[
    {
        "id": 211267,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 328,
        "title": "RAS-1987",
        "content_text": "303\n\ncultivation of controlled accidents, synthesis of East and West: \"Chinese brushwork is really individual, like Western color. Good brushwork is so beautiful. It can make you look at it many times... It's just like with voice when I hear one song, if the voice is good I want to hear another song. It's the same voice, but each time it's a little bit different: that attracts me so much. . . .” (p. 42).\n\nOther notable scholars and critics who have written about artist-collector-connoisseur Wang have also been allowed to speak with their own voices, which gives the story a clarity and authenticity rarely achieved in a scholarly book. Moreover, the book is lavishly illustrated not only with Mr. Wang's works of all periods but also with the paintings that were most influential in building his style.\n\nIn addition, Professor Silbergeld recounts the long history of C. C. Wang as collector, and how he has been a central figure in influencing the growth of major collections of Chinese art in the West, notably that of the Metropolitan Museum of Art, through the sale of his own collections.\n\nMind Landscapes has been laid out with great beauty and intelligence. It would have been impossible to produce such an outstanding volume without financial support. This was provided through grants from the Henry Art Gallery Association, PONCHO, the University of Washington Press, and the J. Paul Getty Trust. Yet it is rare to have such a thoughtful and handsome product even if one has the resources. Kudos are also due to the designer, Douglas Wadden.\n\nThe publication of Mind Landscapes coincides with a major retrospective of C. C. Wang's work and serves as a catalogue to it. This book is a fitting climax to Mr. Wang's career and sets a standard of excellence in its field. Let us hope that young scholars in Asia and the West will take note.\n\nJOAN LEBOLD COHEN*\n\n* Joan Lebold Cohen, art historian and photographer, is a lecturer at Tufts University and the School of the Museum of Fine Arts, Boston. Her most recent books discuss various aspects of contemporary Chinese painting: The New Chinese Painting, 1949-1986 (1987) and Yunnan School, a Renaissance in Chinese Painting (1988).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
        "rank": 0
    },
    {
        "id": 211491,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 207,
        "title": "RAS-1988",
        "content_text": "183\n\nMaine, from 1953 to 1958. With some help from us and from scholarships, both managed to obtain a college education on their own earnings, Gar Shucy from the University of Massachusetts in Amherst in 1960 and Gar Ling from Pembroke College in 1962.\n\nBefore long I was working temporarily as an interpreter with the U.S. Immigration Service and later as a typist for the Library Mutual Insurance Company. In November 1954 I found permanent work as a social worker at the Children's Unit of the Metropolitan State Hospital in Waltham. I left this psychiatric setting for a day care agency, the Associated Day Care Services of Metropolitan Boston, in September 1959, because I felt that preventive work with young children was more effective than attempts to restore their mental health. It was depressing to feel the guilt and anguish of those parents who had mentally-ill youngsters. The day care experience proved to be challenging and rewarding. By the time I retired in 1973, I had become Director of Social Service under Mr. Sibley Higginbotham, a very sensitive and understanding administrator. From August 1975 to October 1976 I served there once more to fill a temporary vacancy. I am now enjoying permanent retirement with time to appreciate married life with a calm and supportive husband, and an excellent relationship with other members of the family and with my friends.\n\nDuring my years in Brookline, I brought Mother home several times for extended visits or have gone to Honolulu whenever she was ill. Since her death in 1974 John and I have continued to make an annual trip to the place of my birth, no doubt to recapture precious memories and relationships which have made my life so meaningful. In my twilight years, always aware of the fragility of life, I have endeavoured to record some aspects of my life and of those people who touched upon it, with the expectation that in the future someone in the family might become interested in his roots. It is also due to my own need to leave part of myself behind. In addition, it is my hope that what I have gathered would give a bit of historical perspective of the early Chinese immigrants as reflected in the history of our families; that it would give an insight to their industriousness, sacrifices, and handicaps, their hopes and ambitions, and the opportunities opened to them; and that it would give a glimpse of some of their social and cultural practices. I am a simple, uncomplicated person, intelligent and of good common sense, but subject",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    }
]