[
    {
        "id": 209768,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 27,
        "title": "RAS-1983",
        "content_text": "5\n\nto eat, but no cooking. Then later in the afternoon, a wounded British soldier was carried in. He was lying on the floor, and asked for absolution, as he was sure the Japanese were going to kill him. One of the priests bent over to give him absolution. This priest was wearing brown trousers. When the Japanese guard saw the brown trousers, he jumped up screaming furiously 'spies spies, all spies'. With that they proceeded to tie us by threes with our hands behind us. They marched us down the hill to a small ravine behind Carmel Convent. At the end of the ravine was a Japanese soldier with a wireless set. The Japanese then separated us by nationalities, British, Americans, then Swiss, Hungarians, Parthians, Medes and Elamites. Then they took the British around the corner and bayonetted them. I saw one Japanese soldier stick his bayonet into a British soldier who had his hands tied behind his back. The soldier fell over backwards, and the Japanese nonchalantly wiped the blood off the blade of his bayonet. Just at that moment, the Japanese at the wireless set came running up with a piece of paper to the commander who looked at it long and hard. Then they marched the rest of us all to a two-car garage where we were under guard. It seems that the British had surrendered just at that time. We were in the garage two nights and two days. Someone gave a Japanese guard a watch for a canteen of water and that is all we had.\n\nAfter about two days, we were let out, untied, and let go back up to our house. We were allowed to stay in the lower chapel. The Japanese were occupying the rest of the house. Finally they let us have the house back for a couple of weeks and then we were put into the Stanley internment camp. For the rest of the war, the house was the headquarters of the Japanese secret police and because of them, the house was not looted. They closed the chapel and sacristy and not a thing was touched there for four years. At the end of the war, the Carmelite Sisters came up from the foot of the hill and protected the property till our two priests got out of the internment camp.\n\nI would like to make a little diversion here and tell you about the Carmelite convent down at the foot of our hill. In the middle of the final battle, a Japanese officer banged on the door of the convent. The little extern nun opened the door. The officer",
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    {
        "id": 211797,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 212,
        "title": "RAS-1989",
        "content_text": "187\n\nless than sixteen of his farces were staged during the years 1850-1865, including of course the maligned Box and Cox which is, ironically, nearly his only piece that is still occasionally seen today. Closely following were the burlesques of Henry James Byron, written in quite a different style from Morton's farces, with many more puns in the text which makes them sometimes awkward reading, although one can feel amazement about the author's inventiveness. Yet, to see well-established works like Verdi's Il Trovatore, with its beautiful music, mangled into !!! Treated Il Trovatore, or Shakespeare's Macbeth and King John into The Babes in the Wood makes one feel a little bit queasy. Of especial interest to the Shanghai residents must have been his Aladdin or the Wonderful Scamp for he had built the entire action **around puns on China tea and he invented widow Twankay as a pun on one of the ports central to the China trade\" [Shanghai presumably — JHJ]. Byron was of course not \n\nthe only one who made himself into a debaser of tragedy. What is one to think of Robert Bough's Medea or the Best of Mothers with a Brute of a Husband, the title alone of which causes one to shudder.\n\nBut then, this was obviously what an overwhelming majority of the public asked for, both in Britain and overseas. The British capital teemed with small, and not so small, theatres that catered for the wishes of the low and lower middle classes and their first demand was to be entertained after a hard day's work: who cared for a complex five-act Shakespearean tragedy people referred to laugh their heads off with Slasher and Crasher and Cool as a Cucumber.\n\nIn British outposts abroad the attitude of the public was not very different, as is shown in this article for Shanghai. A comparison with Singapore and Hong Kong shows that tastes there were also exclusively in the direction of farce and comedy and it is not to be wondered that sometimes the same pieces were chosen, like William Rhodes' Bombastes Furioso (Sh.: 28.1.1851 and 5.5.1858; Hong Kong: 1.12.1848; Singapore: May 1844 and 25.5.1846) and Tom Taylor's Still Waters Run Deep (Sh.: 23.4.1857; 15.3.1860; H.K.: 3.1.1861; Sp.: 1862).\n\nThat not all plays were to the liking of the local paper's critics has already been discussed. Apparently, no efforts were made from among the foreign community to write original comedies, a fact which was deplored by the Herald when it thought that there are certainly men capable of such mental exercise as the writing of burlesque.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211834,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 249,
        "title": "RAS-1989",
        "content_text": "224\n\nF. TALFOURD: \"A Household Fairy\" (1859)\n\nT: Domestic sketch (1 act)\n\n\"Aurora Floyd\".\n\nHED lists the following authors: C.S. CHELTNAM (1863), C.H. HAZLEWOOD (1836), J.B. JOHNSTONE (1836), B. WEBSTER (1863). In addition, Adams' \"Dictionary of the Drama\" mentions W.E. SUTER.\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of J.B. Creswick\n\nR: NCH 26.11.1864, advertisement only\n\n3.12.1864 (Sat)\n\nL.B. BUCKINGHAM: \"Take That Girl Away\" (1855)\n\nT: Comic drama (2 acts)\n\nJ.M. MORTON: \"A Capital Match\" (1852)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of Miss Lizzie Naylor\n\nR: NCH 3.12.1864, advertisement.\n\n9.12.1864 (Fri)\n\nBenefit of Mr. Henry Birch of the Lewis Company.\n\nNo titles of plays were mentioned. (NCH 10.12.1864)\n\n10.12.1864 (Sat)\n\nFarewell performance, also the benefit of Mr. Lewis, of Lewis Australian Drama Company. No titles of plays were mentioned (NCH 10.12.1864).\n\nR: No detailed reviews of the Lewis season were published in the North China Herald, only short announcements. It is quite well possible that more nights than the above ones were given, but they have not been recorded. In general, the company had attracted rather full houses, but for the 9th \"home sweet home\" was preferred; \"the unfavourable state of the weather prevented many ticketholders from putting in an appearance\" (NCH 10.12.1864)\n\nNovember and December 1864\n\nPerformances by the \"Christy Minstrels\".\n\nTh. N.N.\n\nR: Another travelling company that visited the port in these months were the \"Christy Minstrels\" (see also Survey). They too managed reasonably to fill the theatre (it was not stated where the performances took place, but as the Lyceum Theatre was occupied by Lewis, it must have been another location - perhaps the Olympic Theatre). \"No boredom here for by a pleasing variety they prevent that weariness which even the finest display of musical talent must, through frequent repetition, occasion\" (NCH 26.11.1864). In September they had visited Macao (BGM 5.9.1864) and before December 10 they departed for Hong Kong (NCH 10.12.1864).\n\n22.12.1864 (Thur)\n\nPerformance by the Portuguese Amateur Dramatic Corps.\n\nR: It was \"as usual largely attended\" (NCH 24.12.1864).\n\n28.12.1864 (Wedn)\n\nR.B. BROUGH: \"Medea\" (1856)\n\nT: Burlesque (1 act)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211845,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 260,
        "title": "RAS-1989",
        "content_text": "235\n\nthat in more congenial parts Mr. FUNNYDOG will help to compensate us for the loss of that most genial of humourists, our incomplete BRUSHWOOD\". The critic ended with the following advice: \"For the future it would be better to rehearse three pieces and play two of them the first night; then in the event of a second performance the piece which was received on the first occasion with the heartiest plaudits might be repeated, preceded or followed by the new Drama held ready and in reserve. We are inclined to offer this suggestion owing to the various complaints which we have heard of the lateness of the hour at which Thursday's entertainment concluded, and also from a selfish wish perhaps to have two dramatic treats instead of one” (NCH 16.12.1865).\n\n## APPENDIX I\n## Authorlist of plays staged in Shanghai 1850-1865\n\nIn this list full titles of the plays staged in Shanghai will be found as well as first nights in London (these generally according to Nicoll. History of English Drama).\n\nP: Performance in Shanghai\n\n?: The play is listed under more than one author\n\n| Author | Play Title | First Night in London | P: Performance in Shanghai |\n| --- | --- | --- | --- |\n| AYTON, Richard (1786-1823) | \"The Rendez-Vous\" | 21.9.1818 | 24.3.1852 |\n| BARNETT, Morris (1800-1856) | **The Serious Family** | 30.10.1849 | 8.10.1859; 23.3.1865; 28.4.1865 |\n| A BECKETT, Gilbert Abbott (1811-1856) | \"The Roofscrambler” | 15.6.1835 | 12.12.1850 |\n|  | **Siamese Twins** | [14.4.1834] | 5.5.1853 |\n|  | **The Turned Head** | 3.11.1834 | 27.1.1865 |\n| BERNARD, William Bayle (1807-1875) | \"A Practical Man\" | 20.10.1849 | 8.3.1854 |\n| BOUCICAULT, Dion (1822-1890) | **The Colleen Bawn or the Brides of Garryowen** | 29.3.1860 | 25.4.1865 |\n|  | \"The Octoroon or Life in Louisiana\" | 6.12.1859 | 7.1.1865; 13.1.1865; 14.1.1865 |\n|  | \"Used Up\" (with C. Mathews) | 1.6.1846 | 26.1.1853; 8.2.1857 |\n| BRIDGEMAN, John Vipon (1819-1889) | **I've Been Eaten My Friend!** | 8.9.1851 | 22.3.1854 |\n| BROOKS, Charles William Shirley (1816-1874) | \"Anything for a Change\" | 7.6.1848 | 14.5.1854 |\n| BROUGH, Robert Barnabas (1828-1860) | \"Crinoline\" | 18.12.1856 | March 1863; 16.3.1863; 1.4.1863 |\n|  | **Medea or The Best of Mothers with a Brute of a Husband** | 14.7.1856 | 28.12.1864 |\n| BROUGH, William (1826-1870) | 'Apartments: Visitors to the Exhibition may be accommodated. A piece of extravaganza to suit the times' | 14.5.1851 | 23.3.1853 |\n|  | \"The Area Belle\" (with A. Halliday) | 7.3.1864 | 30.9.1865 |\n|  | \"Conrad and Medora or Harlequin Little Fairy at the Bottom of the Sea\" | 26.12.1856 |  |\n\n138",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211852,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 267,
        "title": "RAS-1989",
        "content_text": "242\n\nHigh Life below Stairs: J. Townley; 21.4.1851. The Honey Moon: W. Linley? J. Tobin? 19.4.1865. A Household Fairy: F. Talfourd; 216.11.1864.\n\nI couldn't help it: J. Oxenford; 13.4.1865.\n\nIII Treated Il Trovatore: H.J. Byron; 22.6.1864, 29.6.1864. The Infanticidal Farce: J.S. Coyne; 21.2.1856.\n\nThe Invisible Prince: J.R. Planché; 23.3.1865.\n\nThe Irish Tutor: R. Butler; 5.5.1853.\n\nIsabella: J.B. Buckstone; 28.3.-5.4.1865.\n\nI've Eaten My Friend: J.V. Bridgeman; 22.3.1854.\n\nKenilworth: N.N.; 28.3.-5.4.1865.\n\nKing John: W. Shakespeare; 12.11.-18.11.1864.\n\nA Kiss in the Dark: J.B. Buckstone; 26.3.1857.\n\nThe Knights of the Round Table: J.R. Planché; 24.5.1865.\n\nA Lady and a Gentleman in a Peculiarly Perplexing Predicement: C. Selby; 13.12.1864. Lady Audley's Secret: C.H. Hazlewood? G. Roberts? W.E. Suter?; 28.12.1864.\n\nThe Lady of Lyons: E. Bulwer Lytton; 10.2.1864.\n\nThe Lady of Lyons: H.J. Byron?; 22.10.-28.10.1864, 29.4.1865.\n\nLend me Five Shillings: J.M. Morton; see p. 15.\n\nA Lesson for the Ladies: J.B. Buckstone; 8.4.1865.\n\nAs Like as Two Peas: H. Lillo; 16.3.1858.\n\nLittle Toddlekins: C.J. Mathews; 26.5.1864.\n\nLove Laughs at Locksmiths: G. Colman the Younger; 9.5.1864,\n\nLove, Law and Physics: J. Kenney; 28.1.1851.\n\nA Lucky Escape: C.S. Cheltnam; 25.4.1864.\n\nThe Maid and the Magpie: H.J. Byron; 8.10.-14.10.1864, 15.10.-21.10.1864, 15.4.1865. Make your Wills: E. Mayhew; 23.1.1856.\n\nMarried Life: J.B. Buckstone; 12.11.-18.11.1864.\n\nMedea: R.B. Brough; 28.12.1864.\n\nA Most Unwarrantable Intrusion: J.M. Morton; 22.3.1854, 1.4.1864,\n\nNature and Philosophy: N.N.; 9.5.1864.\n\nThe Nigger Doctor and his Patient Patient: N.N.; 14.8.1856.\n\nNo!: W.H. Murray? F. Reynolds?; 23.2.1852.\n\nNo 1 round the corner: W. Brough; 23.1.1856.\n\nNursery Chickweed: T.J. Williams; 28.3.-5.4.1865.\n\nThe Octoroon: D. Boucicault; 7.1.-13.1.1865, 14.1.1865,\n\nOn and Off: T.J. Williams; 25.4.1864.\n\nOur Wife: J.M. Morton; 13.2.1863, 17.2.1863.\n\nPerdita: W. Brough; 8.4.1865.\n\nPoor Pillicoddy: J.M. Morton; 15.3.1860, 26.5.1864.\n\nA Practical Man: W.B. Bernard; 8.3.1854.\n\nPrincess Springtime: H.J. Byron; 10.11.1865, 20.11.1865.\n\nA Race for Dinner: J.T.G. Rodwell; announced but not performed. Raising the wind: J. Kenney; 9.2.1858, 30.3.1864, 4.4.1864.\n\nThe Rendez-vous: R. Ayton; 24.3.1852.\n\nRetained for the Defence: J. Oxenford; 25.4.1864. The Review; G. Colman the Younger; 24.3.1852.",
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