[
    {
        "id": 208811,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 268,
        "title": "RAS-1979",
        "content_text": "ORDINARY LOCAL MEMBERS\n\nADDIS, Mr. Stewart, c/o The Hong Kong Bank, 1 Queen's Road Central, HONG KONG,\n\nADDIS, Mrs. Diana, c/o The Hong Kong Bank, 1 Queen's Road Central, HONG KONG.\n\nAIKEN, Mrs. Lorna, 13 Buxey Lodge, 5th Floor, 37 Conduit Road, HONG KONG.\n\nAKERS-JONES, Mr. D., Island House, Tai Po, NEW TERRITORIES.\n\nALLCOCK, Mr. R. C., School of Law, University of Hong Kong, HONG KONG.\n\nANGOVE, Mr. W. B., Cathay Pacific Airways Ltd., Operations Building, 4/F, Kai Tak, KOWLOON.\n\nARCHER, The Hon. Mrs. S., 19A Manhattan Tower, 63 Repulse Bay Road, HONG KONG.\n\nAU, Mr. K. N., c/o Grantham College of Education, Gascoigne Road, KOWLOON.\n\nBARD, Dr. S. M., c/o Hong Kong Museum of History, Star House, 4th Floor, KOWLOON.\n\nBARR, Mr. J. W., E9 Repulse Bay Towers, 119A Repulse Bay Road, HONG KONG.\n\nBARRETTO, Mr. Ruy O., 1903 Hang Chong Building, Queen's Road Central, HONG KONG.\n\nBATE, Mr. Paul W., c/o John Swire & Sons Ltd., P.O. Box 1, HONG KONG.\n\nBATSON, Lt. Col. J. F. S., British Military Hospital, Wylie Road, KOWLOON.\n\nBEHRENS, Mr. Ernst H., G/F Jardine Court, 36 Mt. Butler Drive, HONG KONG.\n\nBERTRAM, Mr. James, 601 Swire House, HONG KONG.\n\nBIRCH, Dr. Alan, Dept. of History, University of Hong Kong, HONG KONG.\n\nBLAIKLEY, Mr. P. E., 4 Middleton Towers, 140 Pokfulam Road, HONG KONG.\n\nBOND, Mr. Michael W., 404 La Hacienda, 31 Mt. Kellett Road, HONG KONG.\n\nBOWMAN, Mr. S. A. W., Flat 9A, 16 Macdonnell Road, HONG KONG.\n\nBOWMAN, Mrs. Dorothy, Flat 9A, 16 Macdonnell Road, HONG KONG.\n\nBOYLAN, Mrs. Catherine, c/o Cathay Pacific Airways, P.O. Box 1, HONG KONG.\n\nBRAGA, Mr. Paul, 61A Bisney Road, Pokfulam, HONG KONG.\n\nBRAMWELL, Mr. Hartley, School of Law, University of Hong Kong, HONG KONG.\n\nBRANDON, Miss Jacqueline N, 6A Rome Court, Realty Gardens, 41A Conduit Road, HONG KONG.\n\nBRAY, Miss Jennifer M., 68 Middleton Towers, 140 Pokfulam Road, HONG KONG.\n\n241\n\nPage 241",
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    {
        "id": 209327,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 230,
        "title": "RAS-1981",
        "content_text": "216\n\nFABER, Mrs G.A.G. FAWCETT, Mr B.C. FRASER, Mr A.P. GALVIN, Mr J.A.T.\n\nGEORGE, Mr Timothy J.B. GIEDROYC, Mr Michael J.H. GOLDNEY, Miss C.M. HARDEN, Mrs Guy T., Jr. HAYDON, Mr E.S. HECHTEL, Mr F.O.P. HOWARTH, Mr Richard H. HUGHES, Mrs Marion HURT, Miss Evelyn J. INGLES, Miss Jean M. IRETON, Mrs Polly H. JOHNSTON, Mr James J. JORDAN, Dr David K. KIDD, Mr S.T.\n\n7\n\nKNOWLES, Miss Moria G. KNOWLES, Mrs W.C.G. KURATA, Mrs Lucien LANCHESTER Mrs G.W. LAUFER, Mr E.M. LAUFER, Mrs B.M. LI, DR Choh-Ming LINDSAY, Mr T.J. LOTHROP, Mr Francis B. MANSFIELD, Miss M.B. MICHAELIONES, Miss E.O. MILL, Major C.S., USMC MILLER, Mr Carl F.O. NICHOLS, The Hon. Mr E.H. O'BRIEN, Father J.R. PLAG, Rev. Albrecht POLAND, Mr Thomas D. RITCHIE, Mr Douglas J. ROBINSON, Prof. K.E. ROTHE, Mr Ulrich. SINFIELD, Mr G.HC. SPERRY, Mr Henry M. STEVENS, Mr Keith G. SWIRE, Mr A.C.\n\nTILL, The Very Rev. Barry TURNER, Sir Michael WARD, Miss Janet E.A. WELCH, Mr Holmes H. WHITELEGGE, Mr D.S. WOLF, Mr John\n\nORDINARY OVERSEAS MEMBERS\n\nANDERSON, Dr Eugene N., Jr.\n\nBARR, Mr J.W. BEVERIDGE, Mr R.J. BOND, Mr Michael W. CHAR, Mr Tin Yuke CHINN, Mrs Caroline Lee CLARK, Mrs A.T. COOPER, Dr Eugene\n\nDE FAZIO, Mr & Mrs M.F. EASTON, Ms. Linda\n\nFESSLER, Mr Loren FITZGIBBON, Mr Desmond GARD, Dr Richard A.\n\nGILMAN, Ms Claudia\n\nGOODRICH, Prof. L. Carrington\n\nHARRISON, Prof, B.\n\nHEMMING, Miss Janet M. HODGSON, Mr A.F.\n\nHODGSON, Mrs Kirsty Hamilton HOGAN, Mr James HUYSMAN, Mr J.\n\nKNEEBONE, Mrs Susan\n\nKRAMERS, Dr R.P. LIU, Prof. Ts'un Yan LU, Mrs Sylvia MACLEAN, Mr Roderick MATHIAS, Dr John R.G. McCOY, Mr John\n\nMORGAN, Mrs Carole MYERS, Mr John T. PARR, Mr M.J.\n\nREDFERN, Mr O'Donnell S. REID, Mr A.J.H. SCHWARZER, Mr C.A. SELWYN, Mr J.B. SMITH, Dr Ralph B. STEEDS, Mr David\n\nSTOKES, Mr John\n\nSTRAUCH, Dr Judith STURM, Prof. Fred Gillette VILLIERS, Dr John WATSON, Dr James L. WICKBERG, Professor Edgar",
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    {
        "id": 209732,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 389,
        "title": "RAS-1982",
        "content_text": "367\n\nARMERDING, Mr. L.E.\n\nOVERSEAS LIFE MEMBERS\n\nBAKER, Dr. H.D.R. BAKER, Mr. W.E.\n\nBALL, Mr. J.M. BARNETT, Mr. K.M.A. BENNISON, Mr. L.L. BERTUCCIOLI, Dr. G. BLACKMORE, Mr. M.\n\nBLACK, Sir Robert BLAKER, Mr. D.J.R.\n\nCAPLAN, Mr. M. CARLSON, Miss R.E. CATER, Sir Jack CLARKE, Rev. C.S. COCKELL, Miss J.V. COLLIN, Mr. P.H. COSBY, Mr. L.P.S.G. CRANMER-BYNG, Prof. J.L. CUMMING, Mrs. D.M.\n\nDUNCANSON, Mr. J.D.\n\nEWING, Miss E.\n\nFABER, Mrs. A. FABER, Mrs. G.A.G. FAWCETT, Mr. B.C. FRASER, Mr. A.P.\n\nGALVIN, Mr. J.A.T. GEORGE, Mr. T.J.B. GIEDROYC, Mr. M.J.H. GOLDNEY, Miss C.M.\n\nHARDEN, Mrs. G.T. HAYDON, Mr. E.S. HECHTEL, Mr. F.O.P. HOGAN, Mr. J. HOWARTH, Mr. R.H. HUGHES, Mrs. M. HURT, Miss E.J.\n\nINGLES, Miss J.M. IRETON, Mrs. P.H.\n\nJOHNSTON, Mr. J.J. JORDAN, Dr. D.K.\n\nKIDD, Mr. S.T.\n\nLOTHROP, Mr. F.B.\n\nMACLEAN, Mr. R. MANSFIELD, Miss M.B. MICHAELIONES, Miss E.O. MILL, Major C.S. MILLER, Mr. C.F.O.\n\nNICHOLS, Mr. E.H.\n\nO'BRIEN, Father J.R.\n\nPLAG, Mr. A. POLAND, Mr. T.D.\n\nRITCHIE, Mr. D.J. ROBINSON, Prof. K.E. ROTHE, Mr. U.\n\nKNOWLES, Miss M.G. SINFIELD, Mr. G.H.C.\n\nKNOWLES, Mrs. W.C.G.\n\nKURATA, Mrs. L.\n\nLANCHESTER, Mrs. G.W. LAUFER, Mr. E.M. LAUFER, Mrs. B.M. LI, Dr. C.M.\n\nLINDSAY, Mr. T.J. LISOWSKI, Prof. F.P.\n\nSPERRY, Mr. H.M. STEVENS, Mr. K.G. SWIRE, Mr. A.C.\n\nTURNER, Sir Michael\n\nWARD, Miss J.E.A. WATSON, Dr. J.L. WHITELEGGE, Mr. D.S.\n\nLISOWSKI, Mrs. W.Y. WOLF, Mr. J.\n\nLOES, Dr. S. de\n\nANDERSON, Dr. E.N.\n\nORDINARY OVERSEAS MEMBERS\n\nBARR, Mr. J.W. BEVERIDGE, Mr. R.J. BOND, Mr. M.W.\n\nCHAR, Mr. T.Y. CHINN, Mrs. C.L. CLARK, Mrs. A.T. CONROY, Dr. R. COOPER, Dr. E.\n\nDE FAZIO, Mr. & Mrs. M.F.\n\nEASTON, Ms. L.\n\nHEMMING, Miss J.M. HODGSON, Mr. A.F. HODGSON, Mrs. K.H. HUYSMAN, Mr. J.\n\nFESSLER, Mr. L. FITZGIBBON, Mr. D.\n\nGARD, Dr. R.A. GOODRICH, Prof. L.C.\n\nHARRISON, Prof. B.\n\nKNEEBONE, Mrs. S.\n\nKRAMERS, Dr. R.P.\n\nLIU, Prof. T.Y. LU, Mrs. S.\n\nMATHIAS, Dr. J.R.G.\n\nMcCOY, Mr. J.",
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    },
    {
        "id": 211805,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 220,
        "title": "RAS-1989",
        "content_text": "195\n\nhis alarm allayed amidst the warmest applause from the audience for his clever and successful \"sell\". In addition the editor wrote that this Prologue afforded H. E. more valuable hints how to treat the Rebellion than all the suggestions that have been submitted to him since his arrival. Apparently Bonham was \"so much delighted that we are not without hopes a report on the performances may form the subject of his first despatch from Shanghae”. So much for modesty. As regards the performances themselves, the writer had it in confidence from a tall whiskered male who occupied a front seat disguised in a dress coat, that although Hong Kong theatre is now more conveniently lit up in the Victoria Theatre in acting Shanghae would not suffer by comparison\". \"That treaty port chauvinism was not lacking even at that early stage was made clear when the visitor insisted that our Head Actor has been brought from Hong Kong”. Despite his earlier lukewarm praise he must have made some sour remarks too, for the editor wrote that \"except as to the heroine, his critical skill was evidently at fault in discriminating the excellences of the other performers in Betsey Baker; and all he could be got to say regarding Apartments was something about Mr. and Mrs. Keeley having many worse imitators” (Robert Keeley, 1793-1869; and Mrs. Keeley (Mary Ann Coward), 1806-1899: famous British actors). (NCH 26.3.1853).\n\n5.5.1853 (Thur)\n\nG.A.A. BECKETT: \"Siamese Twins\" (1834)\n\nT: Farce (1 act)\n\nR. BUTLER: \"The Irish Tutor\" (1822)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the band of the Susquehanna\n\nTh: Imperial Theatre (B)\n\nN: Final performance of the season\n\nR: The close of the season by the amateurs who called themselves the \"Lily Troupe\" for a \"bumper house\"; with some “admirable music by the Band of Susquehanna\" — a steamer belonging to the U.S. Japan Squadron. (NCH 7.5.1853).\n\n8.3.1854 (Wedn)\n\nJ.M. MADDOX: “A Fast Train! High Pressure!! Express!!!\" (1853)\n\nT: Farce\n\nW.B. BERNARD: “A Practical Man\" (1849)\n\nT: Farce\n\nC: Amateurs\n\nP: Music\n\nTh: Tac Ming Theatre (C)\n\nR: At the start of the evening a, for part of the audience at least, unexpected treat was in store: “On the rising of the curtain a ludicrous incident quite upset our friend BUSKIN. He was set down to enact \"Colonel Jack Delaware\" (in A Fast Train — JH) but a storm met him as soon as he appeared on the stage and he was fairly hissed off when a stranger leapt over the footlights and announced his intention of supporting the character. The curtain dropped and after a short delay the volunteer Yankee came forward, dressed in the most extravagant fashion and took up the part with great spirit\". Was the leading actor-manager really taken by surprise? This could hardly be, and it must be assumed that it was, like the \"rebellion\" before, a set up. At any rate the \"interloping Yankee was enrolled in Buskin's company. The musical department was sustained by \"Messrs Thalberg and Koenig with their usual talent and success\". Both these noms de théâtre were after well known musicians: Sigismund Thalberg (1812-1871), a Swiss pianist and composer; and Friedrich Koenig, a German violinist. (NCH 11.3.1854).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211816,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 231,
        "title": "RAS-1989",
        "content_text": "206\n\n(...) Our first favourite was Captain Copp. This is a glorious character and was performed faultlessly [by Benjamin BLUSTER-JH]. From the first moment we made his acquaintance until we took a reluctant leave of him, our heart was kept in a continuous glow by his honest face, his blunt, sea-faring manner; his rugged but kindly touches of feeling, harmonically blended together as they were by his ceremonial bursts of good humoured jollity. Every time he broke out with his favourite stave\n\n'In the time of the Dump\n\nWhen Old Admiral Trump'\n\nwe felt a strong inclination to hear more of it and were scarcely pleased with Mary for stopping it so abruptly. (...) Mary's taste in the choice of a lover was unexceptionable - a compliment which cannot be said with truth, of pretty girls generally. The page who was the favoured suitor deserved his good fortune: he played well and sung sweetly. It is some time indeed since we heard on the stage or elsewhere a song given with so much taste and expression (...). No wonder the pretty Mary melted under the influence of the mellow tones of such a music master\". And Mary? She was played of course by Mrs NESBIT who \"as usual placed before us a lively picture of the piquant and coquettish, but withal modest and pretty niece of the host of the 'Grand Admiral'; and she looked so enticing as to make some of those who were present and near us wish that they too were actors provided there was plenty of kissing in the play and such a delightful subject as herself to practice upon”. (NCH 20.3.1858). Again it should be stressed that all female characters were portrayed by men, which, paradoxically, probably allowed the critic to write in such a vein!\n\n5.5.1858 (Wedn)\n\nJ. COURTNEY: \"Time Tries All\" (1848)\n\nT: Drama (2 acts)\n\nJ.S. COYNE: “Urgent Private Affairs\" (1856) T: Farce (1 act)\n\nW.B. RHODES: \"Bombastes Furioso\" (1810) T: Burlesque tragic opera (1 act)\n\nC: Amateurs\n\nF: Music by the band of H.M.S. Highflyer\n\nTh: Theatre Royal (C)\n\nN: Third and final performance of the season\n\nR: For a house that was \"crowded to the doors\" the curtain rose on a new drop scene **of a light and pretty character\". Once more Mrs. NESBIT could be admired, in Time Tries All, as Laura Leeson and \"too much credit could not be extended on her for the manner in which she brought before us the wilful, pettish but withal warm-hearted woman\". As her husband, Mr. Leeson, \"Mr. ROLLER was most successful; he has made for himself a 'spécialité' in this line of characters which it would be difficult to surpass or to replace. Mr. PICKWICK played the role of Matthew Bates and by **his judicious, quiet acting gained considerable and well-merited applause\". Mr. TINTINNABULUM (who also sung a \"pretty Irish ballad\") as the Hon Mr. Yawn \"was capital and exercised the propensity with which his cognomen so plainly gifts him with such arts as to make many of the audience strenuously follow his example\"; whereas Miss Fact and Mr. Tact found fit representatives in Miss WALTERS and Mr. BRUSWOOD. Some of the actors again appeared in the closing piece; Bombastes Furioso when Mr. Beverley NEWCOME impersonated General Bombastes, “a creditable performance, but the role was evidently not so well suited to the powers of that gentleman as other parts in which we have seen him\". King Artaxominous was taken by Mr. PICKWICK, Furbos by Mr. TINTINNABULUM and Destafina by Mrs. NESBIT. Concluding, the reviewer was \"especially pleased with the scenery of this and other",
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    {
        "id": 211821,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 236,
        "title": "RAS-1989",
        "content_text": "211\n\non any stage with ease and aptitude. And the part of the soubrette was acted \"in a manner for which we had not given the young lady who sustained it credit\" (NCH 17.3.1860).\n\n10.5.1860 (Thur)\n\nJ. COURTNEY: “Time Tries All\" (1848)\n\nT: Drama (2 acts)\n\nJ.M. MORTON: “To Paris and back for £5\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by the Germania Singing Club and the band of the 101st regiment\n\nTh: N.N. (1)\n\nN: Third and last performance of the season\n\nR: Time Tries All was a revival from 1858 and in it some of the old familiar faces could be admired again. This time Mr. TINTINNBULUM personified Matthew Bates and he \"threw an amount of grace and feeling into his acting that make us well regret his absence in the two former representations“. Mrs NESRIT gave a repeat of her Laura Leeson. One of the newcomers, Mr. ADOLPHE, “has assumed the character of negative instead of the positive villain of the last representation and almost succeeded in making us gape, so natural was his representation of that peculiar because catching disease\". Phunago BRUSHWOOD reappeared in To Paris and back for £5 and this farce offered **full scope to his laughter moving capabilities, both as to acting and costume\". There was music too, by the Germania Singverein – which reminded the critic “of their own charming Soirées Musicales\" (not recorded). However, the construction of the theatre was \"such as to mar to a considerable extent the effect of their well chosen and well executed pieces“ (NCH 12.5.1860).\n\n17.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme:\n\nG. DONIZETTI: \"La Favorita\", D.F.E. AUBER: \"La Part du Diable\", overture, **Haydée” (an opéra-comique), fantaisie, George BOUSQUET (1818-1854); “Hélène” (waltz), DENEAUX: Mazurka.\n\nLocation: Headquarters of General De Montauban at Messrs. Rémi, Schmidt & Co French Concession. (NCH 16.3.1861).\n\n24.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas. Programme:\n\nGURTNER: Pas redoublé, DUMAS: Ronde tyrolienne. D.F.E. AUBER: \"La Muette de Portici\", overture, G. ROSSINI: **[Il Barbiere di Siviglia” fantasia, D.F.E. AUBER: **Les Diamants de la Couronne\", overture, “La Brise”.\n\nLocation: as on 17.3.1861 (NCH 23.3.1861).\n\n31.3.1861 (Sunday)\n\nConcert by the band of the French 101st regiment, conducted by Mr. Dumas.\n\nProgramme:\n\nBOSCH: Pas redoublé. C.W. VON GLUCK: \"Armide\", F.M.V. MASSE: \"La Chanteuse Voilée\", overture, G. ROSSINI: \"Mosè in Egitto”, chorus **Valse allemande“. GURTNER: \"France\" (polka).\n\nLocation: as on 17.3.1861 (NCH 30.3.1861)\n\nNovember 1861\n\nConcert by Signor Robbio.",
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    },
    {
        "id": 211827,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 242,
        "title": "RAS-1989",
        "content_text": "217\n\n2.3.1864 (Wedn)\n\nPerformance by the amateurs of the Royal Artillery.\n\nNo plays are mentioned in the announcement (NCH 27.2.1864).\n\n4.3.1864 (Fri)\n\nPerformance by Mrs. Greig: \"dramatic reading and English ballad music” with the cooperation of Mr. Marquis Chisholm, piano, and the Rhenish Band.\n\nN.N. (H)\n\nR: This was an evening at which the Herald predicted that \"ladies may without impropriety be present\". Mrs. GREIG had had “a most successful career in India and the colonies\" and it was the first time she had come to Shanghai (NCH 27.2.1864).\n\n28.3.1864 (Mon)\n\nT. KORNER: \"The Governess\" (“Die Gouvernante')\n\nT: Farce (1 act)\n\nA.F.F. Von KOTZEBUE: \"The Harvest at Home\"\n\nN.N.: Bullrick at Kroll\"\n\nC: Amateurs of His Prussian M.S. Gazelle\n\nTh: On board ship(?)\n\nN: It is not recorded in which language these pieces were played: titles and authors are those given by the Herald. Of Kotzebue's play I have not been able to find a German equivalent. HED, however, mentions some plays with the same title by British authors: Thomas Parry (1848) and Charles Dibdin (1787), as well as some by unknown playwrights.\n\nR: Perhaps in some fear, the Herald noted with a sigh of relief that \"the evening passed off without a single contretemps\" (NCH 2.4.1864). Curiously enough the only ship in port with the name \"Gazelle\" was a British merchantman which had arrived there from Hankow on the 22nd.\n\n30.3.1864 (Wedn)\n\nM.W.B. JERROLD: \"Cool as a Cucumber\" (1851)\n\nT: Farce (1 act)\n\nJ. KENNEY: \"Raising the Wind\" (1803)\n\nT: Farce (2 acts)\n\nJ.S. COYNER: \"Duck Hunting” (1862)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nF: Prologue, spoken by Commm. R.C. Antrobus\n\nTh: N.N. (H)\n\nN: First performance of the season\n\nR: After a brief period in which the actual names of resident-amateurs had been published, there was a reversion to the old practice of stage names, at least probably for most actors. A whole list was printed in the Herald (Messrs Talbot, De Jones, Robinson (were these latter two the same as those active in 1858?), Carnegie, Coke, Dolittle, Smith, Blister, Buttons, Bellingham and John; and Mesdemoiselles Olivia, Pipchin, Robinson and Sally), of whom only Mr. Talbot may have been genuine. As usual the female characters of the farces were played by men (\"prettier and more graceful amateur ladies than we have ever seen before\"), a generally horrid sight for the serious theatregoer. Not so for Shanghailanders for \"large numbers of residents who were desirous of obtaining admission were excluded for want of room” (NCH 2.4.1864). A detailed review had appeared in the Daily Shipping News of 31.3.1864, no longer available. Increasingly, instead of full reports, summaries from the daily edition were published until one has to resort entirely to the Daily News; of Survey).",
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    {
        "id": 211831,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 246,
        "title": "RAS-1989",
        "content_text": "221\n\nPark Lanc?). The names of the actors mentioned in the advertisement must have been assumed ones.\n\nJune and July 1864\n\nConcerts by the Rhenish Band and the Band of the 67th Regiment.\n\nLoc.: The Bund\n\nR: NCH 28.5.1864, 2.7.1864\n\n2-9.1864\n\nH.J. BYRON: “Aladdin or the Wonderful Scamp\"\n\nT: Burlesque extravaganza (1 act)\n\nC: Shanghai Amateur Burlesque Company\n\nTh: N.N. (l)\n\nR: That the hope expressed in the Herald of 2.7. was not forlorn was proved by the full house for Aladdin in which \"numerous local hits and puns are introduced which took admirably, especially a parody pidgin English on the 'lost child' (see Survey). The dresses were excellent and the scenery well arranged\" (NCH 1.10.1864).\n\n24.9.-30.9.1864\n\nDuring the week a concert was given by Mr. Desvachez (violin) and two amateurs, TH NM.\n\nR: Another adventurous musician had come to enliven the Settlement's cultural scene. Mr. DESVACHEZ. His concert was \"fairly successful, but people here hardly care to sit for two hours to listen to a performance on the violin, however well the instrument may be handled. Some variety is required and although Mr. DESVACHEZ was assisted by an amateur on the violincello and a pianist this desideratum was hardly attained\". (NCH 1.10.1864).\n\n6.10.1864\n\nOpening night of Lewis Australian Drama Company.\n\nNo titles of plays recorded.\n\nTh: NẠN. (I\n\nR: The first night of an eight-week season by Lewis' Australian Drama Co. (see also Survey). In the Herald, no detailed reviews appeared, only short summaries. The opening pieces have not even been recorded (NCH 8.10.1864).\n\n8.10.-14.10.1864\n\nH.J. BYRON: \"The Maid and the Magpie\" (1858)\n\nT: Burlesque burletta (1 act)\n\nA.G. HARRIS: \"The Rose of Castille\" (1857)\n\nT: Opera (music by M.W. BALFE)\n\nJ.R. PLANCHE: \"Paint Heart Never Won Fair Lady\" (1839)\n\nT: Comedy (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (l)\n\nR: It was reported that the company attracted \"olerably full houses\". Of the plays, Byron's The Maid and the Magpie was \"infinitely preferred; in it every actor is well up to his part and personates the character he represents with ludicrous fidelity\". (NCH 15.10.1864).\n\n£5, 10, 1864 (Sat)\n\nPerformance by the Portuguese Amateur Dramatic Corps.\n\nNo titles of plays mentioned.\n\nR: In their own theatre, the Portuguese actors were as usual well up in their parts and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211841,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 256,
        "title": "RAS-1989",
        "content_text": "231\n\nattitude to such interpolations, 13.2.1863). The qualities of most players have already been touched upon; others were JOHN EDOUIN, “a capital dancer\"; his sister ROSE EDOUIN who, in burlesques, was \"not to be overlooked; there is a style about her which commands and her gesture is sufficiently theatrical to impose upon her audience where a little less or a little more demonstration might have failed.\" Mr. W.B. GILL whose acting was not \"thoroughly under command\", nevertheless had \"his place marked out for him and we hope some day to see him take up a leading position as a low comedian\". On the other hand Mr. ANDREWS was a useful actor who is careful in his parts does not do more than he needs to do\". The Company had had tolerably good houses and their departure was regretted for it was felt that Shanghailanders had seen \"perhaps the best company East of the Cape\". It went on to Foochow, Amoy and other southern ports. (SCR 5.5.1865).\n\n6.5.-12.5.1865\n\nTwo concerts by Mr. and Mme Simonsen (violin and singing resp.)\n\nTH N.N.\n\nR: For the first time since August 1863 Martin SIMONSEN came to the port, with his wife who was a singer, after recitals in Hong Kong. Rather disappointingly the first two concerts “did not draw very large houses\", but \"they were warmly applauded by all who listened to the spirit-stirring sounds of Mr. SIMONSEN's violin and the melting tones of Mme SIMONSEN's voice\", (NCH 13.5.1865).\n\n8.5, 1865 (Mon)\n\nPELHAM HARDWICKE: (= C. MATHEWS) \"A Bachelor of Arts\" (1853) T: Comic drama (2 acts)\n\nJ.M. MORTON: \"The Two Bonny Castles\" (1851)\n\nT: Farce (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nTh: Lyceum Theatre (1)\n\nR: According to both the Herald and the Record the pieces went off successfully (NCH 13.5.1865; SCR 22.5.1865).\n\n17.5.1865 (Wedn)\n\nConcert by Mr. and Mme Simonsen\n\nTh: Lyceum Theatre (1)\n\nR: In order to draw more people the admission charge at the Lyceum Theatre had been reduced to $3 with the result that a \"full audience was present” (NCH 20.5.1865). No programmes of these concerts were published.\n\n20.5.1865 (Sat)\n\nConcert by Mr. and Mme Simonsen, with the Band of the 67th Regiment.\n\nProgramme:\n\n\"Kathleen Mavourneen\" (song), **No not I** (song), C.A. de BERIOT: “Air varié”, N. PAGANINI: \"Carnival of Venice\", C.M. von WEBER: \"Aufforderung zum Tanz”, \n\n'Monastery Bells\", \"Valse de concert\" (song).\n\nTh: Lyceum Theatre (1)\n\nR: This was the last concert given by the SIMONSENS in Shanghai. According to the Shanghai Commercial Record it was a great success. Mme SIMONSEN sung the song \"Kathleen Mavourneen\" which \"literally “brought down the house\" (this must have been an exaggeration), after which she gave with great effect a very charming little skittish song “No not I'\". Her husband repeated some of the pieces he had performed seven years earlier (October 1858); Paganini's \"Carnival of Venice\" (with which the critic was \"not so much pleased\") and the variations by De Bériot. In addition \"he introduced one or two movements [into the Carnival of Venice? – JH] which we have",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    }
]