[ { "id": 204528, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 9, "title": "RAS-1963", "content_text": "September 27th\n\nOctober 16th\n\nShow of three documentary films made by Mr. Hugh Gibb for B.B.C. Television:\n\n\"Rituals of Rice\" (colour) describes rice growing in Japan and old Shinto practices associated with transplanting and harvest festivals.\n\n\"Zen\" (black and white) is the first film to be made in a Zen Buddhist monastery in Japan. Permission was granted only after several months of negotiation and then the film had to be shot in one morning.\n\n\"Dance and Drama\" (colour) won the Gran Premio award for T.V. documentaries at the Bergamo Film Festival in 1961 and describes the evolution of dance and drama in Japan including the Kagura, the traditional village drama, and abridged performances of puppet plays, Noh and Kabuki theatre.\n\nThree further films made by Mr. Hugh Gibb: \"The Dyaks\" tells the story of the communal life and customs of the Sarawak \"Long Houses.\" \"Birds' Nest Soup\" was made in the Great Cave of Niah in Sarawak, where edible birds' nests are collected from the walls and ceilings to prepare one of the most expensive delicacies in the world.\n\n\"Turtle Island\" takes place on a small island off the coast of Sarawak where as many as one hundred turtles come in the course of one night to dig their nests and lay their eggs. The film tells the story of the cumbersome process and of the scientific work on these edible turtles, the collection and sale of whose eggs is a considerable industry.\n\nThe lectures in January and February by Professor S. H. Hansford on \"Some Problems of Ancient Chinese Jades and Bronzes\" and by Mr. R. D. Bromhall on \"Underwater Photography in Eastern Seas\" will be included in the Report for the coming year.", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 205353, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 115, "title": "RAS-1967", "content_text": "108\n\nREV. MR. KRONE\n\n4,000 feet in height. It is a steep mountain, and its ascent in some parts is dangerous, - even in the commonly-used track, the coolies take off their sandals, and travel barefooted. Some hundred years ago, some rich people caused paved ways to be made to various parts of the mountain, but these paths are now in ruins. The mountain and its neighbourhood afford many plants esteemed by the Chinese which are not found in other parts of the districts, and particularly medicinal herbs, which are sought after by the Chinese doctors and apothecaries.\n\nYeong-toi-shan is reckoned the second mountain by the Chinese, and lies 30 le north of the district town; and, according to Chinese geomancy, its peculiar conformation shows that it exercises a beneficial influence over the district city. The ascent is neither steep nor difficult; the eastern side is almost entirely over-grown with underwood, and the rest of the mountain is covered with grass, among which thickets are interspersed. Regular employment is afforded to a number of Hakka people in collecting this grass and underwood, by which, with hard toil, they earn a scanty livelihood. From the summit of Yeong-toi one has an extended view, nearly the whole district of Sanon is seen, and one is astonished at the barren masses of hills, constituting a veritable sea of mountains, which covers nearly the whole district. In clear weather, Canton itself and Victoria Peak are visible. On the summit of the mountain there is an altar erected, and here the people are accustomed to congregate and offer up petitions for rain when they have been afflicted with an unusual drought.\n\nAbout four years ago I wished to ascend this mountain, but the Hakka people opposed my doing so, because they thought I must be seeking for precious stones; but at last I accomplished my object in the company of a collector of herbs, who interceded for me. Among the plants we gathered were the following,---\n\nUraria crinita, D. C.\n\nRosa nivea, D. C.\n\nQuamoclit vulgaris, Choisy.\n\nDicerma elegans, D. C. Ixora stricta, Roxb.\n\nClerodendron fragrans, Vent. Mussaenda pubescens, Aiton. Platanthera Susanna, Lindl. Osbeckia chinensis, Linn, Baeckia frutescens, L.\n\nRhodomyrtus tomentosa, Wight. Uvaria badiiflora, Hance. Clerodendron pentagonum, Hance. Melastoma candidum, D. Don. Melanthesa chinensis, Blume.\n\nHabenaria linguella, Lindl,\n\nBuchnera stricta, Ham,\n\nPteroloma triquetrum, Bth.\n\nStriga hirsuta, Bth. Vernonia congesta, Bth.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 206612, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 160, "title": "RAS-1972", "content_text": "ARCHAEOLOGY IN H.K. AND SOUTH CHINA\n\n163\n\nquartz and jade, and stone beads, adzes and lance heads were discovered. Some of the pottery bore makers' marks, which seemed in some cases to resemble archaic Chinese characters. To deal with the problems raised by these and the ornaments on much of the pottery, the chief of which was a symbol resembling a long f and showing several variations, Prof. Shellshear invited the collaboration of the late Father Finn, S.J., a distinguished scholar in the Regional Seminary at Aberdeen, Hong Kong, and a lecturer at the University of Hong Kong. Father Finn devoted himself thenceforward to a careful study of this site and its culture, and published thirteen papers in the Hong Kong Naturalist on the subject, basing his work on a profound study of archaeological literature in neighbouring countries, Japan, China, Indo-China, the Straits and elsewhere.*\n\nThis study was greatly aided by the decision of the Hong Kong Government to have the site excavated at its own expense. In five weeks' work about half the undug portion of the sandbank was excavated to a depth of 6 to 7 feet, and some thousands of pottery fragments, a large number of other objects of stone, quartz, jade, bronze and even two or three partly of iron, were unearthed. Father Finn conducted this excavation, and included the description of the results in his articles.\n\nFather Finn also worked at other sites on Lamma and Hong Kong islands, and during visits to St. John's Island (where St. Francis Xavier died), and the Swabue district near Swatow, discovered more sites. The latter district gave very interesting and important results, which have recently been outlined in a paper by Father Maglioni in the Hong Kong Naturalist.\n\nIn 1932 Professor Shellshear brought the facts then known about Hong Kong's prehistory before the scientific world at the Prehistorians' Congress at Hanoi, whose proceedings were published by the École Française d'Extrême Orient as the Praehistorica Asiae Orientales (Hanoi, 1932). Father Finn summed up the results of his work at the Lamma Island site at the Manila Congress of the same body in 1935.†\n\n* A list of publications on local pre-history that includes those mentioned at various places in this article can be found at the end.\n\n† Whose proceedings were not published. I have Mr. Schofield's notes and can make them available to anyone who may wish to consider filling a gap in our published records.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206893, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 170, "title": "RAS-1973", "content_text": "164\n\nNOTES AND QUERIES\n\ntraditional Buddhist scenes. Wat Suwannaram on Klong Bangkok Noi is one of the best known temples for murals. The building was constructed in the reign of Rama I and its paintings, dating from the time of Rama III, were executed by two artists, Luang Vichit Chetsada and Kru Khonpae, whose names have, unusually, come down to us. The wall inside the entrance illustrates the conquest of the Buddha over the spirit of evil, Mara, and the wall behind the altar shows the Buddha descending to the earth, the Traibhumi. At the upper levels on the long side walls are rows of orahan or followers of the Buddha, and between the windows the jataka tales, the stories of the last ten incarnations of the Buddha-to-be, are represented, the whole of the left-hand wall being given over to the very last jataka, the Vessuntarajataka, or renunciation. The paintings are remarkable for their delicacy and charm.\n\nSome more examples of traditional Siamese painting were to be seen in the collection in Krisnavara House, the home of the epigraphist and art historian Alexander B. Griswold, which was opened specially for the tour. Mr. Griswold's collection of rare Sukhothai porcelains and ancient stuccos and bronzes was much appreciated.\n\nThe Siam Society, a learned body established in 1904, has a traditional northern house, the Kamthieng museum, re-erected in one corner of its fine grounds. The Society was the setting for an introduction to traditional Siamese folk opera, likay. Especially for the tour, the Hom Huan troupe of actors performed with verve the story of Chantakorop. The prince of this name falls in love with a fickle girl Mora who has come from a magic casket and who agrees to be his wife, but she is then attracted by a bandit leader and enables him to kill Chantakorop. The prince is taken up to heaven by the god Indra, the bandit leader runs away from his new wife who is alone and hungry in the jungle. Indra, disguised as a bird, offers her food on condition she marries the bird. She agrees and is transformed into a gibbon as a reward for her fickleness.\n\nLikay is an old theatrical form, possibly of southern or Malay origin, but having by syncretism absorbed most other Thai theatrical forms including the masked dance khon. Once extremely popular, it is now dying out in the capital. It is rumbustious and bawdy, and incorporates popular songs, traditional dance and improvised dialogue. The costumes are gay, extravagant and imaginative. The small orchestra of six performed on traditional instruments.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207320, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 88, "title": "RAS-1975", "content_text": "80\n\nHELGA WERLE\n\nThe girl comes out of hiding, and the fortune-teller takes her to safety.\n\nSU LIU-NIANG (SIXTH DAUGHTER SU) *** Drama in 10 acts, lasting about 3.4 hours.\n\nDramatis personae: Su family: Uncle, the eldest of the Su clan Mr. Su and Mrs. Su, their daughter, Liu-niang (6th young lady),* her maid, T'ao-hua, 1 girl-servant and 2 man-servants\n\nAct I\n\nyoung master Yang young master Kuo\n\nand his wet-nurse cousin of Liu-niang\n\nTao-hua the maid comes to the river returning from Hsi-lu\n\nwith a parasol, gay silk trousers and jacket, her hair in two knots one over each ear garlanded with flowers, the temple hair hanging down in two long strands which are adorned with coloured silk-strings. She calls the ferryman [old man-servant type with white beard], who arrives rowing with an oar. There are no other stage props. The movement of the boat is all indicated by mime.\n\nT'ao-hua hides behind the parasol fooling the ferryman and suddenly surprises him by showing her face. Then she pretends to be afraid to jump on the ferry, so the old man tries hard to bring the boat closer. With a wicked smile she jumps on the boat with all her strength, causing it almost to turn over. They perform a beautiful dance to balance the boat and she pretends to be terribly frightened.\n\nThey then start chatting and T'ao-hua proposes to sing a couplet each, composing it as they go along. But which of them first says things that are wrong or cannot rhyme has lost. The old man starts, \"In the first month all flowers bloom...\". T'ao-hua carries on, \"In the 2nd month the cotton tree blooms\" and so on.\n\n*The names of sons and daughters of important families (those with high doors) in these operas are called, for example, Su Liu-niang, meaning the sixth daughter of the Su family. The parents Su have only one daughter, but she is still called the sixth daughter because she is the sixth girl born in this generation to all the brothers of Mr. Su. The same is the case for Wu-niang meaning 5th daughter, called such although she is the only child of her parents. Ch'en San is the third (son) of the Ch'en clan. The term 'niang' is an address for a young lady, whereas the word 'chieh' 'sister' is used for a girl of humble birth.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207321, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 89, "title": "RAS-1975", "content_text": "NOTES ON CHIUCHOW OPERA \n\n81 \n\nuntil the 12th month. Then it is the ferryman's turn again and he happily goes on, \"In the 13th month.\" but T'ao-hua catches him, \"Haha! You have lost because there is no 13th month”. They argue but he cannot win, and now they realise that the current has taken the boat too far downstream. This is a most delightful scene, a fully choreographed dance with the music based on Chiuchow folk tunes. The music and the dance are fresh and cheerful. This opening shows characteristic features of Chiuchow opera; it is beautiful, lighthearted and full of songs and dances. \n\nAct II \n\ntakes place in the garden of the Kuo family's mansion in Hsi-lu. Hsi-lu is the native place of Mrs. Su who is of the family Kuo. As she has only one daughter Liu-niang she always sends her to Hsi-lu to study and to play in the company of her cousin Kuo Chi-ch'un, with whom she has fallen in love. Liu-niang decided to declare her love to him today. She carefully drops a jade-pendant, and when she hears his steps, hides and lets him search for a while, and then throws a flower at him. He now expresses his understanding of the purpose of this meeting, but she of course denies it, blushing with embarrassment. He finds the jade-pendant, and realises how earnest she is about her feelings. So he cannot hold back any longer the news that he is leaving to sit for the civil examination; but they vow that when he comes back they will happily stay together like two butterflies. T'ao-hua appears and watches this scene, and jeers at them. The young lady takes a pin from her hair and asks T'ao-hua to act as go-between, then she hurries away. T'ao-hua gives the pin as a betrothal gift to the cousin, and asks him to take up the question of marriage seriously after his return. Then she follows her young lady. \n\nAct III \n\nThe eldest member of the Su clan visits Mr. and Mrs. Su, and urges them to think of marrying off their daughter. He has a very good match in mind, namely the son of the Yang family who is not only very well-to-do and young but has already passed the District Civil Examination and can call himself Hsiu-tsai (elegant talent). Mr. Su is indeed very pleased to hear of these prospects, and agrees wholeheartedly to this match. \n\nAfter the eldest of the Su clan has left, Mrs. Su accuses her husband of dealing with such an important matter too lightly; agree-", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207322, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 90, "title": "RAS-1975", "content_text": "82\n\nHELGA WERLE\n\ning without giving any thought to it, and above all without hearing the opinion of their daughter about it. But the father repudiates these comments, saying that it is the duty of parents to choose a husband for their daughter and the duty of the daughter to obey.\n\nAct IV\n\nAs soon as the daughter has returned from cousin Kuo's home, the parents inform her about the arranged marriage. Completely shocked she says that this is out of the question, and that they should ask T'ao-hua for the reason. Then she bursts into tears and runs out. T'ao-hua is terribly frightened and follows her, but is summoned back by Mr. Su.\n\nNow the questioning begins. A girl servant fetches \"the law of the house\" [two approx. 60 cm long bamboo-halves fastened together on one side as a handle*]. It comes out that as the daughter spent so many happy years playing and studying with her cousin, the children's fondness for each other has grown into love. They have already openly declared their love and vowed to marry.\n\nT'ao-hua is scolded and accused of letting all this happen, and is asked why did she not inform the parents. Mr. Su beats her. The movements of this scene are beautifully mimed and choreographed into dance, as T'ao-hua kneels and whimpers cries for mercy. Mr. Su holds her left hand and mimes to beat her back. She walks in a circle around him using the ai-tze-pu (dwarf-step) very characteristic of Chiuchow opera. It has been suggested that this imitates the shadow-puppet's way of hurried walk. The knees are bent because the puppet has a joint there, but this joint is not controlled. [In this dwarf-step one foot is put on the ground, then that knee is put on the ground, then the other foot, and then the other knee, etc.].\n\nBut then the mother scolds the father for bringing their only daughter into such a calamity. They now both listen to T'ao-hua's clever arguments and sympathise with their daughter and her maid. They decide to put off the intended marriage with the Yang family until they find a way out of this contract.\n\nAct V\n\nMr. Yang travels with his wet-nurse to Chiuchow to visit the Su family personally. Being betrothed to Su Liu-niang he wants\n\n, used for punishment.\n\nPage 90\n\nPage 91", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207979, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 18, "title": "RAS-1977", "content_text": "largest, and most famous of the New Territories' Chinese kinship groups being settled in the area for over 900 years. Notes were again provided and will be published later in the Journal.\n\nThe December tour of Sri Lanka was very comprehensive and included a number of archeological sites not usually possible to visit in a short tour by the average tourist. We were fortunate enough to obtain the expert guidance of Ms. de Silva who volunteered to lead the tour and Ms. Berger who helped make many of the arrangements. I know that some members found the housekeeping side a shade more primitive than they would have preferred but I think that we compare favourably with many tourist agencies arranging accommodation from Hong Kong and providing a great deal more guidance and variation than does the average tour. It is not always possible to see places off the well-worn commercial track and enjoy all the facilities of the modern commercial world, to some extent these objectives being mutually incompatible. However if any members have suggestions as to how to improve the arrangements and take in the more unusual kind of visit—of course, in the same length of time—we would appreciate very much hearing from them, and this goes also for members who would themselves like to arrange a tour on our behalf.\n\nIn February a young exponent of the classical dance of South India gave a talk illustrated with the basic dance movements and related gestures and expressions. Also in February the tour of Borneo took place, participants visiting Sarawak, Brunei, and Sabah. The tour was very fortunate in gaining the help of people associated with museums in Sarawak, Sabah and Brunei who also provided unsolicited hospitality. I would like particularly to acknowledge our gratitude to Mr. Lucas Chin, Curator of the Sarawak Museum, Mr. P. M. Shariffuddin, Director of Museums, Brunei, and Mr. David McCredie, Curator-designate of the Sabah Museum.\n\nOn February 16, Mr. Chuang Shen of Hong Kong University's Department of Chinese talked about newly discovered rock engravings in China, and made comparisons with findings and techniques of engraving in many other parts of the world. A tour of the Chinese porcelain exhibition at Fung Ping Shan Museum, University of Hong Kong, took place also in February—or I should say three tours—for so popular was this event arranged in connection with the Arts Festival, that three different parties had to be arranged for our members. Dr. Michael Lau, Curator of the Museum,", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208120, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 159, "title": "RAS-1977", "content_text": "CHEUNG CHOW LONG ISLAND\n\n143\n\npainted to the eyes, and clad in gay garments. Behind these a band of native musicians, youths dressed in gaudy clothes, provide the melody and rhythm. The dragon shakes his head and stamps his feet to the rhythm, the bearers grunt and sweat, the musicians fiddle and bang and blow, the spectators spit and chew, laugh and talk, admire and applaud. The last player disappears round a bend in the street and another procession begins to form itself with much good-natured chaff and chatter. Meantime the dragon processions which have already been sent off wander through the distant fields, and the curious rhythm of the dance rises and falls in every corner of the glens.\n\nSo much we have seen for ourselves, but our kind host, who has lived on the island for many years, tells us that on the great day of the feast, all the small processions meet at the special matshed, where are assembled also some of the local gods, as well as visiting deities who have been brought by the folk from other towns and villages. All these gods are then carried in procession to the Pak Tai Temple to make their how to the occupant. Following this they are carried about a mile to the temple of the Queen of Heaven, the Lady of the fisherfolk, through the streets densely packed with fishermen and townsfolk, and thousands of visitors. At this temple the processions stand aside, and the gods in their chairs of state are raced back to the special matshed. The first god to arrive, even if he arrives in several pieces, brings to his devoted supporters the best of luck during the year.\n\nIn the afternoon the cones are overturned and there is a scramble for the cakes, which are then eaten with the happiest consequences for all concerned. It would be interesting to hear more exactly what these benefits are, for the whole feast looks like an ancient fertility cult.\n\nWe are much indebted in this account to notes jotted down by Mr. A. C. Franklin, and kindly put at our disposal. The opportunity to witness the Moon-cake festival was also due to his kindness. If we have not reproduced all the interesting and suggestive comments which those notes contain, it is because we hope that he will find time to throw them into literary form and publish them. Meantime we would welcome corrections, and an elucidation of the meaning of the feast from our students, some of whom might well take time to visit Cheung Chow for that purpose.", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208678, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 135, "title": "RAS-1979", "content_text": "108\n\nREVS. J. SMITH AND WM. DOWNS\n\nthat $30.00 go to the community kitchens, the rest to the individual. However, now, due to discounts, the increase in prices and the delay in getting these parcels moving, we get about 37% less than we otherwise would. Again we Maryknollers divided out $75.00 into two portions, one of $50.00 for our own little community kitchen, and the remaining $25.00 being personal. So in the final analysis, each individual got about $16.00 worth of food and toilet articles. To satisfy our craving for sweets, most of us got bulk chocolate, only to find that this was a bit wormy. However, we soon boiled the worms out of their happy home, and consumed the home. The repatriation boat delayed until the 23rd of the month, and there will be a choice of first, second and third-class passage.\n\n12- Another funeral service for Mr. Engdall, with Father Toomey officiating and Father Allie giving the eulogy. Drawing takes place today for staterooms on the Asama Maru. The American kitchen staff quits, in order to pack up for departure. No tears shed!\n\n13- The International Welfare Association hands out a few more goods, such as handkerchiefs, toilet paper, etc. A new squad of cooks take over and everybody pronounces the food better cooked. Photographs of the repatriates taken on the lawn. An entertainment this evening outside on the Bowling Green in front of the American Club building. It is surprising what talent there is in the Camp, and these entertainments are well received.\n\n14-Sunday. Masses change to 8:15 and 9:00. We learn from the Bamboo Wireless that Bishop O'Gara and three Maryknoll Sisters have left Hong Kong for Kwongchauwan for the interior.\n\nThe following days were quite uneventful. On the 17th, a meeting was held in which a little more information on repatriation was given out. The examination of baggage is to be very strict — no books, no diaries, no money, not even Bibles with notes scribbled on the margin to be allowed. The Hong Kong News says that several Maryknoll Fathers have been released from Camp. That's certainly news to us! Another report says that each repatriate is to receive one hundred yen for the trip, while another says that $250.00 U.S. currency will be allowed to be taken aboard the boat.\n\nOn the 19th, a dance was held in the Club from 7:00 to 9:00 p.m., the curfew being extended half an hour by special permission.\n\nPage 135\nPage 136", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208686, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 143, "title": "RAS-1979", "content_text": "116\n\nREVS. J. SMITH AND WM. DOWNS\n\n26-Sunday. Another Gingles meal of a real slice of meat, fried sweet potatoes, spinach and rice, with some Philadelphia rice scrapple for breakfast. Our rations seem to be getting less and the rice poorer, and we have to spend quite a little time in picking the worms out of the rice and the weevils out of the flour. The Shanghai groups finally get away at 2:00 p.m.\n\n28--A softball league starts up, as the British are getting quite enthusiastic about the game, but they lose the first game to the Americans, now mostly Maryknollers. At present there are some six teams lined up; i.e., The Police, St. Stephen's, The College, the Indian Quarters, the Married Quarters, and the Americans. We have two grounds, one in the back of the American blocks on a large tennis court space, and the other down at the Indian quarters, and the games are played after supper.\n\n30-Father Tackney develops an ear infection, apparently from swimming, and Dr. Talbot is treating him. A Miss Rose died today.\n\n31-No softball, as the rain continues. Many of the British have not yet received their parcel of food, arrangements for which were begun some three months ago. Today we received as rations 9 pounds of meat, of which about 6 pounds were fat. The fat, of course, will come in handy for frying things, but the lean meat will not go far among 41 people.\n\nAUGUST\n\n1-The Hong Kong dollar was further devalued today at a rate of four to one military yen. Canteen prices further increased.\n\n2-Sunday. Mrs. Williamson, Catholic, dies. Monday, Father Hessler sang a High Mass for the repose of her soul. Mr. and Mrs. Nance, American missionaries, who did not want to be repatriated, and who live in our Block, next to the Sisters, announce the birth of a baby boy, Jonathan Goforth Nance, in Tweed Bay Hospital. They already have two small children. After some delay incident to moving our quarters, language classes start again, but only one hour a day, just to keep in trim.\n\n4- St. Dominic's Day. Good news—for some: the four Americans, Mr. Gingles, Dr. Molthen, Mr. Salmon and Miss Dorrer, are to leave Camp tomorrow at 10:00 a.m. Also some Britishers,", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208859, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 21, "title": "RAS-1980", "content_text": "been teaching at Wah Yan since 1960. The other was given by myself, and I spoke on “Chinese and Western medicine: compatible or antagonistic?\" My data was gathered during a three-year research project into the medical system of Hong Kong conducted at Hong Kong University's Centre of Asian Studies. In February Mr. Patrick Lau spoke on \"Rural Architecture in Hong Kong\". He is the author of a book on the subject, based on a series of survey studies and published jointly by the Government Information Services and the Hong Kong Tourist Association.\n\nIn February Dr. Norman Ko, Reader in the Department of Mechanical Engineering at the University of Hong Kong, gave a talk on \"Underwater Photography and some Observations of Marine Life in Hong Kong\". Finally, in March, there were two talks: one given by Mr. Nigel Cameron, a well-known locally-based historian and art critic, and author of many books and essays, on \"The K'ang-Hsi Emperor (1662-1722)\". The other was given by Professor Winston Wan Lo on the work of his late father, Lo Hsiang-lin, who was Professor of Chinese at the University of Hong Kong. Winston Lo is himself a professor of History at Florida State University. Future talks are in the process of being arranged, and you will already have received advanced notice of two, possibly three talks for April.\n\nTours Abroad\n\nIn April 1979 Dr. Shaw led a trip to Darjeeling and Sikkim, and in July another to Srinagar and Ladakh or “Little Tibet\". Members on the latter trip were particularly fortunate in that, by a harsh 3 a.m. start, they were able to witness and record the most interesting part of the final day's ceremonies in the annual masked dance festival at Hemis Monastery near Leh. Our Society is, of course, a non-profit-making organization, and Dr. Shaw was able to make a refund of $240 to each participant on the Sikkim trip, although a nominal loss was made on that to Srinagar and Ladakh. At the end of this week, a group of 19 members will leave for the Kingdom of Bhutan, the last of the forbidden kingdoms opening its doors to a select group of visitors. Again, they will be led by Dr. Shaw. In the absence of any response from China International Travel Service in Peking concerning our proposals for visits to China by groups of members of the Society, no further representations were made during the past year. Members will, of course, know they can now, as individuals, join a number of tours operating from Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209588, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 245, "title": "RAS-1982", "content_text": "223\n\nseamen's boarding houses and did not welcome pious competition, Rather than lease it to the Bishop he preferred to turn it into a sail-loft. However, the meeting at the City Hotel to revive interest in drama raised enough money by subscription to lease the building for another season.\n\nThe building was to be used not only as a theatre, but as a venue for Balls, meetings and other public purposes, but further funds were needed for refurbishing the building which had fallen into disrepair through infrequent use and the natural effect of time. The newly formed Theatrical Committee reported that “the interior will require repainting, and considerable alteration in seats. The roof ought to be lined with wood. This would improve appearance and acoustics. The stage should be lengthened by carrying it back some twelve or fourteen feet\". The Committee also reported that they had been successful in securing a group of amateurs who agreed to perform on the condition that tickets be issued gratis, \"so as to secure attendance alone of the respectable portion of the community\". This stipulation suggests that the earlier efforts of amateurs may have failed because rowdies had taken over and driven away audiences.\n\nAlthough the season got off to a good start, there was not sufficient financial support to sustain it. No more performances are reported in the Theatre. The last notice I have found of the building is in 1859 when an auction was advertised at the “Old Theatre next to the Oriental Hotel\".\n\nPORTUGUESE AND GERMANS\n\nThrough the years notices of performances by Portuguese amateurs appear. The first mention is in 1847 for a production at the \"Theatro da Sociedade\" at which music was provided by the visiting Macao Band. In 1852 the \"Theatrino Particular\" on Wellington Street announced a performance of Portuguese amateurs. One of the pieces presented was by young boys aged between eight and fifteen. The next year the boys performed in the Victoria Theatre under the direction of the schoolmaster, Mr. J.J. da Silva e Souza. As an entre-act four young girls performed a Spanish dance, the \"Guarrache”.\n\n!\n\n:", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 210339, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 310, "title": "RAS-1984", "content_text": "289\n\nHere we have a practical proof that religion has no longer any fear of science. We see a Roman Catholic clergyman about to lecture on what was once considered the dangerous science of geology, and I am surprised we have not the Bishop ready to applaud him, but I am sure it must be owing to some accident that my friend Bishop Raimondi is not here today. (applause) In the sixteenth century, as we all know, the great astronomer Galileo was persecuted because he contended that the earth goes round the sun, and until quite lately geology was considered a more irreligious science than astronomy. This feeling was not confined to the Church of Rome. At the end of the last century an eminent Bishop of the Church of England ridiculed the pretensions of geologists — and we know that ridicule is often a more dangerous weapon than hatred; . . . by saying that for a man crawling on the face of the earth to pretend that he knew what was going on in the interior of our planet was like a gnat on the shoulder of an elephant pretending that it knew what was going on in the bowels of the huge animal. (laughter) But behold what progress! Here we have Mr. Woods, at the end of the nineteenth century, about to tell us living in Hong Kong what is going on in the bowels of the Malay Peninsula. (applause)\n\nDuring this visit, some time before 9 February, Woods managed to visit Canton for five days. There he met the British vice-Consul, Dr. H. F. Hance, with whom he shared an interest in botany, and membership of the Linnaean Society. He cited Hance's work in his own publications. When Woods returned to Hong Kong, he wrote to a friend in Australia:\n\nI had a little trouble in getting off to Canton. The war has upset everything, and the C. River is full of sunken ships and torpedoes, so that a special pilot is wanted to take one up, and he has to be obtained from the Chinese gunboats. However, I got up there and spent five days most pleasantly. I got all about the city without molestation except from the curiosity of the passers-by and the importunity of the beggars. My time went all the more pleasantly, as the Vice-consul is Dr. Hance F.L.S., the greatest authority we have on Chinese botany. He has a splendid herbarium and when tired of sightseeing in the city I", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210725, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 76, "title": "RAS-1986", "content_text": "59\n\nStreet on the Natural History of Hongkong contained numerous references to the flora of the region and these notices would undoubtedly have had the effect of keeping the idea of a Botanical Garden in the minds of the relevant authorities, both in Hongkong and in London. For example, in Despatch no. 130 of 1860 it is stated that:\n\n\"Botanical notices have appeared in Hooker's Journal of Botany 1842. Collections made by Mr. R.B. Hinds, Surgeon, H.M. Ship “Sulphur”. Also in Journal of Horticultural Society 1844 and subsequent numbers by Lindley, of plants collected by Mr. Fortune on his first visit to China.\n\nIn Walpers Annales, descriptions by Dr. Hance of Hong Kong Plants. Some plants were described by the Botanist Mr. Wright attached to the American exploring expedition published by that government.\n\nA review of the Flora of the Colony, derived chiefly from the collections of the late Major Champion, 95th Regiment, was undertaken by Mr. Bentham, V.P.L.S. in Sir W. Hooker's \"Journal of Botany”, 1851 and succeeding years. This version was entitled 'Florula Hongkongensis'. The concluding section of the Botany of the voyage of H.M. Ship “Herald\" (London 1852-7, -4 to 100 plates) edited by Dr. Seemann, under the authority of the Lords Commissions of the Admiralty, is entirely devoted to Hong Kong, and includes, (in addition to the materials at the disposal of Mr. Bentham), the collections of Dr. Seemann himself, (not extensive, however). Since the date of these publications however, the knowledge of the vegetation of the island has been much extended and many novelties added by the constant explorations of the late Dr. Harland, Mr. Wilford (a collector sent out from Kew) and Dr. Hance now Vice Consul in Whampoa.\n\nA flora of Hong Kong to comprise all the plants hitherto discovered is now in preparation by Mr. Bentham", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 211809, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 224, "title": "RAS-1989", "content_text": "199\n\n-- it may, however, improve on further acquaintance but we had no other opportunity of judging during the evening\". The \"Turkophonini” could be heard in a solo with variations and it was deemed \"by far the most perfect and pleasing instrument of the two`. The Shanghai Redowa Waise (Redowa: a Bohemian dance) which had been \"composed expressly for this Concert and dedicated to the Ladies of Shanghai — as the programme informed us\", also performed on the Turkophonini was not thought of \"very highly”, but it convinced the reporter that \"the instrument is well adopted for that class of music\". Obviously not everyone in the audience was of the same view, for the editor wrote in the Herald of September 27: \"The critique of our reporter has been much discussed in fashionable circles and the correctness of his judgement as to the perfection of these new instruments questioned. Knowing his high attainments as a musician, we defer to his opinion. Matters of taste do not admit of dispute. De gustibus non est disputandum. We may all enjoy our own and as a second glass of wine enables us to pronounce better judgement as to its quality, so will this second performance (on September 29) by familiarizing us with the instruments enable us better to decide upon their excellence\". In Hong Kong the China Mail could not speak \"in very warm terms of praise at least as regards their suitability for solo performances\" (CM 21.8.1856). On the other hand it admitted that \"by men of cultivated taste M. Ali's talents are fully appreciated and it will be long ere those who have had the pleasure of listening to his performances will forget the sweet but powerful tones of the Turkophone or the duleet melody of the Grand Clarionet and Turkophonini\" (CM 16.10.1856). Ali Ben Sou Alle was assisted by local amateurs who played a number of pieces including two Rossini overtures on the piano; and \"very creditably\" sung Mendelssohn's \"The Fairest Flower\".\n\nThe evening was attended by a \"numerous audience, comprising the beauty and fashion of our Settlement'' (NCH 20.8.1856).\n\n29.9.1856 (Mon)\n\nA second concert by Ali Ben Sou Alle.\n\nNo review was published in the Herald, only an announcement (NCH 27.9.1856).\n\n18.2.1857 (Wedn)\n\nD. BOUCICAULT & C. MATHEWS: \"Used Up\" (1846)\n\nT: Comedietta (2 acts)\n\nJ.M. MORTON: “Box and Cox\" (1847)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Prologue\n\nTh: N.N. (C)\n\n―\n\nR: The season opened both under the new management of \"Peter PROTEUS\" (again: a stage name, Proteus being an old Greek who could assume different shapes, as some actors are able to; also a character from Shakespeare's \"Two Gentlemen of Verona') and with a new theatrical reviewer in the Herald: \"The Man on the Bund\" (for the current season only). And although some months later he was heavily criticized because of some strictures he made about the choice of plays, in general his articles in a highly personal style were a mere continuation of the \"nothing but praise\" attitude that so prevailed. Thus Used Up was \"rendered with unquestionable ability by Mr. Peter Proteus, the manager\" who himself played Sir Charles Coldstream; and Mr. CLAY gave the part of the forlorn, but blunt and honest blacksmith Ironbrace with much skill and effect\". Making her debut Mrs. NESBIT impersonated Lady Clutterbuck: \"One would not have thought that so much deceit could lurk under so smooth and charming a face\". She brought to this part \"not only much cleverness and knowledge of the feminine heart but a very imposing person and decided good looks; and one could not help thinking the baronet might have stumbled upon a less pretty face in his", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211813, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 228, "title": "RAS-1989", "content_text": "203\n\n21.1.1858 (Thur)\n\nEntertainment by Mr. George Henri.\n\nR: As there appeared no review of Mr. George HENRI's miracles on December 29 there is some doubt as to whether they were indeed performed on that date: perhaps they were postponed to January 21. Then the Herald showed itself “so astonished that had he asked us what we wished him to do next we should have requested him to produce Yeh before our eyes\". This alluded to Yeh Ming-ch'en, the Chinese Imperial Commissioner for Foreign Affairs who had played a major role in the second Anglo-Chinese war. He had been captured on January 5 1858 and taken to Calcutta by the British. (NCH 23.1.1858).\n\n9.2.1858 (Tue)\n\nT.J. DIBDIN: \"The Birthday” (1799)\n\nT: Comedy (3 acts)\n\nC. DANCE: \"The Dustman's Belle\" (1846)\n\nT: Comedy (2 acts)\n\nJ. KENNEY: \"Raising the Wind\" (1803)\n\nT: Farce (2 acts)\n\nC: Officers of H.M.S. Pique\n\nTh: On board ship\n\nR: The description of the circumstances under which the Herald's reporter was drawn to the \"Pique\" (a British frigate with crew of 350) is too vivid for the reader to forgo: Tuesday last was a depressing day for a melancholic tempered man, and even we, not constitutionally sad, felt its influence. The morning dawned through an atmosphere in which rain and mist were struggling to see which should do its worst to make everything look disagreeable. As the day moved on, the rain gained the ascendancy and pelted down most pitilessly; overhead the sky looked dull and murky; underfoot the soil of Shanghai, mingling lovingly with the weeping clouds, produced a mixture as tenacious as the grasp of a miser, and dirty as the soul of a time-serving parasite. The mail, with the usual fatality which crowds one mishap upon another, though overdue, had not arrived. To take the gun was simply to commit a felo de se in a sea of mud; and to hum a snatch of a tune was as great an exertion as to dance an Irish jig in fetters, or laugh at the present Sir R. Peel's facetiousness.* In this desolate mood we were plunged, when suddenly a bright recollection flashed upon us. We rose hastily from our chair and consulted a paper which had been lying neglected in a corner: it was the Pique's playbill. The sight of the 'Birthday', the 'Dustman's Belle' and 'Raising the Wind' acted like a charm upon us, and a few minutes afterwards we had crossed the Bund, escaped the insidious dangers of those man-traps of jetties which the Municipal Council are daily suffering to grow more and more like that bridge with many pitfalls invented in the vision of Mirza (this is a reference to \"The Vision of Mirza\" by Joseph Addison, first published in \"The Spectator\" in 1711 and reprinted in 1856 – JH); and committed the safety of our person to a China-boatman and his magnified eggshell. The rain pelted, but we laughed at it; the gusts blew spitefully, but we clutched the tighter and defied them; the darkness did its best to mislead us, but the bright glow from a sailor's pipe guided us with more trustworthiness and safety than a beacon light under certain auspices could have done, and we reached the Pique in safety. Here we found all light, bustle and tiptoe expectation. The main deck had been cleared of its grim everyday tenants - the cold frowning implements of old Mars and their room occupied by the flimsy, but joy-inspiring fripperies of Thespis. We passed along row after row of happy, eager faces and took our seat in front, amongst the guests whom the ship's company of the\n\n* Sir Robert Peel (1822-1895), diplomat and politician; popular in social life and gifted with \"rare powers of irony, but also \"absence of dignity\" and a \"want of moral fiber in his volatile character\" (Dictionary of National Biography, Vol. 44, p. 223-224).", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211826, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 241, "title": "RAS-1989", "content_text": "216\n\nR: Nearly five years after his last recital in Shanghai, Martin SIMONSEN returned to the port, this time as a member of \"Mr. Smythe's troupe\". There was also the novelty of a lady singer, Miss Amelia BAILEY, who \"could not fail to render the entertainment attractive even had her voice been less excellent than it is\". This was the last night of a series for which public interest had not been particularly large; only on July 31st had there been an \"excellent house\" and in a reproaching comment, the Herald trusted that the company would \"meet with more uniform support at Hong Kong, the residents of which are reputed more willing to put up with a little heat for the sake of an evening's amusement\". (NCH 1,8,1863).\n\nOctober 1863\n\nOn October 24, the North China Herald informed its readers that \"the Circus Company announced more than a year ago as upon its way to Shanghai has at length arrived and promises to be a valuable means of dispelling the ennui inseparable from winter in China\".\n\n17.10.-23.10.1863\n\nA series of promenade concerts by Miss Amelia Bailey (singing) and Marquis Chisholm (piano), as well as the Rhenish Band.\n\nTH: N.N. (H)\n\n7.11.-13.11.1863\n\nA continuation of the concerts mentioned above.\n\nR: In spite of the meagre support met in Shanghai, the Smythe troupe ventured to return in October after a visit to Nagasaki. This time the concerts were more rewarding - financially, for in November it was noticed that “Miss BAILEY has continued to draw crowded houses\" and that she has no reason to complain of the reception she has met in Shanghai\". (NCH 17.10, 24.10, 14.11.1863).\n\n10.2.1864 (Wedn)\n\nE.B. LYTTON: \"The Lady of Lyons\" (1838)\n\nT: Romantic comedy (5 acts)\n\nC: C.R. Faylor's travelling company\n\nTh: Olympic Theatre (H)\n\nR: The port was honoured by a visit of Mr. FAYLOR's theatrical company in February and May. This was after it had toured Macao (in December 1863; see BGM 14.12.1863) and Hong Kong. There it was highly successful, but the first performance in the Yangtze city was unfortunately a failure in consequence of the ludicrous incompetence of that portion of the company which had been collected in Shanghai and pressed into service. The audience, moreover, was riotous in the extreme and displayed the worst possible taste in exciting themselves to increase the confusion on the stage\" (see also Survey, p. 22). (N.C.H. 13.2.1864).\n\n13.2.1864 (Sat)\n\nC. DANCE: \"Delicate Ground\" (1849)\n\nT: Comic drama (1 act)\n\nC. SELBY: \"A Lady and a Gentleman in a Peculiarly Perplexing Predicament\" (1841)\n\nT: Burletta (1 act)\n\nC: C.R. Faylor's travelling company\n\nTh: Olympic Theatre (H)\n\nR: It is not quite clear how many nights were given by the FAYLOR company. The Herald of February 27 states that **it still continues its performances\", but, in view of what had happened earlier, \"naturally enough has not been patronised by any of the ladies resident in the Settlement\". In May, it turns up again in the pages of the paper. (NCH 27.2.1864).", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211828, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 243, "title": "RAS-1989", "content_text": "218\n\n1.4.1864 (Fri)\n\nR.B. BROUGH: \"Crinoline\" (1856)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"A Most Unwarrantable Intrusion\" (1849) T: Farce (1 act)\n\nN.N.: \"The Debut\"\n\nC: Messrs Shannon and Phillips with an amateur company\n\nTh: N.N. (H)\n\nR: Not too enthusiastically the Herald wrote that \"had Messrs PHILLIPS and SHANNON been better supported the performance would probably have proved a more decided success\". Must it be supposed that the amateurs were locals, who were otherwise so much lauded? (NCH 2.4.1864).\n\n4.4.1864 (Mon)\n\nRepeat of 30.3.1864,\n\n18.4.1864 (Mon)\n\nFirst performance by a Portuguese Amateur Dramatic Corps. TH: N.N.\n\nR: This first performance by a local Portuguese company was considered favourably: \"the arrangement of the costumes and acting were all good and amply rewarded a visit even by those who may not understand the Portuguese language\". (NCH 23.4.1864)\n\n25.4.1864 (Mon)\n\nJ. OXENFORD: \"Retained for the Defence\"\n\nT: Farce (1 act)\n\nC.S. CHELTNAM: \"A Lucky Escape\" (1861)\n\nT: Comic drama (1 act)\n\nT.J. WILLIAMS: \"On and Off\" (1861)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nTH: N.N. (H)\n\nN: Second performance of the season\n\nR: This second Volunteer Corps night drew a crowded house and the reporter was pleased to see that \"a majority of the lady residents were among the audience\", the more so as they \"by their presence contributed to inspire the performers with the desire to excel which led to such complete success\". No names were given in the review, but in A Lucky Escape “it would have required very sharp eyes to detect that the actress [who personated Louise] was, in fact, an actor\". Here the truth is finally revealed! In On and Off he/she took the part of Letitia equally well. (NCH 30.4.1864)\n\n9.5.1864 (Mon)\n\nN.N.: \"Nature and Philosophy or Eighteen Years' Labour Lost\"\n\n(The only piece with this title in HED is one that had its first night on 18.4.1876. However, Brown, \"A History of the New York Stage\", Vol. I, p. 235 mentions a performance of this play on June 1 1833).\n\nG. COLMAN Jr: \"Love Laughs at Locksmiths\" (1803)\n\nC: C.R. Faylor's travelling company\n\nF: Comic songs, dance, music\n\nTh: Olympic Theatre (H)\n\nR: Casts:\n\nNature and Philosophy:\n\nBrother Philip: Major Pegus\n\nRenaldo: C.R. Faylor\n\nEliza: Mrs. E. Yeamans\n\nGertrude: Mr. E. Yeamans", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211972, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 387, "title": "RAS-1989", "content_text": "362\n\nassociated with lion dance groups. The ritual representatives held incense burners, but the joss sticks in them were not lighted from the beginning to the end of the procession.\n\nMr. Dang Jik-Wai, an elder of Tai Hong Wai, with an outsider who had lived in Kam Tin since shortly after the war and was employed by the rural committee, led the procession. Mr. Dang had a list on a piece of paper of the gods to worship. The procession left the main ritual area where the participants had been waiting since the end of the rite of posting the Memorial.\n\nThey first stopped at the Wa-Bou altar for the God of Earth and Grain at Shui Tau. From there they proceeded to the Tin-Hau Temple at Shui Mei and worshipped at the Temple, and two nearby altars for the God of Earth and Grain. The procession then turned south to Ching-Lok Ancestral Hall at Shui Tau, and worshipped at the Ancestral Hall, and at the Hung-Sing Temple. Next they worshipped at another altar for the God of Earth and Grain of Shui Tau, the Yi-Dai School (i.e. Man-Cheung Temple), and the altar for the God of Earth and Grain for the Mui Jai Yun section of the village.\n\nThey entered Kam Hing Wai and worshipped at the san-teng, the earth god's place at the former village gate, as well as the altar for the God of Earth and Grain.\n\nThe party proceeded to Kam Tin Shi, where they worshipped at an altar for the God of Earth and Grain. They intended to enter Yau-Leun Tong to worship too. But it was locked and no one in the procession had the key. So they made the offerings at the door. They then entered Sa Bui Leng and worshipped at the ruin of a former san-teng and the god of the well.\n\nThey continued the procession to Ko Po, where they worshipped the God of the well, the God of the village gate, and an altar for the God of Earth and Grain.\n\nThe procession turned back and continued towards Kat Hing Wai, where they worshipped at its altar for the God of Earth and Grain outside the village wall, and then entered the village and worshipped at the san-teng. The procession then took Kam Sheung Road to the san-teng (?) of Naam-Teng.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212106, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 48, "title": "RAS-1990", "content_text": "G. Knapp, The Chinese House: Craft Symbol, and the Folk Tradition (Hong Kong, Oxford University Press, 1990). Knapp does not cover the paintings and stucco work that were a marked feature of the Kwangtung architectural style. For examples of this fine traditional decorative work, see Rural Architecture in Hong Kong (Hong Kong, Government Information Services Department, 1979).\n\nIn the Hakka villages of the Tsuen Wan district, this \"animal\" was always a unicorn. In Cantonese villages the lion was usual. However, their purpose and motivation was clearly the same. Informants said there were differences in the dance performances of lions and unicorns; unicorns \"crept, bobbed and weaved\", whereas lions would \"stand up and prance\". The musical accompaniment, drums and gongs, was the same, and previously firecrackers had been an indispensable part of any performance by lions or unicorns.\n\nHugh Baker mentions that the Liaos of Sheung Shui were known throughout the New Territories for their unicorn dance team. See the interesting information given in his Sheung Shui, A Chinese Lineage Village (London, Frank Cass & Co., Ltd., 1968), p. 193.\n\nSee my \"Notes on Temples and Shrines on Hong Kong Island\" in Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 27 (1987), p. 287.\n\nMonlin Chiang, Tides from the West (New Haven, Yale University Press, 1947), p. 9. John Francis Davis, The Chinese, A General Description of the Empire of China and its Inhabitants (London, Charles Knight, 1836) Vol. 2, pp. 29-30.\n\nFrom the memorial tablet to Mr. Chan Wing-on, Chairman of the Tsuen Wan Rural Committee and Chairman of the 18th Term, New Territories Heung Yee Kuk 1950-52, at the Wing On Pavilion, Fu Yung Shan, Tsuen Wan. Mr. Chan died on 15 October 1956; see Annual Departmental Reports, District Commissioner, New Territories, (1953-54 para. 56, and 1956-57 para. 119).\n\nFrom a “Short History of Yeung Uk Village\" (in Chinese), published at the time of the village resiting in 1965 and written by Yeung's eldest grandson, Mr Yeung Cho-ling. According to the commemorative tablet, the grave was repaired on a lucky day in the middle month of the autumn season in the 10th year of Kuang Hsu, that is in September-October 1884.\n\n1736; but in fact the ping-san year is the 1st year of Ch'ien Lung's long reign. There was probably another, less altruistic factor at work here too: since it was believed that the graves of good people have a beneficial effect on the fortunes of their family for generations to come. It is implicit in this case that the good influences of the grave were not yet spent.\n\nFor a more recent example from Tsing Yi Island, see my Rural Communities, op. cit., p. 143.\n\nContents more than values, I suggest? Wolfram Eberhard, Cantonese Ballads (Munich State Library Collection) (Taipei, The Orient Cultural Service, 1972), p.2.\n\nR. David Arkush, \"Orthodoxy and heterodoxy in Twentieth-Century Chinese Peasant Proverbs\" at pp. 310-335 of Kwang-Ching Liu (ed.) Orthodoxy in Late Imperial China (Berkeley, University of California Press, 1990).\n\nHelen Kwok and Mini Chan, Fossils From a Rural Past, A Study of Extant Cantonese Children's Songs (Hong Kong, Hong Kong University Press, 1990), pp. 17, 29.\n\nLucien Bianco, Origins of the Chinese Revolution, 1915-1949, (Stanford, Stanford University Press, 1971), successively pp.126, 94-95.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212389, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 331, "title": "RAS-1990", "content_text": "308\n\nThe Dance is performed on three evenings. The official invited to officiate on the first evening is an officer of the civil authority (Man), whilst the official on the second evening is an officer of the military authority (Mo), represented by the Royal Hong Kong Police. The third evening is regarded as the Village's own celebration.\n\nThe Dragon is 220 feet long and has a team of 120 dancers. It consists of the head, body (32 segments), and tail and is preceded by two dancing Dragon Pearls (Lung Chu) whose purpose is to attract the Dragon forward. It is accompanied by a drum and clashing cymbals, as well as by banners and costumed children carrying lanterns. The dragon itself is composed of grass, the head being on a cane base, and it is liberally stuffed with burning incense sticks; the throwing of firecrackers ended with the 1967 ban on fireworks. The grass is 'pearl' grass, obtained these days from the New Territories. Incense sticks from the Dragon are taken home by the dancers to worship their Tai Hang ancestors who have previously taken part in the Dance. Dragon cakes from the Temple are taken home on the third day for the same purpose. The Dance ceremony starts with the decoration of the Dragon and its stuffing with incense sticks and continues throughout the evening through the streets of Tai Hang. At the end of the three days of celebrations the Dragon is thrown into the waters of the harbour.\n\nChinese Dragons are the essence of the Yang, or male, principle, and the Tai Hang Fire Dragon is no exception. Until recent years female participation was limited to the cutting of grass. Ladies were not allowed to touch the Dragon and they were not admitted during the Dragon's visit to the Lin Fa Kung Temple (sited to the east of Wun Sha Street and dedicated to Kwun Yum). Pregnant women with two daughters and no sons were, however, allowed to pass under the Dragon, with the intention of the birth of a son.\n\nThe Royal Asiatic Society of Hong Kong is grateful for the assistance given with this visit and in the preparation of these notes by Mr Ho Choi-Chiu, Chairman of the Tai Hang Residents Welfare Association, and by Mr Chan Tak-Fai, of the Association's Dance Organising Committee.\n\nGEOFFREY ROPER", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213188, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 10, "title": "RAS-1994", "content_text": "Visits:\n\nYin Tin Tsa, Sai Kung for annual Roman Catholic Church festival\n\n1994\n\n16 April\n\nPo For Island\n\n1 May\n\n16 July\n\n20 September\n\n21 September\n\n5 November\n\n26 November\n\n3 December\n\n10 December\n\nMa Po Marshes with shump supper (repeated in September)\n\nTai Hang Fire Dragon Dance\n\nMonkey God Festival at Sau Mau Ping\n\nSwire Institute of Marine Science, Cape D'Aguilar Tung Lung Island\n\nHK Zoological and Botanical Gardens\n\nExhibition of Contemporary Chinese Oil Paintings - Fung Ping Shan Museum, HK University\n\n17 December\n\nShing Mun Redoubt\n\n1995\n\n18 February\n\nSai Ying Pun Guided Walk\n\n4 March\n\nLei Yue Mun Headland\n\nVisits outside Hong Kong:\n\n1994\n\nOctober\n\n1995\n\nNorth Vietnam\n\nMarch\n\nTemples of South Taiwan\n\nOf course we must also thank all those who took time to lecture to us and let me read out a list of those\n\nLectures:\n\n1994\n\n15 April\n\nGreat Monuments of India. Dr. Shobita Punja\n\n13 May\n\n20 May\n\n17 June\n\nTurbans and Traders HK's Indian Communities Ms Barbara-Sue White\n\nTo the Farthest Port of the Rich East Salem's China Trade and the East India Marine Society Mr William Sargent\n\nPregnancy and Childbirth in Hong Kong Ms Diana Martin", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213954, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 24, "title": "RAS-1997", "content_text": "15-16 November 1997\n\n14-15 March 1998\n\nVisit to Huizhou (Waichau), Guangdong Province, Messrs Peter Rull, Phillip Bruce and Dr Joseph Ting.\n\nVisit to Bocca Tigris, Drs Anthony Stu and Joseph Ting.\n\nVisits within Hong Kong\n\n1997\n\n20 April\n\n14 May\n\n14 June\n\n19 July\n\nField Trip to Champion-Calibre Trees on Hong Kong Island and in Kowloon, Professor C.Y. Jim.\n\nOne day visit to Macau for Drunken Dragon Dance und Tum Kung Festival, Mr Geoffrey Roper\n\nFrom Beijing to Versailles, Hong Kong Museum of Art Guided Gallery Visit.\n\nHong Kong Horse Racing Museum and Hong Kong Cemetery, Happy Valley, Reverend Carl Smith and Professor C.Y. Jim.\n\n16 September Wo Hang to see hot air balloons, Dr Patrick Hase.\n\n27 September Chek Lap Kok Airport and Tung Chung, Mr Phillip Bruce.\n\n19 October\n\nHistory through Maps- map exhibition at Museum of History, Mr S.C. Tam\n\n22 November University of Hong Kong Museum and Library, Mr Y.C. Wan.\n\n6 December\n\nWalking tour of Shalotung, Mr Edward Stokes.\n\nxxiii", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 } ]