[ { "id": 206808, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 85, "title": "RAS-1973", "content_text": "SWATOW HORIZONTAL STICK PUPPETS\n\n79\n\nthe Pear-Garden Opera School, the Ch'aochow actors and puppe-teers have backstage a tablet or image of Feng-huo-yuan T’ien-yuan-shuai. Feng, the First Heavenly Commander. His biography can be found on page 125 of E.T.C. Werner, A Dictionary of Chinese Mythology, and reads as follows: \"Tien Hung-i, his real name, was the second of three brothers, Hsun-liu and Chih-piao who, during the K'ai-yuan Period (AD 713-742) of the T'ang Dynasty became famous court musicians....\n\n\"They were such skilled players that even clouds stopped to listen to them, and the la-mei hua (very fragrant flowers which open only in the coldest part of the winter) blossomed. The Emperor having fallen ill, saw them in a dream playing the mandolin and violin, and was promptly restored to health. As a reward he bestowed on them the title of Marquis.\n\nA ravaging epidemic having broken out, the Grand Master of the Taoists sought the musicians' aid. T'ien Yuan-shuai had a large shen-chou, spirit-boat, built, and called together a million spirits, whom he instructed to beat drums placed on it, whereupon all the demons came out of the city to listen to the music, and were seized and expelled by the musician and the Taoist Grand Master. This is said to be the origin of the dragon-boats to be seen everywhere in China on the fifteenth day of the first moon,\n\nChang Ta-shih having recognised his great ability and power, memorialized the Emperor, who canonized the three brothers as Marquises, and all the members of their family and near relatives were given posthumous titles.\"\n\nThis account indicates clearly the Feng was chosen as a patron: namely for the beauty of his music and its magical power of exorcising the evil spirits. It shows a very basic approach to music and brings to mind the many opera and puppet-performances which are staged by the Ch'aochowese at all festivals and ceremonies that deal with ghosts of which the main one is the Ta-chiu in the 7th lunar month. As a contrast it is interesting to know that the Peking opera actors have chosen T'ang Ming Huang, who already in his life time was a patron of opera as a sophisticated entertainment of the court.\n\nAnother interesting characteristic of Ch'aochow puppets (though not unique to them) is the ceremonies required to cleanse the theatre stage. Besides the veneration of the patron saint the ceremony of", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206971, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 42, "title": "RAS-1974", "content_text": "36 \n\nH. J. LETHBRIDGE \n\nto organise the retail meat market in that state. This enterprise also failed, so the disillusioned Marquis, who had lost a large part of his private fortune, returned home to France in 1886. \n\nMorès' father, the Duke of Vallombrosa, advised his despondent son to take a long vacation and suggested a journey to India, a land the Duke had visited in his younger days. In November, 1887, therefore, Morès and his wife embarked at Marseilles for the journey out to Bombay. \n\nFrom Bombay Morès and his wife went by train to Calcutta, where they stayed with the Viceroy, Lord Dufferin, and where they met Prince Henry of Orléans. The Marquis and the Prince and a few friends at once organised an expedition into the interior to shoot game. Another expedition, to Nepal, was organised soon after they returned from their first chase, this time with Medora as participant. After five weeks the party returned with the skins of many wild beasts, including that of a tiger which the redoubtable Marquise had herself shot. In the spring of 1888, Morès and his wife returned to Europe. \n\nThe ship that took Morès and his wife back to France was also carrying a number of his old comrades, former Saint-Cyriens, returning from the campaign in Tonkin. Morès had long conversations with these French colonial army officers and learned much about conditions in Indo-China. On the voyage back he thus became deeply interested in the commercial prospects of this new French colonial possession. But to open up and develop the territory necessitated the construction of a railway system: Morès decided to pioneer such an enterprise. As soon as he reached Paris he hurried to see the Minister for Foreign Affairs and presented a plan for building without government aid a railway line from Hanoi to the Chinese border. He was given official permission to prospect the region of Tonkin. On 21 October 1888, as noted, Morès left Marseilles together with William Van Driesche and an engineer, M. Thorel. On 22 November 1888 he landed at Hong Kong en route for Haiphong, and the start of another adventure: the economic exploitation of the Red River basin, a scheme as grandiose as the one he had been engaged on in the Dakotas. \n\nMayréna's Odyssey in Hong Kong \n\nMayréna spent his first days in the Colony studiously cultivating members of the Roman Catholic hierarchy. He visited the", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 206991, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 62, "title": "RAS-1974", "content_text": "56\n\nH. I. LETHBRIDGE\n\n41 In 1838 Charles Mirfin was killed in a duel on Wimbledon Common. The principal escaped abroad but the seconds were found guilty, sentenced to death, but later reprieved. In 1841 the Earl of Cardigan wounded Captain Tuckett in a duel and was accused of 'assault with intent to murder'. In 1852 a group of Frenchmen were indicted for duelling on English soil, sent for trial, and imprisoned. It must have been well known to both Mayréna and Morès that duelling was a criminal offence under English law and that the guilty could not escape easily from a term of imprisonment, even in Hong Kong. In 1872 the Spanish Consul in Hong Kong and the Peruvian Consul in Macao fought a duel at Chinese Kowloon. The Peruvian Consul was wounded by a pistol shot. They were each fined $200 at the Supreme Court in Hong Kong, although the duel had not taken place on Hong Kong soil!\n\n42 ...the duel is a leisure-time institution... In civilised communities it prevails as a normal phenomenon only where there is an hereditary leisure class, and almost exclusively among that class' (Thorstein Veblen, The Theory of the Leisure Class, New York, 1934, p. 239.)\n\n43 Alfred Capus (1858-1922) was a well-known journalist and man-about-town.\n\n44 Maurice Mac-Nab (1856-1890) was a chansonnier, poet and notorious noctambule. The Rat Mort was a well-known café-chantant in Montmartre, the haunt of decadents, harlots and pleasure-seekers. The composer Charles de Sivry (1848-1900) was for a long time accompanist at the Cabaret du Chat-noir. He was the brother-in-law of Arthur Rimbaud.\n\n45 At table, for example, the courtiers were expected to wait until the King introduced a topic of conversation.\n\n46 John Fortescue Owen, born in 1869, entered the Federated Malay States Civil Service in 1889 and was appointed Junior Officer and Magistrate, Pahang, in that year.\n\n47 See W. Lineham, 'A History of Pahang', Journal of the Malayan Branch of the Royal Asiatic Society, vol. 14, Part 2, 1936, p. 135.\n\n48 Sir Hugh Clifford, 'The King of the Sedangs', Asia, July-Dec., 1926, p. 920.\n\n49 Edouard Drumont (1844-1917) wrote a famous book, La France Juive, (1886), in which he attempted to demonstrate that France was controlled from behind the scenes by a pack of Jews.\n\n50 R. H. Sherard gives an account of a personal interview with Morès in the Santé prison in The Real Oscar Wilde, London, n.d., pp. 401-2.\n\n51 Morès did not mean to kill Mayer: Mayer impaled himself by running upon Morès's foil.\n\n52 The Marquise offered a large reward for the capture of the assassins. There is a story that she tried to hire a number of cowboys to effect the rescue. She died in 1921 and in her will—a copy of which is in Somerset House, London—she left a sum of money for the erection of a monument at Mechiguig. In 1928 a large granite cross was placed on the spot where Morès fell. Lesley Blanch in her book The Wilder Shores of Love (London, 1954) claims that the Arab-loving Isabelle Eberhardt went in pursuit of Morès' assassins, but I have found no confirmation of the story.\n\n53 Times, 20 July, 1896.\n\n54 Soldiering was also an aristocratic sport, better than the chase. Many people volunteered to fight in wars which did not concern them; see, for example, the career of St. Leger Grenfell, who fought with John Hunt", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 210980, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 42, "title": "RAS-1987", "content_text": "17\n\nOne must always take into account this French addiction to performing and making an impact on their public, whether dealing with the intellectual fireworks in honour of China in the eighteenth century, or on the occasion of more recent and far less pleasant pyrotechnics, somewhere in Polynesia.\n\nSo the Philosophes' encounter with China had, at its own level, contributed to the fall of the French monarchy. And for more than a century, French intellectuals were to be concerned with a completely different range of issues: political revolutions and counter-revolutions, France's position in Europe, industrial development and its social fall-out, freedom of speech and of thought, as well as colonial expansion. China had very little to do with these French-centred debates of the nineteenth and early twentieth century. It had by then become a target for Western imperialism including France, and its cultural prestige was accordingly declining. China only mattered for a few isolated if not eccentric French intellectuals. China in this period was a very marginal feature in French intellectual life.\n\nSome of these marginal Sinophiles of the nineteenth century were belated admirers of an ideal and abstract China in the grand philosophical tradition. In a little-known novel by Balzac, L'Interdiction — a legal measure depriving a spendthrift of control over his estate — a Marquis d'Espard spends all his fortune on reprinting old Jesuit memoirs on China. He is a devoted right-wing monarchist; he admires the Chinese imperial monarchy for allegedly maintaining a social order the French kings had been unable to maintain. His wife, a typical Balzacian marquise, has a legal interdiction passed on him.\n\nThe Marquis d'Espard is a lonely figure in Balzac's little world — the Human Comedy — and equally solitary was the young Baudelaire, who was at college when Balzac was flourishing. In one of his strongest poems, Le Voyage (or 'the trip', also with the colloquial connotations of this word), his concern for China is expressed through brief but extremely challenging verses — a concern he must have developed in his college years:\n\nDe même qu'autrefois nous partions pour la Chine", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 215324, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 101, "title": "RAS-2001", "content_text": "49\n\nSecond: deities only to be seen on Hainan island and not carried abroad by emigrants\n\nThird: major deities uniquely Hainanese\n\nFourth: secondary deities uniquely Hainanese\n\nFifth: deities shared with other ethnic Han Chinese groups\n\nSixth: Images on altars of aides to Hainanese deities\n\nSeventh: deified Hainanese locals in both Hainan and South-east Asia\n\nEighth: unidentified images in Hainanese temples believed by the temple custodian to be uniquely Hainanese.\n\n2: Uniquely Hainanese gods\n\nDeities not noted beyond the shores of Hainan island\n\nThese are the deities to be seen only on Hainan island and have not been carried abroad by Hainanese emigrants:\n\na] The Five Marquises, Wu Gong LA, were all exiled to Hainan, four by Qin Gui [1090-1155], the Prime Minister of the Southern Song who is best known as the Minister who ordered the execution of Yue Fei, the hero who became the patron of soldiers. All five are revered in a shrine in the southern suburbs of Haikou where Hainanese honour the memory of the 'five patriotic officials of the Tang and Song sent into exile' on their island. It was first built in 1617 and is dedicated to the Five: Li Deyu, Li Gang, Li Guang, Hu Chuan and Zhao Ding. Four of these officials, that is apart from Li Deyu, were exiled for their opposition to the traitor Qin Gui. Their images portray them today, reconstructed following their destruction during the Cultural Revolution, as almost identical standing officials, dressed in red robes and all with black beards.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215326, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 103, "title": "RAS-2001", "content_text": "31\n\nexecution of Qin Gui, the famous \"traitor,\" as well as Wang Lun and Sun Jin, and the hanging of their heads in the streets to show to the public. For this, he was demoted to a post in Fuzhou (in 1138), from where he was transferred to Xinzhou in Guangdong province in 1142. Six years later, he was falsely accused by a man called Zhang (a member of Qin Gui's 'Death clique'), because of a couplet he wrote called Haoshijin, and was moved to the Jiyang military district. He retired to the Pearl Cliff to write a manual for officials, and set up a school. After the accession of the new emperor, he returned to the fray, holding a number of important posts before retiring in 1171. He died in 1180 at the age of 78.\n\nZhao Ding was a Minister of State and a steadfast opponent of Qin Gui and his policy of making peace with the Tatars, for which he was banished to various places. He was born in Shanxi and died in a distant post at Jiyang, on the south-west tip of Hainan, in 1147.\n\nb] The Three Marquises, San Gong, is a separate group of deities, scholar-officials of the 9th and 10th centuries AD whose images or tablets have only been seen on altars in Hainanese temples on Hainan Island. The three are Li Deyu [one of the Five Marquises: q.v.], Lu Duoxun 廬多遜 and Ding Wei 丁謂,\n\nThe second of the Three, Lu Duoxun, also a senior official exiled to Hainan, died some 136 years after Li Deyu. He was born in Henan province and he too became President of the Board of War in 979. La served a later dynasty, the Northern Song, and was also banished to Hainan following court intrigue. His poetry achieved the distinction of being remembered and quoted.\n\nThe third, Ding Wei, was also a high official of the Song and the only one of the three to survive his banishment. He returned home from Hainan to die in 1040. Ding was born in Jiangsu province and rose to become a Minister of State. He was degraded and banished following accusations of witchcraft and of oppressive rule. He also wrote a large collection of poems whilst in Hainan.\n\nc] Su Shi is probably better known as Su Dongpo, and is referred to in Hainan as Su Gong. He is one of the eight famous men of letters of the Tang and Song eras and lived from AD 1036-", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 } ]