[
    {
        "id": 209604,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 261,
        "title": "RAS-1982",
        "content_text": "239\n\nThe Sailor Prince, of course, I mean; To welcome him, may he always be\n\nFound playing on the side of the Royal Navy.\n\nThe military groups were at times strengthened by the addition of actresses. Until the time when Hong Kong resident ladies appeared on the stage, the actresses were from visiting professional companies.\n\nActresses not only provided beauty but at times a necessary gentle touch. The 20th Regiment was performing the farce \"Turn Him Out\" in 1867, all was progressing well when suddenly one of the players became temperamental and refused to proceed. To soothe the anger of the audience, which was becoming boisterous, the guest actress, Miss Annie Hill, was prevailed upon to announce the suspension of the performance. While a male would have been greeted with hoots and catcalls, the gallantry of the audience gave Miss Hill hearty applause. Some felt, however, that the incident might be a serious threat to the reputation of all garrison performances.\n\nIn spite of such fears, the Band Company disregarded adverse publicity and presented themselves to the public. According to a report, there was in attendance \"a gay concourse of people, with many ladies and their friends\". At times rowdy behavior discouraged respectable patronage. At a performance at the Garrison Theatre in 1867 it was said that \"some behaved in a style savoring more of a 'penny show' than a respectable theatre, where ladies form a portion of the audience\". Performances put on and patronized by the military were more subject to the plague of rowdyism than those produced by the A.D.C. in the dignified setting of the Theatre Royal at City Hall.\n\nAnother hindrance to military performances was the ruling by the military authorities that no placards could be posted announcing productions. In retaliation, some pranksters put up posters over town announcing a forthcoming play by an officer's dramatic group, though no such production was ever intended.\n\nDespite such difficulties, Hong Kong has had a long history of performances by the Garrison.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 215386,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 163,
        "title": "RAS-2001",
        "content_text": "112\n\n18\n\nherein after Lugard (Sir Frederick Lugard, Governor-General of Nigeria from 1912 to 1919) joining which was the difficult task of unifying the north and south of the country.\n\nLugard retired to his family home at Abinger in Surrey. His wife, Flora (née Shaw), predeceased him in 1929, and Lugard had no children.\n\n†\n\nAt the time of Lugard's death in 1945, it is likely that The Tribute passed directly to the Harrison sisters. Colonel John Harrison, an engineer whose mother was a Lugard maternal great aunt, was related to Miss Annie Harrison and Priscilla Ramsey. The Harrisons had a family of four renowned and musically gifted daughters: May, Beatrice, Morna, and Margaret, who were among the leading figures in the British and world musical scene in the first half of the 20th century.\n\nThe Harrisons were close associates of several famous composers, including Frederick Delius and Sir Edward Elgar, and had several works dedicated to them. Beatrice Harrison, the most famous of the quartet, was the leading cellist of her time and a household name as a concert artist in the 1920s and 1930s. She was also Elgar's most favoured interpreter of his cello concerto. Before one performance in Manchester, Elgar took hold of Beatrice and said, \"Give it them, Beatrice. Give it them. Don't mind about the notes or anything - give them the spirit.\"\n\nThe Harrison sisters, none of whom married, were the custodians of The Tribute for about ten years. Beatrice, who died in 1965, gave The Tribute to her younger cousin, Major Pinker, and his family for safekeeping around 1955.\n\nPage 18\n\nBeatric Harrison celebrated cellist and one-time custodian of The Tribute on the cover of The Strad, which celebrated her centenary in December 1892 (Reproduced with permission).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    }
]