[
    {
        "id": 204312,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 80,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n76\n\n*\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nday of the second month, before noon, thirty li from the city, on the north-east and in the mist there was a general, who was ten feet tall, at the head of some three to five hundred soldiers all equipped with armour. Near twilight, the sound of the drums and the hubbub shook the mountains and earth within three hundred li and they stayed there for three days. The troops of the five states all retreated. The strings of their bows were gnawed through by golden rats and their other equipment was broken and became useless. Some of the enemy soldiers who were old and feeble could not escape, and were going to be killed by our men. Then there was in the air a loud voice which ordered, \"Release them and do not kill.\" We looked at the place and saw Vaisravana revealing himself over the tower of the north gate of the city with a bright light behind him. A portrait has been made and is attached to this report.\n\nVaisravana defends our boundaries and comes to the relief of our besieged garrisons to carry out the orders of the Buddha. His third son Nata (E) follows him holding up a pagoda with both hands. It is said by the great priest of the Tripitaka, Amogha, that on the first day of every month Vaisravana assembles his devas and genii; on the eleventh day his second son Tu Chien would say farewell to the father and go on a tour of inspection; on the fifteenth day the four heavenly kings would meet and on the twenty-first day Nata would receive or give back the pagoda to his father.\n\n+\n\nThe above quotation is translated from the Tantric Pi-sha-mên I-kuei (\"The Ceremonies in the Worship of the Vaisravana\") alleged to have been translated from the Sanskrit by Amogha himself. As Amogha's name appears also in the text it cannot be taken as an impartial translation.14 However, as Li Ching was such a famous general in the T'ang dynasty, who fought many victorious battles against the Turks, it was again very natural for the Chinese to identify him with one of the four newly-introduced Maharaja-devas (the four heavenly kings).\n\nThe legend of the pagoda held in the hand of Vaisravana was developed from Tantric texts into a very complicated and interesting story in the Fêng-shên Yen-i (Chs.12-14). I think\n\n14 No. 1249, P'i-sha-mên I-Kuei; No. 1247, Pei-fang P'i-sha-mên T'ien-wang Sui-chun Hu-fa I-kuei (#SNIU); No. 1248, Pei-fang P'i-sha-mên T'ien-wang Sui-chun Hu-fa Chên-yen (IBR), all translation of Amogha, in The Tripitaka in Chinese.",
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    },
    {
        "id": 204315,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 83,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol 1 (1961)\n\nISSN 1991-7295\n\n79\n\nBut this does not explain satisfactorily the record in the Mahavaipulya Mahasamnipata-sutra (李大集遺設堂訴言),21 in Catur-maharaja (四大天王), which maintains that each maharaja has ninety-one sons, but gives no names. And this does not explain the case (in the Janavasabha suttanta22 in chüan 5 of the Dirghagama) of the other god who, because of his accumulated merits would be re-born after his death as a son of Vaisravana in the Caturmaharajakayika (四大天王部). In the Buddha Preaching Jên-hsien Ching (作請人軟訣),* (AB jên-hsien being the Chinese translation for rsi jina) concerning the future of King Bimbisara (望界藤王), it is alleged that he would be re-born as the son of Vaisravana,\n\nPerhaps such confusion would explain why the author of the Fêng-shên, though knowing a good many of the Tantric legends, and adopting (in Ch.99 of the novel)23 the Chinese names for the four heavenly kings as \"Protectors of the Tripitaka and the Country, and Regulators of Wind and Rain\", abandoned the use of the name of Tu Chien and, in order to make his name conform to those of his younger brothers, invented Chin-cha (\"金吳), as the name of the eldest son of Li Ching. Chin-cha, though his origin does not appear in any reliable records, may, I suspect, come from the Tantric dharanis. Also, I have found in Act 1 of the anonymous play, Yüeh-ming Ho-shang Tu Liu-ts'ui (月明和尚堂留利清)24 of the Yuan dynasty, the following words chanted by a priest:\n\nAn! Ch'ih ling Chin-cha, Chin-cha, Sêng Chin-cha, Wo chin wei ju chieh Chin-cha, Chung pu wei ju chieh Chin-cha, An!\n(Listen! I am speaking of Chin-cha. Chin-cha, monk Chin-cha, I come to release you from Chin-cha, not to tie you up with Chin-cha. Listen! 哈！我今為你解金吳, 终不為你縋金吳。哈！)\n\nSince the author of the Fêng-shên was interested in both Buddhism and Taoism and is proved to have known many plays and other works of popular literature, he might have made use of materials such as those quoted above, in his creation of his characters.\n\n3. A LUMP OF FLESH WAS BORN\n\nThe story of No-cha's mother giving birth to him, in Ch.12 of the Fêng-shên Yen-i is as follows:\n\nLi Ching's wife, née Yin, had been pregnant for three years and six months, so he became very much vexed at it.\n\nThe wife dreamed one night at three strokes of the watch\n\n21 No. 397, translated by Dharmaraksa.\n\n22 Tseng-chang, Kuang-mu, To-wên, Ch'ih-kuo, see No. 665, Suvana-prathasa Sutta Sutra (Chin-kuang-ming Tsui-shêng-wang Ching 金光明最膤王訣), 11 & 12.\n\n*9*",
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    {
        "id": 204876,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1964",
        "page_number": 179,
        "title": "RAS-1964",
        "content_text": "154\n\nNOTES AND QUERIES\n\nheard in Hong Kong also before the Chinese, and the Chinese form in which they have come down to us is merely a disguise, just as the common modern Arabic effendi, borrowed from Turkish, conceals quite effectively the high Byzantine military title of Avthentis which is itself the same word as the English authentic; and just as the modern Cantonese abusive expression for an Indian Mo-lo-cha10 disguises the honourable title of Maharaja. And who, for another example, would identify the Malay title dato in its Cantonese form na-tuk? The task of a student of comparative language in identifying words borrowed from tangential cultures is often far from easy.\n\nNOTES\n\n1 'ama, (Arabic); 'âmâh, (Hebrew).\n\n2 a-mraah, §, meaning father's mother,\n\n3 Draaibhaano, A#, the head of a foreign business house,\n\n4 Fhaabwronq, #£. That this was once used only of foreigners' gardeners is hinted by the fact that the old term frynn-dheng HT was never so used. Nowadays all gardeners are called fhaahwrong.\n\n5 fhaann, ⭑.\n\n6 Fhukgin-saarng, #44.\n\n7 Gwuuradim,\n\nA.\n\n8 jribmroo-gwor, I#4. The San On Yuen Chi lists this as a native fruit and says it is so named because it is used by women in difficult pregnancies (anti-scorbutic?). But see note 12,\n\n+\n\n9 Irok-fhaah-sbaanq, ✯✯✯. The author of the San On Yuen Chi seems unaware that this plant was an importation, a fact he notes in several other cases.\n\n10 Mho-lho-chaa, 44%, originally Я% ·\n\n11 Nraabdhuk, **\n\n12 nrenqmbung, #. However there are some facts about the lemon which are not easy to reconcile. The Britannica says it is a hybrid one of whose parents is probably a lime; and the Sanskrit for a lime is nimbu which looks a nearer relative of the modern than the ancient Chinese form. The commonest pronunciation in Cantonese is Irammbung. Also see 8.\n\n13 sayyid, (Arabic).\n\n14 shihnhaai, # like Madame, strictly correct only for the wives of foreigners, but in Hong Kong used now for any married woman.\n\n15 sritrawy, $# \"Boss\", now used for all employers,\n\n16 srizae, # a \"house-boy\" in a foreign family, Often mistakenly written 事仔,\n\n17 Thih-thiw, NE.",
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    {
        "id": 209113,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 16,
        "title": "RAS-1981",
        "content_text": "2\n\nsen and his Hong Kong experience and was based on a current study he is undertaking into the meaning and significance of Sun Yat-sen's sojourn in Hong Kong. Also in February we were pleased to welcome Mrs. Robyn McLean, assistant archivist at the Public Records Office, who, using material on her files, spoke on the efforts to locate the Chater art collection after the Japanese Occupation - an effort that proved in vain. Finally, this month Carl Smith, one of our Vice-Presidents and a well-known investigator of primary sources of Hong Kong history, spoke on the origins, functions, and network of the Hong Kong compradores.\n\nExpeditions: Hong Kong and Abroad\n\n- During the year we had one walking tour in the New Territories and two expeditions to Rajasthan. The November walking tour was one of the winter walks which David Liu of your Council arranges from time to time, and the first for members of the society. Thirteen people participated. The first expedition to Rajasthan was centred around the Pushkar Fair/Camel safari but included many other novel activities, such as desert camping, 6 days by camel to visit off-the-track villages of the Shekhawati with their frescoes, a visit to the remote desert town of Bikaner with its palaces and forts, as well as a visit to the Rajmahal Palace, Jaipur. Altogether fifteen members took the tour. The second tour, entitled \"Meet the Maharaja\", took place in January of this year and went from Delhi through Jaipur, Udaipur, Jodhpur, and Jaisalmer. Participants stayed in hotels converted from maharajas' palaces, met maharajas, and travelled on a royal saloon train. Seventeen members went on the tour. This is the first time that overseas tours have been arranged for us outside the Council, and I cannot report fully on the tours as no member of Council was able to go along. We will be pleased, however, to get the reactions and comments of those taking part. Mrs. Craig has kindly offered to show moving films of the two expeditions that she took to the Society, possibly in April - and those taking part in them will be invited to bring along their own photographs for display.\n\nPublications\n\n- The 1979 Journal (Vol. 19) was published and distributed during the year. Editorial work on the 1980 Journal was completed, and so was much of that on the 1981 Journal. Dr. James Hayes, who handed over the role of editor to Dr. David Faure last year, remained in charge of the Journal for 1980 and as advisor on that for '81. He has asked me to",
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    },
    {
        "id": 214231,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 89,
        "title": "RAS-1998",
        "content_text": "52\n\nSsu and the Pi-yun Ssu. They were first placed there some three hundred years ago, towards the end of the last fully Chinese dynasty, the Ming and before the overthrow of the Ming by the non-Chinese Manchus.\n\nThe Two Temples in the Western Hills\n\nThe old Kuan Yin Hall of the Ta Pei Ssu X, the fourth of the Eight Great Places in the Western Hills of Peking, is sealed off and not available to the general public. It contains a modern image of the major deity, the bodhisattva Kuan Yin with a Thousand Arms and a Thousand Eyes together with old but refurbished images of the Deva with their name in Sinicised Sanskrit but without providing any hint as to their origins and legends. The statues of the Deva were originally made during the Ming, ca. 1500 AD, and consist of clay reinforced with hemp. They are referred to in temple literature as the Group of 28 Great Immortals +. The image of the Thousand Arm and Thousand Eye Kuan Yin was replaced by the Japanese after the Second World War in an attempt to make amends for having taken the original and melted it down for the brass content during the War.\n\nThe Kuan Yin Hall in the Ta Pei Ssu contains in addition to the one bodhisattva, Kuan Yin, twenty-eight images, which can be categorised as follows: twenty-six deities with Sanskrit titles including the five T'ien-wang [Guardians] together with two Chinese folk religion deities. Of the twenty-six, five are deities specifically referred to separately in the Eight Classes of Supernatural Beings? [Deva, Mahoraga, Kinnara, Asura and Gandharva]\n\nIt is lamentable that the Kuan Yin Hall is closed to the public; however, fortunately, there is also a Hall of Bodhisattvas in the second temple, the Pi-yun Ssu #, some five kms. to the north of the Ta Pei Ssu, which is open to the general public and it too contains the Twenty-eight Deva; however, the images here have all been made within the past fifteen years, probably replacements for the original images destroyed during the Cultural Revolution and yet again without any signs to indicate that they are anything other than Chinese deities. The fact that all but three were originally Hindu deities brought to China by Buddhism is not explained in temple literature, though the monks un-",
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    },
    {
        "id": 214235,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 93,
        "title": "RAS-1998",
        "content_text": "56\n\nYin in the other temple, the Pi-yun Ssu, depicts her with only two arms sitting cross-legged on a recumbent blue lion. Her assistants are an unnamed dark-faced elderly minister who appears to be South Asian, standing holding a tablet before his chest and dressed in a long blue robe. Her other attendant is the Red Youth, Hung Hai-eh, standing on her left hand with his hands held together before his chest, and dressed in a red robe over green trousers with a flowing scarf-like halo.\n\nTaking the three groups, the twenty Deva listed in Soothill, and the two groups in the Ta Pei Ssu and the Pi-yun Ssu, we have twenty deities common to all three.\n\nThese are:\n\nBrahma, Indra, Pancika, Sarasvati, Laksmi, Skanda [Wei T'o], Prthivi, Hariti, Marici, Surya, Candra, Siva, Yamaraja, Bodhidhruma, Guyapati, Kinnara and the four T'ien-wang guardians Vaisravana, Dhrtarastra, Virudhaka and Virupaksa.\n\nIn the Ta Pei Ssu we also have five additional Deva not present in the Pi-yun Ssu, the Asura, Vimalakirti, Nanda Upananda and Mahoraga. A further two Deva images are seen only in the Pi-yun Ssu. These are Lei Kung and Sagara.\n\nTaking each of the deities in turn, we shall examine their background and in particular their Brahmanist [or Vedic] origins, their role in the Chinese pantheon and any ambiguities or contradictions we encounter. The important three Brahmanist deities are known in Sanskrit as the Trimurti:\n\nthe creator\n\nBrahma\n\nthe preserver\n\nVishnu\n\nthe destroyer\n\nSiva\n\nBrahma and Siva are indeed included in the two temples whilst Vishnu is not3. Though a major Hindu deity today Vishnu was not so during the Vedic era of the second millennium BC. His particular task",
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    },
    {
        "id": 214251,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 109,
        "title": "RAS-1998",
        "content_text": "72\n\n17] Kinnara known in Chinese as Chin-na-lo The heavenly musicians\n\nListed as one of the twenty Deva in Soothill, and also one of the Eight Classes of supernatural beings in the Lotus Sutra. They are a group who, in Java for example, are portrayed as half-bird and half-human, and known in their plural as Kinnari. They are also one of the twelve spirits connected with the cult of Yao-shih Fo, the Buddhist Master of Healing. Another version claims that they are the musicians of Kuvera, with bodies of humans and heads of horses. In yet another version they dwell in the tall trees which grow on Gandhamadana, Incense Mountain.\n\nThere are images of a Kinnara in both the Ta Pei Ssu and in the Pi-yun Ssu. In the former he is portrayed as a military figure, standing in armour and helmet and with a scarf swirling round the back of his head and down across his arms. His hands are clasped before his chest and his face, pink and friendly, has a short black beard and mutton-chop moustache. In the Pi-yun Ssu the image has a similar friendly face but this time he is wearing robes and cap of an official and not those of a soldier.\n\n18] Mahoraga known in Chinese as Mo-hu-lo\n\nMahoraga is one of the twelve spirits connected with the cult of Yao-shih Fo, the Master of Healing and the Buddha of Medicine. He is one of the twelve guardian spirits each of whom is associated with one of the twelve hours of the day. The twelve include Vajra, Indra and Kinnara.\n\nAn image of the Mahoraga has only been seen in the Ta Pei Ssu and not in the Pi-yun Ssu. He is portrayed as an extremely ugly, ferocious inhuman demon with black skin. Dressed merely in a decorated and multi-coloured skirt he is standing and has a swirling scarf behind his head and a snake held in his right hand. He has spiky hair on either side of his head protruding like small snakes, and his large protruding jaw and upper lip and his sloping forehead make his face almost animal. The hair on the head is pulled up into a high point, with two ear-pressing tufts one on either side. His eyebrows are like white flames, and his",
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    },
    {
        "id": 214269,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 127,
        "title": "RAS-1998",
        "content_text": "90\n\nChun-t'i P'u-sa\n\nMarici\n\nJih T'ien-tzu\n\nSurya\n\nYüeh-kung T'ien-tzu\n\nCandra\n\nLung Wang\n\nSagara\n\nYen-mo-lo\n\nYamaraja\n\nAh Su-lo\n\nAsura\n\nKan Ta-po\n\nWei Mo-chi\n\nNan-t'o\n\nMa-hu-lo\n\nTzu-wei Ta-ti\n\n \n\nChin na-lo\n\nGandharva\n\nVimalakirti\n\nNanda\n\nMahoraga\n\na Chinese deity\n\nKinnara\n\nTung Yueh Ta-ti\n\nA Chinese deity",
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    },
    {
        "id": 214273,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 131,
        "title": "RAS-1998",
        "content_text": "94\n\nAh-hsü-lo Wang 阿修羅王\n\n[Asura]\n\nNa-lo-yen T'ien\n\n那羅延天\n\n[Narayana - son of Nara -the Original Man]\n\nMi-ta Chin-kang\n\n密達金剛\n\n[Guhyapati raja]\n\nT'i-t'ou Le-cha 提頭勒吒\n\n[Mo-li Hai - Dhrtarastra - Guardian of the East - one of the Four Diamond Kings]\n\nP'i-lo Le-cha 毘羅勒吒\n\n[Mo-li Hung- Virudhaka, Guardian of the South - one of the Four Diamond Kings]\n\nP'i-lo-po-cha\n\n毗羅博叉\n\n[Mo-li Ch'ing - Virupaksa - Guardian of the West - one of the Four Diamond Kings]\n\n[T'o-wen T'ien Wang - Mo-li Hung]\n\nP'i-sha-men T'ien 毗沙門天\n\n[Vaisravana, One of the Four Diamond Kings - the Guardian of the North - Bishamen]\n\n[Protector of Travellers in the train of the 1000 arm Kuan Yin]\n\nChin Ta Wang\n\n金大王\n\nChin-se Kung-ch'iao [Five-colour Peacock]\n\n金色孔雀\n\nMan Hsien-jen 滿仙人\n\n[Purna - The Fully-complete Immortal]\n\nMa-hu-lo Wang 摩虎羅王\n\n[Mahoraga]\n\nMa-ho-lo Nü\n\n摩和羅女\n\n[?]",
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    {
        "id": 214276,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 134,
        "title": "RAS-1998",
        "content_text": "97\n\nNOTES\n\nMacGowan J : Men and Manners of Modern China: T Fisher Unwin: London 1912\n\n2 Werner in his Dictionary of Chinese Mythology gives the Eight Classes of Dragon Kings as follows:\n\n3 Deva naga, Yaksha, Gandharva, Asuras, Garudas, Vinnaras, Mahonagas and Rakshas Soothill in his Dictionary of Chinese Buddhist Terms lists the Eight Classes of Supernatural Beings as follows: Deva, Naga, Yaksha, Gandharva, Asura, Garuda, Kinnara and Mahoraga.\n\nMajor well known Brahmanist deities not included in the groups of Deva in the Western Hills of Peking include Hanuman, Parbati and Ganesh.\n\n* A Student Interpreter: Where Chineses Drive : English Student Life in Peking Wm Allen & Co : London: 1885\n\n6 As with a number of titles the romanised spelling varies depending upon the form used and, as examples, we have Siva and Shiva, Pancika and Panchika. He is the esoteric cult Deva, a masculine form of the wife of Siva. He is the tutelary god of Mongolian Lama Buddhism, and is also said to be an incarnation of Vairocana for the purpose of destroying demons.\n\n7 Werner, ETC: A Dictionary of Chinese Mythology:\n\n8\n\n9 x stands for an illegible character. Although images iconographically look like the standard Buddhist image of the Temple Guardian, Wei T'o, they have been identified as being one of three Vedic deities. Lessing in his Yung-Ho-Kung [Stockholm 1942] and the Taiwanese guide to The Guan Yin Hall of the Ta Pei Ssu both identify Wei T'o's origin as Skanda whilst Soothill claims that he is Viharapala.\n\n10 Occasionally Yüeh T'ian-wang, that is the 12th century hero Yüeh Fei, takes the place of Li Yüan-shuai.\n\n\"Chin-se are the Five Primary Colours permutated in various ways to represent various ideas; also, a five coloured emblematic cord, a Brahman sign worn on",
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