[
    {
        "id": 211481,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 197,
        "title": "RAS-1988",
        "content_text": "173\n\nZiegler's part and bad for my self-esteem.\n\nI studied English under Mrs. Roberts in my sophomore year and under Miss Floralyn Cadwell in my junior and senior years. When I entered the University of Hawaii four years later, Miss Cadwell was by that time married to an Irish-English gentleman, Mr. Lalia Conway, and was active in community dramatics. Now on the staff of the university, she had me again, this time concentrating on English composition. She was from an old Santa Barbara family who had journeyed to California by way of the Cape. There was a sweet and dreamlike quality about her. We became life-long friends. I owe much to these two English teachers in learning to appreciate English literature.\n\nGeometry was taught by Mr. Cole, a plain Quaker-like instructor. Somehow I did not seem to understand the relationship between points and lines so that I almost flunked the course. Later when I was pressured to teach that subject at True Light Middle School, I was surprised that the government supervisor considered me a good teacher. Perhaps my experience gave me an understanding of the difficulties confronting a student.\n\nMr. Cole is remembered not for the subject he taught, but as a thin, stern teacher, who seemed to be too friendly with Margaret M. Lam, a neighbour of ours. She sat in the seat in front of his desk where she would talk softly with him and would giggle from time to time, intriguing yet somehow annoying to me. Mrs. Wilson taught me first and second year algebra and Miss Wikander, history. I took a year of typing and have never regretted it. All in all I did quite well and the four years went by much too soon.\n\nBecause Mother was concerned that the Barbour Scholarship which Ruth received might not be renewed, I offered to go to work in case she needed some help in the future. Therefore, I took a business course at the Phillips Commercial School for a year and landed my first job as secretary to Judge William J. Robinson, to whom I was referred by Alice Ho Wong, the daughter of Ho Fan, an old family friend. Judge Robinson practised law in the Union Trust Building on Alakea Street, near King Street, and did a good deal of work for the trust company, which was incorporated by Portuguese business men. In the fall of 1928,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211844,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 259,
        "title": "RAS-1989",
        "content_text": "234\n\nin 1846 and kept by the London Missionary Society. (NCH 25.11.1865; SCR 24.11.1865).\n\n14.12.1865 (Thur)\n\nJ.M. MORTON: \"Woodcock's Little Game” (1864)\n\nT: Farce (1 act)\n\nJ.P. PLANCHE: \"Faint Heart never won Fair Lady\" (1839)\n\nT: Comedy (1 act)\n\nC. SELBY: \"The Boots at the Swan\" (1842)\n\nT: Comedy (1 act)\n\nC: Amateurs of the Shanghai Volunteer Corps\n\nF: Prologue spoken by Edward Lawrance and Mr. Groom\n\nTh: Lyceum Theatre (1)\n\nN: First performance of the season by the S.V.C.\n\nR: Again only stage names were used in the review.\n\nIn Morton's piece, Woodcock's Little Game, Woodcock was played by Mr. DOLEFUL who had \"evidently elaborated the part with great care.\" His only drawback was \"a certain monotony in gesture\". Another central character was Mrs. Colonel Carver, \"inimitably performed by Mrs. St. CHAWLES. The majestic lady's make-up was characteristic and costly and many of her attitudes and tones reminded us of Miss Snowdon [Mary Jane Chippendale, 1837-1888; but she made her debut only in 1863 JH] whose imposing personation of similar female parts has assisted so many Haymarket triumphs\". Exceptionally some slight attention was also paid to the staging when the critic wrote about the second scene that the \"occasional glimpses of the whirling waltzers and partners-seeking promenaders were skilfully managed\". In Faint Heart never won Fair Lady Mr. DOLEFUL again took a leading part, that of Ruy Gomez. However, the Herald was not inclined to accept this gentleman's reading of the character without some exception, as a greater prominence might have been given to the comic element. Lightness, vivacity and élan are indispensable in all characters written, as this one was, for Charles Mathews. However, as he had appeared in a humorous part before, Mr. DOLEFUL was perhaps anxious to show his versatility\". Travesty abounded: \"The most difficult part was essayed by Miss SOFTLY [as Charles, the King of Spain, a role cast for an actress JH]. For a man to play a lady's part is hard, for a lady to play a man's part is not easy, but for a man to play a man's part as a lady would play it is hardest of all. Charles II, the mischievous, frolicsome schoolboy at large, newly awaking to a sense of royal responsibility, has been a favourite part with some of our cleverest and prettiest actresses and Miss SOFTLY held her own when compared with these formidable competitors\"\n\nAbout the Boots at the Swan the reporter confessed that \"we are inclined to think this piece has been acted enough\" (but hardly in Shanghai where it was on the boards for the first time). \"The elaborate mimicry of the inimitable ROBSON made the deaf Boots as popular with the London public as Sam Weller had been before him, but a peculiar talent alone can render Jacob Earwig interesting to an audience ten thousand miles away from the little theatre in Wych Street* (i.e. the Olympic Theatre in London). (Henry Morley wrote about Robson in this part, 1857: \"Mr. Robson, although deaf, is humorously wide awake. He is the Boots who is brisk and alive to all the humour of the street, who would be preternaturally knowing if he could but hear what people say. In word and look and action he is more the gamin than the simpleton. The extravagance of a most laughable farce is heightened by him to the utmost and there is not a long face to be seen while he is busy on the stage\"\n\n***\n\n136)\n\nBut, to continue with the Herald: \"FUNNYDOG, the new low comedian, is a valuable accession to the company. His stable yard dress, wooden attitude and imperturbable face formed a perfect study for Leech and Cruikshank, and the finish with which he played the long, and we confess to us tiresome, drunken scene shows",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    }
]