[
    {
        "id": 204320,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 88,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n84\n\nVol 1 (1961)\n\nISSN 1991-7295\n\nsaw a dazzling light penetrating into his palace making the walls transparent. He dispatched his son, Prince Mo Chieh (E), with a group of mariners to go around in the sea to investigate.”\n\n26\n\nThis Mo Chich, probably a re-incarnation of Bimbisara, who was a king of Magadha () converted by Sakyamuni and who died and was re-incarnated as a son of Vaisravana, has been changed into Ao Ping in the above quotation from the Fêng-shên Yen-i, and has lost his original Buddhist flavour. Comparing this short paragraph from the Tung-yu-chi with the composition and description of the corresponding paragraphs in the Fêng-shên, we can see the artistic superiority of the latter.\n\nThe combat between No-cha and Ao Ping, the third son of the dragon-king, has a tragic end. No-cha put his foot on Ao Ping's neck and struck the latter's forehead with his bracelet, thus killing him. No-cha pulled out the sinews of the little dragon and went back, saying he would make a good belt of it for his father to fasten his cuirass on. The dragon-king, hearing of the death of his son, went to see Li Ching, and put the latter in a very embarrassing position. Li Ching, being ignorant of his son's prodigious feats, denied his guilt. But No-cha came out and apologized for what he had done, and told the dragon-king that his son's sinews were intact. The dragon-king was exasperated and told Li Ching that he would lodge a complaint at the court of the Jade Emperor against father and son. The story continues:\n\nAfter No-cha had calmed his parents he went to the Chin-kuang Cave and told his master, the Taoist Immortal T’ai-I, of his adventure. The master ordered him to unfasten his coat, drew spells on his bosom, and told him what to do the next morning. \"After that,\" the master said, \"you may go back to Ch'en-t'ang Pass. If anything unusual happens, you must tell your parents that I shall be responsible for your misdeeds.” The next morning No-cha reached the Pao-tê Gate (F),27 the gate of heaven. After a while he saw the dragon-king approaching wearing his celestial robes, but because of the magic spells on No-cha's bosom, the dragon-king could not see him. No-cha was so angry that he strode forward from behind and dealt the dragon-king with his bracelet such a heavy blow that immediately he fell to the ground. (Ch.12)\n\n•\n\n26 No. 9, Fu-shuo Jên-hsien Ching (MA), The Tripitaka in Chinese,\n\n27 Ch. 39, Hsi-yo-chi of the \"Four Travels\", the Pao-tê Kuan (OH) is the Gate in heaven where Li Ching dwells.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    {
        "id": 204329,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 97,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol 1 (1961)\n\nISSN 1991-7295\n\n93\n\nThe climax of the dramatic struggle between No-cha and his father Li Ching may be summed up here:\n\nLi Ching, hearing that No-cha had come again with his magic arms, was infuriated. He mounted his black horse and came out to meet No-cha with his halberd with crescent-shaped blade. The fighting had not lasted many minutes when Li Ching was in a profuse perspiration and had to flee for his life. No-cha pursued him with desperate efforts and nearly caught him when Mu-cha, the second son of Li Ching and disciple of the Immortal P'u-hsien (Samantabhadra), came on the scene. Although they were brothers they had not known each other before and No-cha had to tell Mu-cha the whole story. Mu-cha rebuked No-cha and called him a patricide, and defended the father with his precious sword. No-cha hurled his golden brick in the air which fell on the back of Mu-cha and hurt him. No-cha resumed his pursuit, and as Li Ching, being exhausted, did not wish to be overtaken by his son, he drew his sword and was about to commit suicide when he was stopped by a Taoist who was no other than the Wên-shu Kuang-fa Tien-tsun (Mañjusri) who was invited to come by Immortal T'ai-i to give No-cha an impressive lesson. Wên-shu now hid Li Ching in his grotto and seized the naughty hero with his \"Dragon-concealing Stake\"--which was also called \"Seven Precious Golden Lotuses\"--which in a mist of dust fastened No-cha's neck and feet with three golden rings and bound him to a golden stake. Wên-shu ordered Chin-cha, his disciple and No-cha's eldest brother, to beat No-cha black and blue with a staff until T'ai-I himself appeared. At the intercession of T'ai-i, No-cha was released and both father and son were brought before the two Taoist masters. T'ai-i rebuked the father for his petty-minded action and told him to go home. After Li Ching's\n\nAfter Li Ching's retreat, he instructed No-cha not to bear any grudge against his father and charged him to return to the grotto in Mt. Ch'ien-yuan on the pretext that he would stay with Wên-shu and play chess. No-cha, raging with anger, taking advantage of the absence of the two masters, pursued his father again. When Li Ching was in danger of falling into the hand of the son, another Taoist, the Jan-têng Tao-jên (Dipamkara) of the Yüan-chüeh Cave on the Vulture Peak, appeared on the scene as if by accident. He sheltered Li Ching behind, and when No-cha demanded single combat with his father, he increased Li Ching's strength by spitting on him and touching him on the back. Li Ching was then able to get the upper hand in the fighting and No-cha was defeated. No-cha was beside himself with rage. He jumped aside suddenly and tried to pierce Jan-têng with his spear, but the thrust was repelled by a white lotus flower emitted from the latter's",
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    {
        "id": 204586,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1963",
        "page_number": 67,
        "title": "RAS-1963",
        "content_text": "56\n\nMA MENG\n\nT\n\nmao-tun, contradiction; po-shiao H, exploitation; fu-shê radiation; and cheng-k'ung, vacuum. It should be noted that some of these combined expressions such as ke-ming and mao-tun first appeared in the classics in the Book of Changes and the Book of Han Fei Tzu respectively. The growing use of such combined expressions in place of individual characters has thus been a great aid in introducing modern concepts into the Chinese language.\n\nThe Chinese language has also been enriched by the absorption of colloquial and regional expressions. This has been especially true on the Mainland in recent years, where such practice has been deliberately employed, particularly in party or government publications. However, in Taiwan and in the overseas Chinese communities, it has not had any marked influence.\n\nIn the creation of an adequate modern Chinese vocabulary one problem still remains unsolved: that of creating standard technical terms. The problem as such is not new but has become more complicated with the rapid increase of new technical terms in recent years. Efforts to create new technical terms have often foundered because the public has not been willing to accept them. Thus the words used in technical texts often remain unknown to industrial workers, whose own expressions, in turn, are not understood by engineers. In Hong Kong and in the overseas Chinese communities this difficulty has often been resolved by the use of English terms.\n\nAnother aspect of recent changes in the Chinese language is the development of a standard spoken language. Although within limited circles a common language known as kuan-hua T meaning official language has been in use by officials and some intellectuals for a long time, it was not till the beginning of this century that the development of a standard spoken language was consciously promoted. The history of kuan-hua goes back to the Ming Dynasty, which made Peking its capital in the fifteenth century. Throughout the Ming and Ch'ing dynasties, kuan-hua, which is based on the Peking dialect but pronounced with different accents, served as the medium of verbal communication between officials of different provincial origin appointed to posts throughout the empire. Kuan-hua continued to develop through the centuries because of the lasting need for such a common language.",
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    },
    {
        "id": 204588,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 69,
        "title": "RAS-1963",
        "content_text": "58\n\nMA MENG\n\nIn 1956, a new term, p'u-t'ung-hua, meaning common language, became the official term for the standard language used on the Chinese mainland. Henceforth the term Kuo-yü fell into disuse, except on Taiwan and among the overseas Chinese. Strictly speaking, p'u-t'ung-hua is not a new term, having been used over many years to denote any form of the language that approximated the standard spoken language. Though now the official term, p'u-t'ung-hua thus has essentially the same meaning as Kuo-yü, for like Kuo-yü it is based on the Peking pronunciation and on a grammatical structure close to that of the modern vernacular. It will thus serve to bring about the complete unification of the Chinese language, accomplishing the process already begun by the adoption of kuan-hua and Kuo-yü.\n\nSince 1949 the Chinese Communists have taken two major steps to reform the traditional character script. In 1955 they put out a series of lists containing altogether 798 simplified characters and 54 simplified radicals. These simplified characters and radicals have been used ever since. Thus it has not only been made easier to learn how to write, but the simplified characters already in use have also been standardized. This standardization has ended a tradition which allowed anyone to improvise his own simplifications of the script. As a result, many characters could be written in different forms. This freedom to improvise had naturally asserted itself most in times of confusion, as after the last war.\n\nThe Communists have now tried at least to limit this freedom; but they have not succeeded in wholly stopping spontaneous improvisation of simplified characters. Pages of the People's Daily frequently contain critical comments on such unauthorized simplifications.\n\nOriginally, character simplification was considered only a stop-gap measure to be abandoned as soon as a final solution could be found in a romanised script. Attempts to transcribe the sounds of the Chinese language by using the Roman alphabet had already been made by Western missionaries in the late Ming dynasty. In the late nineteenth century, other systems of romanization were developed. Some of these—notably the Wade-Giles system—remain in use to the present day. But none of these systems served more than a limited purpose; none of them constituted a final solution of the problems of language reform. The first",
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    },
    {
        "id": 204746,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1964",
        "page_number": 49,
        "title": "RAS-1964",
        "content_text": "38\n\n10 Linguist purser.\n\nW. C. HUNTER\n\nSee note 39, (J.L.C-B)\n\n11 Elliot's last day. On 25 March Elliot formally requested the Viceroy that passports should be issued within three days for all the English ships and people at Canton and that if passports were not issued he would consider the men and ships of his country as forcibly detained and act accordingly. Blue Book, Correspondence relating to China, 1840, p. 367. (J.L.C-B.)\n\n12 Edward Elmslie. Secretary and Treasurer to the British Superintendents of Trade, Captain Charles Elliot and the Deputy Superintendent, A. R. Johnston, (J.L.C-B.)\n\n13 Houqua. Known to Westerners at Canton as Howqua 7. His family name was Wu Ch'ung-yüeh (1810-1863). He was the fifth son of the famous Hong merchant Wu Ping-chien whom he succeeded as head of the firm in 1843. For his biography see Hummel, Eminent Chinese of the Ch'ing Period, II, 867-8. (F.L.C-B.)\n\n14 Nam Hoe. Also written Nam Hoi. This means Nan Hai Hsien #i.e. the Magistrate having jurisdiction over the western part of Canton city and the District lying to the westward of the walls which included the area in which the foreign Factories lay. (J.L.C-B.)\n\n15 Kwang Hup. The author may be referring to the Kwangchou hsieh \"the Canton brigade\", and so to its commander. (J.L.C-B.)\n\n16 The Governor. The Governor of Kwangtung province at this time was I-liang (1791-1867). For his biography see Hummel, op. cit., I, 389. (J.L.C-B.)\n\n17 K'an-ch'o (J.L.C-B.)\n\n18 An-tsou (J.L.C-B)\n\n19 Columbia & John Adams. According to the Chinese Repository Vol. 8, p. 56 the Columbia was a U.S. frigate and the John Adams was classed as a sloop-of-war. The Columbia was commanded by Commodore George C. Read. (J.L.C-B.)\n\n20 Johnston, Alexander Robert Johnston, H.M. Deputy Superintendent of Trade. When the Government of Hong Kong was set up he was deputy first to Elliot and later to Sir Henry Pottinger and in this capacity he administered the Government of the Colony on various occasions from 1841 until 1843. (J.L.C-B.)\n\n21 Pwan Kei Kua. Probably the merchant whose name was also spelt by Westerners at Canton at that time Ponkhequa and Puan Khequa. This was P'an Chengwei (1791-1850). See Hummel, Eminent Chinese of the Ch'ing Period, II, 605, (J.L.C-B.)\n\n22 Saoqua. His family name was Ma Tso-liang and the name of his Hong was Shun Tai Hong A. (J.L.C-B.)\n\n23 Sturgis. Russell Sturgis (1805-1887) of Boston was first named Nathaniel Russell Sturgis, Jr., but he was always known as Russell Sturgis after his name was changed by decree of the Middlesex County Court. He graduated from Harvard in 1823, married in 1828 but was widowed four months later. After an extended tour of Europe he returned to Boston and for a while practised law. He remarried and in 1833 took his family to the orient where he became a partner of Russell & Sturgis of Manila and Russell, Sturgis & Co. of Canton. Later in 1842 when the latter firm became incorporated with Russell & Co., China, he became a partner in 1842. In May 1844 he retired to Boston, his second wife having died in Manila in 1837. Being far too young to give up work altogether he decided to return to China in 1849 but while passing through London he",
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    {
        "id": 204859,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1964",
        "page_number": 162,
        "title": "RAS-1964",
        "content_text": "BOOK REVIEWS\n\n137\n\nMr. Liu to task for an alleged sacrifice of sense and style to rhyme. There is, however, much to be said for Mr. Liu on this debatable issue. Poetry does not aim merely at the transmission of information or even of ideas. It is in essence a mood, the purpose of which is to induce the same mood in the reader. A completely literal translation no doubt conveys to the reader all the telling details in the original, but often fails to impart the æsthetic pleasure which rhyme and rhythm can alone create. A rhymed translation may lose in factual reality and may at times sound affected; nevertheless, it more often succeeds in conveying the original mood of the poem. Provided that the meaning is clear to the translator, there is always room in the rendering of Chinese poetry for a choice between rhymed verse and prose, and between an emphasis on what is said and how it is said. Mr. Liu's English version of Ma Chih Yuan's lyric to the tune \"T'ien Ching Sha\" perhaps justifies his method:\n\nWithered vines, aged trees, twilight crows.\n\nBeneath the little bridge by the cottage the river flows.\n\nOn the ancient road and lean horse the west wind blows\n\nThe evening sun westward goes,\n\nAs a broken-hearted man stands at heaven's close.\n\nThe translation as it stands does not, may I say so for the translator, pretend to be poetry in its own right: it is entirely up to the reader to judge whether or not it is superior to a completely literal translation which would look something like this:\n\nWithered vines-old trees-twilight crows.\n\nLittle bridge-flowing water\n\n— people's house. Ancient road-west wind—lean horse.\n\nEvening sun- west set\n\nBroken-bowel man at heaven's end.\n\nThe book classifies themes in Chinese poetry into Nature, Love, History, Time, Nostalgia and Leisure. The conspicuous absence of Friendship in these categories is a bit disturbing to most readers whose impressions of Chinese poetry are based on the \"Three Hundred Tang Poems\". But Mr. Liu explains the omission as follows: \"Some Western translators, it seems to me, have over-emphasized the importance of friendship between men in Chinese poetry and correspondingly underestimated that of love",
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    },
    {
        "id": 205019,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1965",
        "page_number": 127,
        "title": "RAS-1965",
        "content_text": "118\n\nNOTES AND QUERIES\n\nhalf of the century could be made subsequently. This is a job for an historical geographer and I suggest that the Department of Geography in the University of Hong Kong would be the proper place in which to undertake this project. Such a map should then be printed and sold through the University Press. This would be a useful tool which scholars increasingly need as they dig deeper into the history of China's relations with the West in this part of Kwangtung and as the early history of the Colony of Hong Kong is more fully studied.\n\nWhile on this subject of local history I would like to take up a few points concerning the article entitled \"A Reconnaissance of Ma Wan and Lantao Islands in 1794\" by Mr. A. Shepherd and myself and published in Volume 4 of this journal. At the time this article was written Mr. Shepherd was a Lecturer in the Geography Department of Hong Kong University and I was a member of the History Department there. On page 115, the seventh line from the bottom, we wrote that in 1821 the Kwang-tung authorities were much stricter in enforcing anti-opium regulations. It would have been truer to have said \"from 1821 onwards.\" One of the virtues of Dr. Chang Hsin-pao's recently published book Commissioner Lin and the Opium War is that he gives ample evidence from Chinese sources to show that the Canton authorities had taken energetic and successful measures to prevent opium smuggling in the Pearl River before the arrival of Commissioner Lin in Canton in March 1839. Both Juan Yuan as Governor-General of the two Kwangs from 1817 until 1826 and later Teng T'ing-chen who was Governor-General from 1836 until 1840 took a tough line against Chinese opium smugglers within the Pearl River before Commissioner Lin arrived.\n\nI would like to add these few corrections to this article: On page 118 note 25, the name Tung Ku should read Lung Ku or Lung Kwu Chau. In note 26 for Tulse read Hulse. In note 27: the photographs are printed between pages 114-115 and were taken by me in 1963. Finally, we would like to acknowledge the help which we received in writing this article from Mr. James Hayes, Mr. Webb-Johnson and Mr. G. B. Endacott.\n\nJ. L. CRANMER-BYNG",
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    },
    {
        "id": 205175,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1966",
        "page_number": 131,
        "title": "RAS-1966",
        "content_text": "126\n\nJAMES HAYES\n\nin Chinese territory. The village elders retained much of their authority, though I am not yet in a position to assess the degree to which they were recognised, and to that extent supported, by the British administration.27 Two of my informants recall that stealing crops in their villages was a matter for the village elders. If the offender was an outsider the elders would take him back to his own village and expect his own leaders to deal with him. Failing an agreeable settlement the offender would be taken to the nearest police station. For a long time, it seems, the realities of local power lay with the elders. It is significant that as late as 1895 Eitel was able to write:28\n\n\"The Chinese people in town are at the present day under the sway of their own head men (the Tungwa), and the people in the villages are ruled by their elders as much as ever\".\n\nThe same degree of local autonomy existed above the village level where the village organisation was augmented by small regional groupings which were usually based on a temple.29 For example, Mong Kok, Ho Man Tin and adjoining smaller settlements patronised the Kwun Yam [Kuan Yin] Temple (†) at Tai Shek Kwu near Ho Man Tin village. Their fore-bears had apparently built this temple soon after their arrival in the area. It was removed to make way for development in 1926,30 and as the preamble to the commemoration tablet in the new building has it:31\n\n44\n\n\"The Shui Yuet Kung Temple was first built at Tai Shek Kwu over a hundred years ago. It was famed for the exact prophesy of its gods and had many worshippers\". My informants confirm that it was a very popular temple and consequently well-supported. It was given a major repair about 1908 when all the local villagers and the Yau Ma Ti shop-keepers contributed money towards the project.\n\nThe temple building stood on top of a rocky feature to which access and egress was by two flights of granite steps each with thirty steps. Local people referred to it as the Tai Shek Kwu Miu (★☎★A). At the beginning of the 20th century the temple was looked after by four managers, (f) as they were styled. One of them was a prosperous villager called WONG Lan-sang (*) a self-made man from Mong Kok village of whom more",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811",
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    },
    {
        "id": 205269,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1967",
        "page_number": 31,
        "title": "RAS-1967",
        "content_text": "24\n\nII. KUAN-FU\n\nJEN YU-WEN\n\nWhere was Kuan-fu Ch'ang? It can be definitely identified with no other place than the eastern side of the Kowloon Peninsula. For several hundred years from Sung to mid-Ch'ing Kuan-fu was the official name of the area, while Kowloon was the vernacular name used by the local people. To avoid confusion, we must carefully differentiate Kuan-fu Ch'ang from Kuan-fu Tsai (stockade), Kuan-fu-shan (mountain) and Kuan-fu hsun-ssu (sub-district).\n\nKuan-fu Ch'ang meant Kuan-fu Field, one of the four salt-producing fields in the Tung-kuan District amongst the thirteen fields of the whole province of Kwantung in the Sung Dynasty. The area of the Field covered not only the entire peninsula but also the nearby islands, including the present Hong Kong. It was under the administration of an office in the stockade called Kuan-fu Tsai, the present so-called Kowloon Walled City. During the last years of the Emperor Tu Tsung (1265-75) the administrator of the field was Yen I-chang of Kaifeng, Honan Province, who had the engraved stone made at North Fu-t'ang in 1274, less than three years before the royal visit to Kuan-fu.6\n\nMy interpretation is that the name Kuan-fu has a political and economic meaning: “Kuan\" means Tung-kuan District and \"fu\" means rich. The field was thus christened by officialdom to signify the rich resources of Tung-kuan. Or else, it might signify the riches of the Emperor, for Kuan Chia was a popular term for the emperor. Anyway, it could not be a natural name and it may be inferred from this that the name of Kuan-fu Mountain, which was a long range of mountains with many hills, was adopted from the Kuan-fu Ch'ang and not vice versa. Researches into the Gazetteer of Hsin-an District, the writings of some historians and maps furnished by the Public Works Department of the Hong Kong Government lead to the conclusion that the Kuan-fu Mountain was along the western side of the Kowloon peninsula (see Plate 12). There were a number of hills of various heights inside the area and the highest, the rocky peak west of Ma-tau-wei Road, reaches a height of 405 feet. On the plain and in the valleys at the foot of the hills were separate salt-producing fields. Certainly, there were other such fields all over the Kuan-fu",
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    },
    {
        "id": 205270,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1967",
        "page_number": 32,
        "title": "RAS-1967",
        "content_text": "The Travelling Palace of Southern Sung\n\n25\n\narea, e.g. some places on Lantau island (Tai-yu-shan) were salt-producing fields. All such fields, together with the people living in the villages, were under the administration of the Salt Administrator of Kuan-fu Ch'ang.\n\nIn the Yuan Dynasty, the political status of the Kuan-fu Field underwent a drastic change. Kuan-fu as an independent salt-producing area under a salt administrator was abolished and was incorporated into the Huang-t'ien (†) Field which was one of the original four fields in Tung-kuan. In the third year of the reign of Hung Wu, the first Emperor of Ming (1370), Kuan-fu's status was changed from that of a salt-field into a Hsun-ssu (3), a political sub-district still called Kuan-fu but under the charge of a Hsun-chien (K).\n\nThe name of Kowloon was not officially adopted until 1840 (Tao Kwang 20th year, in mid-Ch'ing), when Kuan-fu Hsun-ssu was changed to Kowloon Hsun-ssu under the charge of a Kowloon Hsun-chien, still under the general administration of the Hsin-an District. Three years later (1843) the Manchu Governor-general Ch'i-ying (**) constructed a city wall around the Kowloon Tsai (formerly the Kuan-fu Tsai) with the explicit purpose of warding off a British invasion. The wall was completed in 1847. It may be added that this city wall was demolished by the Japanese when they occupied Kowloon, using the stones for the construction of the extended air-field; but the so-called Kowloon Tsai still exists.\n\nIII. THE LANDING\n\nLet us now go back to May 1277.\n\n1277. The exact place where the royal party landed was along the beach on the western shore of the Kowloon Bay from the Sung Wong Toi Hill to To-kua-wan in the south. There were three villages along the coast, namely Ma-tau-kok (§i§}), Ma-tau-ch'ung (‚§§Ã¡Ã¦) and To-kua-wan (LA). They were fairly large in size and populated by many fishermen and workers of the salt-field. Upon the arrival of the royal party the local villagers extended to them an extraordinarily warm welcome. The Imperial Court rewarded them with some parasols made of yellow silk and embroidered with many Chinese characters, in gratitude for the enthusiastic reception and loyal protection they had received. Years later the original gifts wore",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
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    },
    {
        "id": 205271,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 33,
        "title": "RAS-1967",
        "content_text": "26\n\nJEN YU-WEN\n\nout and the local people made facsimiles of the originals and preserved them from generation to generation in order to commemorate the glory of their ancestors. Moreover, in the Dragon Boat Festival (the 5th day of the 5th month) every year since then, they have placed the parasols on the racing boats, called huang-chou1 (Imperial boats). Before the boat race started, the gentry and elders of the villages used to kneel and kow-tow to the royal gifts to pay respect to the Sung Emperor. Sung Hsueh-p'eng says that the custom was perpetuated for many years.10 Less than a month after the landing of the royal party, the Dragon Boat Festival was observed. It can be imagined what a delightful day the boy Emperor Tuan Tsung (Shih) and his small brother Wei Wang (Ping) had in watching the races, along with the Queen Mother and many dignitaries, generals, and ministers, and, of course, the local people who were particularly happy to have such distinguished guests participating in their annual festival.\n\nIV. SUNG WONG TOI (Sung Huang Tai-Man)\n\nThe most important site which furnishes the key to our study of the Kuan-fu Travelling Palace of Southern Sung is a small mound near the seashore, north of Ma-tau-kok. It can be definitely located and is recorded in the Hsin-an Gazetteer, other literature, and maps. Besides, there were three Chinese characters engraved on one of the great rocks there, which many of us have seen with our own eyes.\n\nThe small mound was called Sacred Hill1 (see map). This name was probably given to it by the Hong Kong Government when it took over the territory in 1858, as no Chinese literature recorded such a name, and even Hong Kong people of the older generation, including Sung Hsueh-p'eng, did not know of it. On the top of the mound were two large rocks, one on the northern side, the other on the southern. The characters Sung Wong Toi1 were engraved on the western face of the northern rock in the Yuan Dynasty, long after the royal party departed from Kowloon and after the Mongols conquered the Southern Sung.\n\nThe characters were horizontally inscribed, being uniformly 20 inches in width and respectively 26, 22½, and 27 inches in",
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    {
        "id": 205278,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 40,
        "title": "RAS-1967",
        "content_text": "The Travelling Palace of Southern Sung\n\n33\n\nFirst,\n\nWhat in fact is the significance of this stone gate? According to Sung Hsueh-p'eng, in the original temple in the former Ma-tau-wei Village, which used to be populated by Chiu clansmen, descendants of Sung emperors and princes, there were two idols, one male and the other female, dressed as an emperor and an empress respectively. During the reign of Kuang Hsü in late Ch'ing, the male idol was clad in a gorgeous yellow robe embroidered with dragons. Later, the Chiu clansmen removed to another place and people of other clans came to live there until the evacuation of the population and the demolition of the whole village. It is, therefore, apparent that at least some members of the royal party did stay in the village during their visit to Kowloon. Secondly, apart from being the only historical relic besides the Sung Wong Toi stone commemorating the visit of the two emperors of Southern Sung in Kowloon, it marks the boundary line of the Kuan-fu Travelling Palace in the west. As a result of the valuable work done at the present site by the Government, we now have an additional attractive and distinctive symbol of the cultural history of Hong Kong and Kowloon.\n\nVIII. THE TRAVELLING PALACE\n\nOne must do away with the conception, rather the misconception, that by the word \"palace\" is meant a single, magnificent building for the residence or office of a king or emperor constructed to a beautiful design, of valuable materials and of gorgeous colours. The term \"travelling palace\" (literally translated from the Chinese hsing-kung) implies the place where an emperor stayed on his travels. Such was the Travelling Palace of Southern Sung in Kowloon (Kuan-fu).\n\nPerhaps a translation of the more detailed account of the Travelling Palace in Ya-shan written by one of the officials in the court at that time gives a clear view of what a travelling palace was like. In 1278, after arriving at Ya-shan, the mountain behind the Ya-men Bay where the Sungs met their last defeat from the Mongols, the royal party constructed the travelling palace. In the sixth month, they entered the mountain and chopped down trees wherewith to construct one thousand military houses and a travelling palace of thirty houses. In the compound, the central (or",
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    },
    {
        "id": 205279,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 41,
        "title": "RAS-1967",
        "content_text": "34 \n\nJEN YU-WEN \n\nregular) palace, tien, was for the Queen Mother Young and was called by the name of Ts'u-yuan Tien (18. \n\nIt is reasonable to imagine that when they arrived in Kowloon their manner of life was practically the same as later in Ya-shan. The royal party with their attendants and the generals and ministers with their families went ashore followed by a number of royal guards, while the rest of the one hundred thousand soldiers had to stay on the boats. I believe that the royal party, including the mother Queen, Tuan Tsung, his younger brother and their closest attendants, were welcomed by the Salt-field Administrator, who was the chief official of the area, and accommodated in the better and more permanent houses in Kuan-fu Tsai. It is said that at the foot of the Kuan-fu Tsai Hill there was a large, flat stone which the Queen Mother used as her dressing table and hence it was called the Queen Mother's Dressing Stone, wang-mu shu-chuang shih (14†). The others had to live in the several villages and houses and huts which were hurriedly built with whatever materials were available in the area, such as bamboo, wood, mud, straw, stones, etc. No magnificent and beautiful palaces or mansions could have been built, owing to lack of time they stayed for only two months and want of the better class of building material. Such temporary houses must have spread all over the area. \n\nA close scrutiny of the earlier government maps show that the terrain in this area was very suitable for habitation. There was a brook which ran south from the northern mountainous area. There was another one running east from the valley between the two pincers on the northern end of the Kuan-fu Mountain. The two brooks converged on the western side of the Sacred Hill to form the Ma-tau-ch'ung, (i.e. stream), which then flows into Kowloon Bay. Thus there was enough fresh water for drinking, cooking and other purposes for thousands of people. It was in this large plain that the Kuan-fu Travelling Palace of Southern Sung was located (see map). \n\nIX. THE REST OF THE ITINERARY \n\nHaving encamped at Kuan-fu for two months from the 4th to the 6th, being the summer of 1277, the royal party, now threatened by the advent of the Mongols, moved on by boat with all",
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    },
    {
        "id": 205282,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 44,
        "title": "RAS-1967",
        "content_text": "THE TRAVELLING PALACE OF SOUTHERN SUNG\n\n37\n\n\"the back seat\". But before accepting this interpretation, one must verify the identity of the Yunnan Lao with the aboriginal tribe dwelling in Kow-Joon speaking the same language.\n\n6 See my article \"The Southern Sung Stone-engraving at North Fu-t'ang\" in Journal of the Hong Kong Branch, Royal Asiatic Society, Vol. 5, 1965. At line 17 of the article \"before this date\" should read \"after this date\". The Chinese text on the engraven rock was given in my article, but was not accompanied by a literal translation, which now follows:\n\n[I] Yen I-chang of Ku-pien (K'ai-feng, Honan Province), being the administrator of this Field (namely, Kuan-fu Ch'ang), accompanied by Ho T'ien-chuch of San-shan (Foochow, Fukien Province), come to visit these two mountains (North and South Fu-t'ang). In the course of investigation, [I found, first, that] the stone pagoda (shih-ta, or colloquially called Ku-shih-ta and abbreviated to Ki-ta) at South T'ang was constructed in the 5th year of the reign of Ta Chung Hsiang Fu (i.e., of Emperor Tsen Tsung of Northern Sung, A.D. 1012). Next, Cheng Kuang-ch'ing of San-shan, piling up stones and chopping down trees, renovated the two T'angs. Again, T'eng Liao-chuch of Yung-chia (Wen-chou of Chekiang Province) continued the work. The ancient stone-tablet at North T'ang was established by Hsin P'o-ting of Ch'uan-chou (Fukien province) in the year wu shen but the reign [of what Emperor] cannot be ascertained. Now, Nien Fa-ming of San-shan and Lin Tao-i of this native place (i.e., Kowloon) continue the work. Furthermore, Tao-i can expand the former plan requesting [me] to establish another stone-engraving for commemoration [of the renovation]. Inscribed on the 15th day of the 6th lunar month in the year chia shu [i.e., 10th year] during the Hsien Shun reign (Emperor Tu Tsung of Southern Sung, A.D. 1274).\n\n7 Yuan Yuan, Kwangtung T'ung-chih, Haifang lüeh, chuan 2, kx. Ak Ma. 40%. Shu Mou-kuan, Hsin-an Hsien-chi, chuan 7, Chien-shu lüeh 建署累\n\n8 Ta-ch'ing Hui-tien, Kuan-chih kao. 76.\n\n9 Research notes by the late Sung Hsueh-p'eng (4) who had done much research work on the local history and geography of Hong Kong and Kowloon. A portion of the notes was generously recopied and given to me.\n\n10 Ibid.\n\n11 T'u-shu Chi-cheng, Chih-fang-tien (811A.AZ) records that \"This was the old engraving of Yuan times”.\n\n12 Chuan 18, Sheng-chi-lüeh BAY.\n\n13 Before 1941 there were three streets at this place, called \"Sung Street\", \"Ti (Emperor) Street\" and \"Ping Street\". (Apparently Emperor Ping was mistaken for Tuan Tsung (Shib). As the history of Southern Sung in Kowloon had been rather obscure, the mixing up of the two names was not very unlikely; even the Hsin-an Gazetteer made the same mistake. This whole area including the three streets was levelled during the Japanese occupation to facilitate the extension of Kai-tak airfield.\n\n14 See Jao Tsung-i, Kowloon yũ Sung-chi shih-liao ✯‡, ^*‡‡‡£ #, Hong Kong, Universal Book Co., 1959, p. 105.\n\n15 Wu Pa-ling, Sung-t'ai kan-chiulu 4*. *4434 in Sung Wong Toi, a Commemorative Volume, p. 108.\n\n16 By the side of the cliff a low-cost housing estate has been recently constructed south of the new Fu-ning Street (3##), east of the now Fuk-",
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    },
    {
        "id": 205431,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 193,
        "title": "RAS-1967",
        "content_text": "186\n\nBOOK REVIEWS\n\n(2) to instill elementary knowledge of Confucian classics in the mind of the young; and (3) to familiarize children with the most widely used quotations, proverbs and stories from historical and literary writings. This booklet falls into the first of these categories.\n\nAlthough this type of work had undergone a continuous process of revision and development, some of the early texts had been kept in use since their first appearance in Han period. A few examples of Tang times can still be seen in collections of Tunhuang scrolls preserved in China and abroad. The Sung Neo-Confucian scholars first advocated and worked for a more relevant language teaching method for children and quite a number of standard work in this field were compiled during the Sung and Yuan Periods. But it was only in early Ming Dynasty that illustrations of the kind included in this primer were added.\n\nThus this slim volume will be of special value to those interested in the study of Chinese educational techniques, particularly in regard to the study of basic language teaching. At the same time it is of considerable use as a historical reference work since the characters and illustrations are drawn from everyday life, thus providing us with additional information on physical surroundings of the period. Professor Goodrich has also given us in his notes, romanizations and brief explanations of individual characters and compounds, which further increase the usefulness of the work as a small but comprehensive source book of the times.\n\nMA MENG\n\nHong Kong, 1967.\n\nCHINA: THE PEOPLE'S MIDDLE KINGDOM AND THE USA John K. Fairbank; Harvard University Press, Cambridge, Mass, and London, Oxford University Press, 1967, pp. xi, 145. HK$27.50,\n\nHow refreshing it is to read a volume of essays on China instead of one of the many tomes which issue from the world's presses on this abstruse country. Professor Fairbank is a famous historian, but his book shows him as what many experts at their own subject cannot manage to be, a populariser in the very best sense of the word. He has been able to distill from his many",
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    {
        "id": 205458,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1967",
        "page_number": 220,
        "title": "RAS-1967",
        "content_text": "宋官富行官遺址全圖\n\nTHE TRAVELLING PALACE OF SOUTHERN SUNG\n\nIN KOWLOON KUAN FU\n\nWITH\n\nL COMELLAN LIMETESTY\n\n(10)\n\nREFERENCES\n\nPERWER SEA\n\nPREDO SIA\n\nDECLAMER LÁNG\n\nFORMER VILLAGE\n\n$ CALE\n\nKECI\n\nPROPET NA JHOM\n\nPLAY GROUND\n\nLUNC\n\nTO KWA WAN VILLAGE\n\nLANDING MACE\n\nSACRED HILL\n\nSUNG WONG TOI ROCK\n\nXIAO Fur\n\nSHEK\n\nTAM KUNG VEH\n\nMA HILL\n\nKAM FOU VAN GRAVE\n\nTAU EHEME VILLAGE\n\nMA TAU KOM VILLAGE\n\nYI WONG TIEN VILLAGE\n\nYE WONG TIEN HILL\n\nKUAN MOUNTAIN\n\nMA TAU WEL VILLAGE\n\nSHANG-TI ANCIENT DEMONS\n\nWONG TEMPLE\n\nKOWLOON TSAL WALL CHT\n\nPAK HER SHANIYU SIN NGANJ\n\nHAU\n\nTI TARDEN\n\nIN COURTEST AN A NEW KING GOVERNMENT\n\n啟德機懾\n\nPLENARI JAD JA TAR\n\nAIKKA\n\nLOW.ALINAN FLARE FICU\n\nPlate 12. Map to illustrate Mr Jen Yu-wen's article \"The Travelling Palace of Southern Sung in Kowloon\" between pp. 21 & 38\n\n\"Romand Road\" to the immediate right of the number 12 above is taken from a Chinese-English map, and should read \"Lomond Road\"",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
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    {
        "id": 206328,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 145,
        "title": "RAS-1971",
        "content_text": "THE DISTRICT WATCH COMMITTEE\n\n139\n\n36 In 1917 there were 31 guilds for employers only (in trades such as silk, sandalwood, wicker furniture and copper), 35 skilled craftsmen guilds (sandalwood workers, masons, tinsmiths, etc.) and 5 guilds with mixed membership (employers and workers). There were also 17 district societies, such as the Heung Shan (Hsiang-shan) resident merchants association and the General Commercial Association of the Tung Kun (Tung-kuan) merchants resident in Hong Kong. See the list of exempted and registered societies in the Gazette, 27 April 1917.\n\n37 Wei Yuk was appointed in 1891 and served until his death in 1929. He resigned several times in order to allow a newcomer to join the Committee but was soon re-appointed. Lau Chu-pak was appointed in 1902 and served until his death in 1922. Sir Shouson Chow was appointed in 1917 and was still a member in 1949, the year of the demise of the Committee.\n\n38 During the years 1929 to 1931 and in 1936 the Committee met four times a year at Government House. Lennox Mills states that members had the right to a guard of the District Watch Force on the occasion of weddings and other festivities'. The Secretary for Chinese Affairs tells us in his report for 1936 that through the kindness of His Excellency the Committee was able to meet the members of the Mui Tsai Commission on the occasion of their first visit to the Colony, 'All members attended and there was a valuable discussion with frank interchange of views'. When the Governor, Sir Henry Blake, left the Colony in 1903 on the day of his departure he inspected the District Watchmen. Clearly, everything was done by the government to give prestige and éclat to the Committee and the force.\n\n19 T. C. Cheng, op. cit., p. 18.\n\n40 Of the Chinese land population in the 1901 census 227,615 returned themselves as natives of Kwangtung Province, 179,296 of this number belonging to the Kwong Chau Prefecture, 28,844 came from Tung-kuan hsien, 28,587 from P'an-yü hsien, and 27,221 from Nan-hai hsien. The situation was substantially the same in the censuses of 1911, 1921 and 1931. In 1911, for example, 311,992 out of 350,418 Chinese in Hong Kong, exclusive of the New Territories, spoke Cantonese,\n\n41 Op. cit., pp. 399-400.\n\n42 Heung Shan, present-day Chung Shan, is the arid county on the west side of the Pearl River, stretching down to Macau. It was the Heung Ha, the Cantonese term for the province, district or village from which each person derives his ancestry, of many prominent Chinese, including Ng Choy (Wu Ting-fang), Yung Wing (Yung Hung), Wong Shing (Huang Shêng), and Sun Yat-sen. Many Chinese merchants in Hong Kong came from this county; for example, Wei Yuk, Ma Ying-piu (founder of the Sincere Company), M. Y. San (before 1941 the largest biscuit manufacturer in China), Tsang Foo, Look Poong-shan (founder of the Bank of Canton). Su Chao-cheng, organiser and leader of the Seamen' Strike in 1922, came from this county; in 1928 Su was elected to the Central Political Bureau of the Chinese Communist Party. The anarchist, Liu Ssu-fu, was also born there. In 1938 the Chung Shan Commercial Association had a membership of over 4,000 in Hong Kong.\n\n43 In 1905, for example, at least seven members of the Committee were compradores to important western firms; one was manager of a native bank; another of a prosperous pawnshop; a third ran a large export firm. Ho Kai was primarily a financier rather than an entrepreneur. See on this point the Chinese speculator Marie-Claire Bergère, \"The Role of the Bourgeoisie' in M. C. Wright, ed., China in Revolution: The First Phase 1900-1913, New Haven, Yale University Press, 1968, p. 236.",
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        "id": 206651,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 199,
        "title": "RAS-1972",
        "content_text": "THREE CHINESE DEITIES\n\n193\n\nfrom the Imperial Palace. These Chinese expeditions sailed as far afield as the coast of East Africa, the Maldive Islands, Mogadishu, the Persian Gulf, Aden and Mecca, Siam, Champa, Java, Sumatra and Malacca, visiting more than thirty countries in South East Asia, the Indian Archipelago and the Indian Ocean.\n\nCheng Ho\n\nThe most famous of the admirals to command these expeditions was Ma Cheng-ho, a eunuch from the Imperial Palace and the son of a Chinese Moslem Hadji from Yunnan. The Admiral is remembered either as Cheng Ho or by his title, San Po Kung (2) and not by his family name which was the common Chinese Moslem name Ma ( ). The full title by which he was known after his death was San Pao T'ai Chien (2), the Three Jewelled Eunuch, but this in South East Asia has been shortened to San Pao Kung (ET). Cheng Ho's last expedition in 1430 visited seventeen countries from which tribute had ceased to be received, but after he died in about 1431 all official intercourse between these countries and China ceased.*\n\nWhere or when he was deified is not known. However, amongst the overseas Chinese communities which are mentioned below Cheng Ho is still prayed to for protection, both in everyday life and on short journeys. In the earlier days of the Chinese migrations to South East Asia, he was prayed to by the junk crews of the southern maritime provinces of China and the South Seas. Cheng Ho himself on his voyages is said to have prayed to Tien Fei, the Heavenly Consort (kt), the Chinese seafarers' goddess, who is now normally called Ma Tsu or Tien Hou. What a good example of Chinese toleration Cheng Ho was: or perhaps a good example of the prudent Chinese who takes the opportunity not to offend, and also backs all horses. Here he is, a Mohamedan who prays to Tien Fei for protection and who during one of his voyages erects a tablet in honour of the local Buddha.\n\nImages of Cheng Ho\n\nStatues of Cheng Ho are to be seen in temples in Singapore; in Malaysia in Muar and Malacca; in Sarawak; in Semarang in Java,\n\nSee J. V. G. Mills' edited translation of Ma Huan's Ying-yai Sheng-lan. The overall survey of the Ocean's Shores, Cambridge University Press for The Hakluyt Society, 1970.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    {
        "id": 206811,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 88,
        "title": "RAS-1973",
        "content_text": "82\n\nHELGA WERLE\n\ndissolved in 1964 when because of lack of business the old leader got so desperate that he threw his puppets literally into a rubbish-bin. The third group Tung-i still exists under the leadership of Wu Mu-sen and Ch'en Yung-ming. Their puppets are older and much larger than those of the Hsin-shun-hsiang troupe, and are very seldom used now.\n\nWhen Wang Chiao-tsou died his eldest son Hsi-ch'in continued the Hsin-shun-hsiang Troupe. He usually plays the Yeh-hu, for which he is very renowned, in the opera-orchestras. This is a two-stringed violin of which the sound box is made of a coconut shell. Five of the seven brothers and sisters Hsi-ch'in, Hsi-tang, Hsi-yü, Hsi-ch'ing and Hsi-hsien are all versatile musicians or singers, joining in the puppet or opera performances. There are also six artists of the older generation with 30-40 years' experience performing with them. They are Li Chen-chiang, Huang Shun-ch'i, Ma Chen-huan, Chang Chung-liang, Li Han-t'an and Chiu Hsüeh-ching.\n\nDuring a typhoon in 1960 Hsi-ch'in's squatter hut was flooded and most of his puppets were destroyed. He travelled to Ch'aochow to replace them, but he could not find any old ones. Fortunately, he found an old-puppet-maker who made a new set which he took to Hong Kong, and it is used now by his troupe and also by the Tung-i Troupe.\n\nToday, there are about sixty puppet-bodies and eighty puppet-heads, belonging to these two troupes, the Hsin-shun-hsiang and the Tung-i. They give no more than seven performances a year between them. They are still called by Ch'aochow associations to perform at the festival of the T'ien-kung Chi on the 5th day of the first month, the festival of Po-kung Fu-te Ta-yeh on the 29th day of the third month and to the ceremony of Hsieh-shen (thanking the gods) in the 12th month. Although the name of either of the groups invited to perform appears on top of the curtain, the puppets, puppeteers, musical instruments and musicians are mostly the same. The fee is handed to the leader of the troupe who, together with the leader of the orchestra, keeps a larger share. The rest is distributed equally among all the other performers, puppeteers and musicians.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206814,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 91,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES BY 19TH CENTURY KWANGTUNG ART COLLECTORS\n\nCHUANG SHEN*\n\nIntroduction: Chinese Paintings and the Compilation of Art Catalogues\n\nAlthough wall painting is the most historic form of Chinese painting, few of them survive today. With regard to other types of painting, Ku K'ai-chih's \"Admonition of Court Ladies\" (Nu-shih-chen t'u), a work executed in the fourth century Chin dynasty, is the earliest in date and exists in the form of a small handscroll. In the sixth century Sui dynasty, there appeared Chan Tzu-chien's \"Spring Outing\" (Yu-ch'un t'u), which is a large horizontal hanging scroll. During the seventh to ninth centuries T'ang dynasty, screens (both p'ing, unmovable; and chang, movable) were widely used.\n\nViewing these in terms of practicality, no matter whether the format is a horizontal handscroll, or a vertical hanging scroll, or even a folding screen, they are all paintings with a portable form. Due to this portability and their much smaller size in comparison with wall painting, there has appeared ever since the fourth century a large number of art collectors in China.\n\nAfter the T'ang and the Sung dynasties, collecting ancient paintings became very popular; and when their collections grew to be quite sizable, art collectors began to feel a need to compile catalogues. According to documentary materials that are now known to us, the earliest painting catalogue is Pei Hsiao-yuan's \"History of Imperial and Private Painting Collections in the Chen Kuan Era\" (Chên-kuan kung-ssu hua-shih). This title, apparently dating from early T'ang, indicates that there was no clear-cut distinction between imperial and private collections, both being considered together for cataloguing purposes. However, by the Sung dynasty, we find this is no longer the case.\n\n* Mr. Chuang Shen (S. C. Chuang) is BA (Taiwan) and MA (Princeton) and Lecturer in the Chinese Department of the University of Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206898,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 175,
        "title": "RAS-1973",
        "content_text": "BOOK REVIEWS\n\nYING-YAI SHENG-LAN \"THE OVERALL SURVEY OF THE OCEAN'S SHORES' [1433] Translated from the Chinese text; with introduction, notes and appendices by J. V. G. Mills. The Hakluyt Society, Extra Series, No. 42, pp. xix, 391. Cambridge University Press, 1970. £11.50 U.K.\n\nWhen the Emperor Yung-lo died in 1424, the Ming dynasty had reached the height of its power. Chinese fleets commanded the eastern seas, and foreign potentates as far west as Egypt acknowledged the suzerainty of the Emperor. Between 1405 and 1433 a remarkable eunuch, Cheng Ho, as outstanding a seaman adventurer as any produced by Elizabethan England, commanded seven overseas expeditions, and visited over thirty countries. Chinese naval, and consequently trading, hegemony extended from Japan to the east coast of Africa.\n\nThe expeditions usually extended over two years. Setting out from the neighbourhood of Nanking in the autumn, powerful fleets, including sixty or more 'treasure-ships', and twenty-eight to thirty thousand men, moved down the Yangtze to the mouth of Liu creek (near Shanghai), where organisation was completed; thence to an anchorage near the mouth of the Min river in Fukien province where the ships waited for the favourable north-east monsoon. Java, Palembang, Malacca, Ceylon, Calicut, and Hormuz in the Persian Gulf, were regularly visited. On some occasions, detachments from the main force called at Arabian and at East African ports, sailing southward as far as Malindi. On the fourth expedition (1413-15), Cheng Ho was accompanied by a young Chinese interpreter Ma Huan who, on the basis of observations in the course of succeeding voyages with the 'grand eunuch', contributed perhaps the most important record of life and manners in south Asia by any traveller before the arrival of the Portuguese.\n\nYing-yai Sheng-lan, introduced in two parts, the first describing the expeditions under Cheng Ho, and the second discussing Ma Huan and his book, may have been first published in 1451. Its author died about ten years later, scarcely better known than his book which never acquired a wide circulation. Ma Huan claimed",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 207173,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 244,
        "title": "RAS-1974",
        "content_text": "238\n\nBOOK REVIEWS\n\nEuropean languages. For instance, in 1964 Horst Erdmann Verley has published Chinesischer liebesgartern which serves as the first German translation of 7 stories selected from the well-known collection of 16th century Chinese novels: P'o-an ching-ch'i. In 1968 this was followed by the same author's second German translation of 17 stories selected from Ching-shih t’ung-yen, (a different collection of novels again written during the 16th century) under the title Neuer Chinesischer liebesgarten.\n\nTurning to drama, in 1965 full English translations of two dramas of the Yuan Dynasty were edited by Cyril Birch into his Anthology of Chinese Literature (Grove Press, New York). The first of the two appears as J. I. Crump's translation of \"Li K'uei Carries Thorns\" (a drama of K'eng Chin-chih fl. 1279). The second happens to be Donald Keene's translation of “Autumn in the Palace of Han” (a work of a more famous Yüan dramatist, Ma Chih-yüan fl. 1251). In 1965 again, Ch'u Chai and Winberg Chai published \"A Treasury of Chinese Literature\" (Appleton Century, New York). A considerable number of English translations for both Chinese novels and dramas were edited into this anthology. In chapters 5th, 6th and 7th of part II, there are 5 novels of the T'ang, 2 of the Sung and 3 of the Ch'ing periods1. Furthermore, in chapters 10th and 11th of part III, the authors presented their translation of two dramas selected from the Yüan period and another two from dramas written during the Ming and the Ch'ing periods. Among them the Yuan drama \"Snow in Midsummer\" (written by the important dramatist Kuan Han-ch'ing) seems to be more notable, since this drama has not only been translated from Chinese into English by Yang Hsien-i and his collaborator Gladys Yang in their Selected plays of Kuan Han-ch'ing (1958, Peking), but also has been put out by Shih Chung-wen with a third English version: Injustice to Tou O (1972, Cambridge University Press, Oxford). Clearly, to put texts of Chinese novel or drama from Chinese into English or other European Language has been a fashionable task favoured by sinologists lately.\n\n1 These 5 short stories of the T'ang period are of the so-called Chuan-ch'i and the 2 of the Sung period are usually called as Ping-hua while the last 3 of the Ch'ing period are selected from Liao-tsai, A Collection of Strange Tales, all written by P'u Sung-ling (1630-1715) of the early Ch'ing.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207374,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 142,
        "title": "RAS-1975",
        "content_text": "134\n\nRICHARD J. SMITH\n\n15 Cited in Mary Ferenczy, \"Chinese Historiographers' Views on Barbarian-Chinese Relations (14-16th C.), Acta Orientalia, 21.3 (1968), 356-357.\n\n16 See Su Ch'ing-pin, 1-2, 596-597. As might be expected, the vocabulary of submission was highly refined, and often connected with the idea of return (kuei): Some common terms included: \"[to come to] adhere to China' (nei-fu); “return and submit” (kuei-fu or kuei-chiang); “return to loyalty\" (kuei-chung); “turn toward [Chinese] civilization” (hsiang-hua), etc. Related terms referring to specific values included \"return to sincerity\" (kuei-ch'eng), \"return to right behavior\" (kuei-i) and “return to virtue\" (kuei-te). For the use of these various expressions in the context of employing foreigners in military affairs, consult Li Te-yü, chüan 2, 8, 10-11; chüan 5, 31, 34; chüan 7, 56-57; chüan 8, 59, 60-61; chüan 13, 101-103, 104, 108-109; chüan 14, 117; chüan 19, 159-160. See also Michael Loewe, \"Chinese Relations with Central Asian, 260-90,\" in the Bulletin of the London School of Oriental and African Studies, 32 (1969), 100.\n\n17 For a discussion of the circumstances under which a foreigner might gravitate to China, see Su Ch'ing-pin, 1-3 and especially 596-597; also Ch'u Tung-tsu, Han Social Structure (Seattle and London, 1972), 138-139; L. S. Yang, \"Hostages in Chinese History,\" Harvard Journal of Asiatic Studies, 15 (1952), 512; Wang Yi-t'ung, \"Slaves and Other Comparable Social Groups during the Northern Dynasties (386-618),\" HJAS, 16 (1953), 295; Yu Ying-shih, Trade and Expansion in Han China (Berkeley and Los Angeles, 1967); Colin Mackerras, trans., The Uighur Empire (Columbia, S.C., 1972) and the numerous works by Henry Serruys in HJAS 17 (1954) and 22 (December, 1957), Oriens Extremus 6 (1959) and 8 (1961), Monumenta Serica 25 (1966), etc.\n\n18 See the informative discussion of Chinese stereotypes regarding barbarians in Earl Swisher, China's Management of the American Barbarians (New Haven, 1951), 43-53.\n\n19 Cited in Yang, \"Historical Notes,\" 28.\n\n20 Ibid., 28-29.\n\n21 Ibid., 31.\n\n22 Ch'ien and Goodrich, 8. \"Before the Yuan, people of the Western Regions who served as officials in China were mostly military men; very few distinguished themselves in cultural affairs.\"\n\n23 See Henry Serruys, \"Mongols Ennobled during the Early Ming,” HJAS, 22 (December, 1957). For the use of the term \"turning toward Chinese civilization” (hsiang-hua) with reference to the submission of Chinese rebels, see IWSM, TC 12:26.\n\n24 See, for example, Serruys, \"Were the Ming against the Mongols,\" 136ff.; also note 43.\n\n25 Cited in Derk Bodde, China's First Unifier: A Study of the Ch'in Dynasty as Seen in the Life of Li Ssu, 280 (?)-208 B.C. (Leiden, 1938), 14-15. For background on Yu Yü, consult Edouard Chavannes (trans.), Les mémoires historiques de Se-ma Ts'ien (Paris, 1895-1905), II: 40-45; also Shih chi, 5: 15b-17b; 68: 7b-8; 83: 13a-b; 87: 3a-b; 110: 4b.\n\n26 IWSM, TC 79; 11; Ch'ing-chi wai-chiao shih-liao [Historical materials on late Ch'ing foreign relations], (Peiping, 1932; hereafter WCSL) 129: 17.\n\n27 See Yu cited in note 17.\n\n28 See Michael Loewe, \"The Campaigns of Han Wu-ti,” in Frank A. Kierman, Jr. and John K. Fairbank, eds., Chinese Ways in Warfare (Cambridge, Mass., 1974), 79 and 89; Chun-chu Chang, \"Military Aspects of Han",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207576,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 344,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n335\n\nIn brief, the contents of the writing on each composition of the first 10 leaves have been collectively identified by the author as prose written by seven well-known literary figures; T'ao Ch'ien (365-427), Po Ch'u-i (772-846), Liu Tsung-yüan (773-819), Wang Yu-ch'eng (954-1001), O-yang Hsiu (1007-1072), Su Shih (1036-1101) and Sung Lien (1310-1381).\n\nThe nature of those writings inscribed on the last two leaves of the same album seem quite different from the foregoing. The first inscriptions are all prose and their authors are historical figures; while those appearing on the last two leaves are poem and their authorship is obscure. The literary implications of the prose are all associated with a unified theme; life in the future is hard to know, thus it is more suitable to seek one's personal comfort by way of enjoying nature. In contrast, this theme in leaves 11 and 12 becomes very weak. Instead, remarkable fantastic literary allusions are demonstrated by the poets. After having differentiated the nature as well as the forms of inscriptions on the last two leaves from the first ten, Prof. Li concludes that those unidentifiable poems are most probably verses by Chin Nung himself. The reason that they have been written in an unrealistic manner is because the artist-poet was trying to use those poems to console himself for failing to pass the Po-hsüeh-hung-tz'u degree examination in Peking in 1736.\n\nThis conclusion is theoretically sound, yet it is not convincing; for the poems inscribed on 11 and 12 are not as easily unidentifiable as Prof. Li has claimed. Consequently, because of these poems the date of this album has to be changed. Therefore, the authenticity of this collection of 12 landscapes is also to be questioned.\n\nIn the mid-18th century, at Yang-chou, the richest economic center in China at that time,23 Ma Yueh-kuan (1688-1745) and his younger brother, Ma Yüan-lu (1687-1766?) were not only active as leading salt merchants but also as central figures in terms of their patronage towards literature and art. Amongst those who were closely affiliated to the Ma brothers, was a well-established poet, Li E (1692-1752). Although a native of Ch'ien-t'ang from Chekiang province, he happened to be the most important literary figure whenever he was in Yang-chou.\n\nWhen\n\nIn the winter of 1748, the 13th year of the Ch'ien-lung era, Chin Nung was doing his extensive travels in the north, seven poets,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 207577,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 345,
        "title": "RAS-1975",
        "content_text": "336\n\nBOOK REVIEWS\n\nincluding Li E, accepted an invitation of the Ma brothers to go on a joint-tour to visit Chiao-shan, the famous island situated in the middle of the Yang-tze River near the present day Ch'en-chiang in Chiang-su province.24 For this trip, all members wrote some poems which were later put together, and titled as Chiao-shan Chi-yu Shih (hereafter to be abbreviated as Chiao-shan CYS), A Collection of poems Commemorating A Travel to the Chiao Island.25\n\nThose poems inscribed by Chin Nung on leaves 11 and 12 of the Drenowaltz album are, in fact, two poems written by two different poets of this joint-tour. The first poem, \"Watching the Moon on Chiao Island but being required in designing poem rhyme to use the word 'Sheng'\"26 is written by Li E. It is not only to be found in the Chiao-shan CYS but also in Li E's own collection of poems; Fan-hsieh Shan-fang-chi #### (hereafter to be abbreviated as Fan-hsien SFC), A Collection of Poems Composed in the Fan-hsien Mountain Studio.27 Similarly, the second poem which is entitled \"Watching the Moon in the Chiao Island but Required to have the word 'Yueh' in rhyme\"28 is composed by Ma Yueh-kuan. It is found in the Chiao Island Collection29 and also in Ma Yueh-kuan's own collection of poems, “A Small Collection of Poems by An Untrammelled and Elderly figure at A Sandy River\".30\n\nIn Vol. I, from p. 235 to the first line in p. 236, Prof. Li's English translation deals with Li E's poem; and, from line two onwards, the latter portion of the poem in English is Prof. Li's translation of the cited poem by Ma Yueh-kuan. To consider these poems by two identifiable poets as one is certainly incorrect.\n\nWith respect to the second inscription, treated by Prof. Li as a long poem of Chin-Nung, it is in fact, a collection of three different poems once again all written by Li E. In Vol. II Plate LXXXI-L which is a reproduction of the last leaf of the album, from line 1 up to the first four characters in line 8, the content is to be identified as the first poem by Li E and the title of the poem is read as \"Lodged in the Fo-jih Ching-hui Buddhist Temple\".31 In Vol. I, page 236, line 1 to line 12 of Prof. Li's English translation deals with this poem. Similarly, in Plate LXXXI-L, from the fifth character of line 8 up to the first five characters of line 17, this section of the inscription on leaf 12 is to be identified as Li E's second poem associated with the long title \"Getting up at dawn, monk Ch'e\n\nPage 345\n\nPage 346",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207578,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 346,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n337\n\nguiding me to the foot of the Peak of Yellow Crane; there, after my contemplation of the Hiding Dragon Spring, I begin to search the Cave of Dragon and Reach the Cave of Immortal Lady”32. In Vol. I, from the last line of p. 236 up to line 21 in p. 237, the English translation deals with this poem. Once again, in Plate LXXX-L, from the last two characters of line 17 till the end of the inscription, the content is to be identified as Li E's third poem. It is entitled \"A Travel to the Temple of Crane and Forest,33 Prof. Li's English translation of this poem is at Vol. I, lines 22 to 29 on p. 237.\n\nIn the \"Collected Poems Written in the Fan-hsien Mountain Studio\" all poems are chronologically arranged, and the dates of each year are always recorded under the first poem of each year. Thus, according to such chronology, these three pieces cited are all Li E's poems written in 1735. That is, they are all composed one year before Chin Nung had completed the Drenowaltz album, since the latter is dated 1736. In logic, it seems alright for Chin Nung to inscribe Li E's three poems on the last leaf of this album since the two men seem to have been very good friends since at least 171434. However, it is absolutely impossible for Chin Nung to have inscribed two poems in 1736, one by Li E and other by Ma Yueh-kuan, to be written as late as 1748 in leaf 11 of this album.\n\nThe significance of this discovery should be interpreted critically. The date of the inscription in this Drenowaltz album is some 12 years earlier than the actual date for composing the poems, and so the authenticity of the former is obviously doubtful. This brings us to the question of whether the calligraphy is really by Chin Nung or is perhaps by a very good copist. To think even one step further, the problem of whether extraordinarily elaborate landscapes should really be accepted as authentic works of this artist needs to be reconsidered.\n\nThere happens also to be a third problem of identification. For instance, on the 1st leaf, as well as on that with Wu Ta-chang's colophon of Tai Itsi's album of ‘Landscapes after Great Masters' (Vol. II, Fig. 56, plates XCIV-XCIX), there appears a number of collectors' seals. Of them, as Prof. Li has specifically noted, (Vol. I, p. 262) \"Six of Chang Hsiang-ning, ho p'ing-chai, who cannot be identified, one which cannot be identified”.\n\nIn fact, this unidentified collector is not a mystery. He is Chang Hsiang-ning, a contemporary Cantonese literary man, a",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207582,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 350,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n341\n\n16 This mountain is clearly marked in the map (pl. CXIV of Vol. II) of the book review. In addition, according to Chun kuo ku-chin ti-ming ta tzu-tien \"Dictionary of Ancient and Present Place Names in China\", edited by Tsang Li-ho and others (1933, 2nd edition, Shanghai), p. 135, Mt. Tien-chu is at the northwest of Chien-shan in the present western An-hui Province.\n\n17 In Tung Shih-heng's Li-tai chiang-yu hsing-shih i-lan-t'u (1914, Shanghai), Map 3 (Chan-kuo ch'i-hsung-t'u A Map of the Seven Strong States during the Warring States period); again in Watari Yanai's Toyo Tokushi Chizu (1934, 3rd edition, Tokyo), Map 3; also in Albert Herrmann's A Historical Atlas of China (1966, 2nd edition, Chicago), Map 8 (The Contending States), the Huai River area is always marked as part of the territory of the State of Ch'u.\n\n18 This is to be seen in Fujiwara Sosui's Chokuoku shoho rokutai dai-jiten, Dictionary about Six Different scripts of Chinese calligraphy, (1960, Tokyo), pp. 615-616.\n\n19 See Chin Shu, History of the Chin Dynasty (1974, Peking punctuated edition), Chüan 40, (in Book V), p. 1366.\n\n20 Ibid., p. 1359.\n\n21 For the latest findings of scholars of this small circle, see Ho Ch'i-min: \"Chu-lin ch'i-hsien yen-chiu\" \"A study of the Seven Talents of the Bamboo Grove\", 1966, Taiwan.\n\n22 Po-hsüeh hung-tz'u. This examination, initiated in 731, the 19th year of the K'ai-yüan era during Emperor Hsüan-tsung's reign in the Tang Dynasty was during the Ch'ing Dynasty confined to some limited candidates primarily recommended by the Education Department in each province.\n\n23 For sound scholarship on the economic importance of Yang-chou during the Ch'ing Dynasty, see Prof. Ho Ping-ti: \"The Salt Merchants of Yang-chou: A Study of commercial capitalism in Eighteenth century China\", in the Harvard Journal of Asiatic Studies (1954, Cambridge), Vol. 17, pp. 130-168.\n\n24 Tsang Li-ho and others, op. cit., p. 923.\n\n25 The edition that the reviewer used is the Yüeh-ya-t'ang ts'ung-shu edition, first wood-blocked in Canton in 1850.\n\n26 The Chinese title reads: \"44415447\".\n焦山看月分得辇字\n\n27 In Chiao-shan chi it is to be found in p. 1b-p. 2a, while in Fan-hsieh shan-fang chi, (1937, Shanghai), hsü-chi (a supplementary collection), chüan 7, pp. 359-360 (In the Kuo-hsüeh chi-pen ts'ung-shu edition).\n\n28 The Chinese title reads: \"9493A7”.\n同作分得月字“\n\n29 In Chiao-shan chi it is to be found in p. 9a-9b, while in Fan-hsieh shan-fang chi it is in hsü-chi, chüan 7, p. 360.\n\n30 In Ma Yueh-kuan's own Sha-ho i-lao hsiao-kao (also the Yüeh-ya-t'ang ts'ung-shu edition), it is to be found in chüan III, p. 17a-17b.\n\n31 The Chinese title reads: \"宿佛日淨慈\". It is to be found in Fan-hsieh shan-fang chi, chüan 7, p. 134.\n倪龍瘢痕\n\n32 The Chinese title reads: “晚起 撖上人導行黃萬峯下 倪龍瘢泉 尋龍”. It is in Fan-hsieh shan-fang chi, chüan 7, p. 134.\n\n33 The Chinese title of this poem reads: \"...\". It is to be found in Fan-hsieh shan-fang chi, chüan 7, p. 135.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    {
        "id": 208374,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 98,
        "title": "RAS-1978",
        "content_text": "82\n\n68 GJTSJC II:51, 19b.\n\nGÖRAN AUMER\n\n69 GJTSJC VI:1259, RG 2a.\n\n70 GJTSJC VI:1193, 風俗考 26; 1130, 風俗考 2a; 1142, 風俗考 38; 1120, 風俗考 5a; 1166, 風俗考 5a.\n\n71 GJTSJC VI: 1259, + 2ab. For two interesting discussions on foodstuffs as part of offering rituals, and in terms of cooked and raw food, see Emily M. Ahern, The Cult of the Dead in a Chinese Village. Stanford: Stanford University Press, 1973, pp. 167-170, and Arthur P. Wolf: Gods, Ghosts, and Ancestors, pp. 131-182 in Arthur P. Wolf (ed.), Religion and Ritual in Chinese Society, Stanford, Cal.: Stanford University Press, 1974.\n\n72 Chroniclers report this custom from Hanzhou (GJTSJC VI:1130, 1b), Jingshan (VI:1142, 3a), Zhongxiang (VI:1142, 6b), Chongyang (VI:1120, 4a), and Yingshan (VI:1166, 3b, 4a).\n\n73 GJTSJC VI:1120, 4a.\n\n74 A local tradition from Daye (GJTSJC VI: ... 17a) tells of a persecuted jiao dragon that turned itself into an ox island in a river; this was henceforth called Bull Island. A similar transmutation is mentioned in a legend referring to the Yuan River; see E. T. C. Werner, A Dictionary of Chinese Mythology, Shanghai: Kelly and Walsh Ltd. 1932, p. 116f.\n\n75 In Tongshan, there was an idea of a pair of Earth Gods, She Gong and She Mu. I have no other evidence for ideas of a female counterpart in the Dongting area; GJTSJC VI:1120, 6b.\n\n76 GJTSJC VI:1193, 2a. This may be compared to the use of a mixture of rice and red beans, sometimes contained in a pot, on other ritual occasions; see Aijmer, The Dragon Boat Festival, p. 76.\n\n77 GJTSJC VI:1259, 1b.\n\n78 GJTSJC VI:1142, 2a.\n\n79 GJTSJC VI:1259, 1b.\n\n80 #Ma juan 3: 8a. 風俗考\n\n81 GJTSJC VI:1120, 4b.\n\n82 GJTSJC VI:1142, 4b.\n\n83 GJTSJC VI:1120, 3a.\n\n## 4b.\n\n84 GJTSJC VI:1166, 4b. 風俗考\n\n85 GJTSJC VI:1193, 2a. 荆楚歲時記 Seasons in Jing and Chu. Auth. Tsung Lin\n\n86, juan 13:4a.\n\n87 GJTSJC VI:1130, 1b. 風俗考\n\n88 GJTSJC VI:1120, 4b.\n\n89 GJTSJC VI:1120, 2b.\n\n90 Aijmer, A Structural Approach... p. 95.\n\n91 GJTSJC VI:1142, 1b, 2b.\n\n92 荊楚歲時記 7b. 風俗考 16, 2b. M16\n\n93 GJTSJC VI:1142, 2a.\n\n94 loc. cit.\n\n95 GJTSJC VI:1166, 5b. Records of the ... Ed: MELAR‡ n.d.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208920,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 82,
        "title": "RAS-1980",
        "content_text": "50\n\nJIANN HSIEH\n\n* According to an imperial decree issued in 1645, a man could change his official domicile only if his grandfather had settled in a new place for more than twenty years, and if he could prove that in that place he had an estate and a clan graveyard (Ho, 1966:8).\n\n? According to the informant, who is one of the directors of the Wai-yeung Merchants Association is a locality association in nature, but not a merchants' guild.\n\n* It is especially true that genealogical seniority played a very important role in the leadership of the Chinese traditional clan associations. This emphasis on seniority also prevailed in the leadership structure of other kinds of voluntary associations through pseudo-kinship relationships (Gamble, 1929).\n\n• The division of residence by dialect or original locality survives even in today's Chinese community of Singapore. For example, most of the Hainanese concentrate in Hsiao-p'o, while the Cantonese are dominant in the area of Niu-ch'e-shui.\n\n10 Since all the Waichow schools are subsidized by the Hong Kong Government, it is an obligation for them to use Cantonese as the teaching medium.\n\n11 The estimated size of the Waichow population in Hong Kong according to the association leaders ranges from 700,000 to 1,200,000.\n\nREFERENCES\n\nA. CHINESE\n\nHo, P. T.\n\n1966\n\nChung-kui hui-kuang shih lun (A Historical Survey of Landsmannschaften in China). Taipei: Students' Book Store.\n\nHuang, C. L.\n\n1972\n\nMa-hua li-shih tiao-ch'a yen-chiu ch'u-lun (A Preliminary Study of Chinese History in Malaya). Singapore: Wan-li Press.\n\nLi, S. T.\n\n1957\n\nYuan-lang Sao-kuan-hu Li-shih tsu-p'u (The Genealogy of Lis in So Kwun Wat, Yuen Long). MS.\n\nLi, Y. Y.\n\n1970\n\nLo, H. L.\n\n1933\n\nIh-ko i-chih ti shih-chên (An Immigrant Town). Taipei: Institute of Ethnology, Academia Sinica.\n\nK'ê-chiao yen-chiu tao-lun (An Introduction to Hakka Studies). (1975) Taipei: Ku-t'ing Press.\n\nSee, C. B.\n\n1976\n\nFei-lu-pin hua-jên wen-hua ti chih-hsü (Persistence and Preservation of Chinese Culture in the Philippines). Bulletin of the Institute of Ethnology, Academia Sinica, 42:119-206.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 209162,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 65,
        "title": "RAS-1981",
        "content_text": "RELIGIOUS RESPONSE TO MODERNIZATION IN TAIWAN THE CASE OF I-KUAN TAO\n\n51\n\nare strictly secret. The most important of these elements are the so-called San Pao, the \"three Precious Ones\", a traditional Buddhist expression by which in the case of I-kuan Tao three different secrets (a symbol, a ritual gesture and a formula) are signified1. The San Pao are transmitted to new members during a secret initiation ceremony which is much rumoured about by the public. The rumour goes that the participants have to be naked22 and that the sect performs other scandalous rites in which men and women are not separated. Reports from former members prove that the accusations about the initiation ceremony are certainly not true23. Such wide-spread rumours, however, show how deep-rooted the prejudices against \"heterodox\" sects are, which makes propagation of the faith difficult if not dangerous.\n\nAll the more remarkable is the undoubtable success of this sect. This seems to indicate that obviously I-kuan Tao has something to offer which attracts people even though they may have to suffer public defamation or even prosecution. As a matter of fact, the enforced secrecy which results from prohibition by the government allows for many speculations about vicious rites and political plotting indulged in by the sect-members. But we do not need to occupy ourselves further with the secret aspects of the sect since the teachings which are important for our present purpose are transmitted more or less openly. What is more, they are very similar to the beliefs held by other popular religious communities. This is true especially for some of the fu-luan cults which are very popular in Taiwan today.\n\nFu-luan 扶鸞 or fuchi 扶乩 (alt. 扶箕) is an ancient Chinese divination practice which can be described as spirit-writing, sometimes known in the West under the name \"planchette\". Although the practice can be traced back at least to the Sung dynasty, its modern form seems to have developed during the last century25. At that time it became usual to receive written revelations from various deities which communicate through mediums. The mediums, traditionally two persons operating jointly, but today often only one, hold a stick with which the deity writes characters on a small table covered with sand. These messages from the gods normally contain answers to questions of the believers, but not seldom also directions or instructions of a general kind. At times the medium might be the focus of a larger cult or community whose members participate in the seances and try to follow the divine admonitions. Fu-luan cults were brought to Taiwan from the mainland during the first decades of this century and soon turned into a mass movement. There has been a very strong revival",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt",
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    {
        "id": 209325,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 228,
        "title": "RAS-1981",
        "content_text": "214\n\nKING, Miss Carol A. KIRKBRIDE, Mr K.M.G. KROPATSCHECK, Mrs Hannemarie\n\nKWAN, Mrs Alice W.S.C. KWOK, Mr Ping Leong LACK, Mr Alan J. LAI, Miss Merlin S.C. LANG, Mr Frederick G. LAWRENCE, Mr Anthony LAWTON, Mr David LEE, Mr Peter E.I. LEE, Mr Peter J. LEE, Mrs R.M.\n\nLEE, Miss Sandra Suk Yee LEE, Mrs S. Jane LERNER, Mr Bernard LEVIN, Mr David A. LEVIN, Ms. Stephanie S. LI, Mr Edwin Lao LI, Mr Shi-Yi LIARDET, Mr A.J. LIN, Mr Tien-Wai\n\nLIU, Miss Dimon\n\nLLOYD, Mrs Aileen S. LLOYD, Mrs Waltraud E.\n\nLO, Miss Alexandra Dak Wai LO, Mr Shu-wing LOCKING, Mr J.R. LOFTS, Prof. Brian LOK, Dr Leonora Shin U. LOK, Miss Wai Kwan LOVELL, Mrs Hin-Cheung LUNNEY, Mr Raymond LUTZ, Mr Hans F. MA, Prof. Ho-Kei MA, Mrs Jackie\n\nMA, Prof. Meng, MBE MACCABE, Mrs S.J. MACCALLUM, Mr. I.\n\nMACCALLUM, Mrs Wendy M.\n\nMACGREGOR, Mr Keith\n\nMAHLKE, Mr William J.\n\nMANSON, Mr James B.\n\nMAO, Dr Philip Wen-chee MARKEY, Mr J.C. MARTIN, Dr Michael R. MASON, Mr A.K. MATHEW, Mr David\n\nMATHEWS, Mr J.F. MAYERS, Mr Walter MCLEAN, Mrs Robyn H. MCCULLY, Mrs Arthur M. MCDONALD, Mrs John R. MCELNEY, Mr Brian S. MINERS, Dr N.J. MINTER, Mr C.J.W. MITCHELL, Mr Eion A. MITCHELL, Mrs Ruth M. MORGAN, Ms V. Elaine MOSER, Mr Michael J. MOYLE, Mr G.C. MULLOY, Mr G.N. MURPHY, Mr Francis S. NEWBIGGING, Mr D.K. NEWBIGGING, Mrs Carolyn NG, Dr Margaret N. NG, Miss Tonia NGUYET, Mrs Tuyet O'HARA, Mr Randolph ONG, Prof. Guan Bee OUTCH, Mr William T. ORR, Mr Iain Campbell OXLEY, Mr C.W.B. PARRINGTON, Miss June PARRY, Mr Roger H. PERESYPKIN, Mr Oleg P. PICKARD, Mrs Jane PICKFORD, Mr John B. PRESCOTT, Mr Jon A. PRYOR, Dr E.G.\n\nQUESTED, Mrs Rosemary RAM, Mrs Jane REDDING, Dr S.G.\n\nREYNOLDS, Prof. W.A.\n\nREYNOLDS, Mrs Johanne\n\nRHODES, Mr Peter F.\n\nRIBEIRO, Mrs Susan\n\nRICHARDS, Dr S.F.\n\nRICHARDS, Mrs J.K. RICK, Mr D.R. RIGG, Mrs Jillian R. ROBERTSON, Mrs A.G. ROBERTSON, Mrs W.G. ROHRS, Mr Kenneth R. ROPER, Mr G.W.\n\nROSS, Mr David M. ROWARK, Mrs Sally",
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    {
        "id": 210092,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 63,
        "title": "RAS-1984",
        "content_text": "42\n\nJULIAN PAS\n\nWebster's Dictionary (1979), p. 1733.\n\n10 Webster's Dictionary (1979), p. 170.\n\nLenormant (1875), p. 18.\n\n12 Lenormant (1875), p. 19.\n\n13 Lenormant (1875), p. 30.\n\n14 Needham (1956), p. 349.\n\nBanck (1976).\n\n16 CHENG, Chen-tuo, Editor, T'ien-chu ling-ch'ien\n\n(Reproduction of the\n\nEarliest Preserved Set of Temple Oracles) Folklore & Folk Literature Series of National Peking University. (reprint), Taipei: The Orient Cultural Service, 1958.\n\n17\n\n19\n\nI have used the cheng-t'ong or Ming edition, as reprinted in Taipei.\n\nEberhard (1970), p. 193.\n\nHuang-ti shen-kung Ħ☎1⁄2, Banck (1976), #17.\n\n20 Eberhard (1970), p. 191-192.\n\n21 Jordan (1982).\n\n11 W. Eberhard (1970), p. 195. The Chinese text: 1+X8\n\n23\n\n24\n\nThe Chinese text: 高達五十得名\n\nSt. Augustine's Confessions, translated by William Benham (New York: Collies & Son, 1909), pp. 141-142.\n\nBIBLIOGRAPHY\n\nA. Sources\n\n(i) Taiwan (& Hong Kong) Oracles, published in booklets\n\nB-I\n\nB-I\n\nB-I\n\nB-2\n\nB-2\n\nB-2\n\nSheng-ch'ien chu-chieh E, Kuan Yin Fo-tsu, T'ien-shang Sheng-mu &Ħ, X_L, Taichung, Jui-ch'eng Bookstore AĦĦ , 1972, (1st ed. date, unknown).\n\nK'ai-t'ai Ma-tsu chien-chieh, published by the Feng-t'ien Temple in Hsin-kang, Chia-yi *, ****8. (n.d. circa 1978). The oracle texts are on pp. 1-30.\n\n+\n\nLing-ch'ien chich-shuo, with commentaries by Yeh Shan #ll, Taichung: Ch'uang-shih Publishing House, & FURN 1979.\n\n+\n\nPai-shou ch'ien-chieh, Published by the Hsing-sheng Temple in Taichung 台中市行聖宮,1977.\n\nLing-ch'ien chieh-shuo *, with commentaries by Yeh Shan #. Taichung: Ch'uang-shih Publishing House, ÷ÞOKRE 1975 (1st ed.: 1966)\n\nKuan-sheng Ti-chún ch'ien-shih chich MESE the Shui-hsien Temple in Nan-kang, Chia-yi, \n\n1\n\nPublished by\n\n*, 1964,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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        "rank": 0
    },
    {
        "id": 210093,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 64,
        "title": "RAS-1984",
        "content_text": "43\n\nB-2\n\nB-2 Pai-shou ling-ch'ien, Ku-shih chu-chieh ti by Cheng Chin-ling $436. Tsoying, Kaohsiung, 1976.\n\nM. Published\n\nKuan-sheng Ti-chun ying-yan t'ao-yian ming-sheng ching E KNMVTÆ. Published by the Fu-ch'uan Fo-t'ang in Kang-shan, Kaohsiung. QUI÷HES, 1971. (The oracles are in the Appendix).\n\nB-6 Kuan Yin ling-ch'ien chu-chieh, erh-shih-szu shou Pi. Taichung: Jui-ch'eng Bookstore, 1975.\n\nB-34 Ch'ien-shu chu-chieh, Tien-shang Sheng-mu, lished by the Nan-yao Temple in Changhua M, R, LTE. Pub Mä, 1977.\n\nB-54 Huang Ta-hsien (Wong Tai Sin) ling-ch'ien, ku-pen chu-chieh A¶ LASER. Published by the Wong Tai Sin Temple in Kowloon, HK, n.d. (purchased in 1980).\n\nB-55 Po-chi hsien-fang 1981;. Taiwan (no exact place indicated but stamped by the Tz'u-yu Temple in Taipei, BMK), 1951.\n\nB-55 Lu Ti ling-ch'ien hsien-fang, PPARI), Hsinchu: Chu-lin Book-store 新竹市竹林書局,1977.\n\nB-55 Fu-yu Ti-chün chüeh-shih ching, Lü-tsu ling-ch'ien chi hsien-fang Fili MEIM.NG MAUZERO/2A07), Hong Kong, N.T., SEDILE. 8-0 1976.\n\n+ Wu-nien ch'ien-sui ling-ch'ien chu-chieh 1F, Published the Chen-an Temple (2000) of Ma-ming-Shan in the county of Yiin lin, Taiwan, 1963.\n\n(ii) Taiwan Oracles: Temple Samples\n\nWerner Banck, Das Chinesische Tempelorakel PPE (part 1: Sources), Taipei: Ku-t'ing Bookstore, fillaliliPVM, 1976.\n\n(iii) Canton Temple Oracles, collected by the Library of the Center of Asian Studies, University of Hong Kong (not included in Banck's source edition)\n\n1. Kuan-shih-yin ling-ch'ien, #, published by Wu-kui t'ang 4, in Canton, n.d. (circa 1940?) block print reproduction; contains 100 oracles).\n\n2. Hung-sheng-wang ch'ien 1, published by I-wen tang in Canton, n.d. (blockprint reproduction; contains 64 oracles).\n\n3. K'ang-kung ling-ch'ien 12, published by T'ien-pao Printing Co.: Ch'an-shan, Canton, dated 1855 (nice wood block print edition)\n\n+ 4. Fu-shen T-u-ti ch'ien (@J:22, published by Wen-tang Bookstore, **W in Yue-tung ch'an shan 40, dated 1859. (woodblock print; 30 oracles).\n\n5. Shang-ti ling-ch'ien (zar, published by Wen-t'ang Bookstore, Z, n.d. (wood block print; 50 oracles).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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    {
        "id": 210292,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1984",
        "page_number": 263,
        "title": "RAS-1984",
        "content_text": "242\n\nCHOI CHI CHEUNG\n\nnese News (MA###); reports about the Ghost Festival in Kobe no longer emphasised the role of the Hokkienese. Thus, the secondary identification (identity of being a Chinese and/or of being a resident in Kobe) instead of the primary identification (identity of blood relation and/or of origins) became the central idea of the Festival. Thus the Festival is more inclusive now.\" The Festival, though including all elements of the secular world as well as the sacred world, stressed only ancestor-worship because only ancestor worship supercedes the boundaries of all social groupings and categories, eases the tension of group competition among the Chinese, and connects all social groupings and categories into one worshipping group which is based primarily on the relationship of the worshippers with Kobe, and secondarily on their territorial identity as Chinese.\n\nNOTES:\n\nThe original meaning of 'Yue Lan' is \"hanging upside down” (of the hungry ghost in Hell). However, during the festival, participants used terms like: Obon (Mah, Japanese term for the festival), Chung Yuan (†, middle of the year, which is a term mainly used by the taoists for the same event), and/or Kuai Chie (m, ghost festival). Some Cantonese even called it a Chiao (M) (simply meaning a festival dedicated to the Gods). Moreover, the documents used during the festival spoke of it as 'Pu Tu' (#), meaning general offering and place where spirits can cross over to this world, e.g. the papers that hung over the entrance of the Tao Ch'ang (entrance A) wrote \"The water and earth Pu Tu is held in this Tao Ch'ang' (*), at the entrance B, it was written 'the Great Occasion of Pu Tu' (E), the invitation card wrote \"the great meeting of Pu Tu' (#★#), and the same term was also used in the P'ang.\n\n1 See Kobe Kakyou Ho (#), no. 71, 1976.3.10. In 1974, there were 46944 Chinese in Japan. 8585 of them lived in Hyogo Prefecture of which 7071 were concentrated in Kobe city. The distribution of the origins of the Chinese in Hyogo Prefecture was as follow: Taiwan (41%), Cantonese (21%), Hokkien (11%), Kiangsu (11%), Shantong (5%), Chekiang (4%), others (7%).\n\nSee plan at the Appendix to this paper, and Plate 15.\n\nPlate 16.\n\n3 Plates 17, 18, 19.\n\n6\n\nSometimes informants called the paper-made houses \"Cho' () without distinguishing between the house for the 'Newly Dead', and that for the gods. Here, Ming-che is used for the house of the \"Newly Dead', and Cho for that of the gods.\n\n7 Plate 20.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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    {
        "id": 210387,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1984",
        "page_number": 358,
        "title": "RAS-1984",
        "content_text": "337\n\nperiod — which lasted from the bronze age Dongson period of the third century B.C. to the end of the T'ang dominance in the early tenth century A.D. He has divided this long period into six distinct phases, constructing the main characteristics of each one as the centre-piece of a chapter.\n\nThe first (Chapter 1, \"Lac Lords\") covers the emergence of organized society in the plains of the Hong and Ma rivers (near present Hanoi) under feudal lords. Sources for this bronze age period are largely archeological and linguistic, with a heavy reliance upon the interpretation of myths and legends.\n\nThe second chapter or phase (\"The Han-Viet era”) charts the invasion of Chinese forces and particularly the southern expedition of Ma Yuan, the great Han general, and the emergence of a mixed Sino-Viet ruling class.\n\nThe third phase (Chapter 3, \"Regionalism and the six dynasties\") covers the consolidation of Chinese political and cultural domination.\n\nChapter 4, \"Local rule in the sixth century\" is the fourth phase, which Taylor calls a \"time of self-discovery” for the Vietnamese. It was a time when Chinese control weakened slightly before the consolidation of Sui-T'ang control of the south. And in this weakening the Vietnamese, according to Taylor, began looking to their pre-Chinese roots.\n\nThe Sui-T'ang period of rule is covered in Chapter 5, \"The protectorate of An-nam\". In this phase he chronicles the \"intensity\" of pressure upon Vietnam to conform to the Chinese model of civilized society, as well as the growing resistance to Chinese domination. That resistance bore success of sorts when in the tenth century the T'ang dynasty collapsed and Vietnamese rebellions succeeded in throwing off direct Chinese rule. This is Taylor's Chapter 6, \"The T'ang-Viet confrontation\", and Chapter 7, \"Independence\".\n\nWhile critical of Chinese and French historians as treating the Vietnamese past as a “branch of Chinese history\" Taylor uses",
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    {
        "id": 211641,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 56,
        "title": "RAS-1989",
        "content_text": "31\n\naides and guardians. His two major aides, according to a Taiwanese temple keeper, are major deities in their own right:\n\nT'ai I Chiu K'u T'ien Tsun (AZREF) and Lei Yin P'u Hua T'ien Tsun (LEO).\n\nHe has a senior deity as his personal messenger, Teh Chih Chiangchun (特赤將軍)\n\nA Buddhist priest guiding a visitor around his temple in Chia I county in Taiwan, in which the Jade Emperor was the main deity on a side altar in a side hall pointed out that he had four bodyguards:\n\nThe Marshals Wen (溫), Ma (馬), K'ang (康) and Chao (趙) with blue, white, red and black faces respectively.\n\nThe full title of the Jade Emperor is:\n\nHao T'ien Chin Kuan Yu Huang Shang Ti (昊天金阙玉皇上帝) or T'ien Ti San Chieh Shih Fang Wan Ling Chen Tsai (天帝三界十方万灵真宰). This is possibly best translated as The True Lord of Heaven, Earth and Mankind, in all areas and of the Mystical Spirits.\n\nThe following are the short titles by which the Jade Emperor is known:\n\nYu Ti (玉帝)\n\nYu Huang T'ien Kung (玉皇天公)\n\nT'ien Kung (天公)\n\nT'ien Kung Tsu (天公祖)\n\nT'ien Kung Yeh Yeh (天公爷爷)\n\nT'ien Shang Ti (天上帝)\n\nTien Ti (天帝)\n\nHe is also known as:\n\nYu Huang Ta T'ien Tsun Hsuan Ch'iung Kao Shang Ti (玉皇大天尊玄穹高上帝)\n\nYu Ch'ing Shang Ti (玉清上帝)\n\nHao T'ien Shang Ti (昊天上帝)\n\nShang Ti (上帝)\n\nLao T'ien Yeh (老天爷) North China",
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 65,
        "title": "RAS-1989",
        "content_text": "40\n\nPestilence Wang Yeh contained the character revealing where he had originated from. An altar in a converted shophouse temple in the suburbs of Taichung bore the title 'Chinmen Su Fu San Wang Yeh'. The temple keeper's family, also named Su, had brought the image over from Quemoy (Chinmen island) off Amoy.\n\nAn example of the many idiosyncrasies involving the worship of the surnamed Wang Yeh can be observed in the Ma Temple in Ssu Hu village in Yunlin county where the Ch'en family has worshipped Pai Fu Ch'ien Sui+ for many generations. The temple was built there with Pai Fu Ch'ien Sui as the major deity but following an epidemic Ma Fu Ch'ien SuiT, the ancestral deity of the local Ts'ao# family became the major deity on the altar. He is regarded as the senior of the two Wang Yeh. According to local legend, during a virulent epidemic Pai Fu Ch'ien Sui gathered together Ma Fu Ch'ien Sui, Ta Sheng Yeh (Monkey god), the Third Prince (T’aitzu Yeh), Kuan Yu (the red-faced god of loyalty), and T'ien Shang Shengmu (The Holy Mother of Heaven better known as T'ien Hou) and together they stopped the epidemic. In their gratitude the locals extended the temple to honour them and, according to the temple keeper, the whole area has been peaceful and harmonious ever since. Ma Fu Ch'ien Sui, the senior Pestilence deity in the group, is portrayed as a multi-armed deity, with a multi-coloured striped face sitting on a throne. It is very Hindu in its appearance.\n\nIn Hsin Ying near Tainan a main deity known as Han Lao Yeh##Zm but better known colloquially as Han Ch’ien Sui### was discussed by a number of villagers. In consensus they decided he was not a Wang Yeh despite being a protective deity who was particularly revered for the maintenance of good health. They were unable to identify Han but recalled that he had been a civil official in Fukien whose image had been brought over to Taiwan long after he had been deified.\n\nPestilence Wang Yeh generally occupy the main altar of the temple in which they reside. The main deity will occupy the centre spot with the junior Wang Yeh in lesser positions beside him. However, in a number of temples they can also be seen in a row on the altar table before the main altar which can be dedicated to another, entirely unconnected deity. This would seem to be the temple staff taking advantage of the custom of borrowing a Wang Yeh image to take home for private reverence by the sick, who leave a donation in the temple for the service. Pestilence Wang Yeh images are frequently carried home from temples",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211655,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 70,
        "title": "RAS-1989",
        "content_text": "45\n\nOn another occasion the main Wang Yeh of the Five was on his way to Hsikang in central Taiwan on a tour of inspection when he encountered a demon causing trouble. He had gathered together a large force of spirit soldiers from the Underworld and was causing great hardship and harm to the local people. The Wang Yeh summoned the other four Wang Yeh and, with help from Kuan Yin, the local City God, and the Ma Tsu from Peikang, he defeated the demon and his army but suffered a wound to his head. Although repeated efforts have been made by craftsmen to repair the damage to his head the wound can still be seen today. Some say that the wound on the Wang Yeh's head was the result of his fight with the Yu Ying Kung, but whatever the reason might be, the people look upon the deity as a hero.\n\nIn Fulai, a village near Chia1 in central Taiwan, the main Pestilence Wang Yeh of the five on the altar is afforded an honour generally reserved for powerful major deities like Kuan Kung. He possesses a horse whose image stands alongside the side wall of the main hall of the temple.\n\nThough the Pestilence Wang Yeh are 'popular' deities they have their demonic aspects as well as their divine and are in general looked upon as dangerous, awesome and fearsome spirits to be approached with great circumspection. A number of devotees believe that the task of the Pestilence Wang Yeh is to police the World and control demons. While a small minority regard them as healing gods the majority believe that their function is to ward off and even attack demonic influence. If the attack is successful, it leads to a cure.\n\nBeing awesome deities the Pestilence Wang Yeh are only worshipped when devotees have a problem which requires the dispersal or destruction of malignant and demonic forces. Only very rarely are these deities approached by worshippers seeking advice and therefore the use of fortune slips and forms of communication such as divining blocks between the devotees and the deities are not usually to be found on the altars dedicated simply to them. Divining blocks are used however when temple committees wish to ascertain the views and wishes of Wang Yeh concerning his personal circumstances such as the location or use of his images.\n\nPestilence Wang Yeh are not approached for aid and advice as are, say, agricultural or fertility deities. Their role is limited to protection, and by extension to cures from pestilential diseases. They are, however,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 212495,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 49,
        "title": "RAS-1991",
        "content_text": "Table 6\n\nZheng Guanying's Investment in Modern Enterprises\n\n29\n\n  \n    Item\n    Amount (taels)\n    Place\n  \n  \n    Union Steamship Navigation Co.\n    ?\n    Shanghai\n  \n  \n    China Merchants' Steam Navigation Co.\n    1,200\n    Shanghai\n  \n  \n    Yuehan Railway Co.\n    ?\n    Canton\n  \n  \n    Renhe Insurance Co.\nShanghai Cotton Mill\nA Paper Manufactory\nA Glass Work\nA Dairy Co.\n    ?\n?\n50,000\n?\n?\n    Shanghai\nShanghai\n?\n?\nShanghai\n  \n  \n    A Silk Filature\n    ?\n    ?\n  \n  \n    Tongwen Book Co.\n    14,000\n    Shanghai\n  \n  \n    Ma'an shan Coal Mines\n    ?\n    ?\n  \n  \n    Jinzhou Coal Mines\n    100,000\n    ?\n  \n  \n    Jilin Gold Mines\nXuancheng Coal Mines\nShandong Mines\nPingchuan Gold Mines\nMianning Gold Mines\nJianping Gold Mines\nChefoo Coal Mines\nYongping Gold Mines\n    ?\n?\nseveral thousand\n36 shares + 4,320\n20 shares + several thousand\n?\nseveral thousand\n?\n    Shanghai\n?\n?\n?\n?\n?\nPingxiang Coal Mines\nHupei\nNantaiwu Shan Coal Mines\nFujian\n  \n  \n    Chengping Silk\n    several thousand\n    ?\n  \n  \n    Kaiping\nCanton Land\n    5,000\n    Canton\n  \n  \n    Tianjin Kutang Land Reclamation\n    3,000\n    Tianjin\n  \n  \n    A Nacre Co.\n    ?\n    ?\n  \n  \n    A Reclamation Project in Malaya\n    ?\n    Malaya\n  \n  \n    Tianjin Peihailou\n    ?\n    Tianjin\n  \n  \n    A Gambling Co.\n    5,000\n    ?\n  \n  \n    Total\n    232,520+?\n    \n  \n\nSources: Wu Chang-chuan, Cheng Kuan-ying: A Case Study of Merchant Participation in the Self-strengthening Movement (1878-1884): Xia-Dongyuan, Zheng Guanying Zhuan.\n\nearly development of modern Chinese enterprises. As shown in the case of Xu, Tang and Zheng, they not only provided funds to modern",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    },
    {
        "id": 212521,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 75,
        "title": "RAS-1991",
        "content_text": "55\n\nintellectually lethargic. It was also from Liu's diaries we discover that Ruan Yuan's house was burned down on April 2, 1823 with heavy losses, including Ruan's entire library.1\n\n31\n\nThe founding of the Xue hai tang in Canton brought to Ruan Yuan a number of Cantonese scholars. Besides Chen Li, who was cited by Hiromu Momose in Eminent Chinese of the Ch'ing Period as perhaps \"the most brilliant among a group of Cantonese scholars who developed eclectic theories mid-way between Sung Neo-Confucianism and the School of Han Learning,\" the others included Lin Botun, Wu Lanxiu, Ma Fuan, and Xu Rong, Tan Rong from Nanhai, who had passed the provincial examination in 1824 and had been appointed to the Xue hai tang by Ruan Yuan but had chosen not to take the metropolitan examination, nevertheless persuaded his friends, the Wu Family hong merchants, to print the large collectanea, Yue ya tang cong shu, consisting of 180 titles.\n\nIt is disappointing that the personalities and idiosyncrasies of these scholars cannot be discerned from reading their writings. Employing the techniques of detective novelists by investigating whatever might be construed as clues that come my way, I have been able to reconstruct the person of Ruan Yuan to a certain extent, but the scholars around him have completely eluded my attempts. They were not easy prey. Neither were they easy to manage. At times their eccentricities hindered progress of Ruan's work.\n\nThe completion of Shi san jing zhu shu fu jiao kan ji was delayed considerably because of personality conflict among the compilers. The idea for such a project had originated with Lu Wen chao (1717-1796), a scholar-official from Hangzhou who had spent a greater part of his time copying various old editions of the Classics by hand, noting the differences and printing the corrected texts. After Lu's death his student, Zang Rong, who was working on Jing ji zuan gu, persuaded Ruan Yuan to undertake the project to print the Jiao kan ji as well. In 1799, after consulting his staff, a much more ambitious project became envisaged, to print the Thirteen Classics together with all the notations throughout the ages.\n\nBeing then Governor of Zhejiang with resources at his command, Ruan Yuan asked Duan Yucai (1735-1815), a Classicist with expertise in etymology and phonetics, to take on the responsibility as editor. Considering the task too arduous for a single man, Duan recommended his friend Gu Guangchi (1776-1835) to share the work. Gu, in turn, brought other scholars.\n\n33\n\nPage 75\nPage 76",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
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    },
    {
        "id": 212802,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1992",
        "page_number": 111,
        "title": "RAS-1992",
        "content_text": "96\n\nCh'in-ch'ai Ta-ch'en ✯✯E : Imperial High Commissioner, a very senior appointment.\n\nEver Victorious Army ET: A European-officered Chinese force of the Imperial Army raised by the American, Ward, which ultimately, under the command of Colonel Gordon, assisted in putting an end to the Taiping Rebellion.\n\nExpectant... (Ho-ju) ✩A : A prefix indicating that an official was qualified and certified to take up duty in the post named.\n\nFan-t'ai #: A provincial treasurer known to foreigners as the Commissioner of Finance; charged with the fiscal or financial administration of a province.\n\nFormosa: The Portuguese name for the island of Taiwan.\n\nHakkas [Ko-chia] ** : One of the southern Chinese ethnic groups said to have migrated from northern China during the Mongol dynasty, ca the thirteenth century AD.\n\nHan-lin Yuan #: The Chinese National Academy, admission to which was the highest literary honour obtainable by a Chinese scholar.\n\nHo-shang : Buddhist monk or priest.\n\nHongkew : Site of the American Settlement in Shanghai, where Mesny later lived.\n\nHsien : Administrative district.\n\nHuang Ma-kua : The Yellow Riding Jacket. A high award from the emperor to his senior officials.\n\nImperial Maritime Customs: Chinese customs service with a foreign inspectorate largely able to control the collection of duties and taxes without the usual Chinese squeeze [q.v.]. Robert Hart became Inspector General in 1863.\n\nJingal (gingal): The Chinese blunderbuss. It was generally fired from a swivel fixed on a wall or wooden post, but sometimes it was fired with",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x",
        "rank": 0
    },
    {
        "id": 213064,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1993",
        "page_number": 132,
        "title": "RAS-1993",
        "content_text": "113\n\nThe mage in bus cult centre in the village of Pai-chiao ft, between Amoy and Changchou, is swathed in silken robes making it impossible to note any iconographical detail. Images of his parents and his elder brother, but none of his only sister, stand on a secondary altar in the cult centre together with a large metal bowl in which it is claimed that Wu Pen had concocted his herbal remedies. Caretakers in the cult centre point out the site in the village of the house in which Wu Pen had been born and lived out much of his life, and also the place at the end of the village where the sea once lapped the shore long before a series of land reclamations left Pai-chiao ft from the open sea.\n\nIn legend Pao-sheng Ta-ti has thirty-six warriors who carry out his orders under two senior soldiers, General Tieh [or Chao] # [#]19¤ and Marshal Kang. Such retinues have been observed in a number of temples dedicated to Pao-sheng Ta-ti in Fukien, Taiwan and in SE Asia, either with him or on side altars, or in a great number of temples painted individually across one of the temple's side walls as a large mural.\n\nA large tablet dedicated to his parents stands on the rear hall altar of a large temple dedicated to him in Tainan city. One smaller image portrays him with a bowl in his hand and a dragon with a pearl in its mouth before his feet?. Two major statues, at floor level, flanking the altar on which Pao-sheng Ta-ti is the main deity, were identified as Chang Sheng-che ' * P K and Chiang Hsien-kuan Il about whom none of the temple staff could offer any information. They would appear to be Pao-sheng Ta-ti's assistants or guardians. However, in Taiwan other pairs of guardian generals have been identified. These have included Generals Chien and Chao MA and Marshals Kao and Yin á KIM.\n\nAlso in the Tainan temple two assistants on the main altar table are Ts'ai-yeh T'ung-tzu X RM and Tsuo Chih T’ung-tzu, 1⁄2 Youths who Collect the Herbs and Compound the Medicines.\n\nLegends about Pao-sheng Ta-ti's origins, powers of magic and his ability to cure the sick abound. He was regarded not only as a powerful mediumistic protective deity who provided effective prescriptions, he was also believed able to stave off floods or bring much needed rain. He is said to have saved the city of Changchou from plague, and again later from starvation during a prolonged drought. He was also summoned to Court where, either in about AD 1030 he cured the Empress Wen or in AD 1408 when the wife of the Ming emperor suffered from sore nipples.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302",
        "rank": 0
    },
    {
        "id": 213492,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 88,
        "title": "RAS-1995",
        "content_text": "56\n\nof the Pear Garden\" (T).\n\nThis Chinese version of Don Juan lived an absolute profligate life. In his later years, he lavished much of his love on a country-bred beauty called Yang Yu-huan (E) and neglected his State's affairs, which brought about his downfall. In 755 A.D., one of his trusted lieutenants named An Lu-shan (I), a half-Turk, half-Sogdian, revolted. The poor Emperor had to flee from Ch'ang An (E), his capital, with just a few escorts, including his immediate family and a few soldiers, heading for Szechwan (PTI). When the entourage arrived at a place called Ma Wei Po (5), the escorting soldiers refused to go any further and demanded that the Emperor get rid of the concubine Yang. The Emperor had to give in and act accordingly. At last, a general named Kwo Tzi-yı (97) put down the rebellion and restored peace to the land. The Emperor Xuan-zong lost his throne to his son.\n\nIf you ever go to Xian (1) in the Shaanxi Province, you will find a bathhouse called Hwa Ch'ing Chih (#) in the suburb where Yang Yu Huan used to bathe. The area has been restored and kept in good condition to this day.\n\nTaboos\n\nThere are many, many regulations and taboos in the Chinese theatrical circle, including the Peking Opera group. Some of these taboos help to keep smooth the running of the theatre as an orderly institution; otherwise, chaos would reign. For instance, the actors and actresses are not allowed to sit on the trunks of other performers. Once I had the privilege of visiting the backstage of a Peking Opera theatre. There were rows and rows of heavy trunks on the floor where the stage clothing was stored. Some of the actors or actresses were doing their make-up. Layers and layers of stage clothing were neatly folded and stacked in the trunks. There was order and neatness everywhere. Imagine, in the absence of taboo and regulations, what the situation would be. It could be a madhouse where everyone was fighting to have the right kind of clothing to go on the stage, and when they finished acting, they would just throw things around.\n\nI know one or two other taboos, of which everyone, yes everyone, has to observe, such as you should never utter the word “Geng\" \"E”",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
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    },
    {
        "id": 213797,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 149,
        "title": "RAS-1996",
        "content_text": "120\n\n24\n\nН\n\nTou To Wang, Changsha Wang and various Muowang \"demons\" I have not consulted Shuton Yoshio eds. Yao Documents (Tokyo Kodansha 1975)\n\nFor example the Buddhist concept of Liu Dao, and the Asura was summoned by the Devil King to fight the Buddha in the Dunhuang narrative literature Buo Muo Branwen, in Dunhuang Brannen, in Tarper Shipe Shuju reprint, 1980, p 347 But in a passage of the Hua Yan Jin quoted by Hong MA,, op cut P. 1680, the King of Asura was among those summoned by the Bodhisattva to come to the rescue of those in turmoil\n\nBut Muowang \"Demon Kings' also featured in canonical Daoism in which They have been conquered by the Daoist gods and can be summoned by Daoist for protection\n\nEven then the Jade Emperor's native place, according to the same document, was \"Puo Xi\" which could have been Persia too\n\nSee Jiang op eit for Qujiang, and Hu Qiwang et al Bancun Yang, Minzu Chubanshe, 1983, for Guangxi Province\n\n\"See Lagerwey for the present situation\n\n\"The SJYLSSDC as we see now, a Qing reprint of the Ming book, has a passage that says Chen went to Lu Shan to study magic. But the next four characters do not make sense The crucial characters will give the master's name as Jiu Lang and can be found in reprints in a more recent series A Ming version reprint of the same book, under the title of Sanpao Yuanliu Shengdi Faozu Shoushen Dachuan, in the series Zhongguo Mijian Xinvang Zijido Hunbuan, Taiwan, 1989, gets most of the characters right. Compare also Shi Shen, a Qing manuscript also reprinted in the same series that quotes a Zheng Shou Shen ji, the passage is otherwise identical with SJYLSSDC\n\n\"See for example Lagerwey, perhaps Liu Zhiwan also. Note the latter being account of practice of the Zhang Fazu sect, which seemed not to involve the Lu Shan Jiu Lang at all\n\nTh\n\nInteresting information is found in John Lagerwey was not mentioned, instead \"John Keupers\", \"A Description of the Fa-ch'ang Ritual as Practiced by the Lu Shan Taoists of Northern Taiwan\", in Saso and Chappell eds Buddhist and Taoist Studies 1. Hawaii University of Hawaii, 1977, p 83 This article on the Lu Shan San Nai sect shows, without saying so, that the confusion has multiplied as the priest has mistaken the pair Lu Shan Jiu Lang and Wang Tu Mu for Dong Wang Gong and Xi Wang Mu, two prominent gods in canonical Daoism, and by two steps of substitution (Xu Xun = Lu Shan Jiu Lang, Dong Wang Gong = Lu Shan Jiu Lang) identified Dong Wang Gong with Xu Xun\n\n-\n\nSee for example the San Jiao Shou Shen Da Chuan\n\nMin Du Wai Ji by den He Qiu, reprinted 1987 by Fujian Renmin Chubanshe\n\nYuan Hao-wen, Yi Jian Zhi, Reprint Beijing Zhonghua Shuju, 1988\n\n14\n\nALL\n\nOp eit pp 1181, 1429\n\n+",
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    {
        "id": 213846,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1996",
        "page_number": 198,
        "title": "RAS-1996",
        "content_text": "171\n\nhad become sailors, and those who had emigrated overseas. Some men also moved away to work in the city or foreign countries during the depression in the 1950s, which hit farmers particularly hard as the price of produce, especially rice, fell. As a result, female villagers gradually came to outnumber their male counterparts during the period from the early 20th century to the 1950s. In the meantime, emigrants from Hai-lu-feng and Ch'ing-yuan in south China flocked to Tung Chung's Sha Tsui Tau and Ma Wan Chung. Some of them became managerial farmers, specializing in vegetable growing and animal husbandry, keeping chicken runs and piggeries, etc., thus changing the area's traditional farming pattern. Later, when Ma Wan Chung rose to be Tung Chung's business centre, after the construction of the pier there, these new immigrants started to diversify their investments, going into the grocery business and becoming shopowners in the vicinity of the pier. The owner of the Shun-ch'ang Store, for example, is a San-shui native.\n\nIn need of financial and human resources, Tung Chung seems to be especially tolerant of “outsiders” who invest in the community and eventually settle in one of the villages. Normal practice requires that a newcomer first makes application for permanent residency to the village head, who will then solicit opinions from the villagers. Should there be no objection, permission signed by the village head is issued. Finally, the new settler will host a banquet to entertain villagers, who come to show their goodwill and welcome the newcomer. Since the 1950s, most of the latecoming settlers in Tung Chung have resided and made a living in Ma Wan Chung. Thus, this area has the highest male-to-female ratio among all villages in the entire district. According to a statistical source, the gender structure of Ma Wan Chung's population as compared to that of Shek Mun Kap, for example, in the early 1960s was as follows:\n\n| Village | Male | Female | Children |\n\n| --- | --- | --- | --- |\n\n| Ma Wan Chung | 27.1% | 27.1% | 45.8% |\n\n| Shek Mun Kap | 11.5% | 42.4% | 46.1% |\n\nLike Shek Mun Kap, other villages also had far fewer male residents than did Ma Wan Chung. In terms of manpower resources, therefore, Ma Wan Chung undoubtedly enjoys favourable conditions for sponsoring the Houwang's Birthday Festival. For these more recent settlers in Tung Chung, supporting the festivities becomes an important",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 213855,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1996",
        "page_number": 207,
        "title": "RAS-1996",
        "content_text": "180\n\nThe\n\nIssei, \"The Jiao Festival in Hong Kong and the New Territories,\" in Julian F. Pas, ed., Turning of the Tides: Religion in China Today (Hong Kong: Oxford University Press, 1989), pp. 271-298\n\nInterviews: K'ung Chao-hsiang (age 79), Lung Tseng Tau, Jul 6, 1991; Hsieh Ch'i, op. cit.\n\nInterview of Mo Shu-ling (age 65), Mok Ka, Jun 29, 1991\n\nInterview of Lo Ch'uan, op. cit., Jul 8, 1991\n\n[hid]\n\n\"Ho, op. cit.; while some villagers did not remember the role of the Houwang in the rituals, an old man, who had witnessed the festival three times, indicated that the Houwang idol would be \"invited\" from the temple and enshrined on an altar set up for the ceremony (Interview of Lo Ch'uan, op. cit., Chap Mun Tau, Jun 22, 1991)\n\n\"Tanaka, op. cit., pp. 273-274\n\n*Faure, 1986, op. cit., p. 84\n\n14\n\nJames Hayes, The Rural Communities of Hong Kong: Studies and Themes (Hong Kong: Oxford University Press, 1983), pp. 159-160\n\n\"Ho, op. cit., p. 6\n\n16\n\nInterviews: Cheng P'o, op. cit.; K'ung Chao-hsiang, op. cit.\n\n\"Interviews: Cheng Man-hung, op. cit.; the Tung Chung Public School, Jul 1991; Tseng Kuan-hsing (age 60+), Upper Ling Pei, Jul 12, 1991\n\n*Interview of K'ung Chao-hsiang, op. cit.\n\n14\n\nJCH\n\nIbid.; Interviews: \"Uncle Li\", op. cit.; Cheng Man-hung, op. cit.; the Tung Chung Rural Committee, Aug 12, 1991\n\nInterview of Feng Po (age 65), Ma Wan Chung, Jun 16, 1991\n\nBrum, op. cit.\n\n*James Hayes, \"Chinese Temples in the Local Setting,\" in Some Traditional Chinese Ideas and Conceptions in Hong Kong Social Life Today, Week-end symposium, Oct 2, 1966, the Hong Kong Branch of the Royal Asiatic Society, p. 92\n\n\"Faure, 1981, op. cit., p. 76\n\n**\"Ch'ung-hsiu Houwang-miao pei-chih,\" IV, 1910, collected in K'o Ta-wen, Lu Hung-chi, & Wu Lun Ni-hsia, comp., Hsiang-kang...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 213856,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 208,
        "title": "RAS-1996",
        "content_text": "181\n\nper-muing hia-pren, diffighi Vol 2 (Hong Kong Urban Council. 1986), pp. 395-402\n\n* Interview of Lo Ch`uan, op cat Jun 22 1991\n\n46 Interviews La P'o † # (surname Ho, age 70+), Ma Wan Chung, Jun 30, 1991, Ch'en Kuang-sheng P4144 (age 63) Fishermen's Village. Jul 8,1991 & by telephone, Aug 1,1991, 20 Mall, op cit\n\n1\n\nAnthony KK Sau “Distribution of Temples on Lantan Island as Recorded in 1979.** JHKBRAS, Vol 20(1980), p 138\n\n** Ch^en Po-Cao BR1MB \"Touwang ku-mao sheng-shih per-chu,” (Kowloon: n.p., 1917) the Flouwang Temple Kowloon City For different opinions on the Houwang's identity, see Hsiao Kuo-chuen \"Hstang-kang Hou-lung so ssu-feng chih 'Yang-hou-ta-wang' k'ao,” in Hstang-kang ch'inh-tai-shih huu-chu (Taipei: Taiwan Shang-wu yin-shu-kuan, 1985), pp 307, 313, Jao Tsung-yı \"Yang-1'ai-hou chia-chih yu Chit-lung Yang-Houwang miao,' in Chu-hung vu Sung-chi shuh-hao (Hong Kong: Wan-yu t'u-shu kungssa, 1959), pp 84--92\n\n* Ronald Ng. \"Culture and Society of a Hakka Community on Lantau Island,” in I_C Jarvie, ed, A Society in Fransition. Contributions to the Study of Hong Kong Society (London: Butler & Tanmer Lid. 1969), pp. 55, 62\n\n40\n\nAccording to an interview at the Tung Chung Public School, Jun 24,1991, see also interviews. La P'o †% (age 63), upper Ling Per, Jun 15, 1991, Cheng Man-hung, op cit\n\n1\n\n5? Interview of 11 Chii-sheng PL/ (age_73), Lam Che. Jun 18,1991\n\n* Interview of M. Huang (age 76), Wong Ka Wai, Jun 25, 1991\n\nBrim, op eit, p. 100, N 10\n\n** Interview of Cheng Man-hung, op uit, upper Ling Per Aug. 11. 1991\n\nHo, op ett. p 13\n\nFlayes, 1967, op eit, p 91\n\n* Ho, op. cit, p9\n\n5 lbid. p 13\n\n* Brum op eit,p/103",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213857,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 209,
        "title": "RAS-1996",
        "content_text": "182\n\n++\n\nJames W Hayes, \"The Patterns of Life in the New Territories in 1898,” JHKBRAS, Vol 2 (1962), p. 75. James Hayes, \"The Settlement and Development of a Multiple-clan Village,\" in Royal Asiatic Society Hong Kong Branch, ed., Aspects of Social Organization in the New Territories, Week-end Symposium, 9th-10th May, 1964 (Hong Kong: Cathy Press) p. 13. Hayes. 1966 op cit, pp 92-93\n\n***Kung-li Ta-hsi-shan Tung-Hsi-chung Chiang-shan chu-tien Liang-hsiang ho-huo yung-yuan chao-na pei,”  £££%£¶‡ui (@N✯\n\nin K'o, et al. op cit. p 43\n\n65\n\nFor the concept equating local temples with the yamen and temple gods with local officials, see Faure, 1986, op. cit. p 71\n\nJames Hayes, \"Secular Non-gentry Leadership of Temple and Shrine Organizations in Urban British Hong Kong,\" JHKBRAS, Vol 23 (1983), pp. 113-114\n\nK'o et al, op cit. pp 399-402\n\n+\n\n* Law Man Sang, \"The Rural Leadership of Tung Chung \" Graduation Thesis, History, Chinese University of Hong Kong, 1992, pp 36\n\nAT Interview of Kung Chao-hsiang, op cit\n\nFor this point, see Topley, op cit p 18\n\nInterviews of Kung Chao-hsiang, op cit, Jul 6, 1991, Jul 8, 1991\n\n70 Ibid\n\n\"Interview of Cheng Man-hung op cit Jul 1, 1991\n\nIbid\n\n21\n\nInterviews Lo Chin-hu (age 80), Shek Lau Po, Jun 29, 1991, Li P'o, Cheng Man-hung etc, upper Ling Pei, Aug 11, 1991, Huang P'ing T (age 70), Ma Wan Chung, Aug 19, 1991, Cheng Man-hung, Huang Chieh-lin etc, Tung-sheng-lou Sept 23, 1991\n\n#\n\n\"Interview of Cheng Man-hung, op cit. Aug 11, 1991\n\n\"Law, op cit p7\n\nTh\n\nInterview of Huang P'ing, op cit. Aug 18, 1991\n\n+\n\n\"Ng Cheuk You \"Land and People in Tung Chung Valley An Example of Rural Land Use in Hong Kong.\" Ph D Thesis University of Hong Kong, 1965, p\n\n\"Interview of Ch'en Kuang-sheng, op cit, Jul 8, 1991",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 214243,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 101,
        "title": "RAS-1998",
        "content_text": "64\n\nMaritchi [or Marici Deva], [a Sanskrit term for the Indian mythological form of Parbati, the wife of Siva]; and Ma-yeh, the mother of Sakyamuni, The Buddha, the whole being confused by devotees who tend to describe them all as Chun-t'i, with the legends of Maritchi and Cundi producing an inextricably involved and perplexing picture.\n\nImages of Marici are present in both the Ta Pei Ssu and the Pi-yun Ssu and in both temples he, rather than she, is portrayed as a standing Buddhist deity with eight arms and with three faces. The face facing forward is of a benign human with hooded eyes commonly seen on Tibetan images. He has a third eye in the centre of his forehead. The other two are faces of a pig and of a human. He is dressed in colourful robes and a five-leaf Buddhist crown, and is barefoot.\n\nThe association between Chun-t'i and Kuan Yin goes back to the original relationship in Buddhism of Chun-t’i with the bodhisattva Avalokitesvara who promised to save mankind and bring them to deliverance before they, the two bodhisattvas, Chun-t'i and Avalokitesvara themselves entered Nirvana. Marici has the face and eight arms of Chun-t'i, and is one of the six manifestations of Avalokitesvara who is concerned especially with humans, rather than the deities and demons. Chun-t'i in the form of Avalokitesvara is a male deity, though Tantric sects, giving her an entirely different role left her feminine.\n\nLegends about Chun-t'i usually include stories of her valour in battle. According to the Ming novel The Deification of the Gods [Feng-shen Yen-i], from which many of the beliefs of folk religion devotees have evolved, Chun-t’i was summoned to Heaven during the legendary period of Chinese history when the heroes and Immortals were emerged, in order to acquire the necessary skills to take on K'ung Hsüan, one of the contestants for the dynastic throne. This was because she had attained the required degree of perfection on Earth. She found herself whisked aloft in a rainbow, and having acquired the skills necessary she reappeared in a cloud of fire with twenty-four heads and eighteen arms and, throwing a silken cord around her adversary's throat, she turned K'ung Hsüan into a one-eyed peacock on which she rode off to the Western Heavens.\n\nImages of Chun-t'i show her with four or nine pairs of arms, each",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214259,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 117,
        "title": "RAS-1998",
        "content_text": "80\n\na Stupa and/or spear\n\nThe King Protector of the North E and controller of Autumn\n\nelement metal\n\nsometimes identified as Li T'ien-wang\n\nP'i-sha-men T'ien-wang E\n\nIn a number of older temples the Diamond Kings are portrayed as demonic with black skins and with a total of eight in the group rather than the usual four. In the Kai-yüan Ssu in Changchou in Fukien province, the Eight are positioned on all sides of the main altar. They are bare to the waist and have bare feet, and are without weapons or attributes.\n\nIn northern Chinese temples the two guardians outside the main doors, often painted on the front walls flanking the entrance, are blue or green skinned demons known as Wu-shih, simply meaning 'warriors'. or Li-shih J\n\nDoré claims that the Four were introduced in the 8th century during the reign of T'ang T'ai Tsung who believed that the Four helped him establish his empire. The Taoist group said to have assisted the T'ang emperor is often identified with four Taoist mythological deities. These are:\n\nLi Yüan-shuai [Marshal Li or Li T'ien-wang], Li Ching, the Heavenly King who holds a pagoda10\n\nMa Yuan-shuai [Marshal Ma] or Ma the Heavenly King who holds two swords\n\nChao Yuan-shuai [Marshal Chao] or Chao T'ien-wang, holding a single sword\n\nWen Yuan-shuai [Marshal Wen] or Wen T'ien-wang holding a spiked club",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214272,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 130,
        "title": "RAS-1998",
        "content_text": "93\n\nAppendix D\n\nTHE TWENTY-EIGHT BUDDHAS OF YORE\n\nTwenty-eight images of the Early Buddhas, the Ku Fo; the Buddhas of pre-history, the Buddhas who came before Sakyamuni, The Buddha, are to be seen in the Kuan Tu temple complex, to the north-west of Taipei. These 28 'Old Buddhas' are:\n\nTa Fan T'ien Wang 大梵天王\n\n[Maha Brahman - Brahma]\n\nP'i-p'o Chia-lo Wang 毘婆迦羅王\n\n[Vipasyin: the first of the Seven Buddhas of antiquity]\n\nKan-ta-p'o Wang 乾達婆王\n\n[Gandharva: the gods of fragrance and music: the musicians of Indra]\n\nTi-shih T'ien 帝釋天\n\n[Indra]\n\nTa Pien-ts'ai 大辯才\n\n[Sarasvati]\n\nMa-hsi-shou-lo 摩醯首羅\n\n[Siva: Mahesvara]\n\nTa Hai Lung Wang 大海龍王\n\n[Sagara - Lung Wang]\n\nChien-na-lo Wang 監那羅王\n\n[Kinnara]\n\nWu Pu Ching 五部凈\n\nChin-p'i-lo Wang 金毘羅王\n\n[Yama - as protector of the 1000 arm Kuan Yin]\n\n[Kumbhira - a Yaksha king, who was converted and became a guardian of Buddhism]",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214273,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 131,
        "title": "RAS-1998",
        "content_text": "94\n\nAh-hsü-lo Wang 阿修羅王\n\n[Asura]\n\nNa-lo-yen T'ien\n\n那羅延天\n\n[Narayana - son of Nara -the Original Man]\n\nMi-ta Chin-kang\n\n密達金剛\n\n[Guhyapati raja]\n\nT'i-t'ou Le-cha 提頭勒吒\n\n[Mo-li Hai - Dhrtarastra - Guardian of the East - one of the Four Diamond Kings]\n\nP'i-lo Le-cha 毘羅勒吒\n\n[Mo-li Hung- Virudhaka, Guardian of the South - one of the Four Diamond Kings]\n\nP'i-lo-po-cha\n\n毗羅博叉\n\n[Mo-li Ch'ing - Virupaksa - Guardian of the West - one of the Four Diamond Kings]\n\n[T'o-wen T'ien Wang - Mo-li Hung]\n\nP'i-sha-men T'ien 毗沙門天\n\n[Vaisravana, One of the Four Diamond Kings - the Guardian of the North - Bishamen]\n\n[Protector of Travellers in the train of the 1000 arm Kuan Yin]\n\nChin Ta Wang\n\n金大王\n\nChin-se Kung-ch'iao [Five-colour Peacock]\n\n金色孔雀\n\nMan Hsien-jen 滿仙人\n\n[Purna - The Fully-complete Immortal]\n\nMa-hu-lo Wang 摩虎羅王\n\n[Mahoraga]\n\nMa-ho-lo Nü\n\n摩和羅女\n\n[?]",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 215108,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 204,
        "title": "RAS-2000",
        "content_text": "161\n\nand the Fulu particular of two opera companies, the Xipi Pai and Erhuang Pai [or Fi Pai], the latter, the northern school, being especially dedicated to woodwinds3. In legend he is said to have had an emotional reunion with the soul of his dead concubine, Yang Guifei, in the palace of Guanghan on the Moon.\n\n4\n\nA tablet on a minor altar at the rear of a secondary hall in the temple of the City God in Hsinchu in northern Taiwan refers to him as Tang Xuan Zong, whilst his usual title in Taiwanese temples of the Lord of the Western Qin, Xi Qin WangyeE is not usually understood beyond Taiwan. There is no image, whereas in the Ma Tsu temple in Taipei a side altar is dedicated to him and his image, portraying him as a standard scholar-official with a black beard, is flanked by two very elderly male aides.\n\nIn South-east Asia images of the emperor have been seen in temples in Seremban and Ipoh in Malaysia, and in Singapore, in some of which he is simply referred to as Zunzhu Mingwang, the Lord Prince Ming, 尊主明王,\n\nAn image seen on the only altar in a side hall of the temple on Miaofeng Shan in Beijing's Western Hills and identified as Tang Ming Huang, is better known in the temple as the God of Happiness, Xi Shen [Photograph 2]. He is referred to as Liyuan Shen, and is portrayed as a smiling figure with beard and moustache, standing with his hands in a theatrical pose. His modern image is dressed in imperial yellow robes decorated with a large dragon and the whole body of the image is swathed in a red robe placed there by devotees.\n\nDisappointingly, there appears to be no image of the Concubine Yang on any altars. However, a modern [1996] tableau in an old temple, now converted into a theme-park, depicts in a series of life-size plaster images scenes ranging from the Tang Ming Huang's first sight of the Concubine Yang bathing, progressing through stages of his infatuation though ending before her death and his overthrow. This can be seen on a low hill overlooking the bend in the Yellow River at the south-western tip of Shanxi province, at a place known as Yang Guifei's pool. The main altar has the Tang Ming Huang and the Concubine sitting with her pouring wine for him. Before the altar stand three incense pots, a container holding fortune spills and plastic fruit as an offering and before",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215323,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 100,
        "title": "RAS-2001",
        "content_text": "48\n\nbetween Han ethnic groups but also both inter-ethnic fratricide and distrust, prevented legends of one ethnic group about their deities being passed to another. The stories of the minority Hainanese are therefore known to few non-Hainanese Chinese.\n\nFolk Religion Deities on Altars in Hainanese Community Temples\n\nDeities worshipped by Hainanese, both in their temples and on their household altars, can be categorised into eight groups:\n\nThe first are the deities revered China-wide such as Guan Yin, Guan Gong, the City God, the Earth God, the Gods and Goddesses of Climate and Time and the patrons of trades and professions. As these are not uniquely Hainanese deities I will not refer to them again.\n\nThere are two exceptions: the first is a deity identified as either the popular and frequently noted deity, the Thunder God, Lei Gong, or Lei Zu, the President of the Ministry of Thunder. He has been noted on two Singaporean Hainanese temple altars where he was only known as the Chief Leader of All the Heavens, Wantian Zhushi, His title was displayed on the temple list in two other Hainanese temples, one in Pontian in southern Malaysia, and the other near Kranji in northern Singapore. His image depicted him with his usual attributes a bird's beak, an axe or hammer held aloft and a chisel in his left hand. In one of the two temples, in Paya Lebar Crescent, he was riding either a tiger or a Qilin a mythical beast, and according to the temple custodian he is the only deity permitted to do so. He was identified by temple keepers as Lei Gong and his image co-located with that of Doutian Fushuai, said to be Lei Zu. However, in the other temple, at Rumba Bomba Circus, he was also portrayed astride what looks like an unusual tiger and here he was identified as Lei Zu.\n\nThe second is Ma Zu Qiong, the Respected Mother of the Hainanese3. Although Tian Hou, the patron goddess of seafarers along the entire coast of China, is revered throughout Hainanese communities, she is also known in a number of Hainanese temples by this unique title. The usual title by which Tian Hou is known in most Hainanese temples is Nantian Shengniang Tian Hou, The Saintly Lady of the Southern Heavens, 南天聖娘天后.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215333,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 110,
        "title": "RAS-2001",
        "content_text": "58\n\nclaiming that the Society used to worship ‘openly' in Hainanese temples before convening a meeting. One hundred and eight is also a Buddhist number, the number of the beads in a rosary, the number of passions and delusions, and the number of tolls of the monastery bell at dawn and dusk. A further connotation of the number 108 is reflected in the number of times temple keepers claimed that the Brothers were the 108 heroes at Liang Shan Po in the classic novel, Shuihu Chuan, 'The Water Margin,' but when pressed, in every case they admitted that this had been no more than a guess.\n\nThe Brothers are also known as:\n\nYibai You Ba Gong 一百有八公\n\nYibai You Xiongdi 一百有八兄弟 and\n\nYibai Lingba Xiongdi Zhonghun 一百零八兄弟忠魂\n\nLu Bode and Ma Yuan are two generals revered in Hainanese temples, often on the same altar, with both bearing the same honorific, the Wave Conquering General, [Fupo Jiangjun13].\n\nThe first general, Lu Bode, subjugated large areas of what today is Guangdong province during the Earlier Han [ca. 120 BC]. A native of Pingzhou, he served with distinction under He Chubing who became the president of the Board of War. In BC 120 he subjugated large portions of what is today Guangdong and Guangxi, and received further honours.\n\nThe second general, Ma Yuan [14BC - AD 49], was also awarded the title of the Wave Conqueror for the pacification of the southern region some hundred years later. Popular in Guangdong province he used also to be particularly honoured in Guangxi where he was revered as a river god, \"The Wave Conquering General - Fupo Jiangjun' and in Hengzhou in Hunan he used to be the main deity in a small temple where he was worshipped as the protective deity at the local river rapids.\n\nMa Yuan, also known as the Vanguard General, Xianfeng14 led a further southern expansion of the Han empire and has been popularly worshipped from about the fifth century AD by Han settlers",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215334,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 111,
        "title": "RAS-2001",
        "content_text": "59\n\nin southern China. Although he is particularly remembered in the south of China as the General who conquered the Yue people [Tonkinese] in about AD 39, the Hainanese in South-east Asia regard him as one of their special heroes with his image on side altars in several Hainanese community temples in Malaysia and Sumatra. Support of such a powerful spirit of a general who symbolised courage and confidence in the comparatively newly conquered south was vital to bolster the spirits of the Chinese settlers and to counter threats from aborigines, the climate and the general misgivings of the migrants so far from the Han homelands of central and northern China. Although this was the original reason for the worship of this deity, in recent centuries it has been lost and, in general, replaced by worship for his magical efficacy in providing satisfactory solutions to daily problems.\n\nHe began his career under the Xin dynasty ruler, the usurper Wang Mang but stimulated by ambition he later took up arms against him. During one campaign when briefing his generals he produced a \"cloth model\" by tracing out the lie of the land in a large tray of rice pointing out the routes and lines of advance his assembled generals should take. He aided Liu Xiu in re-establishing the Han dynasty by defeating the forces loyal to Wang Mang. Ma was then appointed Governor of what is now Gansu province, in the north-west, from where he led an army down to Tonkin to put down the revolt against the Chinese overlords.\n\nMa Yuan, well known in Guangzhou for his great height and bravery as a general, was particularly renowned for his campaign in Annam where he had pacified the country and brought back to Guangzhou city a number of Tonkinese bronze drums which he had melted and cast into statues of horses. Apart from the award of the title 'The Conquering Wave' he had the honour of having his daughter joined in marriage with the heir apparent.\n\nA certain Lady Zhu headed the insurrection against the Chinese in Annam and was captured and sentenced to death. She had been stripped of her finery before execution and was dressed in her barest clothes. Ma Yuan took pity on her and gave her one of his robes to cover her bare limbs which is said to have led to the Tonkinese ladies' custom of wearing trousers and a long covering dress with wide sleeves.\n\nDespite his age he volunteered with his ardour and ferocity",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215335,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 112,
        "title": "RAS-2001",
        "content_text": "60\n\nundimmed, and taking command of an army, first in face of a threatened invasion by the dreaded Huns of Central Asia, and again later, in AD 48, to pacify the wild aboriginal tribes of Hunan. However, he died during the campaign in Hunan.\n\nReverend Henry15 referred to Fupo Jiangjun, as a Cantonese deity who had temples scattered along the vicinity of the Pearl and West Rivers where he was worshipped by boatmen and travellers. The reason for his popularity apparently was because it was widely believed that Fupo and his army had crossed the range between Hunan and Guangdong, conquering south China, using double-decker troop carrying boats to ferry his troops from the hinterland of Hunan to Guangzhou. The boats had to be portered across the mountains against all odds.\n\n16 Mesny noted that a number of temples in Guangxi honouring Fupo had kept alive the memory of his martial deeds and exploits. A temple on the West River near the great rapids was striking for its perfect preservation. It was kept in repair, wrote Mesny, by boatmen who regarded the deity in some special manner.\n\nIn Taiwan Ma Yuan is the main deity in some half a dozen temples where he is known as Fushun Jiangjun.\n\nc] The Great Emperor, the Plum Blossom Immortal, Mei Xian Dadi ★✩, is a minor Daoist cult Immortal whose image has only been noted on the altars of three temples, all within the Hainanese communities in Kranji, Singapore. His title however appears on the temple deity list together with other deities in five temples in southern Malaysia. Temple keepers agree that the Plum Blossom Immortal was a famous doctor who, according to a god carver, bore the personal name of Zhang Chuang, lived somewhere in China many centuries ago, and is now particularly revered by pregnant women who he protects from malignant forces. He also helps them by ensuring that the babes themselves are small and therefore do not cause any injury to the mother during birth.\n\nImages of the Plum Blossom Immortal have no unique characteristics and vary considerably from temple to temple. Two depict him seated, and at first glance looking somewhat like Guan Gong,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215354,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 131,
        "title": "RAS-2001",
        "content_text": "79\n\nگر\n\nA common saying and not specifically linked with this deity.\n\nIt was explained that there are three Laoye [San Laoye] of whom Da Laoye is the senior.\n\n\"Wilmott WE: The Political Structure of the Chinese Community in Cambodia. The Athlone Press: London 1970.\n\n13\n\nThe phrase 'shuiwer' in Cantonese is a slang expression [slow water] for 'business is slow.'\n\nThe important fact was that all 108 had either reached their prescribed time of death and were therefore deified as saints [shen] by the Jade Emperor OR they died their violent death before their due date and were roaming ghosts who had to be pacified and placated. Here we have some devotees regarding them as spirits and asking advice and others who look upon them as dark spirits who require propitiatory offerings and no more.\n\nMa Yuan was the second general to be awarded the title of the Fupo, Wave Conqueror for the pacification of the southern region. The first was Lu Bode who, during the Earlier Han (ca. 120 BC), had subjugated large areas of what today is Guangdong province.\n\nXianfeng is a title which has been noted in connection with three entirely unconnected deities.\n\n* Henry BC: The Cross and the Dragon: Canton: 1883.\n\n10\n\n$7\n\nMeesny, William: Tungking: Noronha: Hong Kong: 1884,\n\nZhonglic was a common posthumous title used during the early Qing.\n\n12\n\natap is the generic name for the wooden-sided huts with the dried-leaf roof so common in Singapore and Malaysian rural areas until the 1970s. Atap consists of the dried leaves of the nipa palm.\n\n19 lit. Office Keepers.\n\n20 This is the only title which has been noted elsewhere though probably not identical with the Hainanese deity. General Gan is one of the Eight Bodyguard Generals, known as The Day Patrolling General",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215361,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 138,
        "title": "RAS-2001",
        "content_text": "86\n\nImage on a small temple in Macau of Ma Yuan, the wave Conquering General, [Fupo Jiangjun General, Xianfeng.] who is also known as the Vanguard",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    }
]