[
    {
        "id": 208470,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 194,
        "title": "RAS-1978",
        "content_text": "178\n\nDAVID H. S. CHAU\n\nThe fact that in the Tsin Dynasty (#), 303-379 AD, the technique had been widely used, and about the seventh or eighth century the Chinese already used woodblock to print calendars (Ɔ).\n\nThe oldest woodblock printed book still in existence, so far as we understand, is the Diamond Sutra (✨#∞) a Buddhist text (**) printed in the year 868 AD, which was found along with thousands of manuscripts from Mokao (†) the Caves of the Thousand Buddhas (†) at Tun-huang ( ). Tun-huang, a city situated on the outskirt of the Lob Desert in western Kansu Province (+), was once the main gate of the Old Silk Road (***). From the first century until the fourteenth century, merchants, caravans, travellers, monks, and armies leaving for the West all passed through Tun-huang on their way to the Middle East, the Mediterranean, and Europe. The Italian merchant Marco Polo („§ +) used the same route to come to China.\n\nHollowed out in irregular tiers along the face of a steep cliff, the cave temples of the Thousand Buddhas were known in the Tang Dynasty () as Mokao or “Grottos of Surpassing Height\". They are located a few miles southeast of Tun-huang City. There had been huge Buddhist monasteries at the place for centuries, but it became forgotten when the Ming Dynasty (#9) began trading with the West by sea, and since then most of the caves had been buried by the shifting sand of the desert. In the late nineteenth century, it was rediscovered by a Taoist Priest called Wang Yuan-lu (10*), but by then all the wooden structures of the monasteries had vanished, and only the stone caves used as shrines remained.\n\nMokao is more than five thousand feet in length and consists of four hundred and ninety-two caves of various sizes. Over two thousand Buddhist statues and numerous huge murals can still be found in the caves. If we could have all the murals linked together, they would be at least twenty-five miles long.\n\nIn the year 1899, Wang Yuan-lu discovered an old monastery library in a walled-up chamber behind a mural in one of the caves. In the chamber, he found more than twenty thousand volumes of manuscripts and woodblock-printed documents and books, among them the Diamond Sutra. The news of the discovery soon spread abroad. In 1907 an Englishman, Sir Aurel Stein, traded with the priest and carried away 29 cases of manuscripts and books. More",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 209698,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 355,
        "title": "RAS-1982",
        "content_text": "BOOK REVIEWS\n\n333\n\nArt Treasures of Dunhuang, comp. by the Dunhuang Institute for Cultural Relics Hong Kong: Joint Publishing Co., 1981, 254 pp., 84 col. pls. & 84 b. & w. figs.\n\nThe preface of this book is by the first, and only recently retired, Director of the Dunhuang Institute for Cultural Relics Chang Shuhong. It offers a brief history of the Mogao grottoes or the Cave-Temples of the Thousand Buddhas at the Dunhuang oasis in the Gobi Desert of Gansu Province. A longer essay, by Shi Pingting and Shu Xue, follows. In this, more attention is given to description of the mural art which is the chief glory of the site. Although architecture (imitated in the rock-cut caves) and sculpture are also mentioned as other arts important to the temples, less is said about them. Finally, the vicissitudes of this long-abandoned centre of Buddhist worship since the Middle Ages are described.\n\nThe colour reproductions are chronologically arranged and compare well to those in recent Japanese publications which are considerably more expensive than this Hong Kong printed volume. However, this more modestly scaled production is intended for a less specialized readership and does not illustrate the murals as completely as the multiple-volumed works from Japan. One cannot obtain the impression of how a total cave complex looks from a few selections of details, especially as there are no views of caves as a whole and sculpture is separated to follow the wall-painting section.\n\nMost useful are the notes for each plate, compiled by Wan Gengyu and Huang Wenkun. The content of each scene, and especially of narratives from Buddha's pre-birth legends or jataka tales, is given. Brief as these paragraphs are, they are the result of considerable new research and contribute greatly to both aesthetic pleasure and intellectual understanding in our viewing of the plates.\n\nFinally, a five-page chronology of the caves ends the book.\n\nThe English translations of the original Chinese texts are quite good, although perhaps still reading as translations rather than as well-written English language.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    }
]