[
    {
        "id": 207528,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 296,
        "title": "RAS-1975",
        "content_text": "288\n\nRank\n\nName\n\nCorporal\n\nLeath*\n\nN.J.\n\nMr\n\nLeghorn\n\nJ.\n\nDONALD C. BOWIE\n\nUnit\n\nR.A.M.C.\n\nAtt. R. Engineers\n\nW.O.I.\n\nMuxlow*\n\nJ.L.\n\nR.A.M.C.\n\nPrivate\n\nMolloy*\n\nW.\n\nR.A.M.C.\n\nCorporal\n\nNicholls*\n\nR.\n\nR.A.M.C.\n\nS/Sergeant\n\nPlatt*\n\nJ.H.\n\nR.A.M.C.\n\nSergeant\n\nPeasegood\n\nH.\n\nR.A.M.C.\n\nCorporal\n\nPike\n\nS.C.\n\nR.A.M.C.\n\nPrivate\n\nPratt*\n\nD.G.\n\nR.A.M.C.\n\nL/Corporal\n\nRennison\n\nR. Engineers\n\nS/Sergeant\n\nRoberts*\n\nJ.H.\n\nR.A.M.C.\n\nCorporal\n\nReynolds*\n\nJ.S.R.\n\nR.A.M.C.\n\nPrivate\n\nRichardson\n\nJ.\n\nR.A.M.C.\n\nPrivate\n\nRoberts\n\nT.\n\nR.A.M.C.\n\nPrivate\n\nRoss*\n\nL.\n\nR.A.M.C.\n\nMajor\n\nSwyer\n\nJ.E.\n\nR.A.M.C.\n\nRevd.\n\nSquires*\n\nS.J.\n\nR.A.Ch.D.\n\nPrivate\n\nSinclair\n\nA.L.\n\nR.A.M.C.\n\nPrivate\n\nSkimins\n\nW.\n\nR.A.M.C.\n\nPrivate\n\nSyme\n\nJ.A.\n\nR.A.M.C.\n\nPrivate\n\nStanley*\n\nE+\n\nR.A.M.C.\n\nS/Sergeant\n\nShorthouse\n\nG.P.\n\nA.D. Corps\n\nSergeant\n\nSmith\n\nA.W.\n\nA.D. Corps\n\nM.S.M.\n\nSims*\n\nE.\n\nR. Engineers\n\nQ.M.S.\n\nSamways*\n\nW.\n\nR. Engineers\n\nCorporal\n\nThompson\n\nR.\n\nR.A.M.C.\n\nCorporal\n\nTwitchett*\n\nA.\n\nR.A.M.C.\n\nQ.M.S.\n\nTyas*\n\nT.A.\n\nR. Engineers\n\nCorporal\n\nWhybro*\n\nR.A.M.C.\n\nCorporal\n\nWilkinson*\n\nCorporal\n\nVarty*\n\nR.A.M.C.\n\nR.A.M.C.\n\nFootnote:-\n\nNo asterisk\n\nOne\n\nTwo\n\nServed in Bowen Road only\n\nServed in Bowen Road and Central British School Served in Central British School only\n\nshould be rewritten in HTML as:\n\n288\n\n  \n    Rank\n    Name\n    Unit\n  \n  \n    Corporal\n    Leath* N.J.\n    R.A.M.C.\n  \n  \n    Mr\n    Leghorn J.\n    Att. R. Engineers\n  \n  \n    W.O.I.\n    Muxlow* J.L.\n    R.A.M.C.\n  \n  \n    Private\n    Molloy* W.\n    R.A.M.C.\n  \n  \n    Corporal\n    Nicholls* R.\n    R.A.M.C.\n  \n  \n    S/Sergeant\n    Platt* J.H.\n    R.A.M.C.\n  \n  \n    Sergeant\n    Peasegood H.\n    R.A.M.C.\n  \n  \n    Corporal\n    Pike S.C.\n    R.A.M.C.\n  \n  \n    Private\n    Pratt* D.G.\n    R.A.M.C.\n  \n  \n    L/Corporal\n    Rennison\n    R. Engineers\n  \n  \n    S/Sergeant\n    Roberts* J.H.\n    R.A.M.C.\n  \n  \n    Corporal\n    Reynolds* J.S.R.\n    R.A.M.C.\n  \n  \n    Private\n    Richardson J.\n    R.A.M.C.\n  \n  \n    Private\n    Roberts T.\n    R.A.M.C.\n  \n  \n    Private\n    Ross* L.\n    R.A.M.C.\n  \n  \n    Major\n    Swyer J.E.\n    R.A.M.C.\n  \n  \n    Revd.\n    Squires* S.J.\n    R.A.Ch.D.\n  \n  \n    Private\n    Sinclair A.L.\n    R.A.M.C.\n  \n  \n    Private\n    Skimins W.\n    R.A.M.C.\n  \n  \n    Private\n    Syme J.A.\n    R.A.M.C.\n  \n  \n    Private\n    Stanley* E+\n    R.A.M.C.\n  \n  \n    S/Sergeant\n    Shorthouse G.P.\n    A.D. Corps\n  \n  \n    Sergeant\n    Smith A.W.\n    A.D. Corps\n  \n  \n    M.S.M.\n    Sims* E.\n    R. Engineers\n  \n  \n    Q.M.S.\n    Samways* W.\n    R. Engineers\n  \n  \n    Corporal\n    Thompson R.\n    R.A.M.C.\n  \n  \n    Corporal\n    Twitchett* A.\n    R.A.M.C.\n  \n  \n    Q.M.S.\n    Tyas* T.A.\n    R. Engineers\n  \n  \n    Corporal\n    Whybro* \n    R.A.M.C.\n  \n  \n    Corporal\n    Wilkinson*\n    R.A.M.C.\n  \n  \n    Corporal\n    Varty*\n    R.A.M.C.\n  \n\nFootnote:-\n\nNo asterisk - Served in Bowen Road only\n\nOne * - Served in Bowen Road and Central British School\n\nTwo + - Served in Central British School only\n\nHere is the corrected version in HTML format:\n\n288\n\n  \n    Rank\n    Name\n    Unit\n  \n  \n    Corporal\n    Leath* N.J.\n    R.A.M.C.\n  \n  \n    Mr\n    Leghorn J.\n    Att. R. Engineers\n  \n  \n    W.O.I.\n    Muxlow* J.L.\n    R.A.M.C.\n  \n  \n    Private\n    Molloy* W.\n    R.A.M.C.\n  \n  \n    Corporal\n    Nicholls* R.\n    R.A.M.C.\n  \n  \n    S/Sergeant\n    Platt* J.H.\n    R.A.M.C.\n  \n  \n    Sergeant\n    Peasegood H.\n    R.A.M.C.\n  \n  \n    Corporal\n    Pike S.C.\n    R.A.M.C.\n  \n  \n    Private\n    Pratt* D.G.\n    R.A.M.C.\n  \n  \n    L/Corporal\n    Rennison\n    R. Engineers\n  \n  \n    S/Sergeant\n    Roberts* J.H.\n    R.A.M.C.\n  \n  \n    Corporal\n    Reynolds* J.S.R.\n    R.A.M.C.\n  \n  \n    Private\n    Richardson J.\n    R.A.M.C.\n  \n  \n    Private\n    Roberts T.\n    R.A.M.C.\n  \n  \n    Private\n    Ross* L.\n    R.A.M.C.\n  \n  \n    Major\n    Swyer J.E.\n    R.A.M.C.\n  \n  \n    Revd.\n    Squires* S.J.\n    R.A.Ch.D.\n  \n  \n    Private\n    Sinclair A.L.\n    R.A.M.C.\n  \n  \n    Private\n    Skimins W.\n    R.A.M.C.\n  \n  \n    Private\n    Syme J.A.\n    R.A.M.C.\n  \n  \n    Private\n    Stanley* E+\n    R.A.M.C.\n  \n  \n    S/Sergeant\n    Shorthouse G.P.\n    A.D. Corps\n  \n  \n    Sergeant\n    Smith A.W.\n    A.D. Corps\n  \n  \n    M.S.M.\n    Sims* E.\n    R. Engineers\n  \n  \n    Q.M.S.\n    Samways* W.\n    R. Engineers\n  \n  \n    Corporal\n    Thompson R.\n    R.A.M.C.\n  \n  \n    Corporal\n    Twitchett* A.\n    R.A.M.C.\n  \n  \n    Q.M.S.\n    Tyas* T.A.\n    R. Engineers\n  \n  \n    Corporal\n    Whybro*\n    R.A.M.C.\n  \n  \n    Corporal\n    Wilkinson*\n    R.A.M.C.\n  \n  \n    Corporal\n    Varty*\n    R.A.M.C.\n  \n\nFootnote:-\n\nNo asterisk - Served in Bowen Road only\n\nOne * - Served in Bowen Road and Central British School\n\nTwo + - Served in Central British School only",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 209596,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 253,
        "title": "RAS-1982",
        "content_text": "231\n\nmusic, a dazzling transformation scene, and a rollicking harlequinade.\" It enlisted a great many people for the leads, chorus and orchestra.\n\nNot everyone in Hong Kong was happy about pantomimes. In 1891 in the \"Beauty and the Beast\" \"the indiscreet censure lately passed by the Bishop upon the Pantomime was noticed in a verse or so--and a comical but somewhat misplaced representative of his Lordship appeared in the Harlequinade\".\n\nThe A.D.C. tried its hand at light opera in 1894 with the performance of Gilbert and Clay's \"Princess Toto\". It was described, however, as \"vapid and unattractive\". The Choral Society had for some years been presenting light operas and had already given \"Iolanthe\" and \"The Gondoliers\". In subsequent years the A.D.C. did \"Trial by Jury\", \"Yeomen of the Guard\", \"His Excellency\", and \"The Gondoliers\".\n\nDuring this same period, along with the works of Gilbert and Sullivan, other currently popular musical plays were staged.\n\nTHE GENIUS OF MR. SINCLAIR\n\nWith more frequent visits of professional companies, the A.D.C. increasingly found it difficult to sustain interest and attendance. This resulted in financial losses and threatened the future of the Amateurs. A new era arrived when Mr. Walter Sinclair assumed direction of A.D.C. productions in 1912.\n\nSinclair was imaginative and venturesome and mounted productions that were different from those presented by the travelling companies. The A.D.C. took on new life.\n\nAmong Sinclair's innovations was his introduction to Hong Kong of the playwright Lord Dunsany. In 1921 he presented an evening's programme of four Dunsany plays. One of these was \"The Compromise of the King of the Golden Isle\". It was the play's world premiere. The setting was Chinese. During the interval preceding it, to set the mood, a group of Chinese amateur musicians played Chinese music. It was particularly noted that the music \"was not unpleasing, for people who have heard only the cymbals and tom-toms may find music in the sweetness of some of the native banjos and fiddles\".",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209597,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 254,
        "title": "RAS-1982",
        "content_text": "232\n\nCARL T. SMITH\n\nThe opportunity to give a world premiere came about in this fashion. Early in the year Mr. Sinclair directed students at the University of Hong Kong in two Dunsany plays. They did not attract much public attention, but Sinclair sent photographs of the production along with some newspaper notices to Lord Dunsany. As a result, he wrote a play about the Gold Isles and sent the manuscript to Mr. Sinclair with the intention that it also should be performed by the students. Unfortunately, they were not able to do so, so Sinclair, as one of the popular A.D.C. directors, decided to have a Dunsany evening and include \"The Compromise of the King of the Golden Isles\". It was full of colour, filled with pomp and ceremony. It is interesting to note that the late Noel Croucher served as a bodyguard in one of the crowd scenes and that Sinclair had consulted Sir Robert Kotewall and Mr. Fung Yuk-shum to get authenticity for the Chinese costumes and other details.\n\nIn 1926 the A.D.C. performed Dunsany's most successful play \"If.\" His plays have been described as \"decorative drama\". Many of them had settings in the Near and Far East.\n\nW. Sinclair was both an innovator and a man of cosmopolitan tastes. During the years he produced plays for the A.D.C., the repertoire ranged from Shakespeare to the future and from fantasy to realism.\n\nThe Hong Kong Mummers presented \"Twelfth Night\" in 1913. It was directed by Mr. Siegler, a name assumed by Mr. Sinclair for some of his early productions in Hong Kong. He later abandoned this pseudonym. \"Twelfth Night\" was billed as the first amateur production of Shakespeare in the Far East. This claim was corrected by the Tokyo A.D.C., which had presented \"As You Like It\" in 1906, \"Midsummer Night's Dream\" in 1911, and \"The Merchant of Venice\" in 1912. The Hong Kong A.D.C. had assisted Miss Janet Waldorf and her small company of professionals in \"As You Like It\" in 1899. It was scheduled for an outdoor performance on the Parade Ground, but this was rained out and it was held in the Theatre Royal. Weather did permit a second performance on the Parade Ground. In 1922, the A.D.C. under Sinclair produced \"The Tempest\".\n\n\"The Blue Bird\" by Maeterlinck was given in 1914. It was",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209598,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 255,
        "title": "RAS-1982",
        "content_text": "233\n\ndescribed as a \"fairy play\". It was an ambitious effort with 100 performers, 50 children, 50 trained birds and a special corps de ballet of 25 and an orchestra of 25. It was a great success. In keeping with the title the theatre was decorated in blue. As the performance was in aid of the Prince of Wales Fund, massive oil paintings of the King and Queen and Prince of Wales painted by Yee Cheong of Wyndham Street,* were prominently displayed.\n\nA similar production, not quite so lavish, was put on the next year. It was a fairy ballet entitled \"Snow White and the Frog Prince\". It was in aid of the Belgium Relief Fund.\n\nAnother very elaborate production was \"Kismet”, an oriental extravaganza, in 1916. It was in aid of the Star and Garter Fund. All the productions during the war period were in aid of some war related fund. Original music for \"Kismet\" was written by Mr. Norman Peterkin of the Robinson Piano Company.\n\n\"Pinkie and the Fairies\", yet another extravaganza, was staged in 1919. It had over sixty performers. The late Sophie Weill Odell appeared as one of the fairies a proper introduction to a long association with the stage through her impresario husband Harry Odell. The programme for \"Pinkie and the Fairies\" listed all the productions of the A.D.C. since 1870.\n\nNot all Sinclair's plays were along the exotic line. In 1916, there was \"The Angel in the House\" the success of this play depended on subtle satiric portrayal of character. It put a great demand on an amateur group. Even more demanding was the 1925 production of Shaw's \"St. Joan\". It was hailed as the greatest triumph of the A.D.C.'s existence. \"A great play, magnificently acted\" \"Memory fades and achievements diminish; time weaves a dusty web over the past and the glamour of a praise-worthy act wears off. History never dies, nor will this epoch-making performance of the A.D.C. be forgotten when the social history of Hong Kong is compiled\".\n\nSinclair also appreciated the sophisticated humour of Noel Coward. \"I'll Leave It to You\" was staged by him in 1922, It had been Coward's first play produced in London, some two years previous to its Hong Kong appearance.\n\n* Hong Kong Daily Press, 1 Apr. 1884, Advertisement: Yee Cheong, portrait painter, studio corner of Wyndham and Wellington Streets.\n\nPage 255\n\nPage 256",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    }
]