became very much vexed at it.\n\nThe wife dreamed one night at three strokes of the watch\n\n21 No. 397, translated by Dharmaraksa.\n\n22 Tseng-chang, Kuang-mu, To-wên, Ch'ih-kuo, see No. 665, Suvana-prathasa Sutta Sutra (Chin-kuang-ming Tsui-shêng-wang Ching 金光明最膤王訣), 11 & 12.\n\n*9*",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    {
        "id": 207583,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 351,
        "title": "RAS-1975",
        "content_text": "342\n\nBOOK REVIEWS\n\n34 This observation is mainly based on the fact that the first poem from his own collection is entitled \"Chin shou-men has shown me a rubbing of the inscription taken from the bronze bells being made for the Ching-lung Monastery during the Tang Dynasty.”\n\n毒門见示所裁唐景龍觀錘髭拓本 In Li E's Fan-hsieh SFC, chuan 1, p. 1 under this poem, the date of its completion is recorded by the combined used of the Chinese cyclical characters: chia-mu which according to Li E's chronology, is to be identified as 1714 (the 53rd year of the Kang-hsi era).\n\n35 Ever since 1963, the Kwang-tung ying-jen chuan, “A Biographical study of the seal-carvers in Kwang-tung\", edited by Ma Kuo-chuan, has continuously appeared in the -lin section of Hong Kong's Ta Kung Pao Daily News. His study about Chang Hsiang-ming in particular, appeared in Ta Kung Pao, December 19, 1965. In October 1974 this biographical information was edited and published by the Nan Tung Company in Hong Kong, still entitled Kwang-tung ying-jen chuan. The portion concerning Chang Hsiang-ning is to be seen in this book edition p. 98.\n\n36 This is based on Takikawa Shiteru's colophon being inscribed on Hsiao Yün-ts'ung's painting entitled Li Sao T’u. A full reproduction of this painting has been printed in 1924 in Tokyo by Seigei Omura as one item of his edited Zubon Sosho. In addition, Takikawa's colophon was also quoted by Professor Akiyama Mitsuo in his Sho Sekiboku to Shuzan Koryo zu which appeared as the last article, being collected in the same author's Nihon bijusisu ronko (1943, Tokyo), pp. 413-414.\n\n37 According to Tzu Hai (1967, Taiwan edition), Appendix V (A conversion chart British, Japanese and Metric Lengths), each Japanese feet equals 0.3030 metre. Thus, 40 Japanese feet equal 12.12 metre. On the other hand, since the Drenowaltz handscroll measures 1302 cm; namely, 13.02 metre, the lengths of this painting, now in Switzerland, and the Li Sao Tu, once in Japan, are certainly very close.\n\n38 See Hu I: \"Hsiao Yun-ts'ung Nien-p'u” “A Biographical study of Hsiao Yün-ts'ung on A Yearly Basis”, in Mei-shu Yen-chiu (1960, Shanghai), No. 1.\n\n39 For these literary men who were gifted artists as well as members of the Fu She Association, these were, in addition to Hsiao Yün-ts'ung, many others, such as Li Sui-chlu from Kwangtung province, Wan Shou-ch'i (1603-1652), Wu Wei-yeh (1609-1671), Chi Pao-chia (middle 17th century) and Mao Hsiang (1611-1693) from the Kiangsu province, Fang I-chih (1611-1671) from the An-hui province, and Yang Wen-ts’ung (1597-1645) from the Kwei-chou province. These were all example-figures of such a type.\n\n40 Hsiao Yün-ts'ung name is listed in Fu She Hsin-Shih Lu \"Records of Members of the Fu-she Association\" first volume, p. 7a. This rare book is now owned by the Institute of History and Philology, Academia Sinica at Nankang, Taiwan.\n\n41 Hsieh Kuo-chen: \"Nan-ming shih-luch\" “A Brief History of the Southern Ming Period\" (1957, Shanghai), pp. 12-13.\n\n42 S. W. Stephen: Chinese Art, 2 vols. (1904-06, London).\n\n43 Ch'eng Wei: “A primary study on the Origin and Development of Ancient Bird-and-flower paintings\" in Wen-wo (1963, Peking), No. 10, p. 22-29. This article probably serves as the only research on the history of Chinese painting by using one single painting collection as its basis. Yet unlike the work done by Professor Li",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 208340,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 64,
        "title": "RAS-1978",
        "content_text": "48\n\nKEITH STEVENS\n\ndecorated with a large dragon across her bosom, and the \"bird\" hat with its representation of a small bird, wings outstretched, lying on top. She holds a raised fly switch in her right hand and her girdle is grasped in her left hand (the latter pose is usually reserved for male images). She is seated on a dragon throne.\n\nPerhaps readers can offer their views on the use of impersonal images on family altars and further examples of the practice in other parts of China?*\n\nNOTES\n\n1 Lao Tzu—the philosopher generally believed to have founded Taoist philosophy.\n\n2 Erh Lang (#) often identified with Yang Chien (##) the nephew of the Jade Emperor, the supreme Taoist deity.\n\n3 The Five Thunder Magic () is used in Taoist folk religion as the ultimate threat; a magic of destruction brought about by Taoists against those who broke the rules or opposed the Taoists.\n\n4 Lei Kung (2) the God of Thunder.\n\n5 usually read Wei, is read Yu in this surname.\n\n6 The image of Kuan Ti, the God of Loyalty and one of the most popular of deities throughout China also contained a slip which noted that it had been dedicated in the autumn of 1789 in the same area in Wo Kang as the images in illustration 2 and 4. The slip tells us that Devotee Pan Mu-shih, together with his wife, two sons and two daughters-in-law offered sacrifices to the deities in the City God shrine in the local temple, reporting that he and his whole family had had the image of Kuan Ti carved by a scholar. This they respectfully presented to have its eyes opened before the Gods so that it would be able to rid their dwelling of evil spirits and bring them blessings. The latter part of the text on the slip says that, \"Your Honour Kuan Ti is the cleverest, most faithful and righteous in the world both past and present. You are a true spirit, a wonderful inspiration and have the ability to suppress demons. To show you our sincere respect we shall now dress you up, worship you every morning and evening with incense and further, offer you Spring and Autumn sacrifices each year....\n\n7 The provenance of three further images in the shipment, in better condition, is unclear though possibly they came from one of the areas in Hunan or Kiangsi from which the others originated. Of these three, two are versions of Yao Wang (1) the King of Doctors, who is easily recognisable by his tiger and dragon, one below and the other above him, and the small red pearl he holds aloft between his fingers. The third image is Yao Wang's aide, a middle-aged man standing carrying a herbalist's case slung over his shoulder and a furled umbrella in his hand.\n\n* Mr. Stevens has made a further discovery in the matter of ancestral images: see the Notes and Queries section at p. 206.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    {
        "id": 209008,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 170,
        "title": "RAS-1980",
        "content_text": "138\n\n7. Sha Lo Wan\n\nNOTES AND QUERIES\n\nBuilt in 1774, repaired in 1852, 1925* and 1975*. Bell 1774.\n\n8. Tung Chung-inside the Fort but now ruined. No information.\n\nKwan Tai Temple\n\n—\n\n1. Mu Wo (Man Wu Temple) Built in the Ming Dynasty, repaired in 1901 and 1960*. Bell 1961\n\n2. Lo Wai, Pui O— no longer in existence No information.\n\n3. Tong Fuk - No information. No bell.\n\n4. Tai O Market\n\nKwun Yam Temple\n\nBuilt in the Ming Dynasty, repaired in 1741, 1835, 1852*, 1903*, 1959* and 1975*. Bell 1741.\n\n1. Fan Lau- ruined, no information.\n\n2. Tsin Yu Wan near Yi O — ruined, no information.\n\n3. Keung Shan\n\nBuilt in 1910, repaired in 1964 and 1970. Bell 1756, was originally in one of the Pak Tai temples in Kowloon.\n\nHau Wong Temple 侯王廟\n\n1. Shek Pik-Inundated by Shek Pik Reservoir in 1960.\n\n2. Po Chue Tam, Tai O - Built in 1699, repaired in 1877* and 1966*. No bell.\n\n3. Tung Chung-Built in 1765, repaired in 1878, 1910*, 1962* and 1978. Bell 1765\n\nWah Kwong Temple\n\nHang Mei, Tai O — Built in the Ch'ing Dynasty, repaired in 1896, 1954 and 1973. No bell,\n\nSaam Shan Kwok Wong Temple\n\nSan Shek Wan\n\nYuen Tan Temple\n\nNo information.\n\nShek Mun Kap, Tung Chung no longer in existence. No information.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 213755,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 107,
        "title": "RAS-1996",
        "content_text": "78\n\nMin Fong\n\nST\n\n4\n\n25\n\n0+*\n\nNgau Wu Tok\n\nST\n\n3\n\n10\n\n33.3**\n\nLo Sheung Tun\n\nST\n\n3\n\n9\n\n33.3**\n\nMau Liu Shui\n\nST\n\n5\n\n13\n\n38.5**\n\nCheung King\n\nST\n\n2\n\n6\n\n33.3**\n\nSiu Lek Yuen\n\nST\n\n73\n\n174\n\n41.9*\n\nMu Ping\n\nST\n\n57\n\n124\n\n46.0\n\nShek Kwu Lung\n\nST\n\n18\n\n55\n\n32.7**\n\nTai Lam Liu\n\nST\n\n23\n\n57\n\n40.4\n\nSha Tin Wai\n\nST\n\n81\n\n180\n\n45.0*\n\nShan Ha Wai\n\nST\n\n24\n\n56\n\n42.9*\n\nKak Tin\n\nST\n\n92\n\n200\n\n46.0\n\nKeng Hau\n\nST\n\n86\n\n195\n\n44.1\n\nTai Wai\n\nST\n\n164\n\n350\n\n46.9%\n\nHa Wo Che\n\nST\n\n31\n\n76\n\n40.8%\n\nShan Mei\n\nST\n\n42\n\n94\n\n44.7\n\nKau To\n\nST\n\n57\n\n130\n\n43.8\n\nHo Lek Pui\n\nST\n\n18\n\n45\n\n40.0*\n\nWu Kai Sha\n\nST\n\n59\n\n135\n\n43.7\n\nSai Shan Wai\n\nYL\n\n7\n\n21\n\n33.3*+\n\nLeung Ka Tsuen\n\nYL\n\n3\n\n8\n\n37.5**\n\nYing Lung Wai\n\nYL\n\n38\n\n94\n\n40.0*\n\nNam Pin Wai\n\nYL\n\n223\n\n519\n\n43.0\n\nShan Pui\n\nYL\n\n118\n\n273\n\n43.2\n\nTong Tau Po\n\nYL\n\n53\n\n116\n\n45.7\n\nNam Hang\n\nYL\n\n44\n\n104\n\n42.3*\n\nHa Che\n\nYL\n\n109\n\n234\n\n46.6\n\nTin Liu\n\nYL\n\n48\n\n105\n\n45.7\n\nLam Hau\n\nYL\n\n107\n\n237\n\n45.1\n\nFui Sha Wai\n\nYL\n\n72\n\n165\n\n43.6\n\nHung Uk Tsuen\n\nYL\n\n56\n\n120\n\n46.7\n\nKiu Tau Wai\n\nYL\n\n71\n\n152\n\n46.7\n\nShek Po\n\nYL\n\n108\n\n257\n\n42.0*\n\nSik Kong Tsuen\n\nYL\n\n178\n\n381\n\n46.7\n\nSan Wai\n\nYL\n\n215\n\n487\n\n44.1\n\nHung Mei Tsuen\n\nYL\n\n21\n\n52\n\n40.4*\n\nFung Kong Tsuen\n\nYL\n\n34\n\n76\n\n44.7\n\nWong Ka Wai\n\nTM\n\n20\n\n50\n\n40.0*\n\nSheung Cheung Wai\n\nTM\n\n52\n\n119\n\n43.7\n\nHang Tau\n\nTM\n\n17\n\n39\n\n43.4\n\nSan Tsuen\n\nTM\n\n22\n\n50\n\n44.0\n\nTai Lam\n\nTM\n\n26\n\n61\n\n42.6*\n\nKeung Ma Wo\n\nTW\n\n*\n\n6\n\n33.3**\n\nSham Tseng\n\nTW\n\n32\n\n72\n\n44.4\n\nSai Hang Hau\n\nSK\n\n3\n\n10\n\n33.3**\n\nPik Uk\n\nSK\n\n5\n\n25\n\n20.0*\n\nShek Pok Wai\n\nSK\n\n4\n\n13\n\n30.8+",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    {
        "id": 213802,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1996",
        "page_number": 154,
        "title": "RAS-1996",
        "content_text": "125\n\nHH\n\nThe volume entitled the Genealogy of the Chens of She Shan contains two or three separate genealogies of Chen surname from which I cannot trace common descent. It seems that some pages were missing in the copy in the Hong Kong University collection. The name pujao, if indeed an ordination name, does not follow the usual long or fa format. It is probably an ordination name from another, more well-known \"folk\" religion, Luozu Jiao, which have ordination names in a format of Pa followed by another character, according to an account in a Qing work of anecdotal literature quoted by Fu Yilin's article \"Qing Qrankong kupan Cilaoguançaizong Qislu Kao\" – first published in 1942 and included in his Fu Yin Zash wusht man Wengao Xiamen Daxue Chubanshe, 1989. The pantheon and practice of Laiozu Jio is not related to the tradition that is the subject of this article.\n\n* According to Lo, op cit, p. 216 n 21. So Lo Pun was a member of an alliance including Lai Chi Wo, a multi-surname village. With one exception, which is not So Lo Pun, all member villages were lineage extensions related to Lai Chi Wo. I know of some Huang people in Lai Chi Wo, but do not know their genealogical relationship with So Lo Pun or whether they celebrated the Fengchao in the past. The genealogy contains a spirit tablet related to Lu Shan and the Three Ladies, a passage of invocation, and two talismans. It is unlikely that the genealogy belonged to a wang specialist, whose repertoire will take up many volumes, not just a few pages in a genealogy as in this case.\n\n*I fail to date any of the generations. Some dates are given in the genealogy using Dynastic year names which cannot be found in reference books for year names. I have not checked as thoroughly some of the year names and title of emperors in the prefaces.\n\nCopied during an interview with the ritual specialist by Lee Lar-mu, then of the Oral History Project of the Chinese University of Hong Kong. For part of the memorial, I have a tape recording of the priest's recitation demonstration during the same meeting for comparison.\n\n12. The Xu's genealogy of Shek Pik, Lantau Island in the British Library collection of genealogies from the New Territories contains a list of offerings for grave worship which begins with one raw pig and one cow. Rubie S. Watson, in her Inequality Among Brothers, Cambridge University Press 1985, p. 43 mentioned the division of raw pork after the ancestral hall ritual at Ha Tsuen but does not say if the four pigs purchased for the occasion were first offered to the ancestors as offerings.\n\n41\n\nHuhur Xinwen Yi hun Xu Zhi, Beijing Zhonghua 1986, p. 181.\n\n\"For the note see Luo, op cit, p. 230. For his picture of the Hakka as \"farmer-scholars\" see ibid, pp. 16-18.\n\n**Luo Op Cit, p. 255-263.\n\n* The description is in vol. 2. In the table of contents, the author has inserted xiang (\"incense\") between Ahuan and Huo. The rite has some interesting features. It uses a long piece of red cloth stretched from the \"lower\" end near the entrance of the hall to the \"upper\" end of the ancestral incense burner, and the ashes were carried over the \"bridge\" thus formed to the incense burner. That additional ancestors are incorporated into the ancestral hall in the",
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    {
        "id": 213826,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1996",
        "page_number": 178,
        "title": "RAS-1996",
        "content_text": "151\n\nTHE HOUWANG CULT AND\n\nTUNG CHUNG'S COMMUNAL CULTURE\n\nHON-MING YIP AND WAI-YEE HO'\n\nWhile the ancestral hall often serves as the socio-political centre of a single-surname village, a temple of folk religion always stands out as the focal point of local people's social and cultural life in such a multi-lineage rural community as Tung Chung. For the dozen or so villages in the Tung Chung valley, the Houwang has long been their principal deity and the Houwang Temple, their main local shrine. For years, the popular worship of the Houwang has functioned as a cultural and social binding force to hold this secluded community together. In what follows, the development of Tung Chung's Houwang cult is traced, and details of the area's religious and social activities and their cultural as well as political significance for the locality are expounded.\n\nTung Chung as a Secluded Community of Multi-Surname Villages\n\nSituated on the north shore of Lantau Island, Tung Chung used to be a strategic port for maritime defence and trade during the early Ch'ing period. The area's economic development was also facilitated by its favourable position in sea transportation at a time when the northwestern New Territories were Hong Kong's economic centre of gravity. With the British occupation after the Opium War, however, the north end of Lantau suffered gradual marginalization and isolation as the colony's economic core shifted eastward to Hong Kong Island. The decline of ocean transport to north Lantau and underdeveloped overland communication with the southern part of the Island, in effect, kept Tung Chung in a state of seclusion. Hills to the east, south, and west separated this valley from other parts of Lantau. Between Tung Chung and Bak Mong in the east, Mu Wo and Tong Fuk in the south, and Tai O in the west, there were only muddy paths over the mountain or along the shore. Before transportation improved in the 1960s, travel between Tung Chung and these districts on Lantau required two to three hours by foot, roundtrip. Communication was even more difficult with regions outside of Lantau. Beginning from the 1920s, a few ferries carrying goods sailed on\n\nPl",
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