[
    {
        "id": 208760,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1979",
        "page_number": 217,
        "title": "RAS-1979",
        "content_text": "190\n\nJULIAN F. PAS\n\nbe followed. In other words, for the average Chinese, religion is a socially important value system to make for a smooth functioning of human relationships as much as it is a method to obtain divine favours to increase the effectiveness of human efforts toward the realization of a happy life.\n\nEND-NOTES\n\n1 This paper was first presented at the joint panel of the CASA and the CSSR on Chinese Religion at the Conference of the Learned Societies in Saskatoon, May 1979.\n\n2 Compare the five-volume work written by J. J. M. de Groot: The Religious System of China; although it is mainly based on his field work done in Amoy, it is considered to be a standard work on Chinese religion in general.\n\n3 See P. C. Baity, Religion in a Chinese Town (Asian Folklore and Social Life Monographs, no. 64), Taipei: The Orient Cultural Service, 1975. (See my review article pp. of this issue).\n\n4 See various ceremonial and memorial booklets issued by the Municipal Government of Taipei, Tainan and Taichung, e.g., Ta-ch'eng chih-sheng hsien-shih K'ung-tzu shih-tsun chien-shuo, Taipei, 1974, Ta-ch'eng chih-sheng hsien-shih K'ung-tzu shih-tsun chien-chieh (Memorial Service for Confucius on his Birthday), Taichung, 1977.\n\n5 See Y. Raguin, S.J., \"Buddhism in Taiwan\", pp. 179-185 in H. Dumoulin, ed. Buddhism in the Modern World, London, New York: Collier Macmillan Publishers, 1976.\n\n6 Questions and Answers about the Republic of China (Taipei: Chung-hua Information Service, 1978), p. 17.\n\n7 W. L. Grichting, The Value System in Taiwan 1970: A Preliminary Report. Taipei, 1971. (Quoted by Y. Raguin).\n\n8 See for example Taiwan Tzu-miao ch'uan-chi, Ed. by Wang I-han, Taichung Luan-yu Journal Society, 1977. Lists of local temples issued by municipal governments follow the same pattern. However, the more scholarly but antiquated list published in the Taiwan Gazetteer and adopted by Lin Heng-tao divides the temples into three main groups: Taoist, Buddhist, folk-religion (t'ung-su).\n\n9 See Lin Heng-tao, Taiwan Szu-miao Ta-ch'uan, Taipei: Ch'ing-wen Publishing Company, 1974.\n\n10 See M. Saso \"The Taoist Tradition in Taiwan\", China Quarterly No. 41 (1970), 83-102.\n\n11 M. Saso, \"Red-Head and Black-Head: the Classification of the Taoists of Taiwan according to the Documents of the 61st Heavenly Master,\" Bulletin of the Institute of Ethnology, Academia Sinica (Taipei), 30 (1970).\n\n12 See H. Welch, \"The Chang T'ien-shih and Taoism in China\", Journal of the Oriental Society 4 (1957-58), 188-212.",
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    {
        "id": 208761,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1979",
        "page_number": 218,
        "title": "RAS-1979",
        "content_text": "RELIGIOUS LIFE IN PRESENT-DAY TAIWAN\n\n191\n\n10 See M. Saso, The Teachings of Master Chuang. New Haven and London: Yale University Press, 1978.\n\n11 Journal of Buddhist Culture, Fo-Chiao wen-hua hsüeh-pao,*** published by the Institute for the Study of Buddhist Culture since 1972. Articles are in Chinese or English.\n\n12 Journal of Taoist Culture, Tao-chiao wen-hua,Maxit published by the Taoist Culture Journal Association since 1976. Articles are in Chinese.\n\n13 Examples are: Fo-kuang hsüeh-pao,1*£* published by the Buddhist monastery on Fo-kuang mountain near Kaohsiung, since 1975 or 1976; Boahedrum, Pw-ti-shu,### Taichung: Hui-châ, & Torch Wisdom, Taipei; Hal Ming-tao, published in Tounan (Yünlin district).\n\nof\n\n14 See E. Ahern, The Cult of the Dead in a Chinese Village, Stanford: Stanford University Press, 1973.\n\n15 See L. G. Thompson, \"Notes on Religious Trends in Taiwan\", Mon. Ser., vol. 23 (1964), 319-350.\n\n16 See A. P. Cohen, \"Fiscal Remarks on some Folk Religion Temples in Taiwan\", Mon. Ser., vol. 32 (1976), 85-158.\n\n17 See Liu Chih-wan, Taipei-shih Sung-shan ch'i-an chien-chiao chi-tien (Great Propitiatory Rites of Petition for Bene-ficence at Sungshan, Taipei, Taiwan), Taipei: Academia Sinica, Institute of Ethnology, (monographs no. 14), 1967, Liu Chih-wan, Chung-kuo min-chien hsin-yang lun-chi (Essays on Chinese Folk Belief and Folk Cults), Taipei: Academia Sinica, Institute of Ethnology (monographs no. 22), 1974.\n\nM. Saso, Taoism or the Rite of Cosmic Renewal, Washington State University Press, 1972.\n\n18 See St. Harrell, \"Modes of Belief in Chinese Folk Religion\", in JSSR, vol. 16 (1977), 55-65.\n\n19 See D. Jordan, Gods, Ghosts and Ancestors. Folk Religion in a Taiwanese Village, University of California Press, 1972, G. Seaman, Temple Organization in a Chinese Village (Asian Folklore and Social Life Monographs, vol. 101), Taipei: Chinese Association for Folklore, 1978,\n\n20 See D. Overmyer, \"The Saying of Master Lu\", Unpublished paper, given at the joint panel of the CASA and the CSSR on Chinese Religion at the Conference of the Learned Societies in Saskatoon, May, 1979.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
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    },
    {
        "id": 208964,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1980",
        "page_number": 126,
        "title": "RAS-1980",
        "content_text": "94\n\nJULIAN F. PAS\n\nthe new fire and the Easter Candle performed in the Roman Catholic Church on the eve of Easter Sunday. After discussing these two rituals separately, I shall conclude with some comments of a comparative nature.\n\n1. The Fen-Teng Ritual in Taoism\n\nThis ritual called fen-teng in Chinese, can be literally translated as “division of lamp(s)” or the “distribution of lamps\". \"Teng\" by itself means \"lamp\", or \"lantern\", and designates not so much the light produced by the lamp or lantern, but the object which contains the light. The expression fen-teng is not often translated by Western authors: usually the term is just transliterated. But sometimes there are attempts to render the term in translation. E.g. M. Saso: \"Lighting lamps to the Three Pure Ones\", which is not strictly a translation but a meaningful although partial description of the significance of the rite. Another rendering, not of the literal sense but again of the meaning, is \"Lighting of the New Fire\"2: this translation is not based on the Chinese expression fen-teng but indicates one of the fundamental meanings of the ritual. It comes actually closer to another Chinese expression sometimes used for the same rite: chu-teng3, which literally means: 'blessing' or 'consecration of the lamp(s)'.\n\nThe fen-teng ceremony does not appear to be an independent ritual but seems always to be performed in the context of a larger celebration, called chiao or ta-chiao, which is variously translated as \"ritual of cosmic renewal\", \"the great community festivals”, “great propitiatory rites\", or \"Taoist Mass\"7. So far there is only one monograph on the fen-teng ritual in a Western language: K. M. Schipper's Le Fen-teng. Ritual Taoiste. Apart from this well presented critical text edition, there are only minor treatments of the fen-teng ceremony included in monographs on the chiao festival as a whole: M. Saso's Taoism and the Rite of Cosmic Renewal is so far the only monograph in English on the chiao, and he just briefly discusses the fen-teng ceremony. Chinese scholars have also started to pay attention to this great Taoist event: two monographs are now available in Chinese by Liu Chih-wan9. It is remarkable that for the two different occasions Mr. Liu describes the chiao festival, he does not use the terminology used by Schipper and Saso, but calls the rite chu-teng or 'blessing of the lamp(s)'. One wonders where and when this variant designation",
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    },
    {
        "id": 208965,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 127,
        "title": "RAS-1980",
        "content_text": "SYMBOLISM OF THE NEW LIGHT\n\n95\n\noriginated. K. Schipper's knowledge of the ritual is based on the Taoist tradition of Southern Taiwan; Saso on the other hand gathered his data in Northern Taiwan; so did Mr. Liu, who describes the chiao celebrated in Chung-li (Taoyuan district) and Shulin (Taipei district). Why is M. Saso's term different from Mr. Liu's? And why are there two different appellations in the first place?\n\nThere is no doubt that the two different names refer to the same ritual. One wonders only why neither of the three authors mentions the alternative designation. M. Saso seems to know the expression since his translation 'lighting of the new fire' makes more sense if chu-teng is taken as the Chinese substratum rather than fen-teng.\n\nThis terminology aspect would not concern us so much if it were not an indicator of the basic significance of the ritual itself. In any case, both fen-teng and chu-teng are merely partial designations of a ritual event that we have to examine in greater detail; since the ritual is composed of various successive acts, there is apparently no term available that would indicate all these events: so, each designation necessarily is pars pro toto.\n\nThe ritual is described in minute detail by K. Schipper (pp. 15-25) based on his personal observations made during a chiao festival in the village of Su-ts'u, Taiwan, on March 26, 1967. Five Taoist priests participated in the event, while 4 musicians and an apprentice formed the orchestra. Besides the exceptional visitor, there is a group of laymen representing the whole community. The ceremony takes place in the sacred area of the temple, usually on the first evening of the festival.\n\nThe ritual, as summarized by Schipper, is the first part of a threefold liturgy; the second part is called \"The Rolling up of the Screen\" (\"Enroulement du Rideau\"), the third part is 'Sounding of Bell and Chime' (\"Tintement solennel de la Cloche et de la Pierre Sonore\"). (Parts two and three are left out of the present discussion, but will return to focus in section three of this paper.)\n\nThe fen-teng ritual itself can be divided into five episodes:\n\n(i) an introduction with chanting of purification texts and solemn declaration of the high priest's ritual rank (ca. 5′40′′);\n\n(ii) the striking of the new fire: after invocation of the deities, the lights inside the temple are extinguished. Two assistant-priests",
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    },
    {
        "id": 208967,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1980",
        "page_number": 129,
        "title": "RAS-1980",
        "content_text": "SYMBOLISM OF THE NEW LIGHT \n\n97 \n\nthe darkness of the world of Yin, making the night seem as day, and lighting the temple votive lamps with a new, life-bringing fire,\n\nSaso's interpretation clarifies several important aspects of the ritual but is also confusing in some instances. The ritual chanting of the forty-second chapter of the Tao-Te ching appears to be an adaptation that does not truly illustrate the nature of the ritual: it does not merely allude to the \"protogenesis of the myriad creatures\" but is here interpreted as and applied to the proceeding of the original Triad of Taoism: three lamps are lit to symbolize and to honor the successive forthcomings of the Three Primordial Worthies: they are the projections of the creative powers of the universe. The emphasis is not on the creation process but on the origin of the creators. The new light, lit from one flame but used to light three candles in succession, vividly symbolizes the successive births of the three primordial \"breaths\".\n\nTherefore, from a phenomenological viewpoint, there is a kind of discrepancy between the text of the ritual (expressing the forthcoming of the Three Primordial Worthies) and the ritual action itself, which points to the creation of light. This may be an indication of a non-Taoist origin of the ritual act itself.\n\nThe possibility of a non-Taoist but Chinese origin of the fen-teng is suggested by J. J. M. de Groot in his Fêtes Annuellement Célébrées,12 He refers to a custom widely spread among various sun-worshipping civilizations of extinguishing their 'sacred fires' especially before the spring equinox and of relighting them soon after the equinox: this symbolizes the sun's victory over darkness. Examples are given from ancient Rome, Syria, Persia, Egypt, and Greece. The custom also existed in ancient China, at least in the North. The original custom in China was to renew the fire in all the four seasons, but since the Han times, it was done only once a year in spring. De Groot refers to a text in the Chou Li ♬ which explains this ritual act13: with the help of a mirror, fire is taken directly from the sun to light the sacrificial candles. The date of this spring renewal of fire was the 105th day after the winter solstice: this would correspond with the fourth day of the fifth month. On the other hand, the relighting of the fires took place on the third day of 'cold food' called ch'ing-ming in Amoy: that also coincides with the 4th or 5th of the fourth month. In other",
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    },
    {
        "id": 208974,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 136,
        "title": "RAS-1980",
        "content_text": "104\n\nJULIAN F. PAS\n\n(1) The names fen-teng or chu-teng appear to have replaced an older name jan-teng which is found in older manuscripts, dating from the fifth century.28 The change of name to fen-teng appears in the later manuscripts (Sung dynasty) and must have a special reason: the name indicates the significance of the rite as a whole; a new name implies a new meaning perhaps not totally replacing the old one, but certainly emphasizing a new theme in the structure.\n\nSimilarly the name chu-teng points to a new perspective in meaning. It is not clear where this name came from, but ‘blessing’ or 'consecrating' fire-light appears to be an innovation in Taoist liturgy. The Christian parallel is very clear: 'blessing' of light, like so many other types of blessing, is a truly Christian ritual act; in the texts of the Easter candle the terms 'sanctify' and 'bless' occur several times.29 By contrast, no type of \"benediction\" or blessing is found in the Chou-Li. The idea and even the expression \"fen-teng\" is also found in the Christian ritual: during the Exsultet chanted by the deacon, this passage occurs:\n\nAnd now we perceive the glory of this pillar, which the sparkling fire lights for the honour of God. Which, (fire) though now divided (divisus in partes) suffers no loss from the communication of its light.30\n\nBefore the Easter liturgy was changed in recent times, this was the moment when the lights in the church (the lamps or candles in older times) were lit from the Easter candle: the very moment of fen-teng.\n\n(ii) The actual striking of new fire is amazingly similar in the Taoist and Christian liturgies: in contrast with the Chou Li where light was said to be taken directly from the sun with a mirror (and therefore presumably in bright daylight), the rituals here both take place in the hours of darkness. In M. Saso's description, \"striking a match\" produces the new fire:31 this, however, is certainly a modern adaptation, and since a mirror cannot be used at night, we may assume that the striking of rocks must have produced a new fire in older times.\n\nThe similarities go even further: the new fire is produced outside the temple or church building in both cases; also, the lights in temple and church are extinguished and are relit after the new fire has been taken inside.\n\n(iii) The Trinitarian formula. In the Christian liturgy, there are three successive moments of lighting a candle during the en-",
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    },
    {
        "id": 208976,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 138,
        "title": "RAS-1980",
        "content_text": "106\n\nJULIAN F. PAS\n\nTherefore we next light a lamp in front of the Primordial Old One (Lao Tzu Heavenly Worthy) to clarify (signify) the proceeding and descent of the Third Ch'i from the Original August One,34\n\nThe parallelism between the Taoist and the Christian Triad or Trinity should be left out of the discussion here; what is significant in this context, however, is how the trinitarian formula in each case is used in the new-light ceremony. Another, minor, detail is the raising of the chanting tone in the two cases: the deacon chants “Lumen Christi” three times in successively higher intonations; the Taoist “deacon” or tu-chiang, repeats three times the phrase chanted by the high-priest, elevating his tone of voice.\n\n(iv) The liturgical procession. After the new light has been struck and carried into the temple, a procession takes place in which Taoist high-priest and all his assistants participate. The Christian version is a little different: the new light, struck outside the sanctuary, is carried into the darkened church during a procession in which all those present participate. Although the details differ, the main ritual event of a light-procession is strikingly similar.\n\n(v) The context of both rituals leaves considerable room for speculation. Although in the case of the Taoist fen-teng, the ritual context has become rather obscure, still, a careful analysis of this context may open up new avenues of interpretation. The context in question are two rituals which in the present chiao celebration, as witnessed in Taiwan, as well as in the older ritual texts derived from China, seem always to follow the fen-teng. These two rituals, already mentioned above (p.95) are: the \"rolling up of the screen\" and the “sounding of bell and chime”.35 It appears that the connection between these two and the fen-teng is rather uncertain and is probably not older than the Sung dynasty. As M. Saso mentions, not all Taoist priests perform the ritual at the same time or in the same ritual context.36 In other words, the phenomenological significance of these two rituals is not obvious and new speculations are possible. If again the Christian Easter rituals are called upon, it is possible to come up with a plausible interpretation of the three ritual acts as a whole: the Christian Easter celebrations contain indeed three similar rituals of which the relationship is clearly understandable. Although the historical links are still left out of the discussion here, the very structure of the Christian ritual may throw light on its Taoist counterpart and help us to understand the",
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    },
    {
        "id": 208981,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1980",
        "page_number": 143,
        "title": "RAS-1980",
        "content_text": "SYMBOLISM OF THE NEW LIGHT\n\n111\n\ncontacts between Taoists and Nestorians may reasonably be assumed. When Wieger further states that \"Nestorian influence appears to be undeniable in Taoist texts\", we have a better case. Much depends, however, on the validity of Wieger's evaluation of some Taoist texts, in which he finds clear indications of Christian influence.52\n\nTo establish a reasonably strong case we need a more thorough investigation in two directions: historical and literary. Historically, all the clues already pointed out by previous authors, have to be carefully checked, esp. all the information derived from official histories and Taoist biographies. Very likely not much more than known so far may be discovered in this area. Therefore the second direction, the literary traditions may prove to yield a more bountiful harvest. Both the Taoist and the Nestorian literature has to be carefully scrutinized. If positive influence may be reasonably assumed, pure assumptions are dangerous. On the one hand, all the Nestorian writings in Chinese have to be studied; and if important works are not any longer available in Chinese translation, the Syriac originals should be consulted, esp. with regard to the Nestorian liturgy. So far I have assumed that the Nestorian Easter liturgy contained the ritual of consecrating the new fire to light the Easter Candle. But an assumption here is not sufficient to relate the Christian liturgy with the Taoist fen-teng. If the Nestorians in China never had such a ritual, the whole question of influence collapses, and we can only compare two independent (archetypal) rituals.\n\nOn the other hand, the Taoist liturgical writings have to be carefully examined, especially in their historical development. K. Schipper has listed a large number of Taoist writings referring to the fen-teng ritual.53 Their careful study and analysis may reveal some of the influences that were operative in the origin and growth of one ritual like the fen-teng, but will also throw the road open to further similar researches into other areas of Taoist liturgy as well as of Buddhist liturgy.\n\nEND NOTES\n\n1 M. Saso, The Teachings of Taoist Master Chuang (New Haven and London: Yale University Press, 1978), p. 209.\n\n* M. Saso Taoism and the Rite of Cosmic Renewal (Washington State University, 1972), p. 73.\n\nSee end-note 9.",
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    },
    {
        "id": 208982,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1980",
        "page_number": 144,
        "title": "RAS-1980",
        "content_text": "112\n\nJULIAN F. PAS\n\n• M. Saso, Taoism and the Rite of Cosmic Renewal (hereafter abbreviated: Cosmic Renewal).\n\n* K. Schipper, \"The Written Memorial in Taoist Ceremonies\" in A.P. Wolf, Ed. Religion and Ritual in Chinese Society, Stanford Univ. Press, 1974,\n\n* Liu Chih-wan, see end-note 9.\n\nThis is the translation of J.J.M. de Groot's \"Messe Taoïque\". See his Les Fêtes Annuellement Célébrées à Emoui (Amoy). Paris, 1885 (Taipei reprint, 1977). This translation of chiao as well as de Groot's rendering of 'Buddhist Masses' for the Chinese Yu-lan-p'en are not satisfactory.\n\n* K. M Schipper. Le Fen-Teng. Rituel Taoïste (Publications de l'Ecole Française d'Extrême-Orient, vol. 103). Paris: Ecole Française d'Extrême-Orient, 1975.\n\nSchipper's monograph on the Fen teng ritual is a product of great erudition. After a short introduction, pp. 1-13, (in which he briefly discusses the four manuscripts utilized to establish the text; and sketches the history and present day performance of the ritual), he describes the ritual itself with a detailed time schedule, pp. 15-32. Then follow references to sources in the Tao-tsang (pp. 33-38) and notes (pp. 39-43).\n\nThe text itself (starting from the 'back') is given twice: first in fac simile, a beautiful reprint on high quality paper of a manuscript dated 1889, in 44 folios (or 88 pages); secondly a critical edition of the text based on the four above mentioned manuscripts with variant readings included, (pp. 1-36).\n\nAlthough this publication has its importance, it does not fully satisfy the wishes of the readers: no translation of the text is given (Schipper is certainly one of the few Taoist scholars capable of offering a translation!) and nowhere does one find an interpretation of the ritual.\n\nIn the same year as Schipper's Fen-teng monograph \"came to light”, (1975), M. Saso published his collection of Chuang-lin hsü-tao-tsang in 24 vols. In vol. 6, pp. 1629-1725 (a total of 96 pages), we find a reproduced manuscript of the Fen-teng ritual, dated 1883. The calligraphy is inferior to Schipper's manuscript, but at least Saso's manuscript is six years older.\n\n* Liu Chih-wan, Taipei-shih Sung-shan ch'i-an chien-chiao chi-tien (Great Propitiatory Rites of Petition for Beneficence at Sung chan, Taipei, Taiwan), Taipei: Academia Sinica, Institute of Ethnology, (monographs no. 14), 1967.\n\nLiu Chih-wan, Chung-kuo min-chien hsin-yang lan-chi (Essays on Chinese Folk Belief and Folk Cults), Taipei: Academia Sinica, Institute of Ethnology (monographs no. 22), 1974.\n\n10 On the two occasion described by Liu Chih-wan (3-day festivals), the ritual likewise took place on the first evening. On other occasions, however, I have seen the ritual performed on the 2nd evening. The timing depends on the actual length of the festival, which may only last one day, but is more commonly a three or five-day event. One should, however, not confuse two things: first, the actual chiao is called san-ch'ao, wu-ch'ao or ch'i-ch'ao, etc., and refers to the number of days that the essential rituals are performed. However, the total event may last even longer; I have observed that the actual chiao was preceded by two days of preliminary rituals, such as the exorcisms of the water-spirit and fire-spirit. That brought the total duration of the chiao to",
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    {
        "id": 208983,
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        "document_key": "RAS-1980",
        "page_number": 145,
        "title": "RAS-1980",
        "content_text": "SYMBOLISM OF THE NEW LIGHT\n\n113\n\nseven days, although the chiao was called wu-ch'ao (or five days). The fen-teng ritual took place in the evening of the 2nd day of the 5-day celebration, or on the 4th day if the two preliminary days are also counted. This distinction is not sufficiently made clear by K. Schipper in his fen-teng discussion, nor by M. Saso in his chiao monograph.\n\n11 Saso, Cosmic Renewal, p. 73.\n\n12 De Groot, Fêtes Annuellement Célébrées, p. 210.\n\n13 Chou Li, Book 37: Officers in charge of keeping the fires; folio 27: \"They are in charge of receiving, with the mirror fu-su the bright light from the sun; (and) of receiving with the simple mirror, the bright water from the moon.\"\n\nAfter E. Biot, Le Tcheou-li ou Rites des Tscheou (Paris, 1851, Taiwan Ch'eng-wen reprint, 1969), vol. 2, p. 381.\n\n14 See W. Eberhard, Chinese Festivals (Asian Folklore and Social Life Monographs, vol. 38). (Taipei: The Orient Cultural Service, 1972), pp. 65-75.\n\n1 De Groot, Fêtes, p. 219 (My trsl.).\n\n18 To cite one example: the Taoist ritual garments, says de Groot (Fêtes, ch. 1, \"Messe Taoïque\", pp. 61-62) are often embroidered with motifs borrowed from the old imperial sacrificial garments,\n\n17 'Sacramentally' here refers to the sacramental nature of these rituals: A sacramental act is a rite in which both words and deeds not only have a symbolical meaning, but moreover are understood to actually produce the signified effect: here the active pacification-and-expulsion (or control) of the potentially dangerous spirits.\n\n18 The confusion of the various ritual acts of a chiao festival is increased by another rite of great importance in present-day renewal celebrations: the su-ch'i. Here again 'water' and 'fire' are present, but as parts of the total cycle of five agents (active powers). See M. Saso, Cosmic Renewal. pp. 75-77.\n\n10 De Groot, Fêtes, pp. 215-6.\n\n20 Abbot Guéranger, The Liturgical Year. Passiontide and Holy Week. London, 1880 and 1929), pp. 498-499.\n\n21 Ibid., p. 499.\n\n22 Ibid., p. 499.\n\n23 The Easter liturgy has in several instances been changed: the text and rubrics of the modern Roman Missal are different from the old liturgy, used in Abbot Guéranger's text. The present prayer refers in the blessing of the newly lit Easter candle, whereas in Guéranger's text as in the older liturgy it is a prayer to consecrate the incense grains.\n\n24 Ibid., p. 502. The Roman Missal, p. 180.\n\n25 Abbot Guéranger, op. cit., p. 505.\n\n26 Ibid., p. 507.\n\n27 Already J. M. M. de Groot, Fêtes (p. 217), was struck by the similarity of the Taoist and Christian ritual: \"It is beyond doubt that the ceremony of extinction and renewal of fire, which is a custom observed at the same time of the year in the Roman Catholic and Greek churches,",
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    {
        "id": 208984,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1980",
        "page_number": 146,
        "title": "RAS-1980",
        "content_text": "114\n\nJULIAN F. PAS\n\ntraces its origin from one of those forms of sun worship.” As is clear from this quotation, de Groot only sees here a case of archetypal similarity, without speculating about the possibility of a more direct historical influence.\n\n25 See K. Schipper, Fen-Teng, p. 33.\n\n26 Guéranger, op. cit., p. 501:\n\n“dictum”.\n\n30 Ibid., pp. 508-9.\n\n“sanctifica”; “sanctificatum et bene-”.\n\n31 M. Saso, Cosmic Renewal, p. 73. K. Schipper does not tell us how the new flame is produced.\n\n32 Guéranger, op. cit., p. 503, f.\n\n** See text quoted on p. 11 and also end-note 20.\n\n34 My transl. of the Chinese text. See Schipper, Fen-Teng and Saso, Cosmic Renewal, pp. 73-74.\n\n35 See K. Schipper's detailed description of the rituals:\n\n(i) \"Enroulement du Rideau\": nos. (23)-37). This ritual lasts just over 35 minutes. (Le Fen-teng, pp. 25-27).\n\n(ii) \"Tintement solennel de la Cloche et de la Pierre sonore\": nos. (38)-(59): lasts ca. 33 minutes. (See pp. 27-32).\n\n36 M. Saso, Cosmic Renewal, p. 74, f.\n\n37 Actually they are not to be seen as three separate rituals but as three stages in one ongoing celebration.\n\n**M. Saso, (Cosmic Renewal, p. 74), says that a screen is only \"imagined\" and is \"rolled up\" by \"symbolic gesture\". This may be the custom in Northern Taiwan, but in the South a real screen is used which is actually rolled up during the ritual.\n\n39 M. Saso, Cosmic Renewal, p. 74.\n\n40 M. Saso, Cosmic Renewal, p. 75:\n\nFirst the metal bowl is struck 24 times: yang (Schipper: 24+1) then the wooden fish is struck 24 times; yin (Schipper: 29+1) then: both together are struck 36 times: yin and yang in harmonious union; then metal bowl again: 9 times; and finally wooden fish: 6 times.\n\nK. Schipper (Fen-Teng, p. 29) does not mention the striking of a wooden fish, but of the \"musical stone\", as indicated in the ritual text.\n\n41 See for instance E. Zürcher. \"Buddhist Influence on Early Taoism, A Survey of Scriptural Evidence:\", unpublished paper presented at the Third International Conference of Taoist Studies, Uterageri, Switzerland, Sept. 1979.\n\n42 Sources of information about Nestorianism in China are as follows: P. Y. Saeki, The Nestorian Monument in China (London, 1916); The Nestorian Documents and Relics in China (Tokyo, 1951); J. Foster, The Church of the Tang Dynasty (London, 1939); C. Eliot, Hinduism and Buddhism, III; S. Holth, \"The Encounter between Christianity and Chinese Buddhism during the Nestorian Period\", Ching-feng, XI (1968), 20-29; K. L. Reichelt, Truth and Tradition in Chinese Buddhism: T.-m. K’ung “Chugoku Keikyō niokeru Bukkyō teki Eikyo ni tsuite\" (The",
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        "id": 210298,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1984",
        "page_number": 269,
        "title": "RAS-1984",
        "content_text": "248\n\nCHOI CHI CHEUNG\n\n  \n    A\n    B\n    C\n    D\n    E\n    F\n    G\n    H\n    I\n    J\n  \n  \n    I\n    李\n    M\n    70\n    \n    Hokkien\n    Yokohama\n    Lived for 5 years. Grave Resident\n    \n    C wife (70, Hokkien)\n  \n  \n    \n    陳\n    M\n    63\n    \n    Hokkien\n    Kobe\n    Grave\n    \n    C Wife (50 Japanese)\n  \n  \n    IV\n    \n    M\n    40\n    1-\n    Canton\n    Yokohama\n    1st arrived in Kobe, Grave.\n    \n    \n  \n  \n    V\n    \n    M\n    \n    \n    Shanghai\n    Kobe\n    Resident\n    \n    \n  \n  \n    VI\n    \n    M\n    70\n    4-\n    Hokkien\n    Kobe\n    Grave\n    \n    \n  \n  \n    VII\n    魏\n    M\n    88\n    \n    Shantong\n    Kobe\n    Resident born\n    \n    \n  \n  \n    VIII\n    林\n    M\n    60\n    \n    Shantong\n    Kobe\n    Resident\n    \n    \n  \n  \n    IX\n    A\n    M\n    60\n    1-\n    Canton\n    Yokohama\n    wife\n    \n    \n  \n  \n    X\n    林\n    M\n    50\n    1\n    Hokkien\n    Kobe\n    Resident\n    \n    \n  \n  \n    XI\n    \n    M\n    \n    \n    \n    \n    \n    \n    \n  \n  \n    XII\n    \n    M\n    80\n    J-\n    88\n    60\n    I Taiwan\n    Kobe\n    Resident Hokkien Kobe the Asso.\n  \n  \n    XIII\n    沝\n    M\n    42\n    I+\n    Canton\n    Kobe\n    Resident and 3 children\n    \n    C Immigrants who he helped C Boss, Friends, mainly Cantonese females\n  \n  \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    C❘ wife (Cantonese, 2nd generation) C sister-in-law-I's wife, grandaughter C worshippers\n  \n  \n    \n    \n    \n    \n    \n    \n    \n    \n    \n    B son-in-law (from Kiangsu) B wife (54, Cantonese 2nd generation, born and lived in Kobe till married) B Brother (Chairman of the Asso.) C Committee members ex-chairman of | A | Committee members and others C2nd brother\n  \n\nA = Code number of the Ming-che of the 'Newly Dead' on Plan of Festival Area\n\nB = Surname of the \"Newly Dead\"\n\nC = Sex of the 'Newly Dead'\n\n▸ = Estimated age of the 'Newly Dead' at death\n\nE = Year(s) after death\n\nF = Origins of the 'Newly Dead'\n\nG = Residential place of the 'Newly Dead' in Japan\n\nH = Relationship with Kobe\n\nI = Class of Ming-che (A=470,000 yen, B=350,000 yen, C=200,000 yen)\n\nJ = Informants' relationship with the 'Newly Dead'",
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