[
    {
        "id": 211818,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 233,
        "title": "RAS-1989",
        "content_text": "208\n\n12.10.1858 (Tue)\n\nConcert by Mr. Martin Simonsen\n\nN: No review was published.\n\nMr. Simonsen had also visited Hong Kong; there he had given his last recital on September 20, 1858 (CM 23.9.1858).\n\n16.2.1859 (Wedn)\n\nT: Comedy (2 acts)\n\nJ.M. MORTON: \"Whitebait at Greenwich\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of H.M.S. Highflyer\n\nTh: Theatre Royal (E)\n\nR: For the first night of the amateur season \"a very numerous audience was collected and the presence of nearly all the beauty and fashion (we allude to the eccentricities [what may these have been? - JH] of masculine as well as to the elegancies of feminine costumes) of Shanghai imparted to the front benches a very brilliant appearance, which was further enlivened by the smiling faces of two or three laughing cherubs whom we detected nestling under the maternal wing\". For the occasion the drop pictured \"a very faithful (our travels in Italy enable us to state) representation of a most romantic spot on the banks of the Lago Maggiore\". Sink or Swim was found to be a \"dull plagiarism upon our old favourite 'Used Up'\" but it passed off with the utmost special due to the talents and exertions of the actors\", among whom \"Mr. PETREL's Mr. Scampley struck us as well conceived, a swindling roué's impertinence dashed by a sense of uneasiness\", Mr. FARREN (again a stage name after a London actor: William Farren, 1786-1861) sustained Lord Yawnley \"admirably\" and Mr. PICKWICK displayed as Adam Stirling all \"the quaint humour of his immortal ancestor\". Miss WALTERS, however, was thought to have been less fit for the part of Mrs. Stirling. She did not upon all occasions evince that grave decorum which usually characterises the British matron\". Morton's Whitebait at Greenwich was, as on January 23, 1856, a hit. This time Mr. PICKWICK took the part of Benjamin Buzzard in a \"quiet and most natural style of acting\". Mr. Phunago BRUSHWOOD - \"an actor of the Keeley-Robinson school, possessing a racy humour of his own\" played John Small and it was \"a gem of low comedy\". Of course there was Mrs. NESBIT, as well as Miss WALTERS whose portrayal of the servant maid came off much better than her Mrs. Stirling: \"we do not wonder at Mr. Buzzard's having been caught by her saucy face and bright complexion\" (NCH 19.2.1859). (Robert Keeley, 1793-1869, and Frederick Robson, 1821-1864, were both well known low comedians in Britain).\n\n22.2.1859 (Tue)\n\nConcert by Prof. Shonbrun, piano, and some local amateurs.\n\nTh: Theatre Royal (E)\n\n+\n\nR: The concert was given in the (New) Theatre Royal of the amateur dramatic corps, but acoustically it was not very satisfactory. No wonder that many of Mr. SHONBRUN's best efforts and most brilliant passages did not fully reach the audience\", an audience which was not very numerous in the first place, which too has its influence on the sound. For the following concert it was foreseen that \"a small scene will be erected and the wings closed in\".\n\nFor the time being the critic refrained from any strictures on the soloist, except that he hoped that \"on the next occasion Mr. Shonbrun will lead us to a higher class of pianoforte music than that put forward on Tuesday last\". It will come as no surprise that there was a eulogy on the amateurs who participated: \"the tenor solos were given with taste and genuine voice and the recall with which he was unanimously favoured was well merited\". (NCH 26.2.1859).\n\nT",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211820,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 235,
        "title": "RAS-1989",
        "content_text": "210\n\nBagshaw and Bradshaw, the critic had to admit that \"what it was all about we were utterly unable to discover\" (NCH 4.6.1859).\n\n15.2.1860 (Wedn)\n\nL.S. BUCKINGHAM: \"Take that Girl Away\" (1855)\n\nT: Comedy (2 acts)\n\nC. SELBY: \"A Fearful Tragedy in the Seven Dials\" (1857)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nTh: N.N. (F)\n\nN: First performance of the season\n\nR: The new theatre was only a small one and therefore it was announced in the Herald of February 11 that \"admission will only be given to ticket holders. Tickets will be distributed with the Bills to the various Hongs and any Gentleman who may be accidentally omitted will be supplied on written application to the Manager\". From time to time politics continued to turn up in the playhouse. It was the time of the English and French wars in China; the United States was not taking part in them, only sharing in the spoils, yet the following remark closed the review: \"We beg permission to observe that we should have been glad to have seen the 'Star Spangled Banner' floating over the proscenium along with the colours of France and England. All honour to the Anglo-French Alliance! But our American cousins form, in every respect, so important a section of this community that the absence of their flag on an occasion like Wednesday evening would seem to be a discourtesy of which we feel very sure that the worthy management never was intentionally guilty\". Tonight, and on March 15, the faces of Messrs. PICKWICK, BRUSHWOOD, and TINTINNABULUM as well as that of Mrs. NESBIT were absent from the stage; others like Miss WALTERS and Mr. PETREL had remained. Making their debut were Mr. ADOLPHE, \"gifted with both self-possession and a good voice\"; Mr. WITHAM who, as Cuttle (in Take that Girl Away) \"displayed a steadiness and a clearness of enunciation calculated to make him a valuable actor in 'utility' parts\"; and Mr. NATIVE whom the reviewer thought \"better fitted to shine as a sentimental than as a grotesque lover\". Miss WALTERS was \"dressed to perfection, played as well as ever (can we say more!) and was charmingly feminine\". In A Fearful Tragedy in the Seven Dials, there was the first night of Mr. C. AITCH as Slumpington for whom **a great future success in 'character parts' was predicted. These hopes were not realised, however, for I have not found his name again. For the umpteenth time, the Herald judged the pieces that were represented weak - to put it mildly. (NCH 18.2.1860).\n\n15.3.1860 (Thur)\n\nT. TAYLOR: \"Still Waters Run Deep\" (1856)\n\nT: Comedy (3 acts)\n\nJ.M. MORTON: \"Poor Pillicoddy\" (1848)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of H.M.S. Imperieuse\n\nTh: N.N. (F)\n\nN: Second performance of the season\n\nR: This second night took place in a house that was \"crowded in every part\" and proved \"in every respect highly successful\". The \"Man on the Bund\" had no longer a say in the theatrical reports, and the piece about which he had been so dissatisfied (see 23.4.1857), Still Waters Run Deep got a far better critique now: \"in that scene in the second act in which the villain Hawksley is unmasked, the interest was raised to an exciting pitch and sterling dramatic ability displayed by the performers\". No actors were mentioned, but in Poor Pillicoddy, a \"young gentleman made his first appearance",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212617,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 171,
        "title": "RAS-1991",
        "content_text": "151\n\nalong the dismantled track ran no trains, under whose wheels we could get our dummy mines, as we had been able to do in Burma where the alarm created by their noisy, if harmless, explosions had often confused the Indian engine drivers.\n\nThe magistrate was helpful: he devoted two days to tramping round with us from village to village, until we could decide where accommodation for the school might be most suitable; and he promised to build a short length of road to connect the village finally selected with the motor road so that our lorries could drive right up to the door. The village was some miles outside a small country town; I shall call it Chin Ya, the Golden Duck.*\n\nNew Year's Eve fell while I was making these investigations. The local general, with that consideration which is the charming mark of Chinese breeding, fearing I should be lonely, invited me to dinner. Since arrival in the 3rd War Zone I had asked to be kept informed of any parties of foreigners escaping from Shanghai, but no news of any escapes had come through. It was accordingly with the greater pleasure, as we were sitting down to dinner, that I was surprised by the entry of a tall bearded figure, wearing a long Chinese gown, and heard myself addressed in English. He was the first foreigner to escape from Shanghai, an American, Mr. Hawkins, the manager of one of the branches of the big American bank which had offices in China.\n\nHe told us his story while we ate our dinner. Having only just returned from leave in the States, he was staying at an hotel, which happened to be near the Bund. Early on the morning of December 7th he was wakened by the sound of gunfire. He went out to investigate and found that Japanese destroyers were sinking H.M.S. Peterel in the Whangpoo River just off the Bund. He realised that war must have broken out and dashed round to his bank to 'phone his manager. He then returned to his hotel, packed a small bag, got into his car, and drove out to the stables in the western suburb, where a friend kept two ponies which he had permission to ride. He saddled the ponies, and riding the one while leading the other, passed through the gate at which a Japanese sentry stood guard where the road crossed the barbed wire barrier surrounding Shanghai. The barrier had originally been put up by the foreign troops holding the\n\n* It is in the Tianmushan mountains, near the border of Chekiang and Anhwei, near the country town Anchi",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    }
]