[ { "id": 204271, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 39, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n35\n\nTo begin with a few examples in poetry: the poet Ts'ao Chih (A.D. 192-232), son of Ts'ao Ts'ao and younger brother of the first Emperor of Wei, wrote about the knight errant in \"The White Steed\", also known as \"The Knight Errant\":\n\nA white steed decked with a golden halter\nGalloped past towards the north west.\n\n\"Who is the rider?' I enquired from a by-stander.\n'A knight errant from the north' was the reply.\n'He left his native district when he was young,\nAnd spread his fame across the distant desert.\nHe always carries a fine sturdy bow\nWith arrows of bramble wood, long and short.\nPulling the string, he hits the target on the left;\nShooting from the right, he hits it again.\nLooking up, he shoots an ape in flight;\nBending down, he hits the bull's-eye once more.\nHe is more agile than a monkey,\nAnd as fierce as a leopard or dragon.\n\nWhen alarms came from the frontier\nThat barbarian troops had made repeated raids,\nAnd when a call to arms was heard from the north,\nHe mounted his steed and reached the frontier fort.\nHe rode on right into the land of the Huns,\nHolding the Mongol tribes in high disdain.\nHe threw himself before the pointed swords\nWithout giving a thought to his own life.\nHe did not even worry about his parents,\nLet alone his children and his wife.\nHis name entered the register of heroes;\nHis heart had no room for personal feelings.\n\nHe risked his life at a time of national disaster,\nAnd regarded death merely as coming home'.10\n\nThis portrait of a knight errant may be a little idealized, for the poet is, in all probability, using the subject as an excuse to express his own frustrated patriotic wishes and military ambitions, being prevented from fulfilling these by his elder brother. Nevertheless, the poem remains a good illustration of some of the ideals of knight errantry. Notice, in particular, that the knight errant did not allow filial devotion to deter him from his heroic task.\n\n10 Ts'ao Tzu-chien shih-chu (with notes by Huang Chieh, Peking, 1957), pp. 69-70.\n\n2000", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204304, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 72, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n68\n\nVol 1 (1961)\n\nISSN 1991-7295\n\nBUDDHIST SOURCES OF THE NOVEL\n\nFENG-SHEN YEN-I\n\n:\n\nLIU TS'UN-YAN. PH.D.\n\nINTRODUCTION\n\nThe Feng-shên Yen-i, or 'Investiture of the Gods,' is a long novel consisting of 100 chapters. Its authorship had long been unknown, until in 1931 Prof. Sun K'ai-ti discovered in the Japanese Cabinet Library a Ming edition of this novel labelled \"compiled (pien-chi) by Hsu Chung-lin, styled Chung-shan I-sou.\" Many scholars therefore concluded that Hsü Chung-lin was the author. For instance, Lu Hsün in his A Brief History of Chinese Fiction (Chung-kuo Hsiao-shuo Shih-lüeh) mentioned Hsü as the author, though he added that he had not seen the original preface and therefore could not ascertain the date of the novel. This attribution of authorship is not reliable, for in Ming times the term \"compiling” (pien-chi) was rather freely used, and sometimes booksellers would reprint a book with slight additions and alterations and label it as being \"compiled\" by a new writer. In view of this, from 1935 to 1956, I tried to find out the true author of this novel, and my researches led me to the conclusion that the author or compiler of the novel was in fact Lu Hsi-hsing (1520-1601?), a Taoist priest of the Chia Ching period.\n\nLike the Hsi-yu-chi (\"Pilgrimage to the West\", also known to Western readers as \"Monkey\"), the Fêng-shên Yen-i is a work of fiction dealing with the supernatural. It was produced during the time when Chinese fiction was evolving from the prompt-books (hua-pên) of story-tellers to long novels. Its plot is based on the historical events related to the defeat of King\n\n1 There is no English translation of this novel. The German translation by Wilhelm Grube and Herbert Mueller, Die Metamorphosen der Götter (2 vols., Leiden, Brill, 1912) contains only chapters 1-46. Chapters 47-100 have been summarized by Mueller. The novel is mentioned in E. T. C. Werner, Myths and Legends of China (London, 1934) and in Sir J. C. Coyajee, Cults and Legends of Ancient Iran and China (Bombay, 1935).\n\n2 Chung-kuo Hsiao-shuo Shih-lüeh, Ch. 18, p. 176 (1953); also the English translation entitled A Brief History of Chinese Fiction by Yang Hsien-yi and Gladys Yang, p. 220 (1959).\n\n3 Details of my evidence and arguments are contained in my unpublished thesis, \"The Authorship of the Feng-shen Yen-i\", a copy of which is in the library of the School of Oriental and African Studies, London University.\n\n4 Cf. James J. Y. Liu, \"The Knight Errant in Chinese Literature\", in this volume, pp. 30-41.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204321, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 89, "title": "RAS-1961", "content_text": "Vol. 1 (1961).\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nISSN 1991-7295\n\n85\n\nNo-cha then partially pulled off the celestial robe of the dragon-king and revealed the scales under his left ribs. He tore off some forty or fifty of the dragon-scales and the dragon-king was wounded and suffered a violent pain. He begged his assailant to spare his life. No-cha said, “If you want me to spare your life you must give up your law-suit against me before the Jade Emperor, and follow me back to Ch'ên-t'ang Pass.\" The dragon-king could not free himself and yielded to No-cha. Transforming himself into the shape of a small black snake, he hid in No-cha's sleeve and they descended from heaven. (Ch.13)\n\nSome references can be cited here for comparison and we can see how clever the author was in composing his ingenious and complicated plot which surpasses all the materials he made use of.\n\nIn the prompt-book Ch'in Ping Liu-kuo P'ing-hua (\"The Annexation of the Six States by the Emperor of Ch’in”), chüan 2, there is a sentence, \"to fasten the cuirass he should use the sinews of the old dragon.\" In the Ta-T’ang San-tsang Ch’ü-ching Shih-hua (\"Tripitaka's Search for Buddhist Sutras\"), chuan 2, (7), the Monkey-monk (Hou Hsing-chê) pulled out the sinews from a dragon with nine heads for a belt to hold the cuirass.\n\nAccording to the Min Shu (M), there was a Taoist priest named Yu Chên-chai (2) living in the epoch of Hung Wu, who was called upon by an old woman:\n\nShe was a female-dragon... and was to be struck to death by lightning on account of her failure in regulating the rains. She begged him to save her life. Yü said, “Can you transform yourself to a small shape so that I may hide you in my alms-bowl?\" The dragon followed his advice and transformed herself into a snake wriggling into the bowl.\n\nThe story of No-cha goes on as follows:\n\nOne day as the weather was excessively hot, he felt restless and annoyed, and ascended the tower over the city-gate. On the weapon-stands he found a wonderful bow called ch'ien-k'un kung (the cosmic bow) and three arrows called chên-t'ien chien (heaven-shaking arrows) which he appreciated very much, and did not know that they were left by the Yellow Emperor and since then no one had been strong enough to use them. He was so glad of this discovery and he seized the bow and shot an arrow toward the south-west. With a startling sound the sky was covered with red mist and auspicious clouds floated around. (Ch.13)\n\nIn chuan 13, in the chapter of the \"Competition in Martial Exercises for the Hand of Yasodhara\" of Abhiniskramana-sutra (DATE · #), we have the following paragraph:", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204330, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 98, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch ORASHKB and author\n\n94\n\nVol 1 (1961)\n\nISSN 1991-7295\n\nmouth. After a fruitless argument with the Taoist master, No-cha wielded his weapon again and as Jan-têng raised his sleeve upwards an object was hurled into the air which emitted radiant beauty and when falling, enveloped No-cha in it and rendered him motionless. Jan-têng tapped it with his hand and flames broke out and made No-cha yield and acknowledge Li Ching as father and bow to him in humiliation. After the reconciliation had been made, Jan-têng Tao-jên instructed Li Ching to relinquish his official post and go into seclusion until the rise of King Wu, and gave to Li Ching the magic weapon which was a golden pagoda of elegant workmanship which would serve to safeguard No-cha from rebellion against his father and to consolidate the reconciliation. (Ch.14)\n\n5. HSI-YU-CHI (“MONKEY\") AND FENG-SHEN\n\nThe story of No-cha as it appears prominently in Chapters 12-14 of the Fêng-shên Yen-i, is for the most part, I believe, the creation of the author except for those minute points which I have discussed. After having consulted the Tantric texts which I have already quoted, we can see that the fantastic story of the pagoda, though with some hints of being inspired by the texts, is a wholly fabulous invention and only by skilful ingenuity can it be made so natural and so plausible. In Ch.83 of Wu Ch'êng-ên's (AR) Hsi-yu-chi (“Pilgrimage to the West\") which is no doubt an enlargement of the Hsi-yu-chi in the \"Four Travels\", there is a paragraph which seems to be either the origin of these Chapters (12-14) of the Fêng-shên Yen-i or a synopsis of these same chapters with variations. I am inclined to take the latter view and believe that the writing of Wu Ch'êng-ên's Hsi-yu-chi was later than this novel for these reasons:\n\n36\n\n35\n\n(a) As I have pointed out elsewhere when discussing the magic lasso, the name Ya-lung Tung (Dragon-subduing Cave) of the Ya-lung Shan (Dragon-subduing Mountain) which appears in Ch.34 of Wu Ch'êng-ên's Hsi-yu-chi was derived from Ch.52 of the Fêng-shên Yen-i (Fei-lung Tung AM or Flying-dragon Cave of the Chia-lung Shan or Dragon-pinching Mountain).\n\n(b) In Ch.52 of Wu's Hsi-yu-chi, the eighteen Arhats tried with the sand of golden pills to subdue the devil, which sank its feet to the depth of more than three feet. This sand is derived from the Red-sand Array () in Ch.49 of the Fêng-shên Yen-i.\n\n35 See Arthur Waley, Monkey, translation of chapters i-12, 13-5, 18-9, 22, 37-9, 44-6, 47-9, 98-100, London, George Allen & Unwin, 1943.\n\n30 In my thesis \"The Authorship of the Feng-shên Yen-i\", pp. 178-80.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204331, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 99, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n95\n\nB\n\n(c) The T'ao T'ien-chün ( or Celestial Master T'ao), one of the four attendant-generals forming the retinue of the Premier Wên T'ai-shih in the Fêng-shên Yen-i is an invention of the author of the Fêng-shên for a particular reason.3\n\nIn any one of the earlier works before the Fêng-shen, whether Taoist canonical texts or popular literature, we can find the other three T'ien-chün but not this one. This fact strengthens the hypothesis that this particular character was created with a purpose. But he appears also in Wu Ch'êng-ên's Hsi-yu-chi. (Ch.4 etc.)\n\n(d) Yin Chiao () in his transformed figure is an ugly and evil god. \"His face was as blue as indigo, and he had long projecting teeth\" (Ch.63, Fêng-shên Yen-i). He was canonized as the T'ai-sui (✯ the God of the Cycle) in Ch.99 of the Feng-shên. Now in Wu's Hsi-yu-chi there is a line of verse, \"The other had a blue face and protruding teeth as ugly as the T'ai-sui.”\n\n(56)\n\n(e) In Wu's Hsi-yu-chi, when Sun Wu-k'ung ( the Monkey) was repelled by Hsüan-tsang (), he thought of “going to the islands (hai-tao ) but he was rather ashamed to meet those immortals in the three fairy-lands (san-tao chu-hsien l)\". (Ch.57) This is probably influenced by the islands and the immortals there (hai-tao tao-yu fă‡) in Chs.38, 47 and 59 of the Fêng-shễn. In Ch.59 of the Feng-shên when Lü Yüeh (BG) was defeated by the troops of Chiang Tzu-ya, he fled to the islands as his last resort.\n\n(f) In Wu's Hsi-yu-chi (Ch.60), the Demon-king of Oxen (Niu Mo-wang 4E) rode on a \"water-proof golden-pupiled monster\" (Pi-shui Chin-ching Shou HR). I think this name was invented after the \"fire-spitting golden-pupiled monsters\" (Huo-yen Chin-ching Shou ) ridden by Chêng Lun, Chiên Ch'i and Ch'ung Hei-hu in the Fêng-shên Yen-i.\n\n(g) In Ch.61 of the Wu's Hsi-yu-chi there are the \"four great Vajras\" (MAI) which are no doubt an adaptation of the “four great heavenly kings\". One of their dwelling-places is in the Chin-hsia Tung ( Golden Clouds Cave) of Mt. K'un-lun. In fact this Chin-hsia Tung is exactly the name of the grotto where the Yü-ting Chên-jên (EMRA Immortal of the Jade Urn) lives in the Fêng-shên Yen-i, and Mt. K'un-lun is the sacred mountain of the Promulgating Sect.\n\n37 Ibid., pp. 251-55.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 205425, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 187, "title": "RAS-1967", "content_text": "180\n\nBOOK REVIEWS\n\nChildren's toys and games are not overlooked, and are detailed in the chapter on the Tenth Moon. This was the season for kite flying, often with aeolian harps attached. The forms mentioned include the flamingo, wild goose, and flying tiger, all painted with extreme care. Tun is fond of seeking motives for children's amusements and considers the kites beneficial in making the eyes clearer as they are strained to look after the mounting objects. He finds a similar value in shuttlecocks. These were made of a skin covering sewn over a copper coin, with a bunch of feathers attached to the top with a cord. When children kick them about it promotes the circulation of the blood, and keeps them warm. As a side-line the glass factories produced two forms of trumpet, one gourd-shaped, and the other of conventional type. By blowing these the young people were obliged to take deep breaths and filled their lungs with fresh air. Boys of the poorer class ground stones into small marble-like balls which they kicked about as footballs, so keeping the blood circulating in their extremities.\n\n\"Peace Drums\" sound like very modern propaganda. They consisted of an iron circlet over which a donkey skin was stretched. They were furnished with a handle like a fan, at the lower end of which was a loop with a number of iron rings. The drum was beaten with a rattan cane making a booming noise that contrasted with the jangling of the rings. Diabolo was a favourite toy, and the flanges were provided with a rectangular opening to produce a humming sound when sufficient speed was acquired. The cotton string which operated the reel was always given a twist, and some children were very skilful at operating a diabolo with only one flange balanced by a ball-shaped piece of wood.\n\nNothing in the local scene escapes the observant author, who describes fighting crickets and the seasonal birds, with notes on their training. He describes one autumn fruit, Tou Ku-niang as being “shaped like a small egg plant, red as coral, round, glassy and slippery.\" It was, he says, a great favourite with the young, and owes its name \"Fighting girls\" from the contention it arouses for its possession.\n\nThe book is lavishly illustrated with Chinese line drawings and several coloured plates, whilst inside the covers are skeleton maps of Peking, with conventional signs for places of interest referred to in the text. In addition, there are six most useful", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205661, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 203, "title": "RAS-1968", "content_text": "198\n\nWILLIAMS, C. A. S.\n\nTHE LIBRARY\n\nOutlines of Chinese symbolism: an alphabetical compendium of antique legends and beliefs... Peiping, Customs College Press, 1931.\n\nLimited ed. of 250 signed copies.\n\nWINSTEDT, Richard.\n\nThe Malays: a cultural history. Singapore, Kelly & Walsh, 1947.\n\nWOODHEAD, H. G. W.\n\nThe truth about the Chinese Republic. London, Hurst and Blackett, 1925.\n\nWOOLF, Bella Sidney, afterwards Mrs. Lock, afterwards Lady Southorn.\n\nChips of China. Hong Kong, Kelly & Walsh, 1930.\n\nWRIGHT, Arthur F.\n\nBuddhism in Chinese history. Stanford, Calif., Stanford U.P., 1959. (Stanford studies in the civilizations of eastern Asia)\n\nWRIGHT, Leigh R.\n\nHistorical notes on the North Borneo dispute. Ann Arbor, Mich., Association for Asian Studies, 1966.\n\n484.\n\nReprinted from Journal of Asian studies, v. 25, 1966, pp. 471-\n\nWRIGHT, Leigh R.\n\nSarawak's relations with Britain, 1858 to 1870. Kuching, Government Printing Office, 1964.\n\nReprinted from Sarawak Museum, Journal, v. 40, 1964, pp. 628-648.\n\nWRIGHT, Stanley F.\n\nHart and the Chinese customs. Publ. for the Queen's University, Belfast. Belfast, Mullan, 1950.\n\nWU, Chiêng-ên (E)\n\nMonkey; tr. from the Chinese by Arthur Waley. London, Allen & Unwin, 1942 reprinted 1945.", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 206713, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 261, "title": "RAS-1972", "content_text": "Plate 17. In a Fukienese temple in Singapore. Two of the twenty-four Celestial Generals. Monkey is on the left and General Yin Ch'iao is on the right. 1966.\n\n乘\n\nPlate 18.\n\nA Pearl River image standing on \"bell-money\" on Cheung Chau Island, Tai Sui who flies back.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206716, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 264, "title": "RAS-1972", "content_text": "Plate 23. In a Hakka temple in Chemor in North Malaya, Tai Sui holding a bell on an altar together with one of the Lohan, the Chinese Lohan who subdues dragons, and with Chi Kung, the monk,\n\nPlate 24. Images of T'ai Sui amidst others of Kuan Yin. Milafu. Monkey and an unidentified male deity in a Cantonese temple in Singapore, 1967.", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 206805, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 82, "title": "RAS-1973", "content_text": "76\n\nHELGA WERLE\n\nThe hands are made of wire (Plate VII) which facilitates the fastening of the sticks or arms, but their appearance is ugly.\n\nThe sticks have the length of chopsticks. Made of iron, they form a small ring at one end and have a wooden handle on the other, to prevent the sticks from slipping out of the hands. The third stick is thicker and is hooked into a hole at the puppet's back from below. The puppeteers tell that in Ch'aochow some puppets were considered so precious that they were handled with sticks made of pure gold.\n\nNeither the waist nor the stick is movable.\n\nThe Historical Background in Ch'aochow\n\nAlthough well proportioned and even beautiful, this puppet has many technical disadvantages compared to the Cantonese rod-puppet or the Fukienese string or glove-puppet. The reason for this incongruousness can be found in the dominance of Ch'aochow's ancient leather shadow-puppet tradition, which was definitely well established in the Ming dynasty in that area. One can assume that it existed earlier but any proof is lacking so far.\n\nIn Ch'aochow these shadow-puppets were cut out of cowhide (which is very rough when compared to the donkey-hide used in North China or Szechuan) which was coloured. They have two-jointed arms and legs and are handled with three sticks attached to the hands and the back of the two-dimensional puppet. The author has seen such Min-nan shadow-puppets in Taiwan, and some old Ch'aochowese confirmed that the Ch'aochow ones had exactly these features. By the end of the last century, supposedly under the strong influence of the extraordinary perfection of the string and glove puppets of Ch'uan-chou, Fukien, a new type of puppet evolved, a hybrid with the beauty of a Ch'uan-chou puppet, but handicapped in movement by the technique of a two-dimensional puppet. The name paper-shadow-theatre chih-ying-hsi was also applied to the new puppet. These two kinds of puppets existed side by side for one generation, and according to witnesses the leather shadow-puppets disappeared in the 1920s.\n\nIt is yet possible to receive first-hand accounts of the time when puppets were much used. An educated elderly Ch'aochow gentleman, Mr. Su related that in his childhood, at the beginning of the Republic, there were still 3 different kinds of puppets: shadow, horizontal stick-puppets and a third kind which he describes as...", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207000, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 71, "title": "RAS-1974", "content_text": "DOGS AND HORSES IN ANCIENT CHINA\n\n65\n\nOn the other hand the large number of terms such as “hsing” ( ) “han” (*) “wei” (*) “nao” (闹) “hsiao” (咲) and “fei” (吠)52 to denote a dog's bark are apparently attempts to reproduce phonetically the barking sounds of various breeds of dogs.53\n\nPossibly the first reference to a dog in Chinese literature is to the Ao (獒) a dog supposedly sent as tribute to Chou Hsun (1154-1122 B.C.) by a tribe called the Western Liu of whom nothing else is known.54 This was a very large dog which could “know a man's mind”. The size of the Ao always intrigued Chinese authors and one commentator, Kuo Po (502-556 A.D.) claimed that the Ao was a red dog as large as a donkey.55 A statement which may possibly have been known to Marco Polo and caused him to write when speaking of Tibet: \"The people of Tibet are an ill-conditioned race. They have mastiffs as big as donkeys.\"\n\nThis short paper has attempted to show some pre-Han attitudes towards dogs and horses, but it cannot be concluded without referring to another point. It was not until Buddhism had become firmly implanted in China that we find stories celebrating canine loyalty and devotion to man. Until then, classical literature usually qualified dogs as hui (狡), treacherous, chiao (狡) crafty and ssu (思) restless.\n\n1 Anderson, p. 102.\n\n2 Erkes(1), pp. 186-187.\n\n3 Anderson, pp. 120-121.\n\n4 Erkes(2), pp. 27-28.\n\n5 Anderson, p. 29; Yetts, p. 237.\n\n6 Creel, p. 210.\n\n7 Cheng, Vol. 11, p. 55.\n\n8 Cheng, Vol. 11, p. 90.\n\n9 Schindler(2), pp. 631-632.\n\nNOTES\n\n10 Couvreur, Vol. 1, pp. 352, 405, 406.\n\n11 Biot, Vol. 11, p. 259; Chou Li, 8/22b.\n\n12 Biot, Vol. 11, p. 364; Chou Li, 9/30b.\n\n13 Schindler(1), pp. 356, 359, 364.\n\n14 Creel, p. 142/43; Couvreur I, 235.\n\n15 Erkes(2), p. 59.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207263, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 31, "title": "RAS-1975", "content_text": "A HONG KONG SPIRIT-MEDIUM TEMPLE\n\n23\n\nweekday. His possessing spirit is the saintly monk Buddha Sha僧。\n\nThe third medium is also a Chiu-chow in his early 30's. He is employed as a performer in a Chiu-chow opera troupe and seldom appears at the temple except on major feast days, e.g. Chinese New Year. His possessing deity is the Supreme Buddha.\n\nThe medium \"in training” is a Chiu-chow in his early 20's who was until recently employed as a security guard at a local transportation facility. He now supports himself by odd jobs such as take-home piece work from local factories. His possessing deity is the mythical Monkey of Chinese legend.13\n\nIt is obvious that an individual kei tung's rank within the cult is not based on the relative position of their possessing deities within the Chinese pantheon. Rank is predicated on the kei tung's experience as a medium and degree of involvement in the affairs of the temple association. The mere fact that the cult master's possessing deities would be judged as relatively minor personages in the Chinese pantheon in no way affects his recognized position of dominance among the ritual specialists. His over twenty years of experience as a kei tung, and his role as one of the founding “19 Brothers\" of the temple association, render his position unassailable.\n\nMany elaborate ceremonies are conducted by Tai Wong Ye kei tung, the most ostentatious being those held during Chinese New Year and the Yu Laan or Hungry Ghost Festival. It is our contention, however, that the keystone of the cult's appeal as a religious centre lies in the simpler ritual held each evening at 10 p.m. It is that ritual which we will now discuss.\n\nTai Wong Ye Temple: The Possession Ritual\n\nEighty-seven years ago a Christian missionary in Amoy described a spirit possession ritual as follows:\n\n\"The graven idol can be seen sitting in the shrine, with its attendant figures by its side. The group of men that are chanting in a steady, monotonous voice charms that are supposed to bring the spirit are usually men of no reputation in the village. There is no scholar in his long role present, and no man of influence standing by to do honor to the idol. The men seem fit for scenes of darkness and remind one of Macbeth's witches making their", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207267, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 35, "title": "RAS-1975", "content_text": "A HONG KONG SPIRIT-MEDIUM TEMPLE\n\n27\n\n11 Jordan, op. cit., pp. 67-86.\n\n12 For a discussion of \"fairy bones\" see Potter, op. cit., pp. 225-226.\n\n13 For an English translation of the Monkey legend, see Wu, 1942.\n\n14 MacGowan, 1889.\n\n15 It is important that the medium performs this particular act of self-mutilation from time to time because the blood from his tongue is used to make \"powerful\" amulets known as ling chue ✯✯.\n\n16 Lewis, 1971.\n\n17 Feuchtwang, 1974.\n\nBIBLIOGRAPHY\n\nAhern, E. The Cult of The Dead in a Chinese Village, Stanford University Press, Stanford, 1973.\n\nDoolittle, J. The Social Life of The Chinese, 2 vols., orig. Harper & Row, New York, 1865 (Reprint Ch'eng Wen, Taipei, 1966).\n\nElliott, A. J. Chinese Spirit-Medium Cults in Singapore, London School of Economics and Political Science Monographs on Social Anthropology No. 14, Athlone Press, London, 1955.\n\nFeuchtwang, S. \"City Temples in Taipei under Three Regimes\", in M. Elvin and G. W. Skinner eds., The Chinese City Between Two Worlds, Stanford University Press, Stanford, 1974, pp. 264-302.\n\nJordan, D. Gods, Ghosts, and Ancestors, University of California Press, Berkeley, 1972.\n\nMacGowan, J. Christ or Confucius, Which?: The Story of The Amoy Mission, London Missionary Society, 1889, London (Reprint Ch'eng Wen, Taipei, 1971).\n\nPotter, J. \"Cantonese Shamanism\", in A. Wolf ed., Religion and Ritual in Chinese Society, Stanford University Press, Stanford, 1974, pp. 207-232.\n\nWu, Ch'eng-en. Monkey (Translated by Arthur Waley), Allen & Unwin, London, 1942.\n\nADDENDUM\n\nA run of annual mimeographed Chinese texts on spirit mediumship, covering the years 1933-1942 and produced in or for Hong Kong, was discovered by the Hon. Editor of this Journal in a second-hand bookshop recently and is now held by the Centre of Asian Studies, University of Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208025, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 64, "title": "RAS-1977", "content_text": "48\n\nW. A. REYNOLDS\n\nempty, and then reloading on the other side. Then we were told of a ford a mile or so upstream. After making preparations (removal of fan belts and a smear of grease over the distributor head and HT lead), we started across, piloted on a zig-zag path along the shoals by a local man. We made it, although the water was up to the cab floor.\n\nAfter the border, the road deteriorated further. It was usable for trucks in dry weather and possible for mule carts and baggage animals at other times. Since the 18th Group Army had no motor transport (apart from a few aged trucks in Yenan), this did not matter. But we had some further delays, as Plate no. 12 shows, where a small culvert collapsed near Lo-ch'uan.\n\nNaturally, we were a centre of interest, and Illustration 9 shows children watching us at our first stop across the border. Although this part of Shensi is traditionally poor, we saw no one in rags, and the children, adults, and troops also seemed to have adequate clothing against the bitter cold. Progress was slow because of care needed in negotiating the road (Plate no. 14). The very cold weather, about minus 15°C at night, also gave trouble. Since there was no glycol anti-freeze, we added alcohol to the radiators when we stopped for the night and then covered them with cloth after starting. It was necessary to hand crank the engines and warm the carburettor with the blowlamp to be sure of a start without exhausting the battery.\n\nWe finally arrived at Yenan on February 13th. A reception committee awaited us, and one of the resident propaganda teams gave us a display with dance and mime. One of these involved a donkey which would not go. This had a political moral, but the details have been forgotten. Next day, we took the trucks to the Medical Service Headquarters: a row of cave houses, and Plate no. 16 shows the two leading medical cadres, Yu Chin-lung and the writer beside a truck -- mission accomplished.\n\nAt the time of our visit, there were few buildings in the town of Yenan itself. Most had been destroyed by Japanese bomb attacks. It appeared that everyone lived and many worked in the caves dug into the loess hillsides. This is a traditional method in the area, and they are very comfortable, warm in winter and cool in summer. At the present day, construction of free-standing buildings in the area follows the same principles, forming an artificial cave. Since", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208063, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1977", "page_number": 102, "title": "RAS-1977", "content_text": "86 \n\nK. G. STEVENS \n\nIt is generally understood that the \"spirits who counter or cope with misfortunes”, and whose names appear on the green sheet of paper, are the main occupants of the Under Altar and others who share occupancy are there on sufferance. Only two of the five or seven spirits of the Under Altar appear in image form, the Local Wealth God and the Five Demons. The remainder are represented only as titles listed in columns. \n\nThe green sheet of paper on which the Under Altar spirits are listed is either pasted, or framed and hung, on the rear wall of the Under Altar. The titles, apart from the two outside ones which are standard, can be in any order. The local Wealth God, however, seems most frequently to be the title in the centre column. The lists which are very similar on both sides of the Pearl River estuary, are as follows: \n\nRight hand column: \n\nLeft hand column: \n\nCentre column: \n\n\"The Boy who averts calamities (or suffering) on the right\" (右使化難童郎) or (右使化難童郎) \n\n\"The Boy who averts misfortune on the left\"(左便消災童郎) \n\nThe Local Wealth God who distinguishes right from wrong both in the Human and Under Worlds (He has the title of \"Cheng Chen\") (正真財君) \n\nThe other columns are as follows: \n\nThe Two Great Spirit Generals who avert misfortune(冰消瓦解二大神將) The Five Demons who bring fortune (五鬼郎君運財童子) \n\nThe Two Gods of Mourning (二位客星君) \n\nThe White Ape (Monkey), Star God, the Prince of the Palace of the East (東宮太子白猿(猴)星君) \n\nMarshal Yin, The King of Thunder who averts the hundred sufferings/calamities (百解雷王殷大元帥)", "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n", "rank": 0 }, { "id": 208896, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 58, "title": "RAS-1980", "content_text": "30\n\nKEITH G. STEVENS\n\nor halls.32 Nearly 70% of all nunneries are on Lantau island, whereas only 10% of the monasteries are; and three hundred and fifty-three temples and monasteries have resident staff.\n\nThere are thirty-two temples in Macau, of which two are well-nigh derelict. Of the thirty-two temples, six are coastal, twenty-four are urban, and two rural. The majority of temples contain a mixture of Buddhist and folk religion images (no temples contain only Buddhist images), and the remainder contain only folk religion deities.\n\nDegrees of popularity of the major deities in temples and shrines\n\nThe total number of temples dedicated to a specific deity throughout the two areas reflects the importance of that deity to devotees. In Hong Kong and Macau, forty-four different gods each have at least one temple dedicated to him (or her), whilst only seven gods have more than five temples to him (or her). The seven, in order of precedence (based simply on them being the main deity of a temple or monastery), are Tian Hou (seventy-eight) (*), Sakyamuni Buddha (thirty-nine), Guan Yin (thirty-eight), Guan Di (twenty-one), Hong Sheng (twenty), Bei Di, who is better known as the Northern Emperor, (ten), and Lu Zu or Lu Dongbin (seven). Although this gives only a very rough guide, the number of images of Guan Yin throughout Hong Kong and Macau vastly outnumbers those of Tian Hou. However, when the criterion is the number of temples in Hong Kong and Macau in which a particular deity is to be found (on any altar and not necessarily as the main deity), then the first five are Guan Yin, whose image appears in at least seventy-five temples, Tian Hou (114), Guan Di (88), Qi Tian Da Sheng (Monkey) (61), and Di Zang Wang (59).\n\nThe Kitchen God, most frequently depicted by a reddish-orange paper pasted on the chimney above the stove, is the most common deity to be seen on the household altar, followed closely by Guan Yin, whose image, as we have noted, is also to be seen in 70% of all temples. The most common deities outside the home are Tu Di Gong, the Earth God (the local tutelary deity), in both urban and\n\n* The totals are not the number of images seen but the number of temples in which the deity is the main image in both Hong Kong and Macau.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209090, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 252, "title": "RAS-1980", "content_text": "Plate 1. The entrance to the Deng family Cian Hai complex at Ha Tsun. Yuen Long.\n\nPlate 12. A very tiny house-hold shrine containing one image (in this case. of Qi Tian Da Sheng (Monkey)).", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209717, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 374, "title": "RAS-1982", "content_text": "352\n\nBOOK REVIEWS\n\ndescriptions of most of the more important local festivals and rituals, arranged on a month-by-month basis. Each festival is introduced by a \"where to go\" section (which includes \"how to get there\") and includes brief, but clear and concise descriptions of the ceremony, of the god in question, of any unusual or striking rituals, and of the significance of the festival within traditional local society. At the end are notes on the Ta Chiu and On Lung ceremonies, neither of which is held on any fixed day.\n\nIntermingled with the written descriptions are 85 colour plates, most of which are of the most superb quality, and many of which are of rituals either almost completely unrecorded or else never recorded so vividly and well (e.g. the photographs of the On Lung ceremony, or of the village ladies making cakes for the New Year). It should be noted that the plates are not designed strictly as illustrations of the text. Several rituals not separately described in the text, such as funerals, weddings, and Tun Fu ceremonies, are given plates and short marginal comment. Other rituals dealt with somewhat sketchily in the text such as the Ta Chiu and On Lung rituals - are profusely illustrated in the plates. This is obviously designed, and is to be welcomed: each part of the book is of independent value in itself and the book must be treated as a whole to get the best from it. It is clear from this volume that Hong Kong has in Joan Law a photographer with a real natural genius in the photography of ceremonial. It is to be hoped that this volume is the first of many that will be illustrated by her.\n\nThe book, while describing village rituals adequately, also pays attention to urban rituals such as the Chiu Chow Hungry Ghost (Yue Laan) Festival, the Sau Mau Ping Monkey God Festival, the T'am Kung Festival and the Lu Pan Festival. Of course, in a book such as this it is not possible to cover all festivals or rituals, but it will be found that very few of any real significance in Hong Kong are omitted.\n\nThe photographs are so good, and their reproduction so excellent, and the text is so readable and alluring that it is difficult to conceive of anyone previously unacquainted with Chinese festivals looking at the book and not wishing to go straight out", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209766, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 25, "title": "RAS-1983", "content_text": "In fact a pair of monkeys liked the place and seemed to want to join up. They would scamper all around the house as if they owned it. However, as they were not housebroken they were a nuisance. One day a very religious monkey was found in the chapel. He ran into the sacristy and the door was slammed on him. Then the tennis net was brought up to capture him. The door was flung open, and in charged the priests with the net flying. The monkey was so frightened that he smashed right through the window and disappeared in the woods. Apparently he had decided he didn't want to be a monk after all.\n\nThere were no great incidents at the house till the war came in 1941. Incidentally, I was ordained in 1941 and arrived in Hong Kong the night before Pearl Harbor on the last of the Pan Am Flying Clippers. And today happens to be the anniversary of the starting of the war!\n\nIt was dusk on that Dec. 7th as we drove from the airfield out to Stanley, so we didn't see much of the city. Next morning when I was saying Mass in the lower chapel, there were big explosions and the altar jumping around. I thought this is probably the way they start every day in the East. Then when I came down to breakfast, the news had been received on the radio that the Japanese were attacking Hong Kong. We also got the first uncensored reports on Pearl Harbor. As the Japanese army gradually conquered Hong Kong Island, many refugees came to take shelter in the house. The Salesian Fathers had brought out a group of orphans and taken over a part of the house. Some military were also quartered in the house. With us nine new arrivals, the staff etc. there were some thirty people. The war started on Monday, so on Tuesday we as aliens had to go downtown to register. The bus went through Aberdeen, right past Mt. Davis, a big British military installation. The Japanese were bombing this all day, and so we spent practically all day jumping on and off buses, diving into the gutters along the roadside or darting into air raid shelters. We arrived in town just in time to catch the last bus home. However, after dark, the bus only went as far as Repulse Bay and we had to walk the rest of the way. With us were two Carmelite Sisters who had been to town to buy provisions for the siege. As we came down the road into Stanley", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209846, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 105, "title": "RAS-1983", "content_text": "83\n\n* For example, Aeneas Anderson, A Narrative of the British Embassy to China in the Years 1792, 1793 and 1794, London, 1795.\n\nJames Dyer Ball, Things Chinese, 4th edn., Hong Kong 1903. John Barrow, Travels in China, London, 1806.\n\nJ.F. Davis, Chinese Miscellanies, London, 1865.\n\nC. Toogood Downing, The Fan-qui in China in 1836-1837, London, 1838. James Bromley Eames, The English in China, London, p. 82.\n\nMary Gertrude Mason, Western Concepts of China and the Chinese 1840-1876, New York, 1938.\n\n+ * See H. Kwok and M. Chan, \"Where the Twain Do Meet\", General Linguistics, Pennsylvania, Vol. 2, #2, 1972, pp. 63-82.\n\nK. Luke and J. Richards, \"The Role of English: Status and Function\", paper for RELC Conference held in Singapore, 1982.\n\nA survey on English Language Use in different fields is being undertaken in the Department of English Studies and Comparative Literature by K. Luke and K. Bolton with the aid of a research grant from the University. Findings should be published shortly.\n\n* Charles F. Hockett, A Course in Modern Linguistics, New York, 1965, pp. 393-423.\n\nPartial Listing: David Bonavia, The Chinese, London, 1981.\n\nJ. Clavell, Taipan, London, Joseph, 1966.\n\nNoble House, London Hodder and Stoughton, 1981.\n\nEric Cumine, Ways and Byways, Hong Kong, 1981.\n\nR. Elegant, Dynasty, New York, Fawcett Crest, 1977. Manchu, New York, McGraw Hill, 1980.\n\nR. Hughes, Borrowed Time, Borrowed Place, London, Deutsch, 1968. Maxine Hong Kingston, China Man, London, PAN, 1981.\n\nWoman Warrior, New York, Knopf, 1976.\n\nT. Mo, The Monkey King, London, Deutsch, 1978.\n\nSour Sweet, London, Deutsch, 1981.\n\nIan Steward, The Peking Payoff, Middlesex, Hamlyn, 1978.\n\n10 In Webster we find this definition: 'enthusiastic, cooperative, enterprising, etc. in an unrestrained, often naive way.' Collins gives the definition: 'U.S. slang, excessively, or foolishly enthusiastic (c. 20th Century — pidgin English from Mandarin, Chinese kung work + ho together.)\n\nThe Chinese morphemes involved would seem to be [gung] 'work' and [ho] 'together'. The term may well be pidgin English, as Collins suggests, since the expression [gung ho] does not in fact occur in Chinese.\n\n11\n\n* K. Luke and J. Richards, op. cit.\n\n**L. Bloomfield, Language, New York, 1933, p. 461.\n\nThis is the O.E.D. spelling of the word derived from Chinese. In Hong Kong the word is usually written wui, reflecting the Cantonese pronunciation. Wu is used with this spelling as a technical term in the New Territories Ordinance.\n\n\"The Stanford Dictionary of Anglicized Words and Phrases, compiled by C.A.M. Fennell, C.U.P. 1982.\n\n15 A.J. Bliss, op. cit.\n\n16 R.W. Langacker, Language and Its Structure, Some Fundamental Linguistic Concepts, New York, 1968, pp. 177-194.\n\n17 Eric Cumine, Hong Kong Ways and Byways: A Miscellany of Trivia, Hong Kong, 1981, p. 177.\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 211632, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 47, "title": "RAS-1989", "content_text": "22\n\nremoval to T'ai Miao.\n\nIn Tainan in southern Taiwan an elderly temple keeper claimed that the heads of the five major religions, Confucius, Lao Tzu, The Buddha, Christ, and Mohammed gathered and chose Kuan Yu (otherwise known as Kuan Kung, the Patron deity of loyalty) to be raised in succession as the 18th Jade Emperor. He assumed the throne at Chinese New Year in AD 1864 and still occupies the throne.\n\nAlthough the Jade Emperor is concerned with running the bureaucracy of the spirit world and with meting out justice, he delegates many of his day-to-day responsibilities to his ministers and judges. It is accepted by devotees that he is the arbiter during disagreements between the gods. His rule is conceived of as similar to a reigning Chinese emperor, he being the heavenly ruler with the Chinese emperor the terrestrial ruler. Most people believed that the emperor of China was his terrestrial equal. Despite the large pantheon the Jade Emperor commands, containing an inordinate number of Buddhas and bodhisattvas, The Five Emperors, Kings/Judges of the Underworld, major gods and all the deified spirits (shen), in Chinese mythology he is frequently duped and outwitted, as indeed the Chinese well knew that their emperors were. One only has to remember the story of Ch'i T'ien Ta Sheng, better known in the West as Monkey to see how gullible he can be. This does not mean that he was not feared. The Jade Emperor's forces include his powerful spirit armies, capable of destroying anyone or anything, which he can unleash upon anyone who offends him.\n\nAn English missionary in the nineteen thirties after 36 years in North China wrote \"Lao T'ien Yeh is the Supreme God, the popular equivalent of Shang Ti of the Classics. He is not represented by any image or other symbol nor are there any temples in his honour, nor is he the object of popular worship. But built into the outer wall of the house, beside the doorway, there is commonly a little shrine in which thank offerings are placed at harvest time. When you inquire what people know about him, the usual answer is 'He sends the wind and the rain and ordains life and death, and to him the Kitchen God makes his annual report'\"*.\n\nIt is well known that the Jade Emperor personally receives reports from each and every Kitchen God during the period from the 12th day of the final lunar month until the Lunar New Year's Day, and from these", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211640, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 55, "title": "RAS-1989", "content_text": "30\n\non an altar in a folk religion temple in Pongol in northern Singapore.\n\nIn the Feng Shen Yen I, mythical tales known to most Chinese, Yang Chien is described as the nephew of the Jade Emperor. Yang, also known as Erh Lang in some stories and in some temples, was a mythical general fighting for the legendary Shang (Yin) dynasty during the wars of the 12th century BC.\n\nAnother popular romance of the Ming, the Journey to the West, better known as the story of Monkey, tells of the incident when a heavenly being was exiled to Earth for re-incarnation as a punishment for assaulting one of the Jade Emperor's daughters. By mistake he entered the womb of a sow and was born half-man and half-pig and is now best known as Piggy, one of Monkey's assistants.\n\nThe Jade Emperor's festivals are celebrated on his birthday, the 8th and 9th of the first lunar month, and on the 6th of the eleventh lunar month, the anniversary of his ascension. In parts of Taiwan he is also feasted on the 24th of the sixth lunar month, and in South-East Asia on the 6th of the fourth, and fifth of the eighth lunar months. Though it is not a date on which humans especially revere the Jade Emperor, all the gods of Heaven assemble on the 19th of the first lunar month to pay their respects to him.\n\nHe is offered a feast on his birthday which includes duck and chicken, but must include pork. These offerings are placed on a table in the open, before the front entrance to the courtyard, together with candles and the large-size sticks of incense. Two whole sugar canes with leaves intact are especially popular offerings in Fukien communities to celebrate the escape of Fukienese who hid amongst the fields of cane to avoid being killed by an enemy. The survivors offered such canes to the Jade Emperor in thanks and the custom has persisted.\n\nIn general, routine offerings before the altar of the Jade Emperor consist of the standard three sticks of smouldering incense. However, offerings of a vegetarian feast are made to him in Hong Kong on the first day of the lunar new year, accompanied by the burning of spirit money. Not all families perform this ritual, many Hoklo and Hakka families prefer only to offer the basic vegetarian meal.\n\nThe Jade Emperor is usually accompanied on the altar by images of", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211650, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 65, "title": "RAS-1989", "content_text": "40\n\nPestilence Wang Yeh contained the character revealing where he had originated from. An altar in a converted shophouse temple in the suburbs of Taichung bore the title 'Chinmen Su Fu San Wang Yeh'. The temple keeper's family, also named Su, had brought the image over from Quemoy (Chinmen island) off Amoy.\n\nAn example of the many idiosyncrasies involving the worship of the surnamed Wang Yeh can be observed in the Ma Temple in Ssu Hu village in Yunlin county where the Ch'en family has worshipped Pai Fu Ch'ien Sui+ for many generations. The temple was built there with Pai Fu Ch'ien Sui as the major deity but following an epidemic Ma Fu Ch'ien SuiT, the ancestral deity of the local Ts'ao# family became the major deity on the altar. He is regarded as the senior of the two Wang Yeh. According to local legend, during a virulent epidemic Pai Fu Ch'ien Sui gathered together Ma Fu Ch'ien Sui, Ta Sheng Yeh (Monkey god), the Third Prince (T’aitzu Yeh), Kuan Yu (the red-faced god of loyalty), and T'ien Shang Shengmu (The Holy Mother of Heaven better known as T'ien Hou) and together they stopped the epidemic. In their gratitude the locals extended the temple to honour them and, according to the temple keeper, the whole area has been peaceful and harmonious ever since. Ma Fu Ch'ien Sui, the senior Pestilence deity in the group, is portrayed as a multi-armed deity, with a multi-coloured striped face sitting on a throne. It is very Hindu in its appearance.\n\nIn Hsin Ying near Tainan a main deity known as Han Lao Yeh##Zm but better known colloquially as Han Ch’ien Sui### was discussed by a number of villagers. In consensus they decided he was not a Wang Yeh despite being a protective deity who was particularly revered for the maintenance of good health. They were unable to identify Han but recalled that he had been a civil official in Fukien whose image had been brought over to Taiwan long after he had been deified.\n\nPestilence Wang Yeh generally occupy the main altar of the temple in which they reside. The main deity will occupy the centre spot with the junior Wang Yeh in lesser positions beside him. However, in a number of temples they can also be seen in a row on the altar table before the main altar which can be dedicated to another, entirely unconnected deity. This would seem to be the temple staff taking advantage of the custom of borrowing a Wang Yeh image to take home for private reverence by the sick, who leave a donation in the temple for the service. Pestilence Wang Yeh images are frequently carried home from temples", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211892, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 307, "title": "RAS-1989", "content_text": "282\n\nand look at them, and made remarks on their condition. No wonder they go almost naked, the heat is enough to make anybody do so. They wear sun hats exactly like a large wash pan turned bottom upwards. A boy was steering who was the most good-looking of the lot.\n\nThe captain bought a monkey, which was quite young and has since afforded us plenty of amusement; also about four crates of yams and some bottles of curry powder. I waited for the next boat and invested half a crown in seven cocoanuts, a quarter hundred oranges and an immense bunch of bananas. The banana is a fruit in shape like a cucumber, only larger when they are well cultivated, and about a hundred grow on one bunch. My bunch was quite as much as I could lift, and being quite green I hung them over the ship's stern where in a day or two they ripened and were quite yellow. Their flavour is delicious, and is something like that of a ripe pear. When fried in butter they are delightful. The captain also bought 300 oranges for the use of the cabin, but madam ate them nearly all herself in less than a week. They were wild ones I believe, but the flavour was very good. Afterwards when other boats came off, we bought plantains, eggs and no end of things.\n\nTwo ships came in behind us, to one of which we afterwards spoke; she was the Wynand from London, and came out above 20 days after us, and turned off up to China, where she will in all probability reach in 100 days, as we should have done had we had a proper sort of man to act as captain. We ought to have gone off behind him, and never to have gone to Batavia, which has hindered us at least a fortnight, if not three weeks; so say all the ship captains at Batavia. We however turned off Point Nicholas and scarcely came under Babic Island when the wind ceased, and for four days we scarcely moved as many miles.\n\nI grew quite disgusted. To amuse myself I got a hook and line and went fishing. But in throwing it out on the next day the hook caught the top of my finger and tore it clean through, taking away the whole of the upper part of the nail. I got it doctored up a bit, and what with cold water and other appliances it was nearly well in a day or two. I caught no fish, through not having any proper bait, although the fish were leaping out of the water by thousands, and the natives in their canoes were pulling them up by hundreds. We saw them also pulling in their nets, and trying by shouting to frighten the fish into their nets.\n\nA boat at last came off at night out of Bantam, to ask for a job in", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212582, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 136, "title": "RAS-1991", "content_text": "116\n\nThe stylised format remains similar to the 5th century edition. Traditionally, preparing this almanac was the responsibility of the Board of Astronomy.\n\nThe funeral service in this study involved five Taoist (sometimes Buddhists are engaged) monks who, as is customary, chanted mantras. They were accompanied by an orchestra. 'Wooden fish' (*), namely sound boxes, bells and small brass singing bowls were struck. A high-pitched flageolet, a musical instrument with six or eight finger holes, played what some would describe as discordant music. As the coffin was wheeled into the hall, head first on a bier, relatives crouched and mourners born in the Year of the Monkey were instructed over a microphone not to look at the casket. If they did it could bring bad luck. With the head of the corpse towards the altar (in a Christian church feet usually face east towards the altar) the 'body was shown to the gods'.\n\n26\n\nWith patrilineal kinship ties, if there are sons or grandsons in the family a ceremony of 'buying water' (A) takes place. With a traditional funeral in Hong Kong's New Territories this still consists of the eldest son, the chief mourner, being escorted to the nearest stream or well, dropping three cash (old copper coins) in and bringing back a bowl of water. The ritual can vary from bathing the corpse to a symbolic dab on the dead parent's forehead. This, in Confucian tradition, signifies filial piety. It also helps to ensure the lineage continues. 'I have no sons to buy water!' is a not uncommon lament by some husbands, which, in the old days, meant taking a concubine because the first spouse did not give birth to an heir. As there were no sons in this study the three daughters kowtowed three times and walked around the open coffin three times. Other mourners then bowed.\n\nThe public 'lying in state' continued until the 'last glance', towards the end of the ceremony. With the upper portion of the body visible through a clear, plastic 'window' family mourners, followed by the congregation, filed around the coffin. There was weeping. Some children were held up to look at the corpse. (By contrast, I have heard it said a mourner should not get too close for fear of being 'possessed'.) The lid was then secured.\n\nAfter the service the dead person's spirit was 'led' to Chung Yam Fat Ser (Pine Shade Buddhist Association). This hall is situated in multi-", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212653, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 207, "title": "RAS-1991", "content_text": "188\n\nwe would spend time in identifying and studying them. Then we usually brought them to the Museum. That is how I got acquainted with the Museum, its Directors and personnel.\n\nThe first persons I came to know were Octave Piel S.J. and P. Bourgeois S.J.. Piel was a distinguished entomologist as well as an archaeologist. He studied Hymenoptera and specialized in the research of Parthenogenesis of a group of ground wasps. His description of new species and experiments were published in a series of Notes entomologiques du Musee Heude and other worldwide scientific journals. His interests in Archaeology and Art were evident by show cases exhibiting Chinese artifacts, antique curios and vases, set out at the entrance of the museum.\n\nP. Bourgeois was not a scientist, as far as I know. He was some kind of general manager of the Museum, while at the same time he taught pre-university students. He was a friendly gentleman introducing students and other people to the Museum activities, collaborating with scientists and university students in their projects; translating, typing manuscripts, compiling lists and indices; in short, doing all the donkey work.\n\n—\n\nWhen Piel went into semi-retirement, a young clergyman replaced him progressively. This was P. Becquaert. I knew Becquaert well. He was very active and seemed to do a good job. His interests: the Staphylinidae family of insects or staphs. My colleague and I would have collected, among other insects, hundreds of staphs, picked up from special baits set up in the garden in order to satisfy Becquaert's insistent demand. Unfortunately, Becquaert had no scientific training; he was no match for the eminent scientists that had preceded him. It was wartime and the authorities were unable to obtain anyone of, say, Piel's calibre. Soon, Becquaert got involved in dubious connections. He not only lost his interest in entomology, but also his priestly state and his faith. He had published a book on staphs. But the introduction was so full of scientific errors, full of incorrect assumptions and spurious statements, that his successor had to withdraw the book from distribution. Before introducing his successor, however, I must mention a few other people.\n\nDr. Jacques Roi S.J. came to Shanghai in 1944. He had spent a few years in North China at the Geo-Biologic Institute of Beijing. In 1941, he published Phytogeograph of Central Asia, a highly scientific paper with graphs, plates, and maps. During his short stay in Shanghai, he", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 213188, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1994", "page_number": 10, "title": "RAS-1994", "content_text": "Visits:\n\nYin Tin Tsa, Sai Kung for annual Roman Catholic Church festival\n\n1994\n\n16 April\n\nPo For Island\n\n1 May\n\n16 July\n\n20 September\n\n21 September\n\n5 November\n\n26 November\n\n3 December\n\n10 December\n\nMa Po Marshes with shump supper (repeated in September)\n\nTai Hang Fire Dragon Dance\n\nMonkey God Festival at Sau Mau Ping\n\nSwire Institute of Marine Science, Cape D'Aguilar Tung Lung Island\n\nHK Zoological and Botanical Gardens\n\nExhibition of Contemporary Chinese Oil Paintings - Fung Ping Shan Museum, HK University\n\n17 December\n\nShing Mun Redoubt\n\n1995\n\n18 February\n\nSai Ying Pun Guided Walk\n\n4 March\n\nLei Yue Mun Headland\n\nVisits outside Hong Kong:\n\n1994\n\nOctober\n\n1995\n\nNorth Vietnam\n\nMarch\n\nTemples of South Taiwan\n\nOf course we must also thank all those who took time to lecture to us and let me read out a list of those\n\nLectures:\n\n1994\n\n15 April\n\nGreat Monuments of India. Dr. Shobita Punja\n\n13 May\n\n20 May\n\n17 June\n\nTurbans and Traders HK's Indian Communities Ms Barbara-Sue White\n\nTo the Farthest Port of the Rich East Salem's China Trade and the East India Marine Society Mr William Sargent\n\nPregnancy and Childbirth in Hong Kong Ms Diana Martin", "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g", "rank": 0 }, { "id": 213615, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 211, "title": "RAS-1995", "content_text": "184\n\nfrom China, whose image has not been noted during my travels around Chinese temples in South-east Asia nor in Taiwan, and almost certainly Hokkien as the main deity, the Third Prince Nazha, and the other deities in the original village temple included Fa-zhu Gong, Sun the Monkey deity and several unnamed pestilence Wangye.\n\nAn elderly carver in Singapore told me during the early 1960s that he knew nothing about the deity apart from having drawn a sketch for his personal records a year or so earlier. The deity is portrayed as a dishevelled fierce male, sitting, dressed in armour covered by a long red robe. He has bare feet, round staring eyes, and unkempt hair and beard. His skin is chocolate brown apart from the shaven or bald front half of his head and his cheeks which are decorated with white and coloured stripes of red and green. Such markings are very uncommon. Similar ones, typical of the painted faces of opera characters, have been noted on Fukienese pestilence Wangye and on minor warriors, escorts to major deities.\n\nSo, apart from his title and his possible ethnic group, Hokkien, we do not know his legend and background, nor do we know why or for what he was revered.\n\nHowever, now that his image has reappeared on an altar, in Tampenis New Town, who knows what might happen. It is not impossible for a miracle, revealed perhaps in a dream or trance, to be attributed to Qixing Dadi and for the cult to take on a new direction and life.", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213623, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 219, "title": "RAS-1995", "content_text": "192\n\nAnother claim suggests that Ch'iu was the adviser to the Yuan emperor Shih Tsu [better known as the Great Kublai Khan] though as Ch'iu is said to have died in AD 1227 this would be impossible; yet another claim which is again fanciful, Ch'iu is said to have been the author of the dramatic version of the \"Journey to the West\" the well-known story in which Monkey [Ch'i-t'ien Ta-sheng] aids a famous monk to carry Buddhist scriptures to China from India.\n\nHis mausoleum was in the influential Taoist White Cloud Monastery, the Sect centre, in Peking. Temple records in the Pai-t'a Dagoba in the Pei Hai in Peking noted that he died at the age of 80 in AD 1227.\n\nHis image is to be seen on two altars in Hong Kong, both in Taoist monasteries where he is portrayed as a seated Taoist figure dressed in robes, blue in one monastery and golden in the other, with a black beard. He is wearing the tiny Taoist crown and holds a fly switch in his right hand. He has no unique identifying characteristics, though in private images he is often depicted with his blue robes decorated with pa-kua signs. His image, in both monasteries, is on a secondary altar in a main hall dedicated to Wang Ch'ung-yang, with Lu Tung-pin being the sole deity in the other secondary altar. These three Immortals are known collectively as the Three Generations, with Lü the eldest, Wang the second generation and Ch'iu the third generation and the junior.\n\nHis great weakness, which he had to overcome, was his impatience. He was renowned for his propensity to butt in and offer his opinion, often after reaching conclusions prematurely.\n\nIn Peking, his image in the Tan-chi Kung depicted him as a young man without eyebrows or whiskers and with a whey-coloured face. In Singapore, his old gilded image stands on an altar in an old temple in Telok Blangah where he shares a shrine on an altar with Lu Tung-pin, one of the Eight Immortals, with the other shrine occupied by images of Ho Hsien-ku, another of the Eight Immortals, and Sun Fu-jen, an unidentified matron.\n\nCh'iu was deified by the Yuan dynasty emperor Shih Tsu [Kublai Khan, ca AD 1260] as: Ch'ang-ch'un Yen-tao Chu-chiao Chen-jen (MIÈ3⁄4Ç^). Later, at the time of Yuan Wu Tsung [ca. AD 1308],", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 214198, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 56, "title": "RAS-1998", "content_text": "19\n\neration to be found in wine. Then there is Journey to the West, which has been translated into English, where the Monkey King goes in search of immortality. We have Chinese opera and puppets (Liu, 1995:43-58). A great deal of mirth is to be found at Hong Kong festivals, whether it be at the Cheung Chau Bun Festival or the festival of the Hakka Boy God, Tam Kung. Then again, close friends of a bridegroom get a great deal of enjoyment from making fun of him on his wedding night.\n\nThere is also considerable humour (funniness) in the countless everyday expressions of 'old one-hundred names' (the man in the street). Such sayings which can be described as 'words that work,' are as common in China as chopsticks. For example, inserting money in a car-parking meter is known as 'feeding the hungry tiger,' and, when one is 'booked,' the 'ticket' placed under the windscreen wiper of one's car by a traffic warden, is called naau yuk kon (4), which is slang meaning a thin slice of Chinese dried, sweet beef. There is also a great deal of humour in the vocabularies of merchants and con men, nicknames and clever allusions to everyday objects and curses (Bolton, 1997:299). To scold someone is also an art which onlookers often treat as entertainment. The art is for the person to stand there and give the other person face and let him or her have their say. Then, after remaining quiet, the other person steps in and lets the other party have it!\n\nThe Chinese language abounds with expressions, many commonly used, which make you smile on the outside and laugh within. There are amusing adages such as:\n\n(a) Melon fields, under the pear tree.\n\n(Cantonese know, when this is said it means: don't bend down in a melon field or adjust your hat under a pear tree, or people may think you are stealing melons or pears. Thus, it implies, do not arouse suspicion.)\n\n(b) When a pretty woman marries an ugly man it is like sticking fresh flowers behind the ears of a donkey.\n\n(c) Local ginger is not hot.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214266, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 124, "title": "RAS-1998", "content_text": "87\n\nubquitous whilst Lei Tsu, the Ancestor of Thunder is rare. These two forms tend to be confused by devotees, with a concensus accepting that Lei Shen is another name for Lei Kung, whilst Lei Tsu is an entirely separate deity, the major deity who has two aides, Lei Kung and his consort, Tien Mu [the Goddess of Lightning]. Numerous differing views offered by temple keepers, devotees, god carvers and even Taoist religious specialists claim that Lei Kung himself under several different titles is a member of the Five-deity Board of Thunder but subordinate to the President, Lei Tsu.\n\nThe Thunder God, is an early Chinese nature deity, a stern god who, though generally speaking benevolent, is one who averts evil. He is also feared as being particularly merciless towards those who kidnap children and oppress widows and orphans. He was revered in the very early days because of the mystery and powers of nature he and his consort controlled. The list within temples of the evil doers against whom he takes action is seemingly endless. It used to be that the list only included capital crimes, nowadays however it includes the filial impious, liars and cheats, and physical discomfort for truants and lazy scholar students. Children were told that he would not harm them unless they told lies. On the other side of the coin he has the power to obtain pardons for anyone who genuinely repents, and for many centuries Lei Kung has answered people's prayers and requests for cures for all diseases, injuries and sickness. However, during the early part of this century in and around Peking it was believed that he would not cure anything more severe than scratches and bruises. He has developed into a deity whose charms cure minor wounds, stomach aches and perhaps hasten the delayed birth of a babe.\n\nLei Kung causes damage to property and fields with his thunderbolts whilst Tien Mu, the Lightning Goddess, merely flashes her mirrors to cause the lightning. During the late Ming and the Ch'ing dynasties images of Lei Kung were situated on high places, a roof of a temple, for example, to ward off lightning.\n\nHis standard image is unique and the most easily identifiable deity in the Chinese pantheon. Represented as half-man half-bird, a human body and arms, chicken's feet and claws, a monkey's head apart from his bird-like beak, he is also occasionally portrayed with a third eye. He holds a hammer and chisel13, has a string of drums slung around", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214353, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 211, "title": "RAS-1998", "content_text": "176\n\nimage with one of the other titles is the same god.\n\nThe Fengshen Yanyi records numerous departments of the Celestial World including, for example, the Department of Thunder. It has a chief, General Wen, and twenty-four subordinates, amongst whom are the spirits of wind, rain and lightning; these are often referred to as the Five Spirits of Thunder, Lei Shen. Another is the Department of Fire Spirits. Its departmental head, Luo Xuan of Fire Dragon Island, called himself Yan Zhong Xian, the Immortal of the Flames, and was a fierce-looking iron-toothed, red individual. His immediate subordinate was Liu Huan, a yellow-faced demonic being who, during the Shang-Zhou struggle, brought along the materials with which they nearly destroyed the capital of Xi Ji, before being themselves routed. Luo Xuan was awarded the title The Chief Spirit Ruler of the Southern Region Three Atmospheres Fire Virtue Star: Nan Fang San Qi Huode Xingjun Zhengshen. Among his subordinates are a pig, monkey, tiger and snake spirits, all representing the different kinds of fires. The tiger is the 'tail fire' which is very hot; the pig is a 'house fire' which bursts out unexpectedly; the monkey is the 'nose fire' which comes suddenly through openings; whilst the snake is the 'winged fire' which leaps from one place to another. Liu Huan causes fires to spread.\n\nThe story begins with the last ruler of the Shang making an offering at the temple of the goddess Nü Wa. Having written a poem on the wall of the temple, a graffiti that offends her, she sends three monsters to bewitch him.\n\nThe following résumé of the last two chapters of the book brings into focus the tenor and style of the story. Jiang Ziya, about whom tales are told of his ineffectual efforts to become a trader and thus satisfy his wife's demands that he should do something useful, was eventually introduced to the Court and King Zhou Xin, who gave him a high position. Jiang antagonised Dan Ji, Zhou Xin's concubine, by getting rid of one of her vampire friends who had disguised herself as a human to share with the evil queen the flesh and blood of the victims she had slaughtered. Jiang was being taken away to be executed outside the palace but managed to slip through a hole in a bridge and disappeared. The guards sought him everywhere and finally assumed that he had been drowned. He had however been able to conceal himself.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214552, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 410, "title": "RAS-1998", "content_text": "379\n\nmeeting place where candidates from the two provinces could stay while attending imperial examinations. An opera hall was added in 1830 and it became a centre for Beijing opera masters including Mei Lanfang. The hall was restored in 1992 and the site also houses a small opera museum. We watched a very lively performance of excerpts from famous Beijing Operas, the highlight of which was the Monkey King in Journey to the West defeating a rapid succession of opponents through brilliant acrobatics and martial arts.\n\nOn Monday, our final day, we visited the former Legation Quarter, now called Dong Jiao Min Xiang. This quarter had long been the place where tributary visitors, such as Mongols, Tibetans and Vietnamese stayed, and during late Qing times became a virtual \"state within a state\".\n\nDr Ting guided us on a walk which began at St Michael's Church, in Taijichang Street (formerly known as Rue Marco Polo) and built by French Vincentians in 1901. Inside the church is simple and modest with some of its services still conducted in Latin. We went on past the sites of the Russian Embassy and the former British Embassy, as well as the present Beijing Municipal Government offices, the Supreme People's Court and the Beijing Public Security Bureau. There still exists one interesting road sign, Rue Hart, named after the famous founder of the Imperial Maritime Customs, Sir Robert Hart.\n\nOur visit to Beijing ended with a brief look at the antique market Liulichang (Glazed Tile Factory) an area named after a pottery which, in Ming times, produced tiles for the roofs of the Forbidden City. It had been famous for centuries for its old book shops, pictures, rubbings, jewellery, bronzes and porcelain and for some years now it has been revived as an antique market, (but one has to bargain very hard to get a good price).\n\nWe returned to Hong Kong on Easter Monday afternoon having visited a capital undergoing both revival and development, with room for both Matteo Ricci and Nina Ricci, for both the study of history and plans for a future based on past experience; and for both the tranquillity of the Fa Hai Temple and the boisterous artistry of the Monkey King. We look forward to further insights in Qingdao during Easter 1999.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 215070, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 166, "title": "RAS-2000", "content_text": "123\n\nscroll stands in the centre and is flanked by two images each with his right arm raised holding a bell. The faces are one red and one black, and the pair are known as the Red Taisui and the Black Taisui, all three functioning as one deity.\n\nA six-armed image of Taisui in the side hall of the Penang City God temple shares the main altar with Guan Yin and the Great Saint [Qitian Da Sheng - though better known as the Monkey God]. In Cholon, Saigon, three separate deities are portrayed on one altar, each with Taisui added to his title. These are Ziwei Xingjun, Wenchang and Xuantan, the first being a stellar deity whose likeness is pasted or nailed to doors as a popular charm to ward off demonic attack, the second is the God of Literature and the third, a Wealth God. This nomenclature would appear to be a local whim, not seen nor heard of elsewhere.\n\nOnly in very few instances does Taisui have any assistants. Several temple keepers in Taiwan and Singapore explained that Taisui, like so many protective deities, has Five Demon Armies under his command. These he despatches to cope with recalcitrant humans who fail to honour Taisui properly or who have insulted him in any way. When humans come under any form of demonic attack the cause and source of the attack is usually revealed to them by mediums, who are then in a position to advise the individual what should be done to counter and ward off the evil effects, particularly so when the attack is mounted by tamed demons under the control of a deity, Taisui. They advise the human to immediately propitiate him and request him to call off his demonic forces.\n\nIn several novels Taisui is described as having ten assistants the last four being the gods of the year, the month, the day and the hour. All were described in the Deification of the Gods as having been slain at the famous battle between the good and evil forces at Wan Xian Chen and have been named as:\n\nLi Bing\n\n李丙\n\nHuang Chengyi\n\n黃丞乙\n\nZhou Deng\n\n周登\n\nLiu Hong\n\n劉洪\n\nIn a temple in Kalgan, a city known today as Zhangjiakou in the Chinese province of Inner Mongolia, Yin Jiao's second brother, Yin", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215078, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 174, "title": "RAS-2000", "content_text": "131\n\nconnection with Chinese history when comparing the same with the Western system. There was also a slight derangement of time over the year, by one day only, with the intercalary moon being so arranged as to have only one solar period in it.\n\nAlthough the months were divided into two fifteen-day periods, markers for rituals, these periods had no particular relevance to the lives of the common man. What did have marked relevance for the majority of the population was the artificial division of the month into three ten-day periods, used mainly to mark rest days. However, as the seven-day week of the Judeo-Christians does not follow the natural laws by which events and phenomena operate, it was an alien concept to the majority of Chinese until 1911 when the western Gregorian calendar was introduced by the Republic.\n\nThe day was divided into twelve equal hours, each of 120 minutes - though the concept of such minuscule divisions as minutes within an hour used to be beyond the comprehension of the great majority of Chinese. Short periods of time used to be described as the length of time it took for a standard incense stick to burn down.22\n\nThese twelve Chinese hours were referred to using the twelve 'branches' or horary characters. These not only provided names for each of the twelve hours of the complete day but also, in combination with the ten celestial 'stems,' they gave titles for the years.\n\nMonths were referred to by twelve [or thirteen in intercalary years23] ordinary and literary names completely unconnected with the stems and branches.\n\nThe twelve hour day began with 11p.m. to 1 a.m., the hour of the rat and known by the first of the 'twelve branches' Zi; the second hour, 1 a.m. to 3 a.m. was the hour of the ox and known by the second 'branch', Chou. The remainder of the twelve branches' were Yin, the hour of the tiger; Mao, the hour of the hare; Chen, the hour of the dragon; Si, the hour of the snake; Wu, the hour of the horse; Wei, the hour of the sheep; Shen, the hour of the monkey; You, the hour of the cock; Xu, the hour of the dog; and finally, Hai, the hour of the pig.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215141, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 237, "title": "RAS-2000", "content_text": "PATRON DEITY OF PROSTITUTES\n\nZHU BAJIE\n\n豬八戒\n\n195\n\nKEITH STEVENS\n\nZhu Bajie is better known to Westerners as Piggy or Pigsy. He is one of the three assistants to the Tripitaka [the Chinese monk, Xuanzang] who, in 629 AD, together with the Monkey King [Qitian Dasheng], set out with the monk as his escort and aides on his hazardous and enthralling trek to India to collect the sacred Buddhist scriptures. These were the heroes of the romance the Journey to the West. He is also known by his name in religion - Zhu Wuneng - Seeker after Strength.\n\nIn the story Pigsy was the former Superintendent of Navigation of the Milky Way, banished to be reincarnated on Earth for assaulting one of the daughters of the Jade Emperor. Unfortunately a mistake was made and he entered the womb of a sow and was born half-man and half-pig. He was ordained a priest by Guan Yin and is portrayed on altars and in murals as a composite deity, a human with the head of a pig. He carries a five-toothed rake as a defensive weapon which he used to good effect during the long and arduous journey escorting the pilgrim monk, Xuanzang.\n\nAlthough he is usually regarded China-wide as the epitome of gluttony, in Taiwan he is also revered by prostitutes who call on his divine title Shoushou Ye, offering him incense and chants morning and evening whilst calling on him to bring them rich guests, foolish and witless, to be fleeced. An image, one of a number on loan from devotees, depicts him sitting holding a virtually nude woman in his arms alone on one of the side altars in the City God Temple in Chia I.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215347, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 124, "title": "RAS-2001", "content_text": "72\n\nuniquely Hainanese. In practice of the seventeen only one was Hainanese and that bore the odd title. It was Li San Shengmu, literally the Saintly Mother Li the third. This is obviously Li Shan, misheard with the 'san' assumed to be the 'Third'.\n\nThe most widespread claim is that Lishan Shengmu or Lishan Laomu24 was a ferocious lady general of the Tang dynasty known for her love of fighting, and is now a popular character in Chaozhou plays. However, to many Chinese she is better known by the maiden name of Fan Li-shan as merely the wife and mother of two famous generals, Xue. Several stories told about her contain in addition to common factors, others involving unconnected genuine historical heroes, some from entirely different eras. The composite story of the best known legends about Miss Fan25 begins with her warrior father giving her a 'sword to execute Immortals' and a 'whip to beat the spirits' and after she had completed her military training and prior to her going off to help General Xue Dingshan26 to pacify the west. In one version she joined up with him, served and fought alongside winning his trust and favour. In another Xue met and fought her on the battlefield. She defeated him but, because he was a handsome general, and with a bit of persuasion, she married him. A photocopied broadsheet distributed by the temple keeper in a small immigrant settlement shrine above Kowloon claimed that the Lishan cult had been popular in central China, and that her story, described in the 'Conquest of the West,' ostensibly written by Xue Dingshan himself, explained that she had been the wife of Xue, later transformed into an Immortal as a reward for her miracles and achievements.\n\nThere is also a Lishan Laomu who is also a definitive goddess appearing in the great novel The Journey to the West, the story of the fantastic journey made by Xuanzang, together with Sun, the Monkey, Sha the monk and Pigsy. In part of the story it appears likely that Lishan was Monkey's elder sister, a courtesy title rather than a blood relationship. She, together with her three daughters, all Bodhisattvas, named Truth, Love and Pity, transformed themselves into beautiful women in order to tempt the Buddhist pilgrim Xuanzang and his entourage of Monkey, Pigsy and Sha with their beauty. She changed herself into a widow and proposed to Xuanzang who rejected her. She and her daughters teased Pigsy, who after many adventures found that they were merely figments of his imagination. This goddess would", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216053, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 352, "title": "RAS-2002", "content_text": "286\n\nParker might pitch it into the nearest ditch as far as he cared, but it was as much as his place was worth for him to touch it. The Municipal Council issued notices and offered compensation, and meanwhile every day during their walks and rides they had to go round the obstructive eyesore. The Daotai had second thoughts and issued a proclamation saying that he had expostulated with Parker and in his reverent affection for human bones told him that he would have to wait for the agnatic descendants to come forward. This put Parker in a very uncomfortable position and he determined to go the Daotai one better. He therefore issued a proclamation explaining that no one had greater affection for human bones than he but pointed out that the coffin ran the risk of desecration, and that even distant members of the family were authorised to take it away at once. He then gave a broad hint to the Municipal Council that if distant members of the family turned up at dead of night with pick and shovel, no questions would be asked. It blew hard that evening and the air was filled with sleet. When he went out for his early walk the coffin had disappeared. The dealers in donkey-skins had taken four municipal policemen, dug a hole in the next field and then, after transferring the coffin, had slunk away. Nothing happened!\n\nParker explained how Chinese and Tartar soldiers made a nuisance of themselves not only trouble making but also simply by strolling through the foreign settlement in order to steal a look at foreign devils. When he was Consul there, certain Europeans used to connive at gaming-houses, and take shares in native theatres; not to mention pawnshops, drinking houses and other places ever less orthodox, all flourishing under the sacred nose of Her Majesty's Consul. He found Zhenjiang a very rowdy place both from a foreign and native point of view. Consequently the municipal police had plenty of work. One strolling warrior was arrested for \"committing a nuisance\" and promptly punched the policeman's head. He was at last overpowered by others, and temporarily lodged in the consular gaol, the keeper of which was a one-eyed old soldier named Joshua Nunn, who boasted several medals, and had served his country bravely and well in the wars. Some more Chinese soldiers soon gathered round, and began to threaten a rescue, and even burn down the Consulate. Parker gave orders to plucky old Nunn to lock the man up in his strongest cell whilst he sent a pencil message round by the tingchai to each of three sturdy Britishers: \"Please step round with your gun: I expect a row\". In less than five minutes they were there, and with Parker sat before the entrance with their guns.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216074, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 373, "title": "RAS-2002", "content_text": "307\n\npost on the Yangzi,' a place where John Mesny, William's brother, had also been employed in the Imperial Customs, 'If you belonged to the Duff faction you couldn't speak to a clerk of Bean's if you passed him on the Bund; if you belonged to the Bean faction (and Bean was the drinking, swearing, concubine-keeping Scotsman) you were taboo in three houses where there were wives, and therefore decent entertainment.' But if you frequented Starkey, the hospitable, or Emery with his lawful Chinese wife, you were ostracised by the wealthy faction.\"\n\nTransit passes\n\nYou will recall that Mason, according to the Inspector General of Customs, had a grip on the subject of Transit Passes. E. H. Parker, who retired in 1895 to become the Professor of Chinese in Manchester, had been Consul in Zhenjiang in about 1877/78 and he explained that \"from the first day of his arrival piles of mysterious documents came pouring into the office which demanded immediate attention.42 These were 'Bonds to be signed by British merchants, guaranteeing that the goods brought down under transit-pass were their own property, and undertaking to export them at once. The chief staples were 'donkey-skins, lily-flowers and melon-seeds'. The question he asked his predecessor during the hand-over was 'What do we do with donkey-skins in England?' The reply was that it was no business of the Consul : the British merchant swears they're his, and that's all the Consul has to do with it. After the departure of his predecessor Parker asked one of the British merchants the same question. He replied that he had not the remotest idea what was done with the donkey-skins, but that they were certainly his, 'in a way,' the question of joint interest being a 'custom of the trade'. The export of donkey-skins at the time was enormous, certainly several hundred tons a week. The Daotai was a fine, tall, gentlemanly old man, who had been a Peking Foreign Office clerk. He knew nothing of anything, and only wanted peace and quietness. He, like Parker, thought that donkeys never died, neither had ever seen a dead donkey anytime during their lives, and was quite unable to explain the mystery. He added, however, that he understood from the merchants that the well-to-do classes in England took donkey-skins and tea as a tonic. Parker told him that he did not believe a single donkey-skin ended up in England to which the Daotai added that he had a shrewd idea that melon-seeds and lily-flowers don't go there either'.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216075, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 374, "title": "RAS-2002", "content_text": "308\n\nThe transit-pass business was becoming a nuisance and Parker feared that if the items being passed increased without limit then the Chinese merchants would bring the whole trade down. The Daotai suggested that as only five articles have been mentioned in the bonds Parker had seen to date the simplest thing was to permit as many donkey-skins, etc., as merchants like whether they export them or not, so long as it is limited to these five articles. Parker agreed. Some eight years later, when Parker was stationed in Korea, the then Consul in Zhenjiang wrote to solve a question which was cudgelling the legal brains of that port. The question was 'on what principle had donkey-skins, melon-seeds and lily-flowers received favoured treatment?' Parker replied that he had noted that during the previous ten years goat-skins had replaced donkey-skins and therefore assumed that the donkeys were now all dead. And even in 1903 Zhenjiang was the one port in China where transit-passes still flourished, even in purely Chinese hands. The mystery would seem to have been solved when Parker found an explanation in 1887, when Prince Chun, father of the Emperor, was treated for fever with boiled donkey-skin and mud taken from the bottom of a deep well.\n\nThe last days of the foreign concession at Zhenjiang\n\nIn October 1911, when the Emperor and his Court were overthrown, the Chinese Imperial Navy unit in Zhenjiang, consisting of twenty sampans each with one muzzle-loading bow gun, surrendered to the Republican revolutionaries. The Imperial Garrison of one hundred and fifty men also surrendered together with its four ancient muzzle-loading guns, all being handed over to the Republicans.\n\nAgainst the backdrop of mounting nationalism and hostility towards foreigners the War Lord period from 1916 until the late 1920s meant that China was ruled by hundreds of tyrants, with private armies, some large but most were petty, whose interminable activities caused widespread suffering. They all had their individual aims as well as the common feature of such \"generals\" of extracting the maximum of taxes from all and sundry. Zhenjiang did not escape and suffered from occupations and incursions from the forces of various War Lords as well as widespread destruction during the mutiny by the local garrison in 1922.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216224, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 523, "title": "RAS-2002", "content_text": "457\n\nRoad. That is the supermarket and estate agency at No. 44. Now, many of the buildings flanking Conduit Road top 30 or 40 storeys blocking their neighbour's view. Certainly today barking deer can no longer be heard calling from Victoria Peak. But, proving the location is still peaceful, Realty Gardens does have its own flock of pigeons and it is not infrequently visited by a destructive, gregarious group of sulphur-crested cockatoos.\n\nNevertheless the pattern of nature does change. In the 1970s crested-mynah birds were common in the grounds at Realty Gardens. Nowadays, you seldom see them. Snakes are not uncommon. But much of the wild life on the slopes of the Peak itself is nocturnal and limited. However I did see dead ferret badgers and masked-palm civets, in the 1990s, which had been run over by vehicles. Although rare on the Peak, one can occasionally even see fresh-water crabs and blue-tailed skinks. The latter is Hong Kong's most attractive lizard.\n\nAlthough customs have changed one can still sometimes see and hear street criers in Conduit Road. They vary from the itinerant, tiny, wizened old sharpener of knives and scissors to the trader who buys odds and ends of scrap metal. There is also the old man who sells lengths of bamboo. These are used for hanging out the washing to dry when it is euphemistically called \"flags of all nations.\" In the mid-1950s, I remember there was a peddler with a pet monkey.\n\nCertainly if the present old, worn, steps, which are original, which Han Suyin and her boy friend once trod in the film shot at Realty Gardens, together with the original balustrades and the heavy, battered, gravity retaining walls which still exist today, could talk, they would have wonderful tales to tell.\n\nACKNOWLEDGEMENTS\n\nThe author gratefully acknowledges the assistance given by Mrs. Betty Chiu, long-time resident of Realty Gardens, in the writing of this paper. The author is also grateful to Mr. David Roads, Honorary\n\n'The picture in the Hong Kong Museum of Art, of 41 Conduit Road, is a watercolour on paper titled, Fairview, Conduit Road 1926', by Alfred Lane, reference AH72.1. It was donated to the Museum of Art by Mr. Kwok On.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216288, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 47, "title": "RAS-2003", "content_text": "Our third event, in November 2003, was a lecture by Mr. Martin Palmer entitled 'Da Qin - An Imperial Christian Site of the Tang Dynasty.' Mr. Palmer, a sinologist and theologian and Secretary General of the Alliance of Religions and Conservation, has lectured world-wide, including to the Royal Asiatic Society of Hong Kong, and gave a riveting talk about the recent Da Qin excavations, which had brought to light the remains of the earliest Christian church in West China, dating back to the seventh century. Last, but not least, the Friends met over Chinese New Year for a good meal at the Joy King Lau Restaurant in Soho, to welcome in the Year of the Monkey. For the organization of the above events we again have to thank Mrs. Anita Wilson and Mrs. Rosemary Lee, ably supported by other members of the committee: Mr. Paul Bolding, Secretary, Mr. Roger Candler, Treasurer, Mrs. Kirsty Norman and Mr. Keith Stevens. As a committee, we try and meet at the Oriental Club in London two or three times per year; in 2003 we were especially pleased to have Dr. Patrick Hase at our August meeting. He brought us up-to-date with your events and other matters in Hong Kong. We value this interaction and I was particularly pleased to be invited to attend your December Council Meeting.\n\nThe Friends in the United Kingdom, like you in Hong Kong, continue to look to the future and broaden the activities and enlarge our membership. It is therefore very gratifying to report that on 19th May, 2004 arrangements have been made to hold a joint meeting with the Royal Society for Asian Affairs, 2 Belgrave Square, London, when our own Mr. Keith Stevens will lecture on ‘China/UK Training Chinese Guerrillas (1941-45): a token operation in war-time China.' It is hoped that further joint meetings with the RSAA can be arranged.\n\nOur annual general meeting will take place on 5th June, 2004 and any HKBRAS members are welcome to attend. It will be preceded by a light Chinese lunch at 'Poon's' and followed by what promises to be an interesting talk about Captain Plant, who is buried in the Hong Kong cemetery and who navigated the Yangtze River in the 19th century. Dr. Michael Gillam, a direct descendant of Captain Plant, will be our lecturer.\n\nOn behalf of all Friends in the United Kingdom, we send our very best wishes for 2004 and a successful annual general meeting.\n\nDAVID GILKES (CHAIRMAN)\n\nMARCH 2004\n\nxlvii", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]