[
    {
        "id": 211826,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 241,
        "title": "RAS-1989",
        "content_text": "216\n\nR: Nearly five years after his last recital in Shanghai, Martin SIMONSEN returned to the port, this time as a member of \"Mr. Smythe's troupe\". There was also the novelty of a lady singer, Miss Amelia BAILEY, who \"could not fail to render the entertainment attractive even had her voice been less excellent than it is\". This was the last night of a series for which public interest had not been particularly large; only on July 31st had there been an \"excellent house\" and in a reproaching comment, the Herald trusted that the company would \"meet with more uniform support at Hong Kong, the residents of which are reputed more willing to put up with a little heat for the sake of an evening's amusement\". (NCH 1,8,1863).\n\nOctober 1863\n\nOn October 24, the North China Herald informed its readers that \"the Circus Company announced more than a year ago as upon its way to Shanghai has at length arrived and promises to be a valuable means of dispelling the ennui inseparable from winter in China\".\n\n17.10.-23.10.1863\n\nA series of promenade concerts by Miss Amelia Bailey (singing) and Marquis Chisholm (piano), as well as the Rhenish Band.\n\nTH: N.N. (H)\n\n7.11.-13.11.1863\n\nA continuation of the concerts mentioned above.\n\nR: In spite of the meagre support met in Shanghai, the Smythe troupe ventured to return in October after a visit to Nagasaki. This time the concerts were more rewarding - financially, for in November it was noticed that “Miss BAILEY has continued to draw crowded houses\" and that she has no reason to complain of the reception she has met in Shanghai\". (NCH 17.10, 24.10, 14.11.1863).\n\n10.2.1864 (Wedn)\n\nE.B. LYTTON: \"The Lady of Lyons\" (1838)\n\nT: Romantic comedy (5 acts)\n\nC: C.R. Faylor's travelling company\n\nTh: Olympic Theatre (H)\n\nR: The port was honoured by a visit of Mr. FAYLOR's theatrical company in February and May. This was after it had toured Macao (in December 1863; see BGM 14.12.1863) and Hong Kong. There it was highly successful, but the first performance in the Yangtze city was unfortunately a failure in consequence of the ludicrous incompetence of that portion of the company which had been collected in Shanghai and pressed into service. The audience, moreover, was riotous in the extreme and displayed the worst possible taste in exciting themselves to increase the confusion on the stage\" (see also Survey, p. 22). (N.C.H. 13.2.1864).\n\n13.2.1864 (Sat)\n\nC. DANCE: \"Delicate Ground\" (1849)\n\nT: Comic drama (1 act)\n\nC. SELBY: \"A Lady and a Gentleman in a Peculiarly Perplexing Predicament\" (1841)\n\nT: Burletta (1 act)\n\nC: C.R. Faylor's travelling company\n\nTh: Olympic Theatre (H)\n\nR: It is not quite clear how many nights were given by the FAYLOR company. The Herald of February 27 states that **it still continues its performances\", but, in view of what had happened earlier, \"naturally enough has not been patronised by any of the ladies resident in the Settlement\". In May, it turns up again in the pages of the paper. (NCH 27.2.1864).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211834,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 249,
        "title": "RAS-1989",
        "content_text": "224\n\nF. TALFOURD: \"A Household Fairy\" (1859)\n\nT: Domestic sketch (1 act)\n\n\"Aurora Floyd\".\n\nHED lists the following authors: C.S. CHELTNAM (1863), C.H. HAZLEWOOD (1836), J.B. JOHNSTONE (1836), B. WEBSTER (1863). In addition, Adams' \"Dictionary of the Drama\" mentions W.E. SUTER.\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of J.B. Creswick\n\nR: NCH 26.11.1864, advertisement only\n\n3.12.1864 (Sat)\n\nL.B. BUCKINGHAM: \"Take That Girl Away\" (1855)\n\nT: Comic drama (2 acts)\n\nJ.M. MORTON: \"A Capital Match\" (1852)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of Miss Lizzie Naylor\n\nR: NCH 3.12.1864, advertisement.\n\n9.12.1864 (Fri)\n\nBenefit of Mr. Henry Birch of the Lewis Company.\n\nNo titles of plays were mentioned. (NCH 10.12.1864)\n\n10.12.1864 (Sat)\n\nFarewell performance, also the benefit of Mr. Lewis, of Lewis Australian Drama Company. No titles of plays were mentioned (NCH 10.12.1864).\n\nR: No detailed reviews of the Lewis season were published in the North China Herald, only short announcements. It is quite well possible that more nights than the above ones were given, but they have not been recorded. In general, the company had attracted rather full houses, but for the 9th \"home sweet home\" was preferred; \"the unfavourable state of the weather prevented many ticketholders from putting in an appearance\" (NCH 10.12.1864)\n\nNovember and December 1864\n\nPerformances by the \"Christy Minstrels\".\n\nTh. N.N.\n\nR: Another travelling company that visited the port in these months were the \"Christy Minstrels\" (see also Survey). They too managed reasonably to fill the theatre (it was not stated where the performances took place, but as the Lyceum Theatre was occupied by Lewis, it must have been another location - perhaps the Olympic Theatre). \"No boredom here for by a pleasing variety they prevent that weariness which even the finest display of musical talent must, through frequent repetition, occasion\" (NCH 26.11.1864). In September they had visited Macao (BGM 5.9.1864) and before December 10 they departed for Hong Kong (NCH 10.12.1864).\n\n22.12.1864 (Thur)\n\nPerformance by the Portuguese Amateur Dramatic Corps.\n\nR: It was \"as usual largely attended\" (NCH 24.12.1864).\n\n28.12.1864 (Wedn)\n\nR.B. BROUGH: \"Medea\" (1856)\n\nT: Burlesque (1 act)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211837,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 252,
        "title": "RAS-1989",
        "content_text": "227\n\nA. DUMAS: \"Camille\"\n\nT: Drama\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: The drama Camille, an English adaptation of Alexandre Dumas' \"La Dame aux Camélias\" was, in the eyes of the Commercial Record (5.5.1865) \"singularly unfitted for the powers of the performers. Miss Rose EDOUIN acted with her usual ability but as the heroine is a character almost impossible to render we must not object where we cannot praise”. Miss Jenny NYE starred in the farce Which is Which? written by a member of the company, Mr. GILL, who himself was a “capital low comedy actor”.\n\n28.3.-5.4.1865\n\nJ.B. BUCKSTONE: \"The Flowers of the Forest\" (1847)\n\nT: Musical drama (3 acts)\n\nJ.B. BUCKSTONE: “Isabella or Woman's Life\" (1834)\n\nT: Drama (3 acts)\n\nD.W. JERROLD: \"Black-eyed Susan\" (1829)\n\nT: Musical drama (3 acts)\n\nT.J. WILLIAMS: \"Nursery Chickweed\" (1859)\n\nT: Farce (1 act)\n\n\"Kenilworth\", possibly by A. HALLIDAY and F. LAWRANCE (1858)\n\nT: Burlesque\n\n\"Mr. and Mrs. Peter White\", anon. (1854)\n\nT: Farce (1 act)\n\n\"Rob Roy”, Numerous pieces with this title are listed in HED. i.a. by W.H. MURRAY (1818) and C.H. HAZLEWOOD (1864).\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: More than the Herald, the Record went into a rather detailed description of the Lewis season. Thus about Flowers of the Forest it wrote that there was \"an energy of revenge predominating all through the play while the occasional glimpse of pathos, combined with the jovial jocularity of the gipsys, tone down the otherwise tragic situations. Miss Rose EDOUIN, Miss NAYLOR and Mr. CRESWICK acted with power and well restrained manner“, Mr. CRESWICK “possesses great dramatic force and expresses himself well. His manner is somewhat stiff, but appearances before larger and more requiring audiences will obviate this habit\", \"His voice is good but somewhat monotonous of lone\" (SCR 5.5.1865).\n\n8.4.1865 (Sat)\n\nW. BROUGH: \"Perdita\" (1856)\n\nT: Burlesque (1 act)\n\nJ.B. BUCKSTONE: \"A Lesson for the Ladies” (1838)\n\nT: Comedy (3 acts)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Rose Edouin's benefit\n\nR: NCH 22.4.1865: no review,\n\n11.4.1865 (Tue)\n\nJ.B. BUCKSTONE: \"A Dead Shot\" (1827)\n\nT: Farce (1 act)\n\nJ. KENNEDY: \"Sweethearts and Wives” (1856)\n\nT: Burlesque (3 acts)\n\nC: Lewis A.D.C.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211838,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 253,
        "title": "RAS-1989",
        "content_text": "228\n\nTh: Lyceum Theatre (1)\n\nN: Rose Edouin's benefit\n\nR: SCR 22.4.1865; no review.\n\n1.4.1865 (Tue)\n\nJ.B. BUCKSTONE: \"A Dead Shot\" (1827) T: Farce (1 act)\n\nJ. KENNEDY: \"Sweethearts and Wives\" (1823)\n\nT: Comedy (2 acts)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Mr. T. Andrews' benefit\n\nR: SCR 22.4.1865; no review.\n\n13.4.1865 (Thur)\n\nJ.B. BUCKSTONE: \"The Rough Diamond\" (1847) T: Farce (1 act)\n\nH.J. BYRON: \"The Bride of Abydos\" (1858)\n\nT: Burlesque extravaganza (1 act)\n\nJ. OXENFORD: \"I couldn't Help It\" (1862)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Julia Edouin's benefit\n\nR: SCR 22.4.1865: no review.\n\n15.4.1865 (Sat)\n\nH.J. BYRON: \"The Maid and the Magpie\" (1858)\n\nT: Burlesque burletta (1 act)\n\nThe Daughter of the Regiment\n\nNumerous pieces with this title are mentioned in HED; possibly by E. FITZBALL (1843; new version in operatic style (1847)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Miss Tilly Earl's benefit\n\nR: SCR 22.4.1865; no review.\n\n17.4.1865 (Mon)\n\nH.J. BYRON: \"The Babes in the Wood\" (1859)\n\nT: Burlesque (1 act)\n\n\"Aurora Floyd\". For possible authors see 26.11.1864,\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Miss Lizzie Naylor's benefit\n\nR: About \"Aurora Floyd\"\n\nthe Record was very satisfied and it thought that it exhibited the Company to the best advantages. CRESWICK as Hargreaves acted one of the most repulsive characters ever put on the stage with consummate tact. Aurora allowed ROSE EDOUIN to be seen to advantage; and in one or two scenes her acting rose to a high point of dramatic effect. Mr. GILL as Grub was capital and was assisted excellently by Miss NAYLOR who as Mary sustained one of her best characters. This lady acts such pieces with a spirit and ease seldom seen and reminds us strongly of Miss Saunders\" (SCR 5.5.1865). The reference to Miss Saunders may have been to Ann Mathew Saunders, died 1891; or Charlotte Saunders, d. 1899.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211840,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 255,
        "title": "RAS-1989",
        "content_text": "230\n\nN: J.B. Creswick's benefit\n\nR: For the second time a scene from Shakespeare could be seen in Shanghai: now it was act V from Richard III in which the king is confronted with the ghosts of his victims, lights his enemies ('A Horse! A Horse! My kingdom for a horse!') and is finally killed. In what kind of version it was played must be a matter of conjecture, although the worst days of adapting, cutting and rewriting Shakespeare's dramas were over. The Record found it \"somewhat disappointing. Richard was too declamatory and an evident appearance of striving for effect predominated\". Who personated the role of Richard III was not stated, but as it was Mr. CRESWICK's benefit it may have been him. The Frantic Husband went off well, with Tilly EARL as the \"Injured wife\". Miss NYE as Mrs. Alibi and Mr. GILL in the leading parts (SCR 5.5.1865).\n\n27.4.1865 (Thur)\n\nNo titles were given, but probably:\n\nJ.H. PAYNE: 'T was (* (1825)\n\nT: Farce (1 act)\n\nJ.T. RODWELL: \"The Young Widow\" (1824)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Miss Nye's benefit\n\nR: Miss NYE was described by the Commercial Record as a \"ladylike and pleasing actress\" who had a good house. \"The performance was light and amusing. She acted neatly and with pleasing unconsciousness of doing so. This actress will some day occupy a position which will still further develop her as a personifier of light and agreeable parts\" (SCR 5.5.1865).\n\n28.4.1865 (Fri)\n\nM. BARNETT: \"The Serious Family\" (1849)\n\nT: Comedy (3 acts)\n\n\"Cinderella\"; by H.J. BYRON? T. TAYLOR!\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (D)\n\nR: In Cinderella, a burlesque, Miss NAYLOR once again “looked and acted with well assumed demeanour\" one of the ugly sisters of the heroine. The latter part was possibly played by Mrs. GILL, \"the most accomplished of the troupe. She pays great attention to dress (...) and there is a quiet repose in her manner that is not easy to attain and only adds to the effect and spirit of her acting“. Miss Tilly EARL also took one of the parts; she was \"vivacious and fascinating\". Only the singing was \"not so good as usual, but one of the fair warblers was suffering from a cold\" (SCR 5.5.1865).\n\n29.4.1865 (Sat)\n\nH.J. BRYON: \"Aladdin or the Wonderful Scump\" (1861)\n\nT: Burlesque extravaganza (1 act)\n\n\"The Lady of Lyons\". Arthur either LYTTON or BYRON.\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: This was the farewell performance of the Company as well as Mr. Henry Birch's benefit. BIRCH was described as \"an old hand on the boards of the theatre. He has acted with many well known celebrities and to a certain extent still retains the manner of a school now almost extinct. The Company had left a good impression, although the Record's critic occasionally thought the actors deficient in making “a lucky hit by the casual introduction of a remark. They depend in some instances too much on the prompter and considering the case they act with one another this should not be\" (of the Herald's\n\nPage 255\n\nPage 256",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    }
]