[ { "id": 206875, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 152, "title": "RAS-1973", "content_text": "146\n\nNOTES AND QUERIES\n\nIt is not surprising therefore to encounter an image of Hai Jui on an altar. One such image is in the nunnery on the Pasir Panjang coast road in Singapore in which most of the nuns are of Ch'aochow origin. He is prayed to for strength of purpose and for his ability to obtain support from the Spirit World without demanding a fee or putting the devotee under an obligation.\n\nIn the nunnery, which incidentally contains a mixture of Buddhist and T'aoist folk religion images, is a seated, whey-faced image of Hai Jui, holding a sceptre in his right hand. He is wearing Mandarin robes, a scholar's hat and has a long black beard. He has two anonymous assistants, one on either side of him. The one standing on his left is carrying his official seal wrapped in a red cloth, whilst the one on his right bears his sheathed sword (photograph at Plate XI). The nuns referred to the image as the Duke Hai Jui (##2). He was known to be a good spirit (††).\n\nColonel Burkhardt in his Chinese Creeds and Customs recounts how, during the Ming Dynasty, the Eastern Dragon King who in cooperation with the Northern Dragon King controlled rainfall, was dismissed for dereliction of duty. The Jade Emperor (1) the Supreme Being both of the Spirit and the Human World, appointed Hai Jui in his stead.\n\nSo here we have the story of the incorruptible minister, in a garbled version as known to the Ch'aochow nuns in Singapore; the image in their nunnery, and the modern drama which triggered off the greatest upset in China since the communists came to power; all linked by the shade of Hai Jui who without a doubt made an indelible impression upon, amongst others, the Ch'aochow peoples of eastern Kwangtung Province over the four centuries since his death.\n\nAshford, Kent, 1973.\n\nKEITH G. STEVENS\n\n* V. R. Burkhardt, Chinese Creeds and Customs, published by South China Morning Post Hong Kong, Volume 2 (1955) page 161.\n\nANOTHER VOLONTIERI MAP?\n\nThe following Note with Map are taken from the publication Les Missions Catholiques No. 239 of 20th May 1875, and were brought to my attention by Mr. H. A. Rydings.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206947, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 18, "title": "RAS-1974", "content_text": "THE PAPER CHASE—ARCHIVES AND\n\nTHE PUBLIC RECORDS OFFICE OF HONG KONG\n\n[“It is to be noted that when any part of this paper appears dull there is a design in it”— The Tatler]\n\nA. I. DIAMOND *\n\nThis evening I propose to tell you something about the development of the Public Records Office of Hong Kong, and about the role which it can or should play in the conservation and use of Hong Kong’s archival resources. But before doing this I think that it may be worthwhile to spend some time talking about archives as such—about what archives are and how modern archive institutions operate.\n\nMany of you may be quite knowledgeable on this subject already, and if you are I apologise for seeming to assume otherwise. But some quite astonishing misconceptions exist about archivists and their profession, as all archivists know, and when we are asked to address a general audience few of us can quell the thought that at least some present may be harbouring what we have come to recognise as the classic delusions about us. And what are these:\n\nWell, the other evening, for example, my hostess at a dinner party said to me “What a wonderful job you must have. Fancy being able to sit all day reading through all those fascinating old papers”. There it is, you see, one of the archivist’s main preoccupations, apparently, is reading through all the documents in his care—and mark you, they’re bound to be old and fascinating. She was just being polite of course, but I realised at once that here was someone with a full quiver of misconceptions about us. I could guess that in a moment she would tell me that I do not really look like her idea of an archivist. She would not have had to explain what she meant by that. I know already. I should be old and leathery looking with a beard and long grey hair and wearing steel-rimmed bi-focals. In fact I should look like a cross between Charles Darwin and Karl Marx in their old age. And what else do I do? Well, when I am not poring over fascinating old documents in my\n\n* Mr. Diamond is Government Archivist, Hong Kong. He is also the Hon. Secretary of the Hong Kong Branch, R.A.S. This paper was delivered to the Hong Kong Branch of the Royal Asiatic Society on Monday, 7th January, 1974,", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207024, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 95, "title": "RAS-1974", "content_text": "Fr. ERNESTO GHERZI, S.J.\n\n89\n\nfirst meeting of the International Meteorological Organization's Regional Association II which was held at Hong Kong in January 1937.*\n\nIn May 1949 he attended the Conference on Storm Warning Procedures at Manila, which established relevant definitions, standards and procedures for the World Meteorological Organization. However, the revolution in China and its associated nationalism had overtaken Zikawei (1947) and he was refused permission to return to China. The then Director of the Royal Observatory Hong Kong, Mr Heywood, found a place for Fr Gherzi on the staff and he worked there until asked by the Portuguese authorities to help reorganise and equip the Macau Observatory.\n\nWhile in Hong Kong, he finished his two-volume work on the 'Meteorology of China'. Certain sections of the draft manuscript, particularly those on tropical cyclones, were hotly disputed by some staff members and led to much animated discussion. The volumes were eventually published in Macau in 1951 and whilst they suffer, in places, from being out of date and lacking in accuracy—Fr Gherzi's notes remained in China—the books were a good record of the climatology of the Far East and of the experiences of himself and others in typhoons.\n\nIt was during the years that Fr Gherzi spent in Hong Kong and Macau that I was fortunate enough to get to know him quite well. He was a competent organist and after work I would sometimes accompany him to the Rosary Church to listen to his playing—Bach was a favourite—or he would come to my quarters to hear records and take a considerable number of glasses of sherry—his preferred drink. He was game for most activities and his majestic figure often looked out of place in the rudimentary sports car or sailing junk that I used in those days. Over the years, Fr Gherzi developed a technique of using cocktail parties to good advantage; on joining them he would charge his glass with sherry and, whilst stroking his grandee's beard, look for the most senior naval person present. He would then disarmingly engage the poor fellow in typhoon talk and eventually succeed in getting him to donate a radar or other piece of electronic equipment of which the good Father was in need.\n\n*This paragraph records two 'firsts' for Hong Kong in the field of international meteorology. Hong Kong is a member of the World Meteorological Organization in its own right on account of these early developments.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207297, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 65, "title": "RAS-1975", "content_text": "INCIDENT: H.K. MERCHANTS & B.E.I. CO.\n\n57\n\nyour Hoppo, but I will make him a bow while you knocky head.” With this, after some communication between the Mandarins and the security merchants, they appeared satisfied.\n\nI now found they were in earnest as to my seeing the Hoppo, and there was much bustle in the palace; they were, however, determined I should not imagine that I had forced an interview, as I was given to understand that the Viceroy was going to pay his colleague, the Fyane, a visit, and that I should see him as he went out.\n\nAt this time there were in the great hall thirty or forty Mandarins of various ranks, all the security merchants, Mr. Perry, and myself, with many other persons belonging to the palace,—in all I should suppose, about a hundred and fifty in number.\n\nThe doors were shortly thrown open, and we observed a procession issuing from another large house, and crossing a court to the hall we were in; the guard passed on, and presently there appeared the Hoppo, borne in a most magnificent state chair by sixteen men richly dressed; the chair was very splendid, and the Hoppo one of the finest and noblest-looking Chinese I had ever seen, with a remarkably fine black beard. The moment he entered the hall, every person, except Mr. Perry and myself, threw themselves down as if they had been shot through the head, touched the ground with their forehead, and were up again in a moment, even my old friend Mowqua, though so advanced in years, was down and up again as nimbly as a boy; on my remarking this to him after the interview was over, his reply was, \"Mister Commodore, I very much long time do that custom.\"\n\nAs the Hoppo approached to Mr. Perry and me, we made him a low bow. I then advanced, with my petition in my hand, to his chair, when he desired his bearers to stop, and, having called Mowqua, he required by him of me what I wanted? I said I had a petition which I was desirous of having the honour to deliver into his own hand. He asked if it was written in Chinese? I replied it was. He then put out his hand and took it from me, saying he was going to visit the Fyane, and that I should have an immediate\n\n* The Fyane. Lindsay made another mistake here. The Viceroy was not involved in this particular incident. When Lindsay mentions the Viceroy he is muddling him up with the Hoppo. In this particular incident the Hoppo received the memorial and then took it to the Governor (Fyane= Fu-yuan Governor).", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207320, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 88, "title": "RAS-1975", "content_text": "80\n\nHELGA WERLE\n\nThe girl comes out of hiding, and the fortune-teller takes her to safety.\n\nSU LIU-NIANG (SIXTH DAUGHTER SU) *** Drama in 10 acts, lasting about 3.4 hours.\n\nDramatis personae: Su family: Uncle, the eldest of the Su clan Mr. Su and Mrs. Su, their daughter, Liu-niang (6th young lady),* her maid, T'ao-hua, 1 girl-servant and 2 man-servants\n\nAct I\n\nyoung master Yang young master Kuo\n\nand his wet-nurse cousin of Liu-niang\n\nTao-hua the maid comes to the river returning from Hsi-lu\n\nwith a parasol, gay silk trousers and jacket, her hair in two knots one over each ear garlanded with flowers, the temple hair hanging down in two long strands which are adorned with coloured silk-strings. She calls the ferryman [old man-servant type with white beard], who arrives rowing with an oar. There are no other stage props. The movement of the boat is all indicated by mime.\n\nT'ao-hua hides behind the parasol fooling the ferryman and suddenly surprises him by showing her face. Then she pretends to be afraid to jump on the ferry, so the old man tries hard to bring the boat closer. With a wicked smile she jumps on the boat with all her strength, causing it almost to turn over. They perform a beautiful dance to balance the boat and she pretends to be terribly frightened.\n\nThey then start chatting and T'ao-hua proposes to sing a couplet each, composing it as they go along. But which of them first says things that are wrong or cannot rhyme has lost. The old man starts, \"In the first month all flowers bloom...\". T'ao-hua carries on, \"In the 2nd month the cotton tree blooms\" and so on.\n\n*The names of sons and daughters of important families (those with high doors) in these operas are called, for example, Su Liu-niang, meaning the sixth daughter of the Su family. The parents Su have only one daughter, but she is still called the sixth daughter because she is the sixth girl born in this generation to all the brothers of Mr. Su. The same is the case for Wu-niang meaning 5th daughter, called such although she is the only child of her parents. Ch'en San is the third (son) of the Ch'en clan. The term 'niang' is an address for a young lady, whereas the word 'chieh' 'sister' is used for a girl of humble birth.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208339, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 63, "title": "RAS-1978", "content_text": "ALTER IMAGES FROM HUNAN AND KIANGSI \n\n47 \n\nidentified as those of the long-face northern Chinese, with narrow almost closed eyes, a furrowed brow and a black pointed beard resting on his upper chest. \n\nThe rest of the images, all with empty back cavities, consisted of one man similar to the first above, six women seated, dressed in robes, with their right hand carefully holding the edge of their robes and their left hand concealed, similar to the second of the six images described above, and one other Kuan Yin with an empty cavity in her back.\" \n\nOne slip only of the seven suggests that the Yin family placed an image on a family altar of a standardised, impersonal image of a female named Jen (perhaps the deceased wife of Mr. Yin). Perhaps it was the practice to place such standardised images of deceased relatives on family altars in Hunan? Cantonese god carvers in Kowloon were all quite positive that such a custom is not observed in Hong Kong, nor in their memory was it performed in Kwang-tung province. Several said that they understood that the Fukienese, and in particular the people from around Amoy, customarily placed stylised ancestral figures of old men and women on personal altars but never on temple altars. They also said that there is the well-known custom of the Boat People of South China, of placing standardised images of all deceased members of the family on the family altar irrespective of the age at death. (See my article on \"Soul images and Gods of the Boat People\" in Arts of Asia, volume 7, Number 6, Nov/Dec 1977). \n\nRegrettably, Hunan was ill-served by foreign travellers and writers, particularly about its temples and gods, and so no collateral information would seem to be available. A photograph taken in the sixties in the entrance hall to Mao's birthplace near Chang-sha in Hunan province, shows the family altar, with Chao Kung-ming the wealth God and Kuan Yin both easily identifiable, the remainder being indistinguishable. None, however, look like the images described above. \n\nAn example of the Fukienese custom is the lady, Madam Hsieh (###), from a family household shrine in Singapore. The image, carved in 1931, some six inches high (see Plate 10) is again a standard, impersonal likeness of an elderly dowager. She is recognisable as an ancestral image by the white duck(?) under each of her bound feet. Otherwise, she is dressed in elaborate robes,", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 209595, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 252, "title": "RAS-1982", "content_text": "230\n\n!\n\nCARL T. SMITH\n\nINNOVATIONS\n\nIn 1886 a musical sketch was introduced entitled “Cups and Saucers\". It was written by George Goldsmith, Junior, as a satire against the craze of the day for collecting blue and white china at exorbitant prices. There were only two characters, one male, one female, the latter played by Mrs. Fraser-Smith, wife of the editor of the Hong Kong Telegraph. It contained the song \"Foo-chow chan aring, ching a ring China”.\n\nThe Club announced another serious production for 1888, \"The Rivals\". There was the inevitable comparison with the earlier performance of \"The School for Scandal\".\n\nWhen it was announced that the A.D.C. had resolved to play Sheridan's comedy of \"The Rivals\", many residents entertained the feeling that they had undertaken too much, although against this idea it could well be argued that the performances here of \"The School for Scandal” were most enjoyable, it was argued that Sheridan's masterpiece was placed before the Hong Kong public when the A.D.C. was in the heyday of its existence. Furthermore, the successions of costume and scenery possible in \"The School\" were not available in “The Rivals\". Looking at both of these performances, however, and taking into account the gorgeousness of scenery and dressing in \"The School\" as well as the exceptional ability of several of the actors who have passed away from these shifting scenes, we do not find that the A.D.C. did an unwise thing in deciding upon \"The Rivals\". The Amateurs and the public have had their share of burlesque and of modern pieces of late; and it was, we think, a healthy change to come back to the legitimate comedy of the last century.\n\nThe reviewer noted that two of the actors in \"The Rivals\" were well on their way to filling up a gap left by the retirement of Mr. Hockey (Mr. Atwell Coxon) and Mr. Treab (Mr. Beart), an accomplished comedian. One of the newcomers was Mr. James Whittall, later to become a taipan at Jardine Matheson and Company,\n\nA first of a series of Christmas pantomimes was staged in 1889. It had \"splendid spectacular effects, light and appropriate", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 211807, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 222, "title": "RAS-1989", "content_text": "197\n\nfrom Shanghai on the 20th. Despite that, the \"soirée\" was \"kept up to a late hour with great spirit\". The programme consisted of tunes by Dabney, de Costa and Tripp: one of them was called \"Japanese make yourselves ready\" (NCH 26.5.1855).\n\n23.1.1856 (Wedn)\n\nE. MAYHEW: \"Make your Wills” (1836)\n\nT: Farce (1 act)\n\nW. BROUGH: \"No 1 Round the Corner\" (1854)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Whitebait at Greenwich\" (1853)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music\n\nTh: D\n\nN: Once more politics crept into the theatre since, due to the Anglo-French campaigns in the Crimean War, \"the proscenium was very tastefully emblazoned with the arms and ciphers of the Allies”. The drop scene now represented the \"Lake of Geneva with the far famed Castle of Chillon” (far famed because of Lord Byron's poem \"The Prisoner of Chillon\"). For a change the Herald allowed itself some criticism of the amateurs, but about the costumes only: \"We are perfectly aware of the great difficulties which beset the wardrobe department of the Theatre here, but still we think that two or three alterations might be made with advantage. It must be remembered that the assumption of a part on the stage requires the submergence of the individual into his assumed character. Proteus must not be more unlike his last shape than the actor must be unlike his mere self and the difficulty of effecting this is enormously increased by an appearance in every-day costume. In melodramatic pieces some decided change is absolutely necessary because success depends on the power of exciting the sympathies of the audience for the various situations of the actors and it is quite impossible that the desponding accents of one young gentleman or the grasping villainy of another (both of whom we know to be very good fellows and far from desponding or hypocritical characters) in the garb of 1856 can excite these sympathies. In Farce it is less important because the effect depends upon a successful appeal to our sense of the ludicrous and this may be done by situations which are quite within the range of every-day life. (...) It also struck us that a little more attention to the chronology of dress would be attended with increased effect; there were two or three anachronisms: for instance the mob cap of Mrs. Foreright (a most admirable 'make-up' by the way) hardly accorded with the modern elegance of Clara; or the venerable beard of the implacable Mr. Ireton with the modern costume of his disinherited son. It is astonishing how greatly unity in these matters adds to the effect of such performances and in spite of the difficulties of such performances and in spite of the difficulties of securing dresses we think a consultation between the Manager and the performers might produce a harmony which would be attended with the best effect”. The music too was thought to be \"ineffective\", but for the remainder it was, as usual, amusing, with Whitebait at Greenwich as the hit of the evening. The character of Buzzard — by no means a graceful one — was played with great effect and we heartily congratulate Mr. SLOWCOME upon the power he displayed\". In Make your Wills the reviewer could not \"forbear mentioning the excellent impersonation of Joseph Bragg by Mr CLAY\" (NCH 26.1.1856).\n\n21.2.1856 (Thur)\n\n—\n\nJ.S. COYNE: \"The Infanticidal Farce\" (1846)\n\nT: Farce (1 act)\n\nMrs. C.G.F. GORE: \"A Good Night's Rest\" (1839)\n\nT: Farce (1 act)\n\nJ.M. MORTON: \"Slasher and Crasher\" (1848)", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212168, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 110, "title": "RAS-1990", "content_text": "87\n\nseven died unnatural or early deaths, though the other six would appear to have died peacefully at a reasonable age in their beds. Three would seem to have appeared in human dreams after they had died, and all are prayed to for boons and blessings, protection or guidance,\n\nOut of the twelve examples six have had privately run temples erected in their honour, whilst images of the other six have been placed on secondary or side altars in local community temples.\n\nIt is worth considering the difference between the deified total nonentity and the deified virtual nonentity. The former would be the unnamed immigrant who died several hundred years ago but who is now regarded as the local protective spirit, whilst the latter is the villager, perhaps even a former headman, whose name, though little else, is remembered. He too is now regarded as a local protective spirit.\n\nAlthough we have been examining such deities mainly in the context of Taiwanese and South East Asian Chinese they appear to have existed China-wide. One such virtual nonentity was deified several hundred or more years ago on an island off the northern coast of Shantung Province, with the rural temple altar bearing the images of both the nonentity, Mr Liu, and his wife. R.F. Johnston describes the temple, formerly on the island of Liu-chia Tao, the Island of Mr Liu, off Wei Hai Wei, the former British possession where he was the last Governor, in his book Lion and Dragon in Northern China.\n\nHe explains that no one appears to know who Mr Liu was nor why his image appears on the altar. Liu Kung and Liu Mu Father Liu and Mother Liu were regularly worshipped, especially by sailors. Johnston notes that the curious thing is that the deification of the old couple has taken place without any apparent justification from legend or myth'.\n\nThe images were moved to a new temple built on the mainland during the occupation after the British acquired the island and began to make preparations for the construction of naval works and forts.\n\nThe images of Mr and Mrs Liu portray them as an elderly couple dressed in luxurious robes, he with a long white beard and the cap of the wealthy land owner.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 212236, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 178, "title": "RAS-1990", "content_text": "155\n\nworldly minded, money-making, aristocratical people. Having come here to make money it is all they seem to think about, except their own pleasure, which is not always of a sinless description, as the cemeteries testify. Yet they are munificent, when charity is required, thinking as they often say, \"Charity covereth a multitude of sins\". Dress is carried to great excess. About six o'clock when the sun sets all the year round, they come out, dressed up regardless of expense, and parade the streets, and public walks, in their sedan chairs. If however they prefer walking, you invariably see the chair carried along behind. If Mr Brown wants to take Miss Jones out for a nice little quiet walk in the country, and have a little pleasant conversation, you always see their two chairs carried along a hundred or so yards behind them, by the industrious Chinese. Nobody ever thinks of walking except just in the evening for pleasure, and even then they generally ride! Consequently all the young men are poor pale looking things for want of exercise. For my part I will never, unless absolutely unable to move, ride in the lazy things. Some are very neatly covered up; some open at the top, while many are merely constructed of two long bamboos, a small board for a seat, another to lean back against, and a board hanging down to rest the feet upon. A fellow looks, as I told Mr Beach, just like \"Guy Fawkes\" going to be thrown in the bonfire. Sometimes ladies, just to show themselves, ride in these last species: making great I do not know what's, of themselves. At church there is a display of aristocracy and fashion. The service is gone through in a listless sort of way, and every one seems glad when it is over. Many ladies ride on horseback. I have seen no one, as yet, with whom I care at all to associate with. There is plenty of work for me to do however for my pupils in one way and another, so that company is perhaps out of the question.\n\n―\n\n―\n\nThe Parsees come next in point of number, and importance. They are a fine looking race of men, bearing a strong resemblance to the ancient Jews. Their complexion is very brown however and they wear a long black beard. They dress in long flowing robes, and could not be distinguished from Arabs but by their hats, the shape of which is very strange. You may have perhaps seen pictures of them. It is enough to make anybody laugh to see them. What surprises me is that the hat does not fall off. They are a very wealthy class of people and are considered excellent subjects. In fact they may be said to be but a very little behind the English. They have a fine cemetery in Happy Valley.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 } ]