[ { "id": 206737, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 14, "title": "RAS-1973", "content_text": "8\n\n7 May\n\n4 June\n\nProfessor Chu-tsing Li\n\n\"The Chinese paintings in Nelson Gallery\" (illustrated with slides).\n\nProfessor Winston Hsieh\n\n\"The Canton Delta Project\"\n\n17 September Professor P. B. Harris\n\n6 October\n\n\"The Republic of virtue: Maoism and Rousseauism considered\"\n\nMr. James W. Hayes (Organizer)\n\nVisit to Cape D'Aguilar, Hong Kong Island.\n\n12 November Mr. James Lethbridge\n\n\"Duellists in nineteenth century Hong Kong\".\n\n10 December Dr. Hugh Baker\n\n\"On how to worship oneself in ancestor worship\".", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206938, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 9, "title": "RAS-1974", "content_text": "deity in Hong Kong, particularly among the boat-people. There are many temples dedicated to her in the Colony. This particular temple is believed to date from the Sung Dynasty, and with the nearby rock-carving, dated 1274, provides a popular place for pilgrimages. These three last trips were organised by our Vice-president, Mr. James Hayes, who has an extensive knowledge of the history of Hong Kong, particularly its rural areas.\n\nThe ten lectures covered a wide variety of subjects. The first lecture of the year was delivered by Professor Murray Groves, head of the Sociology Department, University of Hong Kong. Professor Groves had lived in New Guinea and worked there as an anthropologist, and he talked about a sea-faring people, the Motu, and their musical styles. His talk was illustrated with slides and tape recordings. The second talk was about Chinese paintings in the William Rockhill Nelson Gallery of Art: a Gallery of international reputation, situated in Kansas, and housing one of the major comprehensive collections of oriental art in the U.S.A. The talk was delivered by Professor Chu-tsing Li, Research Curator of the Gallery, and was illustrated with slides. Later in the year, Professor Winston Hsieh of Missouri University, talked to us about the Canton Delta Project which he is currently heading. The Canton Delta has great significance for scholars of Chinese social organization, urban studies, foreign trade, revolutionary movements and overseas emigration, and it is particularly rich in Chinese and Western source materials. The project is interdisciplinary and we look forward to hearing more about its activities.\n\nIn September Professor P. B. Harris, who heads the Political Science Department of the University of Hong Kong talked to the Society on \"Maoism and Rousseauism\", and in November Mr. Henry Lethbridge of Hong Kong University's Sociology Department described the exploits of two adventurers extraordinary who visited Hong Kong in the late 1880's: David de Mayréna, soi-disant King of the Sedangs in Indo China, and the Marquis de Morès. Both died later in mysterious circumstances. Mr. Lethbridge specialises in the social history of Hong Kong, and participated in our symposium last year on \"Hong Kong: Chinese tradition and the growth of a town”.\n\nDr. Hugh Baker, who also participated in our first symposium which I organised in 1964 on “The Social Organization of the New", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 208375, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 99, "title": "RAS-1978", "content_text": "THE POLITICIZATION OF CHINESE CRAFT ORGANIZATION IN POST WORLD WAR II HONG KONG\n\nEUGENE COOPER*\n\nIn a private communication to John Stewart Burgess, to which Burgess refers in his 1928 work, The Guilds of Peking, the well-known Chinese economist, Ch'en Ta takes note of three characteristics of the modern industries of the time:\n\n1. that modern industries often came into existence by a process of amalgamation of previously distinct, independent crafts.\n\n2. that this synthetic structure often made it difficult to achieve unity between the various constituent craftsmen in a given industry in pressing for their demands as a unified working class (Burgess, 1928:223).\n\n3. that it was often difficult to overcome provincial feeling in organizing workers from different native places into a unified working class (Ibid:227).\n\nThe process of amalgamation of independent crafts into a single industry is one which Marx noted as characteristic of the early stages of European capitalist development from the middle of the 16th to the last third of the 18th century. This process resulted in a mode of production that Marx called “manufacture”, the archetypal example of which was carriage-making in which the wheelwright, carpenter, upholsterer, and blacksmith came together in a single enterprise to produce carriages, each coming to specialize in the production of carriage parts (Marx, 1967:1:336 ff.).\n\nManufacture arose as a mode of production in the Chinese art-carved furniture industry in the 1920's, as the result of just such a process of amalgamation which brought rural temple carvers together under the same roof with carpenters and painters in what became urban Shanghai and Canton-based carved furniture factories.\n\n* Dr. Cooper is Lecturer in Sociology in the University of Hong Kong. This article first appeared as a paper read to the Symposium on Marxism-Leninism-Maoism and the Politicization of Asian Folk Culture, held at the Association of Asian Studies Annual Meeting in New York City, March 25, 1977.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208379, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 103, "title": "RAS-1978", "content_text": "POLITICIZATION OF CHINESE CRAFT ORGANIZATION\n\n87\n\nImplicit in the actions of the nationalist group was the desire to prove the superiority of its political stripe by winning greater gains for its constituents. Capital may indeed have been receptive to nationalist attempts to upstage the Communist rival.\n\nDespite its divisions, organized labor had signalled the end of what had been an era of relative industrial peace during the 1950's. Not to be caught unawares in the future, the art carved furniture shop and factory proprietors organized the Art Carved Furniture and Camphorwood Chests Merchants Association as the bargaining agent for capital within the year. When the next strike occurred in the industry in 1964, the merchants were prepared to take full advantage of both the traditional as well as political divisions within the ranks of their workers. As the strike of 1964 dragged into its second month, the Merchants' Association succeeded in wooing a group of painters away from the main body of striking workers and concluded an agreement with them which successfully broke the back of the strike. Next, they were able to isolate the Communist Woodwork Carvers' Union by continuing negotiations with the nationalist unions after their workers had returned to work. The Woodwork Carvers' Union never came to formal terms in 1964, claiming in the local press that it had succeeded in exacting more favorable terms for its members from individual employers.\n\nThe center stage of the 1964 dispute was clearly occupied by the Merchants' Association in its manoeuverings and dealings with separate groups of its divided labor force. The merchants were waxing strong as power-driven machinery had by that time been introduced into production, increasing the capital required to operate competitively in the industry, widening the income gulf between worker and boss and increasingly alienating the workers from the tools of their trade. Labor's position was still being undermined by the persistence of a labor force divided along craft occupational lines, although politics had by now been established as the dominant divisive factor.\n\nAnother work stoppage occurred in 1967 when communist workers answered the call for a general strike put forward by the communist Hong Kong Federation of Trade Unions, the umbrella labor organization charged with implementing the Maoist political line radiating from Peking at the local Hong Kong level. The call for a general strike and the large-scale rioting which precipitated", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208381, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 105, "title": "RAS-1978", "content_text": "POLITICIZATION OF CHINESE CRAFT ORGANIZATION\n\n89\n\ngratification, in which workers are asked to temper their revolutionary fervor in deference to the policy commitments and requirements of the Peking government, whose immediate goals do not always coincide neatly with Hong Kong workers' needs.\n\nDuring my stay in Hong Kong* a group of women wig workers walked off their jobs for higher wages and were determined to see their demands met. As the strike dragged on, the Federation of Trade Unions counseled compromise, but the women would have none of it. Nor would they be put off by calls to a greater patriotism. They wanted theirs on the spot, and while the wig industry very soon shut down due to a collapse in the international market, the incident does show how the Federation of Trade Unions sometimes ends up with egg on its face in attempting to adapt the Maoist line to local Hong Kong conditions.\n\nI believe, however, that the Federation's control over its constituent unions tends to be somewhat tighter than in the above case, although it is virtually impossible to ascertain just how much so. It is probable that when an affiliated union decides to make a wage demand, it must be cleared with the Federation; which means the demand is evaluated not only in terms of the workers' immediate needs, such as coping with a rising cost of living, but also in terms of the effects any increase might have on the political situation vis-à-vis the British and vis-à-vis the Peking government and its relations with the British. In the art carved furniture industry these effects are not likely to be as great as they might be in textiles, plastics or electronics which are the mainstays of Hong Kong's prosperity, or in public utilities; but still, all in all, one gets the impression that unions like the Woodwork Carvers' Union must toe the line in their plans for industrial action.\n\nThis is not to say that the union is totally paralyzed by or gets no benefit from its affiliation with the Federation. It is a willing partner. During strikes, the Federation comes to the union's aid with strike pay, food, meeting space and resources, the likes of which a small union like the Woodwork Carvers' Union could probably never muster on its own. In addition, the Federation encourages a unity and camaraderie with workers in other affiliated unions that promotes class consciousness among the workers and\n\n* A reference to Dr. Cooper's post-graduate work here in 1972-73.\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208382, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 106, "title": "RAS-1978", "content_text": "90\n\nEUGENE COOPER\n\nalso keeps them closely informed of events on the Mainland. Membership in an affiliated union may also facilitate return trips to one's native village in China during New Years and at other times as well, since the Federation provides a link up with Chinese representatives and bureaucracy in Hong Kong.\n\nThe contradiction between the interest of the Hong Kong worker in his own material well being, and the requirement that he subordinate his immediate interests to the long run national interests of Peking, has surely not made life easy for the constituent unions of the pro-communist Hong Kong Federation of Trade Unions in their organizing efforts in the post-war Hong Kong setting.\n\nNevertheless, in more recent years, as Peking pursued the resolution of what it took to be \"principle contradictions\", namely admission to the U.N. and the liberation of Taiwan, developments in Hong Kong tended to bear out the appropriateness of their strategy. In 1971, when the Peking government displaced the Taiwan government as the sole legitimate representative of the Chinese people at the United Nations, the political influence that Peking was able to exercise in the political balance of Hong Kong grew enormously at the expense of the Nationalists. Organs of Peking power like the Hong Kong Federation of Trade Unions gained an enormous legitimacy in the new aura that came to surround the Peking government. Allegiance to the People's Republic, long an obstacle to effective organizing among Hong Kong's largely political-refugee population, became somewhat more of an asset for groups like the Woodwork Carvers' Union. 1971 marked a turning point in the fortunes of their organizing. Indeed one could argue that the relegation of the \"Hong Kong problem\" to the status of a secondary contradiction made a great deal of sense, as the political balance tipped noticeably in favor of the Peking government after 1971 with the resolution of a higher order contradiction, i.e. the seating of the Peking government at the U.N.\n\nThese developments have helped the Woodwork Carvers' Union immeasurably in its attempt to organize an increasingly proletarianized work force according to principles consistent with Maoist ideology, although the apparent contradiction between genuinely class oriented, as opposed to nation oriented, loyalties and its peculiar configuration in Hong Kong remains.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208392, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 116, "title": "RAS-1978", "content_text": "100\n\nEUGENE COOPER\n\nThe Woodwork Carvers' Union has always encouraged the growth of a modern, unified, class conscious labor force. Its ability to weather the struggles of the 1960's and its current vitality in actively promoting its members' interests in welfare, recreation, and livelihood are expressions of the fact that 1.) its Maoist message now finds a more receptive audience in a labor force more thoroughly proletarianized and less hostile to Peking and 2.) its efforts to consciously adapt, transform, and politicize various aspects of traditional craft social structure into modern institutions in a manner consistent with its ideology have been relatively successful.\n\nThe result has been that the purposes which the Woodwork Carvers' Union has made its own now command a greater importance in the lives of most workers than ever before. Politics, and proletarian politics at that, is in command in the art carved furniture industry, and the traditional array of discrete unions for carvers and carpenters of differing native place in differing woods is in retreat.\n\nReferences Cited\n\nBurgess, J. S.\n\n1928 The Guilds of Peking New York: Columbia University Press.\n\nGamble, S. D.\n\n1921 Peking A Social Survey New York: George A. Doran Co.\n\nMarx, K.\n\n1967 Capital New York: International Publishers.\n\nMorse, H. B.\n\n1909 The Guilds of China London: Longmans, Green & Co.\n\nSowerby, A. de C.\n\n1926 A New Art Craft in Shanghai The China Journal of Science and Arts 8(3): 1.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208868, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 30, "title": "RAS-1980", "content_text": "KEITH G. STEVENS\n\nTemples and monasteries can be classified as follows:--\n\na. By religious belief-Buddhist, Daoist, Confucian and traditional folk religion,5\n\nb. By the contents of the altars - deities, ancestral tablets or charms.\n\nc. By their typological features such as the size and shape of their plans (square or rectangular); by their elevation into floors; by divisions and sub-divisions; whether free-standing or not; and whether the courtyard is enclosed or in front of the main building.\n\nd. Whether residential or non-residential.\n\ne. Whether permanent or temporary.\n\nf. By ethnic grouping (regional traditional types),6\n\nWithin Hong Kong and Macau, there are about four hundred and fifty Buddhist, Daoist, and folk religion temples, Buddhist and Daoist monasteries and nunneries, and ancestral temples. A few pre-date the advent of the British and Portuguese whilst the majority, built since 1840, have been established as specialised temples with a specific deity on their altars well known for a unique function such as destroying demons, protecting seafarers, foretelling the future, protecting mothers during childbirth and children during childhood, and the like.\n\nIt is unfortunate, out of interest in such historic places, that neither Hong Kong nor Macau have the large national temple or temples at which the official state religion was worshipped. This is due to the fact that before the arrival of the British and Portuguese, neither territory contained a county town and were primitive rural areas. Nor are there in Hong Kong or Macau the large City God temples which in Imperial China were to be found in all provincial and county capitals.\n\nWhereas the Chinese government in 1928 closed many temples throughout China during their campaign to suppress superstition,* the practices condemned by the Chinese authorities continued in Hong Kong and Macau where British and Portuguese administrators treated native susceptibilities with great caution. Hong Kong and Macau temples therefore, retained deities and practices which have probably long since disappeared on the Chinese mainland.\n\n* described in some detail by C. B. Day in his Chinese Peasant Cults (Nanking Theological Seminary English Publications, 1938), pp. 190-195.\n\nPage 30\n\nPage 31", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208869, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 31, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\nen\n\n3\n\nThey have however continued in S.E. Asia and Taiwan; and in some of the remoter areas of Malaysia there are altars in temples, preserved and much the same as they were a hundred years ago.\n\nIt is often difficult to obtain a clear answer from devotees themselves whether a particular temple belongs to Daoism, Buddhism or popular religion because, in the main, devotees simply do not understand the question. The majority of Chinese are not concerned with legendary or historical explanations and, if remotely religious, claim to be Buddhist irrespective of which temple they visit or which deity they venerate. In a few temples it is quite obvious that the deities are all of one religion, either Buddhist or Daoist, but the altars in most temples bear a mixture of Buddhist, Daoist and folk religion images side by side on altars.\n\nCommon usage by both Buddhists and Daoists of temple titles and religious terms also tends to mislead. It is therefore unwise to ascribe, automatically, specific terms to Buddhism or Daoism, though a few have a generally accepted and common meaning. The majority of Buddhist temples for example, are called “Si” and Daoist “Guan”, with “Miao” a common term for either. However, Miao is also the common term for folk religion temples and for certain shrines. \"Tang,\" a usual term for Buddhist monasteries and nunneries, is also used for Daoist or clan ancestral halls and for certain Guan Yin temples. \"Dong\", a cave, is a Buddhist title very frequently used for squatter temples, suggesting perhaps that the immigrant founder liked to think of himself as a hermit.*\n\nWhereas Buddhist and Daoist temples and monasteries bear flowery titles, usually obscure religious phrases or names unconnected with the main deities, folk religion temples tend to be dedicated to one or a pair of specific deities, the main god or gods on the main altar, and his, her or their names or titles are cut in stone or painted over the entrance to the temple.9\n\nIn Hong Kong temple building tends to reflect the wealth of a community (unlike in India where it reflects the class of the devotees). There are large establishments where monks and priests live; smaller establishments with a resident or day-time only keeper; and non-residential structures, the smaller of which are usually referred to as shrines.\n\n→\n\n* The characters referred to in this paragraph are ...", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208871, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 33, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\nfortune slips and interpret the fortune slips.\n\n5\n\nth\n\nCompetition between Buddhists and Daoists for the support of devotees led to grander and bigger temples. Small village shrines and temples, not in the same league, did not need to compete. Competition for devotees also led to the present circumstances in which rural shrines and temples are comparatively small and unkempt whereas their urban equivalents, though not much larger, have had to be made more attractive, usually by offering unique deities and services in order to wean devotees to their particular altars.\n\nIn Hong Kong and Macau there are a number of temples patronised primarily by people of a particular class, sub-ethnic group or occupational calling. Devotees tend to patronise their local temple irrespective of who the deities are, though they may be attracted to a more distant temple by a particular deity famous for his specialised power and efficacy. The latter might be a god whose cult is long standing and whose characteristics are unique and pertinent to the devotee's requirements. He might however be a new star, rising suddenly amid great publicity, only to wane again but not necessarily to disappear completely.\n\nLocation of temples\n\nPrior to the anti-superstition campaign in China in 1928, traditional temples were scattered across China in their tens of thousands. Not quite so abundant in Hong Kong, they are to be found squeezed in among high-rise buildings in the city and among houses in villages, and may be free-standing or joined to other structures. But apart from monasteries, rarely does one appear beyond the village bounds and when it does it is usually derelict or almost so. Buddhist, Daoist and popular religion temples do not usually materialize as full-blown two-court buildings with numerous images, large and small. Their development has been a natural progression from the small shrine on a hillside, probably beneath the overhang of or attached to a living rock, at the base of a large old tree, or in many cases inshore from a sandy beach of a bay with an easy landing for boat people. If the shrine is well attended, the protective construction around the small shrine will grow as years pass, until eventually it reaches the maximum size that devotees can afford to build and maintain.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208872, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 34, "title": "RAS-1980", "content_text": "6\n\nKEITH G. STEVENS\n\nAn example of the latter is the very recently established open-air shrine on a hillside, half way up, and some 120 steps above, the tarmac road of Black's Link on Hong Kong island. It consists of a small row of three shrines in one long concrete construction. Each is no bigger than 2' by 1'6\", and contains a printed and framed coloured icon, one Buddhist, and two of the folk religion. The title given to the whole is the Temple of the Three Immortals (49) The final character \"Miao\" (temple) normally gives the impression of roofed halls containing images and icons. However, the concept of the three altars of the Temple of the Three Immortals is no different from other temples with large altars, numerous images, high walls and a roof, which with all their other refinements in no way add to the power of the prayer of the devotee. There are, however, not many examples in Hong Kong of permanent outside shrines being referred to as a miao (temple).\n\nMonasteries were usually built away from the main centres of population, on hillsides backing on to slopes and facing downwards, overlooking wooded landscapes or the sea; whilst Daoist folk religion temples are to be found in population centres (especially where the centres existed a hundred or so years ago) and in sheltered coves at a convenient landing point.\n\nFishermen's folk religion temples may seem at times to be in isolated spots, but in practice they are near safe anchorages and just far enough from the next temple to be economically viable for the temple keeper. The pattern of fisherfolk temples, dedicated predominantly to Tian Hou (A) and Hong Sheng (), when plotted on a map, is quite distinctive, particularly in Wanchai and the centre of Victoria. The temples, now quite far inland, were originally built back a little from the original coastline and faced what then was the nearest stretch of water.\n\nUrban popular religion temples, built in traditional style in the early days of the two settlements, are usually simple folk religion establishments dedicated to the popular cults of Guan Di, Tian Hou and Wen Chang, whilst more modern temples built since the 1880's tend to be dedicated to less well-known deities who offer specialised services such as the plague deity, Sui Jingbo.\n\nOver the years a few temples have been closed down or moved elsewhere, from lack of patronage or because of reclamation, urban redevelopment and street widening. In one fell swoop a fisherman's", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208874, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 36, "title": "RAS-1980", "content_text": "KEITH G. STEVENS\n\nserve Buddhist devotees and which have Buddhist images on altars in their halls and offices. These include Buddhist schools, clinics, book-stores and libraries, homes for the aged and vegetarian food shops and restaurants.\n\nBuddhist temples and monasteries are not only more airy, lighter and cleaner than the Daoist folk temples, their images are larger, gold-lacquered and usually distinctive. However, there are the exceptions, few though they be, of small, dark and, because they are old, more drab Buddhist establishments. Some images too can be multi-coloured, though very few are of any material other than wood.\n\nExclusively Buddhist establishments are few and far between, the majority having an altar or two containing folk religion deities. Quite a number of the Buddhist temples were first instituted in Hong Kong by a single wealthy Chinese who recommended or selected the specific deity or deities to be placed on the altars. The donation of funds to help found a monastery is not only a move to obtain merit for the donor, or for perpetual prayers to be said by the monks in the Memorial Hall of the monastery for the donor himself or for his parents or wife, but is often a gesture to display the importance of the donor (it entitles his or her name to be engraved and displayed at the entrance). Once the monastery has been built the flow of funds from devotees enables it to flourish, but when devotees disappear the monastery too withers. Once the decision to found a Buddhist temple has been made, a board of directors is established and executive decisions are then made by them. (The same is true of Daoist and folk religion temples). In Buddhist and Daoist establishments a priest is invited to become the abbot, and nuns, monks and lay men and women are gradually enrolled. Abbots and hermits choose attractive and secluded spots on remote mountain sides to escape from the tumult of life and to devote themselves to quiet meditation. Founded by either fervent monks or wealthy benefactors, they were usually built on sites which were both aesthetic and practical because, in addition to being a place of meditation, in old China travellers in remoter areas found it necessary as well as agreeable to stay overnight in monasteries. (Plate 1)\n\nThree very distinctive areas in Hong Kong's New Territories were all sufficiently remote to satisfy the \"hermit\" in the monks.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208875, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 37, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n9\n\nThese are the wooded valley running down from Lantau Peak through Luk Wu to Tai O, the wooded area around Lo Wai to the north of and above the new town of Tsuen Wan, and the oldest of all, the easterly wooded slopes of the hill known to foreigners as Castle Peak. (Plate 2)\n\nBuddhist temples can also be established by a monk wishing to set up an establishment of his own to earn credit. The usual pattern would be first to open a small temple consisting of a Buddha Hall, a living room and kitchen. As others join him, if of course they do and if the temple retains its popularity, so the establishment will thrive and grow. However, should he die prematurely, his establishment usually dies with him.\n\nBuddhist monasteries, nunneries and temples usually follow a pattern based on the origins of the monk who first founded or organized the establishment. Hence, a monk from Shandong will reflect his provincial background in the organization and iconographical features of the establishment.\n\nBuddhists rarely have simple temples. Whereas traditional folk religion temples consist of a single storey, monasteries tend to have an upper and lower hall. Buddhist and Daoist monasteries and temples may best be described as being a series of \"boxes\" which, unlike a very high proportion of traditional temples, do not need to be symmetrical. They tend to run to complexes with their numerous rooms and halls, separate buildings and shrines, each housing one or more images. In each devotional hall the main sanctuary or altar which holds the image or symbol of the deity (or in the case of the Halls of Long Life and Rebirth, the spirit tablets) serves as the focal point of devotions and rites. Some monasteries and a few temples have a separate hall dedicated to the Ten Judges of the Underworld (with Di Zang Wang on the main altar) or the Eighteen Luohan (the disciples of the Buddha Sakyamuni).\n\nThere are, in addition to the devotional halls, monks' and nuns' quarters, kitchens, visitors' halls, refectories, study rooms, reading and meditation halls. Many small images are to be seen in each, though they are not always Buddhist. The occasional state religion cult hero or folk religion deity may be seen usually donated by a not too discriminating devotee. Abbots rarely refuse an image, particularly if it is accompanied by a donation to the establishment.\n\n*路盧遮那寺 in Lo Wai.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208877, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 39, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n11\n\nThere are a dozen or so temples in Hong Kong the titles of which should leave one in no doubt that they are Buddhist. To highlight the problem of classifying temples by their religious affiliation, let us examine one in Lo Wai above Tsuen Wan which has a typically Buddhist name followed by the characters for \"Buddhist temple\". The staff consists of three laymen who run the vegetarian restaurant below the temple and the deities on the altar from senior to junior are Guan Di, Guan Yin, Lu Dong Bin, Dou Mu and Yao Shi Fo. Guan Yin and Yao Shi Fo are Buddhist, whilst the other three are Daoist folk religion deities. Opposite the main altar, on a secondary altar, are a Kitchen God and a Protector of the Law, both represented by framed prints; the first is a folk religion deity and the second Buddhist. And finally, on the table before the main altar is a red wooden rice bucket containing a peck of uncooked rice in which stand numerous items which have without doubt Daoist and not Buddhist origins. Despite the mixture, the three laymen were surprised that there was any doubt that their temple was Buddhist.\n\nConfucian and Daoist temples\n\nIn Hong Kong and Macau there are no Confucian temples as there were in China and still are in Taiwan. There are, however, Confucian Halls such as the one in a school sponsored by the Confucian Society at Caroline Hill, Hong Kong Island. Several Chinese societies in Hong Kong are understood to have private altars dedicated solely to Confucius.\n\nThe official state religion had its own rites and deities and involved the official bureaucracy and the gentry only. The nearest thing to a State temple in our two territories is the rural school at Fanling where an image of the Yellow Emperor (*) stands on an altar in the main hall, and the side hall of a Macau temple in which a school is held where on an altar there are full-size images of the inventors of ink and writing.\n\n\"Pure\" Daoist temples are rare, there appearing to be none in Macau and some two dozen in Hong Kong of which two are branches of two of the others. These two dozen contain distinct Daoist deities, are run by Daoist bodies represented by a committee, whilst Daoist lay priests and priestesses perform Daoist ceremonies.\n\n* Peng Lai Ge (**M**)", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208878, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 40, "title": "RAS-1980", "content_text": "12\n\nKEITH G. STEVENS\n\nA typical Daoist temple is the very bare flatlet on the fourteenth floor of a high-rise block in crowded Shamshuipo, established by a widow from Fujian province in about 1965. Now in her early eighties, she lives alone in the flat, which has a resounding Daoist temple name, and has services performed once a week by a visiting lay priest. She recalled eight occasions when near death, she was saved by a specific Daoist Immortal, Lou Da Zhen Jun (**★**IA) who died late in the Ming dynasty, in Fujian, but who appeared again in spirit form in the twenties of this century in Amoy successfully to persuade a Bank of China manager to stop gambling. Lou's likeness is the only icon in the temple, and before it, services are held and sand-table prognostications obtained.\n\nA modern major religious complex above Lo Wai, Tsuen Wan, has on its main altar large images of Confucius, Lao Zi, and Sakyamuni, representing the three religions: Confucianism, Daoism, and Buddhism. Above the altar hall, which is a modern pagoda, there are several buildings dedicated entirely to memorials, and in two of these halls, Daoist services for the dead are frequently performed.\n\nFolk Religion Temples\n\nThere are some two hundred and forty-six folk religion temples in Hong Kong. When sub-divided into architectural groups, approximately two-thirds of them are traditional buildings, two-ninths are modern constructions, legally built with the Hong Kong Government's permission,18 and one-ninth resettlement shacks, huts, or other illegal constructions. These latter fall into those tolerated by the Hong Kong authorities and those not tolerated.* The latter are regularly pulled down, often to be built illegally again nearby.\n\nTraditional temples in rural areas tend to have flourished around a catchment area of a village or two and have been built on the outskirts of one of the villages. Frequently, there is an adjacent open space used primarily for holding elaborate festivities on the main deity's annual feast day.\n\nAlthough most traditional folk religion temples built before World War II have a similar plan and general layout, no\n\n* To be explained by the periodic amnesties given to older, but still not tolerated illegal structures. 1976 saw the last to date, the purpose being to provide a new, realistic baseline for demolition of new structures (Hon. Editor).", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208886, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 48, "title": "RAS-1980", "content_text": "20\n\nKEITH G. STEVENS\n\nAlthough clan or ancestral halls and temples are usually handsome buildings located near the centre of a village, many now old and rarely used have been permitted to fall into disrepair and are derelict. These memorial halls contain only the ancestral tablets of the senior member of each generation of the clan whose surname appears over the main entrance of the hall or complex. Some villages have two and even three such temples, dedicated to each of the clans dwelling within their bounds. (Plates 10 and 11).\n\nThe memorial and ancestral tablets of the man-in-the-street (personal ancestral tablets) are placed on either the private household altar of the family or the shelves of the memorial halls of Buddhist or Daoist monasteries and temples. Personal ancestral tablets are rarely retained for more than three generations, whereas the tablets of the public ancestors of the clan are retained as far back as the first ancestor who moved to the area in which they are presently situated.\n\nLike the small temples, the clan halls are usually cluttered with agricultural equipment used only when the season comes around. None of the clan halls is spotless, and often the plaques, panels, mirrors and other decorations are so covered in accumulated filth that they are hard to decipher. The excuse given is that the lineage is too poor to employ a temple keeper and by implication there is no one else who should keep it clean, so the halls remain decrepit and forlorn.\n\nFamily and clan temples very rarely contain images, particularly as Cantonese do not carve images of their ancestors as did the people of Hunan and Fujian provinces. When family and clan temples do contain deities, these are represented by either a framed print usually of the bodhisattva Guan Yin or a small image of a popular deity placed there by a devotee who either had no place for it at home or had a misguided notion to donate such an image to the clan (Plate 12). This happened in a small clan temple near Sheung Shui where the tolerant members of the clan have ignored the deity and have left it there to avoid hurting the donor's feelings.\n\nShrines\n\nShrines almost certainly pre-date temples and in their basic form have remained essentially unchanged for hundreds, if not, thousands of years. A considerable percentage of Chinese ritual is performed", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208889, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 51, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n23\n\nof deities. It is now only three storeys high though originally it had, according to differing legends, four or seven storeys.23\n\nInternal Decoration\n\nPopular religion temples vary from the traditional old, often magnificent buildings with carved and gilded panels and beams, furnished with rich embroideries, bronze and pewter vessels and numerous personally-donated items all of which enhance local pride in the temple, to the new jerry-built squatter constructions with ramshackle altar tables littered with tins, boxes and bottles, with one or two litho reproductions only to enliven the walls. Some of the rural traditional temples are bereft of much decoration due, in all probability, to the poverty of devotees,\n\nThe range of stylistic variations that emerged as temples evolved in Hong Kong and Macau, shows an essentially conservative character, although the inner decoration of traditional temples does vary from area to area. Some temples have a frieze of panels carved or sculpted in relief above or in front of the altar tables depicting birds and animals, court scenes with generals flanked by soldiers and scholars, and scenes and characters from Chinese myths and legends. Some temples have long red (occasionally black) boards inscribed with auspicious phrases in black or gilded characters, concealing the pillars of the main hall, and some have richly decorated lintels. Most however are relatively bare. Inside, the structure of beams, brackets and roof tiles are more often than not blackened with soot from incense smoke.\n\nApart from the strikingly rich crimsons on and around the altars, there is little colour in Daoist folk religion temples and the murk and dust tends to overshadow what little colour there is. Courtyards, paved with stone, are usually calm, shaded areas of green and blue, with little decoration apart from the murals which may have been preserved, painted over doorways.\n\nTemple and monastery murals and decorative wall carvings, particularly in Daoist and folk religion temples, are so complicated in detail and pattern, and contain such a wealth of allegory and legend that non-Chinese visitors are either completely bewildered or overwhelmed by detail that usually they see little of the mural. Paintings and sketches of scenes involving numerous Immortals and deities defy identification, even though the main character may", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208895, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 57, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n29\n\nZhi Gong and over Lunar New Year, and has a \"red-pig\" fund30 for the feast at each occasion.\n\nCertain lands in rural areas in Hong Kong are designated as 'temple property',() and the income from them is devoted to the upkeep of the temple and its deity as well as providing financial support for the temple keeper. In many cases the deed of ownership is made out in the name of the principle deity, whilst selected elders of the village act as trustees.\n\nA foreign missionary once described how funds were raised in China for religious purposes.31 An old Buddhist temple to the north of Tak Hing, west of Guangzhou which had been allowed to fall into ruin, was to be rebuilt in 1903 because a geomancer discovered that the floods and crop failures of 1902 were due to the neglect of the deity who formerly had occupied the temple. The deity had come back, according to the geomancer, and had been seen in the form of a woman. Villages and cities even as far distant as forty miles sent processions to help subscribe towards the rebuilding. The missionary described the local collections as \"frequently barefaced extortion”. He explained that \"women went round to collect the money and asked every man for a sum based on what they knew him to be worth. If their demand was not complied with, they would refuse to take anything at all and threatened to post the family name all over the city walls as niggards who refused to help towards the public weal\". Perhaps too, in Hong Kong this may still go on to some extent.\n\nStatistics — Temples in Hong Kong and Macau\n\nHousehold altars and unmanned sea-side and streetside shrines have not been included in the statistics, except in the case of the streetside shrines which are roofed buildings large enough to entertain several humans standing up. These have been included under temples. The unmanned smaller public shrines run to about several hundred in Hong Kong with a further eighty in Macau.\n\nThere are about three hundred and ninety-six temples and monasteries in Hong Kong. Of these as many as ninety-eight are (or were before reclamation projects were completed) coastal temples dedicated to gods or goddesses of the seas; one hundred and thirty-five are Buddhist monasteries or nunneries; two hundred and forty-six are folk religion temples and two dozen are Daoist temples", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208897, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 59, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n31\n\nrural areas, and the very ancient agrarian cult, the God of the Harvest, Soil and Grain, She Ji(4) whose shrines are found usually at the edge of villages and, like those of the Earth God, are too numerous to count.\n\nThe only general conclusion to be drawn from all this suggests that the vitality of the cults of deities has in general declined, whereas a limited number, in squatter resettlement areas, continue to thrive by acting as a focus for the minority Chaozhou, Hakka and Minnan immigrants.\n\nNOTES AND REFERENCES\n\nThis is Hong Kong: Temples. By Joyce Savidge, Hong Kong Government Printer, 1977.\n\n2 Dong Fong Ri Bao.\n\n* In this article the English word \"temple\" is used to include uniquely Buddhist and uniquely Daoist temples and monasteries; popular or folk religion temples (which may or may not contain Buddhist and Daoist deities); community temples (both private and public), and ancestral or clan temples. A shrine is an open-fronted room or box-like construction, either at the wayside, under a tree, outside a temple or monastery or hanging on a wall. Outside permanent shrines are referred to in Hong Kong as \"Exposed temples\" (露天廟). They are by definition unmanned.\n\nA \"community temple\" is one built by funds raised within a limited community and administered by a committee, either of a city, village or suburb, or of an ethnic group of expatriates. Private temples are built by private bodies such as:\n\n(a) A family or clan.\n\n(b) An individual monk or nun who raises funds by subscription and who leaves the temple to an acolyte at his or her death.\n\n(c) A trade or profession.\n\nPrivate temples, despite being private and closed to outsiders, are also usually controlled by a committee. A few private temples continue to remain so but gradually most become public, particularly as the number of devotees and images of deities within the temple increase. Some Buddhist temples, privately owned with the affairs and finances in the hands of the owners, are usually also the home of the owners and the ancestral tablets of the owner's family appear on the altars with or beside the deities. Privately owned is not the same as being open or closed to the public. Some indeed may be closed, but the majority are open to the public.\n\nOnly very occasionally are icons or images of deities to be found in clan temples, whereas ancestral tablets are frequently to be seen in community temples. Advantage is taken in the latter of the duties performed by the temple keeper (which clan temples do not have) which", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208899, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 61, "title": "RAS-1980", "content_text": "CHINESE MONASTERIES, TEMPLES, SHRINES, ALTARS\n\n33\n\n14 Because of the exorbitant rents for such accommodation, temples in shop houses and flats in Hong Kong are few and far between. In Singapore and Malaysia, temples in shop houses are very common indeed, though they are becoming less so as the years pass and rents in urban areas rapidly rise.\n\n15 Occasionally such a temple may be a converted private house, as in the many examples in Lo Wai village, Tsuen Wan, but more often it is a purpose-built but inexpensive hut.\n\n18 Temples containing images of the Buddhist deities Di Zang Wang, Milofu, and Guan Yin are not necessarily specifically Buddhist, as all three of these deities nowadays are also extremely popular deities in folk religion temples.\n\n17 Mahayana is Northern Buddhism and Theravada or Hinayana is Southern Buddhism.\n\n18 \"Illegal\" is a Hong Kong term for buildings which have been built on Crown Land often by squatters without Government land control or planning permission, but which have been permitted to remain standing under sufferance. In practice, they are temporary structures put up without permission, occasionally ramshackle though more often they are well-built timber, weather-board, and corrugated iron buildings, clean and well-proportioned. (Illustration 17). Some have stood for such a length of time as to have been gradually converted to concrete and brick. All are labelled on the side in rough daubs of paint with the bureaucratic abbreviations and digits prefixed by \"TEM\" (= temporary) affixed by squatter control staff of the Housing Department.\n\n19 Demons are well known to Chinese to be unable to go around corners and must travel in straight lines, hence these inner doors to prevent the demons from entering the temple. The inner doors originally were opened exclusively for influential people.\n\n20 See also James Hayes' information at JHKBRAS 6 (1966): 129-130.\n\n21 In overseas Chinese areas, this kind of large street shrine is still very common and, in Singapore alone, some four to five hundred exist in all kinds of nooks and crannies. For a Hong Kong example, see JHKBRAS 14 (1974): 203.\n\n22 Chu is one of the 28 Constellations (= xiu).\n\n** See pp. 111-113 of the Hong Kong Government's publication Rural Architecture in Hong Kong (1979) for this pagoda.\n\n24 In Imperial times, such masts were always to be seen outside the local magistrate's yamen.\n\n25 Chinese bells have no internal tongue clapper, being tolled by an external blow with a wooden mallet.\n\n26 For the Evacuation of the Coast, see Lo Hsiang-lin and others, Hong Kong and its External Communications before 1842 (Hong Kong, 1963) Chapter VI.\n\n27 For background, see Jen Yu-wen's article \"The Southern Sung stone-engraving at North Fu-t'ang\" in JHKBRAS 5 (1965): 65-68.\n\n28 Government action is through the Chinese Temples Committee, serviced by the Trust Funds Section of the Home Affairs Department.\n\n29 Temples according to this Ordinance include Miao (廟), Si (寺), Buddhist and Daoist monasteries, Guan (觀) and Dao Yuan (道院), and nunneries An (庵).", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209002, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 164, "title": "RAS-1980", "content_text": "132 \n\nNOTES AND QUERIES \n\nIs this mismanagement? It can be called mismanagement by all who are dissatisfied: by ardent Maoists and by the proponents of greater liberalization. Teng Hsiao-p'ing must feel sometimes like a squeezed beancake. He will be criticized by some no matter what he does. \n\nThe reader must be tired of articles that breathlessly give eye-witness accounts of the truth about China. There is no simple truth about China, which is too large and complicated a country. Articles about it often tell more about the observer than the observed; and about those on whom the observer depended for his information. This problem is not unique to China. England is complicated. The United States is more complicated. Russia and China are still more complicated. About Russia it is hard to learn because of the paranoid secrecy emanating from the Kremlin. About China it is hard to learn because of its long history of ups and downs, ins and outs, and the tendency of most Chinese to assume that \"behind the curtain\" much is going on that differs from what is going on in public view... \n\nDuring my whole trip in China I never heard any Chinese bring up Mao Tse-tung. His portrait was still everywhere—though I have heard that it is rarer in Canton. There was a very long line of people waiting to enter his mausoleum in Peking. But no guide—no one at all, in fact—brought up the name of Chairman Mao. I had an interesting experience in Nanking. The local head of the China Travel Service gave our tour-group a banquet in order to make amends for a mix-up about our arrival in his city. At the end of the banquet he proposed a toast to friendship between China and the United States, to future tourism, and so on. Then one of our tour group responded by proposing a toast to Mao Tse-tung. I was watching our host's face. He was at a loss. Then, after a moment's pause, he joined in the toast. If I had been he, I would have responded with a toast to George Washington. \n\nI had very good luck in visiting monasteries and meeting monks when I went to Sian, Loyang, Nanking, Soochow, Shanghai, and Peking. I have described some of what I learned in the Far Eastern Economic Review for August 15, 1980. Let me say here only that my good luck was because China is a free country today in a way that the Soviet Union is not. While my tour group went off in a bus to see the sights, I hired a taxi and visited a monastery. Only on", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209843, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 102, "title": "RAS-1983", "content_text": "80 \n\nwords of Chinese origin are almost always anglicized in pronunciation. There may be doubt concerning how the word should be pronounced, but rarely is the Chinese pronunciation retained. For example, take the word cheongsam. The affricate /ts/ is replaced by the English /ch/ and the rounded vowel similar to that in the English \"bird\", but with lip-rounding, is replaced by a vowel identical to that in the English 'long'. Similarly in fung shui the Cantonese diphthong /oey/ (similar to that in the French 'lui') is substituted by the /u/ + /i/ sequence as in the English 'ruin'. On the graphological level, there is no question of the loans being written in Chinese characters. The letters of English alphabet may however occur in rather unfamiliar combinations, as in the case of e-o-n-g occurring in cheongsam, and u-e-y in chopsuey.\n\nAnother requirement for full assimilation is related to the grammatical status of the word. Grammatically, it is assigned to a word class, or may have multiple-class membership. It behaves like other members of the class, so that if it is a countable noun it is inflected for number, and if it is a verb, it can take a past tense ending, and so on. Thus typhoon is inflected for number and kowtow for person and tense. It obeys the syntactical rules of the language in combining with other words to form grammatical sentences. For example, the headline 'Running water for lamas' occurs in The South China Morning Post, (7/82) also in the same paper, someone is described as 'mingling with the rich tai tais'. The word is not restricted in occurrence to limited contexts, but may be found to combine freely with other words to form bigger constructions, so that one can speak of Bruce Li as a 'kung fu superstar' The South China Morning Post (26/4/82), while in Noble House the writer mentions ‘a flood of amah Cantonese' (p. 1017). Cheongsam, in its past participle form, functions as an adjective in ‘cheongsamed girl', as used by Richard Hughes (p. 98) and James Clavell (N.H., p. 9). Derivational affixes may be added, as when ‘ism' or ‘ist' is added to the loans tao, lama, Mao, giving taoist, taoism, lamaism, Maoist and so on. It does not matter that Confucius originally derives from a surname plus a title; now that it has been established in the English language, one can derive Confucian and Confucianism from it. Again, it is of no significance that the model for Shanghai", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210984, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 46, "title": "RAS-1987", "content_text": "21\n\nnineteenth-century sinologists had laid the foundations for modern China in studies in the West.\n\nBut this long episode of almost total neglect of China was to come to an end with the unexpected ascendancy of Communist China. French intellectuals were caught completely unprepared, all the more since there was strictly no equivalent in France to the sympathetic writings of Snow, Smedley and so many other reporters who had prepared at least some sections of British and American public opinion for the Communist takeover. The French intellectual scene was a blank page - a very Maoist feature and this was a decisive contributing factor to what has since been described as the 'love affair' between Maoist China and French intellectuals.\n\nThis love affair is a very complex story, and requires a much closer look. It had first of all to do with the rejection on the part of the French intellectuals of Soviet-styled communism, once so popular with them. China and Maoism provided ex-Communist Party members with an occasion to settle their accounts with Moscow. Chinese communism was also considered a valuable experiment in Marxist economic theory, and noted economists, such as Charles Bettelheim, always made this point. For Jean-Paul Sartre, who was in the late 1960s at the peak of his cultural and political prestige, Peking was definitely different from Moscow.\n\nChina also met a basic aspiration among French left-wing intellectuals, which I would describe as political exoticism, that is, the tendency to look for a political homeland and model of reference in distant, exotic countries. At times in Cuba, at one time in Algeria, in Vietnam, then in China; each provided a substitute for the ideal society France was unable to develop at home, especially after the failure of the May '68 movement which had been so popular with most intellectuals, and not only with students. The radical young intellectuals of the May '68 generation, such as André Glucksmann and Bernard-Henri Lévy, who were later to establish themselves as trendy 'new philosophers', were among the most devoted Maoists.\n\n—\n\nBut it would be just too easy to restrict the love affair between Maoism and French intellectuals to such radical groups. At least", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 210985, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 47, "title": "RAS-1987", "content_text": "22\n\nTwo completely different factors come into the picture, namely Gaullism and Italy.\n\nA hidden but deep correspondence had always existed between Gaullists and Maoists. Both emphasised the importance of historical roots and long-term perspectives, for France de toujours as well as for the Sons of the Han on their everlasting Yellow Earth. Both had refused to align their nuclear policies with the strategies of the superpowers. André Malraux's visit to China in the 1960s, both as a former activist in the 1926-27 revolution and as a prominent Gaullist intellectual, was a symbolic episode, much publicised in France. Had General de Gaulle not died suddenly in 1970, he most probably would have paid Mao Zedong the visit already arranged by his old companion Etienne Manach, then French Ambassador to Peking. It would have been an extraordinary performance, in both the grand French and Chinese traditions.\n\nItaly was also very influential. There has always been a special connection between Italy and China. Chinese intellectuals have always felt very much at home in Italy, and the active sympathy for Maoist China of such prominent Italian intellectuals as Malaparte, Alberto Moravia and Maria-Antonietta Macchiocchi certainly made an impact on Parisian literary circles. Altogether, many influential French intellectuals were in those years very keen on visiting China and however brief their visit publicising their sympathy for China. Be they Claude Roy, Etiemble, Roland Barthes, Philippe Sollers, Julia Kristeva18 or many others, their individual approaches may have differed one from another, but they were all indulging in China as if their commitment to China was more important than China itself. They also affected a definitely revivalistic attitude, as if they were the new sinophiles in the grand eighteenth-century tradition.\n\nBy and large, Maoist China was very chic in French cultural life of the 1950s and 1960s. The theatres were packed full at every Peking Opera visit, the books of Han Suyin sold very well, Chinese exhibitions of art at the Grand Palais were a must, the veteran film-director Joris Ivens, Dutch by birth but settled in France, embarked on a 12-hour film on Yu Gong and People's China's achievements, and the well-established literary publishing series", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 210986, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 48, "title": "RAS-1987", "content_text": "23\n\nLa Pléiade was wide open to classical Chinese literature, which benefited from the Maoist vogue.\n\nThe Maoist mirage met nevertheless with reservations and condemnations from various quarters — from the conservative Catholic right-wing and also from the pro-Moscow French Communist Party, which was hardly surprising, but also from two more specific groups, rather influential among intellectuals. The academic sinologists, on one hand, were very critical of the pro-Maoist fashion; with very few exceptions, they were well aware of the simplistic naivety of the new sinophiles. Yet, one should wonder whether their open hostility towards the fashionable intellectuals was not, after all, a kind of defensive reaction against what sinologists considered to be trespassing on their professional estate! On the other hand, pro-Maoist intellectuals were harassed pitilessly by a radical and very vociferous group, the young situationists, whose overall attack against established cultural values of every kind had been an important contribution to the May '68 movement. Thus, an unexpected anti-Maoist alliance was formed between respectable sinologists and sniping situationists, which was to make a lasting impact in France and in which the Canberra academic scene also became involved.\n\nLooking at this strange, erratic, very emotional love affair at a distance, some fifteen or twenty years later, how should we react — including myself? The whole affair was certainly a strange combination of affectation and naivety, of misinformation and self-complacency, which deserves blame and regret and nothing else. We were definitely lacking intellectual rigour, caution, and integrity. Not only did we satisfy ourselves with a rosy picture of China, which was conveyed to us by visitors on short-term and carefully controlled tours, but we made this rosy picture an essential ingredient of our social prestige, our publishing careers, our popularity with the media. We failed completely to assess properly our responsibility towards French public opinion and especially towards those for whom China understandably meant hope, determination, the ability to shape one's own future. I am not sure that self-criticism was something George Ernest Morrison was quite familiar with. But I am pleased that the present Morrison Lecture gives me a convenient occasion for expressing such regret.", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 210987, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 49, "title": "RAS-1987", "content_text": "Yet I have no regrets whatsoever for the basic motivations which led so many French radical intellectuals to side with Mao-ism in the turbulent 1970s. Some of the trendy Maoists may have been concerned most of all with the image of China they were propagating for their own satisfaction and prestige. Yet others, as I can testify, had more sincere and far-reaching motivations. We took seriously the 'mass line', in contrast to politics set at the top. People's communes appealed all the more to us, since uncontrolled urban growth had become a cornerstone of the French Fifth Republic's overall economic strategies. \"To rely on one's own strength,' zili gengsheng, made sense to us, against the prevailing trends towards cultural banalisation of French daily life on the American model. 'Bombard the headquarters' was a slogan well-received among those who, after the failure of the May '68 movement, had experienced the backlash of the established political parties regaining their monopoly over French political life. We were certainly wrong in our simplified approach to the complex realities of Chinese politics and Chinese society. But looking at it from a distance, we were not necessarily wrong in advocating Maoist analyses and Maoist thinking so as to approach critically what we probably knew better than China, namely France itself.\n\nThe major intellectual encounter between China and France in the eighteenth century belongs to the past; the solitary French sinophiles of the nineteenth century have remained marginal in French literary history, and the Maoist love affair of the 1960s and early 1970s has ended pathetically, as most love affairs do. What next? One should perhaps consider, by way of conclusion, the relevance China may still have, in relation to the French intellectual crisis of the 1980s.\n\nTo describe present-day France in terms of an intellectual crisis may just be too easy, for genuine intellectual life is by nature a crisis in itself, a clash between the world of ideas and the real world, a clash between the old and the new. Every generation is involved in such crises. But the problems French intellectuals are facing in the 1980s go much deeper and much further, they encompass our very model of development all over the world, namely modernity. The present-day French intellectual crisis accordingly develops at two distinct levels. It still concerns French intellectuals and their role in their own society. But our French crisis is also,", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 210988, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 50, "title": "RAS-1987", "content_text": "in much broader terms, a crisis about France itself and not only its intellectuals, it is an ideological dilemma about the validity of our privileged position in the world of today. And at both levels, China is still part of our intellectual horizon.\n\nHow should intellectuals stand in relation to politics? Should they be involved? The prevailing trend in today's France is almost total rejection of the intellectuel engagé figure, of the politically committed intellectual in the tradition of Voltaire and Hugo, of Emile Zola, Romain Rolland and Jean-Paul Sartre. Here China has certainly played an indirect yet influential role; for the simplistic excesses of the pro-Maoist rhetoric of yesterday and the bitter, almost overnight realisation that the Maoist mirage was just a mirage, greatly contributed to the discredit of the intellectuel engagé. Ironically enough, the same ex-radicals who are presently disavowing their Maoist past have not altogether given up their incorrigible tendency to look abroad for an ideal society. The New Philosophers have turned far away from China to a completely new direction, namely the United States and Reaganism. This is the New Libertarian Right, campaigning in France for economic deregulation and military solidarity with Washington.\n\nAnother critical question for present-day French intellectuals deals with their own position in society at large. With the present-day tendency towards elitist professionalisation of academics, doctors, architects and engineers, the ‘barefoot doctor' of the Maoist era appears more and more remote. But did the barefoot doctor just represent a Utopian dream, a Rousseauistic image? Interestingly enough, in many developing countries of Asia and Africa, people who probably never read a line of Mao Zedong in their lives commonly refer to ‘barefoot architects', more familiar with local building materials than with reinforced concrete, and more concerned with the needs of the ordinary people than with the tastes of high-ranking business executives in their luxury hotels.\n\nMore generally, the relevance of the Western model of development for most African, Asian, South American and also Pacific countries is vigorously debated today among French and other Western intellectuals, and this brings us back to China. How to balance heavily centralised technologies, \"white elephants' such as", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 210989, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 51, "title": "RAS-1987", "content_text": "26\n\ngiant dams, expressways, large-scale forestry felling, with 'appropriate technologies' better adjusted to the natural and social environment? How to check the power and influence of foreign technicians indifferent to local problems? How to control the abysmal growth of destitute shanty towns? These basic problems of China have become the problems of Amazonia, South Asia, Black Africa, Melanesia. The interests of some Parisian intellectuals may have shifted elsewhere, but other intellectuals have remained deeply concerned with the relevance, or the irrelevance, of our Western model of development for less affluent countries. In a recent book dealing with the problems of development, Edgard Pisani, a French intellectual who is also a former French High Commissioner in New Caledonia, has compared the energy gains offered by a large-scale modern dam with the energy savings of 5,000 peasant earthenware stoves. His point is this: these 5,000 stoves are very cheaply produced and they save the heat otherwise wasted when the kettle was just put on stones; these stoves compare very favourably in terms of energy gains with the expensive dam built by transnational corporations under the supervision of highly-paid foreign experts. Pisani is a moderate social democrat. He never indulged in radical Maoism. Yet his argument clearly amounts to a posthumous and quite unexpected validation of some basic themes of the Great Leap Forward thirty years ago.\n\nFrom Watteau paintings and the Pompadour festivities to peasant stoves in Black Africa, from the Confucian mirage of the eighteenth century to the Maoist mirage of the twentieth century, from Victor Hugo's maledictions against Anglo-French vandalism in Peking to the Gaullian joint celebration of France de toujours and Chine de toujours, from the Philosophes' appeal to China against the tyranny of the old monarchy to the New Radicals' appeal to China against the tyranny of the Western model of development, the story of Sino-French intellectual relations for the last three centuries has been extraordinarily rich and diversified.\n\nFrom this kaleidoscopic sequence, possibly the most sensitive, the most radical and the most disruptive image is that of Baudelaire:\n\nJust as in the old days we would leave for China", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211945, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 360, "title": "RAS-1989", "content_text": "335\n\nA. Places of worship\n\nThe gods worshipped in Kam Tin can be divided into four categories. They are gods housed in temples, localized gods in outdoor space, gods on family altars, and the general gods of Heaven. The gods of heaven (Tin-San) are worshipped outside the house door, often with a tablet saying \"Blessings from the Gods of Heaven\" (Tin-Gwun Chi-Fuk).\n\nMore important for the community as a whole are temple gods and localized gods. Firstly there are the Ling-Wan Monastery and the Jau and Wong temple, which were important to the Dangs of Kam Tin as a whole. Stone inscriptions show that villagers of Kam Tin as a whole contributed money for rebuilding or repair, doing so on the basis of villages and higher order lineage estates, notably Ching-Lok Jou and Naam-Kai Jou.\n\nAccording to Sung (1973 and 1974) and the Si Kim Tong genealogy the Ling-Wan Ji was established by the Dangs of Kam Tin for the second wife of their founding ancestor Hung-Yi. But it is probable that Sung's source for this information was the author of the Si Gim Tong genealogy himself, and other villages seemed less aware of the connection of the monastery with their ancestor. Perhaps even more important is the idea that Ling-Wan Ji was the jyu-lou, or “head” of Kam Tin. That is why, a Mr. Dang explained to me, all the village gates should face Kwun Yam Shan, where Ling-Wan Ji is, and there is no need for a tall san-teng. Ko Po and Wing Lung Wai are exceptions to this rule. He knew that the position of the gate in Wing Lung Wai had been altered. He thought that the direction of the Ko Po one had been altered too.\n\nInterestingly the Xin'an gazetteer has no entry for the Ling-Wan Monastery under that name, but records the existence of a Gwun-Yam Temple on Kwun Yam Shan at the foot of Tai Po Shan, which matches the location of the monastery. The Xin'an gazetteer of 1688 is probably the earliest document mentioning the temple. Under the entry for the temple it mentioned a man of Dongguan county in the Ming dynasty who had lived there. It is not completely clear if this man was a Daoist. When Dang Si-daan's uncle donated the bell now at the monastery in 1755, the inscription referred to the place as the nunnery at Kwun Yam Shan. No one had heard about the temple named in the gazetteer, but Gwun-Yam is worshipped in the monastery, with various other gods such as Gwaan-Dai, and it is the goddess who has a central position, with\n\nPage 360\n\nPage 361", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212122, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 64, "title": "RAS-1990", "content_text": "41\n\nKong: Oxford Univ. Press, 1983), 156-160 & 163-164, on the Jiao festivals celebrated between 1964 and 1972 in Ma Tau Wai, Nga Tsin Wai, Tung Chung and Tai O.\n\nN Mathias, John R.G., Study of the Jiao: a Taoist Ritual in Kam Tin in the Hong Kong New Territories (unpublished D.Phil. thesis, Oxford University, 1977-78).\n\n#I Kani, Hiroaki, \"Hồn Kôn Chugokujin no shukyo shiso no ichidan nitsuite\" Shigaku 40, no. 2 & 3 (1967).\n\n22\n\nObuchi, Ninji, “Hon Kon no tokyo girei\" |Daoist ritual in Hong Kong] in Ikeda Sueri Hakase Koki Kinen Toyo Gaku Ronshu (Tokyo, 1980), 753-769.\n\n27 Yoshihara, Katsuo. \"Shukyo\" [Religion] in Kani Hiroaki (ed.) Motto Shiritai Hon Kon (Tokyo: Kobundo, 1984), 184-191.\n\n11\n\nSee note 37.\n\n14\n\nI have been told that Dr. Faure had a manuscript on the Jiao festival sent to a publisher in Hong Kong. However, due to whatever reasons, it has not yet been published. See also Hayes, 164, about Faure's book on Jiao festivals.\n\n36 I was probably the only researcher who participated in the 1980 Kau Lau Wan Jiao festival when I was first introduced by the late Prof. B.E. Ward and Dr. S.H. Wang to the Jiao festival celebrated by the fishing village. In October the same year, Dr. Faure and I attended the Jiao festival at Pak Kong, Sai Kung. In November, the late Dr. Lu Bin-chuan of the Music Department of CUHK, Dr. Lu's student Mr. Chan Wing-Hoi and I attended the Jiao festival in Fanling. Dr. Faure, Prof. Ward and Prof. Tanaka also came. The Jiao festival of Fanling and that of other areas are mentioned here and there in Faure's 1986 book. In December 1980 students of CUHK under the guidance of Dr. Faure, Dr. Wang and Prof. Ward started an ethnographical research on the Jiao festival in Ho Chung, Sai Kung. A detailed report of daily rituals was written by Lee Lai-mui and Cheng Shui Kwan, two CUHK students majoring in History and minoring in Anthropology. The report was sent to interested scholars. Unfortunately it has never been published. Two students of the CUHK at that time should perhaps be mentioned here: Chan Wing-hoi, who specializes in music and computer, was employed by the History Museum of Hong Kong to study the Kam Tin Jiao festival in 1985, a report of which was published in the Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989). Chan's master's thesis on folk music in Hong Kong also includes a chapter on the ritual music played by the Taoists at the Jiao festival. Chan also has an ethnography on the 1986 Shek O Jiao festival published in the Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. The master's thesis of Leung Chor-on, now Ph.D. candidate of Cambridge University, submitted to the Anthropology Department of the CUHK gives a good account of the ritual symbols of the festival. Chan, Leung and I held a seminar on Jiao festivals on Dec. 11, 1988 for the \"Research Circle of the Regional Society of Southern China\" focusing on musical, ritual and social aspects of the festival.\n\n27 Locally published works besides those by Faure and my own are:\n\n-\n\n(a) Chamberlain, Jonathan, \"Introduction” in Chamberlain J. and Iam Lambot The Bun Festival of Cheung Chau (Hong Kong: Studio Publication, 1990). This is largely a collection of photos. Chamberlain's introduction is very descriptive but no sources are quoted.\n\n(b) Chan Wing-hoi, “Observations at the Jiu [Jiao] festival of Shek O and Tai Long Wan, 1986\" Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. Chan recorded meticulously what he was told and observed about the 'settlement', the 'participants', the \"ritual site\", the \"local gods\" and the \"events\".\n\n(c) Xiao, Kuo-jian (Anthony K.K. Siu), Xianggang Xiandai Shehui [Pre-modern society of Hong Kong] (Hong Kong: Chung Wah, 1990), 86-97. Xiao attempts to illustrate three reasons why the communities in Hong Kong celebrate the Jiao. The first reason is to plead for fortune, to pay sacrifices to the gods, to drive away evils and to prevent\n\n4", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213770, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 122, "title": "RAS-1996", "content_text": "93\n\nFROM LANGMING ORDINATION NAMES TO GONGMING IMPERIAL DEGREES: STUDY OF A HAKKA RELIGIOUS PRACTICE AND ITS DECLINE\n\nCHAN WING-HOI\n\nFrom what we know about Chinese religion, ritual experts / magicians appear to be specialists living among lay populations whom they serve but who are not otherwise involved in their tradition. One notable exception is the case of the Yao who practiced a system of ritual obviously originated from the Han people. The Yao however differ from what we know about Han communities in that, generally, becoming a “Daoist” magician is part of their initiation into full adulthood.' Another important difference is that rituals of ancestral worship and those for the worship of gods appear to be separate among the Han but not among the case of Yao and She ethnic groups.\n\nReading the ritual manuals of ritual experts of Guangdong and Fujian provinces who claim to be Daoist, and of those from the Yao, one notices that they share a literary style that is quite different from the manuals in the Daoist Canon. As I shall show later, they share a peculiar group of gods central to their traditions but not found in the canonical tradition except a mention in the Southern Song dynasty of the magic of the \"sorcerers\" Moreover, we find in some Han genealogies, especially those of the Hakka, indications of similar practices of ordination and related customs. Instead of showing that the Hakka were of Yao or related non-Han minority origin, it confirms that the Yao practice is derived from a practice widespread among their Han neighbors that is less well documented.\n\nGenealogies from among the Hakka of Guangdong and nearby provinces collected by the late Hakka scholar Luo Xianglin, and those found in the collections from the New Territories of Hong Kong, provide records of such ordinations from as early as the 10th Century. Many villagers in the New Territories have ordained ancestors, some held occasional celebrations which suggest that ancestral worship among those people could have been very different from what it is now, before the 18th Century when new ordination names were no", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213771, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 123, "title": "RAS-1996", "content_text": "94\n\nlonger recorded in genealogies. While this article limits itself to the case of the Hakka, preliminary investigation suggests that the practice is probably also found among some Cantonese-speaking lineages.*\n\nThe Nature of Ordination Names\n\nMany Hakka genealogies contain names for ancestors described as faming, langming, or duming. The three are used interchangeably. The first and third of these terms can be translated respectively as “magic/religion name” and “ordination name”, and the second refers to the form of such names. The ordination names found in Hakka genealogies are of two varieties: the first with Fa as the first character of the given name, reminiscent of the titles of some Buddhist monks and the Hakka “Daoist” ritual specialists. The other is a non-numeric character followed by a number and the word “Lang”, reminiscent of some Japanese given names such as Junichiro in the name of the famous novelist Tanizaki Junichiro. The ordination names for earlier times, perhaps during the Song, tended to be of a simpler form: just a numeral followed by lang. The non-numeric character could have been a refinement to the system for telling generations apart. The “Japanese” pattern is also found in the names of some of the gods of the Lu Shan tradition of sorcerers, which I shall discuss later.\n\nThe two styles of ordination titles are identical to those found as the Daoist titles in Yao documents from Qujiang county of Northern Guangdong prepared for an ordination ceremony.* Information on the Yao of Thailand and Laos provided some hints as to why two different styles of names are used. There was more than one level of initiation. Although there are variations in the specifics, the following example would help to illustrate the point:\n\n[A] Yao man is introduced to the Taoist Pantheon through the Kwa tang “hanging the lamps” ceremony. Its main purpose is to entitle him to perform some rituals, and to confer on him a first “official” degree in the celestial hierarchy. As a result, he will be granted a religious name fa bua [faming] when he will drop his middle generation name and replace it by the word fa, “The Law (of Tao)”. For example, somebody whose adult name reads Tang (family) Fu (generation) On (personal) will then be called Tang Fa On, that is ‘the faithful On of the Tang family’, in all religious documents and ceremonies, including", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213772, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 124, "title": "RAS-1996", "content_text": "95\n\nhis own funeral\n\nAt the next level in the hierarchy he proceeds to mastership (tou sai) through a still more important ceremony. But this already high position can be still further improved, to two higher levels with more important qualifications of varying degrees. Henceforth, they will use, in similar religious contexts, what one may call a 'knightly' or 'gentlemanly' name. For instance, a man who has already been granted a fa boa, as in the example Tang Fa On' given above, will now change it to Tang On yet-long' if he is a first-born, meaning 'On, the First Squire of the Tang Family'. If he is a second or third son, this will also be stated in a similar way.\n\nThis tradition is claimed to have descended from Zhang Zhao Er Lang, who, as we shall see, is known as a disciple of Lu Shan Jiu Lang since before 1220.7 I am not sure if the two styles of ordination names among the Hakka correspond in detail with this practice of the Yaos of Thailand; the Yao data suggest at least they could indicate different levels of initiation.\n\nA similar custom, though less detail is available, is found among the She minorities of China, an initiation rite for men who have reached the age of 16. The ceremony, known variously as jiaoming (perhaps corrupted form of zhouming “submitting a name for celestial/royal approval”), dushen (“ordination”), and rulu (“entering the [Daoist?] register”), although it is often described as jizu (“worship of ancestors”). Those who have been initiated through the ceremony obtain a faming, \"religious title\". Evidence suggests that the \"religion\" concerned is traced to the traditions of Lù Shan and Mao Shan, from where the first ancestor of the She is claimed to have learned magic. Literature on the She is more fragmentary on the format of the \"religious title\". It is known that those initiated can be called after death lang in the case of men, and niang in the case of women. It is also known that the She used the characters Da, Xiao, Bo, Qian, Wan and Nian to indicate generations. Examples of actual names confirm that those formed with numeric characters and lang follow the same style of ordination names as those of the Hakka.\n\nIt should be pointed out clearly that this should not imply that the Hakka have descended from the Yao or She. There are clear evidences", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213773, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 125, "title": "RAS-1996", "content_text": "96\n\nthat the religion is of Han origin. e.g. the use of Han language in the manuals, especially when the Yao use it for ritual purposes alone; that the Southern Song Daoist's description, to be discussed later, of the \"ancestry\" of the sorcerers magic does not mention at all that this is the practice of a minority people; and that major elements of the tradition (though perhaps not ordination itself) is shared by the Fujian, Cantonese and Hakka ritual specialists.\n\nHakka genealogies have adopted different theories about those names. One asserts that those names were given by \"Daoists\". One example is a genealogy of the Lius, revised probably in 1920.\n\nIn the previous compilation names of ancestors from Song to Yuan times had names calling them fa and lang, with numbers involving ten, hundred, thousand to ten thousand, and disregarding seniority among brothers. It was because customs of those times gave Daoists considerable power, to the extent that names were given by Daoists.\"\n\nSimilarly, the genealogy of the Lins of Hang Ha Po explained that \"during that time [which?] it was popular to be ordained by the Heavenly Master Zhang. Those who obtained such ordination are to be called by their famung and langhao, which is to be passed down to future generations and never forgotten.\" That such a claim cannot be wholly true can be shown easily by comparing the names with those found in Daoist ritual documents. There the Daoist names, although possibly different from the everyday names that they identify, are not different in form from ordinary names.\n\nAnother example, the Sixing He's 4th Genealogy, claimed that the eleven sons and one daughter of an ancestor Weitai, had all attained the status of immortals; they are therefore identified by langming ordination names in their entries. Yet another theory is proposed in the genealogy of the Luos of Luobo, compiled between 1914 and 1930. It contains a lengthy attempt to refute interpretation of lang names as ordination names. It objected to what it alleged to be popular belief that such names were religious names given by Shimu sorcerers. Basically, it brings our attention to lang being used as a rank during the Yuan and Ming dynasties, and numbers possibly used to refer to heads of household. This does not explain the combination of lang and the numeric expressions, especially those prefixed by a non-numeric character. Nor does it explain the ordination names of the other format. More importantly, his theory", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213775, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 127, "title": "RAS-1996", "content_text": "98\n\nreceived.\" There were unsuccessful attempts by a county magistrate to eliminate these and other customs relating to belief in sorcerers and shamans. The practice is also mentioned, as prechang dushui, in the Third Gazetteer of Yongan County, compiled about 1822, which gives very slightly more but very useful information. It mentions that \"those ordained\", again, \"were given white [ordination] certificates and yellow [celestial] mandate”, and, in addition, “slaughtered animal for sacrifice for the rite of Fengchao\". Similarly the Changle County Gazetteer of about 1845 mentioned very briefly the practice, as, again, jrechang dushui,22\n\nWe cannot preclude the possibility that the Hakka ordination actually amount to initiation to the practice of magic as in the Yao case, as the Xueshan Gazetteer mentioned that men in Kaijian “like to study to be a sorcerer.21\n\nThe Tradition of Lü Shan and Mao Shan\n\nThe Hakka and the Yao were ordained under a religious tradition distinct from Daoism and Buddhism which may be called the Lu Shan tradition. Popular traditions of “Daoist\" ritual experts of Fujian, Guangdong Cantonese and Hakka, and the Yao had in common the Lu Shan Jiu Lang, his disciples and a Wang Tai Mu which is often confused with the Daoist goddess Wang Mu. The canonical Daoist gods appear to have been incorporated at a time later than Southern Song dynasty, while the characteristic group of gods still occupies a central position.\n\nProbably the earliest mention of the Lu Shan Jiu Lang's tradition is a passage about the wuze's (\"sorcerers\") magic / method of exorcism from the Southern Song dynasty which gave the names of Lu Shan Jiu Lang, his successors and predecessors. The passage is in the Sayings of Bai Yuchan,25 the famous Daoist who was active in Guangdong, Jiangxi, Jiejiang and Fujian around 1220. Bai is obviously talking about something that had begun before his time, as he mentioned several names of these \"sorcerer's magic” that existed \"in the past\". The account began, curiously, with The King of Sha Tan, which can be interpreted by a sinicization of Satan. The magic originated with the King of Satan, who passed it to the King of Pan Gu, who in turn passed it to the King of Asura, who in turn passed it to a Wei Tou Shi Wang,26 King of Changsha, Tou To Wang, Lu Shan Jiu Lang, Meng Shan Ji", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213776, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 128, "title": "RAS-1996", "content_text": "99\n\nLang, Heng Shan Shi Lang, Zhao Hou San Lang, Zhang Zhao Er Lang, and \"countless others\"\n\n17\n\nOnly the Lü Shan Jiu Lang, Zhao Hou San Lang and Zhang Zhao Er Lang are found in the Cantonese and Hakka ritual specialists' manuals, and Yao ritual manual from Qujiang County, Guangdong and Guangxi Province. But their predecessors, however unlikely, were not invented by Bai Yuchan or his disciples. We do see mention of the King of Asura, Tou To Wang, and Changsha Wang in a Yao manual from Liannan. The King of Asura as a major god is not one would expect in a Chinese context as the Buddhist (as well as the Hindu) consider Asura \"powerful demons\", although the same gods represents good in Persian mythology. Interestingly, there were some gods whose native place was what could be sinicization of Persia in the Liannan document.\n\nThe gods Zhao Hou San (3) Lang and Zhang Zhao Er (2) Lang appeared in the Yao ritual manuals from Qujiang county and in a slightly altered form in excerpts from Guangxi Province. They were featured together with Lu Shan Jiu Lang in the local Cantonese priestly tradition. The latter has a manual entitled Daojiao Yuanliu (“The Origin of Daoism”) (NJYL) which is a handbook on both the style of rituals with the Lü Shan Jiu Lang and the Wang Tai Mu in a central position, and another style more closely related to the Canonical tradition. In the Taiwan and Fujian case, the connection with Lu Shan Jiu Lang was mentioned in the hagiography of Chen Jinggu, a goddess central to one school of the Taiwanese ritual experts as well as the local Cantonese and Hakka ritual specialists. Although there are many versions of her story, they agree that she lived during the Five Dynasties period, in Fujian. According to the Ming work San Jiao Yuanliu Shou Shen Da Chuan, believed to be the work of popular authors of Fujian, She was a disciple of Lu Shan Jiu Lang. The book illustrates the entry with a man in Daoist garment holding a cow's horn, the latter being one of the objects common to the local Hakka and Cantonese and the Taiwanese \"popular\" magicians. More recent versions of Chen's story named the famous Xu Xun who was accepted as the patriarch of a respectable school of Daoism, identifying Xu with Lu Shan Fa Zu, the patriarch of Lu Shan. Although this may seem a change in the genealogy reflecting change of alliance between different schools of magic, some Yao material suggests that the two\n\n14", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213778, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 130, "title": "RAS-1996", "content_text": "101\n\nSouthern China, as the Liannan document saying the Lü Shan Jiu Lang (written Lu Shan Jiu Lang) buried his father on a mountain in Gaozhou.\n\nOne major source of information of religious practice during the Song is the Southern Song work of anecdotal literature, the Yi Jian Zhi. It made frequent mentions of the well-known styles of Daoist magic such as the Thunder Magic and the Tian Xin Zheng Fa, the Buddhist Weize spell related to the Yujia style of exorcism, as well as various popular gods, and magicians who were neither Daoist or Buddhist. Some of these lay magicians practiced magic of the Daoist and Buddhist varieties mentioned above. Noticeably some of those lay magicians blew the horns [of animals] in their rites, and some were practicing what is called Mao Shan magic. It curiously made no mention of Lú Shan Jiu Lang or his immediate disciples found in Bar's passage.\n\nBut as I have mentioned, sources on Chinese religion of ancient times do have many examples of divinities with names of the same form as the Lú Shan Jiu Lang and his colleagues. The latter appear to be part of the trend between Tang and the Five Dynasties during which many of these other divinities are recorded. Some of the popular gods mentioned in Yi Jian Zhi do bear four character names ending with a numeric character and lang, resembling the names of Lü Shan Jiu Lang. Earlier examples include the Zhu Wang San Lang shen mentioned during the Southern Dynasties, which the book alleges to be the name in use at its time of writing in Yielang county in the present Sichuan Province, although in this example San Lang referred to three people rather than one. During the Tang, a work of anecdotal literature recorded that during the Emperor's visit to the mountain god of Huayue, he was told about a San Lang, who appeared to be a son of the god. Another work of anecdotal literature of about the same time recorded a female shaman(?) who specialized in communicating with the Jin Tian Wang (God of Hua Shan) and his son Hua Yue San Lang. This name, and many others, which are closer to Lu Shan Jiu Lang in form, is also found in Tang stories included in the Song compilation Taiping Guang Ji. During the Five Dynasties the Lu Yi Ji recorded a Pan Gu San Lang temple in a Guangdu county of the present Sichuan Province. An early Song work on the history of the Five Dynasties mentioned that in the year 932 the Emperor of Hou Tang conferred a title (styled \"General\") to a Tai Shan San Lang. Early during the Song it is reported\n\n41", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213779, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 131, "title": "RAS-1996", "content_text": "102\n\nthat around what is now northern Jiangxi Province there were many temples dedicated to a god known as Jiu Lang. A story in the Song work Yi Jian Zhi mentioned that a god of a Sichuan temple “was popularly known as Er Lang.\" This last example is also important in that it testifies the persistence of the lang title: although the god had more prestigious titles from the Emperors, the oral tradition still used the old one. In the Yao document from Liannan one sees a list of five gods each associated with the Five Yue Mountains in a similar form, from Dong Yue Yi Lang to Zhong Yue Wu Lang.\n\nLang as a title for sorcerers is also mentioned in the Tang compilation Dao Dian Lun in the Daoist Canon, which quoted Mingzhen Ke, an earlier work, saying that ritual experts of “excessive cults\" called themselves gu (for female) and lang (for male).\n\nThe use of lang for man as a title is found not later than the Han dynasty. According to Zhao Yi, during the Han officials of higher ranks were allowed to appoint their sons as lang. Therefore, according to this work of Qing dynasty, people's sons were called lang as an address of respect. Earliest examples of such usage include the Tang dynasty scholar-official Han Yu's short composition to mourn his elder brother's son, a Shi Er (12) Lang. The Song work of anecdotal literature Yi Jian Zhi also mentions quite a lot individuals bearing names of this form. In two cases explanations seem to be suggested for those names: one because he was wealthy, the other because he knew how to communicate with gods. In both cases the use of a name in the lang form seems to imply respect. This may explain partly why this form of name was adopted as a title of gods as well as sorcerers and initiates of magic.\n\n54\n\nWe have relatively more information about Lú Shan Jiu Lang's disciples, who appear to be masters of magic rather than the son of mountain gods. The Cantonese priests' manual contained an entry for Zhang Zhao Er Lang, the last in Bai Yuchan's list. We learn that Zhang Zhao Er Lang were two persons, both from Huainan Xian, probably within the present Anhui province, origin. They studied under Lu Shan Jiu Lang, giving up their positions as high-ranking officials of Qingzhou and Zhangzhou, two prefectures I have failed to identify, to practice magic. One of them was called Zhang Zhao Wu (5) Lang who conquered crocodiles and other sea monsters in the sea of...", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213780, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 132, "title": "RAS-1996", "content_text": "103\n\nQingzhou. The other, Zhang Zhao San (3) Lang, eliminates epidemics. Less is known about Zhao Hou San Lang, who may be related to a legendary figure Zhao Hou who could have once been accepted into Canonical Daoism during the Ming, but left otherwise no trace in the Daoist Canon.\n\n50\n\n45\n\nHakka and Cantonese material suggest that Chen Jinggu, one of the three ladies, actually belonged to a separate tradition: that of goddess Wang Tai Wu who was associated with Mao Shan. It is likely that the current Taiwanese version represented the result of an effort to bring into the tradition of Lü Shan the Three Ladies. One observes that the Taiwanese account curiously mentioned Wang Tai Mu and two other female deities under the name of upper, middle, and lower “palaces\", which is a corrupted version of an entry in the Cantonese priests' manual. But the connection between the Lü Shan and Mao Shan traditions can be found in the Liannan manuals as well. Perhaps they are found in the same tradition all along. I have already mentioned the appearance of Mao Shan magic much earlier than the 17th century ones to which Strickmann referred. \"The Yi Jian Zhi has also a strange story, in more complete form elsewhere, that tells of a man who is destined to become upon his death Mao Shan dongzu (“master of cave?\") and is therefore protected even before then from the revenge of a ghost.\n\n**\n\nRecords of ordination name in genealogies\n\nGiven the different interpretations by genealogists of the names of their ancestors, some ordination names are not designated as such. There are cases in which genealogies trace descent from the same ancestors but some give “ordination names\" their designation and some do not. Examples include the Wen genealogies and the Lis found in the New Territories of Hong Kong and elsewhere. I shall mention this again. Probably in many cases, the descendants have one or more names but no specific information as to the nature of each; i.e., whether ming, zi, hao, or an ordination name. One example is a He whose entry in the genealogy reads \"Nian Shi(4) Lang, ming Chuan, zi Yuan Mei, hao Han Ming\", leaving the reader no name category to apply to Nian Shi(4) Lang, which is not designated as an ordination name. Another example is the first ancestor of the Diaos, whose names were given as Qing, \"original name\" Fa Ying, and zi Zizhong, but written Qian Yi(1001).", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213784, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 136, "title": "RAS-1996", "content_text": "107\n\nof the two names of the first generation ancestor of the Chens of Tsuen Wan Sam Tong Uk” as Jiu Shi Wu (95) and also Nian Wu Lang, an ordination name. The descendants who had ordination names include his son Fa You and a great grandson Fa Qiang, among others. The last to have an ordination name include a 10th generation ancestor who was to found a Buddhist monastery.\n\nHakka Sorcerers and Rituals Related to Ordained Ancestors\n\nAlthough the practice of ordination ended in probably the middle of the 19th century, related traditions manage to survive in the Hakka \"Daoist\" ritual specialist and a rite they perform for bridegrooms of some Hakka lineages before their wedding.\n\nHakka ritual specialists were of four main varieties, the male and female spirit mediums (stenpo and gongtung), Buddhist funeral specialists (known as wosong or nammo), and sang ritual specialists who claimed to be Daoist but are clearly more closely linked to Lù Shan and Mao Shan traditions. The sang specialists' rituals include the unique feature of an assistant who is a man dressed as a woman. They use the fa-prefixed style ordination names in the ritual documents and recitation and singing. This is true at least in the case of Mr. Miao, the only one living in Hong Kong in 1981. His family were in this profession for four generations, all using Fa-X style ritual names.76 Villagers have mentioned others, among them a Li of Shataukok and a Liao of Kat O, both died before the time of my interviews.77 When asked about langming and duming, a Hakka Buddhist funeral specialist told me that he never heard about them.78\n\nThe practice of the sang specialist is documented in some detail in Zhonghua Jiu Lisu (“Old Chinese Customs”) (ZHJLS) written by a Hakka Christian of Meixian county in the 1930s. It contains information on the rite of Su Yun (“Redemption of [A Child's] Soul”) and Anlong (“Pacification of the Dragon”). The latter I witnessed at the village of Cheng Lan Shue of the New Territories. The ZHJLS shows that the names of these sessions of the ritual its author knew from the Meixian and Xinning counties, indicating that the Anlong was celebrated once every five or six years for each \"old house,\" and the couplets and flag he copied indicate that the celebration there.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213789, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 141, "title": "RAS-1996", "content_text": "112\n\nThe sessions for the maintenance of the ancestors' army are \"Issuance of Pai [token of authority] to Recruit Soldiers”, \"Recruitment of Soldiers”, and “Distribution of Army Provision\". The three were part of the Anlong rite I witnessed at Cheng Lan Shue, although the offering of a raw pig was not part of that occasion during which the villagers were to take vegetarian food only.\n\nThe Decline of Magic, the Rise of Literati Influence?\n\nThis Lu Shan-related tradition of ordination had persisted for about ten centuries among the Hakka in the apparent absence of an \"orthodox\" Daoist tradition. This is despite the fact that Chen Nan, the founding master of the Southern School of Daoism in Southern Song, is from Buoluo of Huizhou, a county where some Hakka live. Moreover, many Hakka settlements are in the proximity of the famous Daoist mountain of Luofu Shan. On the Buddhist side, we know about some Hakka ancestors who befriended monks (e.g., the one in the genealogy of the Lins of Lam Tsuen). The genealogy of the Chens of Luk Keng also mentioned an ancestor who had the type of ordination name we discussed and was to become the founding patriarch of a Buddhist establishment, using another, Buddhist ordination name. Another example, again in a family with ordination names since an early ancestor who lived in Song times, is provided by the Wens of Xingning county. An 8th generation ancestor, who does not have an ordination name, made donations to a Buddhist nunnery, yet all his sons had the same type of ordination names.\n\nA story in a work of anecdotal literature of the Yuan dynasty, of a Buddhist monk from Nanxiong Prefecture, where there were some Hakka settlements since early days, suggests that those enlightened in \"respectable\" religions may feel powerless in their home village. The monk, who returned having attained a high level of enlightenment in Buddhism, had to eat non-vegetarian food so as not to contradict his mother. When he tried to wash away the food from his intestines afterwards he was scolded by an old woman of the neighborhood, using the name by which he was known when small. Eventually, he had to leave the village for a Buddhist monastery in another prefecture. The story tells how, long after the death of this monk, the coming of people from his home place is", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213794, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 146, "title": "RAS-1996", "content_text": "117\n\nfrom singing Mountain Songs, at least within the vicinity of the village. I lived in the village for about 10 years before 1974. A neighbour in the village in her 30s in the 1960s did sing them for fun at home from a book compiled by a modern author and brought from a bookstore. According to an older woman in the same village, born around 1910, those songs were exchanged mainly among female villagers while working outside the village. They did not sing them within the village, because otherwise a village leader would scold them. My recent interviews in the village show that this leader is a member of the lineage segment that produced some degree holders not so many generations before, and his other contribution to the lineage was the compilation of a genealogy that incorporates information from genealogies from other counties that trace to the same ancestors. Unfortunately, unlike ordination names which are recorded in genealogies, spirit tablets, and grave stone inscriptions, Mountain Songs do not leave much dateable information, and it is improbable that much evidence can be found bearing on the status of Mountain Songs among the Hakka before the 17th Century.\n\n1\n\n1\n\nE\n\nNOTES\n\nOne may speculate that such widespread ordination may be related to their claim of exemption from corvee levy. But for ordinations to be used to back a claim for such exemption, they probably have to be either Daoist or Buddhist, and I do not think the ordination names of the Yau or of the Hakka could be accepted as Daoist by the imperial Chinese governments.\n\nLuo Xianglin, Kejia Yanjiu Daolun, vol. 1, Hong Kong: Zhongguo Xueshe, 1965.\n\nFor example, the first ancestor of the House of Kam Tin and nearby villages of the New Territories to come to the region is a Hon Wu Lang. The ancestor of the Pengs of Fanling, N.T., who came with his father to the region is a Peng Fa Guang. Both names match the style of ordination names found among the Hakka, and some of their descendants' villages are the only ones in the N.T. which hold the rite of Hongtou, which relates closely to the Hakka sang tradition. See David Faure, The Structure of Chinese Rural Society, Hong Kong: Oxford University Press, 1986, for the two lineages and the rite of Hongtou, and a Chicken Song ritual.\n\nAlthough some examples of the non-numeric character could be interpreted as forming a numeric expression with the character that followed, e.g., \"nian\" could mean twenty, they were probably not intended as such. As I shall elaborate later, some of those characters seen thus used in the Hakka genealogies are also found among the She minorities of Fujian to indicate generation.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213795, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 147, "title": "RAS-1996", "content_text": "118\n\n*In Jiang Yinghang, Xinan Bianjiang Minzu Lancong, prefaced 1948, reprinted Taiwan Xinwenfeng Chuban Gongsi 1978. pp 224-228\n\n*Jacques Lemoine, Yao Ceremonial Paintings. Bangkok White Lotus Co Ltd, 1982, pp 24-27\n\n7 See for example Lemoine, op cit, for references to the god as a patriarch of the Yao religion in their documents\n\n*There is evidence suggesting that in the Hakka case the attainment of the fang title does not rely on his sons subsequently being initiated to a high level, as in some Yao cases mentioned in Zhongguo Xinan Yu Dongnanya de Kunjia Minzu. In at least one Hakka case, that of a Xu which we should mention later, the man had a fang styled ordination name but no descendants\n\nリ\n\n*Shi Lian-zhu, She Zu, Beijing Minzu Chubanshe, 1988, pp 113-115\n\n*Meng Hui-ying, Hetai Shenhua (*Living Myths - A Study in the Myths of Chinese Ethnic Minorities*), Tianjin Nankai Daxue Chubanshe, 1990, pp 116-2. See Also ibid p. 222 for a description of the ceremony, which included the learning of 'magic'\n\n\"See, for example, Shezu hanshi, Fujian Fujian Renmin Chubanshe, 1980, p 104. The same characters are found in some Hakka genealogies as a character put before a numeric character to form a name of the fang format. Studies on the She, for example articles in Shi Lianzhu ed. Shezu Yanjiu Lunwenji, Minzu Chubanshe 1987, has shown that the She was in close contact with the Hakka in earlier times. Most of them speak a version of Hakka, apparently as their only language. The She called themselves shan ha, 'guests of the mountain', reminiscent of the name the Hakka used for themselves (Hakka or \"guest\" families'). There are some interesting features of the Hakka language that have not yet attracted the attention of students of language. Although the Hakka of the New Territories of Hong Kong called their Cantonese neighbors va (Hakka pronunciation of she) derogatorily, they do use va for person in certain contexts, e.g. gido sa (\"how many people\"). Sometimes hat, is used instead (gido ha), as is in another expression long ha ('two people'). I suspect that this ha is the same as the ba in shan ha by which the She called themselves. In fact, the Hakka pronunciation of She as Sa could have been a shortened form of san ha. Some books written in the Hakka dialect, however, write sa in such context as chat (\"fellows')\n\n\"See Zhonghua Minzu Fengsu Cudian, Jiangxi Jiaoyu Chubanshe, 1988, p 288-9 under their Luo, op cit, p 230\n\nont\n\nFor example the one in the Savings of Bai Yuchan in the Daoist Canon, vol. 1016\n\nIs Included in Luo, op cit, pp 97-98\n\nIn In Luo op cit p 161\n\n17 In his arguments he does bring our attention to an interesting point fang as a title of some", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213797, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 149, "title": "RAS-1996", "content_text": "120\n\n24\n\nН\n\nTou To Wang, Changsha Wang and various Muowang \"demons\" I have not consulted Shuton Yoshio eds. Yao Documents (Tokyo Kodansha 1975)\n\nFor example the Buddhist concept of Liu Dao, and the Asura was summoned by the Devil King to fight the Buddha in the Dunhuang narrative literature Buo Muo Branwen, in Dunhuang Brannen, in Tarper Shipe Shuju reprint, 1980, p 347 But in a passage of the Hua Yan Jin quoted by Hong MA,, op cut P. 1680, the King of Asura was among those summoned by the Bodhisattva to come to the rescue of those in turmoil\n\nBut Muowang \"Demon Kings' also featured in canonical Daoism in which They have been conquered by the Daoist gods and can be summoned by Daoist for protection\n\nEven then the Jade Emperor's native place, according to the same document, was \"Puo Xi\" which could have been Persia too\n\nSee Jiang op eit for Qujiang, and Hu Qiwang et al Bancun Yang, Minzu Chubanshe, 1983, for Guangxi Province\n\n\"See Lagerwey for the present situation\n\n\"The SJYLSSDC as we see now, a Qing reprint of the Ming book, has a passage that says Chen went to Lu Shan to study magic. But the next four characters do not make sense The crucial characters will give the master's name as Jiu Lang and can be found in reprints in a more recent series A Ming version reprint of the same book, under the title of Sanpao Yuanliu Shengdi Faozu Shoushen Dachuan, in the series Zhongguo Mijian Xinvang Zijido Hunbuan, Taiwan, 1989, gets most of the characters right. Compare also Shi Shen, a Qing manuscript also reprinted in the same series that quotes a Zheng Shou Shen ji, the passage is otherwise identical with SJYLSSDC\n\n\"See for example Lagerwey, perhaps Liu Zhiwan also. Note the latter being account of practice of the Zhang Fazu sect, which seemed not to involve the Lu Shan Jiu Lang at all\n\nTh\n\nInteresting information is found in John Lagerwey was not mentioned, instead \"John Keupers\", \"A Description of the Fa-ch'ang Ritual as Practiced by the Lu Shan Taoists of Northern Taiwan\", in Saso and Chappell eds Buddhist and Taoist Studies 1. Hawaii University of Hawaii, 1977, p 83 This article on the Lu Shan San Nai sect shows, without saying so, that the confusion has multiplied as the priest has mistaken the pair Lu Shan Jiu Lang and Wang Tu Mu for Dong Wang Gong and Xi Wang Mu, two prominent gods in canonical Daoism, and by two steps of substitution (Xu Xun = Lu Shan Jiu Lang, Dong Wang Gong = Lu Shan Jiu Lang) identified Dong Wang Gong with Xu Xun\n\n-\n\nSee for example the San Jiao Shou Shen Da Chuan\n\nMin Du Wai Ji by den He Qiu, reprinted 1987 by Fujian Renmin Chubanshe\n\nYuan Hao-wen, Yi Jian Zhi, Reprint Beijing Zhonghua Shuju, 1988\n\n14\n\nALL\n\nOp eit pp 1181, 1429\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213798, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 150, "title": "RAS-1996", "content_text": "121\n\n4. Such as Muxía San Lang (p 695), Hagoo Wu Lang (p. 1802), Hupe Wu Lang (p 1802) and Mu Ping San Lang (p. 308)\n\n12 See for example, Yi Yuan of Southern Dynasties15 p. 1, Shoku edition. The passage reportedly appears also in Hua Yang Guo Zhi of earlier Jin dynasty, and the Hou Han Shu of the Southern Dynasties\n\n\"Kainan Xhuan Xin\" 4, Shoku edition pt\n\nHht No Gan p 5 in Shankar edition\n\n14 For Tarshan Shi(4) Lang see p. 297 21b Tarshan Sau Lang | 298 p 24b Huayue San Lung | 300 p 30 and ↑ 301 p 33, Huashan San Lang | 303 p 39. There is even a Ji (7) Lang son of Daryue San Lang in) 305-p-490). By in Xiaoshuo Daguan edition reprinted Yangzhou 1983\n\n** J 4 p 21 in Shrakat edition\n\n\"The Wudu HaYao\", quoted by Wang Jiayon Daojiao Tungan, hengdu Basu Shushe, 1987,\n\n$49\n\nIN\n\nNanbu Xusha, Simoku edition mp4\n\nHong op out p 508\n\n* Quoted by Rolf A. Stein \"Religious Laoism and Popular Religion from the Second to the Seventh Centuries”, in Holmes Welch and Seidel eds. Facets of Taoism. Yale University Press, 1979. He dates the collection as from Tang dynasty (p. 67). The text is in the Daoist Canon, vol 704\n\n4)\n\nGaryu Congkao | 37, p 677 in reprint by Hefei Rennin Chubanshe 1990.\n\n52 Hong mp of, pp. 916, 1692\n\n* The most curious example is abid, pp. 328-110, quoting an abridged document submitted to a temple as petition. The quoted passage gave an additional name of himself in the form Ediscuss here. The quoting passage seems to have overlooked the fact the author of the quoted passage was the husband of the female ghost who made trouble.\n\nDIYLp 41, p 25\n\n\"He may be related to Zhan Hou of Jin dynasty who appeared in a legend about a stone horse and stone rider, related in the Yi Yuan a work of the Southern Dynasties quoted by Taiping Guangji4 (top en ↑ 284 p 1969). Perhaps the same Zhao Hou is referred to by Zhao Hou Nan Fa (Southern Magic) and Zhao Hou Da (register) mentioned by the Ming Daoist manual [Tan Huang Daojiaoling Yu Ce, in the Daoist Canon vol. 1109-1110]. There are a few schools of magic, that calls themselves Nan Fa. One is mentioned in Du Guangting op cit 12 p 5, and another in Hong op cit pp. 1733 and 1736]\n\nPage 150\n\nPage 151", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213803, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 155, "title": "RAS-1996", "content_text": "126\n\n47\n\nform of incense ashes rather than tablets suggests that the ancestor halls did not use tablets to represent ancestors individually. It is also found in the Yingsheng (\"Reception of the Holy\") dedicated to the main honoured gods during the Jiao festivals, and the Yingshen Guiwei (\"Escorting gods to their places\") during the Hongchao festival of Fanling, both conducted by Cantonese Daoist priests in the New Territories. An elder of Kam Tin compared the Yingsheng ritual with the ancestral hall ritual found in the Qingle ancestral hall of Kam Tin, to which I shall refer below. I am not sure if a cloth “bridge” is used in this ancestral hall ceremony.\n\nOp cit pp 142-144. In a recent visit to Cheng Tau, a woman in her 60s referred to the ancestral hall as a-gong ha (\"the Place of Ancestors\"), which seems to have been the more usual expression for ancestral halls among the Hakka. Compare the expression with Bak-gong ha ('the Place of the Bak-gong earth god'). It is interesting that the title of this category of earth god, whose territory is more limited than the dawang, shares the expression for \"elder brother of grandfather\".\n\nibid p. 224 » 10\n\n174\n\nibid p 160\n\nDiscussion of this aspect of ancestral worship is summarized in C Fred Blake, Ethnic Groups and Social Change in a Chinese Market Town, The University Press of Hawaii, 1981, pp 92-93, 115 n 1, 116 n 2. A possible example is the case of Wo Hang, N. T. where an ancestral hall of the second fang houses the spirit tablets of the first and second generation. See Allen John Lueck, Lun Chun, Land is to live: A study of the concept of isu in a Hakka Chinese village, New Territories, Hong Kong, unpublished PhD dissertation, Department of Anthropology, University of Chicago, 1985, p 273.\n\nCompare H G H Nelson, \"Ancestor Worship and Burial Practices\", in Arthur P. Wolf ed., Religion and Ritual in Chinese Society, Stanford University Press, 1974, pp. 263-267, on the shen-ting which fulfilled the functions of domestic altars for the households in each area” in a Cantonese village in the New Territories. He observes that the shenting \"occupy a place half way between [tang ancestral halls] and domestic altars”.\n\nVol under Donga jie (\"Winter festival\")\n\nTON Op cit. pp 147-148\n\nOp cit. p 12\n\nOp cit. p 176\n\n100\n\nIt is interesting to note the distribution and context of Mountain Songs. It is interesting to note that Mountain Songs were sung only by the male villagers (in some festivals with women hired from other villages) in the Cantonese villages whose dialect is known to others as daaih ga wo (\"big family language\"), and which correspond to the area of the five big clans. In some of the other Cantonese villages, e.g. in Shatin and Saikung, Mountain Songs were sung by the women on the eve before a wedding at the bride's home. Mountain Songs, and related pre-marital courtship, was more popular among some female Cantonese villagers in the Kowloon area who cut grasses for sale as fuel. The livelihood of these women, like that of the Hakka immigrants, depended more on the city. I know much less", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214315, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 173, "title": "RAS-1998", "content_text": "137\n\nXU, THE DAOIST PERFECTED LORD XU ZHENJUN 許真君\n\nTHE PROTECTIVE DEITY OF JIANGXI PROVINCE\n\nKEITH STEVENS AND JENNIFER WELCH\n\nChinese Daoist and folk religion cults can in general terms be classified as nation-wide, provincial or local cults, the latter often limited to as few as one or two villages. Most studies of such cults made during the past half century have concentrated, for very good reasons, on Fujian and Guangdong communities in Hong Kong and Macao, Taiwan and South-east Asia as well as in Fujian and Guangdong provinces, and only a handful have described in any detail those cults limited to the more remote or less accessible provinces of Mainland China. The following short study is, in truth, no more than a tolerably full outline of a provincial cult which has spread to a limited extent into the neighbouring provinces of China. It is basically a medical cult, the deity revered for his skills in healing the sick; however, in a number of places there is also the added concept of the sick being healed by the deity using his power to cast out demons of sickness. Our particular cult is centred on the not so easily accessible southern province of Jiangxi.\n\nXu Sun, [known also as Xu Zhenren] is one of the numerous legendary Perfected Lords, the 'Immortals' or 'saints' of Daoism. He is the patron deity not only of the Xu clan but also of Jiangxi province. For at least two hundred years his cult has been very popular in the Jiangxi provincial capital, Nanchang [formerly Yu-chang] as well as throughout the whole province of Jiangxi and the immediately adjoining provinces where he is regarded as one of the most potent agents to cure sickness by ridding communities of the baleful spirits and demons who caused the sickness. He, in particular, was believed to be especially efficacious with diseases of the eye. According to Dudgeon, Xu was a doctor in Jiangxi province who, with six brothers, saved the province from devastating floods.\n\nA threesome, of Xu Zhenren and two other Immortals, Sun Zhenren and Wu Zhenren, are venerated as healers of the sick in many temples within communities from Jiangxi and Fujian, and in Fujian communities outside China.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214316, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 174, "title": "RAS-1998", "content_text": "138 \n\nLegends surrounding the birth, life and death of Xu Sun are numerous, complicated and tangled stories. Just before his birth his mother is said to have dreamed that a golden phoenix dropped a pearl from its beak into her hand. A popular story claims that he was born either in Henan province or at Nanchang in Jiangxi, ca AD 240 where he lived out his life as a saintly doctor. Xu Sun passed the imperial examinations, became a prefect of a district and distinguished himself by his benevolence. According to some versions, his popularity was due to his power and ability to heal diseases using secret preparations. Others claim that he was an official who, having served in Sichuan province, died in about AD 293 or AD 374 when still only in his fifties. In another version, a typical mythological finale to a virtuous and extraordinary life, he died at the great age of 134 and was borne off to Heaven 'together with his wives, children, dogs, chickens and beasts'. \n\nMembers of the Daoist Jingming sect claim that he was the founder of the cult with its centre at the temple dedicated to him in Nanchang city. This no longer exists; however, a temple dedicated to him in the small town of Xi Shan [Western Hill] some twenty miles south-west of Nanchang, is the present cult centre. A large notice before his altar in the temple informs devotees that he lived during the Eastern Jin [317-420 AD] and during a twenty year struggle managed to solve the problem of annual flooding in the province and that he should be revered mainly for his success in water conservancy in northern Jiangxi, particularly around the Boyang Lake. The notice also claims that he lived for 136 years. \n\nHis cult centre in Xi Shan is now a bustling temple complex with two main halls and some four lesser halls set in large grounds. The two large main halls, side by side, are dedicated one to Xu and the other to the Jade Emperor. The inside walls of the hall dedicated to Xu are lined with some twenty or so anonymous minor perfected lords whilst the Jade Emperor's hall is lined by sixteen guardian generals, again unnamed. The Jade Emperor is flanked by four major Daoist deities, the philosopher Lao Zi; the founder of the Heavenly Master sect Zhang Daoling; the doctor of the Eight Immortals Lü Dongbin and the Northern Emperor, Zhen Wu. The main altar in Xu's hall bears two images of Xu, one tall gilded statue of Xu standing, and a smaller, portable image of him sitting swathed in red robes. Neither has any unique characteristic and he is depicted with a black beard, pink face and holding a tablet in both hands before his chest. He is attended by two youthful attendants.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214318, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 176, "title": "RAS-1998", "content_text": "140\n\nborne to Earth by the Celestial Immortal Tian Fei, to his apotheosis when he was about to be borne off to Heaven; he is portrayed in one scene preparing medicinal drinks and in another overcoming the flood dragon.\n\nA popular legend related in Jiangxi about Xu describes how he destroyed a monstrous snake which had been terrorising the areas of western Jiangxi. Another describes how in Changsha in neighbouring Hunan province he killed a dragon which had transformed itself into a woman and had married a local mandarin.\n\nXu Sun, according to Fitkin, had been a good and sympathetic magistrate and as such was regarded as a protective deity throughout Jiangxi province as well as among Jiangxi people wherever they went. According to folk memory he never took 'squeeze' nor would he tolerate corruption. He also threw the flood dragon down a well telling him as he did so that he might come forth when the iron tree blossomed. This well was in the huge Wan Shou Gong, a temple in the centre of Nanchang and though the temple was burned down in about 1916, it was [in 1922] being rebuilt at a huge cost and, as far as can be ascertained, no longer exists. Folklore claims that plague and flood, as well as brigandage would come to Jiangxi if there were no Wan Shou Gong in which to offer up worship and reverence.\n\nAccording to Bai Youchan [the Daoist Thunder Ritual master of the Mao Shan cult - ca. 1200 AD] Xu was venerated initially because, using water-charms, he had cured multitudes who were suffering from a virulent epidemic. Imperial patronage of the cult ensued in the 12th century AD. All his temples used to be called Wan Shou Gong as indeed his cult centre temple at Xi Shan still is.\n\nAnother legend, possibly a variant on the water-charms story, and related in neighbouring Anhui, claimed that Xu had been an important tea merchant. Tea brewed from his leaves not only quenched the thirst but also cured sickness and even prevented people from becoming sick. He was widely renowned for his generosity giving away his tea to the poor in the Spring for people to infuse and drink to ward off sickness. He was deified for such benevolence by order of the emperor.\n\nIn 1920 Nanchang was claimed to be unique in that it had never", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214319, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 177, "title": "RAS-1998", "content_text": "141\n\nbeen sacked in the memory of man. When the Taiping rebels came to the walls of Nanchang in the middle of the 19th century, they saw sitting on it the figure of a huge man swinging his feet in the moat. He was apparently selling sandals three feet in length to the beleaguered citizens. That was enough for the attackers who turned and fled. It was the figure of Xu Xianzhen. This, however, was not true of the Wan Shou Gong at Xi Shan which, according to temple records obtained by Professor Liang Hongsheng. These are quite clear that since the Furen Palace was first constructed there in 1743, it was destroyed by fire first in 1820 and again in 1856, after it had been rebuilt in 1848, by the Taiping rebels. It was again repaired in 1871 only to be destroyed once more nearly a century later by Red Guards,\n\nSomewhat surprisingly Xu has been seen on altars in Taiwan, Singapore and Malaysia, possibly carried there by immigrants from Fujian province, a province immediately to the south of Jiangxi. His is, however, a minor cult deity.\n\nAn image of Xu, one of the minor healers in a group of five, on the main altar in a temple in Hsinchu, in northern Taiwan, portrays him as a standard Daoist immortal with a sword and small Daoist crown. The gilded image is swathed in a golden robe and all that can be seen are his face and bald head, his black beard and one hand holding the sword aloft. He and the others are collectively revered by devotees as celestial doctors who reveal herbal prescriptions for devotees through a spirit medium. The senior celestial doctor in the group of five is Yang Zhenren, better known perhaps as Yang Zhensong; the other three junior doctors being Xuan Zhenren, Wu Zhenren and Sun Zhenren. The old temple keeper who had founded the temple and is now dead, came over to Taiwan in the 1930s bringing the cults with him from Nanping in Fujian province, some 200 miles due south of Nanchang.\n\nA temple in Singapore, opened in 1971, has Cuji Zhenjun\n\nas the main deity on its main altar. The temple keeper was in no doubt that this deity was Xu Sun, a famous Song dynasty doctor, who was portrayed as a black-bearded, seated Daoist, dressed in colourful robes and a scholar's hat, but without any unique characteristics. His image is flanked by two aides who have not been noted anywhere else:\n\nCishui Lingguan Dadi\n\n刺水靈官大帝", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214351, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 209, "title": "RAS-1998", "content_text": "174\n\nThe conflict is described in gory detail with both humans and deities waging unrestricted warfare using thunderbolts, poisonous gases, and magic fans. Armies are annihilated by wizardry, bizarre and fantastic magic weapons are deployed by both sides leading to the eventual defeat of the Shang, and the suicide of the ruler and death of his concubine. The story ends with the heroes of both sides being canonised. This historical fantasy describes the struggle in the 11th century BC between the forces of the evil King Zhou3 [Zhou Wang, known also as Zhou Xin] of the Shang [Yin] dynasty and the armies of Duke Fa,a with large bodies of men clashing as well as individual duels between heroes leading to the eventual victory by Duke Fa and the end of King Zhou and his concubine. It describes individual or groups of deities, their origins, careers, and their miracles and supernatural powers during the campaign of Duke Fa against King Zhou. During the struggle, both sides called upon Heaven, who in response sent mythological deities [i.e., not deified humans] to take part in the clashes and battles.\n\nThe major hero of the forces of Duke Fa was his prime minister, Jiang Ziya, who was eventually responsible for handing out honours deifying the human heroes of both sides, with both the victors and the conquered being awarded posts in the Celestial hierarchy. Images of many of these heroes can still be seen on altars, deities in their own right, with responsibility for specific roles as gods of wealth or health or as patron deities. These deified heroes are possibly best thought of as 'human' deities in comparison with the mythological orthodox Daoist and Buddhist deities of the Creation and pre-history, a number of whom also took part in the fictional conflict. It has provided a standardisation of myths and legends woven into a continuous story which has, since its compilation, been the main spring of Chinese popular knowledge about the celestial and Underworld deities. A great many deities were familiar before this work was written, and the problem, therefore, has been well-nigh impossible, of determining how much of the work was original and how much was grafted in from earlier legends.\n\nChinese histories describing the fall of the Shang are far from clear. It was the era when the Chinese in the Yellow River basin were emerging from the mists of pre-history. Dates vary from 1050 BC to 1120 and 1127 BC, but one scenario is well known to the Chinese man in the street, the final act. The Shang was ruled by a degenerate, Zhou Xin [also known as Zhou Wang], whose army was defeated in battle on the Muye plain before the Shang capital. The victor was Duke Fa [Ji Fa], who founded...", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214355, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 213, "title": "RAS-1998", "content_text": "178\n\namends. King Wu also held an audience at which he announced that certain Daoists and generals who had bravely fought and died should be regarded as heroes and revered as such. At that point a number of Daoist mythological heroes stepped forward and declared that as they were uncultured, having lived in the mountains and countryside, they now wished to return to report to their masters. They added that they were unable to accept honours or rewards as they had simply followed the orders of their masters. All seven left the Court, and the following day after a feast, they were reluctantly permitted to leave by King Wu.\n\nMy daughter, a friend and I during a visit to Song Shan in Henan province, one of the Daoist holy mountains, came across a large modern temple which, as we approached its entrance, looked real enough until we came to enter it. There were several young women in a uniform of sorts knocking a badminton cock around to while away the hours and, of all things, a turnstile. We then saw the name of the temple was Fengshen Gong, the Palace of the Investiture of the Gods, and entered wide-eyed wondering what could possibly be inside.\n\nOnce inside we were taken by our guide down a short corridor and out into what proved to be a massive wax-works, images of scenes from the Fengshen Yanyi as well as images of the major local deity, the Lord of Zhong Yüeh, the Lord of the Central Peak [Song Shan]. The exhibition, we were informed, had been built by the Tourist Board of the local city, Deng Feng, for Chinese visitors. Well over 200 images, mostly static but with some dozen or so automatons, lined the winding path leading through the large exhibition hall. With a not too subtle gesture our guide switched each on and off until, apparently bored by her foreign guests who spent quite some time at each exhibit, she abandoned us and returned to her badminton. The place was deserted apart from four small boys who were delighted to be alone with us and took enormous pleasure in switching on and off the various exhibits for our benefit without any guide being there to chastise them.\n\nScenes included the wicked Zhou Wang ascending his throne; Na Zha, the Third Prince, Causing Trouble with the Dragon King; Duke Fa [King Wu] subjugating Zhou Wang; the Terrace of the Investiture on which Jiang Ziya is reading out the decree canonising the heroes, and the Five Sacred Ones returning to Heaven. Several of the automated exhibits had the small boys in fits of giggles; one in particular", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214356, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 214, "title": "RAS-1998", "content_text": "179\n\nwas the decapitation of a Fox Fairy, possibly the wicked King's concubine, Dan Ji. In legend the spirit of a fox inhabits the body of a beautiful young woman who then bewitches and captivates men. When killed such woman immediately revert to their fox body origins. In the exhibit the young woman is standing and as the sword descends her head rolls off and rolls about on the floor before immediately reverting to its original position on her body. The boys were only too delighted to press the button to cause the head to roll again and again. Another was the birth of the Third Prince out of his caul. In legend he is born an apparent monster but after a swift slash with a sword the caul opens and the child emerges. Once more the boys played this for us several times.\n\nThis was possibly not the most ideal way to be introduced to the Fengshen Yanyi. A year or so earlier my daughter and I heard of the small temple dedicated to Zhou Gong, located at the foot of Phoenix Mountain in a rural area north of Qi Shan in Shaanxi province. We drove there to find in the main hall of a memorial temple, which had just been renovated, an image of Jiang Ziya flanked by two mythological deities, Na Zha and Yang Jian [see Note 8]. The first of the two, is a seven year old youth who caused havoc in Heaven and, better known as the Third Prince. He is nowadays the primary guardian of temple altars in Taiwan where his image stands on the altar table before the main altar. His is a traditional story tracing the age-old conflict between generations, and conflict of power and responsibility. Yang Jian has certain magic powers, which he used during the conflict but is also regarded as a potent deity who protects against demonic attack. He is often referred to as Er Lang, and he and his small dog are to be seen in a number of temples and in many he is regarded as the patron deity of dogs. The murals across the whole of the main hall's side walls depict episodes from the Fengshen Yanyi complete with Jiang Ziya first mobilising the deities of heaven to help the Duke Fa, and finally, the scene of the Investiture itself on the Terrace of the Investiture.\n\n10\n\nA number of temples in the central-west of China used to contain large gilded 'mountains', carved structures representing a mountain with crags and caves on which were superimposed a number of carved wooden gilded images of Daoist deities. The vast majority of these were also characters from the Fengshen Yanyi.11", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214357, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 215, "title": "RAS-1998", "content_text": "180\n\nOne of the many deities canonised by Jiang at the Investiture was Tai Sui, the Ruler of the Year. In the Feng-shen Yanyi he is also known as Yin Jiao and under that title is usually represented on altars by one image. In southern Chinese communities, however, as Tai Sui he is more often portrayed by sixty separate images each representing a year of the sixty-year cycle of the Chinese calendar, and devotees wishing to seek his aid will place spirit money offerings under the image in the group representing the year of the devotee's birth. In a number of the smaller popular religion temples in Hong Kong and Macau several rows of Tai Sui images, depicting all sixty, line one of the sidewalls of the main hall. Although in a few temples each of the sixty images is carved with unique characteristics, in the majority they are merely sixty identical heads, each mounted on a frame concealed under a red cloth robe. Even when the deity is portrayed as a single image, normally he can easily be identified by the pile of spirit money placed under his image.\n\nSome months later, this time in central Shanxi province, we came across a former temple which had been converted into what can only be described as a \"waxworks\" museum of celestial and historical deities. The contents of the former temple had been destroyed during the Cultural Revolution, whilst the structure had recently, in 1995, been turned into a museum. It stands on the major highway between Taiyuan, the provincial capital, and Pingyao, to the south, but rather surprisingly no attempt seemed to have been made to advertise its presence to passing motorists. The halls had been labelled guiding visitors to Historical Heroes, The Eight Immortals, Mythological Worthies and the Underworld.\n\nThese two examples, and there are probably more, are local provincial or county initiatives to remind Chinese of their cultural, feudal heritage but without offering any opportunity for worship or reverence. Similar refurbishing has taken place of many of the old, larger Buddhist and Daoist monasteries in northern China but with a difference. These too are places where visitors can nowadays pass several hours of pleasurable 'tourism' but a number of them have also reverted to being working temples and monasteries with priests and rituals. The weekend visitors from the cities enjoy the scenery and ambience and in some temples offer up incense without let or hindrance to one or more of the major deities. Although to foreign visitors what we saw", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 215063, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 159, "title": "RAS-2000", "content_text": "116\n\nwhich tends to bewilder foreigners is the lone deity representing Taisui on one altar and images of his sixty forms on another. This appears to be due to a policy decision by the temple committee which decided that in addition to a lone Taisui, the whole group of sixty would be more appropriate and rather than replace the lone image they added the sixty on another altar. In other temples the Taisui group is represented merely by sixty almost identical heads affixed to individual wooden blocks that are covered in red paper or swathed in red ribbon. The range of images is quite wide with, for example, in a temple on Hong Kong island one of the sixty is an aged man with a long white beard. His image has as its neighbour a standing youth with one arm raised holding an axe.\n\nThe only image of the sixty which would seem to have a unique and extraordinary characteristic is the primary one of the sixty, Jiazi. It consists of two small arms in addition to his normal pair which emerge, one from each eye-socket, and stretch a short distance in front of his face with the forearms turned upwards at their elbows and the hands poised as if about to grasp something. Although his unique feature is to be seen in sketches in several 19th century western books, such as DuBose in 1885, his image depicted with his extraordinary feature has only been noticed on altars in three temples. All three are popular religion temples where all sixty images are arrayed along the walls of their side hall. In Pudong, across the river from Shanghai, he is portrayed as an ordinary male sitting on a bench, dressed in gilded robes, holding a small lion cub in his right hand. He has a black beard and eyebrows and with his unique feature. The Jiazi Taisui in the Taisui Hall in the temple at Song Shan in Taipei is wearing a blue outer robe decorated with gilded Daoist signs, and two large red roundels on his knees bearing the character Fu, for good fortune. He is holding two peaches in his left hand symbolising longevity, rather than a lion cub. An almost identical image is the initial Taisui of the set of sixty in the Taisui hall of the third temple, the Taipei Fazhu Gong Temple. However, this time the tiny arms and hands emerging from the eye sockets are much smaller than elsewhere. Nonetheless, the two sets in these Taipei temples have only been installed within the last decade and both sets appear to have been ordered from and carved on the mainland, possibly near Shanghai. These unique Taisui are obviously blind having these miniature arms and hands taking up their eye sockets, and temple custodians have no idea what these miniature arms signify. However, DuBose writing in", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215067, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 163, "title": "RAS-2000", "content_text": "120\n\ndisasters.' She is portrayed as a Daoist deity sitting cross-legged on a lotus, with gilded robes and a small crown, and with eight arms and three faces. Flanking her are two demonic, black-skinned deities standing, each with six arms and dressed in armour, holding weapons and charms in each of their hands. They are her attendants known here as Gnasher, Qiechi J, and Biter, Yaoya, titles not encountered anywhere else. The sixty Taisui images stand on lower tiers in two groups in five rows, either side of a space between the groups leading from the main entrance to the main deity on the top tier. But before the main deity on the second tier is a lone Taisui, the Taisui of the current year, changed annually at the Lunar New Year. Finally, the sets of double doors to the hall are decorated with depictions of the deities of the Twenty-eight Constellations +, the Ershi ba Xiuxing each deity having a 'human' form and its own attributes.\n\nThe second temple is some fifteen miles from Nanchang, the provincial capital of Jiangxi province in mainland China. Once more there is a separate hall but here dedicated to the wife of the main deity of the complex, the major medical god Xu Zhenjun. In the centre of the Hall is a large rectangular altar with the sixty Taisui ranged on all four sides along two tiers, with the image of Xu's wife and her two attendants positioned on the top of the third tier where she is identified merely as 'Xu's wife,' furen A. Her Hall, the Furen Gong, has stood within the temple complex since at least 1820 though it, together with the other temple halls, has been destroyed three times. Once apparently by accident in 1820, once by the Taiping iconoclasts in 1856 and finally by the Red Guards in 1966. However, it has only been within the last century that her hall has had images of the Taisui added to the gods within the complex and placed on the lower tiers of the plinth of her altar. The temple custodian did not know who decided on this addition, why or when.\n\nIn both of these temples, as in a number of other temples, the images of the sixty Taisui are portrayed as individuals with unique characteristics. A few look demonic, the majority are normal humans, with or without facial hair, young and old, and all are seated and dressed in a wide range of robes. Some are soldiers, some elderly mandarins - and although from lists provided in temples they all have individual personal names, none apart from the President, Yin Jiao, would appear to be recorded in legend or myth. However, several god carvers in", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215074, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 170, "title": "RAS-2000", "content_text": "127\n\nthe sacred and the secular.\n\nSacred time can be separated into liturgical and non-liturgical. Liturgical dates are those linked to the lunar calendar such as Yu Lan Hui, the Chinese All-Soul's Day, celebrated on the 15th of the seventh lunar month [best known as the Hungry Ghosts Festival] and the anniversaries of the gods and immortals; whilst the non-liturgical are fixed dates marking the seasonal changes. Only two such non-liturgical dates are still observed - the grave sweeping at Qing Ming, usually on the 5th of April, 106 days after the Winter Solstice, and the Winter Solstice itself. Secular dates are national state holidays.\n\nHumans accept the depth and space of time as a natural aspect of our daily lives. To people the world over a day, depending upon the culture, consists of the period between noon and noon, midnight and midnight, or from dawn to dawn. The lunar month has been a common time-marker since time immemorial, with the Chinese lunar calendar being based on the full moon on the 15th day of the month and the new moon, on the first. To many Chinese, as indeed to a number of other agricultural civilisations, time did not stretch back into eternity but came round again and again, it was cyclical, and again like other civilisations a zodiac evolved.\n\nBefore the days of the cheap watch or clock, time to the average Chinese man-in-the-street was simply the year, which is the interval between each spring equinox, the month and the forenoon, afternoon and evening of the day. Chinese peasants were able to avoid the bourgeois vice of clock-watching. However, certain times were rigid; for example, the times of the opening and closing of the city gates; these were usually regulated by dawn and dusk, and for watchmen who walked the dark streets who knew from experience reasonably accurately when to call out the hour. For the majority of Chinese another important aspect of time is the lunar date of birth and death, as no marriage could be arranged without the exchange of time and date of birth of the potential bride and bridegroom.\n\nHowever, to the Daoist time never stops and no state can be retained. Change is the only constant. Everything is continually changing but for each action there is a reaction so that the cosmic balance remains the same.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215080, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 176, "title": "RAS-2000", "content_text": "133\n\nchambers or tanks. The most famous of the early clocks was constructed in the then national capital, Kaifeng, about the time of the Norman Conquest of Britain, by Su Song [1020 - 1101 AD]. Su Song, born in Tongan county in Fujian province where he is still revered within the Su ancestral hall, created an astronomical clocktower in which he incorporated his mechanical clock, a celestial globe and an armillary sphere. The difference between water clocks until the time of Su Song and his invention was his creation of an escapement mechanism which controlled the regular movement of the small water tanks providing previously unheard of accuracy.\n\nThe Twenty-eight Constellations\n\nIn early China the visible stars were divided into 28 zones or constellations, referred to as lunar mansions. These provided manageable proportions of the heavens, with seven in each of the four directions. The selection of twenty-eight reflects the time it takes the moon to make a complete circuit of the stars, a fraction under twenty-eight days. Books describing such celestial spirits, printed in Taiwan, illustrate each spirit with a sketch showing the \"human\" form and giving its attributes. Although usually regarded as a group, in some places a number of these celestial spirits, always mythological, are referred to individually in legend or by ritual specialists. According to religious specialists each of the stellar deities of the Twenty-eight Constellations has a title and a specific role, the latter differing depending upon the individual ritual specialists or books.\n\nThe Pole Star was also the celestial base of the several deities, the main one being the Northern Emperor, also known as the Dark Warrior, Xuan Wu, one of the spirits of great antiquity who ruled one quarter of the universe. Each of the Thirty-six stars of the Plough was a legendary hero recorded in one of the numerous stories of the deification of and struggles between the deities. They are deities of good omen, whereas the Seventy-two Stars of ill-omen, without individual legends, are just that, stellar spirits of bad luck. The great popularity of the Northern Emperor has rested for many centuries on devotees' belief in the mighty magical powers with which he suppresses demonic forces with his Daoist Pole Star sect, Beiji Pai, of which he is the patron, centred at Wudang Shan in Hubei. Xuan Wu was the Lord of the northern sector of the 28 Lunar Mansions and as one of the Spirits of the Four", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215081, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 177, "title": "RAS-2000", "content_text": "134\n\nQuadrants of the 28 Heavenly Constellations, the image of Chen Wu [Xuan Wu], as Lord of the North, was usually to be seen on altars, usually in Daoist monastery or temple entrance halls, together with the Azure Dragon [Qing Long] of the East, the Vermilion Bird [Zhu Qiao] of the South and the White Tiger [Bai Hu] of the West, where they were the guardians.\n\nAlthough Tai Sui is the Minister of Time, another major deity, Fu Xi, has been credited not only with the establishment of kingly rule, of marriage laws, but also the computation of time by inventing a form of calendar using a knotted cord. The Eight Trigrams [bagua] are attributed to him as well as the development of a system of fortune telling using these trigrams which has governed the lives of a great many Chinese ever since.\n\nYang Ren\n\nThere is ambiguity over the rôles of the two deities, Yin Jiao and Yang Ren. In the very early days, before the emergence of the concept of the stems, the twelve branches were represented by images of the deities of the year with all twelve portrayed on altars in temples, especially in northern China where they were regarded as an entity commanded by Yang Ren. Later, when the Sixty Spirits of Taisui, that is the sixty cyclic deities, replaced the Twelve, they too were commanded by Yang Ren - or by Yin Jiao depending on local legend. According to the Fengshen Yanyi Yang Ren is the Jiazi Taisui [the first of the sixty combinations] and is known as Jiazi Taisui Zhengshen.\n\nXIE. [see photograph 4: with small hands emerging from the eye sockets] whilst Yin Jiao, as we have seen above, was identified in the same historical novel as the President of the Ministry of Time. Though we have accepted Yin Jiao as the President of the Ministry and Yang Ren being the identity of the primary Taisui, the picture is far from conclusive.\n\nThe Ten Stems and Twelve Branches have been represented in human form in a number of temples but, as far as can be ascertained, none has been connected with the Lord of Time, Taisui. One of two side walls of the main hall of a temple near Pingyang in Shanxi province representing the Lord of the Northern Dipper, Zhen Wu, contains 13th century frescoes depicting ten figures. These represent five of the Ten", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215085, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 181, "title": "RAS-2000", "content_text": "138\n\nThe Binary Titles for the Sexagenary cycle\n\nThe list of the sixty combinations given below also includes the full title of the deity, the Spirit of the Year, the Taisui. Each title begins with the two characters from the 10 stems and 12 branches. These are followed by the two characters Tai Sui, and in turn the next two characters are the individual name of the spirit, followed by the final three characters for the Great General. Therefore, the first is Jiazi Taisui Jinbian Da Jiangjun, Jiazi being the first group of the sixty Taisui, followed by his name Jinbian, and finally the title of the Great General. However, the romanisation gives two words only out of the full title. The romanisation therefore only provides the first two [the stem and branch], followed by the personal name.\n\nThe iconography of the Sixty varies considerably though the individual images in the two modern sets in Taipei do have very similar features. These range from military, civil and Daoist and Buddhist robes and caps to carrying spears, unsheathed swords, kerchiefs, fruit, small bowls of lustral water, tablets, brush pens, pearls and fans.\n\nThe list, apart from the number within the bracket, obtained from the Daoist centre in the Baiyun Guan in Peking, provides sequentially the years of the sexagenary cycle. However, the images of the sixty Taisui in temples seem to be placed haphazardly along the altars. Also, the personal names of the spirits in each temple set can be different or allocated to a different year. A few are the same in every set, for example the first, Jiazi with the personal name of Jinbian, but the majority are different.\n\nThe numbers in brackets are the order in which the images of the Taisui are placed in the folk religion temple in Pudong, Shanghai. Thus, the first item gives us:\n\n[the Shanghai number] Jiazi Taisui Jinbian Da Jiangjun Jiazi Jinbian and the years within the Sixty Year Cycle.\n\n[1] 甲子太歲金辨大將軍\n\n[2] 乙丑太歲陳財大將軍\n\nJiazi\n\nJin bian\n\n1924 1984\n\nYichou\n\nChen cai", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215096, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 192, "title": "RAS-2000", "content_text": "Modern images of the set of sixty Taisui on the altar dedicated to the consort of Xu Zhenren whose temple is at Xi Shan near Nanchang in Jiangxi province. Her image, unconnected with the Taisui, stands on the uppermost shelf [see Xu the Daoist Perfected Lord Vol 38 of the RAS HK Journal pp 137-146].\n\n149", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215104, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 200, "title": "RAS-2000", "content_text": "157\n\nBut First, the Story of the Rebellion.\n\nTang Ming Huang, or Xuan Zong, the sixth emperor of the Tang dynasty, who reigned between AD 713-756, became infatuated by Yang Yuhuan, the consort of his son, Prince Shou, and caused her notionally to enter a Daoist nunnery. She soon became the favourite concubine of the emperor who shared with him her love of music and dance and whose hold over him led to his neglect of state affairs. It is rarely explained that the Concubine Yang was comparatively plump, conforming to the social concept of beauty of the era. By about 740 the Emperor, tired of the daily routine of his high office, now addicted to luxury and women, also became indolent. As the eunuchs gained ever greater control over state affairs so the emperor surrendered power into the hands of two men, Li Linfu and Yang Guozhong, the latter being a relative of the concubine.\n\nOnly this one woman, the Concubine Yang [Yang Guifei], a famous beauty, was able to fascinate the ageing emperor. He took her into his own harem where she speedily dominated the aged emperor's consort after which he gradually slid into dissipation with his name forever linked with her and their ill-fated romance. Her hold over him led to his loss of interest in imperial duties transforming him from being a staid and good ruler to a playboy. This led to his downfall and her murder. In the late 740s she adopted An Lushan as her son and she, the emperor and An remained in a very friendly relationship until immediately prior to him rebelling. Despite An's gross and huge frame scandalous stories have circulated down the ages of his sexual excesses with the emperor's concubine, Yang, which may or may not have had any truth to them.\n\nGeneral An lost the emperor's favour when Yang Guozhong, a distant relative of Yang Guifei who had worked his way into power, became the most powerful man in Court. He hated An and with the ear of the emperor he was able to turn the emperor's fondness into one of hate and distrust. Eventually, believing the calumny spread by Yang Guozhong, the emperor lost faith in his favourite general, An Lushan found his position untenable and finally, at the end of 755, he rebelled, almost certainly to counter the threat to himself posed by the ever-growing power of Yang Guozhong and his realisation that he had lost the support of the emperor. An Lushan's army drove east and in a series", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215110, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 206, "title": "RAS-2000", "content_text": "163\n\nto teach him a lesson. In yet another rendition it is suggested that he had the crab painted on his forehead by his fellow pupils as a joke whilst he was asleep and who, at the same time, stuck two willow branches behind his ears. When he woke up his chagrin was so great that he committed suicide. Another story maintains that he was a most beautiful child and his sister-in-law in a fit of jealousy painted a crab around his mouth whilst he slept preventing his soul from returning [meaning that he died as a result because Chinese know only too well that one's soul roams far and wide whilst one is asleep]. The Jade Emperor took pity on him and, so the story goes, adopted him as one of his sons, or in another version, allowed his soul to return to his body. In yet another legend he was a Suzhou man who supported troupes of actors. Another legend, related in a Chaozhou temple in Indonesia, tells of a boy who had been working in the fields, stomach empty and very hungry. He fell asleep at the side of the field whereupon a small crab crawled into his open mouth giving him sufficient sustenance to continue. He grew up to be a good farmer, a good neighbour who helped protect his community and who loved music more than anything else. He was, however, conscripted into the army and sent north to fight the Xiongnu [Huns] of central Asia, where he rose in rank until as a marshal and undefeated he returned to his home in Fujian province. He was deified after death as a local community protector. One of the major factors of his victories over the Xiongnu had been the impressive uniforms he had provided for his men which completely over-awed the central Asian barbarians. These uniforms became the stuff of actors' outfits and because of his love for music, and as the crab had saved his life, his image has the crustacean painted around his mouth and he is now the patron of actors and musicians [Photograph 10].\n\nThe legend of the Marshal Tian, better known as San Tian Dou Yuanshuai, the third of the three Tian brothers, another form of this deity, has also been confused by devotees somewhere along the line with the well-known legend of the 360 musicians and the Pestilence Wangye. In the Tian Brother's story they were said to be musicians engaged by the Xuan Zong emperor as his music masters. The emperor, whilst sick, dreamed that their playing had restored him to good health which on waking he found to be true. He then ordered them to stop a plague which was ravaging Fujian province, which again they did and were deified by the Celestial Master Zhang, the Daoist deity.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215129, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 225, "title": "RAS-2000", "content_text": "182\n\nMarshal Wen Qiong was said to have been one of the subordinate generals serving Guo Ziyi during the campaigns to suppress An Lushan's rebellion. This modern portrait depicting him as a celestial general hangs in a Daoist temple in Pudong, a suburb of Shanghai.\n\nPage 225\nPage 226", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215335, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 112, "title": "RAS-2001", "content_text": "60\n\nundimmed, and taking command of an army, first in face of a threatened invasion by the dreaded Huns of Central Asia, and again later, in AD 48, to pacify the wild aboriginal tribes of Hunan. However, he died during the campaign in Hunan.\n\nReverend Henry15 referred to Fupo Jiangjun, as a Cantonese deity who had temples scattered along the vicinity of the Pearl and West Rivers where he was worshipped by boatmen and travellers. The reason for his popularity apparently was because it was widely believed that Fupo and his army had crossed the range between Hunan and Guangdong, conquering south China, using double-decker troop carrying boats to ferry his troops from the hinterland of Hunan to Guangzhou. The boats had to be portered across the mountains against all odds.\n\n16 Mesny noted that a number of temples in Guangxi honouring Fupo had kept alive the memory of his martial deeds and exploits. A temple on the West River near the great rapids was striking for its perfect preservation. It was kept in repair, wrote Mesny, by boatmen who regarded the deity in some special manner.\n\nIn Taiwan Ma Yuan is the main deity in some half a dozen temples where he is known as Fushun Jiangjun.\n\nc] The Great Emperor, the Plum Blossom Immortal, Mei Xian Dadi ★✩, is a minor Daoist cult Immortal whose image has only been noted on the altars of three temples, all within the Hainanese communities in Kranji, Singapore. His title however appears on the temple deity list together with other deities in five temples in southern Malaysia. Temple keepers agree that the Plum Blossom Immortal was a famous doctor who, according to a god carver, bore the personal name of Zhang Chuang, lived somewhere in China many centuries ago, and is now particularly revered by pregnant women who he protects from malignant forces. He also helps them by ensuring that the babes themselves are small and therefore do not cause any injury to the mother during birth.\n\nImages of the Plum Blossom Immortal have no unique characteristics and vary considerably from temple to temple. Two depict him seated, and at first glance looking somewhat like Guan Gong,", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215336, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 113, "title": "RAS-2001", "content_text": "dressed in robes and a scholar's tile cap. The eyes are rounder than those of Guan Gong and they have a pink face, though they are sitting holding an open book in the left hand as does Guan Gong. The other versions are, in general, standard seated scholar-officials, with black beards and holding, in one case a seal in his left hand, and in the others a sword or fly switch in his right. In four of the images he is wearing Daoist robes decorated with the bagua signs. In every temple his image is flanked by two anonymous military attendants.\n\nImages of the Plum Blossom Immortal have no unique characteristics and vary considerably from temple to temple. Two depict him seated, and at first glance looking somewhat like Guan Gong, dressed in robes and a scholar's tile cap. The eyes are rounder than those of Guan Gong and they have a pink face, though they are sitting holding an open book in the left hand as does Guan Gong. The other versions are, in general, standard seated scholar-officials, with black beards and holding, in one case a seal in his left hand, and in the others a sword or fly switch in his right. In four of the images he is wearing Daoist robes decorated with the bagua signs. In every temple his image is flanked by two anonymous military attendants.\n\nHis festival is celebrated annually on the 20th of the ninth lunar month and his full title copied off one of the temple notice boards is Shangqing Sanwu Mei Xian Yuan Zhangui dongxian Zhang Dadi 上清三五梅仙院斬鬼洞仙張大帝,\n\nd] The Loyal and Fierce Marquis, Zhonglie Houwang 忠烈侯王, was a secondary image on the main altar in a rural hut-temple in Singapore. He was paired with Wenzhou Houwang 溫州侯王 and sat on an ornamental chair on Wenzhou Houwang's left hand side, holding in his right hand a jade-like sceptre identical with the one Wenzhou Houwang is holding in his right hand [May the State Prosper and the People Enjoy Peace]. Little was known about Zhonglie Houwang apart from a hazy memory from one of the temple elders that he had been a famous village headman many, many years earlier, his personal names now lost in time.\n\ne) A page in a loose-leaf book kept by the temple custodian in a small atap1 Hainanese temple in Lorong Ah Soo in Singapore listed the titles of the five deities [*] and nine minor spirits or aides [#] revered by devotees, some understood to be portrayed in image form on the temple altars whilst the majority were simply known by their titles and", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215346, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 123, "title": "RAS-2001", "content_text": "71\n\nobvious to any Chinese with an ounce of nous. Two years later he wrote a play, Hai Rui Dismissed, purporting to be about Hai Rui. This was seen as a covert attack on Mao Zedong's purge of Marshal Peng Dehuai who had openly blamed Mao for the 1959 famine. The purge of the Peking hierarchy led by Yao Wenyuan, a Communist political writer in 1965 [who was later one of the Gang of Four], is usually seen as the overture to the Cultural Revolution in China, Hai Rui being used as a symbol for Peng Dehuai, Mao's fallen rival.\n\nIn a Hainanese community temple dedicated to the Jade Emperor near Bukit Mertajam in northern Malaysia two images flanked the main deity, on his left hand his Fourth Daughter and on his right Luo Yanhua, about whom nothing more is known other than she is claimed to be a unique Hainanese deity. Her image has not been seen or recorded anywhere else, hand, and aide to the Fourth Daughter.\n\nAlthough Lishan Laomu is primarily a Chaozhou local folk religion cult goddess she is also worshipped widely in Hainanese temples where she is regarded as a Hainanese cult. Lishan Laomu is her more popular title rather than Lishan Shengmu, though considering the ambiguities in legend, title and the initial character, it is open to question whether we might have more than one deity here. Three different characters for Li, all homophones, have been noted. The first means black, the second pear, and the third black horse. The first is the more popular version in central Malaysia and Hong Kong. The second appears to be the character preferred by the Hainanese, and the third has only been encountered in Taiwanese temples. She was referred to in a Saigon Hainanese temple as either Yimei Niangniang 懿美娘娘 or Yide Niangniang 懿德娘娘.\n\nAn elderly lady temple keeper in Kowloon approached the deity and \"introduced\" me to Lishan Shengmu as ‘a foreigner who wished to disperse the mists of his ignorance.' She told me that Miss Fan, a Daoist nun, had been summoned by Tian Hou to Heaven to be trained to become an Immortal and is now a caring spirit known as Lishan Shengmu, the Saintly Mother [or Matron] Lishan.\n\nIn an interesting but typical misconception an odd title of a deity was noted in a temple in Lincoln Road in Singapore where the custodian who claimed to be Hainanese also claimed that all the deities were", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215353, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 130, "title": "RAS-2001", "content_text": "78\n\nHainan island as well as within Hainanese communities in south-east Asia. Although their legends are unique to Hainanese they are similar in style and format to those told in other ethnic groups.\n\nSadly, most of the rural temples on Hainan island itself have little left of their original images following the ravages of the Cultural Revolution. It is fortunate that we do still have several Hainanese communities in south-east Asia where little has changed over the past century. However, intermarriage between Hainanese devotees and those of other Han ethnic groups has meant that to identify cults as uniquely Hainanese has become that much more difficult.\n\nNOTES\n\n1\n\n2\n\nPopular or folk religion is an amalgam of Buddhist, Daoist and local beliefs ignored by Confucianists, Buddhists and Daoists as well as by the majority of educated Chinese.\n\nHengwa is sometimes referred to as the Puxian sub-group.\n\nHokkien is the Fujian linguistic group word for Fujian people as well as their language. Minnan is the area of southern Fujian province from which many immigrants to Taiwan and South-east Asia originated and is a linguistic sub-group of Hokkien.\n\n4 Buddhist and Daoist images on such altars have not been included in this article, even though a number have been seen on folk religion altars in Hainanese temples, as they are all revered China-wide.\n\n5 Ma Zu is primarily the Fujian community title for Tian Hou.\n\n7\n\nBoth Third and Fourth are deities that have been noted on Hainan island and within Hainanese overseas communities.\n\nAn entirely different deity, the Saintly Matron of Wenzhou, Wenzhou Shengmu would appear not to be connected in any way with Wenzhou Houwang. Nor has she been noted on altars within the overseas southern Chinese communities. She has only been noted by William Mesny who saw an image of her in Zhejiang province in 1896 [doubtless connected with the local coastal city of Wenzhou], and suggested that as her surname appeared to have been Lin she may well be Tian Hou, the patron goddess of seafarers.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215958, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 257, "title": "RAS-2002", "content_text": "191\n\n11\n\n12\n\ncapable apprentice Hóng Réngan (1828-1864) who later died as the Shield King among the Taiping insurgents, and Legge's co-pastor of the Chinese congregation at Union Chapel (later Union Church) for twenty-five years, the first modern Chinese theologian, Ho Tsun-sheen (P. Hé Jinshan, known in the 20th century by his sobriquet among Chinese Christians, \"Ho Fuk-tong,\" 1817-1871). Among the many forgotten persons whom Legge knew in his role as a missionary-pastor is a Cantonese resident more than 20 years Legge's elder, Ch'ëa Kam-Kwong (P. Che Jinguang, c. 1800-1861). In the Hong Kong newspapers of the early 1860s it was Ch'ea's life and fate which catapulted Legge into the status of a folk hero among the expatriate and Chinese Christian communities. Yet Ch'ëa's own unusual conversion, his subsequent career as a self-determined missionary, and his tragic murder years later by a local Chinese vigilante squad have been almost completely overlooked in English and Chinese sources. To Legge's credit Ch'ea was the subject of many letters and reflections in various places, so that it became one of three post-mortem memorials for notable Christians associated with his missionary career. Consequently, it is largely on account of the Scottish missionary's writings that Ch'ëa's name and story can be rescued from the dustbins of forgotten Chinese history.\n\n14\n\n13\n\n## PART TWO: Walking through shadowlands: Ch’ea's transition across major traditions\n\nThe town of Poklo (P. Bóluó) was the leading city in a district of the same name, about 40 miles east of the capital city of Canton (Guǎngzhōu) and about 20 miles southeast of the impressive mountains of Lo-fow (or Laufu, P. Liúfú or Luófú) range. Those mountains were already made famous after the end of the Han dynasty (4th century A.D.) by Gé Hóng (283-363), a famous Daoist priest who made his retreat on the slopes of Mount Lo-fow when in search of special materials for an immortality elixir. Four or five temples of both Daoist and Buddhist traditions were well established on its slopes in the 19th century, and were visited by Legge and his younger Scottish colleague, John", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 215962, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 261, "title": "RAS-2002", "content_text": "195\n\n27\n\nbeing \"born again\" (P. chóngshēng) and the nature of true worship.\" After reading and pondering over the meaning of some New Testament passages, he became convinced that the \"worship of his ancestors was contrary to the word of God,\" probably another topic discussed at some length with the colporteurs. Consequently, he \"defaced the tablet\" for his family's ancestral spirits with a chisel, and committed himself to a God to be worshipped, as described in one of the above passages, “in spirit and truth.\" Through these undoubtedly painful steps in the initial process of intellectual conversion, primarily through his dialogue with A-Wye and reading the Delegates' Version of the New Testament, Ch'ea began walking in the shadowlands between major religious traditions.28\n\nWhen the pair of colporteurs returned to Poklo in early May and sought out Ch'ea to follow up their initial interview, they found a man already wanting to be \"more fully instructed and baptized.\" On this basis, the colporteurs apparently urged Ch’ëa to come with them to Hong Kong, bringing along evidences of his spiritual transition. Taking along \"in a napkin two small idols”, one having been in the Ch'ea family for three generations, Ch'ëa followed them to Hong Kong and met for the first time \"Pastors Li (Lǐ Yǎgè, James Legge) and Ho.\"\n\nwas a\n\nWhat kind of a person did Legge and Ho meet? Unlike an octogenarian Daoist priest who had visited Hong Kong in 1854 from one of the Daoist temples on Mount Lo-fou, a man who sought out Legge and returned instructed but not baptized, Ch’ëa \"plain-looking man, without much education\" but \"sincere in his profession and honest in the statements he made\" (\"as far as we are able to judge,” Legge carefully qualified in addition).29 After some discussion and six weeks of instruction, Legge confirmed for his English audience the normative evaluations typical of Christian religious conversion, stating that Ch'ea \"gave us, indeed, much reason to believe that he was born of the Spirit.\"30 What Legge and Chalmers did not tell at this time, and is only recalled much later as part of a small set of Reminiscences of Prof. Legge at Oxford, is the kind of religious insistence driving Ch'ea to Hong Kong.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 215964, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 263, "title": "RAS-2002", "content_text": "197\n\nPromises were made that other colporteurs would continue to stop by Poklo, and so Ch'ea left his Hong Kong connections to return to an uncertain future.\n\nPART THREE: Darkness outside, light within: Chinese cultural rejections of Ch'ea's Christian way\n\nNo further contact with Ch'ea occurred for nearly a year after he left for Poklo, partly because of changing circumstances in Hong Kong that prevented any more aggressive strategies from taking shape. Legge himself had already been living as a widower since October 1852, his wife Mary Isabella (1817-1852) succumbing to what was probably advancing tuberculosis during a burdensome delivery of a stillborn child.34 Longing to see his children who had been receiving their education in Scotland since 1853, but also anxious to show the first fruits of his plans for the Chinese Classics to the London Missionary Society Directors, Legge was predisposed to staying close to Hong Kong and not taking trips into the nearby mainland. The Arrow Lorcha affair in October 1856 heightened the political tensions over supposed conflicts in treaty provisions between the Qing and British empires, lending just enough reason for British officials to initiate full-scale war in December. Whatever plans there were for \"nurturing\" and \"supporting\" Ch'ea, the declaration of war made travel inside China for foreigners literally impossible.\n\n35\n\nIn the meantime, Ch'ea had to make his own way. Soon after he returned to Poklo he officially gave up his \"employment in the sacred temple [of Master Kong]\" and apparently devoted his free time to reading the books brought with him from Hong Kong. Family members charged him with following a foreigner's religion, suggesting that he had given up his allegiance to the Manchurian empire. Neighbours and others considered him either to be mad or possessed, the latter group throwing water on him (blessed in one of the Daoist temples?) to cast out the demons. What is significant, and may not be fully understood at first notice, is that these reactions occurred months before any outright military hostilities had begun (the so-called Second Opium War). \"Following", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 215966, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 265, "title": "RAS-2002", "content_text": "199\n\nto justify any kind of violence against that \"other\" as a form of cultural and social self-preservation. \"Foreign demons\" were constructs of a political discourse which played on the common people's fears, even to the point of instituting extensive studies in teratology (the study of monstrous forms of animals and plants) as a way of explaining the foreign \"things.\"\n\n39 In taking a \"China-centred approach\" to studying the implications of Ch'ea's Christian conversion, these factors should be explored in two areas: the teratologisation of Jesus and the whiplash of an earlier imperial racism expressed in Manchurian campaigns against any intellectuals who strongly supported Hàn cultural motifs.\n\n40\n\n41\n\nIn a rare picture of the transmogrification of \"foreign teachings\" in order to mark them out for vilification and destruction, Paul Cohen has illustrated how one Qing scholar, Tián Xingshu (1837-1877), produced a blistering lampoon of Christianity in publicly displayed placards during the 1860s. The \"Lord Jesus\" (Zhu Yésu) was depicted in cartoon-like caricatures as the \"Pig Jesus\" (Ju Yésu), worshipped by \"foreign devils\" in bizarre and salacious rites. Christian \"devils\" are depicted as cannibalizing unsuspecting children and religious seekers, using their religious rites as a cover-up for the most immoral and inhumane forms of treatment that a Chinese person could imagine. Near the end of his book, Bixié jìshí (The Truth about Records of Exorcising Evil Spirits12), Tián depicts a righteous mandarin ordering the \"shooting of Pig [Jesus] and the beheading of the Goats [foreigners].\" But this is not the end. Following long traditions found in many Chinese Buddhist or Daoist temple reliefs, Tián capsulizes the defamation by illustrating the terrible purgatorial punishments deserved by the \"Pig Incarnate\" (jujing) in some lower level of Chinese hells. Any partially literate and sensitive Chinese citizen would obviously want to be rid of such a terrible menace to their own society. How could any Chinese person, convinced that these claims were false and purposefully misleading derisions, seek to redirect mobs angered by these putative evils of \"foreign torturers\"743\n\nYet an even deeper level of antagonism and racism had been instigated from the highest imperial offices during the 17th and", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 215991, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 290, "title": "RAS-2002", "content_text": "224 \n\n(Sevenoaks: Hodder and Stoughton, 1981), the first volume subtitled Barbarians At The Gates, pp. 143-147, 174-175, 224-225.\n\n11. Both Hong Réngan and He Jinshan have been discussed in detail in Pfister's Striving for \"The Whole Duty of Man\", especially chapters 4-6. A more thorough study of He Jinshan's contribution to Chinese Christian history by Lauren Pfister is an essay entitled \"A Transmitter but not a Creator: The Creative Transmission of Protestant Biblical Traditions by Ho Tsun-Sheen (1817-1871)” in Irene Eber, et. al., eds., Bible in Modern China: The Literary and Intellectual Impact (Nettetal: Steyler Verlag, 1999), pp. 165-197.\n\n12. The name of Ch'ëa Kam-Kwong is constituted by particular Chinese characters Legge described as the \"Golden Light Chariot,\" a way of expressing in English what the common meaning of each character is. Unfortunately, two misspellings have predominated in other literature, one in English and one in Chinese. In English, we surmise that Helen Edith Legge put together the typescript entitled \"Che'a Kin-KWáng,\" horribly mixing up the transliteration with something like the proper name in Hoklo dialect, but the given name in Mandarin. Legge never uses these transliterations in his own writings. In Chinese, Wáng Tão wrote the wrong characters for the name in his personal diary for 1862 when he had first come to Hong Kong, showing also his struggle in understanding Cantonese pronunciations, making his given name \"Embroidered River\" (M. Jinjiang, C. Gam-gong) presumably by guessing from the sounds he heard from other Hong Kong Chinese Christians who referred to him. Consult Fang Xing and Tăng Zhijūn, eds., Wáng Tão rìjì (Wáng Tāo ’s Diary) (Beijing: Zhōnghuá Book Store, 1987), pp. 196-197, record for the date of the 10th month and 15th day of the lunar calendar (or a day in September, 1862).\n\n13. There is no study of Ch'ea Kam-Kwong in Chinese language sources as far as I know, and very little published about him in English after the 1860s. Part of the reason, as will be argued below, is that his murder became an embarrassment to both the British embassy and the Qing dynasty at the time.\n\n14. Legge wrote memorials for his elder brother, an important Congregational minister in Great Britain, George Legge (1802-1860), and his co-pastor, Hé Jinshan, published in 1863 and 1872 respectively. See the typescript on the \"Sketch of the Life of Ho Tsun-sheen\" in SOAS/CWM/South China/Personal/Legge/Box 7, the original manuscript on Ch'a being held in the Bodleian Library (the second item in MS Eng. misc. c. 865, fol. 1-19). Consult the long introduction written for George Legge's Lectures on Theology, Science and Revelation already mentioned above. The text of \"Che'a Kin-KWáng” is a compilation done most likely by his daughter, Helen Edith Legge. It uses many original and secondary sources citing her father's and other missionaries' writings, but also includes some perspectives and interpretations which may not portray the full story.\n\n15. The story of their visit to Daoist and Buddhist sites on Mount Lo-fow is described in Legge's \"Journey of a Missionary Tour along the 'East River' of Canton Province,\" China Mail, Supplement to #853 (June 20, 1861), p.4 (covering events of May 22-23, 1861). This is the full text from which extracts were and published in EMMC/MM, No.304 (New Series, No. 21) for September 2, 1861, pp. 249-260.\n\nmade", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 215994, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 293, "title": "RAS-2002", "content_text": "227\n\nand phrasing typical of Ruist discourse in the late Qing period.\n\n26. Although Legge held this position by 1848 and argued for it in his extensive study of 1852, The Notions of the Chinese Concerning God and Spirits, he did make slight changes in the position later on in his Oxford years. Shàngdì was for Legge a high name for any monotheistic vision of God, but it was a composite term. Later in 1865 when he for the first time published a translation of the Book of Historical Documents (CC3), Legge shifted his position to claim that the single term, di (the second character in shangdi) carried the essential meaning of “God” in certain contexts. Shàngdi was only its \"intensified form.\" For this he had to develop a further justification, which he published in two different settings. For further details of these arguments see James Legge, The Sacred Books of China: The Texts of Confucianism, Part I: The Shu King. The Religious Portion of the Shih King, The Hsiao King (Oxford: Clarendon Press, 1879), pp. xxiii-xxix, and A Letter to Professor F. Max Muller Chiefly on the Translation into English of the Chinese Terms Ti and Shang Ti in Reply to a Letter to him by 'Inquirer' in the Chinese Recorder and Missionary Journal for May-June 1880 (London: Trübner & Co., 1880). The first text appears as the third volume in the Sacred Books of the East series edited by F. Max Müller in Oxford.\n\n27. For the letter written by Legge and Chalmers on July 9, 1856, see the incoming letters for CWM/South China/Box 5/Jacket C/Folder 4. Later when meeting Legge in Hong Kong, Ch’ea said that \"he wished to receive the ordinance [of baptism] because it was commanded, but it was not the baptism with water which regenerated the soul, but the baptism of the Holy Spirit. Being asked where he had learned that, [Ch’ea] said that it was in the New Testament, he could not tell the book and the Ch., but if he had a book he knew where to find it. A New Testament being given to him, he soon turned up to the third Ch. of the Gospel of John.\" See EMMC/MM (October 1856), p. 215.\n\n28. Rambo describes \"intellectual conversion\" as the result of a person who \"seeks knowledge about religious or spiritual issues via books, television, articles, lectures, and other media that do not involve significant social contact.\" Then the person \"actively seeks out and explores alternatives.\" He adds, \"Belief generally occurs prior to active participation in religious rituals and organizations\" (Rambo, Understanding Religious Conversion, pp. 14-15).\n\n29. The letter describing Legge's encounter with the Daoist priest from Mount Luofu is dated February 22, 1854 (CWM/South China/Personal/Legge/Box 8), and confirmed in a later report to the London office by John Chalmers in his letter dated March 24, 1854 (CWM/South China/Box 5/Jacket E/Folder 3). EMMC/MM 21 (September 1857), p. 206. The original quotation is in the plural, describing both Ch'ea and a more recent convert named Kot A-Yuk. David Johnson also notes that in the late Qing period\n\nthere must have been a substantial number of individuals whose limited schooling had made it possible for them to grasp the meaning of many texts but not to write easily or well. Such persons had some access to the literary tradition and hence had transcended the confines of local oral culture, but were unable to use writing to order and record their thoughts. The distinction between those literates who could not write, or at", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 215995, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 294, "title": "RAS-2002", "content_text": "228\n\nany rate habitually did not, and those who did, is one of the most significant within the literate realm, perhaps as important as the distinction between those who did and did not have full access to the literary tradition.\n\nThe fact that Ch'a later had others write down what he dictated about his experiences suggests that he was one of these people in the middle: able to read, but not yet able to write well. See the further discussion in David Johnson's article, \"Communication, Class, and Consciousness in Late Imperial China”, in Popular Culture in Late Imperial China, pp. 34-72, here p. 38.\n\n30. EMMC/MM 20 (October 1856), p. 215.\n\n31. EMMC/MM 20 (October 1856), p. 215.\n\n32. This story is part of the collection of vignettes in a typed manuscript entitled Reminiscences (pp. 15-18, quotation from p. 15) held in the Bodleian Library (Ms. Eng. misc. c. 812). Many of these stories show signs of an aging man not remembering particular details of dates and places, but there appears to be no good reason to doubt the authenticity of this encounter between Legge and Ch'ëa itself. It appears nowhere else in Legge's writings, and serves as one of the basic texts for Helen Edith Legge's typescript, \"Che'a Kin-Kwang.”\n\n33. Rambo refers to this as a further motif in conversion initially identified by John Lofland and Rodney Stark. It involves the \"direct, personal experience of being loved, nurtured, and affirmed by a group and its leaders\" (Rambo, Understanding Religious Conversion, p. 15).\n\n34. For a helpful summary of Mary Isabella Legge's life see the section related to \"Mary Isabella Morison\" in Wong Man-kong, \"Hidden in History: London Missionary Society Missionary Wives in Nineteenth Century China (1807-1877)”, in Lí Hànjī, ed., Dú shĩ cúngão (Reading History: Extant Documents) (Hong Kong: Xuéfeng wénhuà Co., 1998), esp. pages 156-160.\n\n35. The timing of Ch'ea's leaving his post at the Poklo temple was not certain in an earlier letter, but Ch'ea himself dictates this fact in a letter translated into English for overseas readers. See EMMC/MM (September 1857), p.207. The following descriptions come from this and another translated statement (pp. 207-209) prepared by another convert led back to Hong Kong by Ch'ea, as will be described below.\n\n36. This is the intent of the seventh of the sixteen edicts, translated by Legge as \"Discountenance and put away strange principles, in order to exalt the correct doctrine” (chủ viduàn vì chống zhèng xuê). Among the “strange principles” regarded as unacceptable were Buddhist and Daoist extremities, rebellious groups like the secret societies of the White Lotus, and the Catholic religion. Legge makes clear that the condemnation of Catholicism \"must be understood simply of Christianity\" as a whole. See James Legge, \"Imperial Confucianism\" (Lecture II), China Review, 6:4 (October 1877), pp. 232-235.\n\n37. In a similar way Hong Xiùquán was seen as \"mad\" by his family and neighbours, but had experienced a physical breakdown after repeated failures in the civil examinations during the time he began having visions. The experience of Ch'ea on this score is quite different, in that he apparently maintained a relative engagement with his local lifeworld until he returned from Hong Kong in the summer of 1856. Compare Hamberg's account taken down from Hong Réngan's", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216038, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 337, "title": "RAS-2002", "content_text": "271\n\nother smaller temples, some well known, others hardly known at all. These include the conspicuous red-walled Dicang Wang Temple not far from the south-west corner of the city wall; the Doutian Miao and the Xiu Wang Miao, both referred to earlier. All were destroyed during the Taiping occupation, though many were rebuilt during subsequent years only to fall into disuse during the Japanese occupation as well as since 1949. The Jin Shan Temple and the Ganlu Temple today are the premier tourist sites in Zhenjiang, with the Dinghui monastery, though less easily accessible, being a good third.\n\nThere used to be an interesting group of memorial temples on the Ganlu headland [Consular Bluff], a favourite resort for native Chinese picnic parties. One of these shrines was dedicated to Zhu Xi, a Southern Song dynasty neo-Confucian philosopher, born in Anhui in AD 1130, and probably best remembered for his commentary on Confucian classics, with his 'Rituals for Family Life' being influential throughout China as the standard authority consulted by high and low alike. He was the Confucian scholar who, whilst prefect at Zhangzhou in Fujian in 1190, attacked Buddhist and Daoist practices and issued orders laying down punishments for those who disobeyed the rules. Despite this he wrote commentaries on the sacred books of Daoism. He retired in 1196 and after his death four years later was posthumously appointed Chief of the Imperial Tutors with the rank of Lord. He has long been deified, with a portrait installed in a temple in Jiangxi province at an early stage during the twelfth century to encourage sacrifices to him by local scholars and gentlemen.14 He was revered in Confucian temples from about 1250, and during the reign of Kang Xi he was elevated to a position just under the 'Ten Noted Men' [The Ten Disciples of Confucius].\n\n[1824-1890],\n\nAnother shrine was dedicated to Peng Yulin the Chinese admiral in charge of the Yangzi Fleet which operated with success against the Taiping rebels. Peng was remembered by foreigners for his incorruptibility as well as his inability to understand the westerners. During the short French war with China in 1884-5, when in Guangzhou as the Imperial Naval Commissioner sent to organise its defences he proposed sending emissaries to Singapore to poison any French officers who might have been enjoying British hospitality there. Beijing frowned on his plan and he was unable to see why. He was also violently opposed to the introduction of iron-clads into the Chinese navy.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216039, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 338, "title": "RAS-2002", "content_text": "272\n\nAlthough not part of the Zhenjiang story a Daoist cult centre on Mao Shan, a mountain some fifty miles to the south, was visited annually by a stream of pilgrims in the Spring, a great many of whom passed through the convenient port of Zhenjiang. The Daoist Mao Shan school was arguably the most powerful Daoist sect during the Tang and maintained its great prestige down to at least 1949. The Mao Shan Daopai as it is known, is renowned for its seances and medium trances, and according to Mao Shan sect priests was founded in the fourth century AD with the Mao Shan sect priests considering themselves to be the highest ranking of all Daoist orders.15 The sect originally appears to have been meditative and only later did it fall into line with other sects.\n\nIn 1917 two images were observed by Otterwill in Zhenjiang, in procession, Yan Gong and Jiang Gong #, both patron deities of river boatmen. Both deities were popular on altars in and around Nanchang, Anjing and along the Yangzi. Also popular in central China, C. B. Day records that Yan Gong in Zhejiang province was one of the Five Daoist deities who presided over a period of danger, a member of the Celestial Board of Health 瘟部五帝.\n\nThere have been but few references in western writings to the legend and role of Yan Gong, a Patron of Sailors. According to Doré, \"he was regarded in Central China as the protector of sailors and the god of the tides [Chao Shen].\" This, presumably, means the patron deity of sailors in the rivers and estuaries of the Yangzi basin. However, Yang Laoda is the usual patron of boatmen on the Yangzi. Werner1 provides a more detailed description of Yan Gong, the god of sailors, adding a little to Doré. He notes that Yan Gong had a temple built in his honour near Shanghai during the reign of the first emperor of the period of the Three Kingdoms [ca. AD 240] and that he was the deified hero in that temple who protected Shanghai from rebel attacks during the reign of Ming Shi Cong [ca. 1540]. Other legends claim that he was born during the Song in Jiangxi, that he was one of the four major deities of Jiangxi province, and was a censor famous for his integrity. Or that he was again a native of Jiangxi but born during the Yuan, and drowned during a storm when returning home. He was buried but was seen by the inhabitants of his native district on the same day. When his coffin was brought to Nanchang and opened it was found to be empty, a miracle which led to a temple being built in his honour. Sailors have", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216076, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 375, "title": "RAS-2002", "content_text": "309\n\nDuring their drive north to eliminate the War Lords and unify China under the Republic, the Nationalist [KMT] forces entered Zhenjiang in March of 1927 and at the same time took over the Concession. Most westerners left for Shanghai whilst those who remained lived aboard hulks on the River or as close to the River as they could get. Even the British Consul was withdrawn to Shanghai where he continued to carry out his Zhenjiang duties. Eventually, in 1929, bowing to the inevitable the Zhenjiang Concession was finally retroceded to Chinese control and the treaty port, as such, was no more.\n\nGerald Yorke travelled to China in 1931 planning to spend a couple of years travelling around China and studying, to satisfy a childhood dream. Not long after his arrival, as Reuter's correspondent, he joined a party chosen by the Chinese Government to inspect the dyke systems of the Yangzi and Huai river valleys which had just been rebuilt as a result of the disastrous floods in 1931. During the tour with the party they departed from Shanghai and reached Zhenjiang early the next morning. They were greeted on the hulk by a band which played valiantly out of tune. After motoring through the town to a public garden they were entertained at a European luncheon. The weather was cold but presuming that any entertainment would be indoors an under-dressed Yorke froze in the open pavilion. A Shandong medicinal wine was served with the first course; appetising dishes came hot from the kitchen, all of which sat on the table waiting for the Chairman of the Provincial Reconstruction Committee to finish his welcoming speech. When the tepid lunch was over they were each given a pamphlet describing the flood protection work done and the reconstruction planned for the future, a perfect example of how provincial officials wasted their time and country's money by publishing, with their portraits next to the title-page, an account of rather more than they have done and of what they would like one to think they are going to do.\n\nThe afternoon was spent sight-seeing at the monastery on Silver Island [Jin Shan], with its hundred or so monks and its ancient fir tree in the outer courtyard. The tree had but one branch still alive, its trunk bound in iron and its base enclosed in marble - a symbol of the passing of classical Chinese culture. The monastic treasures were all displayed, the bronze vessel from the Zhou dynasty, a drum from the Han, and a jade belt belonging to a former statesman, possibly Ming. There was also a small hexagonal column inscribed with the Daode Jing, the Daoist classic which had surprised Yorke as he had not expected to see a Daoist classic in a\n\nPage 375\n\nPage 376", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216079, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 378, "title": "RAS-2002", "content_text": "312\n\n* Li Zee-min (1950) Chinese Potpourri. Hong Kong: Oriental Publishers [He relates a local Hong Kong legend about the arrival of the young emperor escorted by Lu in what is now Kowloon, fleeing ahead of the Mongols. Li claims that the headman of the Hakka walled village of Kowloon was Tan Gong who died during the last battle with the Mongol fleet when Lu, with the emperor in his arms, jumped overboard to their deaths].\n\nCouling, Samuel (1917) Encyclopaedia Sinica. Shanghai: Kelly and Walsh\n\n11 Yu Dayu is recorded as being a native of Fujian who died in 1573 having made his name as the victor in the struggle to defeat the Japanese pirates along the coast of China and in particular that of Zhejiang.\n\n12 Yang Xiuqing as one of the leading lights of the Taiping Rebellion, to whose military genius much of the early success of the movement was due. He was known as the Taiping Eastern King [Prince], and professed to be the spokesman of God. After the capture of Nanjing by the Taipings he established his palace in the yamen of the former Viceroy and lived in great state. By 1856 he had begun a campaign of political and religious intrigue to usurp the position of leader and to overthrow Hong Xiuquan, the founder. His plans were uncovered and he, his family and thousands of his supporters were slain by Wei Changhui, the Taiping Northern King.\n\n13 extracted from the Transcription of the letters written from China to Milcote, Stratford on Avon by Thomas Adkins between 1855 and 1879 by courtesy of Theo Christophers of Dorridge, West Midlands : November 1999\n\n14 Hymes, Robert P. (1986) Statesmen and Gentlemen: The Elite of Fu-chou, Kiangsi, in Northern and Southern Sung. Cambridge: Cambridge University Press\n\n15 Although the name was known much earlier Mao Shan has always been the centre of a Daoist sect. [see Kita Aziya gakuho, a Japanese Journal, Vol. 2]\n\n16 Doré, Henri S.J. (1914) Recherches sur les Superstitions en China. Shanghai [Zikawei] : La Mission Catholique : Vol. XI\n\n17 Werner, E.T.C (1932) A Dictionary of Chinese Mythology. Shanghai: Kelly and Walsh", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216165, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 464, "title": "RAS-2002", "content_text": "398\n\nbeen a famous well in front of the temple, with a reputation for aiding fertility, its water being reputed to guarantee the birth of sons. It was still there, and the soldiers reported that by the 1970s, if not before, many people were again coming to the temple by the bus load from neighbouring counties in the third lunar month. Though the temple had been destroyed and the images of its deities removed, country folk were still believers and they particularly liked to take water back to their homes. During our visit, the soldiers fetched two buckets of water from the well for us to drink. It was very clean and sweet, though the well is neither large nor deep.\n\nFinally, and to remind, a more general but detailed overview of the culture of late imperial times, is provided in Richard J. Smith's excellent China's Cultural Heritage: The Qing Dynasty 1644-1912, 2nd revised edition (Boulder, Colorado, Westview Press, 1990).\n\nPOSTSCRIPT\n\nMy old friend Mr. Wan On of Pui O, South Lantau, has reminded me of the close analogy between the treatment of present day SARS and of the infectious diseases causing deaths in local village communities of old, which often struck during the late winter and early Spring. The isolation and quarantining of infected persons and their contacts was, in the latter case, extended to whole villages. No one was allowed to come in, and no one was allowed out, usually for around two to three weeks. In addition, a protective ritual (a ta chiu/dajiao) was performed by a Daoist priest, and vegetarian food and sexual abstinence were prescribed.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216198, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 497, "title": "RAS-2002", "content_text": "431\n\nTHE WRESTLING PRINCES\n\nKEITH STEVENS\n\nDown the years I have visited many, many Chinese temples in my search for images of the deities and their legends. One near the coastal town of Muar in western Malaysia contained a pair of deities well known to me standing on the altar table before and below the main altar. The image consisted of a pair of conjoined deities - the Taibao Sheren, a Fujian local popular religion Daoist cult, involving a pair of youths, princes, so the story goes, who in image form are depicted standing together, legs apart, holding on to each other either with one arm around the other's shoulders or clutching a part of the other's anatomy, such as the knee, as if wrestling. In this instance the Taibao possibly means The Great Guardian, an old dynastic title for one of the most senior of the Chinese imperial advisers rather than the Great Protector which is the literal meaning. Sheren was a quasi-official title for \"independent kinsmen” in other words \"hangers on.”\n\nIndividually the two youths bear the names of Kang and Ruan though they were identified in two temples in southern Malaysia simply, one the Sheren as the Civil Protector, Wenbao and the other, the Taibao as the Military Protector, Wubao. They are worshipped for general good fortune and have only been identified in small Chinese temples within Fujian communities in Singapore, Malaysia, southern Thailand and in two or three temples in Taipei and Kaohsiung counties in Taiwan. In this rural temple near Muar Kesang the main deity on the altar is a seated matron known as Liu Jia Zhenren.\n\nFor Yuan Jian Zhenren, not seen anywhere else and said to be the mother of the two youths. Before and below her image are two sets of the youths, portraying them as wrestlers with leather shin-guards and wrist strengtheners, with one of the pair grasping the other firmly by the leg.\n\nThe two are believed by some to have been Indian princes brought to Fujian more than a thousand years ago and little more, apart from their surnames, would appear to be known at any of the temples in which these images have been seen. However, in one temple in Taiwan they were said to be the sons of a wealthy man. One son had shown great aptitude and had been sent to study in the capital, and was white\n\nJ", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]