[
    {
        "id": 204304,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 72,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n68\n\nVol 1 (1961)\n\nISSN 1991-7295\n\nBUDDHIST SOURCES OF THE NOVEL\n\nFENG-SHEN YEN-I\n\n:\n\nLIU TS'UN-YAN. PH.D.\n\nINTRODUCTION\n\nThe Feng-shên Yen-i, or 'Investiture of the Gods,' is a long novel consisting of 100 chapters. Its authorship had long been unknown, until in 1931 Prof. Sun K'ai-ti discovered in the Japanese Cabinet Library a Ming edition of this novel labelled \"compiled (pien-chi) by Hsu Chung-lin, styled Chung-shan I-sou.\" Many scholars therefore concluded that Hsü Chung-lin was the author. For instance, Lu Hsün in his A Brief History of Chinese Fiction (Chung-kuo Hsiao-shuo Shih-lüeh) mentioned Hsü as the author, though he added that he had not seen the original preface and therefore could not ascertain the date of the novel. This attribution of authorship is not reliable, for in Ming times the term \"compiling” (pien-chi) was rather freely used, and sometimes booksellers would reprint a book with slight additions and alterations and label it as being \"compiled\" by a new writer. In view of this, from 1935 to 1956, I tried to find out the true author of this novel, and my researches led me to the conclusion that the author or compiler of the novel was in fact Lu Hsi-hsing (1520-1601?), a Taoist priest of the Chia Ching period.\n\nLike the Hsi-yu-chi (\"Pilgrimage to the West\", also known to Western readers as \"Monkey\"), the Fêng-shên Yen-i is a work of fiction dealing with the supernatural. It was produced during the time when Chinese fiction was evolving from the prompt-books (hua-pên) of story-tellers to long novels. Its plot is based on the historical events related to the defeat of King\n\n1 There is no English translation of this novel. The German translation by Wilhelm Grube and Herbert Mueller, Die Metamorphosen der Götter (2 vols., Leiden, Brill, 1912) contains only chapters 1-46. Chapters 47-100 have been summarized by Mueller. The novel is mentioned in E. T. C. Werner, Myths and Legends of China (London, 1934) and in Sir J. C. Coyajee, Cults and Legends of Ancient Iran and China (Bombay, 1935).\n\n2 Chung-kuo Hsiao-shuo Shih-lüeh, Ch. 18, p. 176 (1953); also the English translation entitled A Brief History of Chinese Fiction by Yang Hsien-yi and Gladys Yang, p. 220 (1959).\n\n3 Details of my evidence and arguments are contained in my unpublished thesis, \"The Authorship of the Feng-shen Yen-i\", a copy of which is in the library of the School of Oriental and African Studies, London University.\n\n4 Cf. James J. Y. Liu, \"The Knight Errant in Chinese Literature\", in this volume, pp. 30-41.",
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    {
        "id": 204321,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 89,
        "title": "RAS-1961",
        "content_text": "Vol. 1 (1961).\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nISSN 1991-7295\n\n85\n\nNo-cha then partially pulled off the celestial robe of the dragon-king and revealed the scales under his left ribs. He tore off some forty or fifty of the dragon-scales and the dragon-king was wounded and suffered a violent pain. He begged his assailant to spare his life. No-cha said, “If you want me to spare your life you must give up your law-suit against me before the Jade Emperor, and follow me back to Ch'ên-t'ang Pass.\" The dragon-king could not free himself and yielded to No-cha. Transforming himself into the shape of a small black snake, he hid in No-cha's sleeve and they descended from heaven. (Ch.13)\n\nSome references can be cited here for comparison and we can see how clever the author was in composing his ingenious and complicated plot which surpasses all the materials he made use of.\n\nIn the prompt-book Ch'in Ping Liu-kuo P'ing-hua (\"The Annexation of the Six States by the Emperor of Ch’in”), chüan 2, there is a sentence, \"to fasten the cuirass he should use the sinews of the old dragon.\" In the Ta-T’ang San-tsang Ch’ü-ching Shih-hua (\"Tripitaka's Search for Buddhist Sutras\"), chuan 2, (7), the Monkey-monk (Hou Hsing-chê) pulled out the sinews from a dragon with nine heads for a belt to hold the cuirass.\n\nAccording to the Min Shu (M), there was a Taoist priest named Yu Chên-chai (2) living in the epoch of Hung Wu, who was called upon by an old woman:\n\nShe was a female-dragon... and was to be struck to death by lightning on account of her failure in regulating the rains. She begged him to save her life. Yü said, “Can you transform yourself to a small shape so that I may hide you in my alms-bowl?\" The dragon followed his advice and transformed herself into a snake wriggling into the bowl.\n\nThe story of No-cha goes on as follows:\n\nOne day as the weather was excessively hot, he felt restless and annoyed, and ascended the tower over the city-gate. On the weapon-stands he found a wonderful bow called ch'ien-k'un kung (the cosmic bow) and three arrows called chên-t'ien chien (heaven-shaking arrows) which he appreciated very much, and did not know that they were left by the Yellow Emperor and since then no one had been strong enough to use them. He was so glad of this discovery and he seized the bow and shot an arrow toward the south-west. With a startling sound the sky was covered with red mist and auspicious clouds floated around. (Ch.13)\n\nIn chuan 13, in the chapter of the \"Competition in Martial Exercises for the Hand of Yasodhara\" of Abhiniskramana-sutra (DATE · #), we have the following paragraph:",
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    {
        "id": 204330,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 98,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch ORASHKB and author\n\n94\n\nVol 1 (1961)\n\nISSN 1991-7295\n\nmouth. After a fruitless argument with the Taoist master, No-cha wielded his weapon again and as Jan-têng raised his sleeve upwards an object was hurled into the air which emitted radiant beauty and when falling, enveloped No-cha in it and rendered him motionless. Jan-têng tapped it with his hand and flames broke out and made No-cha yield and acknowledge Li Ching as father and bow to him in humiliation. After the reconciliation had been made, Jan-têng Tao-jên instructed Li Ching to relinquish his official post and go into seclusion until the rise of King Wu, and gave to Li Ching the magic weapon which was a golden pagoda of elegant workmanship which would serve to safeguard No-cha from rebellion against his father and to consolidate the reconciliation. (Ch.14)\n\n5. HSI-YU-CHI (“MONKEY\") AND FENG-SHEN\n\nThe story of No-cha as it appears prominently in Chapters 12-14 of the Fêng-shên Yen-i, is for the most part, I believe, the creation of the author except for those minute points which I have discussed. After having consulted the Tantric texts which I have already quoted, we can see that the fantastic story of the pagoda, though with some hints of being inspired by the texts, is a wholly fabulous invention and only by skilful ingenuity can it be made so natural and so plausible. In Ch.83 of Wu Ch'êng-ên's (AR) Hsi-yu-chi (“Pilgrimage to the West\") which is no doubt an enlargement of the Hsi-yu-chi in the \"Four Travels\", there is a paragraph which seems to be either the origin of these Chapters (12-14) of the Fêng-shên Yen-i or a synopsis of these same chapters with variations. I am inclined to take the latter view and believe that the writing of Wu Ch'êng-ên's Hsi-yu-chi was later than this novel for these reasons:\n\n36\n\n35\n\n(a) As I have pointed out elsewhere when discussing the magic lasso, the name Ya-lung Tung (Dragon-subduing Cave) of the Ya-lung Shan (Dragon-subduing Mountain) which appears in Ch.34 of Wu Ch'êng-ên's Hsi-yu-chi was derived from Ch.52 of the Fêng-shên Yen-i (Fei-lung Tung AM or Flying-dragon Cave of the Chia-lung Shan or Dragon-pinching Mountain).\n\n(b) In Ch.52 of Wu's Hsi-yu-chi, the eighteen Arhats tried with the sand of golden pills to subdue the devil, which sank its feet to the depth of more than three feet. This sand is derived from the Red-sand Array () in Ch.49 of the Fêng-shên Yen-i.\n\n35 See Arthur Waley, Monkey, translation of chapters i-12, 13-5, 18-9, 22, 37-9, 44-6, 47-9, 98-100, London, George Allen & Unwin, 1943.\n\n30 In my thesis \"The Authorship of the Feng-shên Yen-i\", pp. 178-80.",
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    },
    {
        "id": 204331,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 99,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n95\n\nB\n\n(c) The T'ao T'ien-chün ( or Celestial Master T'ao), one of the four attendant-generals forming the retinue of the Premier Wên T'ai-shih in the Fêng-shên Yen-i is an invention of the author of the Fêng-shên for a particular reason.3\n\nIn any one of the earlier works before the Fêng-shen, whether Taoist canonical texts or popular literature, we can find the other three T'ien-chün but not this one. This fact strengthens the hypothesis that this particular character was created with a purpose. But he appears also in Wu Ch'êng-ên's Hsi-yu-chi. (Ch.4 etc.)\n\n(d) Yin Chiao () in his transformed figure is an ugly and evil god. \"His face was as blue as indigo, and he had long projecting teeth\" (Ch.63, Fêng-shên Yen-i). He was canonized as the T'ai-sui (✯ the God of the Cycle) in Ch.99 of the Feng-shên. Now in Wu's Hsi-yu-chi there is a line of verse, \"The other had a blue face and protruding teeth as ugly as the T'ai-sui.”\n\n(56)\n\n(e) In Wu's Hsi-yu-chi, when Sun Wu-k'ung ( the Monkey) was repelled by Hsüan-tsang (), he thought of “going to the islands (hai-tao ) but he was rather ashamed to meet those immortals in the three fairy-lands (san-tao chu-hsien l)\". (Ch.57) This is probably influenced by the islands and the immortals there (hai-tao tao-yu fă‡) in Chs.38, 47 and 59 of the Fêng-shễn. In Ch.59 of the Feng-shên when Lü Yüeh (BG) was defeated by the troops of Chiang Tzu-ya, he fled to the islands as his last resort.\n\n(f) In Wu's Hsi-yu-chi (Ch.60), the Demon-king of Oxen (Niu Mo-wang 4E) rode on a \"water-proof golden-pupiled monster\" (Pi-shui Chin-ching Shou HR). I think this name was invented after the \"fire-spitting golden-pupiled monsters\" (Huo-yen Chin-ching Shou ) ridden by Chêng Lun, Chiên Ch'i and Ch'ung Hei-hu in the Fêng-shên Yen-i.\n\n(g) In Ch.61 of the Wu's Hsi-yu-chi there are the \"four great Vajras\" (MAI) which are no doubt an adaptation of the “four great heavenly kings\". One of their dwelling-places is in the Chin-hsia Tung ( Golden Clouds Cave) of Mt. K'un-lun. In fact this Chin-hsia Tung is exactly the name of the grotto where the Yü-ting Chên-jên (EMRA Immortal of the Jade Urn) lives in the Fêng-shên Yen-i, and Mt. K'un-lun is the sacred mountain of the Promulgating Sect.\n\n37 Ibid., pp. 251-55.",
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    {
        "id": 208063,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1977",
        "page_number": 102,
        "title": "RAS-1977",
        "content_text": "86 \n\nK. G. STEVENS \n\nIt is generally understood that the \"spirits who counter or cope with misfortunes”, and whose names appear on the green sheet of paper, are the main occupants of the Under Altar and others who share occupancy are there on sufferance. Only two of the five or seven spirits of the Under Altar appear in image form, the Local Wealth God and the Five Demons. The remainder are represented only as titles listed in columns. \n\nThe green sheet of paper on which the Under Altar spirits are listed is either pasted, or framed and hung, on the rear wall of the Under Altar. The titles, apart from the two outside ones which are standard, can be in any order. The local Wealth God, however, seems most frequently to be the title in the centre column. The lists which are very similar on both sides of the Pearl River estuary, are as follows: \n\nRight hand column: \n\nLeft hand column: \n\nCentre column: \n\n\"The Boy who averts calamities (or suffering) on the right\" (右使化難童郎) or (右使化難童郎) \n\n\"The Boy who averts misfortune on the left\"(左便消災童郎) \n\nThe Local Wealth God who distinguishes right from wrong both in the Human and Under Worlds (He has the title of \"Cheng Chen\") (正真財君) \n\nThe other columns are as follows: \n\nThe Two Great Spirit Generals who avert misfortune(冰消瓦解二大神將) The Five Demons who bring fortune (五鬼郎君運財童子) \n\nThe Two Gods of Mourning (二位客星君) \n\nThe White Ape (Monkey), Star God, the Prince of the Palace of the East (東宮太子白猿(猴)星君) \n\nMarshal Yin, The King of Thunder who averts the hundred sufferings/calamities (百解雷王殷大元帥)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
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    },
    {
        "id": 209846,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 105,
        "title": "RAS-1983",
        "content_text": "83\n\n* For example, Aeneas Anderson, A Narrative of the British Embassy to China in the Years 1792, 1793 and 1794, London, 1795.\n\nJames Dyer Ball, Things Chinese, 4th edn., Hong Kong 1903. John Barrow, Travels in China, London, 1806.\n\nJ.F. Davis, Chinese Miscellanies, London, 1865.\n\nC. Toogood Downing, The Fan-qui in China in 1836-1837, London, 1838. James Bromley Eames, The English in China, London, p. 82.\n\nMary Gertrude Mason, Western Concepts of China and the Chinese 1840-1876, New York, 1938.\n\n+ * See H. Kwok and M. Chan, \"Where the Twain Do Meet\", General Linguistics, Pennsylvania, Vol. 2, #2, 1972, pp. 63-82.\n\nK. Luke and J. Richards, \"The Role of English: Status and Function\", paper for RELC Conference held in Singapore, 1982.\n\nA survey on English Language Use in different fields is being undertaken in the Department of English Studies and Comparative Literature by K. Luke and K. Bolton with the aid of a research grant from the University. Findings should be published shortly.\n\n* Charles F. Hockett, A Course in Modern Linguistics, New York, 1965, pp. 393-423.\n\nPartial Listing: David Bonavia, The Chinese, London, 1981.\n\nJ. Clavell, Taipan, London, Joseph, 1966.\n\nNoble House, London Hodder and Stoughton, 1981.\n\nEric Cumine, Ways and Byways, Hong Kong, 1981.\n\nR. Elegant, Dynasty, New York, Fawcett Crest, 1977. Manchu, New York, McGraw Hill, 1980.\n\nR. Hughes, Borrowed Time, Borrowed Place, London, Deutsch, 1968. Maxine Hong Kingston, China Man, London, PAN, 1981.\n\nWoman Warrior, New York, Knopf, 1976.\n\nT. Mo, The Monkey King, London, Deutsch, 1978.\n\nSour Sweet, London, Deutsch, 1981.\n\nIan Steward, The Peking Payoff, Middlesex, Hamlyn, 1978.\n\n10 In Webster we find this definition: 'enthusiastic, cooperative, enterprising, etc. in an unrestrained, often naive way.' Collins gives the definition: 'U.S. slang, excessively, or foolishly enthusiastic (c. 20th Century — pidgin English from Mandarin, Chinese kung work + ho together.)\n\nThe Chinese morphemes involved would seem to be [gung] 'work' and [ho] 'together'. The term may well be pidgin English, as Collins suggests, since the expression [gung ho] does not in fact occur in Chinese.\n\n11\n\n* K. Luke and J. Richards, op. cit.\n\n**L. Bloomfield, Language, New York, 1933, p. 461.\n\nThis is the O.E.D. spelling of the word derived from Chinese. In Hong Kong the word is usually written wui, reflecting the Cantonese pronunciation. Wu is used with this spelling as a technical term in the New Territories Ordinance.\n\n\"The Stanford Dictionary of Anglicized Words and Phrases, compiled by C.A.M. Fennell, C.U.P. 1982.\n\n15 A.J. Bliss, op. cit.\n\n16 R.W. Langacker, Language and Its Structure, Some Fundamental Linguistic Concepts, New York, 1968, pp. 177-194.\n\n17 Eric Cumine, Hong Kong Ways and Byways: A Miscellany of Trivia, Hong Kong, 1981, p. 177.\n\nPage 105\n\nPage 106",
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    {
        "id": 214198,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 56,
        "title": "RAS-1998",
        "content_text": "19\n\neration to be found in wine. Then there is Journey to the West, which has been translated into English, where the Monkey King goes in search of immortality. We have Chinese opera and puppets (Liu, 1995:43-58). A great deal of mirth is to be found at Hong Kong festivals, whether it be at the Cheung Chau Bun Festival or the festival of the Hakka Boy God, Tam Kung. Then again, close friends of a bridegroom get a great deal of enjoyment from making fun of him on his wedding night.\n\nThere is also considerable humour (funniness) in the countless everyday expressions of 'old one-hundred names' (the man in the street). Such sayings which can be described as 'words that work,' are as common in China as chopsticks. For example, inserting money in a car-parking meter is known as 'feeding the hungry tiger,' and, when one is 'booked,' the 'ticket' placed under the windscreen wiper of one's car by a traffic warden, is called naau yuk kon (4), which is slang meaning a thin slice of Chinese dried, sweet beef. There is also a great deal of humour in the vocabularies of merchants and con men, nicknames and clever allusions to everyday objects and curses (Bolton, 1997:299). To scold someone is also an art which onlookers often treat as entertainment. The art is for the person to stand there and give the other person face and let him or her have their say. Then, after remaining quiet, the other person steps in and lets the other party have it!\n\nThe Chinese language abounds with expressions, many commonly used, which make you smile on the outside and laugh within. There are amusing adages such as:\n\n(a) Melon fields, under the pear tree.\n\n(Cantonese know, when this is said it means: don't bend down in a melon field or adjust your hat under a pear tree, or people may think you are stealing melons or pears. Thus, it implies, do not arouse suspicion.)\n\n(b) When a pretty woman marries an ugly man it is like sticking fresh flowers behind the ears of a donkey.\n\n(c) Local ginger is not hot.",
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    {
        "id": 214353,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 211,
        "title": "RAS-1998",
        "content_text": "176\n\nimage with one of the other titles is the same god.\n\nThe Fengshen Yanyi records numerous departments of the Celestial World including, for example, the Department of Thunder. It has a chief, General Wen, and twenty-four subordinates, amongst whom are the spirits of wind, rain and lightning; these are often referred to as the Five Spirits of Thunder, Lei Shen. Another is the Department of Fire Spirits. Its departmental head, Luo Xuan of Fire Dragon Island, called himself Yan Zhong Xian, the Immortal of the Flames, and was a fierce-looking iron-toothed, red individual. His immediate subordinate was Liu Huan, a yellow-faced demonic being who, during the Shang-Zhou struggle, brought along the materials with which they nearly destroyed the capital of Xi Ji, before being themselves routed. Luo Xuan was awarded the title The Chief Spirit Ruler of the Southern Region Three Atmospheres Fire Virtue Star: Nan Fang San Qi Huode Xingjun Zhengshen. Among his subordinates are a pig, monkey, tiger and snake spirits, all representing the different kinds of fires. The tiger is the 'tail fire' which is very hot; the pig is a 'house fire' which bursts out unexpectedly; the monkey is the 'nose fire' which comes suddenly through openings; whilst the snake is the 'winged fire' which leaps from one place to another. Liu Huan causes fires to spread.\n\nThe story begins with the last ruler of the Shang making an offering at the temple of the goddess Nü Wa. Having written a poem on the wall of the temple, a graffiti that offends her, she sends three monsters to bewitch him.\n\nThe following résumé of the last two chapters of the book brings into focus the tenor and style of the story. Jiang Ziya, about whom tales are told of his ineffectual efforts to become a trader and thus satisfy his wife's demands that he should do something useful, was eventually introduced to the Court and King Zhou Xin, who gave him a high position. Jiang antagonised Dan Ji, Zhou Xin's concubine, by getting rid of one of her vampire friends who had disguised herself as a human to share with the evil queen the flesh and blood of the victims she had slaughtered. Jiang was being taken away to be executed outside the palace but managed to slip through a hole in a bridge and disappeared. The guards sought him everywhere and finally assumed that he had been drowned. He had however been able to conceal himself.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    {
        "id": 214552,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 410,
        "title": "RAS-1998",
        "content_text": "379\n\nmeeting place where candidates from the two provinces could stay while attending imperial examinations. An opera hall was added in 1830 and it became a centre for Beijing opera masters including Mei Lanfang. The hall was restored in 1992 and the site also houses a small opera museum. We watched a very lively performance of excerpts from famous Beijing Operas, the highlight of which was the Monkey King in Journey to the West defeating a rapid succession of opponents through brilliant acrobatics and martial arts.\n\nOn Monday, our final day, we visited the former Legation Quarter, now called Dong Jiao Min Xiang. This quarter had long been the place where tributary visitors, such as Mongols, Tibetans and Vietnamese stayed, and during late Qing times became a virtual \"state within a state\".\n\nDr Ting guided us on a walk which began at St Michael's Church, in Taijichang Street (formerly known as Rue Marco Polo) and built by French Vincentians in 1901. Inside the church is simple and modest with some of its services still conducted in Latin. We went on past the sites of the Russian Embassy and the former British Embassy, as well as the present Beijing Municipal Government offices, the Supreme People's Court and the Beijing Public Security Bureau. There still exists one interesting road sign, Rue Hart, named after the famous founder of the Imperial Maritime Customs, Sir Robert Hart.\n\nOur visit to Beijing ended with a brief look at the antique market Liulichang (Glazed Tile Factory) an area named after a pottery which, in Ming times, produced tiles for the roofs of the Forbidden City. It had been famous for centuries for its old book shops, pictures, rubbings, jewellery, bronzes and porcelain and for some years now it has been revived as an antique market, (but one has to bargain very hard to get a good price).\n\nWe returned to Hong Kong on Easter Monday afternoon having visited a capital undergoing both revival and development, with room for both Matteo Ricci and Nina Ricci, for both the study of history and plans for a future based on past experience; and for both the tranquillity of the Fa Hai Temple and the boisterous artistry of the Monkey King. We look forward to further insights in Qingdao during Easter 1999.",
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2000",
        "page_number": 166,
        "title": "RAS-2000",
        "content_text": "123\n\nscroll stands in the centre and is flanked by two images each with his right arm raised holding a bell. The faces are one red and one black, and the pair are known as the Red Taisui and the Black Taisui, all three functioning as one deity.\n\nA six-armed image of Taisui in the side hall of the Penang City God temple shares the main altar with Guan Yin and the Great Saint [Qitian Da Sheng - though better known as the Monkey God]. In Cholon, Saigon, three separate deities are portrayed on one altar, each with Taisui added to his title. These are Ziwei Xingjun, Wenchang and Xuantan, the first being a stellar deity whose likeness is pasted or nailed to doors as a popular charm to ward off demonic attack, the second is the God of Literature and the third, a Wealth God. This nomenclature would appear to be a local whim, not seen nor heard of elsewhere.\n\nOnly in very few instances does Taisui have any assistants. Several temple keepers in Taiwan and Singapore explained that Taisui, like so many protective deities, has Five Demon Armies under his command. These he despatches to cope with recalcitrant humans who fail to honour Taisui properly or who have insulted him in any way. When humans come under any form of demonic attack the cause and source of the attack is usually revealed to them by mediums, who are then in a position to advise the individual what should be done to counter and ward off the evil effects, particularly so when the attack is mounted by tamed demons under the control of a deity, Taisui. They advise the human to immediately propitiate him and request him to call off his demonic forces.\n\nIn several novels Taisui is described as having ten assistants the last four being the gods of the year, the month, the day and the hour. All were described in the Deification of the Gods as having been slain at the famous battle between the good and evil forces at Wan Xian Chen and have been named as:\n\nLi Bing\n\n李丙\n\nHuang Chengyi\n\n黃丞乙\n\nZhou Deng\n\n周登\n\nLiu Hong\n\n劉洪\n\nIn a temple in Kalgan, a city known today as Zhangjiakou in the Chinese province of Inner Mongolia, Yin Jiao's second brother, Yin",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215141,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 237,
        "title": "RAS-2000",
        "content_text": "PATRON DEITY OF PROSTITUTES\n\nZHU BAJIE\n\n豬八戒\n\n195\n\nKEITH STEVENS\n\nZhu Bajie is better known to Westerners as Piggy or Pigsy. He is one of the three assistants to the Tripitaka [the Chinese monk, Xuanzang] who, in 629 AD, together with the Monkey King [Qitian Dasheng], set out with the monk as his escort and aides on his hazardous and enthralling trek to India to collect the sacred Buddhist scriptures. These were the heroes of the romance the Journey to the West. He is also known by his name in religion - Zhu Wuneng - Seeker after Strength.\n\nIn the story Pigsy was the former Superintendent of Navigation of the Milky Way, banished to be reincarnated on Earth for assaulting one of the daughters of the Jade Emperor. Unfortunately a mistake was made and he entered the womb of a sow and was born half-man and half-pig. He was ordained a priest by Guan Yin and is portrayed on altars and in murals as a composite deity, a human with the head of a pig. He carries a five-toothed rake as a defensive weapon which he used to good effect during the long and arduous journey escorting the pilgrim monk, Xuanzang.\n\nAlthough he is usually regarded China-wide as the epitome of gluttony, in Taiwan he is also revered by prostitutes who call on his divine title Shoushou Ye, offering him incense and chants morning and evening whilst calling on him to bring them rich guests, foolish and witless, to be fleeced. An image, one of a number on loan from devotees, depicts him sitting holding a virtually nude woman in his arms alone on one of the side altars in the City God Temple in Chia I.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 216288,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 47,
        "title": "RAS-2003",
        "content_text": "Our third event, in November 2003, was a lecture by Mr. Martin Palmer entitled 'Da Qin - An Imperial Christian Site of the Tang Dynasty.' Mr. Palmer, a sinologist and theologian and Secretary General of the Alliance of Religions and Conservation, has lectured world-wide, including to the Royal Asiatic Society of Hong Kong, and gave a riveting talk about the recent Da Qin excavations, which had brought to light the remains of the earliest Christian church in West China, dating back to the seventh century. Last, but not least, the Friends met over Chinese New Year for a good meal at the Joy King Lau Restaurant in Soho, to welcome in the Year of the Monkey. For the organization of the above events we again have to thank Mrs. Anita Wilson and Mrs. Rosemary Lee, ably supported by other members of the committee: Mr. Paul Bolding, Secretary, Mr. Roger Candler, Treasurer, Mrs. Kirsty Norman and Mr. Keith Stevens. As a committee, we try and meet at the Oriental Club in London two or three times per year; in 2003 we were especially pleased to have Dr. Patrick Hase at our August meeting. He brought us up-to-date with your events and other matters in Hong Kong. We value this interaction and I was particularly pleased to be invited to attend your December Council Meeting.\n\nThe Friends in the United Kingdom, like you in Hong Kong, continue to look to the future and broaden the activities and enlarge our membership. It is therefore very gratifying to report that on 19th May, 2004 arrangements have been made to hold a joint meeting with the Royal Society for Asian Affairs, 2 Belgrave Square, London, when our own Mr. Keith Stevens will lecture on ‘China/UK Training Chinese Guerrillas (1941-45): a token operation in war-time China.' It is hoped that further joint meetings with the RSAA can be arranged.\n\nOur annual general meeting will take place on 5th June, 2004 and any HKBRAS members are welcome to attend. It will be preceded by a light Chinese lunch at 'Poon's' and followed by what promises to be an interesting talk about Captain Plant, who is buried in the Hong Kong cemetery and who navigated the Yangtze River in the 19th century. Dr. Michael Gillam, a direct descendant of Captain Plant, will be our lecturer.\n\nOn behalf of all Friends in the United Kingdom, we send our very best wishes for 2004 and a successful annual general meeting.\n\nDAVID GILKES (CHAIRMAN)\n\nMARCH 2004\n\nxlvii",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    }
]