[
    {
        "id": 205112,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 68,
        "title": "RAS-1966",
        "content_text": "SINO-WESTERN CONTACTS\n\n63\n\ntestify to their Oriental origin, such as the lute (from Arabic al-lūt, \"wood”), and even in our century we have witnessed the spread of Negro jazz over the whole world. A similar development took place in China, and there are many passages in Yüan literature where foreign music and musicians are mentioned.15 In this connection we should perhaps save from oblivion the name of one of these musicians from the Near East. We find her name in the Ch'ing-lou chi “Records from the Green Bowers\", an anonymous work dated 1364 which gives a list of the most popular courtesans under the Yüan, together with a description of their accomplishments. Among these ladies of easy virtue we find one solitary girl from the Western Regions mentioned among her many Chinese professional sisters. She was a Mohammedan girl by the name of Miliha (or Maliha) praised for her sweet and clear voice and her skill in singing. She was, alas, not beautiful, but we are told that she was a superb theatrical performer. The author of the book once made her acquaintance and was duly impressed by her acting.16\n\nThere must have been many influences from Near Eastern folklore that reached China under the Yüan. I shall quote here only two examples. A well-known Near Eastern folk-tale motif, that of the honest loser, the greedy finder and the Solomonic judge, can be traced both in European medieval and Chinese literature. It reached Europe via Spain through the Disciplina Clericalis of Petrus Alfonsi of Toledo (thirteenth century A.D.), a work which contains many Arab stories and anecdotes that subsequently became immensely popular in the West. Boccaccio has not a few stories from the Disciplina Clericalis in his Decamerone and also at least one motif in Shakespeare's Merchant of Venice, that of the three caskets, comes from that source. The story of the loser, the finder and the judge can be found in European literature in many versions, the classical German version being J. P. Hebel's \"Der kluge Richter\". In China we find this story in a text dated 1360. Here the story is set in a typical Chinese environment and being given some additional touches typical of China. The most interesting feature is, however, that the Chinese text does not present the anecdote as a mere story but as a historical event. The clever judge to whom the final solution of the case is entrusted was a perfectly real person, a circuit prefect from Kiangsi Province. This shows the Chinese tendency to attach literary clichés and even,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811",
        "rank": 0
    },
    {
        "id": 209597,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 254,
        "title": "RAS-1982",
        "content_text": "232\n\nCARL T. SMITH\n\nThe opportunity to give a world premiere came about in this fashion. Early in the year Mr. Sinclair directed students at the University of Hong Kong in two Dunsany plays. They did not attract much public attention, but Sinclair sent photographs of the production along with some newspaper notices to Lord Dunsany. As a result, he wrote a play about the Gold Isles and sent the manuscript to Mr. Sinclair with the intention that it also should be performed by the students. Unfortunately, they were not able to do so, so Sinclair, as one of the popular A.D.C. directors, decided to have a Dunsany evening and include \"The Compromise of the King of the Golden Isles\". It was full of colour, filled with pomp and ceremony. It is interesting to note that the late Noel Croucher served as a bodyguard in one of the crowd scenes and that Sinclair had consulted Sir Robert Kotewall and Mr. Fung Yuk-shum to get authenticity for the Chinese costumes and other details.\n\nIn 1926 the A.D.C. performed Dunsany's most successful play \"If.\" His plays have been described as \"decorative drama\". Many of them had settings in the Near and Far East.\n\nW. Sinclair was both an innovator and a man of cosmopolitan tastes. During the years he produced plays for the A.D.C., the repertoire ranged from Shakespeare to the future and from fantasy to realism.\n\nThe Hong Kong Mummers presented \"Twelfth Night\" in 1913. It was directed by Mr. Siegler, a name assumed by Mr. Sinclair for some of his early productions in Hong Kong. He later abandoned this pseudonym. \"Twelfth Night\" was billed as the first amateur production of Shakespeare in the Far East. This claim was corrected by the Tokyo A.D.C., which had presented \"As You Like It\" in 1906, \"Midsummer Night's Dream\" in 1911, and \"The Merchant of Venice\" in 1912. The Hong Kong A.D.C. had assisted Miss Janet Waldorf and her small company of professionals in \"As You Like It\" in 1899. It was scheduled for an outdoor performance on the Parade Ground, but this was rained out and it was held in the Theatre Royal. Weather did permit a second performance on the Parade Ground. In 1922, the A.D.C. under Sinclair produced \"The Tempest\".\n\n\"The Blue Bird\" by Maeterlinck was given in 1914. It was",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209608,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 265,
        "title": "RAS-1982",
        "content_text": "243\n\n12 Feb. 1863\n\nweek.\n\n30 Apr. 1863\n\nsecond amateur performance of season last\n\namateurs gave fourth performance on Wed.\n\nsubscription: 1863/64\n\n―\n\n17 Dec. 1863\n\n1864/65\n\n―\n\n1865/66\n\n―\n\nfirst performance\n\n\"Follies of a Night\" vaudeville comedy (J. R. Planche, 1842)\n\n\"A Kiss in the Dark\" given also in 1853.\n\n6 Feb. 1864 on 4th third subscription performance and on 6th third public appearance.\n\n31 Mar. 1864- fourth and last performance of season:\n\n\"Tailor of Tamworth\" (also known as \"State Secrets\", T. Wilks, 1836) given also in 1861. \"Alladin, the Wonderful Scamp\" burlesque (T. C. Bryon, 1861)\n\n16 June 1864\n\n___\n\npublic meeting resolved the Amateur Theatrical matshed should be kept up.\n\n13 Oct. 1864\n\nmeeting of those interested in Amateur Theatricals agreed to continue them in next season in usual way.\n\n2 Jan. 1865 a visiting professional group, the Lewis Company, gave first subscription night to the subscribers of the Amateurs\n\n9 Nov. 1865 check given to movement for organizing a new Amateur Theatrical Corp by non-attendance at public meeting. To be hoped they shall not collapse in consequence.\n\n1866/67\n\n3 Jan. 1867\n\nfirst\n\nat new Club Lusitano Theatre performance of season of Amateur Dramatic Society: \"Sent to the Tower\" farce (J. M. Morton, 1850) \"Alladin, or The Wonderful Scamp\" burlesque extravaganza (T. C. Bryon, 1860) also given in 1864.\n\n―\n\n4 Feb. 1867 second subscription night of Hong Kong Amateur Theatricals:\n\n\"The Area Belle\" farce (Brough and Halliday, 1864) \"Shylock, or the Merchant of Venice Preserved\" burlesque (F. Talfourd, 1853)\n\n1866/67\n\n7 Mar. 1867\n\n1867/68\n\nHong Kong Amateur Theatricals third subscription night:\n\n\"Slasher and Crasher\" (J. M. Morton, 1848) given also in 1853.\n\n\"Raising the Wind\" (J. Kennedy, 1803)\n\n23 Mar. 1867\n\nHong Kong Amateur Theatricals fourth subscription performance.\n\n—\n\n28 Sept. 1867 Hong Kong Amateur Theatrical Society propose giving five subscription performances this season.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    },
    {
        "id": 209609,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 266,
        "title": "RAS-1982",
        "content_text": "244\n\n1870/71\n\nP\n\n1871/72\n\n1872/73\n\n1873/74\n\n—\n\n1874/75\n\n—\n\nCARL T. SMITH\n\n25 Nov. 1867 first performance of season at Club Lusitano Theatre:\n\n\"All that Glitters is not Gold\" comedy (J. M. Morton, 1851)\n\n\"Cox and Box, married and settled\" farce (F. C. Burnard and J. M. Morton, 1867)\n\n19 Dec. 1867 Hong Kong Amateur Theatrical Society second performance:\n\n\"Romeo and Juliet\" burlesque\n\n\"Little Toddlekins\" farce (J. Mathews, 1852)\n\n4 Nov. 1870 Amateur Dramatic Club first performance of season at Theatre Royal, City Hall.\n\n\"Diamond Cut Diamond\" farce (W. H. Murray, 1838) \"Orpheus and Eurydice\" burlesque (H. J. Bryon, 1863)\n\n20 Apr. 1871 \"I've Written to Brown\" farce (T. J. Williams, 1859) burlesque by Francis Talfourd.\n\n28 Apr. 1871 \"Ici, en Parlais Francais\" (T. J. Williams, 1859)\n\n\"Shylock, or the Merchant of Venice Preserved\" burlesque (F. Talfourd, 1853) also given in 1867.\n\n-\n\n26 Jan. 1872 - \"The Two Bonnycastles\" farce (J. M. Morton, 1851)\n\n\"Masanielle\" burlesque (R. B. Brough, 1857)\n\n21 Feb. 1872 - \"The Rifle and how to use it\" farce (J. V. Bridgeman, 1859)\n\n11 Apr. 1872 \"Castles in the Air\" comedy (T. W. Robertson, 1854)\n\nInstead of \"Castles\", the production may have been \"Caste\" by T. W. Robertson (1867)\n\n3 Jan. 1873 - \"Locked In\" farce (J. P. Wooler, 1870)\n\n\"The Cricket on the Hearth\"\n\n13 Feb. 1873 \"Kenilworth, or Ye Queen, Ye Earl and Ye Maiden\", burlesque\n\n13 Apr. 1873 \"The Blighted Being\" farce (T. Taylor, 1854)\n\n\"Checkmate\" comedy (Andrew Halliday, 1869)\n\n30 Oct. 1873\n\n1853)\n\n\"Plot and Passion\" (T. Taylor and J. Lang, 1853)\n\n15 Nov. 1873 \"The Spitalfield Hospital\" farcical comedy\n\n\"Not such a Fool as she Looks\" (H. J. Bryon, 1868)\n\n2 Mar. 1874 —— \"A Romantic Idea\" (J. R. Planche, 1849)\n\n\"The Steeple Chase\" (J. M. Morton, 1865)\n\n5 Apr. 1875 - \"Ticket of Leave Man\" (T. Taylor, 1863)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
        "rank": 0
    }
]