[ { "id": 204248, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 16, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n13\n\nDuring the nineteenth century and early twentieth century, this region became one of the most important regions for archaeological study by Russian, French, German, Japanese, Swedish, and British archaeologists. The great names for the English reader are those of Dr. Sven Hedin of Sweden, and Sir Aurel Stein. The geographical exploration of the one, and the archaeological exploration of the other provide reading material of the utmost fascination and charm, and offer a key to open the closed door of Central Asian studies.\n\nTo these must be added the scholarly work on Central Asian languages Sogdian, Karosthi, Persian, Turkish, Uighur, and Mongolian that illumined the work of the archaeologists, including the names of the two great French sinologues, Edouard Chavannes and Paul Pelliot, and of the Russian Central Asian historian, W. Barthold.\n\nThe greatest episode in the history of Central Asia was the outbreak of the Mongols of Genghis Khan in the 13th century. The most extensive land empire that the world has seen stretched from Russia to Mongolia, and embraced also China, Annam, and Persia, and in its later developments the Moghul dominion in India.\n\nThe trade routes between East and West were once more opened, mediaeval travellers from Europe made their way to Mongolia and China, which they knew by the name of Cathay, and for the first time the West had detailed accounts of farther Asia. The book of Marco Polo is known to all, but not so widely known are the slightly earlier journeys and narratives of the Franciscan Friars, John of Pian Carpine, one to the court of Kuyuk Khan (1245-1247), and the other to the court of Mangu in Mongolia (1253-55). Yet these both present to the reader first-hand information of the Mongols, and of the Chinese, on matters overlooked by Marco Polo.\n\nII. The Persians were the first of the great Oriental Empires with which Europe was confronted. The main theme of the History of Herodotus was the invasion of the independent city-states of Greece by the King of Kings.\n\nIt was to understand how this situation came about, how and why the invasion failed, that Herodotus set out on his seventeen years' travels, collecting material—geographical, historical, sociological, and religious from all the peoples and tribes within his reach, to work into his great history.\n\nA hundred years later Alexander reversed the process and the Greeks invaded the East. In three great battles Syria, Egypt, and Persia fell, and the Macedonian army penetrated to the tributaries of the Indus.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204279, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 47, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n43\n\nUntil the Tibetan form of government was abolished in 1959, it was possible to trace its ancestry back through thirteen centuries and to find there the seeds of institutions that one could see in operation with one's own eyes. The script and the language have changed very little in the course of these thirteen centuries. The script, which was borrowed from India in approximately 640 A.D., can still be seen in inscriptions of about a century later. Any literate Tibetan today can read those inscriptions and can understand them pretty well except for a few archaic words.\n\nBut I suppose the greatest example of conservatism and mystery in the eyes of the outside world is the supremacy of religion, as seen in the rule of the Dalai Lama. This, however, is a fairly recent development. Buddhism reached Tibet in the seventh century; as you know, it came both from China and India, but the Indian stream eventually proved the stronger. In less than two hundred years after its introduction, Buddhist monks were holding office as chief ministers of state. The kings, it is true, were laymen, but Buddhists were already powerful officials. Then there came a setback of two centuries, after which religion resumed its rise in importance. The great monasteries acquired larger and larger estates and more and more temporal influence. Indeed, for about seventy years, at the time of the Yuan dynasty, a religious leader was made viceroy of the country. This was never fully accepted by the lay princes and very soon there was a return of supreme power to secular hands. It was not until 1640 (a thousand years after Buddhist religion reached Tibet) that, with the help of the Mongol Khan in the Kokonor, the line of Dalai Lamas emerged as the actual rulers. Although their role as reformers of the church had begun two centuries earlier, other lines of incarnate Lamas in Tibet, which exercised great influence until they were suddenly swept away in 1640, could trace their ancestry to the early years of the twelfth century. That is why I have described the Dalai Lamas as relative newcomers.\n\nThe rule of the Dalai Lamas, after a first brilliant appearance in the hands of a figure known as the Great Fifth, faded out. There was a period of seventy years when the laymen resumed sway and there was even a lay king. Though religious power was restored in 1750, for a century Tibet was ruled not by Dalai Lamas but by monastic regents acting for minor Dalai Lamas who died at an early age four times in succession. The system of supreme personal rule by the Dalai Lama, both temporal and spiritual, was only firmly restored by the thirteenth incarnation—that is, the predecessor of the present Dalai Lama.\n\nSo you see there was nothing static about the Tibetan system, nor was it a simple one. There have been a whole series of adjustments and balances. The Dalai Lamas, for example, although they are in theory autocratic, are in fact the creation", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204306, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 74, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n70\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n(P'u-hsien), and Avalokitesvara (Kuan-yin). Only certain Buddhas of the Tantric Sect, such as Cundi (Chun-t'i) and Vairocana (P'i-lu-chê-na) are mentioned as \"saints from the West\"; but even these are given Taoist-sounding titles like tao-jên. In this way, the mainly Taoist framework of the novel is preserved. This amalgamation of Buddhist and Taoist deities is highly interesting and may have influenced actual religious practice in China. The practice of worshipping Taoist gods side by side with Buddhas and Bodhisattvas seems to have started after the publication of the novel, for in earlier Taoist literature we find no Buddhist deities mentioned among Taoist gods. For instance, in the Yün-chi ch'i-ch'ien, chüan 103, we find an account of the Taoist pantheon as it was in the eleventh century, which contained no Buddhist deities or fictional gods. But after the sixteenth and seventeenth centuries, various Taoist gods mentioned in the novel came to be worshipped together with Buddhist ones. What is more, most of the temples which apparently first adopted such practice were situated in northern Kiangsu, near Hsinghua, the native district of Lu, the author of the novel. It is therefore not unreasonable to suggest that the novel influenced the composition of the Chinese pantheon and contributed to the amalgamation of Buddhist and Taoist gods in popular belief.\n\nThe amalgamation of Buddhist and Taoist gods seems to have been achieved purposely by the author of the Fêng-shên. As a concrete illustration, I propose to describe how Vaisravana (P'i-sha-mên Tien-wang), one of the Four Heavenly Kings in Buddhist belief, and his third son Nata (Na-cha or No-cha), became important characters in this novel. Vaisravana was of course an Indian god, but during the T'ang and Sung periods he became identified with the Chinese general of the T'ang dynasty, Li Ching. But stories about him were disconnected before the novel Fêng-shên Yen-i was compiled. In various prompt-books which existed before the novel, such as the Nan-yu-chi (\"Prince Hua-kuang or The Voyage to the South\") and the Hsi-yu-chi (“Pilgrimage to the West”, the prototype of the famous novel of the same name) in the Ssu-yu-chi (\"The Four Travels\"), there were already stories about this god and his son. But in the hands of the author of the Fêng-shen these fragmentary and disconnected stories were reorganized and transformed into a vivid tale which can almost stand on its own as an interesting story apart from the whole\n\n* For illustrations of some of these temples, such as the Kuang Fu Monastery in Tai-hsing, Yangchow, and the Tu Tien Temple in Hai-men, Kiangsu, see Père Henri Dore, Recherches sur les superstitions en Chine, (10 vols., Shanghai, 1913-38), Bk. 9, Pt. 2, in Vol. 6.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204308, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 76, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n72\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nhua-pên (story-tellers' prompt-book), we can hardly know their origin or the invaluable part played by the author of the Fêng-shên in transforming them into interesting characters.\n\nLi Ching, bearing the same name as the historical hero in the early part of the T'ang dynasty, is no doubt derived from the Buddhist heavenly king Vaisravana.\n\nWe know from many Buddhist texts the legends of the Four Heavenly Kings. According to the Abhiniskramana-sutra (出曜集經) translated by Jnanagupta in 587, they are,\n\nDhritarashtra or Chih-kuo T'ien-wang in the East, who leads the gandharvas, musicians in heaven; Virudhaka or Tseng-chang T'ien-wang in the South, who is the sovereign of the kumbhandas or deformed demons; Virupaksha or Kuang-mu T'ien-wang in the West, who is king of the nagas who dwell in their palaces at the bottom of the lakes; and Vaisravana or To-wen T'ien-wang in the North, who is head of the yakshas, strong and brave genii.\n\nThe author of the Fêng-shên Yen-i adapted these four heavenly kings in his novel (Chs.31-40) and called them \"the four generals of the Mo family\". He made them brothers and commanders who took charge of the Chia-mêng Pass under the command of the Premier Wên T'ai-shih. Their individual names are Mo Li-ch'ing, Mo Li-hung, Mo Li-hai and Mo Li-shou. But in Ch.31 when they are summoned by Premier Wên T'ai-shih, the author writes, \"The four heavenly kings (ssu t'ien-wang) strode forward,” thus unconsciously revealing their origin, and afterwards in Ch.99 they are given the titles of Tsêng-chang T'ien-wang (Mo Li-ch'ing), Kuang-mu T'ien-wang (Mo Li-hung), To-wên T’ien-wang (Mo Li-hai) and Ch'ih-kuo T'ien-wang (Mo Li-shou) respectively. In Ch.40 the author describes the weapons of these four brothers through the mouth of General Huang Fei-hu as follows:\n\nThe eldest brother Mo Li-ch'ing is twenty-four feet in height, with a face resembling that of a crab, and his beard is like copper wires. He fights always on foot with a long spear, and he has a sword which is called \"Blue Cloud\", on which there are charms and a seal saying \"earth, water, fire and wind\". The wind caused by the brandishing of this magic sword is a black wind in which hundreds of thousands of spears would run and cut off the limbs of men. Following the wind is a blaze in which flaming golden serpents cover the atmosphere with black smoke. The weapon of Mo Li-hung is an umbrella.\n\n* chúan 16, Shê-kung Ch'u-chia P'in (攝功出家品).", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 77, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n73\n\ncalled \"Umbrella of Noumenon and Unity\" (hun-yüan san A) which is decorated with emeralds and precious pearls of divine power which are threaded together to form the words: \"to pack up the universe.\" When this umbrella is opened, heaven and earth, the sun and the moon, will be covered up by darkness, and when it is rolled the world will be shaken. Mo Li-hai carries a spear and on his back there is a four-stringed guitar (p'i-p'a) which will produce the same effect as the \"Blue Cloud Sword\" when played on and the four strings correspond to earth, water, fire and wind. Mo Li-shou carries two whips and a bag in which is concealed a peculiar creature resembling a rat, hua hu-tiao (the striped marten). When hurled into the air this creature will assume the shape of an elephant with wings from its ribs and will devour every one.\n\nThe combat between these four brothers and the heroes from the camp of King Wu can be found in Chs.39-41 of the novel. They are engaged in mortal combat with the Li brothers, Chin-cha, Mu-cha and No-cha in Ch.40. If the reader knows that Li Ching, the fabulous father of these three Li brothers is in fact derived from one of these four heavenly kings, Vaisravana, the ingenuity of the author of this novel can be appreciated, because before the publication of this novel, in many other works Vaisravana and the Chinese god Li Ching, based on the historical hero so named of the Tang dynasty, had long been amalgamated and formed a single name, P'i-sha-mên t'ien-wang Li Ching (Vaisravana or Li Ching, the Heavenly King of Vaisravana). The Chinese transliteration from the Sanskrit \"Vaisravana\" since the T'ang dynasty has been Pi-sha-mên (R), the last character of which, mên, though senseless in this connection, normally means \"gate\". Thus, in popular literature, the term P'i-sha-mên lost its original meaning and became the name of the P'i-sha Gate, and it was therefore natural enough to have a heavenly general, like Li Ching, to take charge of it, though in English this may appear peculiar.\n\n* In Yang Ching-hsien's (MRK) play T'ang San-tsang Hsi-t'ien Ch’ü-ching (EXRE), Scene 9, we read \"P'i-sha-mên hsia Li Tien-wang\" (TX) which means the Heavenly King Li under the P'i-sha Gate. In the prompt-book Ch'i-kuo Ch'un-ch'iu P'ing-hua ta (TH), chüan 3, we have \"P'i-sha-mên To-t'a Li T'ien-wang\" (*XE) or P'i-sha-mên, the Heavenly King Li who holds in his hand a pagoda. Sometimes the story-tellers thought since there was a P'i-sha mên (gate), it was wise to create a palace, called P'i-sha Kung (CE W D). In the Nan-yüeh-chi, Ch. 11, we have \"P'i-sha Kung Li Ching Tien-wang\" (K*XE). In a long eulogistic poem in Ch. 12 of the Feng-shen, there is a palace in heaven called K'un-sha Kung (R V E) which is obviously an erratum.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204310, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 78, "title": "RAS-1961", "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n74\n\nR\n\nThe historical figure of Li Ching had long been admitted into the Taoist pantheon. He was, in the year 760, enshrined with Chiang T'ai-kung (B★A or Chiang Shang) as one of the ten famous historical generals. In the anonymous work, Li Wei-kung Pieh-chuan (A4), it is said, \"When Li Ching was poor, he took a journey in the valleys and stayed in a cottage. When it was mid-night there came a woman who handed him a vase and said, 'Heaven has instructed you to pour down rain ...' and as we know in the Buddhist legends that it is Virupaksha (not Vaisravana) who is the king of the nagas, we understand that even in the T'ang dynasty the popular mind could not properly distinguish the function of these guardians of Mt. Sumeru. In an inscription on a tablet erected in the Temple of Vaisravana in Ning-hwa District (LM), Fukien, dated about 920, we read,\n\nP'i-sha-mên (Vaisravana) is a Sanskrit word which means \"universal or much hearing\" (to-wên SH). He dwells on the north of Mt. Sumeru, in the crystal palace, and is the chief of yakshas,10\n\nFrom this narrative we see why in so many Chinese records it has become an undeniable fact that yakshas are believed to live at the bottom of the seas with the dragon-kings in marvellous crystal palaces loaded with wonderful treasures. The legends of these two heavenly kings have long been mixed in the popular mind.\" As Li Ching was such a famous historical hero, the Taoist priests could not forgive themselves if they failed to utilize his prestige. It is said in an anonymous work of the T'ang dynasty, Yuan Hsien Chi (E), that Li Ching was still alive in the epoch of Ta Li (766-779) and became a Taoist immortal, In addition to the book on military strategy attributed to him in the Bibliography of the Hsin T'ang-shu (MEBOXZ), the Taoist priests also ascribed to him some canonical texts dealing\n\n12\n\n• Hsin T'ang-shu (), Ch. 15, Li-yüeh Chih (M), 5.\n\n• Ku-chin Shuo-hai (546), Shuo-yüan Pu (R), Vol. chi (2) Also Tsung-shu Chi-ch'êng Ch'u-pien (£).\n\n10 See Ninghwa Hsien-chih (\"Annals of the Ninghwa District\") of the Ming dynasty, quoted in Ku-chin T'u-shu Chi-ch'êng (4), Shên-1 Tien (R), chüan 54. The essay was composed by Huang T'ao () for Wang Shen-chih (E).\n\n11 In the Ta-Tang San-tsang Ch'ü-ching Shih-hua (ERR), chüan 1, “...A\" (\"To-day, Vaisravana of the Indra Heaven, the Guardian of the North, will feed Buddhist priests in the Crystal Palace.\")\n\n12 Quoted in Chiu Hsiao-shuo (R), 2nd Series, Shanghai, Commercial Press Ltd., 1910.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204312, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 80, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n76\n\n*\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nday of the second month, before noon, thirty li from the city, on the north-east and in the mist there was a general, who was ten feet tall, at the head of some three to five hundred soldiers all equipped with armour. Near twilight, the sound of the drums and the hubbub shook the mountains and earth within three hundred li and they stayed there for three days. The troops of the five states all retreated. The strings of their bows were gnawed through by golden rats and their other equipment was broken and became useless. Some of the enemy soldiers who were old and feeble could not escape, and were going to be killed by our men. Then there was in the air a loud voice which ordered, \"Release them and do not kill.\" We looked at the place and saw Vaisravana revealing himself over the tower of the north gate of the city with a bright light behind him. A portrait has been made and is attached to this report.\n\nVaisravana defends our boundaries and comes to the relief of our besieged garrisons to carry out the orders of the Buddha. His third son Nata (E) follows him holding up a pagoda with both hands. It is said by the great priest of the Tripitaka, Amogha, that on the first day of every month Vaisravana assembles his devas and genii; on the eleventh day his second son Tu Chien would say farewell to the father and go on a tour of inspection; on the fifteenth day the four heavenly kings would meet and on the twenty-first day Nata would receive or give back the pagoda to his father.\n\n+\n\nThe above quotation is translated from the Tantric Pi-sha-mên I-kuei (\"The Ceremonies in the Worship of the Vaisravana\") alleged to have been translated from the Sanskrit by Amogha himself. As Amogha's name appears also in the text it cannot be taken as an impartial translation.14 However, as Li Ching was such a famous general in the T'ang dynasty, who fought many victorious battles against the Turks, it was again very natural for the Chinese to identify him with one of the four newly-introduced Maharaja-devas (the four heavenly kings).\n\nThe legend of the pagoda held in the hand of Vaisravana was developed from Tantric texts into a very complicated and interesting story in the Fêng-shên Yen-i (Chs.12-14). I think\n\n14 No. 1249, P'i-sha-mên I-Kuei; No. 1247, Pei-fang P'i-sha-mên T'ien-wang Sui-chun Hu-fa I-kuei (#SNIU); No. 1248, Pei-fang P'i-sha-mên T'ien-wang Sui-chun Hu-fa Chên-yen (IBR), all translation of Amogha, in The Tripitaka in Chinese.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204315, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 83, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol 1 (1961)\n\nISSN 1991-7295\n\n79\n\nBut this does not explain satisfactorily the record in the Mahavaipulya Mahasamnipata-sutra (李大集遺設堂訴言),21 in Catur-maharaja (四大天王), which maintains that each maharaja has ninety-one sons, but gives no names. And this does not explain the case (in the Janavasabha suttanta22 in chüan 5 of the Dirghagama) of the other god who, because of his accumulated merits would be re-born after his death as a son of Vaisravana in the Caturmaharajakayika (四大天王部). In the Buddha Preaching Jên-hsien Ching (作請人軟訣),* (AB jên-hsien being the Chinese translation for rsi jina) concerning the future of King Bimbisara (望界藤王), it is alleged that he would be re-born as the son of Vaisravana,\n\nPerhaps such confusion would explain why the author of the Fêng-shên, though knowing a good many of the Tantric legends, and adopting (in Ch.99 of the novel)23 the Chinese names for the four heavenly kings as \"Protectors of the Tripitaka and the Country, and Regulators of Wind and Rain\", abandoned the use of the name of Tu Chien and, in order to make his name conform to those of his younger brothers, invented Chin-cha (\"金吳), as the name of the eldest son of Li Ching. Chin-cha, though his origin does not appear in any reliable records, may, I suspect, come from the Tantric dharanis. Also, I have found in Act 1 of the anonymous play, Yüeh-ming Ho-shang Tu Liu-ts'ui (月明和尚堂留利清)24 of the Yuan dynasty, the following words chanted by a priest:\n\nAn! Ch'ih ling Chin-cha, Chin-cha, Sêng Chin-cha, Wo chin wei ju chieh Chin-cha, Chung pu wei ju chieh Chin-cha, An!\n(Listen! I am speaking of Chin-cha. Chin-cha, monk Chin-cha, I come to release you from Chin-cha, not to tie you up with Chin-cha. Listen! 哈！我今為你解金吳, 终不為你縋金吳。哈！)\n\nSince the author of the Fêng-shên was interested in both Buddhism and Taoism and is proved to have known many plays and other works of popular literature, he might have made use of materials such as those quoted above, in his creation of his characters.\n\n3. A LUMP OF FLESH WAS BORN\n\nThe story of No-cha's mother giving birth to him, in Ch.12 of the Fêng-shên Yen-i is as follows:\n\nLi Ching's wife, née Yin, had been pregnant for three years and six months, so he became very much vexed at it.\n\nThe wife dreamed one night at three strokes of the watch\n\n21 No. 397, translated by Dharmaraksa.\n\n22 Tseng-chang, Kuang-mu, To-wên, Ch'ih-kuo, see No. 665, Suvana-prathasa Sutta Sutra (Chin-kuang-ming Tsui-shêng-wang Ching 金光明最膤王訣), 11 & 12.\n\n*9*", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204323, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 91, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n87\n\nended in a fierce hand-to-hand conflict. At last T'ai-I hurled his powerful weapon, a lamp-shade of nine fire-dragons, into the air, which fell on the goddess and rendered her senseless. T'ai-I clapped his hands and immediately a flame rose up in the shade, and she died in the roaring blaze. The dragon-kings of the Four Seas now got a warrant from the Jade Emperor to arrest No-cha's parents. No-cha, with secret instructions from his master T'ai-I, rushed back to Ch'ên-t’ang Pass. When he saw the dragon-kings, he shouted in a terrific voice:\n\n\"It was I who killed Li Kên and Ao Ping and I should forfeit my life. How can you molest my parents?\" After this, he spoke to Ao Kuang, \"I am not to be slighted. I am an avatar of Ling-chu Tzu, the Intelligent Pearl. By the command of Yüan-shih I have descended to this world to fight for the establishment of the coming dynasty. I am determined to rip open my stomach, pluck out my intestines and pick out the bones, to return to my parents what I got from them. Are you satisfied with that?\" To this Ao Kuang agreed, and No-cha did as he had just said: he fell down to the ground and his souls dispersed. His corpse was put into a coffin and was ordered by his mother to be buried. (Ch.13)\n\nWe learn from the commentaries and the expository notes of the Ch'an school (or in Japanese Zen) of Chinese Buddhism that there are many historical and hereditary \"cases\" (Kung-an or in Japanese koan) handed down from generation to generation by the learned priests of this school of contemplation as material for their followers to study and to reflect upon. Most of these \"cases\" are metaphysical and to some extent mystical, and as cultivation in meditation involves some experiences which are not subject to communion between the learner and the Patriarch or the predecessors, it has relation with Tantrism.29 The story related in the Fêng-shên about No-cha (Nata) quoted above is one of the cases which appear in chüan 2 of the Wu-têng Hui-yüan (EK), a work written by Monk P'u-chi (#) of the Sung dynasty, and is retold in chüan 2 of the Chih-yüeh Lu (f), edited by Ch'ü Ju-chi (W) of the Ming dynasty. It runs as follows:\n\nPrince Nata, rending himself asunder, gave his flesh back to his mother and his bones to his father, and then manifesting\n\n20 Nan Huai-chin (RM), Ch'an-hai Li-ts'ê (THU), Ch. 15, \"Ch'an School and Tantrism\" (RANER), pp. 205-211, Ching Ming Hsüeh Shê (W204), Taipei, 1955. cf. Daisetz Teitaro Suzuki ( Kil), Essays in Zen Buddhism, Second Series, p. 94, London, Luzac, 1933.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204331, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 99, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n95\n\nB\n\n(c) The T'ao T'ien-chün ( or Celestial Master T'ao), one of the four attendant-generals forming the retinue of the Premier Wên T'ai-shih in the Fêng-shên Yen-i is an invention of the author of the Fêng-shên for a particular reason.3\n\nIn any one of the earlier works before the Fêng-shen, whether Taoist canonical texts or popular literature, we can find the other three T'ien-chün but not this one. This fact strengthens the hypothesis that this particular character was created with a purpose. But he appears also in Wu Ch'êng-ên's Hsi-yu-chi. (Ch.4 etc.)\n\n(d) Yin Chiao () in his transformed figure is an ugly and evil god. \"His face was as blue as indigo, and he had long projecting teeth\" (Ch.63, Fêng-shên Yen-i). He was canonized as the T'ai-sui (✯ the God of the Cycle) in Ch.99 of the Feng-shên. Now in Wu's Hsi-yu-chi there is a line of verse, \"The other had a blue face and protruding teeth as ugly as the T'ai-sui.”\n\n(56)\n\n(e) In Wu's Hsi-yu-chi, when Sun Wu-k'ung ( the Monkey) was repelled by Hsüan-tsang (), he thought of “going to the islands (hai-tao ) but he was rather ashamed to meet those immortals in the three fairy-lands (san-tao chu-hsien l)\". (Ch.57) This is probably influenced by the islands and the immortals there (hai-tao tao-yu fă‡) in Chs.38, 47 and 59 of the Fêng-shễn. In Ch.59 of the Feng-shên when Lü Yüeh (BG) was defeated by the troops of Chiang Tzu-ya, he fled to the islands as his last resort.\n\n(f) In Wu's Hsi-yu-chi (Ch.60), the Demon-king of Oxen (Niu Mo-wang 4E) rode on a \"water-proof golden-pupiled monster\" (Pi-shui Chin-ching Shou HR). I think this name was invented after the \"fire-spitting golden-pupiled monsters\" (Huo-yen Chin-ching Shou ) ridden by Chêng Lun, Chiên Ch'i and Ch'ung Hei-hu in the Fêng-shên Yen-i.\n\n(g) In Ch.61 of the Wu's Hsi-yu-chi there are the \"four great Vajras\" (MAI) which are no doubt an adaptation of the “four great heavenly kings\". One of their dwelling-places is in the Chin-hsia Tung ( Golden Clouds Cave) of Mt. K'un-lun. In fact this Chin-hsia Tung is exactly the name of the grotto where the Yü-ting Chên-jên (EMRA Immortal of the Jade Urn) lives in the Fêng-shên Yen-i, and Mt. K'un-lun is the sacred mountain of the Promulgating Sect.\n\n37 Ibid., pp. 251-55.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204440, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 72, "title": "RAS-1962", "content_text": "CHINA'S 35 MILLION NON-CHINESE\n\n61\n\ntype shifting-cultivation of mountain slopes. Food supplies were restricted and commissary problems for military or administrative organizations here were large. The inducements to Han conquest were small, whereas the costs of conquest and military occupation were relatively large. The Han were in the main content to set up or permit local chieftains to operate with little interference except when Han interests were too much affected or when uprisings against Han oppression required pacification. The system of local rule described by the term \"T'u-ssu\" institution evolved into a system of petty hereditary kings holding commissions or warrants from the imperial government, or the central government in republican times, to rule their areas. In general, these areas have today become the nuclei of the so-called \"autonomous regions\" or \"autonomous districts\" of the Chinese Communists. However, there is much less autonomy in these areas than in the pre-Communist period.\n\n44\n\nL\n\nR\n\nWhat are some of the ethnic characteristics that set off one group from another among the chief non-Han peoples discussed in the preceding paragraphs? The Miao and Yao both share the semi-nomadic fire-field type of mountain agriculture except where their Sinicization has caused them to become entirely sedentary in the Han type of farming. Both engage in hunting, gathering and some lumbering to supplement their livelihood. The Miao are more likely than the Yao to do some herding of goats or cattle on the poor grasses of south China. Their crops are upland (dry-land) rice, maize, wheat and buckwheat.\n\nIn social organization, neither Yao nor Miao have strong tribal organizations traditionally, and there are no ruling classes. Both are patriarchal systems, with the Miao having a strong ancestral cult. Both share the dog and tiger cult. Among the Yao, at the end of the year there are ceremonies with masked participants for driving out evil spirits from the home and settlement localities. The Miao may or may not bury their dead in coffins, the Yao generally do. Freedom in sex and love between girls and boys prevails until their marriage, which is of their own choosing rather than through middlemen or marriage arrangers. Marriage among the Yao takes place after the first child is born. Among\n\n* Yu Yi-tse, Chung-kuo t'u-ssu chih-tu (China's T'u-ssu system), Chung-king, 1944,", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 204721, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 24, "title": "RAS-1964", "content_text": "JOURNAL OF OCCURRANCES AT CANTON\n\n15\n\nand not knowing what is to happen. At night the police cleared the Square and posted a strong guard.\n\nMarch 25\n\nForeigners employed in all the Factories cooking their own meals and preparing food for each other, some carrying provisions from one Factory to another, and others taking buckets to the river for water.\n\nSome sailors and lascars who happened to be here when the embargo commenced have been distributed amongst some of the residents to assist in cooking.\n\nWe have clubbed together all in our Hong, and make one mess, cooking by turns. We have Mr. Snow our Consul,1 Mr. Forbes2, Green3, Delano, Kings, Low, Spooner, Gilman, Miranda and Dasilva two Portuguese clerks in our office, natives of Macao, and myself, in all eleven.\n\nSome go and milk the cows who have been removed to the yard in front of the Danish [Factory], another cooks, while others wash the plates, knives, forks and so forth. We find it a great bore, while the moment one goes out of the Factory he is watched till he returns.\n\n26th* Mouqua4 tells us the cows shall be looked after today, he had them supplied with grass, and says a shed shall be erected to keep them from the sun.\n\nAt night the Chinese brought into the square all the boats belonging to English foreigners to prevent any escape.\n\nMarch 26, 1839\n\nThis morning a linguist purser10 from Ahtore's establishment brought in a Chinaman to act as cook and left us six loaves of bread which he had secreted in his sleeves.\n\nThe cows, having been compelled to stand in the Square opposite the Danish Hong with a hot sun pouring upon them, are becoming quite desperate. This morning on going there I found a Chinaman who had prepared for them some food and was on the point of giving it to them when the police came and drove him away.\n\n* Hunter wrote 26th at this point although he started another entry for 26th a few lines later.", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 205117, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 73, "title": "RAS-1966", "content_text": "68\n\nHERBERT FRANKE\n\nadministration of the local rulers of the Tun-huang region who were descended from the Chagatay branch of Chingis Khan's clan was still modelled after the Chinese prototypes. The names of offices mentioned in this Mongol letter written in the Mongol script are transcriptions from Chinese. The same applies to the feudal titles of these local rulers: they are Chinese and can be identified through Chinese sources. The document must have been written about 1355 or 1360, that is, rather late and at a time when the Tun-huang and Turfan regions were certainly not under direct control from Peking. Another document found in Turfan and dating from the same period has furnished evidence for another set of Chinese titles, in a context which is, linguistically, a strongly Turkicized Mongolian. The names of offices mentioned show that the administration of these Chagatay kings was a replica of the Chinese central and provincial government organization. Even the disposition of the Mongol documents found in Central Asia shows Chinese influence: wherever the name of a Khan occurs, a new line is begun.23 This same feature occurs also in the Mongolian letters written by the Ilkhans of Persia to the King of France and to the Pope. The presence of Chinese chancellery practices in Persia under the Ilkhans is further shown by the Chinese seals or rather stamps on these letters.24 We could even go one step further and ask how much of the government and taxation practices of the Golden Horde rulers in Southern Russia is of Chinese origin. It is generally recognized that medieval Russia, that is, the Muscovite kingdom of the Ruriks, was deeply influenced by the \"Tatar\" domination and took over some of the Tatar or Mongol patterns of government. The tendencies toward centralization in sixteenth century Russia can be explained by these Tatar influences which might eventually go back to Chinese administrative patterns.\n\nChinese art forms too have spread West under the Mongols. A good example is Persian miniature painting. It is not necessary to be a trained art historian or a specialist in Islamic art; even a layman would notice that thirteenth and fourteenth century Persian miniatures were deeply influenced by Chinese painting. On some early miniatures we find trees, rocks and clouds painted in the same way as Chinese painters did. Chinese painting must therefore have been known to the Persians under Mongol rule. Recently unassailable proof for the presence of Chinese art in Persia has", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205272, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 34, "title": "RAS-1967", "content_text": "The Travelling Palace of Southern Sung\n\n27\n\nheight. The character toi was in a variant which has been mistaken by many people for tang (). Later, a further seven characters were added, vertically, on the right side, recording that repairs had been carried out in the ting mau year of the Ch'ing Emperor Chia Ch'ing (A.D. 1807). Of course, this means the re-engravement of the three original characters, for there was otherwise nothing to be repaired. The character wang (£) \"king\" should be huang (§) which stands for \"emperor\". It was first intentionally inscribed in that erroneous form in the history of the Sung Dynasty compiled by the Yuan officials where it was recorded that there were two Sung \"Kings\", implying that they were not recognised as Emperors perpetuating the Sung dynastic throne. This was a grave mistake subsequently pointed out by many Chinese scholars. We should use the character huang for \"Emperor\" instead. The naming of the Sung Huang Tai Garden and Sung Huang Tai Road by the Hong Kong Government is therefore correct.\n\nThe precise meaning of the name Sung Wong Toi is not easily ascertained. It has been alleged that the boy Emperor Tuan Tsung used to rest in the cave beneath the great rock and sometimes played hide and seek there with his small brother. The mound has been likened to a toi, a terrace or high building. One historian has asserted that a watch tower was built on the top of the mound to look out for the advent of the enemy, hence its name. This last theory is not credible since the mound itself was already high enough for watching over the sea to the east without the superstructure. In my own research work, a line has been found in the Hsin-an Gazetteer which gives a very useful hint for the interpretation of the name. It reads: \"There were three characters 'Sung Wong Toi', on the great rock which was beside the Toi\".12 In reverse the last part can be read \"the Toi was beside the great rock\". Therefore, neither the great rock nor the hill itself can be identified as the Toi. The logical conclusion cannot be anything but that a separate toi must have been constructed near the foot by the side of the hill and the big characters were later engraved on the great rock merely as an indication of the historic spot commemorating the visit of two Emperors. It might have been a real watch tower, for the rocky hill was not easy to climb for military purposes. But where exactly was the toi or tower is a problem which remains to be solved.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205575, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 117, "title": "RAS-1968", "content_text": "112\n\nSTEPHEN UHALLEY, JR.\n\na table.\" In case one might raise the question of the Mongol experience, as perhaps a singular exception, Sun elsewhere explicitly affirmed that they too were absorbed by the Chinese, thanks to the fact that \"the character of the Chinese race was higher than that of other races.\" In making this point Sun incidentally raises a further historical question when he says that the Ming dynasty \"fell twice\" to the Manchus.*\n\nOf course, one might surmise that some of Sun's historical distortions are generalizations intended for forensic effect. The exaggerated assimilation concept may be in this category, as well as such claims as \"Everyone in China, beginning with emperors and kings, and ending with the common people, even robbers and pirates, all have been able to value and delight in literature as an art.\"5\n\n6\n\nBut such observations by Sun, as well as the stress on China's erstwhile moral power for absorption, are also part of a more general idealized appreciation of the past in which history and mythology blend indistinguishably together. As a matter of fact, history seems to be, for Sun, an almost dimensionless pastiche to which reference might be made indiscriminately. Thus the manifold allusions to the legendary emperors and to other historical personalities and folk heroes, without the slightest demonstrated concern for accuracy or authenticity. The \"Emperor Fu-Shi\" wrote the \"Eight Diagrams,\" thus initiating the Chinese written language. Of all the emperors throughout Chinese history only “Yao, Shun, Yu, T'ang, Wen Wang and Wu Wang\" were the ones \"who shouldered the responsibility of government for the welfare and happiness of the people.\" The statement \"you have all read a good deal of Chinese history; I am sure almost everyone here has read particularly The Story of the Three Kingdoms,\" with striking ingenuousness prefaces a brief story illustrating Chu-kuo Liang's \"splendid character,\" but neglects to suggest the difference between evidence provided by historical documentation and the imaginative renditions of fictional literature. Recounting the contributions of the legendary figures of Sui Jen Shih, Shen Nung, Hsien Yuan and Yu Ch'ao Shih, respectively the alleged inventors of cooking, medicine, clothing and housing. Sun declared: \"So in Chinese history we find not only those could fight becoming king; anyone with marked ability, who had made new discoveries or who had achieved great things for mankind, could become king and organize the", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 206004, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 84, "title": "RAS-1970", "content_text": "CHINESE EMIGRATION \n\nAND THE DECK PASSENGER TRADE \n\nA. D. BLUE* \n\nUntil after the Treaty of Tientsin of 1858, emigration from China was illegal, but this law, like so many others, was more honoured in the breach than in the observance, especially in the southern provinces of Fukien and Kwangtung, and to a lesser extent Kwangsi. Traders, however, were allowed to go abroad under certain conditions, which usually included eventual return to China. There had been emigration from these southern parts of China to most regions of South-east Asia for centuries before 1858, and there were flourishing colonies of Chinese at all the main ports when the first Europeans arrived there in the 16th century. The Ming fleet under Cheng Ho is said to have killed five thousand Chinese at Palembang in 1406, and while this is almost certainly an exaggeration, it is certain that these Chinese colonies were already populous. While treating briefly with Chinese emigration to other parts of the world, the following essay deals mainly with emigration to South-east Asia. The Chinese called this region the 'Nanyang', which literally means 'Southern Ocean'; but it is often used to describe other countries even further south, such as Australia, New Guinea, and the South Pacific islands. In the pre-European and early European eras, most overseas Chinese were traders, money lenders, and craftsmen, and their contribution to the economy of South-east Asia was out of all proportion to their numbers.\n\nThe civil wars which succeeded the Manchu defeat of the Mings in south China in the mid-17th century gave a strong impetus to emigration; but the arrival of the Europeans in South-east Asia in time created the conditions favourable to Chinese settlement on a much larger scale. The Chinese were often the intermediaries between the Europeans and the native peoples, useful to each, but periodically incurring hostility from both. As they increased in numbers, the Chinese posed increasingly\n\n*The author served as an Engineer Officer with the China Navigation Company from 1928 until 1938, and was on the Yangtse in 1930 in the Shengking and again in 1934 in the Wuhu. He was captured by pirates in the Newchang river in Manchuria in 1933 and held prisoner for five and a half months. Three of his articles have been published previously in the Journal: \"European Navigation on the Yangtse\" in Vol. 3, 1963, \"Piracy on the China Coast\" in Vol. 5, 1965, and \"The China Coasters\" in Vol. 7, 1967.\n\n* See the note at the end of this article.", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206083, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 163, "title": "RAS-1970", "content_text": "158 \n\nS. F. BALFOUR \n\nwant to avoid the mandatory officer of the Emperor, to betake their horrid presence to the South within three days. If they do not do so in three days, I shall wait five days. If they do not do so in five days I shall wait a week. If they do not do so in a week it will mean that they definitely refuse to go, and therefore that they do not recognise the prefect nor obey his words. In other words, they are so stupid and bestial that although their prefect speaks to them they neither listen nor understand. Now those who disregard the words of the mandatory officer of the Son of Heaven and who refuse to go away, and those who are too stupid to listen and harm the people deserve to be put to death. Therefore I, the prefect, shall select good archers among the soldiers and people who will use their bows and poisoned arrows to shoot the crocodiles until they are all dead. And let them not complain then, for it will be too late.” \n\nA year after, Han Yü was pardoned and allowed to return to North China. His passage in these parts was remembered by the first educated Chinese immigrants and Mount T'un Mun was provided with an inscription (§4§—)13 signed with his name which still stands on a rock at the summit in commemoration of his visit. \n\nDuring the period between the T'ang and Sung dynasties our region was governed from Canton by local kings who styled themselves emperors of the Southern Han dynasty. During this period one or two facts about this region are recorded. One is that in 969 Mount T'un Mun was named as a sacred mountain. The ceremony may have been conducted by the Emperor himself performing the sacrifice. From then onwards Mount T'un Mun was called Shing Shan or \"sacred hill.\" Its modern name of Ts'ing Shan or Green Hill dates from much later. Its Buddhist name is Pu Tu Shan. \n\nFrom another source we learn for the first time that pearl fishing was carried on in this region during the Southern Han dynasty. The text is a petition from a local Chinese of the Yüan dynasty to the Government saying that pearl fishing and the enslavement of the fishers was reviving in the Taipo Sea where it had not been practised since the Southern Han dynasty, and that a repetition of \n\n13 It was written by the ancestor of the Tang clan. See the next section.", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206089, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 169, "title": "RAS-1970", "content_text": "164\n\nS. F. BALFOUR\n\nbecame too old to live in and were abandoned by the richer members of the family, who built new ones elsewhere. This alone shows how prolific the Tang family were, but it is not the only sign of their overwhelming influence in our region. In almost every fertile valley including Lantau and Hong Kong islands, there has at one time or another been a settlement of Tang peasants and the inference that I have drawn is that they undertook the deforestation of these regions.\n\nThere appears to be only one other landholding family with a record that goes back to Sung times. This is the clan of Hou17 who live near to Lung Yeuk Tau in several walled villages. Their family record shows that they came from Pun Yu or Canton in the year 1026 but gives no notice of their migration to Canton from the north. They have always been a humble family in comparison to the Tangs, although intermarriage between them has been very frequent, and their family book contains no references to any connection with government. What is striking about the early history of the Tang family is the kind of feudal power which they exercised. No doubt at the same time in other parts of South China influential families were occupying land and spreading branches in all directions. It requires a study of their family books to make a complete picture of the influx of peasant population into South China.\n\nVII. THE SUNG EMPERORS\n\nThe story of the journey of the last Sung Emperors through this region must be recounted not only for its sentimental value, but also because it really marks an epoch in the history of the population. It was owing to the pressure of the Mongols from the north that the Tang family migrated, but when the same pressure spread south right to the coast, the migration into sparsely inhabited places became even more frequent, and it is also very likely that the large armies of Sung when they were dispersed settled down as agriculturalists.\n\nThe journey of the last two kings of Sung began when the Emperor Kung Ti was taken prisoner with his court at Hangchow. The two boys who were known as Yi Wong and Wei Wong were\n\n17.", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206091, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 171, "title": "RAS-1970", "content_text": "166\n\nS. F. BALFOUR\n\nThis site is near Kowloon City where the present Pak Tai temple stands. In the past some rare tiles of a dark ochre colour have been found there and apparently at one time a part of the foundations of the building were to be seen behind the temple. A village there was named Two Kings (I Wong) in commemoration of their visit and there is a tradition that they used the low hill covered with boulders just above it as a terrace or royal look-out. They remained there for about five months whilst their agents reported the movements of their enemies round Canton.\n\nAt the end of this period their position became desperate. Wen T'ien-chiang had organised an army on the Kiangse-Fukienese border and was trying to march on Canton and save the court from being cut off. But in the seventh and eighth moon he lost battles and was unable to make any progress. The Mongols then marched south from Canton against the Kings' army which they engaged in the ninth moon at Ts'ün Wan.19 There seems to be no local tradition about this battle, although it is mentioned in the most authentic texts on the subject. The Sung loyalists were defeated there and the court fled first to Lantao island and then farther west.\n\nWe now come to the death of the uncle of the two little kings, Yang Liang-chieh. He was the elder brother of the Kings' mother, and history does not mention him after the court had left Foochow. Local tradition is very positive that a marquis Yang (Yeung Hau) who on account of his loyalty to Sung was made a king (Yeung Wong) lived somewhere in the region, and he is worshipped as a god in a principal temple near Kowloon City which bears an inscription calling him Yang and saying that his first name is unknown. The identification with Yang Liang-chieh was made quite recently by a Chinese scholar20 and there is every reason to suppose that it was true that he accompanied the Emperors as far as this region where he died and was perhaps given the title of King after his death. Although the principal temple to him is at Kowloon there are others all over the region and two important ones on Lantau Island. This leads me to guess that he might have died on Lantau during the court's flight after their defeat at Ts'ün Wan. There is in any case mention in a particularly\n\n19 **\n\n20 In 瓜廬文賸 by 陳伯陶", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206092, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 172, "title": "RAS-1970", "content_text": "HONG KONG BEFORE THE BRITISH\n\n167\n\nof Lantau as being the place where many loyal servants of Sung are buried.\n\nThe same scholar who identified the marquis Yang also states that the elder of the two kings died on Lantau. But this cannot be correct.22 The place of his death is Kong Chow and there is no reason to identify it, as he had done, with Tai Yü Shan or Lantau. After the defeat at Ts'ün Wan the movements of the fugitive court are not very clear and there are contradictions in the various accounts, but it seems that they fled as far as they could westwards from the battlefield. During their journey they met with a storm as a result of which the eldest Emperor, who was afterwards given the title of Tuan Tsung, fell sick. The texts on the subject often state that the storm they encountered was a typhoon, but commentators have been careful to point out that typhoons do not occur in winter and that it happened in the 12th moon. However, this is most unimportant.\n\nThe Mongol armies were bent on catching the Emperors since their death was to mean the end of all resistance in South China. The chief minister, Ch'en I-chung, who had accompanied the court so far, deserted them and fled to Annam, and many other desertions must have occurred at this time. Their army, which is said to have numbered 200,000, was concentrated mostly in boats and commanded by Chang Shih-chieh, somewhere west of the Canton estuary. A Mongol fleet equipped at Canton was searching for them in the estuary. Tuan Tsung died in the 4th moon of the year 1278. He was then eleven years old. His brother was declared Emperor by the chief minister Lu Hsiu-fu. He was eight years old.\n\nThe last Emperor Wei Wong or Ti Ping, to give him his posthumous title, still had a slender chance of regaining his kingdom if Wen Tien-chiang, the minister who was organising resistance on the Kiangsi-Fukienese border, had been able to gain a battle. In the 3rd moon, Wen Tien-chiang had advanced as far as Kan-chow and there was a chance of his being able to attack Canton and relieve the pressure on the Emperor's army. The new\n\n21 廣東新語\n\n22 Professor Hsu Ti-shan has, however, just published an article in which he reaffirms this theory. (See X).", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206977, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 48, "title": "RAS-1974", "content_text": "42 \n\nH. J. LETHBRIDGE \n\nlong with the proposed intention of working his new-found country.\" He merely wished to form a syndicate to prospect the country, and agreed if their report was favourable to grant certain concessions. And the China Mail writer ought to know, since he claims to have taken so much interest in the King's personal affairs as not to be ashamed to pry into his private life, who he took to supper, and other details which only a hypocritical Pharisee and blackguard of the deepest dye would have had the audacity to set out in print, that the syndicate in question had been duly formed and the agreement signed. Had M. de Mayréna been the adventurer and swindler he has been called by the China Mail he would have surely tried to raise money by his promised concessions but he made no such attempt. He asked for nothing until his bona fides had been clearly established and the enterprise he proposed was thoroughly tested and shown to be genuine. That he may have acted foolishly in some respects during his stay in Hong Kong is probable enough, but we doubt if the China Mail's self-constituted censor is so immaculate a being that he can afford to throw mud at an erring brother. The China Mail oracle says he cannot conceive, even supposing M. de Mayréna's conduct to have been perfectly straight, how any speculators in Hong Kong could have been induced to embark in such an enterprise. That merely proves poverty of conception and further shows that the writer knows nothing whatever about the subject which he pretends to elucidate for the benefit of the public.38 \n\nIt is at first sight difficult to understand why Bain and Fraser-Smith attacked each other with such rancour, but a clue is provided by the following comment in the Mail: 'Imitating the example of the old Kings of France, the King of the Sedangs showed a remarkable affection for literature; and, one night, when the \"flow of soul” was especially strong, he knighted the whole staff of a local newspaper which had kindly taken to espouse his cause.39 The newspaper was of course the Telegraph, which had a staff of five Europeans in 1888. The journalists of the Telegraph, all of whom had suddenly become 'chevaliers' of the Kingdom of Sedang, no doubt swelled up with pride at their elevation and infuriated the puritanical Bain by their airs. \n\nThere is a pendant to the story of Mayréna's odyssey in Hong Kong. In Sir Hugh Clifford's words:", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207107, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 178, "title": "RAS-1974", "content_text": "172 \n\nSUNG HOK-PANG \n\nHe then returned to the capital, and stayed in General Ngai's house where he was able to make friends with many famous scholars. He wrote a book named \"Yin t’oi san ngai” \n\nwhich had a preface written by Ts'oi Shing Yuen ## Noi Kok Hok Sz a political minister of high rank. Three years later Tang passed his Tsun sz degree, and was appointed district magistrate of Lung Yau Yuen in Chekiang province. \n\nTang Man Wai was of a kind-hearted disposition and some say that through this the wall of T'aai Hong Wai was built. The story goes that when Tang passed his Sau Tsoi degree he was sent to Kwai Shin district, now Wai Yeung, to collect the rent due on cultivated lands, belonging to his family property. While there he came across a young man named Lei Maan Wing * hanging upside down as a punishment. On asking the reason why, Tang learnt that Lei had contracted gambling debts and was unable to pay them. Tang was sorry for the young man, paid all his debts and was able to use his influence in obtaining a military post for him. This happened during the end of the Ming Dynasty. Later on when the Manchus drove out the Mings in the North and the Ming Emperor Wing Lik✯✯ had retreated to Kwangtung, Lei was a colonel under Cheung Ka Yuk ✯ who was fighting against the Manchus. When Cheung was defeated in battle in the 4th year of Shun Chi A.D., 1647 of Ts'ing dynasty, and drowned himself, Lei, who was with him, fled with about a hundred soldiers. Gradually many of Cheung's soldiers were able to rejoin him, and with a strong army he attacked both Tung Kwun ✯✯ and San On ✯* districts. He drove out the Manchus, and made his headquarters in what is now known as the New Territories. One of Lei's camps was situated in the district round K'ei Lun Wai LP'ing Shan A and T'sing Leung Fat Yuen ****. Before the latter, which is a nunnery, was built, the locality had been known as Ying P'oon Tei, \"The ground of the camp,\" and while the building was in progress the workmen dug up many old coffins which were supposed to be those of Lei's soldiers. Among them was found a general's sword, broken in many pieces. Anyone going to Kwun Yam Shaan to visit the Ling Wan monastery would notice half way up Taai Mo Shaan, far above the cultivated land, a stretch of hillside that has been terraced and flattened out in some former time. This is supposed to have been another of Lei's encampments. Lei burned and pillaged, and most of the \n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207202, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 273, "title": "RAS-1974", "content_text": "Plate 2.\n\nShelves in a god shop, Singapore.\n\nThe\n\nPlate 3.\n\nBodhisattva of Divine Favour. Northern Chinese, mud on bamboo frame.\n\nPlate 4. Three of the Ten Kings of the Underworld in a\n\nCantonese temple in Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207259, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 27, "title": "RAS-1975", "content_text": "A HONG KONG SPIRIT-MEDIUM TEMPLE\n\n19\n\npremises of a specific temple rather than conducting them in his own or a client's home.\n\nThe Hong Kong spirit-medium temple may be either a humble structure of makeshift materials, akin to a squatter hut, or an ornate edifice constructed and maintained at considerable expense. Our study concerns a cult whose temple falls into the last-mentioned category. Completed in early 1975 and constructed at a cost of over HK$200,000, the temple is itself a major indicator of the cult's current prosperity. Below we discuss that temple and its cult, with particular attention to spatio-temporal setting, personnel, and ritual.\n\nThe Spirit-Medium Temple: Spatio-Temporal Setting\n\nThe temple is situated on a small hill immediately behind several residential blocks of the Tsui Ping Road Resettlement Estate in the urban-industrial district of Kwun Tong. The temple structure itself is, in fact, only a part of a larger complex which includes a small, one-storey office building, a partially enclosed stage, several outdoor shrines, and a paak ka chi “or Hall of One Hundred Sur-names”. The last-mentioned structure was under construction at the time this paper was written. In marked contrast to the crowded conditions that prevail in the adjacent Mark I estate, the temple complex occupies over 4,000 square feet of land.\n\nThe temple bears the horrific title of its patron deity Tai Wong Ye, which translates into English as \"The Great Ancient King\". It is a common title bestowed on deified mortals who were seldom in the literal sense \"Kings\" but were more often officials of various grades in Imperial China. To better understand the origin and present circumstances of the spirit-medium cult, it is necessary that we briefly trace the history of the Tai Wong Ye and his temple.\n\nThe patron deity of the present-day cult is reported to have been, during his mortal life, an official of the Tang Dynasty surnamed Lei. After his death, he was awarded the honorary title of Man Chung Kung. Temple personnel usually refer to him as \"Lei Man Chung Kung\". The Old Tang History contains the biography of a stateman bearing the surname Lei and the given name Uen-yuen. After death, he was given the title Man Chung Kung by the emperor in recognition of his outstanding loyalty to the emperor, his filiality towards parents and kinsmen, and frugality", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207376, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 144, "title": "RAS-1975", "content_text": "136\n\nRICHARD J. SMITH\n\n46 See K. A. Wittfogel and Feng Chia-sheng, History of Chinese Society, Liao (907-1125) (Philadelphia, 1949), 8-10; also Igor de Rachewiltz, “Yeh-lü Ch'u-ts'ai (1189-1243); Buddhist Idealist and Confucian Statesman\" in Arthur F. Wright and Denis Twitchett, Confucian Personalities (Stanford, 1962).\n\n47 Wittfogel and Feng, 9.\n\n48 See Herbert Franke, \"Sino-Western Contacts under the Mongol Empire,” Journal of the Hong Kong Branch of the Royal Asiatic Society 6 (1966), 52.\n\n49 Kuwabara, 96-99.\n\n50 See Henry Serruys, \"Mongols Ennobled during the Early Ming,” HIAS, 22 (1959); also Serruys, \"Landgrants to the Mongols in China: 1400-1460,” Monumenta Serica, 25 (1966), especially 394. As had been the case with other barbarians in China's past, the use of Mongol and Jurched troops in the Ming could be a liability as well as an asset. See Serruys, \"Sino-Jürched Relations During the Yung-Lo Period (1403-1424),” Göttinger Asiatische Forschungen (Weisbaden, 1955); 67-68, 71.\n\n51 See the summary discussion in Immanuel C. Y. Hsü, The Rise of Modern China (London and Toronto, 1975), 138-139; also George L. Harris, \"The Mission of Matteo Ricci, S.J.: A Case Study of an Effort at Guided Culture Change in China in the Sixteenth Century,” Monumenta Serica, 25 (1966).\n\n52 James B. Parsons, Peasant Rebellions of the Late Ming Dynasty (Tucson, 1970), 129.\n\n53 C. R. Boxer, \"Portuguese Military Expeditions in Aid of the Mings Against the Manchus, 1621-1647,\" T'ien-Hsia Monthly, VII (1938); S. Y. Teng and John K. Fairbank, China's Response to the West: A Documentary Survey, 1839-1923 (New York, 1970), 13; North-China Herald, January 10, 1852. Boxer, 32, offers the explanation that the expedition was undermined by Cantonese who feared that the Portuguese, if successful, would be granted extended trading rights, while the North-China Herald suggests that when the men reached Nan-ch'ang they were ordered to return because \"the contemptible figure they presented completely disappointed expectation.\" It is probable that each of these interpretations has a measure of validity.\n\n54 Serruys, \"Were the Ming,” 136.\n\n55 Boxer, 35.\n\n56 Wills, Guns, Pepper and Parleys, especially chapter 2; Fu Lo-shu, A Documentary Chronicle of Sino-Western Relations (1644-1820) (Tucson, 1966), I: 32-33, 58; Teng and Fairbank, 34.\n\n57 The Ch'ing did, however, ally with the Russians against the Dzungars during the K'ang-hsi period and the Ch'ien-lung emperor did make good use of Western cannon (Hsi-yang p'ao) in his famous campaigns. See, for example, IWSM, TC 9: 30a-b; also Teng and Fairbank, 34; Swisher, 697.\n\n58 See Immanuel C. Y. Hsü, \"Russia's Special Position in China during the Early Ch'ing Period,\" Slavic Review, 13.4 (December, 1964).\n\n59 Chinese Repository 11: 64; Swisher, 98-99.\n\n60 See Masataka Banno, China and the West, 1858-1861 (Cambridge, Mass., 1964), especially 45-53, 207-209; Swisher, 683-697.\n\n61 See, for example, IWSM TC 22: 11b-13b; also Richard J. Smith, \"Foreign-Training and China's Self-Strengthening: The Case of Feng-huang-shan, 1864-1873,” Modern Asian Studies, 10.12 (1976).\n\n62 For the use of this expression (or a variant) as late as the 1890's see WCSL 101: 9 and 129; 16.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207499, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 267, "title": "RAS-1975", "content_text": "CAPTIVE SURGEON IN HONG KONG\n\n259\n\narrived accompanied by interpreters and the Japanese sent in 3000 packets of cigarettes, 12 bottles of saki, 36 tins of coffee, 40 kilos of salt, 180 kilos of sugar, 240 tins of milk, 48 kilos of butter and a sack of coffee beans. We were now doing very well because Major Crewe a R.A.S.C. officer came from Sham Shui Po to learn what supplies we needed and brought with him 26 pints of fresh milk which we gratefully received. Mr. C.E. D'Almeida brought us a gramophone and records and other gifts from 10 Ice House Street, and promised us supplies of drugs free which he was going to send over. A refrigerator and five bread tins came from the Red Cross in Hong Kong and I was told that stores were arriving the next day from Sham Shui Po for us to split between internees, Indian prisoners and ourselves. The internees numbered about 300, including sick and about 30 children. I was able to meet a request from Sham Shui Po for various regulations including Kings Regulations and Financial Instructions.\n\nOn 22 August we arranged with Colonel Field for all our Q.A. sisters to return, and Saito and Sekiguchi came to ask what they could do. The Governor of Hong Kong had been removed from the Colony by the Japanese and Mr. Gimson who had been Colonial Secretary at the time of our capitulation came with Mr. Nakimura from the Japanese Foreign Affairs Department. Major Lamb R.A.S.C. had been appointed to take charge of supplies and his policy was for us to rely upon Japanese rations supplemented by Red Cross stores and to indent on Sham Shui Po for our additional needs. A radio, with some mugs and gifts of milk were gratefully received by us from Mr. C.E. D'Almeida and gifts also came from Messrs. Ruttonjee of 11 Duddell Street. Eight of our civilians left for Stanley with Mr. Gimson and were delighted to go. The radio was working well indeed and on 23 August I asked Dr. Selwyn-Clarke to get us some vegetables, fruit, invalid jellies and flour. I telephoned Nomura about our records and on 24 August I wrote to Colonel Tokunaga formally requiring the return of our hospital records. Mr. Campbell and I presented this letter to him personally at Japanese headquarters in the presence of Nomura. I said that we held Tokunaga personally responsible and he accepted the letter.\n\nA batch of 19 visitors arrived from Stanley including two children, and we had to put them up overnight because of stormy weather in the harbour. British headquarters now required us to set out prominently a sign, \"P.W.\" each letter to be 20 feet by 20", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207727, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 115, "title": "RAS-1976", "content_text": "TIN-YUKE CHAR\n\nand by boat to Honolulu, arriving on October 29, 1881, after a tour of nine months and eight days. The harbor of Honolulu was crowded with people welcoming the safe return of the King. The Royal Hawaiian Band played \"Home, Sweet Home.\" Arches entwined with flowers spanned the streets. The Chinese merchants of Honolulu erected a triumphal arch at the intersection of King and Fort Streets. As King Kalakaua mentioned in his July 3rd letter from Rome, \"The trip appears as if a mixed panorama and a dream. We have seen Emperors, Kings, temples, and pagodas until one gets apparently confused which end to commence and where and how it will be finished. So many varieties of the people, the different nationalities, the customs and scenery of the places we have visited that have made our travels so pleasant.\"\n\nAs one historian commented, \"The trip had been a great experience. Kalakaua had stood where Alexander the Great had stood and Julius Caesar, and Napoleon; and the foremost rulers of his own day had welcomed him with cannon salutes and guards of honor. Pomp and circumstance agreed with Kalakaua. He came home, more convinced than ever that a king should rule as well as reign.\"10\n\nAnother result of the King's tour was the legislative approval of his proposal to provide education in foreign countries for selected Hawaiian youths. This progressive policy was inspired by what he observed on his journey. One of the students sent abroad was Kapaa who went to China in 1883. The Reverend Andrew Happer in Canton was asked to be Kapaa's instructor and guardian as evidenced in the March 7, 1883 letter from Walter Gibson, then Hawaiian Minister of Foreign Affairs, to F. Bulkeley-Johnson, Hawaiian Consul General in Hong Kong: \"that Mr. Kapaa's visit to China is made in pursuance of a resolution of the Legislature, providing for the education of Hawaiian youths. His Majesty the King desired that one of these should proceed to China and there study the Chinese language and customs. I, therefore, invoke your good offices on behalf of young Kapaa, who has been selected for this career, and shall be obliged by your placing him where he can learn the dialects (Cantonese and Hakka) chiefly spoken by the Chinese who are here, and the written language, acquiring at the same time familiarity with Chinese manners and ideas. I am, of course, anxious that while pursuing this course of study, Mr. Kapaa should not lose such European culture as he has acquired.\"", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207754, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 142, "title": "RAS-1976", "content_text": "NOTES ON FRIENDS AND RELATIVES OF TAIPING LEADERS 127\n\nstyle befitting relatives of one of the Taiping Kings. To celebrate his second marriage, Dr. Legge and his new wife entertained their Chinese friends and associates at a feast of twelve tables with some thirty courses. Mrs. Legge remarks in a letter dated 24 August, 1860, that “Sy-poe seemed very desirous I should honour his table\n\nWe had a letter from the Rebel King, he congratulates Dr. Legge on his marriage.\" Sy-poe is not mentioned again by the missionaries, but in 1871, Dr. Legge states that his son came to the Mission house requesting a recommendation for the position of a watchman. Legge states, \"He is an honest-looking lad — but alas, that the glory of the Taipings should thus have passed away”\n \nReports in the Archives of the Basel Missionary Society mention Fung Khui-syu, born in 1848, \"son of a Taiping King\". He must be Hung K'uei-yüan alias K'uei-hsiu, the son of Hung Jen-kan.\" He was employed by the Society as a teacher; first on the mainland, but then, because of the danger to him and his family created by his former association with the rebellion, he was removed to Hong Kong to teach in the mission's Girl's School at Sai Ying Poon.\n \nIn 1873 a marriage was arranged by Mrs. Lechler between Fung Khui-syu, then teaching at Tshong-hang-kang in Hsin-an district, and one of the older girls in the Society's boarding school at Hong Kong. The bride Tsen A-lin, alias En-min was an orphan. As a young girl she had been sold by her mother in Shanghai and had been brought to Hong Kong to work in a brothel; but she had been found wandering in the streets by a member of the Basel Society congregation and was brought to the Mission House. In 1865, at the age of twelve, she was enrolled as a student, and was baptized in 1870, when she received the name Lin, meaning compassion, in place of Tchuy-khuyk (Ch'iu-chü), meaning autumn chrysanthemum.\n\nIn 1878 a large part of the congregation of the Basel Mission Church at Shau Kei Wan, Hong Kong, emigrated to Demerara, British Guiana. Fung Khui-syu went with them. The 1885 Yearly Report of the Rev. Lechler states:\n\nIn Georgetown is a Chinese Church and one of our emigrants has been placed there as Pastor. He is the relative of the former rebel king Fung Syu-tshen, and himself, at the time of the Government of Taipings in Nanking, was made king. He found his way to Hong Kong and was received at our table. I sent him", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207806, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 194, "title": "RAS-1976", "content_text": "IN THE PATH OF THE ANCIENT MON --PAGAN, PEGU and NAKORN PATHOM\n\nMICHAEL SMITHIES\n\nThe fourth overseas tour of the Hong Kong Branch, Royal Asiatic Society and the third led by the author of this article, went to Burma from 26 December 1975 to 2 January 1976. Forty-two members and guests went on the tour, and most stayed on for a two-day extension in Bangkok.\n\nMount Popa, the extinct volcano which is the home of the 37 nat or spirits worshipped by the originally animistic Burmese, can be clearly seen on fine days as the plane comes to land at Nyaung-U. But the short drive from there to Pagan past an incredible number of vast ruined brown brick temples (whitewashed where they are still in use), soon gives an idea of the Kings' and peoples' devotion to Buddhism and the splendid ensemble Pagan must have been at the time of its greatness. This lasted from 1057, the date of the conquest of Thaton by the Burmese king Anawratha, to 1287 when the grandson of Kublai Khan, Prince Ye-su Timur, occupied the city and overthrew the dynasty. Some 5,000 temples still remain in part but virtually no lay buildings, with the exception of the traces of the city wall of Pagan and the Sarabha gate to the old city dating from the 9th century. Both are probably relics of the period of the Pyu, about whom little is known after 832 since they became totally absorbed by the incoming Burmese quite early.\n\nAnawratha brought from Thaton to Pagan thirty elephant loads of sacred texts, many monks, innumerable craftsmen as well as the conquered Mon royal family, and Mon culture was dominant in the early period of Pagan, to the extent that the Burmese adopted and still use the Mon script. Mon buildings were characterised by narrow blocked windows and a certain functional squatness. The materials used were brick, with a true arch, which was covered with stucco into which were sometimes inserted green glazed terracotta plaques. The inside of the buildings was nearly always covered in paintings applied to a dry surface and so not correctly frescoes. The buildings essentially form two different types. The first is the solid stupa, often raised on receding terraces, and the second a...", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208773, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1979", "page_number": 230, "title": "RAS-1979", "content_text": "NOTES AND QUERIES\n\n203\n\nTerritories and neighbouring areas. In this district there was a hill called Kwun Fu Shan, which is said to have been where Argyle Street is now. The San On district records published during the reign of Ka Hing: A.D. 1796-1820: state \"Kwun Fu Shan lies to the east of Kap Shui Mun and in the neighbourhood of Fat Tong Mun. The royal barge anchored here, near where the foundations of the Emperor's Palace still stand\". Fat Tong Mun is the passage lying between the Mainland and Lam Tong Island, to the east of Lei Yue Mun.\n\nIn the chapter \"Kwun Fu Chu Fat\" meaning Kwun Fu where the Emperor halted when on tour, the same records contain this section under the heading \"Court Circuit\".\n\n\"In the fourth moon of the year Ting Chau (A.D. 1277) the royal barge arrived at this place, where the Imperial Palace was erected, the plinths and pillars as well as the site of this Palace were still existing until the local residents built on the site a temple dedicated to Pak Tai.\"\n\nIt is now over a hundred years since this was written and during that time old landmarks have long since been altered or removed. The true site of the Imperial Palace is now unknown but the scholar Chan Pak To has reported that there is known to have been a village called Yee Wong Tin, the Palace of two Kings, on the right of the Pak Tai Temple. But this temple has itself been at some time moved and rebuilt. The site of the village of the Palace of the two Kings is also therefore uncertain although an old map suggests that it may have been to the west of Sung Shan which lay south of the original Sung Wong Toi. There was however yet another temple nearby. Once known as the Temple of the Supreme Ruler, it was built where this Rest Garden is now.\n\nThis Temple of the Supreme Ruler had within it a stone tablet recording that a Pak Tai Temple in the old Ma Tau Wei Village, which used to be known as Kwu Kan Wai was repaired during the reign of Ch'ien Lung (A.D. 1736-1796). That Pak Tai Temple is believed by some to have been the same as the one mentioned in the San On district records and built on the site of the original Palace at Kwun Fu. Whether this is so or not, it later disappeared from within the old Ma Tau Wei Village and thereafter the village elders used to perform their sacrifices at the Temple of the Supreme Ruler.", "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938", "rank": 0 }, { "id": 208876, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 38, "title": "RAS-1980", "content_text": "10\n\nKEITH G. STEVENS\n\nInside the library large cases of books cover the walls and some books, used more frequently, are individually wrapped in cloth and lie on tables and altars. The larger monasteries have rooms for the aged, and most have halls where ashes of devotees may be deposited.\n\nIn general, a visit to a Buddhist monastery would take you first past the shrine of the folk religion tutelary deity of the neighbourhood, the Earth God (1✯✯). (Illustration 3) Once through the gates and the entrance hall with its six \"guardians” (Mi Luo Fu, Wei Tuo and the Four Heavenly Kings) the layout follows a fairly standard pattern. The main altar will be straight ahead in the Great Hall which houses the main Buddhas. The main altar may be occupied by a single image, a group of three, or an array of a dozen or so. On and along the secondary altars, altars down the side walls and side halls there are images of other lesser deities. These, in twelve monasteries and temples in Hong Kong and Macau, include the well-known groups of eighteen or five hundred Luohan. Frequently, immediately behind the main altar and back to back with the main deity, stands the most popular and honoured of the Bodhisattvas, Guan Yin, with her two assistants.\n\nMahayana Buddhist temples contain a large number of images of Buddhas and major Bodhisattvas, some of which are considered to be more important than the image of Sakyamuni Buddha himself, unlike the Theravada Buddhist temples of Thailand, Vietnam, Burma and Srilanka in which Sakyamuni is the most important.\n\nThere appears to be only one temple in Hong Kong in which Lamaist images are worshipped, although there is one other, above Tsuen Wan, where in a private room, some forty or so Lamaist bronze images are on display.* The temple in which the Lamaist images appear on its altars is a shoddy, fairly modern concrete and corrugated iron construction above a new estate in North Point, where an elderly and now deceased Cantonese gentleman settled after spending some years in Tibet. Most devotees appear to have little idea of the style or origins of imagery, and the rituals and ceremonies performed in the temple by the widow of the founder are identical with those in other temples in Hong Kong.\n\n* Guan Yin temple in Fu Yung Shan,", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209164, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 67, "title": "RAS-1981", "content_text": "RELIGIOUS RESPONSE TO MODERNIZATION IN TAIWAN THE CASE OF I-KUAN TAO\n\n53\n\nThis short passage shows the general attitude which characterizes the religious interpretation of the present time: the present era is seen as a time of decline and of crucial historical significance. The future of humanity is at stake. Only if men are able to reverse the tendency of decay inherent in modern societies will it be possible to avoid the impending catastrophe. Recovery can be secured by returning to the way of the sages of antiquity and by practising the traditional virtues of the Chinese culture. This point is further elaborated in the following passage:\n\nThese are the teachings of the holy kings of former times:\n\n1. We want to restore the five social obligations (wu lun), the three social principles (san kang) and the five constant virtues (wu ch'ang). 2. We want to institute the three unspoiled [values], i.e. virtue, merit and true speech, and [in this way] bring benefit to the people. 3. We want to esteem highly the spiritual life, but to disregard the material life. Spiritual life means to put into practice the natural virtues humanity, righteousness, propriety, wisdom and faithfulness. [...] Alas! [How different are] the men of this world! They always care about the material life and are striving for the enjoyment of worldly goods. Who still speaks of propriety and righteousness, of modesty, social principles, constant virtues and modesty?\n\nIt can be seen from this passage that the dangers of the present time have their roots in the moral decline of men, i.e. in the abandonment of the traditional social virtues as propagated by the Confucians. These rules of moral conduct and social obligations are seen as the prerequisite for a sound and orderly society. Although principally these standards apply to every society, it is obvious that the deity especially has in mind the present situation in China, i.e. in Taiwan. Criticism of contemporary society in Taiwan becomes more outspoken in the next section:\n\nI [i.e. Shang Ti] see that in this world it is the Chinese nation in which rites and music are cultivated, where true culture exists. For this reason, up to the present day China could not be overthrown by another nation. Nowadays, however, people are only imitating the European and American way of life. Father and son do not love each other, husband and wife do not live in harmony, brothers fight each other,", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209615, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 272, "title": "RAS-1982", "content_text": "250\n\nCARL T. SMITH\n\n1921/22\n\n-\n\nno production.\n\n1922/23\n\n1923/24\n\n12, 13, 18, 21 Oct. 1922 - \"I'll Leave it to You\" (N. Coward, 1920)\n\n26, 27, 28, 30 Dec. 1922, 1, 2 Jan. 1923 - \"The Tempest\" (Shakespeare)\n\n8, 10, 12, 15 Dec. 1923 \"R.U.R.\" (Rossum's Universal Robots) (Karel Capek, transl. by P. P. Silver, adapted by N. Playfair, 1922)\n\n1924/25\n\n25, 26, 27, 28 Feb. 1925 - \"French Leave\" (Reginald Berkely) farcial comedy\n\n13, 14, 15, 16, 17, 21, 22 Jan. 1925 - \"St. Joan\" (G. B. Shaw, 1923)\n\n1925/26\n\n2, 3, 4, 5 Dec. 1925 - \"A Little Bit of Fluff\" farce\n\n2, 3, 4, 5, 6 Mar. 1926 — “If” (Lord Dunsany, 1921)\n\n1926/27\n\n13, 15, 17, 18, 19 Nov. 1926 Dramatic Medley \"A Matter of Time\" (Ronald Jeans)\n\n\"The First and the Last\" (John Galsworthy, 1921)\n\n\"The Burglar and the Girl\" (Mathew Boulton, 1913)\n\n\"The Man in the Bowler Hat” (A. A. Milne, 1925)\n\n19, 22 Mar. 1927 \"The Last of Mrs. Cheyney\" - Frederick Lonsdale, 1925)\n\n1927/28\n\n19, 21, 22, 23 Nov. 1927 - \"Bulldog Drummond\" (H. C. McNeile and Gerald du Maurier, 1921)\n\n1928/29\n\n16, 20, 24 Nov. 1928 \"The Sport of Kings\" (Ian Hay, 1924) performed at Star Theatre, Kowloon.\n\n19, 21, 22, 23, 26 Feb. 1929 - \"On Approval\" (Frederick Lonsdale, 1926)\n\n1929/30\n\n22, 25, 26, 27, 28, 29 Mar. 1930 - \"And So to Bed\"\n\n1930/31\n\n12 Nov. 1930 — performance at Helena May Institute \"Snobs\"\n\n\"Half an Hour\"\n\n15, 17, 18, 19, 20, 21, 22 Nov. 1930 \"The Middle Watch\" a romance of the Royal Navy (Stephen King-Hall and Ian Hay, 1929)\n\n7, 10, 11, 13, 14 Mar. 1931 - \"Art and Mrs. Bottle\" (Benn W. Levy, 1929)\n\n\"Dear Brutus\" (James Barrie, 1917) last A.D.C. performance at the Theatre Royal, City Hall.\n\n14, 17, 18, 19, 20, 21 Nov. 1931\n\n1931/32\n\n―", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209616, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 273, "title": "RAS-1982", "content_text": "251\n\n1932/33\n\n1933/34\n\n21 Feb. 1933 \"Nine to Six\" all female cast (Aimee and Philip Stuart, 1930) performance at Kings Theatre.\n\n—\n\n11, 12, 13, 14 Apr. 1934 \"The First Mrs. Fraser\" (St. John Ervine, 1929) performance at China Fleet Club to 1941.\n\n17, 20, 21, 23, 24 Feb. 1934 Armstrong)\n\n1934/35\n\nJ\n\n5, 6, 7, 8 Dec. 1934\n\n1935/36\n\nvenue\n\n\"Ten Minute Alibi” (Antony Mackenzie)\n\n\"Fresh Fields\" (Ivor Novello)\n\n18, 19, 20, 21 Dec. 1935\n\n1936/37\n\n4, 5, 6, 7 Nov, 1936\n\n—\n\n1937/38\n\n7\n\n\"Musical Chairs\" (Ronald Rattigan)\n\n\"Night Must Fall\" (Emlyn Williams)\n\n7, 8, 9, 10, 11 Dec. 1937 - \"Outward Bound\" (Sutton Vane)\n\n23, 25, 26, 27 Feb. 1938\n\n—\n\n\"French Without Tears\" (Terrence)\n\n1938/39\n\n8, 9, 10 Mar. 1939 \"The Shining Hour\" (Keith Winter)\n\n1939/40\n\nT\n\n22, 23, 24 Feb. 1940 \"The Circle\" (Somerset Maugham)\n\n(Note: all notices are taken from the English newspapers in Hong Kong, in most cases from editions of the dates given).", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209880, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 139, "title": "RAS-1983", "content_text": "117\n\nand rocky sides, and there were only a few places where agriculture could be carried on.\n\nThe population was of mixed origin, and for long was largely male. As late as 1911 the number of males to females, including children, was 1,041 to 396. However, like the number of boats and boat people in the anchorage, the numbers and proportions fluctuated. In 1897, the respective numbers had been 783 to 340,14\n\nThis population of landsmen came from the nearby districts of Kwangtung province. Their interests were looked after by three organizations named the Fuk Hing Fong, Luk Hing Fong and Sau Hing Fong (*****). They were formed by the (福祿壽慶坊) men of San On, Tung Kwun and a mixed group of men from other districts respectively.15 It is not known when they were established, but the available evidence points to the earlier part of the settlement's history. For reasons that will be given below, they amalgamated about 1930, when they took the name of Tung Hing Kung She (東興公社), meaning the Society of the Combined 'Hings', retaining the common part of their old names.10\n\nThe leaders of the three Fongs managed the affairs of the small Ap Lei Chau community. They looked after the structure of the local temples and came together to discuss district affairs whenever circumstances warranted. It was to the shops of the leaders that persons in need of assistance went in time of need. The connection between the main temple, the Fongs, and the Kaifong (街坊) of Ap Lei Chau is shown in a petition to the Director of Public Works dated 17 April 1893, which is styled 'the petition of Chung Tat Chi and others, Committees of the Hong Shing Temple at Aplichow and the Kaifong of Aplichow' (English translation of a Chinese text not now available). Chung is recalled locally as a prominent shopkeeper and the leader of one of the Fongs. Again, at a hearing to determine ownership of the Hung Shing temple in 1893, one witness said 'The Kaifong are the shopkeepers', and for our present purposes he might have added \"The shopkeepers are the leaders of the three Fongs.\"17\n\nHowever, I am more concerned here with the three Fongs. Religious duties were the most regular of their functions, and", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 209966, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 225, "title": "RAS-1983", "content_text": "203\n\nAnd like a brave and gallant soul he pleaded for the honour, To carry in the coming fight the Regimental Colour. Into his willing hands they gave the sacred trust;\n\nThat night the Colour still remained, but, he was as the dust. As Colour Serjeant Davison took the colour from the dead, Another well-aimed shot takes off the gilt spear-head. The first upon the hill was the gallant Lieutenant Butler, Who attacked, and took a Flag from a Chinese soldier; The Standard-bearer falls but we preserve the trophy, In Kendal Church it now hangs up, a record of our glory.\"\n\nThe colours, which fluttered in Hong Kong when the regiment was stationed here after the hostilities are also in urgent need of conservation.\n\nModern viewpoints have assessments of glory or otherwise which differ from those of the 1840s. But the banner in Kendal church is unique and it would be a tragedy if it were allowed to disintegrate. Lt. Colonel Ralph May, Curator of the Regimental Museum of the Border Regiment and Kings Own Royal Border Regiment, Queen Mary's Tower, The Castle, Carlisle, would be delighted to hear of any offers of help in preservation. Given the uniqueness of the banner and the circumstances of its seizure, is it too much to hope that the money to permit that preservation might be found in Hong Kong?\n\nNOTE\n\n1 The action in which the 55th gained the Imperial banner, and in which Ensign Duell was killed is described also in The Border Magazine, September 1955, pp. 178-179, and in the Historical Account of the 34th and 55th Regiments (publ. in the 1870s) pp. 78-79 (information by courtesy of The Curator, The Regimental Museum of the Border Regiment and the Kings Own Border Regiment).\n\nPage 225\n\nPage 226", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210296, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 267, "title": "RAS-1984", "content_text": "246\n\nCHOI CHI CHEUNG\n\nTable A. Name of the Objects of Worship\n\n \n 1.\n A Nan Chun Che *\n \n \n 2.\n Buddha #N*\n \n \n 3.\n Chia Ych Chun Che\n \n \n ***\n \n \n \n 4.\n Kannon, the Goddess of Mercy\n \n \n 5.\n Dragon Kings of the 4 Seas\n \n \n 6.\n Representative of the Heavenly Kitchen 天厨使者\n \n \n 7.\n Chin Kwong Wang\n \n \n 8.\n Cho Kiang Wang thi\n \n \n 9.\n Sung T'i Wang ✯E\n \n \n 10.\n Wu Kwan Wang HE\n \n \n 11.\n Yen Lo Wang\n \n \n 12.\n Bien Chen Wang |\n \n \n 13.\n Thai Shan Wang E\n \n \n 14.\n T'u Shi Wang\n \n \n 15.\n Pin Deng Wang\n \n \n 16.\n Chuen Lun Wang\n \n \n 17-18.\n The Courts of extreme happiness 極樂殿\n \n \n 19.\n Kan Tsai Wang\n \n \n 20.\n Wai Lo ##\n \n \n 21.\n ?\n \n \n 22.\n The Great Kings and Emperors 大王大帝\n \n \n 23.\n The Lord of Pu-tu\n \n \n 24.\n Ancestral Hall of all Lineages 各姓宗祠\n \n \n 25.\n 6 paths and 4 species 0%\n \n \n 26.\n Wandering spirits of 4 directions 西方忘魂\n \n \n 27.\n The 3 Pure Ones E\n \n \n 28.\n Gods of the 3 levels\n \n \n 29.\n ?\n \n \n 30.\n Male and female orphan spirits 男女孤魂\n \n \n 31.\n 3 religions and 9 schools\n \n \n 32.\n Million souls of the 3 levels 三界萬靈\n \n \n 33.\n Office of the Yin and Yang H\n \n \n 34.\n Lord 8th A\n \n \n 35.\n Lord 7th\n \n \n 36.\n Temporary resting place ✯✯S\n \n\nQ 1-3 as told by the organizer of the Uji O Festival\n\nR\n\nET\n\nT\n\nH No. 7 to No. 16 were the ten courts of the Underworld. Informants always mention them without any difference from no. 17 and 18, as ‘Chigoku Juunoo' (M&E) or 'Chigoku” (Ten Kings of Hell, or Hell). 7 to 9, 10 to 12, 13 to 15, 16 to 18, were all made in one paper-made house (informants simply class them as Ming-che too) respectively.\n\nF Both 19 and 20 were regarded as the guardians of the festival. 19 for avoiding any meat, and 20 for keeping out evil and watching over the spirits.\n\nQ No one knew what it was\n\nT\n\nT\n\nGIF\n\nT\n\nQ No one knew what it was\n\nT\n\nT\n\nQ Told by the organizer of the Uji festival. It was also called T'ien Ti Tan (X).\n\nF Both 34 and 35 were the runners of Hell.\n\nH\n\n! \n\n! \n\n! \n\n¡", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210297, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 268, "title": "RAS-1984", "content_text": "37. Ten Zo:\n\na. Nu Rai Fo Chu\n\nb. 6 paths and 4 species Kit\n\nc. The Heaven Honorific of origin 元始天線\n\nd. Dragon kings of the 4 seas 14.\n\ne. Male and female orphan spirits 男女孤魂\n\nf. The great Jade Emperor LAWS\n\n38. the City God WP!\n\n39. The Earthgod\n\n40. Chi-zo k\n\n41. T'ien Hau APE\n\n42-43. Generals Han and Ha\n\n44-45. T'ien Hau\n\n46. Kwan T'I IPEXY\n\n47-48. Kwan Ping and Chau Chan PPT-MAT\n\n49. Kwan T'I MÝ\n\n50-51. Kwan Yin (Kannon) 19:*\n\n52-54. The Earthgod sitt laY\n\n55-57. Tzi Nan Kung W E\n\n58. The Lord of the Heaven A^ L\n\n6 paper-made tablets were hung on a paper-made 5 colours lantern.\n\nIt was a Japanese term (see Soo, 1981: 59-60). Most of the informants\n\n247\n\ndid not know what it was and no one talked about it, and no offering was made to it, either.\n\nH Decoration, except the roof, was the same as the Ming-che.\n\nH\n\nRJapanese Earthgod\nRT'ien Hau's Guardmen,\nRThe substitutes of T'ien Hau.\nRThe main God of the Temple.\nRThe guardmen of Kwan T'i.\nRSubstitute of Kwan T'i\nRThe Goddess of Mercy and her substitute.\nRThe god and his substitutes.\nQThe name was a Temple's name. The god of the temple was Lu Tzu ( ) 56 and 57 were his substitutes.\n\nIn addition there was 4 paper-made messenger-and-horses (f†). One of them was burnt after every 'Reporting' ritual and the 'Thanking' ritual of the last day.\n\nNotes:\n\nQ = Incense bowl(s) and offerings only\n\nR = Porcelain Statue\n\nT = paper-tablet\n\nH = paper-made house\n\nF = paper-made figure\n\nP = painting\n\nL = paper-made lantern", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210980, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 42, "title": "RAS-1987", "content_text": "17\n\nOne must always take into account this French addiction to performing and making an impact on their public, whether dealing with the intellectual fireworks in honour of China in the eighteenth century, or on the occasion of more recent and far less pleasant pyrotechnics, somewhere in Polynesia.\n\nSo the Philosophes' encounter with China had, at its own level, contributed to the fall of the French monarchy. And for more than a century, French intellectuals were to be concerned with a completely different range of issues: political revolutions and counter-revolutions, France's position in Europe, industrial development and its social fall-out, freedom of speech and of thought, as well as colonial expansion. China had very little to do with these French-centred debates of the nineteenth and early twentieth century. It had by then become a target for Western imperialism including France, and its cultural prestige was accordingly declining. China only mattered for a few isolated if not eccentric French intellectuals. China in this period was a very marginal feature in French intellectual life.\n\nSome of these marginal Sinophiles of the nineteenth century were belated admirers of an ideal and abstract China in the grand philosophical tradition. In a little-known novel by Balzac, L'Interdiction — a legal measure depriving a spendthrift of control over his estate — a Marquis d'Espard spends all his fortune on reprinting old Jesuit memoirs on China. He is a devoted right-wing monarchist; he admires the Chinese imperial monarchy for allegedly maintaining a social order the French kings had been unable to maintain. His wife, a typical Balzacian marquise, has a legal interdiction passed on him.\n\nThe Marquis d'Espard is a lonely figure in Balzac's little world — the Human Comedy — and equally solitary was the young Baudelaire, who was at college when Balzac was flourishing. In one of his strongest poems, Le Voyage (or 'the trip', also with the colloquial connotations of this word), his concern for China is expressed through brief but extremely challenging verses — a concern he must have developed in his college years:\n\nDe même qu'autrefois nous partions pour la Chine", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211386, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 102, "title": "RAS-1988", "content_text": "78\n\nand entered a village belonging to a family called Lei (*). One of the villagers was holding a big religious ceremony and feast (called Paat Kwaan Tsaai A which is a vegetarian meal given free to all that call) in his house, and into the midst of this Pooi To walked calmly, and put his rice basket down in the centre of the hall, and sat down to meditate. The guests at the feast were much disgusted at his dirty appearance and tried to take the basket away, but found they could not move it. Lei himself tried to lift it, and called his sons to help, still they could not move it. Then Pooi To, taking no notice of them, started eating the rice and food set on the table, and when he had finished his meal, he got up, lifted up the basket and went out. Turning back at the door he said, \"The four Kings of Heaven will send a lot of Happiness to your family, Lei.\" While he spoke a young child was peering into his basket, and he quickly ran and told his father that he had seen four miniature children only a few inches long and beautifully dressed, lying in the basket. Then Lei realized that Pooi To must be a holy man, and he wanted to ask him to stay, but he found Pooi To had gone. For three days he searched for him, and at last found him sitting in a little wood to the west of his house. So Lei took Pooi To back to his home, and he stayed with him for many days. The people living round about soon learnt that he was a holy man, and brought their sick to be cured by him. They would offer him money and presents, which Pooi To with his characteristic inconsistency sometimes accepted and sometimes refused.\n\nLater on a higher officer named Lau Hing Paak (A) heard about Pooi To and invited him to stay in his house. Pooi To arrived carrying, as usual, his rice basket. Lau hospitably sent his servants to meet him and to carry his basket for him, but they found they could not pick it up. More servants came until there were ten of them, yet even they could not move it. Then Lau himself looked in the basket and found in it only one torn coat and one wooden cup.\n\nPooi To stayed with Lau about 30 days, and then returned to Lei. One day, just at daybreak, Pooi To asked his host to make him a new coat, and said that he wanted it by noon. Lei started off at once to make it, but when noon came it was not finished, so Pooi To said, \"I want to go out for a while, but I will return this evening\". Evening came but Pooi To did not come back. Lei noticed a very sweet smell filling the house, and wondering where the fragrance came from, he went out\n\ni", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211629, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 44, "title": "RAS-1989", "content_text": "19\n\n2\n\nGoullart in his description of the monastery in Kiangsi in which he spent several holidays, describes in one hall 'Shang Ti smiling benevolently and enigmatically from his canopied throne'. He then refers, in his description of another temple, to the Jade Emperor and speaks of him as Shang Ti. There are various explanations offered as to why this deity is called the Jade Emperor. One suggests that the reference in the Book of Changes to '. . . heaven being the ruler, and is... jade' is its origin; Goullart however gives, in translation, an invocation from the abbot to Shang Ti in which he refers to him by title as 'the Mightiest Emperor over all Heavenly Kings, who lives in the Jade Hall of the Western Heaven'. This, surely, is a clue. The supreme deity, Shang Ti, lives in the Jade Hall, hence his title the Jade Emperor. This title is a relatively recent development in Chinese chronology having only become prominent during the 11th century AD. However, popular recognition of and interest in the cult became apparent during the Manchu (Ch'ing) dynasty.\n\nThe title of the sovereign divinity of the Chinese State religion until 1911 was Huang T'ien Shang Ti, the First Rank Supreme Deity in the 17th century regulations of the Ch'ing dynasty. Shang Ti, as the All-highest, was never portrayed in image form, and in a number of temples in South-East Asia the title of Huang T'ien Shang Ti is still given for the supreme deity, usually carved on plaques, and in one temple in Singapore an image of the Jade Emperor even bore a vertical slip of paper inscribed with this title.\n\nMany Chinese myths and legends involve the Jade Emperor; those surrounding his origins are shrouded in mystery and probably his genesis will never be known. China has a rich popular tradition incorporating local tales from every corner of the vast empire, and it is no wonder that numerous and varied explanations have been given by devotees of how and when the Jade Emperor became the senior deity. The earliest known reference to him is from the T'ang but he could have existed long before that. Since then it has commonly been believed that he was either an incarnation of, or given the task of Supreme Deity by Yuan Shih T'ien Chun, the senior deity of the Taoist trinity, the Three Pure Ones (San Ch'ing). His popularity declined somewhat during the Ming. Although a Taoist deity, his image is to be found on altars in several Buddhist temples and some Buddhists even claim that he is really just an adaptation of Indra. To the man in the street all Buddhist, Taoist and folk religion deities are his subordinates, and well timed worship will", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211632, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 47, "title": "RAS-1989", "content_text": "22\n\nremoval to T'ai Miao.\n\nIn Tainan in southern Taiwan an elderly temple keeper claimed that the heads of the five major religions, Confucius, Lao Tzu, The Buddha, Christ, and Mohammed gathered and chose Kuan Yu (otherwise known as Kuan Kung, the Patron deity of loyalty) to be raised in succession as the 18th Jade Emperor. He assumed the throne at Chinese New Year in AD 1864 and still occupies the throne.\n\nAlthough the Jade Emperor is concerned with running the bureaucracy of the spirit world and with meting out justice, he delegates many of his day-to-day responsibilities to his ministers and judges. It is accepted by devotees that he is the arbiter during disagreements between the gods. His rule is conceived of as similar to a reigning Chinese emperor, he being the heavenly ruler with the Chinese emperor the terrestrial ruler. Most people believed that the emperor of China was his terrestrial equal. Despite the large pantheon the Jade Emperor commands, containing an inordinate number of Buddhas and bodhisattvas, The Five Emperors, Kings/Judges of the Underworld, major gods and all the deified spirits (shen), in Chinese mythology he is frequently duped and outwitted, as indeed the Chinese well knew that their emperors were. One only has to remember the story of Ch'i T'ien Ta Sheng, better known in the West as Monkey to see how gullible he can be. This does not mean that he was not feared. The Jade Emperor's forces include his powerful spirit armies, capable of destroying anyone or anything, which he can unleash upon anyone who offends him.\n\nAn English missionary in the nineteen thirties after 36 years in North China wrote \"Lao T'ien Yeh is the Supreme God, the popular equivalent of Shang Ti of the Classics. He is not represented by any image or other symbol nor are there any temples in his honour, nor is he the object of popular worship. But built into the outer wall of the house, beside the doorway, there is commonly a little shrine in which thank offerings are placed at harvest time. When you inquire what people know about him, the usual answer is 'He sends the wind and the rain and ordains life and death, and to him the Kitchen God makes his annual report'\"*.\n\nIt is well known that the Jade Emperor personally receives reports from each and every Kitchen God during the period from the 12th day of the final lunar month until the Lunar New Year's Day, and from these", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211954, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 369, "title": "RAS-1989", "content_text": "344\n\npolice. A cluster of smaller temporary structures were built to house the paper images of the Jade Emperor, the City God, the Daai-Si Wong and Baak Mou-Seung. The Daai-Si Wong, also known as Gwai-Wong (King of Ghosts) is a transformation of the goddess Gwun-Yam, who has a fierce appearance befitting his role in the ritual: to oversee the ghosts when they come for the offerings. The Baak Mou-Seung, literally the White Unpredictable, is one of the two Unpredictables, both members of the Underworld bureaucracy who take peoples' spirits when they are to die. Further away from the main paang was a larger structure for general gods, which was to house most of the gods invited from local temples and shrines.\n\nDecked out with many fa-paai banners from the villagers and outsiders, the main structure had several partitions. At the entrance in front were two huge paper images of two armed gods, who served as the supernatural guardians of the paang. Beside them were two horses with attendants, and a pair of lions. Furthest from the entrance was a stage divided into three sections, all facing the entrance. The middle one is the Taoist altar where the priests performed many of their rites. To the right was the altar for the Dang ancestors Hung-Yi and his two wives. On the left side was the puppet stage, on which plays were performed. On both sides of the central area of the paang were rooms for each of the five gu villages/groups of villages, plus Ying Lung Wai. On the same rows were two rooms for the guards for the festival site, one for guards drawn from the young men of Bak-Bin and the other from those of Naam-Bin. Nearer the front on the right side was a temporary altar for Gwun-Yam.\n\nOn the left side was a large partition dedicated to four separate groups of paper images, many with pottery/ceramic heads. The area was known as the yau-saan, a place to harbour ghosts. Each of these groups was divided into three levels. Two large groups depicted the ten Kings of the Underworld on the topmost level. Under the Kings on the middle level were ten shops, each with signs indicating the business: barber's, brothel, sundry goods shop, pawnshop, second-hand clothing, department stores (two), tailors, porters, and “cool” drinks. On the lower levels were some devils, ghosts under torture in the Underworld, and many shoppers. The subjects of the two other groups were more difficult to identify. One of them was labelled Zizhu Lin, “Purple Bamboo Grove”, the place associated with the Goddess Gwun-Yam. She and her male and female attendants were recognizable among the images on the topmost", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211955, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 370, "title": "RAS-1989", "content_text": "345\n\nlevel. The rest of the group (on the middle level) included a scene from the story of the Baishe Zhuan, the legend of the love between a snake-turned beauty and a virtuous scholar. The episode represented was that of the monk exercising his supernatural power to kill the lady, so as to free the scholar from the seduction of the demon. The other group bore the sign Wudan Shan, at once one of the famous mountains of China and a well-known place for Taoism. The top level of the group included the Jade Emperor. On the lower levels of these two groups were a temple, runners escorting a sedan chair, and the scene of the Eight Immortals Turning the Sea Upside Down.\n\n51\n\nDecorated with embroidery hangings, the Taoist altar had at its centre portraits of the Three Pure Ones and on either side the Heavenly Master and Taai-Yut Jan-Yan. Further from the centre were portraits of four minor “generals\", named “dragon\", \"tiger\", \"fire\" and \"water\". On the inner walls of the partitions hung pictures of the ten Kings of the Underworld. There was also a backroom to the altar, where the priests stayed between rites. Hanging in this room was an umbrella-shaped object with many charms trailing from it. There were, a priest told me, 28 in all, one for each of the 28 sau constellations. It was called the luo-tian, which meant, he said, the same as xian-tian, the Taoist primordial heaven.\" In the room was a temporary altar set up for the Three Pure Ones, plus a place with two red slips of paper saying \"May Tao be popular with people\" and “Good Luck in the rites\".\n\n52\n\nOn the day before the seven-day period of rites, the villagers decorated the room for their own gu in the main paang. Before each of the rooms stood a Luk Gwok flag, which was the same as the flag used in the Cantonese opera of the same name to announce the identity of a player; and a lo-gu ga; i.e. “drum and gong holder\". Hanging from the top of the opening were mechanical \"hanging puppets\". Inside near the front was a heung-on incense burner set of the siu-cheng type. The tables inside were decorated by toi-wai embroidery that hung from the edges. Hanging from the \"ceiling\" were similar pieces of embroidery known as waang-mei.\n\nSome of the villages put on displays in these rooms of relics of their illustrious ancestors. In the room for Shui Mei was the screen presented to Dang Git-Sau by relatives and friends to congratulate him on the occasion of his 61st birthday, which I mentioned previously. In the room for Wing Lung Wai was a series of scrolls presented in 1919 to celebrate", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211964, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 379, "title": "RAS-1989", "content_text": "354 \n\n[**posting the memorial”] which will start at about 8 a.m., and a meal. The procession is to cover the 5 wai and 6 chyun of Kam Tin, paying respect to the gods. It will end at about 5 p.m. There will also be a ceremony to be officiated by James Hayes at 4 p.m. The procession on the next day will go all the way to Yuen Long, taking about the same amount of time. But as it can start earlier there is no need to wait until a preceding rite is over it will probably end a bit earlier... the daai-yau [“Great Offering to Ghosts\"] on the last evening of the jiu will start at about 7 p.m., and end at about 3 a.m.\n\nT\n\n—\n\nThe four rites named were the events which many of the villagers took part in, and the routes of the procession were unique to Kam Tin. It is therefore not surprising that the no. 1 ritual representative could estimate their timing with some confidence. Of the other rites performed by the priests, he did not seem to know much. He told me that to have a better idea of what the schedule would be, I had better talk with the priests.\n\nThe answer of the priest I talked to on the telephone was that he would not know until he and his colleagues got to Kam Tin, as Kam Tin had a written record prescribing its own requirements for the jiu. I had the opportunity to read the manuscript in detail. It included contracts for the priests, paang construction contractor, paper image and offerings maker, puppeteer and opera troupe, among others. It also listed the rites, giving details of the offerings and other arrangements required. A few copies of the manuscript from previous celebrations were still kept.\n\nWhile the manuscripts provide much useful information, the responsible villagers do not seem to use it fully. While the contract for the paper image maker specified the figures to be included, the elders probably had no idea what there should be besides the images of the ten Kings of the Underworld. They had no idea that in the contract they required several dozen sets of paper clothing for use as offering to \"heroes\". The record had a diagram showing the proper arrangement of the temporary altars to be set up for the ying-sing rite, which had been in practice in the previous celebrations, but this time the layout no longer agreed with that in the record.\n\nPart of the confusion must have been due to the fact that a few different", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211996, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 411, "title": "RAS-1989", "content_text": "386\n\n人逗生入熟,串會外匪,入室搶劫,一經拿獲查出,張排號褂。巡緝匪類,送官究治,決不狗情。嗣後外匪不敢滋擾,內約有釀其祥和。將見俗美,風行處處。同歌舞,日昇平,坐享家家共樂堯天。是爲序。\n\n光緒年月日\n\n約衆公啟\n\nA Mutual Alliance for Capturing Bandits\n\nIt has always been the case that to show respect for the upright and to drive out evil, the Imperial Court has made clear the system of rewards and punishments; while to extirpate the malignant and cut off the violent, the rural communities have similarly issued rules and regulations. Under this matchless and magnificent way, marvellous good government, and joyful prosperity with polite consideration for others these have been the lot of the common people. As public morals deteriorated however, by misfortune vicious robbers sprang up, and thieves appeared throughout the rural districts. Banditry becomes more extensive every day, disturbances are everywhere. The eye is pierced and the heart is wounded who can bear to endure it?\n\nYeuk remember fondly for more\n\nWe the people of this our than a hundred years we lived in peace and security, we went about our business in amity, and helped each other in guarding against enemies. We followed the way of the Ancient Kings in undisturbed peace. The track of the robber's way ended at our doors, the people were happy to cherish their neighbours, no huge dogs snarled in the lanes.\n\nHow could it have happened! Today virtuous people are forced to sigh, \"Alas, today's ways are not virtuous like those of Antiquity! Men's hearts have changed! Thieves and robbers are extremely numerous. During the day it might happen that they go up to the mountains and drag off your cow: during the night it might happen that they cut your beams and break through your walls. In the future it will become an everyday occurrence that there will be open robberies at night, and every sort of dishonesty it will be difficult to overcome it! If when you plant you do not hoe, who knows what disasters will be the result, who knows how far things will sink?''", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212012, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 427, "title": "RAS-1989", "content_text": "402\n\ncivilization occurred during the time of Confucius and not, as Schwartz argued in his latest book, The World Of Thought In Ancient China (1985), half a millennium earlier in the Western Zhou. Metzger underlines foundations for individual moral autonomy in traditional Chinese thought, a position contradicting the general evaluation (supported by Schwartz) that 'Confucian norms emphasized the importance of the group at the expense of the individual's freedom, spontaneity, creativity and moral autonomy', (p. 263). The fact that Chang's analysis uncovers no decisive break with tradition, but only a 'counter-tendency' to the cosmological myth which legitimated imperial rule (pp. 30-31), manifests the need to question the usefulness of positing an axial age when applied to pre-Qin cultures. Studies edited by Eisenstadt have recognized this methodological dilemma, noting the difficulty of identifying a period of radical metaphysical construction and social repositioning during Confucius' era. This leaves open the possibility that Schwartz's location of the major shift in the earlier period of the sage kings, in spite of oracular bone evidence to the contrary (pp. 18-19), may yet identify an important option. Metzger's challenge, on the other hand, unveils a leitmotif which weaves the polychronic essays into a single tapestry: the question of the relationship between modernity and China.\n\nThese essays being divided into four general sections entitled 'Thought', 'Literature and Culture', 'Political Theory', and 'Culture and Methodology' — tend to converge on either characterizing the process of modernization in some dimension of Chinese societies or evaluating the methods scholars have employed to illuminate China's status in the modern world. These convergences are imbedded in comparative discussions of intriguing complexity, making this thread less easy to identify at times. Nevertheless, recourse to the touchstone of modernity is a central feature of the volume. In fact, the discussion regarding it is not always complementary.\n\nDon Wyatt, like Metzger, locates a singular continuity in Confucianism: Confucian language is \"this-worldly\", especially in its use of analogical arguments, (pp. 42-57). Surprisingly, perhaps, this does not mean that Confucianists (especially in the Song) did not address metaphysical, even other-worldly, ideas. Emphasizing this kind of 'language consensus' which sinologists have regularly typified as this-worldly, Wyatt goes so far as to claim that, although Confucian society was clearly stratified, no class-bound structures are evident in Confucian language, (p. 61). Whether or not this is still the case, this assertion", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212276, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 218, "title": "RAS-1990", "content_text": "\"New light on the population of the country? On the governmental system? On the administration of justice? What is the relation of the different provinces of the country to the Empire? of Tartars and the Chinese?” \n\n\"What is the actual idolatry of the people? Their actual morality?” “To what degree are they intellectually active? To what extent does education pervade their masses?** \n\n195 \n\nLegge concluded: “these are not exhaustively stated questions, but those which most readily present themselves to my mind”, \n\nThese commitments became the driving force for the rest of his life. No other Western scholar in modern history or before has ever studied the full breadth of Confucian classical literature and published translations or commentaries on all of these traditions.\" Although other scholars, (including missionary-scholars like Legge and those in consular positions), pursued studies in Buddhism and Taoism with great thoroughness, none published the kind of extensive translations of both Taoist philosophy and Taoist religious texts which Legge presented in his translations for The Sacred Books of China. With regard to Buddhism, Legge did not publish any extensive translations of Buddhist scriptures, but he remained informed of some of the current work in Chinese Buddhism by Western scholars, continuing even late in his Oxford years to read and assess Chinese, Japanese, and Korean scholarship in selected fields of Buddhist literature. The results of his work in Buddhism were made public in his book on The Religions of China and in a public essay presented at an Orientalist Congress in the 1880s.** \n\nThese sinological studies do not tell the whole story of Legge's approach to his Chinese audiences. During the 1850s Legge was tempted by another missiological approach. While he remained active in teaching and publicly discussing technical problems in biblical translations in the early fifties, a major change in his life occurred as a consequence of the death of his first wife in 1852. The indefatigable Legge redirected his energies towards the training of indigenous church leaders; among his trainees was the intelligent Hong Rengan (洪仁干), a relative of the Taiping Leader, Hong Xiuquan (洪秀全), and later made one of the Taiping kings in the final years of the rebellion. Legge was intent on making Christianity relevant to contemporary China.", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213797, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 149, "title": "RAS-1996", "content_text": "120\n\n24\n\nН\n\nTou To Wang, Changsha Wang and various Muowang \"demons\" I have not consulted Shuton Yoshio eds. Yao Documents (Tokyo Kodansha 1975)\n\nFor example the Buddhist concept of Liu Dao, and the Asura was summoned by the Devil King to fight the Buddha in the Dunhuang narrative literature Buo Muo Branwen, in Dunhuang Brannen, in Tarper Shipe Shuju reprint, 1980, p 347 But in a passage of the Hua Yan Jin quoted by Hong MA,, op cut P. 1680, the King of Asura was among those summoned by the Bodhisattva to come to the rescue of those in turmoil\n\nBut Muowang \"Demon Kings' also featured in canonical Daoism in which They have been conquered by the Daoist gods and can be summoned by Daoist for protection\n\nEven then the Jade Emperor's native place, according to the same document, was \"Puo Xi\" which could have been Persia too\n\nSee Jiang op eit for Qujiang, and Hu Qiwang et al Bancun Yang, Minzu Chubanshe, 1983, for Guangxi Province\n\n\"See Lagerwey for the present situation\n\n\"The SJYLSSDC as we see now, a Qing reprint of the Ming book, has a passage that says Chen went to Lu Shan to study magic. But the next four characters do not make sense The crucial characters will give the master's name as Jiu Lang and can be found in reprints in a more recent series A Ming version reprint of the same book, under the title of Sanpao Yuanliu Shengdi Faozu Shoushen Dachuan, in the series Zhongguo Mijian Xinvang Zijido Hunbuan, Taiwan, 1989, gets most of the characters right. Compare also Shi Shen, a Qing manuscript also reprinted in the same series that quotes a Zheng Shou Shen ji, the passage is otherwise identical with SJYLSSDC\n\n\"See for example Lagerwey, perhaps Liu Zhiwan also. Note the latter being account of practice of the Zhang Fazu sect, which seemed not to involve the Lu Shan Jiu Lang at all\n\nTh\n\nInteresting information is found in John Lagerwey was not mentioned, instead \"John Keupers\", \"A Description of the Fa-ch'ang Ritual as Practiced by the Lu Shan Taoists of Northern Taiwan\", in Saso and Chappell eds Buddhist and Taoist Studies 1. Hawaii University of Hawaii, 1977, p 83 This article on the Lu Shan San Nai sect shows, without saying so, that the confusion has multiplied as the priest has mistaken the pair Lu Shan Jiu Lang and Wang Tu Mu for Dong Wang Gong and Xi Wang Mu, two prominent gods in canonical Daoism, and by two steps of substitution (Xu Xun = Lu Shan Jiu Lang, Dong Wang Gong = Lu Shan Jiu Lang) identified Dong Wang Gong with Xu Xun\n\n-\n\nSee for example the San Jiao Shou Shen Da Chuan\n\nMin Du Wai Ji by den He Qiu, reprinted 1987 by Fujian Renmin Chubanshe\n\nYuan Hao-wen, Yi Jian Zhi, Reprint Beijing Zhonghua Shuju, 1988\n\n14\n\nALL\n\nOp eit pp 1181, 1429\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213875, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 227, "title": "RAS-1996", "content_text": "201\n\n\"official-supervision merchant-management\" (A). The formula went like this: the reform-minded officials provided the political patronage - they bargained with Beijing for charter, franchise, monopoly or tax concessions for the enterprises, and the merchants provided the capital and management. Concerning merchants' ability to raise capital, their credibility came not from the enterprises they set up, but from their own reputations, as well as from the political patronage which they managed to establish. Some of the most famous of these merchants in the western affairs movement were such Hong Kong compradors as the Tang Jingxing (Tang King-sing) brothers.\n\nThis kind of business environment made China unique when compared to Europe. Historically, the political fragmentation of Europe, and the frequent wars it led to, had forced the kings and the princes to be bound by their commercial commitments - one refusal to repay their debts meant that the princes would find tremendous difficulty in raising funds for the next war. In China, on the contrary, the Emperor needed not to (and actually had not) surrendered his right to interfere into the market; the government was not bound by legislation it made. Several incidents which occurred in the fifteenth century help to illustrate these divergences. Firstly, while the Ming Emperor abolished the national debt (in the form of salt certificates) overnight in 1667, the King of England was forced to grant his debtors a charter for the formation of a national bank (the Bank of England). Secondly, while the four Atlantic states (Spain, Portugal, France, England) were competing for overseas expansion and experiencing the “Age of Discovery”, the Chinese Emperor issued an edict to stop all his subjects from going overseas in 1667, just three years after the famous Zhenghe fleets (Tr Admiral) arrived at Malaya. Business endeavours in Europe were first protected by privileges granted by the Kings (in the forms of charter or monopoly) as in the case of the East India Company. This practice was later developed into a kind of rights guaranteed by legislation (company laws). In China, with the prohibition of sea-going, overseas trades were restricted in the forms of tribute, smuggling and piracy. No legislations were developed in China to guarantee and to protect commercial endeavors. An easy alternative for the Chinese merchants, therefore, was to rely on personal networks. On this, China and Europe went their separate ways. While the feudal society in Medieval Europe based on the ties of allegiance to a local land-owning aristocracy for protection, in China, authority was nominally resided in the central", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213996, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 65, "title": "RAS-1997", "content_text": "31\n\nCertainly, for heavy duty scaffolding laid out on a grid pattern, say when constructing a flyover and for other civil engineering work, metal scaffolding has advantages. Metal has already taken over in some cases from timber in areas such as hoardings around building sites and for site offices, when containers are sometimes utilised. Also, on large projects managed by the Government Housing Department, precast concrete units are used together with gondolas. This does away with much scaffolding.\n\nAlthough the change from bamboo scaffolding to metal has been much slower than many people expected over the past 40 years, especially with a limited number of trainee scaffolders entering the trade, the changing to metal can be expected to continue. Nevertheless, one can expect bamboo scaffolding, with its many advantages, to be in use for many years to come.\n\nAcknowledgements\n\nThe author is grateful to Mr Albert Tong Yat Chu, Mr Cho Hon Chiu and scaffolding instructor Master Chor Keung, all of the Construction Industry Training Authority, for the information and photographs they supplied. The author is also grateful to Mr Jimmy C. M. Yuen, of the Occupational Safety and Health Council and to Mr S. L. Lam, Senior Architect of the Architectural Services Department, for their assistance.\n\nREFERENCES\n\n \n 1.\n TC Lai, Hasem Role. Philip Mao, Hings Chinese (Hong Kong, 1971), pp 13 and 14\n \n \n 2.\n Shrona Anbe, Fhustle ontd Bamboo, the Life and Times of St. James Stewart Lockhart, Oxford University Press (1989), p. 58\n \n \n 3.\n Alfred Russel Wallace, FRS (1823-1913) British naturalist, widely travelled, had many publications to his credit. See Chambers Biographical dictionary (Revised edition 1961)\n \n \n 4.\n Ho So, The Craft of Chinese Scaffolding, Ho So Kee Construction and Scaffolding Co (Hong Kong, circa 1974), p 3\n \n \n 5.\n Naomi Yin-yin Szeto, 'Bamboo Scaffolding”, of Hearts and Hands Hong Kong's Traditional Trades and Crafts, ed Joseph Ting, Urban Council Museum of History (Hong Kong, 1995), P 219\n \n \n 6.\n Ho, loc cit\n \n \n 7.\n Anthony Walker and Stephen M. Rowlinson, The Building of Hong Kong, The Hong Kong Construction Association, Hong Kong University Press (1990), p 121-131", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214237, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 95, "title": "RAS-1998", "content_text": "58\n\nseen in a comparatively modern temple near Taipei. A lengthy tunnel connects the main part of the Kuan Tu temple complex, to the North-west of Taipei, with the front entrance overlooking the Tamshui River. Some twenty-eight images stand in glass-fronted niches carved into the rock down the sides of the tunnel. These large individual images are of the Early Buddhas, the Ku Fo; the Buddhas of pre-history, the Buddhas who came before Sakyamuni, The Buddha. They have no altars and as there is an altar dedicated to the Thousand-arm and Thousand-Eye Kuan Yin P'u-sa at the river end of the tunnel they are not offered incense individually.\n\nSeveral aspects of the hagiography of the images in the cave/tunnel are intriguing. First of all, those holding weapons have them in their left hand. They are mostly dressed in gilded armour, and finally, their titles in Chinese, though Sinicised Sanskrit, have proved impossible to translate into the original Sanskrit and are therefore unidentified. Several of these unidentified deities have been depicted in Taiwanese religious literature but without any explanation apart from being listed under a general title of Supportive Incantations to Buddha, Ta Pei Chou Fo 大悲咒佛.\n\nThe following Vedic deities who have been noted in one or both of the temples in the Western Hills would seem not to be present in the cave/tunnel:\n\nMarici, Pancika, Hariti, Pippala [Bodhidruma], Laksmi, Prthivi, Surya, Candra, Vimalakirti, Nanda Upananda and Skanda/Veda.\n\nOf the scores of books, both the popular illustrated and monastic academic, produced over the last half century in Taiwan describing the Buddhas, bodhisattvas and the hundreds of minor deities of Buddhism, one at least has listed what they have called The Celestial Guardians Division. This list includes not only the Four Diamond Kings, the T'ien Wang, [Vaisravana, Dhrtarastra, Virudhaka and Virupaksa] but nine of the Deva seen in the Western Hills. These are Indra [Sakra-devanam], Brahma [Maha-Brahman], Marici, Laksmi [Sri-maha-devi], Sarasvati, Yamaraja, Guhyapati, Skanda [Wei T'o] and Gandharva.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214253, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 111, "title": "RAS-1998", "content_text": "74\n\nhim by priests he has been regarded by some foreigners as the patron deity of monks: he was and still is, however, the protector of the Buddhist Law before whom lots were drawn during the selection of the new abbot.\n\nSkanda, son of Shiva and brother of Ganesh [Tunhuang fresco] is a major protector, a destroyer of demons and a god of war, identical with Karttikaya.\n\nWei T'o in Japan is known as Idaten, whilst in Tibetan and Lamaist Buddhism he is known as Skanda: Wei T'o T'ien-shen ## [or in transliterated Chinese: Ssu-chien-t'o].\n\nAlthough the image in the Ta Pei Ssu is labelled in Chinese, Wei T'o; the well-produced and colourful Chinese guide to the Hall of the Bodhisattvas produced in Taiwan gives the title in Chinese as Wei T'o and in English as Skanda. Skanda according to Werner is the Hindu mythological god of war, usually known as Karttikaya. He is represented riding a peacock, holding a bow in one hand and an arrow in the other.\n\nHe has numerous appointments, all protective. Originally he was one of the Thirty-two Generals under the command of the Four Celestial Kings - Ssu Ta T'ien-wang (see 23 below). One such appointment is his rôle as Commander of the Heavenly Hosts, the head of the Heavenly Guard [one of the Twenty or Twenty-four Devas], the protective spirit or spirits of Buddhism and its sanctuaries. In the biographies of Hsüan Tsang, Wei T'o is described as the leader of all the kuei-shen [minor deities], and was charged by the Buddha who was at that moment on the point of entering Nirvana, with the protection of the Law.\n\nOfficially he is neither a Buddha nor a bodhisattva though commonly he is referred to as the latter and it is often claimed that for his zeal he was promoted to bodhisattva when he became the commander of the Four Diamond Kings [Chin-kang: see below]. His title would appear to be the Chinese form for the Sanskrit term \"Veda\", the body of sacred writings brought to India by invaders and from which Hinduism developed. However, it is generally said that his origin is uncertain even though, for example, Vitasoka, the younger brother of King Asoka", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214255, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 113, "title": "RAS-1998", "content_text": "76\n\nfact that he is listed in Soothill as one of the Twenty Deva. His image is to be seen in both the Ta Pei Ssu and the Pi-yun Ssu. In both temples he is depicted as a ferocious guardian general with a wide gaping mouth, large round eyes and a highly decorated Buddhist crown. He holds the standard weapon, the vajra, the diamond sword, resting in his left hand and against his left shoulder, and has the swirling scarf behind his head. He is stripped to the waist, has bare legs beneath a highly colourful decorated skirt, and sandals. A mural in the Sakyamuni Pagoda in Ying county in Shansi province depicts Guhyapati in much the same form.\n\nThe Chin-kang as a group are minor deities, guardians belonging to the class of Lokapalas borrowed by Buddhism from Brahmanism. The standard four Chin-kang, the Diamond Kings, are each the ruler of the four continents surrounding Mount Sumeru and though Guhyapati Raja is a Chin-kang he is not one of the usual four. The standard four are the Ssu Ta T'ien-wang [see 23-26 below].\n\n23-26] Ssu Ta T'ien-wang XX The Four Great Celestial Kings\n\nThe Four Deva Kings, known also as the Four Diamond Kings, Ssu Ta Chin-kang X, are the four guardians whose images stand, usually portrayed much larger than life-size, just inside temple entrance doorways, in pairs, two to either side.\n\nWerner points out that these are not gods but guardians, Buddhist protectors who should be thought of as minor divinities. Chinese Buddhists adopted four Hindu Brahmin deities from Indian Buddhism, the Lokapala, the guardians of the four sides of the fabulous Mount Meru [the Guardians of the Four Corners of the World] who, in turn, were later adopted by the Taoists from the Chinese Buddhists. The Four were probably first introduced into China during the T'ang dynasty [6th and 7th centuries AD] and still today are regarded as the grim-faced temple guardian generals, enormous statues in T’ang armour, tamed demons who were redeemed and who now symbolise the seasons and control the elements of fire, water, earth and air. Although the majority of images of the Four stand up to and even over fifteen feet high they can also be as tiny as eighteen inches high. They used to be deities in their own right and offered worship, reverence and offerings. Nowadays however although most devotees solemnly place one smoulder-", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214256, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 114, "title": "RAS-1998", "content_text": "77\n\ning stick of incense before each with a perfunctory bow, the Four are looked upon as mere soldier guardians with a fifth, Wei T'o [see 21 above], their commander.\n\nThe group of Four are the product of the Mahayana school of Buddhism with additions from the Tantric school. Their original Buddhist title in Sanskrit is usually Dvarapala, though others claim that they are the Chin-kang Shou, derived from the Sanskrit \"Vajrapani', the Thunderbolt Bearer, the Great Protector.\n\nThey are responsible for the security of temples, protecting them from demonic attack and also preventing evil spirits from sneaking in. In Taoist temples, where they have different individual identities, they normally stand in the side wings of the main hall, such as in the Jade Emperor Hall at the Monastery of Ten Thousand Buddhas at Shatin in the New Territories of Hong Kong.\n\nThose in Buddhist temples are the Diamond Kings whilst those in Taoist and folk religion temples are Celestial Kings [T'ien-wang]. They are easily recognisable by their stature, location and by the collocation with the others in the group; also, because each usually holds a unique identifying symbolic object, a furled umbrella or a rodent, etc. They stand with defiant stares and have faces in colours identifying the direction for which they are responsible. The Buddhist Four guardians all wear the bodhisattva's five-leaf crowns with minute Buddhas inscribed on the central leaf, and flying scarves forming a nimbus behind and above their heads and shoulders. Many have demons, thieves, liars and adulterers underfoot. The Taoist Four, who also have demons underfoot, generally wear military helmets.\n\nA manifestation of Vaisravana, the protector of the North and one of the Four Chin-kang, appeared during his journey to aid Hsuan Tsang, the Buddhist monk who trekked from China to India and back to obtain Buddhist scriptures. For this reason Vaisravana was later revered by devotees, alone and in his own right, and over the years became associated with General Li Ching.\n\nAll four of the Mo-li brothers, the Taoist identities of the Four Temple Guardian Generals, are included and represented in the sets of", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214257, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 115, "title": "RAS-1998", "content_text": "78\n\nthe Twenty-four Heavenly Lords. The Four, said to be brothers, are believed to have been born during the 11th century BC and are now protectors of Mi-lo Fo. The 16th century novel, Feng-shen Yen-i, describes the popular myths surrounding the defeat of the four Mo-li brothers during the legendary wars of the 12th century BC who fought with their magical weapons but whose main weapon was the white rat which devoured all enemies. However, Yang Chien, the nephew of the Jade Emperor and son of Li Ching [the General with the Pagoda] was swallowed by the white rat but once inside it he ate the rat's heart and at the same time transformed himself into the white rat which was unsuspectingly put back into its bag by one of the Mo-li brothers. Yang Chien stole out whilst the Four brothers were in a drunken sleep and stole the magic umbrella, whilst Na-cha who had fought and defeated them broke their magic jade ring. The Four lost heart, were defeated and slain. The war was followed by their canonisation by Chiang Tzu-ya who appointed them to the posts of the Heavenly Kings, controllers of the elements, from whom people sought protection from calamities.\n\nThere are standard images of all four of the Great Celestial Kings in both the Ta Pei Ssu and the Pi-yun Ssu.\n\nThere has been a certain amount of confusion over the colours, names, and titles of these guardians; even their characteristics and attributes vary from monastery to monastery. Confusion has arisen over the centuries due to non-Buddhist and even pre-Buddhist factors, with every combination to be seen, such as the General of the North with the Umbrella, the General of the West with the Rat or Mongoose, and so on. The most frequently noted observations are as follows:\n\n \n Taoist Titles\n Symbol\n Characteristics\n Buddhist title\n Sanskrit title\n \n \n Mo-li Ch'ing\n Magic weapons or Sword/lance or Jade Ring or Parasol\n black face or black beard\n Ch'ih-kuo T'ien-wang\n Dhrtarastra 持國天王 or 東方大王\n \n \n \n [colours: blue/green] or Lyre/lute", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214259, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 117, "title": "RAS-1998", "content_text": "80\n\na Stupa and/or spear\n\nThe King Protector of the North E and controller of Autumn\n\nelement metal\n\nsometimes identified as Li T'ien-wang\n\nP'i-sha-men T'ien-wang E\n\nIn a number of older temples the Diamond Kings are portrayed as demonic with black skins and with a total of eight in the group rather than the usual four. In the Kai-yüan Ssu in Changchou in Fukien province, the Eight are positioned on all sides of the main altar. They are bare to the waist and have bare feet, and are without weapons or attributes.\n\nIn northern Chinese temples the two guardians outside the main doors, often painted on the front walls flanking the entrance, are blue or green skinned demons known as Wu-shih, simply meaning 'warriors'. or Li-shih J\n\nDoré claims that the Four were introduced in the 8th century during the reign of T'ang T'ai Tsung who believed that the Four helped him establish his empire. The Taoist group said to have assisted the T'ang emperor is often identified with four Taoist mythological deities. These are:\n\nLi Yüan-shuai [Marshal Li or Li T'ien-wang], Li Ching, the Heavenly King who holds a pagoda10\n\nMa Yuan-shuai [Marshal Ma] or Ma the Heavenly King who holds two swords\n\nChao Yuan-shuai [Marshal Chao] or Chao T'ien-wang, holding a single sword\n\nWen Yuan-shuai [Marshal Wen] or Wen T'ien-wang holding a spiked club", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214264, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 122, "title": "RAS-1998", "content_text": "85\n\nIn addition to being the final arbiter in the judgement of souls and the Keeper of the Registers of Life and Death, Tung-yüeh Ta-ti protects the virtuous, especially those who are truthful, good and excel at filial piety.\n\nImages of Yama, that is Yen-lo Wang, are to be seen in both of the temples in the Western Hills where they are Deva, but together with Tung-yüeh Ta-ti, indicating that they are regarded as two separate deities in these temples.\n\n38] Tzu-wei Ta-ti\n\nThe Great Emperor of the Purple Heaven, a major Chinese Taoist stellar deity of the North Pole Star, the keeper of the book of destiny, a controller of blessings, and one of the most potent destroyers of demons, is revered for his power to ward off evil influences and spirits. In northern China he was occasionally regarded as one of the Four Heavenly Kings and portrayed as a benign middle-aged Taoist, with Taoist crown and tablet held between both hands before his chest. Icons bearing his likeness are pasted or nailed to doors as popular charms to ward off demonic attack.\n\nHis image stands in both the Ta Pei Ssu and the Pi-yun Ssu. In both he is portrayed as a standard Chinese Taoist figure, with long multi-coloured and highly decorated robes, and a small Taoist crown on his head. He has a benign face, a small goatee and moustache and in the Ta Pei Ssu holds both hands together before his chest as if holding a tablet. His image in the Pi-yun Ssu is similar but has the tablet in place.\n\nA mural in the Mahavira Hall of the Yunlin temple at Yangkao in Shansi portrays the Emperor Tzu-wei of the North Pole.\n\nThere is also some confusion within Cantonese communities about the role of this deity. In some temples he has been claimed to be the chief of the heterodox Taoist stellar deities and identified either as the god, or one of the gods of the Pole Stars. He is popular with the Boat People of the Pearl River estuary, and is also one of the stellar deities seen on charms and scrolls used during rituals. A number of devotees", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214273, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 131, "title": "RAS-1998", "content_text": "94\n\nAh-hsü-lo Wang 阿修羅王\n\n[Asura]\n\nNa-lo-yen T'ien\n\n那羅延天\n\n[Narayana - son of Nara -the Original Man]\n\nMi-ta Chin-kang\n\n密達金剛\n\n[Guhyapati raja]\n\nT'i-t'ou Le-cha 提頭勒吒\n\n[Mo-li Hai - Dhrtarastra - Guardian of the East - one of the Four Diamond Kings]\n\nP'i-lo Le-cha 毘羅勒吒\n\n[Mo-li Hung- Virudhaka, Guardian of the South - one of the Four Diamond Kings]\n\nP'i-lo-po-cha\n\n毗羅博叉\n\n[Mo-li Ch'ing - Virupaksa - Guardian of the West - one of the Four Diamond Kings]\n\n[T'o-wen T'ien Wang - Mo-li Hung]\n\nP'i-sha-men T'ien 毗沙門天\n\n[Vaisravana, One of the Four Diamond Kings - the Guardian of the North - Bishamen]\n\n[Protector of Travellers in the train of the 1000 arm Kuan Yin]\n\nChin Ta Wang\n\n金大王\n\nChin-se Kung-ch'iao [Five-colour Peacock]\n\n金色孔雀\n\nMan Hsien-jen 滿仙人\n\n[Purna - The Fully-complete Immortal]\n\nMa-hu-lo Wang 摩虎羅王\n\n[Mahoraga]\n\nMa-ho-lo Nü\n\n摩和羅女\n\n[?]", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214275, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 133, "title": "RAS-1998", "content_text": "96\n\nAppendix E\n\nTHE LIST OF TWENTY DEVA\n\n十天\n\n+*\n\nIN SOOTHILL'S DICTIONARY OF CHINESE\n\nBUDDHIST TERMS\n\n \n Maha Brahman\n - Brahma\n \n \n Sakra devanam\n - Indra\n \n \n Vaisravana\n \n \n \n Dhrtarastra\n \n \n \n Virudhaka\n \n \n \n The Four Diamond Kings - Temple Guardians\n of the Four Directions\n \n \n Virupaksa\n \n \n \n Guhyapati\n \n \n \n Mahesvara\n \n \n \n Pancika\n \n \n \n Sarasvati\n \n \n \n Laksmi\n \n \n \n Skanda\n \n \n \n Prthivi\n \n \n \n Bodhidruma or Bodhivrksa\n \n \n \n Hariti\n \n \n \n Marici\n \n \n \n Surya\n \n \n \n Candra\n \n \n \n Sagara\n \n \n \n Yama-raja", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214276, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 134, "title": "RAS-1998", "content_text": "97\n\nNOTES\n\nMacGowan J : Men and Manners of Modern China: T Fisher Unwin: London 1912\n\n2 Werner in his Dictionary of Chinese Mythology gives the Eight Classes of Dragon Kings as follows:\n\n3 Deva naga, Yaksha, Gandharva, Asuras, Garudas, Vinnaras, Mahonagas and Rakshas Soothill in his Dictionary of Chinese Buddhist Terms lists the Eight Classes of Supernatural Beings as follows: Deva, Naga, Yaksha, Gandharva, Asura, Garuda, Kinnara and Mahoraga.\n\nMajor well known Brahmanist deities not included in the groups of Deva in the Western Hills of Peking include Hanuman, Parbati and Ganesh.\n\n* A Student Interpreter: Where Chineses Drive : English Student Life in Peking Wm Allen & Co : London: 1885\n\n6 As with a number of titles the romanised spelling varies depending upon the form used and, as examples, we have Siva and Shiva, Pancika and Panchika. He is the esoteric cult Deva, a masculine form of the wife of Siva. He is the tutelary god of Mongolian Lama Buddhism, and is also said to be an incarnation of Vairocana for the purpose of destroying demons.\n\n7 Werner, ETC: A Dictionary of Chinese Mythology:\n\n8\n\n9 x stands for an illegible character. Although images iconographically look like the standard Buddhist image of the Temple Guardian, Wei T'o, they have been identified as being one of three Vedic deities. Lessing in his Yung-Ho-Kung [Stockholm 1942] and the Taiwanese guide to The Guan Yin Hall of the Ta Pei Ssu both identify Wei T'o's origin as Skanda whilst Soothill claims that he is Viharapala.\n\n10 Occasionally Yüeh T'ian-wang, that is the 12th century hero Yüeh Fei, takes the place of Li Yüan-shuai.\n\n\"Chin-se are the Five Primary Colours permutated in various ways to represent various ideas; also, a five coloured emblematic cord, a Brahman sign worn on", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214277, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 135, "title": "RAS-1998", "content_text": "98\n\nthe shoulder and forbidden by the Buddha.\n\n12 The Afterworld is usually referred to in English as The Underworld and to most Chinese this is apt as the entrance is often described as a large hole in the ground in Szechuan province or at the base of T'ai Shan in Shantung. However, in several Underworld scrolls hanging in Buddhist monasteries the Courts of the Underworld are portrayed in the clouds with carefree humans wandering below.\n\n13 The hammer and chisel produce the avenging thunderbolts, and the drums cause the rumbling thunder.\n\n14 These Four Great Celestial Kings are to be seen in the entrance hall to most Buddhist temples. They are the Hindu Lokapala, the guardians of the Four Corners of the World and known colloquially as the Four Diamond Kings.\n\n15\n\nx stands for an illegible character.\n\nPage 135\n\nPage 136", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214312, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 170, "title": "RAS-1998", "content_text": "134\n\nhave therefore added it here for the record.\n\nThe Sowerbys were an old family of Saxon stock that can be traced back to the time of Edward the Confessor, and possibly earlier to the first kings of Kent in the fifth century AD.\n\nArthur de Carle Sowerby was the great grandson of James Sowerby, who died in 1822, the botanist who wrote English Botany and was one of the founder members of the Geological Society. His son in turn continued his work and helped organise the Royal Botanic Society and Gardens in Regent's Park.\n\nOn his mother's side Arthur was descended from Pierre Séguier, the Chancellor of France in the reign of Louis XIII; he was also the great grandson of Anthony Stuart, the miniature and portrait painter of the early Victorian period. Arthur's uncle was part-founder and first Keeper of the National Gallery of Portraits in Trafalgar Square.\n\nAt the end of his schooling he began his training to be an artist but soon left it for that of a scientist, working for his BSc. at Bristol. He returned to China having dropped out of College and after his arrival back in China he was appointed in 1906 in the double capacity of lecturer and curator on the staff of the Anglo-Chinese College in Tientsin.\n\nHe served in France during World War 1 as Technical Officer in the Chinese Labour Corps, and on his return to China made his headquarters in Shanghai where he remained until the end of the Second World War.\n\nHe developed an interest in Chinese Art and was impressed by the accuracy of ancient Chinese craftsmen in modelling pottery animals for the tomb, an accuracy that enabled him as a naturalist to identify the breeds of various domestic animals in use in ancient China. He wrote a series of articles for the China Journal on Birds in Chinese Art; the Owl in Chinese Art; The Flora in Chinese Art; Rocks, Mountains and Water in Chinese Art; Animals in Chinese Art; as well as Animals in the Myths, Legends and Fairy Tales of China. His interest in craftsmanship also led him to write a series of articles on Chinese arts and crafts, including four papers on the Chinese ivory industry.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214625, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 40, "title": "RAS-1999", "content_text": "the whole area remained a Restricted District, and closed to civilian settlement.\n\nThe earliest civilian settlement in the area that we know of dates from the middle-late twelfth century. The Lam clan settled in this period at Po Kong, and, as will be discussed further below, the Chan clan settled in the Nga Tsin Wai area at about the same date. The foundation date of Ma Tau Wai is probably middle-late twelfth century as well. It is noticeable that the Salt Intendancy moved at precisely this period (1163) to Tip Fuk, in the still unsettled Mirs Bay area: it is likely that a decision to allow civil settlement around Kowloon City was coupled with a decision to keep the Restricted District in place around the Mirs Bay salt-fields, and to move the Salt Intendant's yamen into this still secure part of its old district.\n\nThe most significant event in the early history of the area was the visit to Kowloon City of the Sung boy-Emperor Ching and his brother Ping (himself Emperor from the Third Moon, 1278) in 1277. The boy-Emperor and his remnant Court were being pushed down to the south by the Mongol troops, and, from the 2nd Moon in 1277 until the final destruction of their forces and the death of the Emperor Ping in the 2nd Moon, 1279, they were unable to leave the area around the mouth of the Pearl River, which was all they were able to control. During this period they stayed at Kowloon for five months (4th to 9th Moons, 1277). It is likely that the Imperial family stayed in the Salt Intendant's yamen, but a wooden \"Travelling Palace\" was also built for the Court. This may well have been built at the site of the later village of Yi Wong Tin,\n\nE, \"Palace of the Two Kings\" - this name is clearly rather suggestive (this village stood under today's Tam Kung Road, near Mok Cheung Street). Yi Wong Tin village stood just below the Sacred Hill, which was crowned by the Sung Wong Toi Rock, which has commemorated the boy-Emperor's stay here since the Ming dynasty at least.\n\nThe presence of the Sung remnant Court for this period must have had major implications for the residents of the area, although it is difficult now to discover details. Many villages in the area (including Nga Tsin Wai) claim to have been founded by remnants of the Sung Court left behind when the Court moved away in late 1277, but in many cases (including Nga Tsin Wai) it can be shown that this is unlikely. One nineteenth century clan of Ma Tau Wai, indeed, the Chius, claimed", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214727, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 142, "title": "RAS-1999", "content_text": "106\n\nPAT HEUNG\n\nPLAN OF ALTAR IN MATSHED\n\nFIGURE 2\n\nwooden cymbal\n\nbrass cymbal\n\ntambourine\n\nmusician\n\n1.3 metres wide\n\nglass of tea\n\nbowl of rice wine\n\n2 candles in brass pot\n\nchop\n\n1.1 metres\n\nsticks for percussion instruments\n\nbook of chants\n\nlary\n\nsword\n\nmusician\n\ncrown worn by head priest\n\n5 directions E, S, W, N and centre, and 5 kings\n\n2 bowls of fruit\n\n3 cups of tea\n\n3 cups of wine\n\nmetal container\n\n3 FEET-HIGH ALTAR-TIMBER FRAME WITH RED CLOTH\n\nNOT TO SCALE", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 214899, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 314, "title": "RAS-1999", "content_text": "288\n\nfront onto one street and back on to the street behind, thus, in a way linking two streets. All the houses are built of durable timber in a refined two-storey style. The front portion often serves as a boutique and the area behind is generally used as storage space. The interior living space has split levels with an inner courtyard open to the sky and a veranda linking several living quarters. One of the most remarkable features of these old homes is the diversity of their architecture. This varies greatly from one house to another in terms of space distribution, sculptural art, decoration and inner courtyard gardens. Space is utilized to the utmost. Walking in the streets of this beautiful and charming ancient town, a living vestige of the past, one can observe the influence of the architecture, sculpture and decorative Chinese and Japanese styles and the skills of the Vietnamese architects who have absorbed various influences and created something similar, yet somehow uniquely different.\n\nOur sixth day was spent in My Son Valley, 43 miles southwest of Danang. My Son was chosen as a religious sanctuary from the fourth century onwards. Many temples and towers were built here. Most were dedicated to kings and Brahman divinities, including the god Shiva who was considered the creator, founder and defender of the Champa Kingdom and the Cham royal dynasties.\n\nMore than 70 architectural works of different styles and eras once stood in this ancient valley but today less than 20 remain. Tragically, My Son fell within a “free-fire zone” during the American War and was almost completely destroyed by bombs. The French did the present restoration work. The Cham towers were ingeniously constructed of dried bricks stuck together with resin from the cau day tree. Once the tower was completed it was encircled by fires, which were kept well stoked for several days. The intense heat fired the whole structure completely melting and sealing the bricks and resin together to form a structure well able to withstand the combined onslaught of time and the elements - but unfortunately not 20th century bombs.\n\nOur tour ended in My Son and the next morning we left Danang for Hanoi and flew back to Hong Kong. I returned to Hong Kong with many emotions about Vietnam. It was once a tribal neighbour of China and the Chinese influence there was strong. I felt much affinity with the place and its people when I saw the tombs and I tried to interpret", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215408, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 185, "title": "RAS-2001", "content_text": "134\n\nthat bore an uncanny resemblance to retables. In fact, many look like stone altarpieces carved in high relief applied to the façades of churches. Although the phrase retable-façade is not actually found in contemporary sources, a number of accounts from the seventeenth century and later supported the findings of modern specialists by alluding to retables when describing some of these façades.\n\nThese rather puzzling structures had actually first appeared towards the end of the fifteenth century embellishing the front of several Late Gothic churches in Spain, and have apparently no counterpart in Europe or anywhere else. What is equally surprising is the fact that most of the artists who helped invent the type were not themselves Spanish. They often came from countries beyond the Pyrenees, such as Holland, Germany or France, and had been attracted to northern Spanish kingdoms by the patronage of kings, the church or the nobility. If they actually invented retable-façades is a mystery that has yet to be solved.\n\nRetable-façades come in all shapes and sizes. Stylistically they range from the Late Gothic to the Late Baroque and beyond. Artistically they go from the sublime to the prosaic. Some of the finest examples of the genre were created in Spanish Latin America and in Portugal, though, as mentioned, they are practically unknown in Brazil and other Portuguese colonies. In fact, Reynaldo dos Santos and R.C. Smith have argued that retable-façades in Portuguese architecture only occur due to Spanish influence.\n\n6\n\nSanta Maria A Grande\n\nOne of the masterpieces of this type of façade is that of the church of Santa Maria A Grande (St Mary Major), in Pontevedra, Galicia, in the Northwest coast of Spain (Fig. 2).\n\nI could equally well have chosen from amongst several works to demonstrate the more distinctive features of retable-façades. But I have selected Santa Maria A Grande because I believe it has unique features in common with the façade of St. Paul in Macao. To begin with, like St. Paul's, Santa Maria a Grande's fantastically ornate façade faces the river below from an imposing promontory.\n\nEqually relevant are the economic and cultural reasons that brought", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215968, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 267, "title": "RAS-2002", "content_text": "201\n\nMore fundamental to Ch'ea's self-defence was a claim inherent in those translations of the Shengjing, the Chinese Christian Bible, which employed shàngdì as the key term for the Christian God. When Jesus spoke about \"conversion,\" the Chinese phrase suggested a “return” (gūixiàng) rather than a \"turning.\" One who \"turned\" to the Christian God through the sacrifice of Christ was \"returning\" to the Lord on High (shàngdì) worshipped by the ancient sages as mentioned in the Book of Historical Documents and Book of Poetry. For a Chinese to become a Christian was, in the final analysis, to return to the religious worldview of the sage kings and to experience a new fulfilment of their own Ruist cultural heritage.49\n\nPerhaps it was this strain of Chinese Christian theology which was partially influential, though never stated explicitly, in sparing Ch'ea from civil punishment. Probably some months after he had left his post at the local temple, Ch'ea was arrested by government officials and his Christian books were seized. Ostensibly the charge was that he had \"been deceiving the people with heretical doctrines,\" but there were probably other concerns also motivating the officials' harshness. After the initial battles of the new Sino-British war, issues probably not fully known by Ch'ea, all suspicious citizens with obvious foreign connections were being questioned. The threat of foreign invasion determined by the outcome of war and not restrained by any other known international legal institution greatly threatened the Qing hierarchy and Chinese citizens in the Manchurian empire. As a consequence, Ch'ea had this additional complication to face in addition to other, probably more expected, cultural oppositions. After \"squabbling for about three hours\" and trying to \"practice extortion\" on Ch’ëa, who “fearlessly” did not “answer them a word,” nothing could be found as evidence to place him in either a cangue or chains. Did the officials peruse the books and come up with other conclusions? Or was it merely that they found Ch'ea was a poor man without money, and so \"they pretended to be in a great rage\" and let him go?", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216031, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 330, "title": "RAS-2002", "content_text": "264\n\nAbout two miles west of Zhenjiang railway station, on rising land, there was a temple called Xiu Wang Miao, the Temple of the Xiu Kings, dedicated to the memory of the Xiu dynasty of Nantang.\n\nLu Xiufu [AD 1238 - 1279] was a native of Zhenjiang, and a statesman and military commander during the latter years of the Southern Song. He had been appointed to the Court of Imperial Family Affairs, a form of Minister of Protocol, during the reign of Song Gong Zong [ca 1276]. He is remembered as a man of integrity and a devoted Minister who, when the Mongols were on the point of capturing Hangzhou, was sent in an attempt to reach an accommodation with them. This ended in failure. The Court was persuaded by Wen Tianxiang [one of the Three Loyal Generals of the Song] that the imperial heirs should be sent to the coast of south China, to Fuzhou and later to Quanzhou to ensure their safety. The emperor and his mother were captured by the Mongols and taken to Beijing, whilst Lu followed the Court in its retreat to the south. Lu met up with Zhang Shijie [the third of the Three Loyal Generals of the Song] in Wenzhou to rally support for the imperial cause, but had to flee on south to Fuzhou where they joined the forces of Wen Tianxiang. The senior heir was enthroned in Fuzhou as the Song Jing Yan emperor. At this point, following a reorganisation, Zhang and Lu became deputies to Chen Yizhong, the Commissioner of Military Affairs and Grand Counsellor. The new emperor was forced to flee further and further south pursued by the Mongol forces until he reached the area of present day Kowloon where Lu Xiufu rejoined the force from Chaozhou. The Mongol fleet having captured Guangzhou destroyed the forces of Zhang Shijie thus driving the Song Court out to sea. A typhoon struck the fleeing Song fleet and even though the ship carrying the young emperor was sunk he was rescued but died from shock and exposure near the Leizhou peninsula in mid-1278. Lu and Zhang stood firmly against any talk of surrender and ensured that the younger heir, a boy of six, was made emperor. Zhang became the Junior Guardian whilst Lu was Grand Counsellor. The next year the Mongol forces having been reinforced compelled the last of the Song forces to attempt to escape. Lu is said to have committed suicide but the official records do not reveal how the last of the Song, the boy of seven, died. The popular version claims that Lu, the hero from Zhenjiang, leapt into the sea with the boy in his arms.\n\nAn imperial hostelry, the Danyang Guan, was founded in Zhenjiang\n\nPage 330\n\nPage 331", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216041, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 340, "title": "RAS-2002", "content_text": "274\n\nThere also used to be an early Buddhist shrine dedicated to the former abbot of renown, Fa Hai, concealed in a cave on the hillock. In recent times the few foreign tourists visiting Zhenjiang have been perplexed by the description of Jin Shan being an island when it is so obviously part of the mainland. The reason is all too obvious. Alluvial silt left by the Yangzi floods down the past hundred and fifty years has not only completely joined the island to the mainland but also reclaimed part of the River, land now used for agriculture. 19th century western accounts of the town usually tended to begin with a description of the view from the Yangzi of the pagoda of the temple on the island of Jin Shan or, during the storming of the town by British forces in 1842, of troops being disembarked on the mainland across the strip of water at that time still separating Jin Shan from the mainland.\n\nAccording to Doré's description of the Jin Shan temple following his visit during the early days of the twentieth century, \"the visitor was confronted on entering with the Falstaffian figure of the Buddha Maitreya [Mile Fo], the Buddha of the Future, squatting in his turret as guardian of the precincts. Behind him opens out a vast vestibule at the sides of which are four gigantic statues - about fifteen feet in height - of the Four Heavenly Kings, Si Da Jingang, inner guardians of the monks and the monastery. Crossing the inner court, one entered the great Hall. On the altar were two Buddhist triads. Facing North are gigantic statues of Sakyamuni, Yao Shi Fo and Mile Fo, the Buddhas of the Present, Past and Future. Beside Sakyamuni in the centre, stand his two disciples, the old Kasyapa and the young Ananda. Right and left of the altar are the two guardians Li, the Pagoda-bearer and Wei Tuo. Facing South is the Triad San Da Shi: Guan Yin, Wen Shu and Pu Xian. Guan Yin rides over the waves on a sea monster; near by are the rocks of her sacred isle, Pu Tuo and, in between these, sundry immortals and Buddhas were housed. The Golden Boy, Shan Cai and the Naga Maiden, Long Nu are conventionally in attendance on Guan Yin whom the authorities in the temple recognise as formerly having been a god - not a goddess\".\n\nThe second large Hall was the Hall of the Yangzi Spirit, Jiang Shen [Spirit of the River]. Serving as a military barracks at the time of Doré's visit “it retained of its former glories only one ordinary-sized statue of the god, in a lateral niche, viz. a fish about three metres in length carved in wood with a copper plaque providing the honorific", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 68, "title": "RAS-2003", "content_text": "17\n\nIn the early Qing Dynasty Longhua Temple received considerable attention in the form of repairs to the existing buildings and construction of new ones. A major construction project started in 1647 resulted in the completion of the Abbot or Temple Master's Room (Fang Zhang Shi) and the Wei Tuo Hall (Wei Tuo Dian), as well as the repair of the Scripture Storage Pavilion (Cang Jing Ge).\n\nIt will be recalled that during the Yuan Dynasty the temple experienced a massive expansion in the size of its territory, if not its actual structures. In 1672 the Qing authorities measured the size of the immediate area around the temple halls as occupying 93 mu of land, plus an additional 74 mu of open land in the surrounding area which was used to plant vegetables. It was this later open space which gradually evolved into first Longhua Park, and then the present day Martyr's Cemetery.\n\nDuring a 155 year period in the middle of the Qing Dynasty, from 1672 to 1827, no new construction, reconstruction or repairs were recorded. This begs the question as to why the temple was dormant during such a long period of time. Was it lack of imperial sympathy for Buddhism in general, or simply the absence of wars and destruction requiring later rehabilitation during this relatively peaceful time?\n\nAfter a century and a half of dormancy, the Taiping Rebellion finally provided the opportunity or the need for new construction and repairs. Between 1860 and 1862 the Taiping rebels attacked Shanghai three times, during which records say vaguely that most of the Longhua Temple buildings were destroyed. On August 18, 1860 the Taipings captured Xu Jia Hui, and it was probably then when the nearby Longhua Temple was destroyed. Although no list is provided of exactly which buildings were destroyed, we can infer from later lists of the structures rebuilt afterwards that this included the Great Sadness Hall (Da Bei Dian), the Precious Hall of the Great Hero (Da Xiong Bao Dian), the Heavenly Kings Hall (Tian Wang Dian), the Three Gods Hall (San Sheng Dian), the Maitreya Buddha Hall (Mi Le Fo Dian), the Drum Tower (Gu Lou), the Bell Tower (Zhong Lou), and the Big Buddha Hall (Da Fo Dian). Basically every previously existing key structure is mentioned as having been rebuilt after this period of destruction, with the exception of the die-hard Precious Pagoda (Bao Ta) and the Master's Room (Fang Zhang Shi), raising the possibility that the two structures which stand today are both authentic originals.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216314, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 73, "title": "RAS-2003", "content_text": "22\n\nsuccessive courtyards which separate the six main halls on the central axis. All told there are about a dozen halls, towers, and pavilions, each containing golden effigies of a wide variety of various Buddhist deities. This goes well beyond the typical scale of the average Buddhist temple which normally has only three main halls and sometimes just one.\n\nIn this first courtyard are four stone relics of uncertain age, but probably not older than the Minguo era at most. These include two stone lions and two octagonal stone lanterns, all four enclosed by stone railings. Two large trees in the courtyard were transplanted here in January 2004. On the right side of the courtyard is a new expanded gift shop (shu dian) added in January 2004. It offers not only Buddhist trinkets, but a fine selection of Chinese language books containing histories of Longhua Temple and Buddhist scriptures. Until 2004, there was not a single published history of Longhua Temple available for sale here, but late in December 2003 no less than three new well-researched titles on this topic were published, several of which can be found here.\n\nThe first main hall is the one-story Maitreya Buddha Hall (Mi Le Dian). This hall dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1981. It is dedicated to the Maitreya Buddha of the future, known in China as Mi Le Fo, and depicted here as the fat laughing Buddha of the Song Dynasty (960-1279). This Mi Le Fo image is a golden effigy, seated on a square stone base and protected by a glass case. He is depicted as having a third eye in the centre of his forehead. The Buddha can be seen from the first courtyard through a partially open gate of the hall, but the hall itself cannot be entered without passing through the adjoining orange wall into the second courtyard and entering from the other side.\n\nAlthough, Mi Le Fo usually does occupy the first hall of many temples, he often has to share his space with the Four Heavenly Kings (Si Tian Wang). In this case he has the whole hall to himself, the kings occupying a separate building of their own. Until January 2004 he had to share his home with the temple gift shop (shu dian), but this has now been moved out to a separate new hall in the first courtyard.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216315, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 74, "title": "RAS-2003", "content_text": "23\n\nThe second courtyard is flanked on the left side by a two-story wooden Drum Tower (Gu Lou) and on the right by the matching two-story wooden Bell Tower (Zhong Lou). On the first floor of the Zhong Lou is a glass case holding a golden effigy of Kshitigarbha (Di Zang). Dizang is the bodhisattva who has the special power to rescue departed souls from Hell, and thus plays an important role in Buddhist funeral ceremonies. Upstairs on the second floor is the bronze bell which can be rung for a fee of 50 Rmb. On New Year's Eve this bell is rung 108 times at midnight. It is considered good luck to be there to hear it ring, and even better luck to be the one who rings it. The Zhong Lou was rebuilt by Qing Emperor Guang Xu in 1895, following the Taiping destruction of the temple in 1860-1862. The bell itself was made in 1894, during the 18th year of the Guang Xu reign of the Qing Dynasty. Beside the Zhong Lou is a Ming-style stone stele with a partially legible inscription which has been damaged.\n\nOn the first floor of the Gu Lou is a glass case containing a golden effigy of Guan Yu, the God of War. In the Ming and Qing dynasties Guan Yu had temples dedicated exclusively to him in every city in China. The former Guan Di Miao can still be visited in Shanghai's Nanshi District. The second floor of the Gu Lou cannot be ascended, and it no longer seems to contain a drum. Beside the Gu Lou is a Ming-style stone stele with a lengthy inscription in very good condition. The present Gu Lou dates from an 1895 reconstruction, following the Taiping destruction of the temple in 1860-1862.\n\nAcross the second courtyard from the Mi Le Dian is the Hall of the Four Heavenly Kings (Si Tian Wang Dian). This hall dates from an 1881 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1981. The hall contains enormous gilded wooden statues of all four kings, two on each side of the hall. All four wear crowns on their heads and are dressed in heavy armor. One holds a four-string guitar and has a light green face, another holds a sword in his right hand and has a black face, a third holds an umbrella in his right hand and a small stupa in his left hand, and has a white face, while a fourth holds a snake and has a black face. This depiction is somewhat different than in the past. In the centre of the Tian Wang Dian are two glass cases containing golden effigies of two rather obscure Buddhist deities. Tian Guan Mi Le, a variant incarnation of Mi Le Fo, is depicted.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216316, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 75, "title": "RAS-2003", "content_text": "24\n\nas seated, holding a long-stemmed lotus flower with a small temple perched on the blossom, and has a third eye in the centre of his forehead. Wei Tuo Pusa is represented by a golden statue in which he poses wearing armor and holding a drawn sword. Wei Tuo is the protector of all Buddhist temples.\n\nOn the other side of the Tian Wang Dian is the third courtyard, on the far side of which is the Hall of the Great Hero (Da Xiong Bao Dian). This hall's origins date to an 1878-1879 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebels' attacks on Shanghai in 1860-1862. The hall was closed for a massive reconstruction and renovation in November 2002, but had been reopened by January 2004. The interior is now nothing less than spectacular. Three large Buddhas (San Fo) are placed in the centre. Sakyamuni Buddha stands in the centre, flanked on the left by the bodhisattva Samantabhadra (Pu Xian) seated on an elephant, and on the right by the bodhisattva Manjusri (Wen Shu) seated on a blue lion. Overhead the hall's ceiling is pierced by a massive wooden dome that spirals upward, looking much like the wooden domes (Zao Jing) often found over traditional Peking Opera stages (Xiju Wutai). Behind the San Fo facing out the rear exit is a large Guanyin statue in front of a floor-to-ceiling landscaped rockery covered with smaller figurines depicting the Buddhist heaven and hell. Along the side walls stand 36 quite expressive human statues of the Buddhist saints, 18 on each side of the hall. This is an unusual number, which seems to include 16 Arhats (Luohan) and 20 Devas (Zhu Tian), and an assortment that includes such non-Buddhist figures from Chinese tradition as Confucius (Kong Fu Zi), the War God (Guan Di), the God of Literature (Wen Chang), and the Kitchen God; Hindu gods such as Brahma, Indra, and Yama (Yen Lo); as well as Buddhist deities such as the Four Heavenly Kings (Si Tian Wang) and the bodhisattva Wei Tuo as well. The hall also houses one of Longhua's three bronze bells, this one dating from 1586.\n\nOn the other side of the Da Xiong Bao Dian is a fourth courtyard. On the far side of this fourth courtyard is the Hall of the Three Gods (San Sheng Dian). This hall is dominated by enormous floor-to-ceiling golden statues of three Buddhas (San Fo) who appear side by side in an unusual standing position with golden flames rising up behind them. In the centre is Amitabha Buddha (O Mi Tuo Fo), to your left is the bodhisattva Da Shi Zhi, and on your right is the bodhisattva Guan Shi Yin.\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]