[ { "id": 204406, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 38, "title": "RAS-1962", "content_text": "CURRENCY PROBLEMS\n\n29\n\nMemory calls to mind how that, in 1911, when I rode out of the Minshan range, which lies between the provinces of Kansu and Szechwan, I came out onto the great silk road of the Empire at Kwangyuan and travelled along it to Chengtu. On this road one found the most magnificent hotel accommodation then existent in the Empire. Yet in the best hotel I got the best room, together with all the rice I could eat at the evening meal, for forty cash a night—then the equivalent of about 3 cents U.S. currency!\n\nThis problem of the weight of the brass cash was well exemplified during the relief work I was called upon to direct in 1921 in North West China following the catastrophic earthquake that took place in December 1920. The quakes changed the whole face of nature in some fourteen counties and it became a matter of the utmost importance that we restored communications and set free the dammed up streams before break-throughs could cause flood devastation in the lower reaches of the Yellow River. To this end I had some fifteen thousand men at work in the 14 districts, engaged in this work of vital importance. They were paid on the basis of labour giving relief. On the largest undertaking at a place called Chin-Chiang-Yi I had four thousand eight hundred labourers. Of this number 10% were overseers or foremen gangers and received five hundred, or over, cash per day. The rank and file received a straight four hundred each. This means that the total weight of the cash required to meet a single day's pay on this one undertaking amounted to just over 12 tons deadweight. Something over 35 tons of cash was needed each day to pay the fifteen thousand men. Those were the days before motor transport in that part of the country and with the roads wiped out by the earthquake and pack-animals of all kinds exceedingly scarce the situation soon became impossible. After much thought I decided to put out my own note issue to meet the emergency. This though was easier conceived than executed. Neither paper supplies nor printing facilities were available. Therefore I had wooden blocks carved representing cash denominations of four hundred and five hundred cash. From these impressions were taken on strips of calico. The pull-offs were then oiled to prevent falsification. These notes were used in paying the workers who were able to use them for the purchase of food and necessities. The Chambers of Com-", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 211775, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 190, "title": "RAS-1989", "content_text": "165\n\nunanimous voice of the Community in wishing that the Corps would again favour us with their highly agreeable representations”.30\n\n―\n\nA new venture in local companies was started in 1864 when, after the troubles of the Taiping rebellion, the Shanghai Volunteer Corps which had taken part in the defence of the Settlement apparently had enough superfluous energy to direct their efforts into more peaceful ventures. On March 30, 1864, Kenney's Raising the Wind, Jerrold's Cool as a Cucumber and Coyne's Duck Hunting were the three pieces given.\n\nSeveral more performances followed in 1864 (April 25, May 26) and 1865 (March 21, May 8, December 14). Not to be outdone by their colleagues, the Mounted Rangers, part of the S.V.C. and formed in 1862, decided to put on theatricals too. May 24, 1865 saw their first moves on the stage with Planché's The Knights of the Round Table and Mayhew's The Wandering Minstrel.3\n\n31\n\nLater performances were given on November 11 and 20, 1865, and January 12 and March 28, 1866. It was these two groups that in 1866 resolved on the foundation of the Amateur Dramatic Corps.\n\nAnother local company saw the light in June 1864: The Amateur Burlesque Company Ltd. Whether they were not satisfied with the existing conditions of the theatre in Shanghai or whether the demand for Thespian evenings was so great cannot be ascertained; in any case it was announced that **although the theatrical season has closed, the approach of the hot weather warning us against crowded assemblies, a number of gentlemen have formed themselves into a burlesque company**. But the heat was no deterrent and on June 28, 1864 Lacy's The Silent Woman and H.J. Byron's Ill Treated Il Trovatore came off with considerable success, so much so that \"many of the audience were disposed to believe that they were witnessing a display of professional talent\". The society proved not to be a one-day affair, for it gave a number of other representations in 1864 and 1865.\n\nThe actors in it probably consisted mainly of British and Americans; of another company that was also established in 1864 it may safely be assumed that only compatriots were members, viz. the Portuguese amateur dramatic club. Although the Portuguese population of Shanghai was small (the census of 1865 showed a total of 110, including 14 women and 15 children) this was apparently no hindrance to the staging of plays", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211835, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 250, "title": "RAS-1989", "content_text": "225\n\n\"Lady Audley's Secret\", for which HED lists the following authors: C.H. HAZLEWOOD (1863), G. ROBERTS (1863) and W.E. SUTER (1863).\n\nC: Shanghai Amateur Burlesque Company\n\nTh: N.N. (I)\n\nR: For the first time we have at our disposal another source than the \"North China Herald\" for reviews of the Shanghai theatre, viz. the \"Shanghai Commercial Record\". In general, though, the reports were in the same vein as those in the Herald had been, but sometimes more information was given and different accents set. Hardly so for tonight's pieces: they \"reflected great credit on the talent of the performers and their endeavour to provide for the amusement of their fellow exiles has we are sure been highly appreciated\" (SCR 7.1.1865). The Herald only published an announcement (NCH 24.12.1864).\n\n11.1.1865 (Wedn)\n\nD. BOUCICAULT: \"The Octaroon\" (1859)\n\nT: Drama (4 acts)\n\nC: Thorne (travelling) Company\n\nTh: Lyceum Theatre (1)\n\nR: Sometimes the availability of two sources does not make it easier to make a judgement about the truth of things. What to think e.g., of the following reports on the Thorne Company: The Herald was short in its weekly summary of 14.1.1865: \"The Thorne Company have given a successful representation of the Octoroon at the Lyceum Theatre and announce a second performance for this evening\" (i.e., Saturday). In contrast, the Shanghai Commercial Record reported in its issue of January 25: \"We have had another theatrical troupe here, calling themselves the Thorne Troupe. But whether it is that Shanghai has had too much of this class of entertainment lately, or that the pressure of the times is so great that people do not care to attend the Theatre, we cannot say. Both these causes combined probably to render the patronage bestowed on the Thorne Troupe extremely small. Indeed, when they opened on Wednesday evening last [this should read January 11 - JH] it was literally to an empty house for we hear there was actually no one present to view the performance. The company, as well they might be, were so disgusted that they left next day for San Francisco where we sincerely trust they will be more successful\" Cf. however, Survey, note $2.\n\n14.1.1865 (Sat)?\n\nAs above?\n\n4.2.-10.2.1865\n\nConcert by Mr. Desvachez and Signor Enrico Grossi. Th: Town Hall of the French Concession\n\nR: The violinist DESVACHEZ returned to Shanghai, this time accompanied by the bass singer Enrico GROSSI who had earlier, in December 1863, performed with the Faylor Company in Macao (see BGM 14.12.1863). The concert had called for favourable comment at the hands of our music critic” — indicating that a more detailed review had appeared in the North China Daily News (NCH 11.2.1865).\n\n15.2.1865 (Wedn)\n\nAnnual Volunteer Concert by the Volunteer Band and the \"Shanghai Amateur Quartet Club**.\n\nTh: Shanghai Club\n\nR: The Commercial Record of 22.2.1865 gave the following impression of this concert: \"The Volunteer Band was assisted by the Shanghai Amateur Quartette Club and several gentleman amateurs. The large room in the Club House was lent for the occasion and we were glad to see it well filled. The gay uniforms of the Shanghai Mounted Rangers, mingled with the more sober dress of the Volunteers gave the room a very gay", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211842, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 257, "title": "RAS-1989", "content_text": "232\n\nnot heard before and of which the best that can be said is that they are decidedly original. They seemed an imitation of the noise of braying of donkeys, but still they elicited great applause from the gallery [which was generally not regarded as very complimentary JH] perhaps from a certain feeling of sympathy. An amateur played Weber's \"Aufforderung zum Tanz\" with a \"perfect feeling\". To conclude the evening Mme SIMONSEN sung the \"Valse de concert\" (composer unmentioned) in which \"she displayed her powers more than in any other piece she has sung\" (SCR 22.5.1865).\n\n24.5.1865 (Wedn)\n\nH. MAYHEW: \"The Wandering Minstrel“ (1834)\n\nT: Farce (1 act)\n\nJ.P. PLANCHE: \"The Knights of the Round Table” (1854)\n\nT: Drama (5 acts)\n\nC: Amateurs of the Shanghai Mounted Rangers\n\nF: Music by the Band of the 67th Regiment; prologue read by Capt. Markham\n\nTh: Lyceum Theatre (1)\n\n―\n\nR: In lieu of the old time favourites, Messrs Brushwood, Pickwick, Newcome and Mrs. Nesbit had come new faces. Most foreigners had not yet made Shanghai their permanent place of residence, so turnover in the theatre too was rather high. Tonight could be admired Mr. SMALLWEED who, in the Knights of the Round Table, as \"the blameless king shewed a keen appreciation of his part and while he delivered the burlesque passages with much humour, proved by the taste with which he pronounced the prophetic eulogium on the Queen of England that he need not necessarily confine himself to broad burlesque in order to gain well-merited applause\"; Mr. Edmund (also a member of the Amateur Burlesque Company) won golden opinions as Launcelot, whereas Mr. PEEKT as Merlin \"displayed much cleverness in personating feeble old men\". In The Wandering Minstrel \"Mr. R.T. Larff, better known to the theatrical world as Mr. Wynnge (did this mean that he had two stage names? JH) sustained the reputation he has already gained as a low comedian and makes us the less deplore the absence of the well known and inimitable Brushwood” (last recorded performance 10.5.1860). Of course the female roles were taken by men, which led, as it always does, to some ridiculous scenes: \"The company possesses great strength in the important particular of lady performers. The only drawback which, however, is immaterial in burlesque, lies in the great height and muscular development of the fair ones\". Yet Miss Mary MIDDLESEX \"bore away the palm for natural feminine get-up\" and \"nothing could excel the dash which Kate COVENTRY threw into the part of the vivandière\", (NCH 27.5.1865). That not all patrons were equally pleased became evident from the Shanghai Commercial Record (5.6.1865) when it wrote: \"an allusion which was considered too personal led to a corresponding in our columns\" (i.e. the \"Shanghai Recorder\" which to the great regret of all historians treating the history of foreign Shanghai can no longer be found). At the end of the evening a number of toasts were proposed, among others to \"Alabaster, to whose exertions much of the success of the company was due\". This was a reference to Chaloner Alabaster (1831-1890), the British vice-consul who was also active in the North China Branch of the Royal Asiatic Society. In conclusion the Herald reported that \"the arrangements were excellent and notwithstanding the warmth of the evening and the crowded state of the theatre, the air within the walls did not become oppressively hot. Punkahs were slung over the front seats and during the temporary pauses kept up a current of air\",\n\n27.5.1865 (Sat)\n\nPerformance by Mr. Benjamin Seare. Programme unknown (reading, etc)\n\nTh: Lyceum Theatre (1)\n\nR: Both the Herald and the Record agreed that Mr. SEARE \"is possessed of great talent\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211843, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 258, "title": "RAS-1989", "content_text": "233\n\n(SCR 5,6. 1865). \"The gentleman is gifted with rare powers of voice and action which enable him to throw an immense amount of dramatic spirit in his readings and recitations\" (NCH 3.6.1865). It was his second (recorded) performance; earlier he had been successful on March 3 1857.\n\n1.6.1865 (Thur)\n\nPerformance by the Shanghai Amateur Burlesque Company Ltd.\n\nNo titles have been recorded. (NCH 3.6.1865; SCR 5.6.1865)\n\nR: It was \"not quite so successful as some of their previous representations\" (SCR).\n\n3.6.1865 (Sat)\n\nPerformance by Mr. Benjamin Seare.\n\nTh: N.N. (I)\n\nEarly June 1865\n\nConcerts by the Police Band on the Bund.\n\n17.6.1865 (Sat)\n\nC. SELBY: \"The Unfinished Gentleman\" (1834)\n\nT: Farce (1 act)\n\nC: Amateurs of the 67th Regiment\n\nF: Music\n\nTh: N.N.\n\nR: Whereas in days gone by it was quite usual that there were only a couple of theatrical or musical entertainments during the whole season, now, after a fortnight since the last occasion, the Herald complained that \"considerable dullness has prevailed in Shanghai during the week owing to the lack of any public amusement of any description\" (NCH 17,6,1865). The night of the 17th was \"well attended and gave great satisfaction” (NCH 24.6.1865).\n\n30.9.1865 (Sat)\n\nW. BROUGH & A. HALLIDAY: \"The Area Belle\" (1864)\n\nT: Farce (1 act)\n\nH.J. BYRON: \"The 'Grin' Bushes or Missis Brown of the Mississippi\" (1864)\n\nT: Burlesque extravaganza (1 act)\n\nC: Shanghai Amateurs Burlesque Company Ltd\n\nTh: N.N. (1)\n\nR: This was the first night of the new season (NCH 30.9.1865). No review was published in the Herald or the Record.\n\n10.11.1865 (Fri)\n\nH.J. BYRON: \"Princess Springtime\" (1864)\n\nT: Fairy extravaganza\n\nJ. KENNEY: “Turn Out!\" (announced as \"Turn Him Out!'')\n\nT: Musical farce (2 acts)\n\nC: Amateurs of the Shanghai Mounted Rangers\n\nF: Prologue spoken by Capt. Markham\n\nTh: N.N.\n\nR: The evening \"proved a complete success. The acting throughout was excellent and not a single hitch occurred\" (NCH 16.11.1865)\n\n20.11.1865 (Mon)\n\nRepeat of 11.11.1865,\n\nR: The proceeds of this performance went to the Shanghai Hospital, an institution founded", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 216432, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 191, "title": "RAS-2003", "content_text": "141\n\nOne such snippet dated 12 May, 1904, described how 'when the Russians withdrew from Wafangtien, contemporaneously with the Japanese advance, bands of Hunhuses throughout Manchuria began to show great activity, especially in the region of Yantai, a station between Mukden and Liaoyang, thus adding enormously to the dangers and preoccupations of the Russians. There were reports that these bands were led by Japanese, which were not improbable, since the Japanese had a perfect right to make use of their hostility to the Russians of the population of Manchuria. At the same time, in all directions, attacks on the railway began, under the direction of officers of the Japanese General Staff. Two such officers had been captured by General Kuropatkin in April and, as there was no doubt as to their mission since they had upon them a large quantity of dynamite, fuses and tools for destroying the line, they were promptly executed.' On the page facing this snippet is a photograph of the decapitation of several Hong Huzi with the caption 'How Russians deal with the Hunhuses who destroy the railway.'\n\nAlthough it does not in any way help clarify the employment of Chinese bandits as irregular troops by the Russians, a British observer writing on the horsemanship of the Cossacks, noted that ‘after a comparatively small force of Japanese cavalry at Sha-ho had acted as a sufficient counter-check to the larger masses of Russian horsemen, the Cossack was deficient in courage and staying power, but was well mounted. There was a long and exposed line of the Manchurian Railway for them to guard, and the Russian cavalry had the Hunhutses [sic] always with them, but these marauders on their diminutive horses should not have been able to ride round the horsemen of the steppes in the manner they seem persistently to have done.'\n\nAlthough captions on photographs of captured Chinese claim they were being executed for espionage, mainly spying for the Japanese, it tended to have been more a matter of individual banditry and any resultant monetary reward rather than prisoners having been 'resistance fighters.'\n\nThere is also a photograph of \"The Head Chief of the Hunhuses.' It shows four Chinese and one Japanese (said to have been an Intelligence Officer, who worked in Newchwang [Niuzhuang] during the Russian occupation as a shoemaker). The central figure is described as 'the chief named Chin, said to be in Japanese employ who is a well-", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]