[
    {
        "id": 215108,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 204,
        "title": "RAS-2000",
        "content_text": "161\n\nand the Fulu particular of two opera companies, the Xipi Pai and Erhuang Pai [or Fi Pai], the latter, the northern school, being especially dedicated to woodwinds3. In legend he is said to have had an emotional reunion with the soul of his dead concubine, Yang Guifei, in the palace of Guanghan on the Moon.\n\n4\n\nA tablet on a minor altar at the rear of a secondary hall in the temple of the City God in Hsinchu in northern Taiwan refers to him as Tang Xuan Zong, whilst his usual title in Taiwanese temples of the Lord of the Western Qin, Xi Qin WangyeE is not usually understood beyond Taiwan. There is no image, whereas in the Ma Tsu temple in Taipei a side altar is dedicated to him and his image, portraying him as a standard scholar-official with a black beard, is flanked by two very elderly male aides.\n\nIn South-east Asia images of the emperor have been seen in temples in Seremban and Ipoh in Malaysia, and in Singapore, in some of which he is simply referred to as Zunzhu Mingwang, the Lord Prince Ming, 尊主明王,\n\nAn image seen on the only altar in a side hall of the temple on Miaofeng Shan in Beijing's Western Hills and identified as Tang Ming Huang, is better known in the temple as the God of Happiness, Xi Shen [Photograph 2]. He is referred to as Liyuan Shen, and is portrayed as a smiling figure with beard and moustache, standing with his hands in a theatrical pose. His modern image is dressed in imperial yellow robes decorated with a large dragon and the whole body of the image is swathed in a red robe placed there by devotees.\n\nDisappointingly, there appears to be no image of the Concubine Yang on any altars. However, a modern [1996] tableau in an old temple, now converted into a theme-park, depicts in a series of life-size plaster images scenes ranging from the Tang Ming Huang's first sight of the Concubine Yang bathing, progressing through stages of his infatuation though ending before her death and his overthrow. This can be seen on a low hill overlooking the bend in the Yellow River at the south-western tip of Shanxi province, at a place known as Yang Guifei's pool. The main altar has the Tang Ming Huang and the Concubine sitting with her pouring wine for him. Before the altar stand three incense pots, a container holding fortune spills and plastic fruit as an offering and before",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215123,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 219,
        "title": "RAS-2000",
        "content_text": "176\n\nAnother image of the Tang emperor Ming Huang. This time he is simply known as the God of Happiness and his image stands on a side altar in the Miaofeng Shan Temple in the Western Hills of Beijing.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215333,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 110,
        "title": "RAS-2001",
        "content_text": "58\n\nclaiming that the Society used to worship ‘openly' in Hainanese temples before convening a meeting. One hundred and eight is also a Buddhist number, the number of the beads in a rosary, the number of passions and delusions, and the number of tolls of the monastery bell at dawn and dusk. A further connotation of the number 108 is reflected in the number of times temple keepers claimed that the Brothers were the 108 heroes at Liang Shan Po in the classic novel, Shuihu Chuan, 'The Water Margin,' but when pressed, in every case they admitted that this had been no more than a guess.\n\nThe Brothers are also known as:\n\nYibai You Ba Gong 一百有八公\n\nYibai You Xiongdi 一百有八兄弟 and\n\nYibai Lingba Xiongdi Zhonghun 一百零八兄弟忠魂\n\nLu Bode and Ma Yuan are two generals revered in Hainanese temples, often on the same altar, with both bearing the same honorific, the Wave Conquering General, [Fupo Jiangjun13].\n\nThe first general, Lu Bode, subjugated large areas of what today is Guangdong province during the Earlier Han [ca. 120 BC]. A native of Pingzhou, he served with distinction under He Chubing who became the president of the Board of War. In BC 120 he subjugated large portions of what is today Guangdong and Guangxi, and received further honours.\n\nThe second general, Ma Yuan [14BC - AD 49], was also awarded the title of the Wave Conqueror for the pacification of the southern region some hundred years later. Popular in Guangdong province he used also to be particularly honoured in Guangxi where he was revered as a river god, \"The Wave Conquering General - Fupo Jiangjun' and in Hengzhou in Hunan he used to be the main deity in a small temple where he was worshipped as the protective deity at the local river rapids.\n\nMa Yuan, also known as the Vanguard General, Xianfeng14 led a further southern expansion of the Han empire and has been popularly worshipped from about the fifth century AD by Han settlers",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    }
]