[
    {
        "id": 204308,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 76,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n72\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nhua-pên (story-tellers' prompt-book), we can hardly know their origin or the invaluable part played by the author of the Fêng-shên in transforming them into interesting characters.\n\nLi Ching, bearing the same name as the historical hero in the early part of the T'ang dynasty, is no doubt derived from the Buddhist heavenly king Vaisravana.\n\nWe know from many Buddhist texts the legends of the Four Heavenly Kings. According to the Abhiniskramana-sutra (出曜集經) translated by Jnanagupta in 587, they are,\n\nDhritarashtra or Chih-kuo T'ien-wang in the East, who leads the gandharvas, musicians in heaven; Virudhaka or Tseng-chang T'ien-wang in the South, who is the sovereign of the kumbhandas or deformed demons; Virupaksha or Kuang-mu T'ien-wang in the West, who is king of the nagas who dwell in their palaces at the bottom of the lakes; and Vaisravana or To-wen T'ien-wang in the North, who is head of the yakshas, strong and brave genii.\n\nThe author of the Fêng-shên Yen-i adapted these four heavenly kings in his novel (Chs.31-40) and called them \"the four generals of the Mo family\". He made them brothers and commanders who took charge of the Chia-mêng Pass under the command of the Premier Wên T'ai-shih. Their individual names are Mo Li-ch'ing, Mo Li-hung, Mo Li-hai and Mo Li-shou. But in Ch.31 when they are summoned by Premier Wên T'ai-shih, the author writes, \"The four heavenly kings (ssu t'ien-wang) strode forward,” thus unconsciously revealing their origin, and afterwards in Ch.99 they are given the titles of Tsêng-chang T'ien-wang (Mo Li-ch'ing), Kuang-mu T'ien-wang (Mo Li-hung), To-wên T’ien-wang (Mo Li-hai) and Ch'ih-kuo T'ien-wang (Mo Li-shou) respectively. In Ch.40 the author describes the weapons of these four brothers through the mouth of General Huang Fei-hu as follows:\n\nThe eldest brother Mo Li-ch'ing is twenty-four feet in height, with a face resembling that of a crab, and his beard is like copper wires. He fights always on foot with a long spear, and he has a sword which is called \"Blue Cloud\", on which there are charms and a seal saying \"earth, water, fire and wind\". The wind caused by the brandishing of this magic sword is a black wind in which hundreds of thousands of spears would run and cut off the limbs of men. Following the wind is a blaze in which flaming golden serpents cover the atmosphere with black smoke. The weapon of Mo Li-hung is an umbrella.\n\n* chúan 16, Shê-kung Ch'u-chia P'in (攝功出家品).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    {
        "id": 204309,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 77,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n73\n\ncalled \"Umbrella of Noumenon and Unity\" (hun-yüan san A) which is decorated with emeralds and precious pearls of divine power which are threaded together to form the words: \"to pack up the universe.\" When this umbrella is opened, heaven and earth, the sun and the moon, will be covered up by darkness, and when it is rolled the world will be shaken. Mo Li-hai carries a spear and on his back there is a four-stringed guitar (p'i-p'a) which will produce the same effect as the \"Blue Cloud Sword\" when played on and the four strings correspond to earth, water, fire and wind. Mo Li-shou carries two whips and a bag in which is concealed a peculiar creature resembling a rat, hua hu-tiao (the striped marten). When hurled into the air this creature will assume the shape of an elephant with wings from its ribs and will devour every one.\n\nThe combat between these four brothers and the heroes from the camp of King Wu can be found in Chs.39-41 of the novel. They are engaged in mortal combat with the Li brothers, Chin-cha, Mu-cha and No-cha in Ch.40. If the reader knows that Li Ching, the fabulous father of these three Li brothers is in fact derived from one of these four heavenly kings, Vaisravana, the ingenuity of the author of this novel can be appreciated, because before the publication of this novel, in many other works Vaisravana and the Chinese god Li Ching, based on the historical hero so named of the Tang dynasty, had long been amalgamated and formed a single name, P'i-sha-mên t'ien-wang Li Ching (Vaisravana or Li Ching, the Heavenly King of Vaisravana). The Chinese transliteration from the Sanskrit \"Vaisravana\" since the T'ang dynasty has been Pi-sha-mên (R), the last character of which, mên, though senseless in this connection, normally means \"gate\". Thus, in popular literature, the term P'i-sha-mên lost its original meaning and became the name of the P'i-sha Gate, and it was therefore natural enough to have a heavenly general, like Li Ching, to take charge of it, though in English this may appear peculiar.\n\n* In Yang Ching-hsien's (MRK) play T'ang San-tsang Hsi-t'ien Ch’ü-ching (EXRE), Scene 9, we read \"P'i-sha-mên hsia Li Tien-wang\" (TX) which means the Heavenly King Li under the P'i-sha Gate. In the prompt-book Ch'i-kuo Ch'un-ch'iu P'ing-hua ta (TH), chüan 3, we have \"P'i-sha-mên To-t'a Li T'ien-wang\" (*XE) or P'i-sha-mên, the Heavenly King Li who holds in his hand a pagoda. Sometimes the story-tellers thought since there was a P'i-sha mên (gate), it was wise to create a palace, called P'i-sha Kung (CE W D). In the Nan-yüeh-chi, Ch. 11, we have \"P'i-sha Kung Li Ching Tien-wang\" (K*XE). In a long eulogistic poem in Ch. 12 of the Feng-shen, there is a palace in heaven called K'un-sha Kung (R V E) which is obviously an erratum.",
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    {
        "id": 204313,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 81,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n77\n\nprobably the pagoda was a mistake for the parasol originally held by Vaisravana, as stated in the Ekottarik-agamas (增一含經):\n\nThe heavenly king Vaisravana held in his hand a parasol of the seven treasures (七寶) over the Tathagata in the air to protect the Tathagata from dust and soil,15\n\nBut since the circulation of the Tantric sutras was more or less encouraged by the authorities in the Tang dynasty, the public accepted that legend without scepticism.\" According to a Tantric text, Nata (No-cha 哪吒) is the third son of Vaisravana, who attends his father and holds the pagoda with both hands. But on the twenty-first day of every month, when the son is charged to go on some mission, so that they have to separate, Nata gives the pagoda to his father. This is not at all a thrilling story and there is no combat. The author of the Fêng-shên Yen-i created his own story of No-cha, the third son of Li Ching, based upon his profound knowledge of religious beliefs and popular literature, and made No-cha one of the famous heroes in Chinese literature. In order to analyse the parts which are the creative work of the author and to explain from what sources some of his materials may have been taken, I divide the story of No-cha into several sections below.\n\n2. MU-CHA AND CHIN-CHA\n\nBefore the publication of the novel Feng-shên Yen-i and the prompt-book Ssu-yu-chi, No-cha's (哪吒) name was usually Na-cha (那吒) in many of the plays of the Yüan dynasty which preserved the original transliteration found in the Tantric sutras.17 In the Hsi-yu-chi (Ch.7), one of the \"Four Travels\", the second\n\nHi To P'in (TPE), 30, Ekottarikagamas, chian 22, The Tripitaka in Chinese.\n\n10 In the year A.D. 838 (3rd year of K'ai Chiêng), on the 15th day of the 12th month, Lu Hung-chêng (盧弘正) wrote an inscription for the image of Vaisravana in the Hsing-t'ang Monastery (興唐寺) describing him as \"having a sabre in his right hand, and in the left hand a pagoda.\" cf. Ku-chin T'u-shu Chi-ch'êng, Shên-I Tien, chian 91.\n\n27 In Yang Ching-hsien's Yang San-tsang Hsi-tien Ch'ü-ching, Scene 8, “Nacha San Tai-tzu\" (哪吒三太子); anonymous play Menglich Na-cha San Pien-hua (孟麗哪吒三變換) in the Ku-pên Yüan Ming Tsa-chü\n\n*Z9M) edited by Wang Chi-lieh (王季烈), Shanghai, Commercial Press Ltd., 1941; anonymous play Ting-ting Tang-tang P’ên-êrh-kuei (丁丁當當甕兒鬼), Act 1, \"Hê-lien Na-cha\" (黑面哪吒), Act 2, \"Na-cha Fa\" (哪吒法), the last two are influenced by Tantric works. Besides, Na-cha (哪吒) appears in many plays of the Yuan dynasty, not to mention the tune called Nacha Ling (哪吒令).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    },
    {
        "id": 204315,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1961",
        "page_number": 83,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol 1 (1961)\n\nISSN 1991-7295\n\n79\n\nBut this does not explain satisfactorily the record in the Mahavaipulya Mahasamnipata-sutra (李大集遺設堂訴言),21 in Catur-maharaja (四大天王), which maintains that each maharaja has ninety-one sons, but gives no names. And this does not explain the case (in the Janavasabha suttanta22 in chüan 5 of the Dirghagama) of the other god who, because of his accumulated merits would be re-born after his death as a son of Vaisravana in the Caturmaharajakayika (四大天王部). In the Buddha Preaching Jên-hsien Ching (作請人軟訣),* (AB jên-hsien being the Chinese translation for rsi jina) concerning the future of King Bimbisara (望界藤王), it is alleged that he would be re-born as the son of Vaisravana,\n\nPerhaps such confusion would explain why the author of the Fêng-shên, though knowing a good many of the Tantric legends, and adopting (in Ch.99 of the novel)23 the Chinese names for the four heavenly kings as \"Protectors of the Tripitaka and the Country, and Regulators of Wind and Rain\", abandoned the use of the name of Tu Chien and, in order to make his name conform to those of his younger brothers, invented Chin-cha (\"金吳), as the name of the eldest son of Li Ching. Chin-cha, though his origin does not appear in any reliable records, may, I suspect, come from the Tantric dharanis. Also, I have found in Act 1 of the anonymous play, Yüeh-ming Ho-shang Tu Liu-ts'ui (月明和尚堂留利清)24 of the Yuan dynasty, the following words chanted by a priest:\n\nAn! Ch'ih ling Chin-cha, Chin-cha, Sêng Chin-cha, Wo chin wei ju chieh Chin-cha, Chung pu wei ju chieh Chin-cha, An!\n(Listen! I am speaking of Chin-cha. Chin-cha, monk Chin-cha, I come to release you from Chin-cha, not to tie you up with Chin-cha. Listen! 哈！我今為你解金吳, 终不為你縋金吳。哈！)\n\nSince the author of the Fêng-shên was interested in both Buddhism and Taoism and is proved to have known many plays and other works of popular literature, he might have made use of materials such as those quoted above, in his creation of his characters.\n\n3. A LUMP OF FLESH WAS BORN\n\nThe story of No-cha's mother giving birth to him, in Ch.12 of the Fêng-shên Yen-i is as follows:\n\nLi Ching's wife, née Yin, had been pregnant for three years and six months, so he became very much vexed at it.\n\nThe wife dreamed one night at three strokes of the watch\n\n21 No. 397, translated by Dharmaraksa.\n\n22 Tseng-chang, Kuang-mu, To-wên, Ch'ih-kuo, see No. 665, Suvana-prathasa Sutta Sutra (Chin-kuang-ming Tsui-shêng-wang Ching 金光明最膤王訣), 11 & 12.\n\n*9*",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    {
        "id": 204449,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1962",
        "page_number": 81,
        "title": "RAS-1962",
        "content_text": "70\n\nHEROLD J. WIENS\n\nbut their main concentration in a solid bloc is in the Ta-liang mountains southwest of I-pin district of Szechwan.\n\nMore closely related to the Tibetans, the Ch'iang live in the west fringes of the Szechwan basin east of K'ang-ting city. The chief areas of Tibetan settlement are almost all in the Tibetan plateaus, though politically the areas are divided among five provinces in addition to Tibet proper and not counting now-abolished Sikang province. These are Kansu, Chinghai, Yunnan, Szechwan and Kweichow. Since Sikang has largely been incorporated into Szechwan, the latter now contains over 700,000 Tibetans, whereas Yunnan has some 67,000,\n\nAside from the Chuang who constitute about seventy per cent of the total population in what is called the Kwangsi Chuang Autonomous Region, other T'ai-related groups are widespread especially in Yunnan and Kweichow. The T'ung occupy a solid bloc of territory joining three provinces: southeast Kweichow, northern Kwangsi, and western Hunan. They are related to the Shui who live in the southeast corner of Kweichow. The Pu-yi (also called Chung-chia) are a T'ai-related group in southwest Kweichow. In central Kweichow they live intermingled with the Miao, and they constitute the majority of the country people around the provincial capital of Kuei-yang. The T'ai proper have settled in the southern half of Yunnan where they are divided into two branches: the Hsi-shuang pan-na T'ai and the Te-hung T'ai. The former of these branches constitute \"Twelve pan-na or basin 'states'\", whence their name. The latter are close relatives of the Burma Shan people. Also related to the T'ai more distantly are the Li people of Hainan Island, with their heartland in the Li-mu (\"mother of the Li\") mountains that dominate the southern half of the island. Some Miao also are found on Hainan, having been imported during the Ch'ing dynasty to make poison arrows in the campaigns against the Li.20\n\nThe Miao are a very scattered group and only in two regions do they form compact settlements: eastern Kweichow and southwest Hunan. In Szechwan they live along the Kweichow borderlands. In Kwangsi they have settled in small groups in the centre of the province. In almost all regions the Miao have\n\n20 Hsu Sung-shih, Yueh-chiang liu-yü jen-min, 122-123.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f",
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    },
    {
        "id": 205764,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 70,
        "title": "RAS-1969",
        "content_text": "64\n\n71 Papers.... Despatches\n\nR. G. GROVES\n\n+\n\n*\n\nop. cit., p. 68.\n\n72 Correspondence..., op. cit., p. 167.\n\n73 Ibid., p. 297. Skinner postulates models of intermediate marketing systems in which each intermediate market is ringed by six standard markets. Skinner, op. cit., Part I, pp. 23f.\n\n74 Correspondence\n\n75 Ibid., p. 296.\n\n76 Ibid., p. 380.\n\n+\n\nI\n\nP\n\n1\n\nop. cit.,\n\np. 295.\n\n77 Wakeman, op. cit., p. 39.\n\n78 See, for example: Spector, Stanley, Li Hung-Chang and the Huai Army, Seattle, University of Washington Press, 1964, Folsom, Kenneth E., Friends, Guests, and Colleagues; the Mu-Fu System in the Late Ch'ing Period, University of California Press, Berkeley and Los Angeles, 1968.\n\nSince writing this article, and further to note 37, Dr. Hugh D. R. Baker's study, Sheung Shui: A Chinese Lineage Village has now been published (London, Frank Cass & Co, Ltd., 1968).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    },
    {
        "id": 205948,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 28,
        "title": "RAS-1970",
        "content_text": "MORE ON THE YUNG-LO TA-TIEN\n\nBIBLIOGRAPHY OF IMPORTANT WORKS CONSULTED\n\nMing shih-lu (Taiwan ed., 1962-66), Tai-tsung 0393, 0627, 1016;\n\nShih-tsung 8413; Mu-tsung 0204; Shên-tsung 5040;\n\nYung-lo ta-tien mu-lu (Peking 1960), preface;\n\nSsú-k'u ch'üan-shu tsung-mu (1930), 137/3a;\n\nKuo Po-kung, Yung-lo ta-tien k’ao (Changsha 1938, rev. ed. Taipei 1967);\n\nWu Kuang-ts'ing, Scholarship, Book Production, and Libraries in China (618-1644), manuscript (Chicago, Dec. 1944);\n\nPaul Pelliot, T'oung Pao 20 (1921), 175-77.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    },
    {
        "id": 206137,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 217,
        "title": "RAS-1970",
        "content_text": "210\n\nBOOK REVIEWS\n\nby prolonged contact with the urban environment. Excellent material for comparison with the Plover Cove situation exists in the Tai Lam Chung (1956) and Shek Pik (1960) removals. Like the Plover Cove villages, they were agricultural villages which were removed to urban Tsuen Wan to allow the construction of reservoirs. They have been resettled for a number of years, however, and a brief survey of their religious practices would provide the Christian Study Centre with a most interesting supplement to its information on the Plover Cove villages.\n\nHong Kong, 1970.\n\nELIZABETH L. JOHNSON\n\nNOTES\n\n1 p. vii of the book under review.\n\n2 More information on this village removal can be found in M. I. Berkowitz, \"Plover Cove to Tai Po Market: A Study in Forced Migration.\" Journal of the Hong Kong Branch of the Royal Asiatic Society. Volume 8, 1968, pp. 96-108.\n\n3 p. 142.\n\n* V. R. Burkhardt, Chinese Creeds and Customs. 3 vols. Hong Kong: South China Morning Post, 1955, and Wolfram Eberhard, Chinese Festivals. New York: Henry Shuman, 1952.\n\n3 p. 100.\n\n6 Ibid.\n\n7 Ibid.\n\n8 Ibid.\n\n9 See, for example, pp. 14-15, 116-117.\n\nTRADITIONAL CHINESE PLAYS, translated, described and annotated by A.C. Scott, Ssu Lang visits his mother, Ssu Lang T’an Mu, The Butterfly Dream, Hu Tieh Meng, The University of Wisconsin Press, 1967, Madison, Milwaukee, and London, pp. ix, 165, 13 photos hors-texte.\n\nA. C. Scott, the best Western specialist of Chinese and Japanese theatre, here gives us a translation of two Peking operas. The first, Ssu Lang visits his mother, is a tragedy which takes place in the second half of the tenth century, under the reign of the Sung. The son of a famous general has been taken prisoner by the barbarians, but, because of his fine looks, he is married",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
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    },
    {
        "id": 206578,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 126,
        "title": "RAS-1972",
        "content_text": "I\n\nHKES NOTATION\n\nZARA KATAST BOUNDMANCE 1220 PORTAIMEN, DE BERMUMENT Houded COLLE.CONTAINED) PERMANENT HOUSKO (NOT SELF-CONTAINED)\n\nMON - PE MAAKUNGHT MEUSIVE PERMANENT HOUSING | SG.)\n\n1. MOLE CONCRETE, ONCE DE STING HOUSE.\n\n2 MU-CONTAMED FLAT WA COMCNCT Bake on Stow KOLDING\n\nPERMANENT HOUSING EM_SC | ROOMS CURHOLTS HOOPPACES. BASEMENTS AND VERKLEDING OR ECOLDFTS Lạt T-G EET E SELF-CONTAINED FLAT ME A CONONCTE PRICE OR STONE BALDING\n\nNON-PERMANENT HOUSING\n\nJ WELL POPEN HOUSE ON SARAÇA OR PURI TELMON\n\n2. MGA-BOWESTG LING SHADE IN A WHOLE CONCRETE, BACK ON Font BULONG\n\nKPI Lật H. A ULIE CENSUS METIDIOTS\n\nCENTRAL KHUNG HÌNH\n\n1 C *ST D C 4 H\n\nMID-LEVELS A PROFIL adela MANCHA THE HANG LOWTH PO + ▼ L\n\nABERDEEN SOUTH · Dr Lock TELA + THU NA · ANG MGA + T\n\nป POR Quart LÀ KHE T CHUNG BISA MEN La con ME DROOM LONG L\n\nLu -- 2 MGA TAL KOE LED MUE MEN\n\nNUMBER OF HOUSEHOLDS IN DIFFERENT TYPES OF ACCOMMODATION BY CENSUS CENSUS DISTRICTS IN HONG KONG ISLAND, KOWLOON & NEW KOWLOON AS AT 73.61\n\nFIG. 4\n\nE. G. PRYOR",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h",
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    },
    {
        "id": 206796,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 73,
        "title": "RAS-1973",
        "content_text": "PERSIANS, ARABS IN T'ANG CHINA \n\n+ \n\n67 \n\noperation for Kao-tsung Tzu-chih t'ung-chien records this operation as follows: \n\nIn the eleventh moon of the first year of Hung-tao A, the Emperor had great difficulty in seeing because of a headache. The imperial doctor, Ch'in Ming-ho was summoned (to the Inner Palace) to diagnose the case. Ch'in indicated that the Emperor could be healed if he was allowed to needle (acupuncture) the Emperor's head in order to release the blood. \n\nCh'in was allowed to perform the operation and the Emperor was cured. Ch'in was a very skilful surgeon indeed. 38 \n\nIn A.D. 741, a Nestorian Monk known as Ch'ung I also proved to be a good physician in the court. The medical knowledge of these foreigners improved the state of medicine in China and when they met Taoist physicians later, both schools worked very closely and discovered a new kind of medical knowledge which not only benefitted them but also all mankind.40 \n\nLi Hsin 李珣 \n\nIn dealing with foreigners in T'ang China, whether in the field of medical, natural or humanistic science, Li Hsün can hardly be neglected.41 Li was originally from Persia and was the author of the famous Hai-yao pen-ts'ao \n\n(Exotic Pharmacopaeia). Unfortunately, the book is now lost, and there is even uncertainty whether Li Hsun was in fact the author of this book. Fragments of Li Hsün's book have been preserved in the Chung-hsiu Cheng-ho ching-shih cheng-lei pei-yung pen-ts'ao, which is a revision, undertaken in A.D. 1249, of T'ang Shen-wei's Cheng-ho hsin-hsiu cheng-lei pei-yung pen-ts'ao (Materia Medica) of A.D. 1116. They are also preserved in Li Shih-chen's Pen-ts'ao kang-mu \n\n+ \n\nLi was a Ming scientist and died in A.D. 1593. \n\nWhether Li Hsün is the author of the work mentioned is not for discussion here. P. Pelliot, Ch'en Pang-hsien, P. Huard and M. Wong all regarded Li as the author of this work, and as a Persian.42 \n\nLi Hsün was also a literary man of high standing. The compiler of Hua-chien chi had selected thirty-seven of Li's tz'u (lyrics) for this anthology. It is also recorded in Hua-chien chi that Li was also the author of Ch'iung-yao chi. Li Hsün's \n\n+",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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        "rank": 0
    },
    {
        "id": 206811,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 88,
        "title": "RAS-1973",
        "content_text": "82\n\nHELGA WERLE\n\ndissolved in 1964 when because of lack of business the old leader got so desperate that he threw his puppets literally into a rubbish-bin. The third group Tung-i still exists under the leadership of Wu Mu-sen and Ch'en Yung-ming. Their puppets are older and much larger than those of the Hsin-shun-hsiang troupe, and are very seldom used now.\n\nWhen Wang Chiao-tsou died his eldest son Hsi-ch'in continued the Hsin-shun-hsiang Troupe. He usually plays the Yeh-hu, for which he is very renowned, in the opera-orchestras. This is a two-stringed violin of which the sound box is made of a coconut shell. Five of the seven brothers and sisters Hsi-ch'in, Hsi-tang, Hsi-yü, Hsi-ch'ing and Hsi-hsien are all versatile musicians or singers, joining in the puppet or opera performances. There are also six artists of the older generation with 30-40 years' experience performing with them. They are Li Chen-chiang, Huang Shun-ch'i, Ma Chen-huan, Chang Chung-liang, Li Han-t'an and Chiu Hsüeh-ching.\n\nDuring a typhoon in 1960 Hsi-ch'in's squatter hut was flooded and most of his puppets were destroyed. He travelled to Ch'aochow to replace them, but he could not find any old ones. Fortunately, he found an old-puppet-maker who made a new set which he took to Hong Kong, and it is used now by his troupe and also by the Tung-i Troupe.\n\nToday, there are about sixty puppet-bodies and eighty puppet-heads, belonging to these two troupes, the Hsin-shun-hsiang and the Tung-i. They give no more than seven performances a year between them. They are still called by Ch'aochow associations to perform at the festival of the T'ien-kung Chi on the 5th day of the first month, the festival of Po-kung Fu-te Ta-yeh on the 29th day of the third month and to the ceremony of Hsieh-shen (thanking the gods) in the 12th month. Although the name of either of the groups invited to perform appears on top of the curtain, the puppets, puppeteers, musical instruments and musicians are mostly the same. The fee is handed to the leader of the troupe who, together with the leader of the orchestra, keeps a larger share. The rest is distributed equally among all the other performers, puppeteers and musicians.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206813,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 90,
        "title": "RAS-1973",
        "content_text": "84\n\nHELGA WERLE\n\nChang Po-chieh : 'Ch'ao-chü Yüan-Liu Chi Li-shih Yen-ke', in Ch'ao-chü Yin-Yueh, Canton, 1956. MHAKAARST. NOTA 廣象。\n\nHuang Hua-chieh : Chung-Kuo Ku-chin Min-chien Pai-hsi, Taiwan, 1967, Ren Ren Wen-k'u Series, No. 383.\n\nKuan Chün-che : Pei-ching Pi-ying-hsi, Peking, 1959.\n\nLiu Fu-kuang : 'Ch'ao-chou Chih-ying-hsi Chien-chieh', Hong Kong Arts Centre Bulletin, Feb. 1974.\n\nSun Kai-ti : Kwei-lei-hsi K'ao-yüan, Shanghai, 1953.\n\nWu Ting-hung : Zhen-yang-yen mu-ou-hsi, Shanghai, 1954.\n\nWhere no sources are quoted, the statements made in the text are based on first-hand observation and interviews. H.W.\n\nPage 90\nPage 91",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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        "rank": 0
    },
    {
        "id": 206825,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 102,
        "title": "RAS-1973",
        "content_text": "96\n\nCHUANG SHEN\n\nThus, instead of saying that the compilation method of the T'ing-fan-lou shu-hua-chi was an imitation of the system used in Wu Yung-kuang's art catalogue, rather, it would be more appropriate to say that Pan compiled it according to his own ideas,\n\nThirdly, if this assumption is reasonably correct, then the fact that Pan, in the preface of his T'ing-fan-lou shu-hua-chi regarded Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as one of the representative art catalogues in the Ch'ing dynasty was due to his high esteem for Kao's work, which incidentally was a view shared by Wu Yung-kuang. Moreover, it is possible that he came under Wu's influence while undertaking the collating work for the Hsin-ch'ou hsiao-hsia-chi, thus regarded Kao Shih-ch'i's work of special importance.\n\nFourthly, Pan Chêng-wei considered Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as the most representative art catalogues compiled in early Ch'ing. This point of view is worth our notice. It should be noted that though Sun's catalogue was completed in the 16th year of the Shun Chih era (1659), it was being collated only less than a century after its publication, by Ho Cho2 (1661-1722), a well-known scholar of the Chiang Nan district21 and active in the K'ang Hsi era. Moreover, in the Chien Lung period, distinguished scholars like Lu Wên-ch'aoAx 3 (1717-1795), Pao T'ing-po3* ty (1728-1814) and Yu Chi (1738-1823) at one time or other wrote prefaces and colophons for this catalogue3, and in particular, Pao T'ing-po even included it in his Chih-pu-chü-chai ts'ung-shu1 * F & *** in order to publicize it. Not long afterward, it was well appraised by the Ssu-k'u-ch'uan-shu tsung-mu t'i-yao★ATAIRE, an official catalogue completed in the 48th year of the Chien Lung era. Thus, it can be seen that during the 124 years between the 16th year of the Shun Chih era and the 48th year of the Chien Lung era, in regard to the connoisseurship of painting and calligraphy, no matter whether it was in Chiang Nan or in the capital, and regardless of whether privately or officially, there was no one who did not consider Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi as an important work for reference,\n\nHowever, the situation was not quite the same in Kwangtung. Probably up to the Chien Lung era, no Kwangtung scholar had ever noticed the Kêng-tzŭ hsiao-hsia-chi. Even Wu Yung-kuang and Yeh Mêng-lung, relatives who both served for a long time in the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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    },
    {
        "id": 206836,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 113,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n107\n\nI was able to have a look at this scroll while I was in the capital in the year ping-shu. Now this scroll and the scroll of correspondence written by monk Fa-ch'ang are both in the collection of Ch'in-shan, minister of the Board of Agriculture 琴山農部. Wu Yung-kuang wrote this on the 9th day of the 12th month in the year chia-shu of the Tao Kuang era.\n\nIt should be noted that ping-shu was the 6th year of the Tao Kuang era (1826). After this year, there was no chia-shu in the Tao Kuang era. The years that have some connections with chia-shu are chia-wu (1834), mu-shu (1838) and chia-ch'en (1844). However Wu Yung-kuang died in the year before chia-ch'en. Therefore, the year chia-ch'en should undoubtedly be left out of consideration. What is more, even the combination of stems and branches of the years chia-wu and mu-shu are different from that given in Wu's own colophon. In all probability, it seems that the date \"chia-shu of the Tao Kuang era\" recorded in the colophon inscribed in Ch'ien Hsüan's Li-hua-chüan should be a slip of the pen for either the year chia-wu (14th year of the Tao Kuang era) or mu-shu (18th year of the Tao Kuang era), in the former of which, Wu was 62 years old, while in the latter, he would already be 66. In a word, the 14th year of the Tao Kuang era was the beginning of the last decade of Wu Yung-kuang's life. No matter whether the date when he put down by mistake the year chia-shu is chia-wu or mu-shu, by that time, he must have begun to show signs of old age. Otherwise in his Hsin-ch'ou hsiao-hsia-chi, he would hardly commit a mistake as to remember incorrectly the date of happenings that he himself had experienced. If, however, this catalogue had been carefully checked through before it was published, then such kind of chronological mistake could very likely be entirely avoided. Yet the fact that neither chia-wu nor mu-shu, but instead chia-shu of the Tao Kuang era had been printed in the Hsin-ch'ou hsiao-hsia-chi shows clearly that in the process of proof-reading, Wu Yung-kuang was indeed most careless.\n\nNOTES\n\n1 At the beginning of Yeh Mêng-lung's *** Fêng-man-lou shu-hua-lu, **** it is stated that Yeh Ying-ch'i ***, son of Yeh Mêng-lung, was one of the collators of that catalogue. On checking Wu Yung-kuang's autobiography (Tzü-ting nien-p'u), the following information is",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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    },
    {
        "id": 206837,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 114,
        "title": "RAS-1973",
        "content_text": "108\n\nCHUANG SHEN\n\nobtained under the entry of the 8th year in the Tao Kuang era (1828), \"In the third month, my daughter named Hsi married Yeh Ying-ch'i\". In chuan 2 of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia chi, there is an entry about Mi Yu-jen's Yün-shan tê-l-t'u #4#★#, which according to Kung Kuang-tao's LAM Yüeh-hsüeh-lou shu-hua-lu *****, should bear a square seal, the text of which reads, \"Nan-hai nu-shih Yeh Wu Hsiao-ho hsieh-yün-lou shu-hua-chih-yin” ✯✯✯±‡*+*Z*#‡‡<¢ \"seal of calligraphies and paintings in the Hsieh-yün-lou collection of Madam Yeh Wu Hsiao-ho, native of Nan-hai”. Ho-wu is one of the style names of Wu Yung-kuang, and so he gave his daughter Wu Hsi the style name of Hsiao-ho. Furthermore, above Hsiao-ho's surname, it is added her husband's surname (Yeh). Thus it is evident that the Yün-shan tê-t-t'u was one of the items in her dowry when she was married off to Yeh Ying-ch'i. However, in the opening part of chuan 3 in Wu Yung-kuang's Shih-yün-san-jen fen-t'l-shih-hsuan, it is stated that one of the collators was his son-in-law, whose name, however, was recorded as Yeh Ying-hsin #44.\n\n2 At the end of his Kêng-tzŭ hsiao-hsia-chi chiao-wên ✯TMIERZ - \"Collatery Note of the Kêng-tzŭ hsiao-hsia-chi\" Ho Cho put down the date of \"K'ang Hsi kuei-ssu\" which is equivalent to the 52nd year of the K'ang Hsi era (1713). Ho's collatery note can be found in Ku-hsüeh-hui-k'an **✰★, vol. II, No. V, published by Kuo-ts'ui hsüeh-pao shê @##★#, 1923, and reprinted by Li Hsing Book Co. ★1⁄2, Taiwan. (The collatery note is found in pp. 2585-2601 of this reprint.)\n\n3 Pao T'ing-po's colophon, which is attached to the Kêng-tzŭ hsiao-hsia-chi, was completed in the 20th year of the Chien Lung era ✯✯ (1755). Yu Chi's colophon and Lu Wên-ch'ao's preface were both written in the 26th year of the Chien Lung era (1761).\n\n4 There are altogether 18 collections in Chih-pu-tsu-chai ts'ung-shu ÞILIIT. The fourth collection includes only Sun Ch'êng-chê's Hsien-chê-hsüan-tieh-k'ao §**** (which is now attached to the end of Kêng-tzŭ hsiao-hsia-chi. However, it is included in the occasional publication of the Chih-pu-tsu-chai. Nowadays, an edition that was published separately in the 26th year of the Chien Lung era (1761) is available.\n\n5 See Ssŭ-k'u-ch'üan-shu tsung-mu ti-yao **** chuan 113. Only the last sentence in this discussion is quoted here, since it already suffices to reflect the whole situation by this, \"Though the man can be slighted, his writing is however something that we cannot pass over slightly.\"\n\n6 A hand-written copy of the T'ing-fan-lou shu-hua-chi and its supplement is found in the collection of the Feng Ping-shan library, University of Hong Kong.\n\n7 The Feng Ping-shan library in the University of Hong Kong has in its collection a wood block printed version of the T'ing-fan-lou shu-hua-chi in 5 chuan and its supplement in 2 chuan, the beginning section of both of which are missing. Therefore, the date and place when this catalogue was printed is now known.\n\n* The type printed version of the T'ing-fan-lou shu-hua-chi and its supplement is available in Mei-shu ts'ung-shu *#*# vol. IV, part VII. This catalogue was first printed by the Kuo-ts'ui hsüeh-shê # in the 3rd year of the Hsuan Tung era ✯ (1911). The second edition came out in 1928. The copy used in this paper is the fourth edition published by Shen-chou kuo-kuang shê **B£* in 1947.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
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    },
    {
        "id": 207028,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 99,
        "title": "RAS-1974",
        "content_text": "NOTES ON THE SOURCES OF DE MAILLA\n\n93\n\nof Chin Lü-hsiang ✯✯✯(1232-1303), and a supplementary section prepared by Shang Lu j (1415-86) and others under imperial order of 1476, was available to de Mailla in the edition of 1708.1 But it carries Chinese history only to the end of the Yuan dynasty, whereas the Histoire générale in its final form includes the Ming and Ch'ing periods to 1780, the 45th year of the Ch'ien-lung reign,\n\nSince de Mailla's manuscript was sent to France in 1737,2 where it remained unpublished for forty years, it is evident not only that the author relied on sources other than the T'ung-chien kang-mu to continue his record beyond the Yuan period, but also that the final chapters are not his at all. There is no secret involved in these facts, credit generally being given where due by the published Histoire générale. But the usual tendency to consider the matter as closed when one has attributed the work to de Mailla and indicated the T'ung-chien kang-mu as his source is misleading. Volumes I-IX represent an abridged translation of the Kang-mu; for Vol. X, which treats of the Ming period, four other Chinese sources were employed. They are indicated in the editor's footnote to Vol. X, pp. 1-3, as follows:\n\n+\nLes trois auteurs que le Père de Mailla a suivis sur ce qui concerne les MING, sont le docteur Kou-yng-tai, examinateur des lettrés du Tché-kiang, dont l'ouvrage, intitulé Ming-ssé-ki-sse-pen-mo ou Faits historiques de la dynastie des MING a été publié par Fou-y-tché, premier ministre de Chun-chi, empereur des TSING: ce ministre en faisant tant de cas, que non content d'en être l'éditeur, il y a ajouté une preface de sa façon. Le second auteur, d'après lequel le Père de Mailla a rédigé l'histoire des MING, est Tchu-tsing yen docteur du premier ordre & gouverneur de Nan-yang-fou du Ho-nan. Son ouvrage, fait sur le modèle du Tong-kien-kang-mu, a pour titre, Tong-kien-ming-ki-tsuen-tsai, c'est-à-dire, Suite complette de la dynastie des MING-Tchang-yn, president du tribunal des Rits & ministre d'état, le publia la trente-cinquième année du règne de Kang-hi. Enfin le troisième écrivain, que le Père de Mailla a consulté sur les MING est le fameux lettré Tchong-pé-king, qui vivoit sous cette dynastie, au temps qu'elle perdit le sceptre impérial. Son Ouvrage, intitulé Ming-ki-pien-nien; c'est-à-dire, Annales de la dynastie des MING, fut rendu public la quarante-septième année de Kang-hi, plus de cinquante ans après la mort de l'auteur.",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
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    },
    {
        "id": 207033,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 104,
        "title": "RAS-1974",
        "content_text": "98\n\nR. G. IRWIN\n\nof investigation which he and two other Jesuit fathers had made to Formosa in 1714.31\n\nHaving carried his record to the close of the K'ang-hsi period, de Mailla ventured no further into contemporary history. Some forty years later the task of recording the subsequent Yung-cheng and Ch'ien-lung periods (to 1780) was assumed by M. le Roux des Hautesrayes32 of the Collège Royal de France. It should be noted that whereas de Mailla had scrupulously confined himself to Chinese (and in one instance Manchu) sources, the contribution of des Hautesrayes, in Vol. XI, pages 369-610, was based, not on Chinese texts at all, but on the writings of Jesuit missionaries, available in the volumes of Lettres édifiantes edited by Père du Halde and in the collection Mémoires concernant les Chinois,33\n\nVol. XII, containing “a note on the customs, sciences, and arts of the Chinese,” a table of reign titles, a summary of geographical nomenclature, an alphabetical index, etc., is also the work of des Hautesrayes. But the essays on Cochin China and Tongking, said to have been based on Chinese sources, are specifically attributed to P. Gaubil, and taken from Lettres édifiantes, Vol. XXXI.34 By translating the part relating to China in Fischer's Histoire de Sibirie, 1774 (in Russian), Stollenwerck has provided the note concerning the first attempts of the Russians against the Chinese.35\n\nAbbé Grosier, who had been intimately connected with the publication of the earlier volumes, brought out in 1785 a supplement entitled \"Description générale de la Chine ou Tableau de l'État Actuel de cet empire.” Individual copies have circulated independently, but it is commonly considered as Vol. XIII of the series, and its author is justifiably included in a review of those who share in the completed work.\n\nThe present paper, it will be seen, makes no attempt either to evaluate the sources which have been identified, nor the manner in which de Mailla employed them. Its purpose has been simply to correct a popular misconception with regard to the relation between the T'ung-chien kang-mu and de Mailla's Histoire générale.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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        "rank": 0
    },
    {
        "id": 207035,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 106,
        "title": "RAS-1974",
        "content_text": "100\n\nR. G. IRWIN\n\n25 Lettres édifiantes et curieuses, écrites des Missions Étrangères (Paris, 1781, nouvelle édition), Vol. XVIII, 455-6.\n\n26 SKCS catalogue, 49/3b.\n\n27 See W. Fuchs, op. cit., 101; also Chinesische und Mandjurische handschriften und seltene drucke (Wiesbaden, 1966), 137, no. 43.\n\n28 T'ao Hsiang, Ku-kung tien-pen shu-k’u hsüan-ts'un-mu (Peiping, 1933), 2/1a.\n\n29 Biography by Fang Chao-ying in ECCP I: 65-6. See also his biography of Galdan in ibid. I: 267-8.\n\n30 Any work ordered by the emperor should be listed in the Ssu-k'u ch'üan-shu catalogue. But no title remotely resembling this is included. My colleague, Mr. Fang Chao-ying, hazards the guess that de Mailla is referring here to Ming-chi chi-shih by a Fukienese scholar, Lin Shih-shan (T.), a native of T'ung-an in Ch'üan-chou prefecture, whose work in 10 or more chüan on the conquest of Fukien covers the years 1646-1683. This has never been published; de Mailla must have consulted a manuscript copy, several of which are known to have existed. Cf. Liu Hsien-t'ing (1648-95, see ECCP 1: 521) in his Kuang yang tsa-chi (Shanghai, 1957), 2/83, who mentions learning that a certain Yang Yu-liang had seen a copy in Peking.\n\n31 A detailed letter concerning this trip and his observations was written to Père de Colonia in August, 1715; see Lettres édifiantes (1781), Vol. XVIII, 413-67.\n\n32 de Mailla, op. cit., Vol. XI, 369, n. 1.\n\n33 Idem.\n\n34 de Mailla, op. cit., Vol. XII, 1, n. 1. The reference is to the 1703-76 edition of Lettres édifiantes, in 34 vols.\n\n35 de Mailla, op. cit., Vol. XII, 61-62, notice historique.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
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    },
    {
        "id": 207047,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 118,
        "title": "RAS-1974",
        "content_text": "112\n\nJAMES HAYES\n\nThis recital tells its own story. Hsin-an hsien was not one of the glories of the prefecture. In that useful compendium on the Kwangtung province, the Kuang-tung K’ao-ku Chi-yao of 1893, only the counties of Nan-hai, P'an-yu and Tung-kuan were singled out for mention in the section dealing with the customs and traditions of the Kuang-chou prefecture. These entries speak of the elegant dress and manners of Nan-hai, of its literary and cultured atmosphere, and of how every palace examination brought forth the names of successful local candidates; of the profusion of foreign and local products, and the native and foreign merchants, stationery and itinerant, and the immense shipping of the port.1 Tung-kuan found fame as the ancient examination centre for the province; but no other place is mentioned. In scholars' eyes, the two metropolitan districts of Nan-hai and P'an-yu completely eclipsed the country and coastal districts of the prefecture like Hsin-an and another late creation, Hsin-ning, established in 1498-1499.2 As late as 1745 the district magistrate of Hsin-an when composing an inscription for the repair of the Chau Wong memorial school at Kam Tin, styled it as a place where the Book of Poetry was read as early as sunrise; and culture had spread even to this remote place near the sea.\n\nThe Kuang-tung K’ao-ku Chi-yao, a typical work of Chinese historiography, lovingly compiled, was the work of four Hunanese who had long been employed in the province as huan or officials and mu-fu or private secretaries to senior mandarins. It deals, in 46 chuan, with the wide variety of subjects usually found in district gazetteers and other works on administrative geography. Those chüan dealing with subjects on a geographical basis included material, arranged by prefecture and district. Hsin-an is included whenever, in the opinion of the compilers, there was anything in its records that warranted an entry.4\n\nAs in the chuan on customs and tradition the entries for Hsin-an in other chüan are much fewer than for the older hsien of the\n\n1 KTKKCY 4/1,\n\n2 KTKKCY 1/1 and KCFC 7/4.\n\n3 Tablet dated Ch'ien Lung 10th year, 1st moon, lucky day, inside the building.\n\n4 There is, of course, no shortage of books dealing with Kwangtung and its many localities under similar heads, and in providing their Hsin-an material the compilers did not set out to provide a compendium of all that had ever been included in the successive editions of the standard works on the Kuang-chou prefecture and the hsien of Tung-kuan and Hsin-an, but rather a selection of important material. The KTKKCY seldom provides material after the end of Ming (1644),",
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    {
        "id": 207136,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 207,
        "title": "RAS-1974",
        "content_text": "NOTES AND QUERIES\n\n201\n\nLU PAN―The God of Carpenters. President of the Celestial Ministry of Public Works. Family name Kung-shu, personal names Pan and I-chih. Born at Yen-chou Fu, Shantung, the ancient feudal kingdom of Lu, whence his name Lu-Pan, i.e. Pan of Lu. His father was Kung-shu Hsien, his mother being of the Wu family. He was born in 506 B.C. As a youth he practised and became skilled in all kinds of metal, stone and wood work. At 40 years of age he retired to live the life of a hermit on Li Shan, Mount Li, in Shantung, and was initiated into miracle-working, being able to rise into the air and ride on the clouds. In the reign of Yung Lo (A.D. 1403-25) of the Ming dynasty he received the title of Grand Master, Sustainer of the Empire. Artisans who pray to him have their requests granted immediately.\n\nC\n\nAnother biography gives his name as Kung-shu Tzu, adds that he was called Pan and describes him as a clever man of Lu. Some say he was the son of Mu, duke of Lu. He carved wooden magpies which could float in the air for three days, and constructed a wooden coachman which drove an automobile, as well as engines of war for battering down the walls of cities.\n\nStill another account of his life states that Lu Pan belonged to Tung-huang Hsien, Kansu. He made a wooden kite, on which his father could fly long distances in the air. When he flew to Wu-hui, Kiangsu, the people mistook him for a devil and killed him. Angered at this, Pan constructed an Immortal in wood which, on pointing its finger in the direction of the town, caused a drought which lasted three years. When the inhabitants ascertained the cause, they sent him presents to appease him and he cut off the image's hand, whereupon copious rain fell in Wu.\n\n44\n\n+\n\nThese differences can only be reconciled by concluding that Lu Pan and Kung-shu Tzu were two different persons, the one having lived in Shantung in the time of the Six Kingdoms (3rd cent. B.C.), and the other in Kansu after the time of the Emperor Ming-ti (A.D. 58-76) of the Han dynasty, when Buddhism was officially recognised in China. At the present day, Lu Pan is worshipped, without regard to the question whether the name belongs to one man or to two. Temples dedicated to Lu Pan are still maintained. He is especially worshipped (on the thirteenth day of the fifth and on the twenty-first day of the seventh",
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    {
        "id": 207311,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 79,
        "title": "RAS-1975",
        "content_text": "NOTES ON CHIUCHOW OPERA (MA)\n\nHELGA WERLE\n\nMs. Helga Werle, whose article on Chiuchow (in Mandarin Chao-chou) puppets appeared in the 1973 Journal, describes two typical plays of the Chiuchow opera, and gives background information about this particular regional theatre of China. Ed.\n\nIn urbanized Hong Kong today one can see a performance of Chiuchow Opera at City Hall or Lee theatre two or three times a year, but the traditional purpose of this opera is the shen-kung hsi—a performance to celebrate the birthday of a deity. Many areas of Hong Kong have their organized Chiuchow communities centred upon the temple of a certain deity.\n\nThe Chiuchows have innumerable deities, often completely different from the Cantonese. Some of those worshipped in Hong Kong with temples erected in their names are:\n\nLi-shan lao-mu\nT'ai-i chen-ren\nLi lao-ch'un 李老君\nCh'i t'in ta-sheng\nSan-shan kuo-wang\nSan t'ai-tze lao-yeh\nMu-ch'a Chin-ch'a and No-ch'a called the three princes \"san t'ai-tze\", the three sons of Li Ching 李靖\nHan Chung-kung\n\nTo ensure the prosperity of each temple community the birthday of its deity must be properly celebrated. The most outstanding members of the community are chosen to form the prestigious festival committee, which has the duty to collect the necessary amount of money (between 50 and 100,000 HK$) to organize a worthy celebration. And what could rejoice a god's heart more than the luxury of a series of opera performances? After the dates are decided with the consent of the deity involved a large space is booked with a Government office (usually a public playground),\n\nPlates 5-12 at rear of the volume illustrate this article.",
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    },
    {
        "id": 207316,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 84,
        "title": "RAS-1975",
        "content_text": "76\n\nHELGA WERLE\n\nwhich has the shape of a miniature temple, has the three characters Han-lin yuan embroidered on its red curtain; it is not General T'ien who is sitting behind the ever closed curtain, but the San t'ai-tze lao-yeh\n\nthe 3 princes (Mu-ch'a, Chin-ch'a and No-ch'a).* \n\nThe birthday of the San t'ai-tze lao-yeh is celebrated yearly by this troupe with special performances in the first month of the Chinese calendar in the public housing estate Tung Tau Tsuen ✯✯, not far from the airport, where a whole community considers the San t'ai-tze as their patrons.\n\nAt this birthday celebration in 1976, between 9 and 10 p.m. a man suddenly came running to the temple facing the stage and donned the costume prepared on the table. No-ch'a is usually represented as a young boy: his hair tied in a bob over each ear, with his feet on fire-wheels. The man, a medium, is believed to be an ordinary man who might have never thought of No-ch'a. But on his birthday the god (here No-ch'a) will possess a person who will then only act as a medium. The man or sometimes a woman will get up from his bed, if he is sleeping, or from the table if he is eating, and rush to the square where the festivities are held without talking to anyone. Sometimes 3 people appear being possessed by the 3 princes. If the god in this temple has proved to be particularly efficacious (ling) then this event is expected and the respective clothes for the god are already prepared on a table specially marked with a green bamboo 3m high attached to its leg. The costume for the god is usually put into a flat round basket and a weapon is placed beside it. The medium puts on No-ch'a's costume, a yellow silk blouse and trousers and on the head he puts a band with the two hair-knots attached, shaking all the while and aided by those who have expected his arrival. When dressed the medium takes up the weapon, a solid spiky iron-ball on a chain, and wields it against his own body, beating his back and chest, perhaps to prove that he is actually possessed by the god.\n\n* Doré, Chinese Superstitions, Taipei 66, Vol. 7, p. 413 and Vol. 9, p. 111; E. T. C. Werner: Dictionary of Chinese Mythology, page 247.\n\n† Such a bamboo is also fastened to the roof of the stage or where rituals for the dead are held: it indicates the presence of spirits or marks the place to which spirits are invited to come.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    },
    {
        "id": 207357,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 125,
        "title": "RAS-1975",
        "content_text": "EMPLOYMENT OF FOREIGN MILITARY TALENT\n\n117\n\nobvious and absolute.22 The greater the stake a barbarian had in the order he was defending, the more likely he was to serve China faithfully. Thus, financial attractions, marriage and other personal ties, and bureaucratic checks, worked together to assure barbarian fidelity.\n\nLike Chinese rebels who had been induced by the dynasty to repent of and abandon their rebellious ways, barbarian employees who had “returned to loyalty\" might be honored with rank and title, and brought within the Chinese social and institutional framework.23 But their devotion was never beyond question. Regardless of how close a foreigner might approximate the Chinese cultural ideal, or how long his family boasted residence on Chinese soil, his barbarian origins were seldom forgotten; and if he caused trouble, or proved unfaithful, the problem was usually attributed to his barbarian-ness.24 Nonetheless, the use of foreigners in military positions remained a persistent feature of Chinese administration for well over two thousand years. The nature and extent of this barbarian service may be suggested by a few examples taken from various periods in China's pre-imperial and imperial past.\n\nChina's Early Use of Foreign Employees\n\nWith the rapid expansion of the Chinese cultural sphere during the latter half of the Eastern Chou, the employment of aliens by the various contending states became a common phenomenon although one not without its opponents in this period of continual conflict and intrigue. During Li Ssu's tenure as \"alien minister” (k'o-ch'ing) of the Ch'in, members of the royal house and other dignitaries, fearful that men from foreign states had come to sow dissension, requested that there be a complete expulsion of aliens. Li Ssu, himself from the state of Ch'u, argued persuasively against such a course, citing earlier examples of Ch'in's beneficial employment of foreigners: \"Of old, when Duke Mu was seeking for officials, he procured Yu Yü from the Jung [barbarians] in the west, and obtained Po-li Hsi from Yüan in the east. He welcomed Chien Shu from Sung, and sought P'ei Pao and Kung-sun Chih from Chin. These five men had not been reared in Ch'in; yet Duke Mu, by using them, united twenty [sic] states, and so became Lord Protector over the Western Jung.\"25 Yu Yü's case is especially worthy of note, not only because he was largely responsible for the defeat of the barbarous Jung, but also because he himself had originally",
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    {
        "id": 207358,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 126,
        "title": "RAS-1975",
        "content_text": "118\n\nRICHARD J. SMITH\n\nbeen a Jung envoy sent to observe Duke Mu's sagacious administration before taking service with Ch'in. Over two thousand years after Li Ssu outlined Yu Yü's achievements in a successful bid to forestall the expulsion of aliens from Ch'in, the Chinese still pointed to the former Jung subject as an example of China's profitable employment of foreigners who had “devoted [their] loyalty” (hsiao-chung) to the Middle Kingdom.26\n\nMuch of traditional practice regarding the employment of barbarians, like much of traditional Chinese foreign policy generally, derived from experience in the Han. From the time of Wu-ti on, phrases such as “using barbarians to attack barbarians” and “using barbarians to check barbarians” had become part and parcel of Chinese policy toward foreign tribes. Alliances were often formed with outsiders through marriage, and the use of native chieftains to govern border barbarians became an accepted practice—in time institutionalized as the fu-ssu system. Yu Ying-shih's masterful study of Han foreign relations is particularly useful in identifying these and other early forms of \"barbarian management.\"27\n\nFor much of the Han period, and especially during the reign of Wu-ti, open enmity existed between China and the fierce Hsiung-nu. Yet even so, the Chinese made abundant use of these dangerous but militarily useful barbarians, establishing an often-invoked precedent. Not only were surrendered Hsiung-nu soldiers incorporated into Chinese forces as cavalrymen, but individual barbarians also found employment in the Han army as officers.28 Those barbarian commanders who submitted to China (k'uan-sai, lit., to \"knock at the frontiers\") together with a large number of barbarian troops were particularly likely to receive substantial military appointments; but individuals with far different backgrounds might also rise to the heights of the Han civil or military bureaucracy on the whim of the emperor. Perhaps the most noteworthy example is Chin Mi-ti, a member of Hsiung-nu royalty who, at the age of fourteen, was captured by the Chinese and enslaved. Eventually, Chin gained Wu-ti's attention, won his confidence and affection, and rose to a high and influential position as a result. He served the emperor faithfully in a variety of important civil and military posts, including General of Chariots and Cavalry (ch'e-ch'i chiang-chün), and although certain members of the court resented his power and prestige because he was an alien, Chin conformed in every way to the dictates of Chinese society. It is not surprising that he married",
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    },
    {
        "id": 207366,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 134,
        "title": "RAS-1975",
        "content_text": "126\n\nRICHARD J. SMITH\n\nWhen Ward's employment was first reported to the throne in early 1862, the governor of Kiangsu, Hsueh Huan, took special pains to point out that Ward, in addition to being a courageous and seemingly invincible warrior, was also a loyal servant of the throne, who had petitioned to become a Chinese subject and to change to Chinese ways. Although Ward's petition had in fact been submitted almost a year earlier in a successful attempt to avoid prosecution (this was, of course, unmentioned in the memorial), Hsueh argued that it would be \"inconvenient to repress the sincerity\" of his \"wholehearted turning toward [Chinese] civilization\" (hsiang-hua). Hsüeh suggested that Ward should be granted the fourth rank button and peacock feather in order to encourage him to \"admire right behavior and establish merit” (mu-i li-kung). In response, the throne issued an edict conferring the honors, satisfied that the foreigner had indeed \"turned out of admiration toward Chinese customs\" (hsiang-mu Hua-feng). He was, in Peking's eyes, sincere, helpful and obedient, \"surely worthy of admiration and esteem.”67\n\nIn subsequent months, Ward received additional rewards: the third rank button, brevet rank as colonel, and finally \"expectant\" colonel status. By all accounts he was a brave and singularly effective commander. At the same time, however, he was a brash individual, whose independent spirit and flamboyant style offended, and occasionally alarmed, the Chinese. As Ward's prestige and self-confidence grew, criticisms of his behavior began to appear in memorials to the throne. Hsieh Huan, for one, began to complain of his arrogance and unmanageability. Prince Kung, a leading figure in both the Grand Council and the Tsungli Yamen, found Ward to be proud, boastful, and overly independent. The throne, for its part, expressed special concern over Ward's failure to shave his head and change to Chinese clothing. (Particularly damaging was Hsüeh's report that the barbarian commander had failed to conform to Chinese customs because he feared the ridicule of foreigners!) From Peking's vantage point, the acceptance of Chinese culture was the principal means of gauging the foreigner's receptiveness to imperial control. When Ward failed to conform to the dictates of propriety, his actions cast doubt on his sincerity, and perhaps more importantly, on the efficacy of traditional restraints.68\n\nAll Chinese did not view Ward's indiscretions as matters of great concern, however. Hsüeh's successor as governor, Li Hung-",
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    },
    {
        "id": 207375,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 143,
        "title": "RAS-1975",
        "content_text": "EMPLOYMENT OF FOREIGN MILITARY TALENT\n\n135\n\nWu-ti's Northwestern Campaigns,\" HJAS, XXVI (1966), 170, 172-173; Yü, 14; Lattimore, 485. Northern barbarian cavalry units were designated Hu-ch'i; southern barbarian units were called Yueh-ch'i.\n\n29 Michael Loewe, \"The Case of Witchcraft in 91 B.C.,\" Asia Major, XV.2 (1970), 180-181 traces Chin's career, major offices, and impact. See also Han-shu, 7: 1b; 38: 21ff; 68: 2a-b, 20b; 112: 16a-b.\n\n30 G. Haloun, \"The Liang-chou Rebellion 184-221 A.D.,\" Asia Major, I (1949-1950), 119; 121. Note the interesting case of Chao Hsin, discussed in Loewe, \"The Campaigns,\" 79.\n\n31 WSM, TC 79; 11; WCSL, 129: 17.\n\n32 Cited in Ch'ien and Goodrich, 9.\n\n33 See, for example, Yü, 205; Chi Ch'ao-ting, Key Economic Areas in Chinese History (New York, 1963), 99; Eberhard, 126; etc.\n\n34 Mackerras, 56-61, especially 60-61.\n\n35 See Su Ch'ing-pin, 399; Yüan, 160; Gabriella Molé, The T'u-yü-hun from the Northern Wei to the Time of the Five Dynasties (Rome, 1970), 157, 163, 167, 169, 180.\n\n36 See Yüan, 153-163; Su Ch'ing-pin, 589.\n\n37 See Wang Kung-wu, The Structure of Power in North China During the Five Dynasties (Kuala Lumpur, 1962); also Su Ch'ing-pin, 399.\n\n38 The preface to this work is very illuminating. Therein, Li Te-yü describes the general circumstances of Wen-mo-ssu's submission, making repeated reference to past experience with submissive barbarians and lauding the present emperor's virtue. After extolling Wen-mo-ssu's merits, Li suggests that just as the Hsiao-ching (Classic of Filial Piety) defines the proper relationship of ruler and minister, father and son, so the I-yü kuei-chung chuan defines the proper behavior of foreign employees in the Chinese service. Implicit in the comparison is the idea that Li is to T'ang Wu-tsung what Tseng Ts'an was to Confucius. For further information on Wen-mo-ssu, see Chang Ch'ün, T'ang-tai hsiang-hu an-chih k'ao [An examination of the treatment of surrendered barbarians in the Tang dynasty]. Hsin-Ya hsieh-pao [New Asia College Journal], 1.1 (August, 1955), 310-311; James R. Hamilton, Les Ouïghours à l'époque des Cinq Dynasties d'après les documents chinois (Paris, 1955), 69, 71, 153-154; Su Ch'ing-pin, 397; Hsin T'ang-shu, 217(B) [lieh-chuan, 142 hsia]: 1-3; T'ang-shu, lieh-chuan, 145: 13-14.\n\n39 Li Te-yü, 2: 10-11; see also ibid., 7: 56; 8: 57; etc.\n\n40 Ibid., 2: 11.\n\n41 Ibid., 5: 29, 31; 5: 33-35; 7: 56; 8: 59-60; 13: 101-109; 19: 159-160.\n\n42 See Mackerras, 14-47; also Li Te-yü, 14: 116-119. Tseng Kuo-fan undoubtedly had the T'ang experience in mind when he wrote: \"Since ancient times outer barbarians (wai-i) have assisted China; but in each case, after success, there have been unexpected demands,\" IWSM, HF 71: 10b.\n\n43 Howard Levy, Biography of An Lu-shan (Berkeley, 1961), 17-20.\n\n44 See Richard J. Smith, “Chinese Military Institutions in the Mid-Nineteenth Century, 1850-1860,\" Journal of Asian History 8.2 (1974), 124-125; also Lo Jung-pang, \"The Decline of the Ming Navy,\" Oriens Extremus, 5 (1958), 165-168.\n\n45 Sung-shih, 472: 18-21; Liu Sheng-mu, Ch'ang-ch'u-chai hsü-pi [Supplementary writings from the Ch'ang-ch'u study] (preface date 1929), 5: 146.",
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    {
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        "page_number": 351,
        "title": "RAS-1975",
        "content_text": "342\n\nBOOK REVIEWS\n\n34 This observation is mainly based on the fact that the first poem from his own collection is entitled \"Chin shou-men has shown me a rubbing of the inscription taken from the bronze bells being made for the Ching-lung Monastery during the Tang Dynasty.”\n\n毒門见示所裁唐景龍觀錘髭拓本 In Li E's Fan-hsieh SFC, chuan 1, p. 1 under this poem, the date of its completion is recorded by the combined used of the Chinese cyclical characters: chia-mu which according to Li E's chronology, is to be identified as 1714 (the 53rd year of the Kang-hsi era).\n\n35 Ever since 1963, the Kwang-tung ying-jen chuan, “A Biographical study of the seal-carvers in Kwang-tung\", edited by Ma Kuo-chuan, has continuously appeared in the -lin section of Hong Kong's Ta Kung Pao Daily News. His study about Chang Hsiang-ming in particular, appeared in Ta Kung Pao, December 19, 1965. In October 1974 this biographical information was edited and published by the Nan Tung Company in Hong Kong, still entitled Kwang-tung ying-jen chuan. The portion concerning Chang Hsiang-ning is to be seen in this book edition p. 98.\n\n36 This is based on Takikawa Shiteru's colophon being inscribed on Hsiao Yün-ts'ung's painting entitled Li Sao T’u. A full reproduction of this painting has been printed in 1924 in Tokyo by Seigei Omura as one item of his edited Zubon Sosho. In addition, Takikawa's colophon was also quoted by Professor Akiyama Mitsuo in his Sho Sekiboku to Shuzan Koryo zu which appeared as the last article, being collected in the same author's Nihon bijusisu ronko (1943, Tokyo), pp. 413-414.\n\n37 According to Tzu Hai (1967, Taiwan edition), Appendix V (A conversion chart British, Japanese and Metric Lengths), each Japanese feet equals 0.3030 metre. Thus, 40 Japanese feet equal 12.12 metre. On the other hand, since the Drenowaltz handscroll measures 1302 cm; namely, 13.02 metre, the lengths of this painting, now in Switzerland, and the Li Sao Tu, once in Japan, are certainly very close.\n\n38 See Hu I: \"Hsiao Yun-ts'ung Nien-p'u” “A Biographical study of Hsiao Yün-ts'ung on A Yearly Basis”, in Mei-shu Yen-chiu (1960, Shanghai), No. 1.\n\n39 For these literary men who were gifted artists as well as members of the Fu She Association, these were, in addition to Hsiao Yün-ts'ung, many others, such as Li Sui-chlu from Kwangtung province, Wan Shou-ch'i (1603-1652), Wu Wei-yeh (1609-1671), Chi Pao-chia (middle 17th century) and Mao Hsiang (1611-1693) from the Kiangsu province, Fang I-chih (1611-1671) from the An-hui province, and Yang Wen-ts’ung (1597-1645) from the Kwei-chou province. These were all example-figures of such a type.\n\n40 Hsiao Yün-ts'ung name is listed in Fu She Hsin-Shih Lu \"Records of Members of the Fu-she Association\" first volume, p. 7a. This rare book is now owned by the Institute of History and Philology, Academia Sinica at Nankang, Taiwan.\n\n41 Hsieh Kuo-chen: \"Nan-ming shih-luch\" “A Brief History of the Southern Ming Period\" (1957, Shanghai), pp. 12-13.\n\n42 S. W. Stephen: Chinese Art, 2 vols. (1904-06, London).\n\n43 Ch'eng Wei: “A primary study on the Origin and Development of Ancient Bird-and-flower paintings\" in Wen-wo (1963, Peking), No. 10, p. 22-29. This article probably serves as the only research on the history of Chinese painting by using one single painting collection as its basis. Yet unlike the work done by Professor Li",
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        "page_number": 352,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n343\n\nin this new publication, the subject being discussed by Ch'eng Wei is only one of many aspects of Chinese painting.\n\n44 Such as (A) in Chapter X whether Chiao Ping-chen should be regarded as an artist of the Yu-shan school, and (B) in Chapter IV, whether Mo Shih-lung's chronology is to be rendered as ca. 1540-1587. Undoubtedly the chronology which appears in Professor Li's book is far more reasonable than ca. 1567-1582, the impossible chronology suggested by C. C. Wang and Victoria Contag in their Seals of Chinese painters and collectors of the Ming and Ch'ing Periods (1966, Hong Kong), p. 134. Nevertheless, for many years Mo Shih-lung's chronology has always been a puzzle to students of Chinese art. No one so far, except Professor Li, has so explicitly pointed out the years of birth and death of this artist. For example, in Nan-ching po-mu-yüan tsang-hua-chi, Chinese paintings in the collection of the Nanking Museum (1966, Peking), Vol. I, p. 3, the editor was able only to find Mo Shih-lung's death was in 1587. In Professor Li's book, this artist's year of death agrees with what the Nanking specialists have found. About Mo's year of birth, Vol. I, p. 106 states, \"he must have been born around 1540, though the precise date is not known\", so it seems that 1540-1587 is a tentative calculation. However, students of Chinese art would feel grateful if Professor Li could give his original information and state that on what ground this chronology is obtained.\n\nTHE\n\nSANDALWOOD MOUNTAINS; READINGS AND STORIES OF THE EARLY CHINESE IN HAWAII: compiled and edited by Tin-Yuke Char, pp. xv, 359. Honolulu, University Press of Hawaii 1975.\n\n“Yum sai see yuen.” “When drinking water, think of the source.\" This ancient Chinese proverb came to mind as I read Mr. Char's compilation, The Sandalwood Mountains.\n\nThis is a monumental book—a monument to the Chinese who came to Hawaii in the early 1800s to start the first sugar plantations there and who later came in the tens of thousands in the latter third of the 19th century.\n\nMany of these early Chinese laborers were brought to Hawaii indentured for three to five years at a cost of $5 to $7 a month, including pay and support. Many of them later left to start their own rice plantations and other agricultural pursuits. Others left to go into retailing and service industries. Many lived to see their children and grandchildren become teachers, professional people, political leaders and thoroughly integrated into Hawaii's multi-racial life.\n\nThe book is also a monument to the compiler, Tin-Yuke Char, who has brought to his task an unusual background including studying and teaching in Hawaii, China and the mainland United",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 208337,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 61,
        "title": "RAS-1978",
        "content_text": "ALTER IMAGES FROM HUNAN AND KIANGSI\n\n45\n\nof a scarlet bird', 'bowels like (or as long as?) nine rivers', 'as many as 84,000 teeth' and etc.\n\nThe fifth image (Plate 6) dedicated in 1799, from Kiangsi, is of a different style. It is very similar to certain of the Ch'ao Chow and Fukienese carvings, and particularly like certain Japanese Buddhist temple guardians such as Jikoku Ten. He was less dusty or greasy than the others, though he has been badly kippered by incense smoke and repainted with a cheap gold paint at some time. His original fine gilt lacquer is just visible in places on his lower back. He has lost his weapons, and his beady eyes, guaranteed to frighten when new, have been lost into the general contours of his face. The slip of paper from his back is best preserved of all six. It is recorded as a \"Viscera Statement\" (it) and relates that devotee Chen Ta-chiang, living in Lu Ling County, Chi An prefecture together with his wife, son, daughter-in-law and two grandchildren, on this lucky day of the 10th moon of the fourth year of Chia Ching (November 1799) presented the image of the Heavenly General (** ) with a Viscera Statement enclosed, and prayed saying \"Your Most Reverend Spirit of the Chief General and Heavenly Ruler, having become perfect and entered Nirvana during the Shang dynasty, your reputation is as high as the heaven; you have the ability of suppressing all demons and spirits, the power of deciding on all matters of disasters and blessings in the human world without the slightest partiality, the ability to recommend the choosing and establishment of construction sites with favourable geomantic influences, and of leading right people to prosperity. I therefore most respectfully present this new image for eternal worship by us and our future generations under your protection”. \n\nThe sixth image (Plate 7), also from Chi An in Kiangsi and dedicated in 1870, is a multi-image object consisting of a two foot three inches high piece of wood carved in the round, into a series of grottoes and caverns, steps and paths up to a small temple at the summit. This contains the only moveable and identifiable deity, a miniature Tou Mu (44) with her six arms and crown, seated cross-legged and with the cavity in her back which contained the identifying slip of paper. The other immovable thirteen images are of Taoist worthies, unidentified immortals, ten of them standing, one on horseback, the two more holding tablets before them standing beside the temple, probably the guardians or aides to Tou Mu.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 208338,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 62,
        "title": "RAS-1978",
        "content_text": "46\n\nKEITII STEVENS\n\nMu. The whole is best known as a Taoist Heaven (*). The temple at its peak bears the title of Fan Ch'ih Kung (£) \"The Palace of the Essence of Brahma\". The slip of paper in Tou Mu's back relates that Huang Wen-yuan, a sincere believer, born on the 27th day, 11th moon of the Year i wei (about December, 1835), residing south of Lu Ling City, Chi An Prefecture, Kiangsi Province, together with the whole of his family, on a lucky day of the 9th moon, of the Year keng wu during the Tung Ch'ih reign (about October, 1870), prayed before Tou Mu stating, \"I respectfully implore Most Reverend Tou Mu, a heavenly Goddess of Sacred Virtue, having the immense brilliance of T'ien Hou, generosity, the magic powers of suppressing demons and spirits, and the ability to produce amulets and prescriptions for saving people with serious afflictions, to effectively respond to my earnest prayers and wishes, and wield her supernatural powers to protect all the members of my family and to increase not only the number of children but also all kinds of happiness and prosperity\".\n\nOf the score or so images, only three deities are categorically identifiable, Kuan Ti, Kuan Yin, and Chao Kung-ming, the deities of loyalty, mercy and wealth respectively. Two of the images seem to be local Earth Gods (+) (Plate 8). They are of a style very commonly seen but with what are probably provincial characteristics. They are seated old men, clutching a fly whisk by the end of its handle allowing the handle itself to rest along the forearm and the whiskers to hang from about the elbow. They have a \"shoe\" of gold in their left hand, long white beards, white eyebrows and white hair under a green floppy form of skull cap with their hair drawn up into a bun through a hole in the top of it. They are wearing long robes bound by a red belt tied in a bow at the front, and black shoes. A female carved in the same pose, holding a fly whisk in the same manner, and dressed in a floral robe but without the “shoe\" of gold, has unbound feet, and hair, without a cap, drawn into two short pigtails. She may perhaps, be the consort of the Earth God.\n\nA final image, unidentified, has a spectacular face (Plate 9). He is an unidentified monk, seated cross-legged on a bench and with the ends of his robes hanging beneath him concealing the bench. He holds a fly whisk in his right hand in the same manner as the Earth God and in his left hand he holds a rosary. He has the face of an elderly man but with the characteristics more frequently",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208340,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 64,
        "title": "RAS-1978",
        "content_text": "48\n\nKEITH STEVENS\n\ndecorated with a large dragon across her bosom, and the \"bird\" hat with its representation of a small bird, wings outstretched, lying on top. She holds a raised fly switch in her right hand and her girdle is grasped in her left hand (the latter pose is usually reserved for male images). She is seated on a dragon throne.\n\nPerhaps readers can offer their views on the use of impersonal images on family altars and further examples of the practice in other parts of China?*\n\nNOTES\n\n1 Lao Tzu—the philosopher generally believed to have founded Taoist philosophy.\n\n2 Erh Lang (#) often identified with Yang Chien (##) the nephew of the Jade Emperor, the supreme Taoist deity.\n\n3 The Five Thunder Magic () is used in Taoist folk religion as the ultimate threat; a magic of destruction brought about by Taoists against those who broke the rules or opposed the Taoists.\n\n4 Lei Kung (2) the God of Thunder.\n\n5 usually read Wei, is read Yu in this surname.\n\n6 The image of Kuan Ti, the God of Loyalty and one of the most popular of deities throughout China also contained a slip which noted that it had been dedicated in the autumn of 1789 in the same area in Wo Kang as the images in illustration 2 and 4. The slip tells us that Devotee Pan Mu-shih, together with his wife, two sons and two daughters-in-law offered sacrifices to the deities in the City God shrine in the local temple, reporting that he and his whole family had had the image of Kuan Ti carved by a scholar. This they respectfully presented to have its eyes opened before the Gods so that it would be able to rid their dwelling of evil spirits and bring them blessings. The latter part of the text on the slip says that, \"Your Honour Kuan Ti is the cleverest, most faithful and righteous in the world both past and present. You are a true spirit, a wonderful inspiration and have the ability to suppress demons. To show you our sincere respect we shall now dress you up, worship you every morning and evening with incense and further, offer you Spring and Autumn sacrifices each year....\n\n7 The provenance of three further images in the shipment, in better condition, is unclear though possibly they came from one of the areas in Hunan or Kiangsi from which the others originated. Of these three, two are versions of Yao Wang (1) the King of Doctors, who is easily recognisable by his tiger and dragon, one below and the other above him, and the small red pearl he holds aloft between his fingers. The third image is Yao Wang's aide, a middle-aged man standing carrying a herbalist's case slung over his shoulder and a furled umbrella in his hand.\n\n* Mr. Stevens has made a further discovery in the matter of ancestral images: see the Notes and Queries section at p. 206.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208356,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 80,
        "title": "RAS-1978",
        "content_text": "64\n\nGÖRAN AIJMER\n\nA chronicler of Yuanjiang2 states that people used cut paper 'to hang money on the mountain'. This was called 'to drink wine on the grave and hang up.' The chronicler goes on to say:\n\nIf it is graves of newly buried, then there is affection. On Earth God Day and earlier, one suspends and sweeps. The proverb says: For the new graves one does not pass she. For old graves one suspends when thirty nights have passed.14 A record of local customs in Yiyang tells us that at Qingming to sweep the graves were repaired. This was called sao mu 'the graves'. Paper money was suspended on the graves. This was called gua shan 'to hang up on the mountain'.15 From Baling we learn that, in the Qingming solar period, women hung up cut paper strips on the graves. It was called gua fen 'to hang on the grave'. Paper money was burnt and wine poured out. It is said that this practice gave rise to much mournful thought 哀思.16\n\nIn Anxiang it was the practice that 'scholars' and 'commoners' swept their grave mounds: Officials arrange money, prepare cattle, and arrange in order wine. Thereby are made ji sacrifices.17\n\nIn Hanzhou the graves were swept and there was much offering.18 In Jingshan the graves were visited, there were ji offerings, sweeping, and suspension of paper money on them.19 Similarly, in Wuchang, the old graves were swept and paper money hung up on them. Here people encircled the grave wailing loudly.20\n\nIn Chongyang everyone made ji offerings at the graves. People used 'top branches' with paper money on top of the graves.21 In Yingshan it was the practice to construct offering tables in front of the graves. This was called 'to welcome (the ancestors?) to return'. This celebration was continued up to the end of the moon.22\n\nI said above that Qingming is a period of about fifteen days. When our sources mention visits to the graves we may assume that these were spread out over this duration. It may well be that the visits were initiated on the Qingming day, the first day of the solar period: I will soon provide some evidence for the importance of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208776,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 233,
        "title": "RAS-1979",
        "content_text": "206\n\nNOTES AND QUERIES\n\nHe named the new temple the 'Pu To' (Po Tor in Cantonese) in the East, meaning Kwangtung. There is a much older 'Pu To in the South' at Amoy in the Fukien province.* The original 'Pu To' is the famous island of that name off the Chekiang coast. It is covered with temples and is one of the homes of Chinese Buddhism.†\n\nApart from seeing the relics associated with its founder and visiting his grave and those of later abbots, the purpose of our visit is to walk round the premises and to note the wealth of presentation boards (§§§) to be found on them. These combined examples of calligraphy and Buddhist sentiment are cut on wood and mostly painted in gold characters on a red ground. Many are from the brush of the several abbots, especially the founder who clearly took a delight in naming and commemorating the different buildings and gateways.\n\nThe Monastery occupies a considerable area and its grounds were previously much larger, taking in a wooded area in front which has since been resumed by the Government for development. There has been considerable re-building and much new building, but overall the influence of the founder is still plainly evident.\n\nChinese calligraphy has always been a highly—indeed perhaps the most—respected and prized art form. Dun J. Li in his The Essence of Chinese Civilization (New York, Van Nostrand Co., 1967) writes (p. 414):\n\nOf all the talents the Chinese emphasized, none was more important than the literary talent. Such emphasis was evidenced by the fact that prior to the modern period the Chinese produced more books than the rest of the world combined. As for fine arts, the art form which the Chinese cherished most was calligraphy, and the works of such great masters as Wang Hsi-chih (321-379), Liu Kung-ch'üan (d.A.D. 865), and Chao Meng-t'iao (d.A.D. 1322) were imitated throughout history.\n\nHe then gives biographies of several famous calligraphers, taken from the standard dynastic histories, which illustrate this esteem. Emperor Mu-tsung of T'ang (821-824) was not considered an able, enlightened ruler.\n\n* P. W. Pitcher, In and About Amoy (Shanghai and Foochow, The Methodist Publishing House in China, 1909) p. 78 and illustration at p. 161. † See the extensive account in Reginald Fleming Johnston, Buddhist China (London, John Murray, 1913) pp. 259-389.\n\nI",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
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    },
    {
        "id": 209042,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 204,
        "title": "RAS-1980",
        "content_text": "172\n\nBOOK LISTS\n\nMr. Leung's book lists those produced mainly in Canton and Fatshan (Fo-shan), but I have recently purchased another type of wood-block mu yu shue published in the Chiu-chau prefectural city, seemingly in late Ch'ing times and after. The covers give place of publication as Chiu-shing (M) by the 王生記, 財利堂, 吳瑞文堂 and 李萬利 publishing firms. Perhaps these were the ones referred to by D. H. Kulp, Country Life in China: The Sociology of Familism; Volume I, Phenix Village Kwangtung, China (New York, Columbia Teachers' College, Columbia University, 1925): Judging by my local collecting, they are rarely found in Hong Kong.\n\n(j) Popular poetry\n\nI have not collected old editions from Ch'ing and Republican times, but have seen many, even from the former period, usually with a Canton or Fatshan imprint. They were frequently \"borrowings\" of compilations made by scholars from the Yangtse area and North China, for such works were seemingly universally in demand. No list.\n\n(k) Novels and stories\n\nThis was not a main area for collecting, and the few works listed here are mainly for the purpose of illustrating the genre than for serious bibliographic attention. I have, in truth, seen many more titles.\n\n(l) Morality books\n\nHere again, I have not really attempted to collect such material, but only to provide a few titles on temple deities to accompany the text in Section A. But I can state that there is a great deal of it around, and that some can usually be found whenever a merchant's business and miscellaneous papers come onto the market, along with the account books and correspondence relating to his shop or firm.\n\n(m) Newspapers\n\nI have only mentioned them in the text because they seem to have been part of the stock of written materials available in rural areas of the Hong Kong Region before 1911, even if only casually and occasionally, which was",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 209059,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 221,
        "title": "RAS-1980",
        "content_text": "BIBLIOGRAPHY OF TAOISM\n\nLiang, Jung-mao. Pao-p'u-tzu yen chiu. Taipei, 1977. 梁榮茂,抱朴子研究,台北,牧童出版社, 1977.\n\n189\n\nLC\n\n2, 2, 173 p.\n\nLing-hsüeh shih i. Taipei, 1970.\n\n靈學釋義,謝冠能編輯,台北,世界紅卍字台灣分會,1970.\n\n28 p.\n\nLC\n\nLiu, Ming-jui, Chiao-ch'iao tung chang. Taipei, 1965. 劉名瑞.敲蹻洞章.台北,真善美出版社,1965.\n\n9, 63, 4, 71 p.\n\nSA\n\nLiu, Tsun-jen. Ho-feng-tang tu shu chi. Hongkong, 1977. 柳存仁,和風堂讀書記.香港,龍門書店,1977. 2v.\n\nLC\n\nLun tao lu. Chengtu, 1921.\n\n論道錄.成都,聚昌公司,1921. 21 double leaves.\n\nCA\n\nMan-Mō hokushi no shūkyō bijutsu. Tokyo, 1943–44. 滿蒙北支の宗教美術,逸見梅榮編,東京,丸善,1943-44.\n\n8 v.\n\nMori, Mikisaburō, 1909– “Mu” no shisō. Tokyo, 1969.\n\n“無”の思想,森三樹三郎,東京,講談社,1969.\n\n216 p.\n\nLC\n\nBC, LC\n\nMou, Tsung-san. Ts'ai hsing yü hsüan li. Kowloon, 1962. 牟宗三,才性與玄理,九龍,人生出版社, 1962.\n\n3, 5, 384 p.\n\nLC\n\n205 p.\n\nOhama, Akira, 1904– Chūgoku kodai no ronri. Tokyo, 1950. 大濱晧,中國古代の論理,東京,東京大學出版會,1950.\n\nLC\n\nOyanagi, Shigeta, 1870-1940. Dōkyō gaisetsu. Taipei, 1966. 小柳司氣太,道教概說,台北,台灣商務,1966.\n\n2, 92 p.\n\nBC, CA\n\nOyanagi, Shigeta, 1870–1940. Dōkyō no ippan. Tokyo, 1935. 小柳司氣太.道教の一斑,東京,東方書院,1935.\n\n1 v.\n\nCA\n\nOyanagi, Shigeta, 1870-1940. Rō-Sō kenkyū no gendaiteki igi. Tokyo, 1939.\n\n小柳司氣太,老莊研究の現代的意義.東京,啟明會, 1939. 47, 25 p.\n\nBC",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209179,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 82,
        "title": "RAS-1981",
        "content_text": "68\n\n1968).\n\n \n\nHUBERT SEIWART\n\nCf. Holmes Welch, The Buddhist Revival in China. (Cambridge, Mass.\n\nCf. Y. Raguin, \"Buddhismus auf Taiwan\", in Buddhismus der Gegenwart, ed. by H. Dumoulin (Freiburg 1970) pp 113 – 116.\n\na \"Taoism' (by A. K. Seidel), in The New Encyclopaedia Britannica, Macropaedia, p 1042.\n\nFor example, the Taoist Association of the Republic of China is run mostly by laymen who try to get rid of many of the more \"vulgar\" practices of religious Taoism and to restore the intellectual tradition of former times. These efforts seem not to be supported by many of the Taoist priests, possibly since they make their living by performing these practices.\n\n10\n\n \n\nSee for example G. G. H. Dunstheimer, “Religion et magie dans le mouvement des Boxeurs”, in T’oung Pao, 47 (1959) pp 323 - 367; G. Miles, \"Vegetarian Sects\", in The Chinese Recorder, 33 (1902) pp 110; D. H. Porter, \"Secret Sects in Shantung\", in The Chinese Recorder, 17 (1886) pp 1 – 10, 64 – 73; M. Topley, \"Chinese Religion and Rural Cohesion in the Nineteenth Century\", in JHKBRAS 8 (1968), pp 9 - 43.\n\n11\n\nCf. Wing-tsit Chan, Religioses Leben im heutigen China, (München, 1955) pp 109-156.\n\nT'ai-pei-shih\n\n12 Such a healing-cult is treated by Wang Chih-ming Chi-lung-lu ti i-ko min-su i-sheng he t'a-ti hsin-t'u-men (unpublished B.A. thesis, National Taiwan University, Dept. of Archaeology and Anthropology, 1971)\n\n13 An example of this is the Sheng-hsien-t’ang community in Taichung. The publications of the revelations of the mediums of this temple are distributed and read everywhere in Taiwan.\n\n14\n\nSome sects (e.g. Li-chiao), however, are copying Buddhist or Taoist ceremonies and dress so that it is difficult to decide whether the performers are priests or laymen.\n\n16 Some of the \"new religions” are treated in Hsiao Ching-fen, “The current situation of new religions in Taiwan\", Theology and the Church, 10:2 – 3 (Tainan, 1971) pp 1 -- 28;\n\n10 I-kuan is actually derived from a passage in the Confucian Analects (IV, 15).\n\n17\n\nThe popular name is Ya-tan chiao. Other names are Tien Tao chiao, K'ung-tzu chiao, Ta Tao chiao, Lao-mu chiao\n\n4. Cf. Tung Fang-yüan, Tai-wan min-chien tsung-chiao hsin-yang (Taipei 1976) p 123.\n\n18 Tung, op. cit., p 123f. According to Su Ming-tung, T'ien-tao kai-lun (Kaohsiung, 1979) p 197, there are more than 300,000 followers of I-kuan Tao in Taiwan today.\n\nLi Shih-yü, Hsien-tsai Hua-pei mi-mi-tsung-chiao (Chengtu, 1948, repr. Taipei, 1975) p 32.\n\n20 It seems certain, however, that the I-kuan Tao has followers outside Taiwan, esp. in Hong Kong, Japan and Singapore. In contrast to Taiwan, in these places the sect is not forbidden by the government and can operate openly (cf. Su Ming-tung, op. cit., p 198f). For the propaganda of the Communist government",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m",
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    },
    {
        "id": 209398,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 55,
        "title": "RAS-1982",
        "content_text": "33\n\nThis contrasts with the situation in Hong Kong, for instance, where Chinese were tried by colonial judges principally according to English law, and also with Singapore where a similar situation obtained.\n\nLand Regulations: the Constitution of the International Settlement\n\nEarlier I have made mention of the Land Regulations without clearly explaining what these were. As these Land Regulations formed the Constitution of the Settlement on which nearly the entire structure of government was built it seems proper to give some more details about them,\n\nIn the course of the Settlement's history (1845-1943) three sets of Land Regulations were issued: in 1845, 1854 and 1869. They all dealt in various degrees with the delimitation of the settlement's boundaries, the mode of renting land, the way in which foreign land-renters or ratepayers could elect a Municipal Council, the organisation of the Municipal Council and other administrative details. The way in which these sets of Land Regulations originated differed from each other.\n\nThe 1845 Land Regulations\n\nThe first set was issued by the taotai Kung Mu-chiu, on November 29, 1845. According to the preface these had been drafted by the Chinese and British authorities, meaning Kung and consul Balfour, \"in communication together\". This first Constitution had a distinctly Chinese flavour, as was to be expected. The basic principles of Chinese rulers were: first, paternalism, which held that a great number of detailed rules had to be laid down in writing and that one of the main tasks of administrators was to prevent the cropping up of unrest among the population, second, the so-called Ai-min principle (literally \"love the people\") which said that the feelings of the people should be respected, and third, the principle of mutual responsibility through the pao-chia system. In one form or another all these foundations of the Chinese state were represented in the 23 articles of the Land Regulations (the number of articles alone already indicates the Chinese obsession with detailed rules): e.g. paternalistic attitudes were to be found in articles IV, VI, IX, X, XI and others; the Ai-min rule in articles II, V, VII and IX; and the",
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    },
    {
        "id": 209634,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 291,
        "title": "RAS-1982",
        "content_text": "269\n\n[Liu Yun Sham] Shang Shui [Sheung Shui] Hsiang Hsiang-kung-so kai-mu te-k'an 1:03, Hong Kong, 1981, pp. 31-32, 51.\n\n* The estimated population was given in \"Report by Mr. Lockhart on the Extension of the Colony of Hong Kong\", Sessional Papers, 1899, p. 204. * The figure is worked out on the estimate that about half of the population were males, and 20% of them were within the age group 7-14,\n\nHugh Baker op. cit. p. 73.\n\nHsin-an Hsien-chih, pp. 100, 156-157.\n\nG. P. Late, \"Report on the Survey of the New Territories, 1900-1901\" Hong Kong Government Gazette, 1902, p. 708.\n\nThe description was given by a late Ch'ing sit-tsai, Liao Chun-nan in a poem (undated) found in a hand-written collection of poems and verses kept by a retired school master in the village.\n\n*G. N. Orme, \"Report on the New Territories, 1899-1912”, Sessional Papers, Hong Kong, 1912, p. 56.\n\n14 Ibid., p. 59.\n\n15 \"Report of the Director of Education for the year 1912\", Hong Kong Administrative Reports, 1912, p. N 14.\n\nG. N. Orme, op. cit., p. 57.\n\n17 Ibid.\n\n\"Report on the Census of the Colony for 1911\" p. 103(26) and \"Report on the Census of the Colony for 1921\", p. 173. Table XVIII of the 1911 Census gives 94,246 as the total population including the N.T., Kowloon City and Sham Shui Po. From this, we have to subtract the numbers for the last two districts, which were placed administratively under New Kowloon. Hence population figure of what we now call the N.T. in 1911 was 80,622.\n\n\"Report of the Director of Education for the year 1913”, Administrative Reports, 1913, pp. N16-N17.\n\n* \"Report of the Education Department\", Administrative Reports, 1926, p. O5.\n\n* Annual Report of the Hong Kong and New Territory Evangelization Society, Hong Kong, 1912, p. 6,\n\n** Annual Report of the Hong Kong and New Territory Evangelization Society, 1918, p. 4.\n\n* \"Report on the Census of the Colony for 1921\", Hong Kong, p. 189.\n\n\"Report on the Census of the Colony for 1931\", Hong Kong, pp. 138-139.\n\n\"Dr. David Faure and Dr. Patrick Hase discovered last year at the home of a former village school teacher (born about 1875), a villager of Hoi Ha and resident at Pak Sha O Ha Yeung some 365 books of immense interest for the study of traditional village life and scholarship in the area of the New Territories. Amongst these books are a substantial number of textbooks used in the village from about 1875 to the eve of World War II. The books include the standard primers and their revised editions with additional commentaries, a set of three-four-five character primers composed in the late Ch'ing designed for women and children, simple readers, semi-modern texts on history, geography and hygiene, etc. The collection is of great value for further research.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
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    {
        "id": 209937,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 196,
        "title": "RAS-1983",
        "content_text": "174\n\n3. Chanting, with mostly neumatic and some melismatic passages, accompanied by melodic and percussion instruments (e.g., see Example 2).\n\nThe instrumental ensemble is made up of a pair of large and small suo-na as melodic instruments, and of shou-ling 手鈴, ting-tong 叮噹, bu-yu 卜魚, small and large luo 鑼, qing, mu-yu, po, and small and large gu as percussion instruments.* Qing, mu-yu, and shou-ling are played by the dao-shi themselves during Jiao-shi. Instrumental ensemble in Jiao-shi serves the following functions:\n\n1. To provide instrumental preludes (pai-chang) at the beginning of the various sessions of Jiao-shi, prior to the recitation or chanting of the canonical texts.\n\n2. As instrumental interludes in between the recitation and chanting of the canonical texts. They appear either as entirely percussion passages or passages played by both melodic and percussion instruments.\n\n3. As instrumental postludes near the end of each session of Jiao-shi.\n\n4. To provide accompaniment to the chanting of canonical texts.\n\nThe formal structure of the Jiao-shi music is based on the repetition and variation of unit-pattern(s). The length of a unit-pattern varies from the shorter motivic type to the longer sectional type; the latter itself is made up of several motifs strung together. It is the skeletal pitches of the unit-pattern that remain relatively stable in the process of variation. Techniques of variation on the unit-pattern can be separated into the pitch-variant (Pv) and the rhythm-variant (Rv):\n\nPitch-variant.\n\n1. Pitch alteration (Pv1). Alteration of non-skeletal pitches of the unit-pattern, achieved by replacement by pitches different from the original version, octave displacement, and/or change of original order of pitches.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
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    },
    {
        "id": 210092,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 63,
        "title": "RAS-1984",
        "content_text": "42\n\nJULIAN PAS\n\nWebster's Dictionary (1979), p. 1733.\n\n10 Webster's Dictionary (1979), p. 170.\n\nLenormant (1875), p. 18.\n\n12 Lenormant (1875), p. 19.\n\n13 Lenormant (1875), p. 30.\n\n14 Needham (1956), p. 349.\n\nBanck (1976).\n\n16 CHENG, Chen-tuo, Editor, T'ien-chu ling-ch'ien\n\n(Reproduction of the\n\nEarliest Preserved Set of Temple Oracles) Folklore & Folk Literature Series of National Peking University. (reprint), Taipei: The Orient Cultural Service, 1958.\n\n17\n\n19\n\nI have used the cheng-t'ong or Ming edition, as reprinted in Taipei.\n\nEberhard (1970), p. 193.\n\nHuang-ti shen-kung Ħ☎1⁄2, Banck (1976), #17.\n\n20 Eberhard (1970), p. 191-192.\n\n21 Jordan (1982).\n\n11 W. Eberhard (1970), p. 195. The Chinese text: 1+X8\n\n23\n\n24\n\nThe Chinese text: 高達五十得名\n\nSt. Augustine's Confessions, translated by William Benham (New York: Collies & Son, 1909), pp. 141-142.\n\nBIBLIOGRAPHY\n\nA. Sources\n\n(i) Taiwan (& Hong Kong) Oracles, published in booklets\n\nB-I\n\nB-I\n\nB-I\n\nB-2\n\nB-2\n\nB-2\n\nSheng-ch'ien chu-chieh E, Kuan Yin Fo-tsu, T'ien-shang Sheng-mu &Ħ, X_L, Taichung, Jui-ch'eng Bookstore AĦĦ , 1972, (1st ed. date, unknown).\n\nK'ai-t'ai Ma-tsu chien-chieh, published by the Feng-t'ien Temple in Hsin-kang, Chia-yi *, ****8. (n.d. circa 1978). The oracle texts are on pp. 1-30.\n\n+\n\nLing-ch'ien chich-shuo, with commentaries by Yeh Shan #ll, Taichung: Ch'uang-shih Publishing House, & FURN 1979.\n\n+\n\nPai-shou ch'ien-chieh, Published by the Hsing-sheng Temple in Taichung 台中市行聖宮,1977.\n\nLing-ch'ien chieh-shuo *, with commentaries by Yeh Shan #. Taichung: Ch'uang-shih Publishing House, ÷ÞOKRE 1975 (1st ed.: 1966)\n\nKuan-sheng Ti-chún ch'ien-shih chich MESE the Shui-hsien Temple in Nan-kang, Chia-yi, \n\n1\n\nPublished by\n\n*, 1964,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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        "rank": 0
    },
    {
        "id": 210093,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 64,
        "title": "RAS-1984",
        "content_text": "43\n\nB-2\n\nB-2 Pai-shou ling-ch'ien, Ku-shih chu-chieh ti by Cheng Chin-ling $436. Tsoying, Kaohsiung, 1976.\n\nM. Published\n\nKuan-sheng Ti-chun ying-yan t'ao-yian ming-sheng ching E KNMVTÆ. Published by the Fu-ch'uan Fo-t'ang in Kang-shan, Kaohsiung. QUI÷HES, 1971. (The oracles are in the Appendix).\n\nB-6 Kuan Yin ling-ch'ien chu-chieh, erh-shih-szu shou Pi. Taichung: Jui-ch'eng Bookstore, 1975.\n\nB-34 Ch'ien-shu chu-chieh, Tien-shang Sheng-mu, lished by the Nan-yao Temple in Changhua M, R, LTE. Pub Mä, 1977.\n\nB-54 Huang Ta-hsien (Wong Tai Sin) ling-ch'ien, ku-pen chu-chieh A¶ LASER. Published by the Wong Tai Sin Temple in Kowloon, HK, n.d. (purchased in 1980).\n\nB-55 Po-chi hsien-fang 1981;. Taiwan (no exact place indicated but stamped by the Tz'u-yu Temple in Taipei, BMK), 1951.\n\nB-55 Lu Ti ling-ch'ien hsien-fang, PPARI), Hsinchu: Chu-lin Book-store 新竹市竹林書局,1977.\n\nB-55 Fu-yu Ti-chün chüeh-shih ching, Lü-tsu ling-ch'ien chi hsien-fang Fili MEIM.NG MAUZERO/2A07), Hong Kong, N.T., SEDILE. 8-0 1976.\n\n+ Wu-nien ch'ien-sui ling-ch'ien chu-chieh 1F, Published the Chen-an Temple (2000) of Ma-ming-Shan in the county of Yiin lin, Taiwan, 1963.\n\n(ii) Taiwan Oracles: Temple Samples\n\nWerner Banck, Das Chinesische Tempelorakel PPE (part 1: Sources), Taipei: Ku-t'ing Bookstore, fillaliliPVM, 1976.\n\n(iii) Canton Temple Oracles, collected by the Library of the Center of Asian Studies, University of Hong Kong (not included in Banck's source edition)\n\n1. Kuan-shih-yin ling-ch'ien, #, published by Wu-kui t'ang 4, in Canton, n.d. (circa 1940?) block print reproduction; contains 100 oracles).\n\n2. Hung-sheng-wang ch'ien 1, published by I-wen tang in Canton, n.d. (blockprint reproduction; contains 64 oracles).\n\n3. K'ang-kung ling-ch'ien 12, published by T'ien-pao Printing Co.: Ch'an-shan, Canton, dated 1855 (nice wood block print edition)\n\n+ 4. Fu-shen T-u-ti ch'ien (@J:22, published by Wen-tang Bookstore, **W in Yue-tung ch'an shan 40, dated 1859. (woodblock print; 30 oracles).\n\n5. Shang-ti ling-ch'ien (zar, published by Wen-t'ang Bookstore, Z, n.d. (wood block print; 50 oracles).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 210094,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 65,
        "title": "RAS-1984",
        "content_text": "44\n\nJULIAN PAS\n\n6. Hou-wang ling-ch'ien 14, published by Tsui-ching tang f**, Canton, n.d. (block print edition; 64 oracles).\n\n7. Pei-ti ling-chien w, published by Wu-kui t'ang in Canton, n.d. (block print; 50 oracles, identical with above Shang-ti ling-ch'ien).\n\n(iv) Oracles reproduced in the Tao-tsang\n\n1.\n\n2.\n\n3.\n\n4.\n\n5.\n\n6.\n\n✯ (−TT), 1977 Taipei reprint. Szu-sheng chen-chin ling-ch'ien 145, vol. 54, pp. 44056-44080, TT. 1298 (1 scroll; 49 oracles).\n\nHsian-chen ling-ying pao-ch'ien KERAK, vol. 54, pp. 44081-44137, TT. 1299 (3 scrolls; 365 oracles, divided over 12 daily hours each of which has 30 slips, i.e. 360 plus one slip for each of the five agents).\n\nTa-tz'u hao sheng chiu-t'ien wei-fang Sheng-mu yilan-chun ling-ying pao-ch'ien KkP;AMP@!#MEW, vol. 54, pp. 44138-44150, TT. 1300 (1 scroll; 99 oracles).\n\nHung-en ling-chi chen-chân ling chien light hi. Vol. 54, pp. 44150-44154, TT. 1301 (1 scroll; 53 oracles).\n\nLing-chi chen-chün chu-sheng ling ch’ien OBZIRAR, vol. 54, pp. 44155-44159, TT. 1302 (1 scroll; 64 oracles).\n\nFu-t'ien kuang-sheng ru-i ling-ch'ien KQE✯, vol. 54, pp. 44160-44190, TT. 1303 (1 scroll; 120 oracles).\n\n7. B-2 Hu-kuo chia-chi chiang-tung-wang ling-ch'ien ARMORIA, vol. 54, pp. 44193-44213, TT. 1305 (1 scroll; 100 oracles).\n\n8. Hsuan-t'ien Shang-ti kan-ying ling-ch'ien K, vol. 60, pp. 48479-48506 (49 oracles).\n\n(v) 1. Sham Francis, Trans., Kwun Yum Fortune Slip Predictions. Hong Kong: Tung Wah Group of Hospitals, Board of Directors, 1983. (This set corresponds with the Kuan Yin set found in Lukang; B-11 and -12).\n\n2. Sham Francis, Trans., Predictions of Wong Tai Sin. Hong Kong: Tung Wah Group of Hospitals, Board of Directors, 1984. Chai, Tung-yeh # !f, \"Ling-chien malo-chii” NUE.\n\n3. Heaven-Earth-man Journal Ke (published in Taichung, Taiwan), no. 1 (1968), 117-147.\n\nB. Studies\n\n1. BAUER, Wolfgang, China and the Search for Happiness. Recurring Themes in Four Thousand Years of Chinese Cultural History. (Translated from the German by Michael Shaw.) New York: The Seabury Press, 1976 (German Ed.: 1971)\n\n2. EBERHARD, Wolfram, \"Oracle and Theater in China\", pp. 191-199, Studies in Chinese Folklore and Related Essays, The Hague: Mouton, 1970.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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    },
    {
        "id": 211638,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 53,
        "title": "RAS-1989",
        "content_text": "28\n\nSheng Mu (玉皇聖母)\n\nOne of the more interesting arrangements is the main hall of the Temple of the Jade Emperor in Tainan. The Jade Emperor occupies the main altar with the San Kuan (Three major Taoist deities) immediately before him. On his left hand is his son, referred to as the Fourth Heir Apparent (Yu Huang Ssu Tien Hsia F) (see Plate 4) but without any personal name, and on his right is his grandchild, the Third Princess (San Kung Chu Niang, see Plate 5). According to the temple keeper she is the younger sister of the Jade Emperor's heir Yuh Huang T'ai Tzu, and her annual festival is celebrated before her altar on the 15th day of the third lunar month. The other children of the Jade Emperor are not represented. An image of the Jade Emperor's third daughter (see Plate 7), a princess whose name is not given, is the main deity on an altar in a temple in Pai Sha on the Pescadores Islands. On the same altar are four other princesses, said to be her sisters, but again without names. These four are lesser deities.\n\n10\n\nMrs. Goodrich was told by her Peking informant that Yen Kuang Niang-niang, the deity who watches over eyesight, was the sixth daughter of the Jade Emperor. Her image in the Temple of the Eastern Peak in Peking portrayed her carrying images of eyes in her hands. She has to be worshipped by a pregnant mother or her child will be born with incurable eye trouble.\n\nIn another temple on the Pescadores, the Lung Tu Temple in Makung, the Third Prince of the Jade Emperor is the main deity on one of the major altars. He is flanked by smaller images of the First, Second, Fourth, and Fifth Princesses (Ta, Erh, Ssu, Wu Kung Chu). This Third Prince Yu Huang San T'ai Tzu should not be confused with Na Cha, who is also referred to as the Third Prince (Nacha San T'ai Tzu). The third son of the Jade Emperor is portrayed as a seated, beardless, middle-aged man holding an unsheathed sword vertically before his chest and with his left hand raised to shoulder height making a mystic sign. He is wearing a high, round-topped cap with a bead-screen, and has four flags signifying his military rank in a rack across his back.\n\nThis same deity, Yu Huang San T’ai Tzu, has been noted with an image of the Taoist deity, the Saintly Mother (Sheng Mu) on a side altar in the main hall of a large folk religion temple in Manila.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211721,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 136,
        "title": "RAS-1989",
        "content_text": "111\n\nhsiang have one coat of incense powder only. The joss sticks produced do not necessarily have to be dried under the sun. They can either be blown dry or put under the sun for 5-6 hours. The joss sticks produced by this method vary in lengths from 6 ts'un 8 fên to 1 ch'ih 6 ts'un. The shorter ones may have their handles dyed red, but it is more common for them to be wrapped in silvery paper.\n\nMoulding Method\n\nJoss sticks of still greater lengths and widths are produced by moulding. By this method, joss sticks of 1 ch'ih 5 ts'un, 2 ch'ih, 3 ch'ih 6 ts'un, 4 ch'ih 8 ts'un and up to 6 ch'ih are manufactured. The corresponding diameters are 5 fên, 6 fên, 2 ts'un, 5 ts'un and 7 ts'un. To support such a thick coat of incense, a stick bamboo, rather than a bamboo sliver, is used as the core material. The manufacturing process is done entirely with bare hands. Incense paste is moistened with water to such a consistency that it is easily stretchable. It is then put on top of a bamboo cane and moulded in a downward direction by squeezing and working with the hands until the bamboo is evenly covered with incense paste. The excess paste is then removed. The outer coat of the joss stick is put on by means of rolling on a pile of coloured fragrance and then a wooden slab is used to smooth the surface of the stick. Finally the sticks are hung in a sheltered but well ventilated place. Drying under direct sunlight is strictly avoided as the high speed of evaporation will result in cracks on the surface.\n\nWinding Method\n\n36\n\nThe last method is for the production of incense coils by winding. Incense paste squeezed into the shape of strings is wound around a metal ring, the width of the string determining the duration of burning. Incense coils are then classified into half-day coils, full-day coils, 7 day coils, 14 day coils and 30 day coils. Winding must be done on a flat surface in order that the strings can be coiled neatly. Then they have to be unfolded onto a rattan rack to allow free circulation of air. The unfolding is done dextrously by two incense coil workers.\n\nIn the early days, squeezing was done with a wooden press (mu t'ou cha). Though this wooden press is no longer in use, Osgood, writing in the mid-seventies, provides a detailed description,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211937,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 352,
        "title": "RAS-1989",
        "content_text": "327\n\nNaam-Bin (\"South Side\") and Bak-Bin (\"North Side\"). Bak-Bin includes only two villages: Shui Tau and Shui Mei. Naam-Bin includes Kat Hing Wai, Tai Hong Wai, Wing Lung Wai, Ko Po, Kam Hing Wai, Tsi Tong Tsuen, Tai Hong Tsuen and Kam Tin Shi. The division into Naam-Bin and Bak-Bin corresponds to the geographic location of residence as well as to agricultural and ritual activities. The village patrol corps of Kam Tin were also organized in terms of Naam-Bin and Bak-Bin.\n\nB. The Village Guard System\n\nThe village guard system continued well into the 1960s. It used to be called cheun-ding, but later was called ji-wai-deui. There was one for Naam-Bin and one for Bak-Bin. The Naam-Bin guards consisted, more or less, of two men from each of Tai Hong Wai, Wing Lung Wai, Kat Hing Wai and Ko Po. The Bak-Bin guards were from Shui Tau and Shui Mei. The guards worked in two shifts, the first from 8 p.m. to midnight and the second from midnight to about 5 a.m. The Naam-Bin village guards patrolled the area reaching Au Tau to the west, gwai-waan to the east, Wong Chuk bei to the south, and the river before Pak Wai chyun to the north. Sha Pui Leng (Sa Bui Leng) was within the scope of their protection. The villagers of this village paid levies to the corps, but none of them were members.\n\nThe village corps was rewarded by levies on sweet potato and rice crops. They charged 10% on potato. Before harvest, one in ten rows (laar) of the potato had already been allocated to the village guards. The rate of the levy on rice was a prescribed amount some tens of catties on each mu of cultivation. When the villagers' paddy fields suffered loss from theft, they got compensation from the village corps responsible for its protection. The corps would compensate in full the estimated loss.\n\nIn earlier times the head of each village corps was selected by bidding. Each candidate would offer a certain quantity of rice (guk) which he would give back to the member villages. But in the case of the head for the year 1954, who I interviewed, he was appointed by the elders. This was because few people wanted the post.\n\nAround 1954 there was government involvement in the village guard system. \"The police station asked us to organize [village corps]”. There were more than ten guards, armed with 6 guns. The guards also had passes issued by the police. They were also given used uniforms for",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211958,
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        "document_key": "RAS-1989",
        "page_number": 373,
        "title": "RAS-1989",
        "content_text": "348\n\nD. The Taoist Priests and Their Rites\n\nThe Taoist priests who performed the rites in this festival were hired on a contract basis. More than ten of them were involved, among whom four were in a senior position. The oldest of the four, Mr. Lam Pui, born before 1910, was from the New Territories. Another, Mr. Jeung Hoi, was from a village just across the present Chinese border. Mr. Lam Choi was probably from the New Territories too. Both were born about 1920. These three had been active as ritual experts in the area since when they were young, and had been in leading positions at least in the last few decades. The four had all performed in the 1965 celebration of the Kam Tin jiu festival. The other senior priest, Mr. Chan Gau, was from Sa Jeng in the western area of Bao'an county. He had come to Hong Kong more than ten years ago and since then has worked in the New Territories. Mr. Leung Tung, though not a priest by profession, had been working with this group of priests as a musician, and had trained in an early stage of his career in ceremonial music bands in the Bak Bin villages. Chan Gau, Jeung Hoi and Lam Pui were the partners who undertook to provide the priestly services on this occasion, and the other members of the team were hired to help.\n\nBesides the three-times daily Scripture chanting and small processions to make offerings at different spots, the priests performed about 20 rites in the festival. About ten of them were more elaborate and were considered to be the main ones.\n\nEach of the four senior priests took the leading role in different rites. Mr. Lam Pui, being the oldest and the most knowledgeable, acted as the high priest in most of the main rites, including the Opening Rite, the Purification of the Ritual Area, the Posting of the Placard, the Escort of the Holy Ones, and the Great Offering to Ghosts. Mr. Chan Gau, being younger and good at acrobatic feats, took care of the more martial rituals: the martial arts section of the Purification of the Ritual Area, and Going through the Gates of Life and Death, and headed the team for the Dipper Rite. Mr. Jeung Hoi acted as the main priest in some of the other important rites. Mr. Lam Choi, partly because he was not one of the partners, played secondary roles. The morning, noon-time, and afternoon Scripture chanting and offerings were performed by the more junior members of the team, as were the short concluding rites on the last day.\n\n60\n\nAlthough the rites differ one from another, there were many elements",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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        "id": 211980,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 395,
        "title": "RAS-1989",
        "content_text": "370\n\nji-wai-deui K\n\njou\n\njou-se 做社 juk-jeung\n\nJung Gaai 中街\n\nJyu-Jai #ff\n\njyu-lou 主腦\n\nKam Hing Wai MAB\n\nKam Tin\n\nB\n\nMan Kam To Man-Cheung Man-Wai\n\nMau-Ging Tong\n\nMing 明\n\nMing-Hok\n\nMing-Lyun\n\nMiu Gok Yun 妙覺園\n\nmou-geui-yan\n\n#^\n\nKam Tin Shi\n\nmou-leuk-le-wai\n\nKangxi 康熙\n\nKat Hing Wai 吉慶圍\n\nKei-Fong\n\nKei-Wa ✩✩\n\nkiu-fu 轎伕\n\nKwun Yam Shan 觀音山 Kyun-Hin # laam-sang\n\nlaat\n\nLai Ga Dei\n\nLai 黎\n\nLai-Gaan Tong\n\nLam Choi 林財 Lam Pui ***\n\nLam Ngau-Jai *4#\n\nLam Yi-Hing Tong #\n\nLam-Mau **\n\nlat 甩\n\nLau 劉\n\nLei-Ging Tong\n\nLei-Wik\n\nLeung\n\nLeung Gwan-Daat\n\nLeung Tung 梁同 lo-gu ga 4 Loi-Fu *\n\nLoi-Sing Tong *** Lok-Sin\n\nLuk Gwok 六國 Lung Yeuk Tau ✯✯✯ luo-tian\n\nmu畝\n\nMui Jai Yun 梅仔圜\n\nMung Yeung 蒙養 Naam Tau 南頭 Naam Bin Teng # Naam Bin 南便 Naam-Kai\n\nNaam-Teng E Nam Pin Wai\n\nNg Sing-Chi f**\n\nNg 伍\n\nNga-Chyun R\n\nNgau-Wong [Wui] () paang 棚\n\nPat Heung 八鄉 Ping Shan 坪山 ping-on 平安 Pou-Am\n\nPui-Hing\n\nPun-Gu\n\nqimen dunjia 奇門遁甲 Qing 淸\n\nSa Bui Leng 沙貝嶺\n\nSa Jeng 沙井\n\nSai Pin Wai 西邊圍 sai-man ME\n\nSan Tin 新田\n\nSan Sin Fu 神仙府 San Wai 新圍 San-Fung san-teng",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 212004,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 419,
        "title": "RAS-1989",
        "content_text": "394\n\nNOTES\n\nSee the map of the Kwangtung coast-line, Chapter 32 of Yuet Tai Kee, Wan Li edition 郭斐粵大記卷三十二\n\nShek Pai Wan is the old name of Aberdeen Harbour or Heung Kong Tsai Wan *** (which in Chinese means Little Hong Kong Harbour).\n\n1 Some of the incense products were sent north to the Provinces of Kiangsu and Chekiang\n\nSee Chapter 3 of Lin Tien-wai and Siu's Articles on the Early History of Hong Kong, the Commercial Press Ltd., Taiwan, R.O.C., 1985.\n\nSee 'The Lime Kilns and Hong Kong's Early Historical Archaeology', Special Session, Volume 7, Journal of the Hong Kong Archaeological Society, 1876-78.\n\n7 See note 1.\n\nIt was said that Hong Kong Tsuen had been robbed by pirates in the time of the Lung Ching Reign in the Ming Dynasty. (See Hui Tei-shan's \"A Brief Research on the History and Geography of Hong Kong and Kowloon\" Chapter 6 of Kwangtung Wen Mu X, 1940).\n\nSee Siu's \"Nam Tau Chai: the Middle Defensive Military Zone of Kwangtung in the Ming Dynasty'' in Essays of Research into Ming-Ching History, Chu Hai College, 1984.\n\n10 The Coastal Evacuation was carried out in the 1st year of the Kang Hsi Reign (1661).\n\nSee the map of the Coastal Defence of Kwangtung, Chapter 3 of the Kwangtung Tung Chi, 1731 edition.\n\nSee Chapter 2 of the San On Yuen Chi, 1819 edition\n\n12 See Chapter 178 of the Kwangtung Tung Chi, 1822 edition.\n\n13 See the Original Gazetteer and Census, May 15th, 1841.\n\n14 See p. 15 of Lai Chun Wai's Hong Kong 100 Years.\n\nThe English name given to Chik Chu is Stanley.\n\n16 Notable political events in China after 1841 were the 2nd Opium War (the Anglo-Chinese War), the Tai Ping Rebellion, the Boxer Rebellion, the Revolution of 1911 and the Sino-Japanese War of 1937-45. These changes assisted the increase of population in Hong Kong. Also, another rapid increase of population occurred because of the change of government in China in 1949.\n\nTAI YU SHAN FROM CHINESE HISTORICAL RECORDS\n\n1 In the past, Tai Yu Shan, known as Tai Hai Shan was also called Tai Kai Shan, Tai Yi Shan Mun Island. It lies to the west of Hong Kong Island. It has an area of 53.55 square miles, and is the largest island in Hong Kong.\n\nThe name 'Tai Hai Shan' first appeared in Chapter 87 of Yu Ti Ji Shing, a book published in the Sung Dynasty. It records,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 212118,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 60,
        "title": "RAS-1990",
        "content_text": "37\n\nNOTES TO TABLE 2\n\nA = yearly cycle claimed\n\nB = celebration period (one-day, three-day, five-day), (refers only to main rituals started from the ritual “Qi Tan” [Opening of the Jiao) and ended with the \"Da You\" [Great Offering])\n\nC = predominant occupation of the community\n\n== market town\n\nD = spority ethnic groups:\n\nE\n\nP → Punti Cantonese\n\nH\n\nT = Takka\n\n:. = Tanka\n\n=Territorial type:\n\nบ = village\n\nVC = village cluster\n\nlocal alliance\n\n1: = Descent type:\n\nS = single-lineage\n\nsc = single-lineage dominated\n\nH = single-lineage village, multi-lineage community\n\nm = multi-surname in one community\n\nyear celebrated\n\n--\n\nSources: Either seen by myself\n\nJE = from beginning to end,\n\ne = only partially.\n\nrecorded in other scholars' work [0], or provided by villages or Taoist priests\n\n[T].\n\nOI\n\n02\n\n——\n\n03 = Chan, \"Jiu festival** see note 37\n\nTanaka, Village Festival, 99, 816\n\nNote:\n\n*1 In fact, it is held every ninth year, as the year of celebration is counted into both the outgoing and incoming decade.\n\n*2 Photos taken on 1989.3.10. A poster was written Cheung Lung walled-village of Ping Kong Tsuen village, ten years' once Taiping Qing Jiao\". The notice recorded the Year Mu Wa (1988).\n\n*3 This alliance include the following fishing villages in the northeastern part of Hong Kong: Tap Mun, Kau Lau Wan, Sham Wan, Wong Wan, Kat O, Sam Mun Tsai. See Tanaka, Village Festival, 99, 816.\n\nPage 60\n\nPage 61",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212166,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 108,
        "title": "RAS-1990",
        "content_text": "85\n\nfather who had owned the land on which the temple stood had consulted the deities and found that his daughter had been deified. He had an image of her carved and placed on the altar. This was transferred some time during the mid 1960s to another small shrine within the same temple and again her image stood alone but this time she had under her shrine a cardboard box which contained, according to the temple keeper, an embalmed parrot. The elderly nun claimed that it was Miss Liu's pet. The image and parrot remained until 1983 when the temple was refurbished and the image disappeared for a while. In 1986 it reappeared on the family altar in the rear of the large Buddhist temple next door, dedicated to the Liu family. Her image was now draped in red silken robes and somewhat strangely was labelled Miss Lin. She still held the miniature handbags but the parrot was nowhere to be seen, and the temple staff denied ever having seen or heard of a stuffed parrot. They confirmed that her name was Lin and not Liu but were unable to say why she was now on the Liu family altar in the Buddhist temple. And there she remains, last noted in 1989 still on the Liu family altar.\n\nA cult, that of 'the Prince descended from the Dragon', Lung-shih T'ai-tzu, was established in the mid-1960s in the northern suburbs of Kowloon before being transferred to Lo Wai above Tsuen Wan in the New Territories. It is a piggy-back cult dependent upon the local Cantonese major cult of the Dragon Mother, Lung Mu. The story begins with a boy, Huang Hsin-tsai, born in Shamshuipo, Kowloon, in 1949, the son of refugees from Canton. His parents died soon after they arrived in the Colony leaving him in the hands of the lady who now runs the new cult temple. In 1960 the youth, now 11 and still living with the lady in Shamshuipo, fell ill with swollen legs and abdomen. She nursed him carefully back to health but in 1962 he was thought to have eaten something which did not agree with him and, despite a visit to the Wong Tai Sin Temple, he died. Accused by her neighbours of neglecting the youth she was exonerated by him when he appeared to her in a dream to explain that he was now the stepson of the major deity, Lung Mu, and had the power to cure on her behalf. Once a year thereafter he provided the lady with a large basin of very tiny pills for her to distribute to cure people's ills; he also appeared to her in dreams to help solve difficult problems put to her by devotees. The lady, now the temple keeper, has a number of elderly ladies to help run the corrugated iron and brick temple which she has had built near his grave.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212168,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 110,
        "title": "RAS-1990",
        "content_text": "87\n\nseven died unnatural or early deaths, though the other six would appear to have died peacefully at a reasonable age in their beds. Three would seem to have appeared in human dreams after they had died, and all are prayed to for boons and blessings, protection or guidance,\n\nOut of the twelve examples six have had privately run temples erected in their honour, whilst images of the other six have been placed on secondary or side altars in local community temples.\n\nIt is worth considering the difference between the deified total nonentity and the deified virtual nonentity. The former would be the unnamed immigrant who died several hundred years ago but who is now regarded as the local protective spirit, whilst the latter is the villager, perhaps even a former headman, whose name, though little else, is remembered. He too is now regarded as a local protective spirit.\n\nAlthough we have been examining such deities mainly in the context of Taiwanese and South East Asian Chinese they appear to have existed China-wide. One such virtual nonentity was deified several hundred or more years ago on an island off the northern coast of Shantung Province, with the rural temple altar bearing the images of both the nonentity, Mr Liu, and his wife. R.F. Johnston describes the temple, formerly on the island of Liu-chia Tao, the Island of Mr Liu, off Wei Hai Wei, the former British possession where he was the last Governor, in his book Lion and Dragon in Northern China.\n\nHe explains that no one appears to know who Mr Liu was nor why his image appears on the altar. Liu Kung and Liu Mu Father Liu and Mother Liu were regularly worshipped, especially by sailors. Johnston notes that the curious thing is that the deification of the old couple has taken place without any apparent justification from legend or myth'.\n\nThe images were moved to a new temple built on the mainland during the occupation after the British acquired the island and began to make preparations for the construction of naval works and forts.\n\nThe images of Mr and Mrs Liu portray them as an elderly couple dressed in luxurious robes, he with a long white beard and the cap of the wealthy land owner.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212526,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 80,
        "title": "RAS-1991",
        "content_text": "60\n\nGovernor-General of Yunnan & Guizhou\n\nKunming 2A\n\n1816-1835\n\nAssistant Examiner of Metropolitan Exam\n\nBeijing\n\n1833\n\nAssistant Grand Secretary\n\nKunming\n\n1B\n\n& Peking\n\nGrand Secretary in charge of Board of War\n\nBeijing\n\n1A\n\n1835/3\n\nActing President of the Censurate\n\nBeijing\n\n1835/10\n\nReader, Palace Examination\n\nBeijing\n\n1836\n\nSenior Professor (Hanlin Academy)\n\nBeijing\n\n1836\n\nAppendix 2\n\nRuan Yuan's Major Works and Compilations\n\nKao gong ji ju zhi tu jie 考工記車制圖解\n\nShi qu sui bi 石渠隨筆\n\nYi li shi jing kan ji 儀禮石經校勘記\n\nShandong xue zheng Ruan Yuntai shi tong sheng shu mu 山东学政阮芸台示童生书目\n\nShan zuo shi ke 山左石刻\n\nJingyin dao ren zhuan 淨因道人傳\n\nYunfeng zhi bei tu 云峰志碑图\n\nZhejiang shi ke 浙江詩課\n\nChong xiu piao zhong guan ji 重修剽中观记\n\nXiao cang lang bi tan 小滄浪筆談\n\nShan zuo jin shi zhi 山左金石志\n\nHuai hai ying ling ji 淮海英靈集\n\nLiangzhe yu xuan lu 兩浙輶軒錄\n\nCeng zi shi pian zhu shu 曾子十篇註疏\n\nWei yu shu shi sui bi zhu 魏餘蔬食隨筆注\n\nZhu cha xiao zhi 竹姹小志\n\nJing ji zuan gu bu yi 經籍纂詁補遺\n\nDi jiu tu shuo 地球圖說\n\nGuang ling shi shi 廣陵詩事\n\nChong xiu Hui ji Da yu ling miao bei ji 重修惠济大禹陵庙碑记\n\nDing xiang ting bi tan 定香亭筆談\n\nChong jian Yangzhou hui guan bei ming 重建扬州会馆碑铭",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
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    {
        "id": 212527,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 81,
        "title": "RAS-1991",
        "content_text": "Liang Zhe fang hu (ling qin ci mu) lu (REHE)* Zhejiang kao\n\nKu jing jing she wen ji 詁經精社文集\n\n(Wang fu zhai) zhung ding kuan shi (E) H**\n\nXue shi zhong ding kuan shi 薛氏鐘鼎款識\n\nJiao shan ding-kao 焦山定陶鼎考\n\nHuang Qing bei ban lu\n\nHai tang zhi 海塘志\n\nJi gu zhai zhung ding yi qi kuan shi ****\n\n海連考\n\nHai yun kao I\n\nLiang Zhe jin shi zhi 兩浙金石志\n\nShi san jing zhu shu fu jiao kan ji +¶EAH\n\nYang zhou Ruan shi jia miao bei 揚州阮氏家廟碑\n\nYen jing shi wen ji 擘經室文集\n\nSui Wen xuan lou ming\n\nYing zhou shu ji 瀛舟書記\n\nQu jiang ting ji 曲江亭記\n\n**\n\nSi ku wei shou shu mu ti yao 四庫未收書目提要\n\nTian yi ge shu mu 大一閣書目\n\nLing yin shi shu zang mu\n\nChou ren zhuan AM\n\nShi san jing jing fu +*\n\n****!\n\nYi li shang fu da gong zhang zhuan zhu chuan wu Kao x\n\n功章傳注舛考\n\nHan Yen xi xi yue Hua shan bei kao ✶✶U**\n\nRu lin zhuan kao ####N\n\nGuo shi wen yuan zhuan 國史文苑傳\n\nJiao shan shu cang shu mu 焦山書藏書目\n\n(Song ben) shi san jing zhu shu (**)+***\n\nJiang su shi zheng #\n\nJiang xi gai jian gong yuan hao she bei ji 江西改建貢院號舍碑記\n\nGuangdong tong zhi 廣東通志\n\nGai jian Guangdong xiang shi wei she zhuo bei ji *****\n\n碑記\n\nShi shu gu shun 詩書古訓\n\nYen jing shi ji 擘經室集\n\nChong xiu Ruan shi zu-pu CEE**\n\nHuang Qing jing jie 皇清經解\n\nXue hai tang zhi 學海堂集 Yen jing shi shi lu 擘經室詩錄 Shi hua ji 石畫記\n\n61",
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        "id": 212528,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 82,
        "title": "RAS-1991",
        "content_text": "62\n\nYun nan tong zhi gao\n雲南通志稿\n\n選平樂府重建聖廟碑記\nXuan Ping lo fu chong jian sheng miao bei ji\n\nTa xin shuo 塔性說\n\nSan jia shi bu yi 三家詩補遺\n\nWen xuan lou shu cang shu ji\n文選樓書藏書記\n\nBa zhuan yin guan ke zhu ji 八轉吟館刻記\n\nBu bi tu shi 布幣圖識\n\nA4\n\nRuan shi Chi gu zhai Han tong yin te\n阮氏積古齋漢銅印得\n\nWen xuan lou cang bei\n文選樓藏碑\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nHan shi jing can zi 漢石經藏碑\n\nLang huan xian guan shi\n\nRuan wen da gong zhi shi hou jia shu\n阮文達公致仕後家書\n\nLun yu lun ren lun 論語論仁論\n\nMeng zi lun ren lun\n\nNOTES\n\nArthur F Wright, \"Values, Roles, and Personalities” in Confucian Personalities, edited by Arthur F Wright and Denis Twitchett (Stanford 1962), 11\n\nIbid., 4\n\nSee Appendix 1 chronology of Ruan Yuan's government appointments and Appendix 2. Ruan Yuan's major works and compilations\n\n4\n\nLyn Struve, \"The Hsu Brothers and Semi-official Patronage of Scholars in the K'ang-hsi Period\", Harvard Journal of Asiatic Studies 42-231-266 (1982). R Kent Guy, The Emperor's Four Treasuries. Scholars and the State in the Late Ch'ien-lung Era, Harvard, 1987 Guy has inscribed \"We await Ruan Yuan\" on the front piece of my copy of his work\n\nStruve, 231\n\nThe three Xu Brothers were Xu Qian xue (1631-1694), Xue Bing yi (1633-1711), and Xu Yuan wen (1634-1691) Other officials who were patrons of scholars included Ye Fang ai (1629-1682), Song De yi (1622-1687), and Yu Guo zhu (d ca 1688), Struve, 232-239\n\n7 Guy, 52 Guy had neglected to include the group Ruan Yuan had organized at the Gu Jing Jing she in Hangzhou earlier. A number of scholars from this group had followed Ruan throughout his official life from the late 1790s to the late 1830s for over 40 years I have opted to keep the Wade-Giles transliteration of the Guy original\n\n8 Wang Jun-yi, “Kang Qian sheng shi yu Qian Jia xue pai — jian lun Qian Jia xue pai di liu pai ji chi ping jia\" 清代乾嘉學派的流派及其評價 Qing shu yen jiu 4 342-366 (Beijing, 1986). Unless otherwise indicated, all translations into English in this paper are made by me\n\n9 Qian Mu, Zhong guo jin san bai nian xue shu shi [A history of Chinese learning during the past 300 years], (Taipei edition, 1976), 478",
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    {
        "id": 213755,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 107,
        "title": "RAS-1996",
        "content_text": "78\n\nMin Fong\n\nST\n\n4\n\n25\n\n0+*\n\nNgau Wu Tok\n\nST\n\n3\n\n10\n\n33.3**\n\nLo Sheung Tun\n\nST\n\n3\n\n9\n\n33.3**\n\nMau Liu Shui\n\nST\n\n5\n\n13\n\n38.5**\n\nCheung King\n\nST\n\n2\n\n6\n\n33.3**\n\nSiu Lek Yuen\n\nST\n\n73\n\n174\n\n41.9*\n\nMu Ping\n\nST\n\n57\n\n124\n\n46.0\n\nShek Kwu Lung\n\nST\n\n18\n\n55\n\n32.7**\n\nTai Lam Liu\n\nST\n\n23\n\n57\n\n40.4\n\nSha Tin Wai\n\nST\n\n81\n\n180\n\n45.0*\n\nShan Ha Wai\n\nST\n\n24\n\n56\n\n42.9*\n\nKak Tin\n\nST\n\n92\n\n200\n\n46.0\n\nKeng Hau\n\nST\n\n86\n\n195\n\n44.1\n\nTai Wai\n\nST\n\n164\n\n350\n\n46.9%\n\nHa Wo Che\n\nST\n\n31\n\n76\n\n40.8%\n\nShan Mei\n\nST\n\n42\n\n94\n\n44.7\n\nKau To\n\nST\n\n57\n\n130\n\n43.8\n\nHo Lek Pui\n\nST\n\n18\n\n45\n\n40.0*\n\nWu Kai Sha\n\nST\n\n59\n\n135\n\n43.7\n\nSai Shan Wai\n\nYL\n\n7\n\n21\n\n33.3*+\n\nLeung Ka Tsuen\n\nYL\n\n3\n\n8\n\n37.5**\n\nYing Lung Wai\n\nYL\n\n38\n\n94\n\n40.0*\n\nNam Pin Wai\n\nYL\n\n223\n\n519\n\n43.0\n\nShan Pui\n\nYL\n\n118\n\n273\n\n43.2\n\nTong Tau Po\n\nYL\n\n53\n\n116\n\n45.7\n\nNam Hang\n\nYL\n\n44\n\n104\n\n42.3*\n\nHa Che\n\nYL\n\n109\n\n234\n\n46.6\n\nTin Liu\n\nYL\n\n48\n\n105\n\n45.7\n\nLam Hau\n\nYL\n\n107\n\n237\n\n45.1\n\nFui Sha Wai\n\nYL\n\n72\n\n165\n\n43.6\n\nHung Uk Tsuen\n\nYL\n\n56\n\n120\n\n46.7\n\nKiu Tau Wai\n\nYL\n\n71\n\n152\n\n46.7\n\nShek Po\n\nYL\n\n108\n\n257\n\n42.0*\n\nSik Kong Tsuen\n\nYL\n\n178\n\n381\n\n46.7\n\nSan Wai\n\nYL\n\n215\n\n487\n\n44.1\n\nHung Mei Tsuen\n\nYL\n\n21\n\n52\n\n40.4*\n\nFung Kong Tsuen\n\nYL\n\n34\n\n76\n\n44.7\n\nWong Ka Wai\n\nTM\n\n20\n\n50\n\n40.0*\n\nSheung Cheung Wai\n\nTM\n\n52\n\n119\n\n43.7\n\nHang Tau\n\nTM\n\n17\n\n39\n\n43.4\n\nSan Tsuen\n\nTM\n\n22\n\n50\n\n44.0\n\nTai Lam\n\nTM\n\n26\n\n61\n\n42.6*\n\nKeung Ma Wo\n\nTW\n\n*\n\n6\n\n33.3**\n\nSham Tseng\n\nTW\n\n32\n\n72\n\n44.4\n\nSai Hang Hau\n\nSK\n\n3\n\n10\n\n33.3**\n\nPik Uk\n\nSK\n\n5\n\n25\n\n20.0*\n\nShek Pok Wai\n\nSK\n\n4\n\n13\n\n30.8+",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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        "rank": 0
    },
    {
        "id": 213768,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 120,
        "title": "RAS-1996",
        "content_text": "91\n\n7 The Census Officer in 1931 came to this conclusion, after considering the evidence in some depth Census Report, 1937, pp. 139-141\n\n440\n\nPapers Laid before the Legislative Council of Hongkong, 1902 (Hong Kong Sessional Papers), printed Noronha and Co Government Printers, 1903, No. 14 \"Report of the Committee of Education” (The Brem Report), \"Land before the Legislative Council by Command of His Excellency the Officer Administering the Government”, p.392\n\n* Crime Report, op cit para 101, and Appendix G\n\n* Administrative Reports for the Year 1913, pages N[3-17\n\n** Administrative Reports for the Year 1921, pages 03-4, 022-23\n\n** Administrative Reports for the Year 1921, page 03-4. An average of 34 years would imply about 80% of boys received some education 4 years, about 70%\n\n*The Tampo Market Girls School, the Cheung Chau Girls School, the Yuen Long Girls School, and the London Mission Society School (Co-educational) at Tsuen Wan By 1931 there were distinct signs of improvement while only 2.81% of land population females over 21 were then literate, 1.69% of those aged 16-20 were\n\nHer\n\nThe withering scorn with which the Sung Report treats the content of the traditional curriculum and teaching methods of the village schools should be treated with some caution Sung was an extreme proponent of the \"new methods” in education\n\n* Census Report, 1977, Tables XXXV, XXXVI, Census Report, 1927, Table XVII\n\nKH\n\nKU\n\nCensus Report, 1921, para 4. The criticism of the 1921 \"Occupations” statistics was repeated in the 1931 Census Report\n\nCensus Report, 1921, Table XXVIII\n\nCensus Report, 1927, Table XXXIVa\n\n\"Census Report, 1927, Table XXIII, Part I and Part II\n\n02\n\nOmitting people working in agricultural occupations, fishermen, domestic servants, people working in religion, teachers/students, sailors on ocean-going ships, grass-cutters, Cartway workers, road transport workers, caddies miners and lime-burners, seamstresses and Mu Tsu\n\n\"Aberdeen, Ap Lei Chau, Lam Wan and Wong Chuk Hang also show dominance of the population by males, as does Shau Kei Wan, but these areas should be considered more as market towns, with subordinate industrial villages, and thus to fall more with places like Sai Kung or Peng Chau\n\n* Census Report, 1971, Tables XII, XIII\n\nPage 120\n\nPage 121",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 213775,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 127,
        "title": "RAS-1996",
        "content_text": "98\n\nreceived.\" There were unsuccessful attempts by a county magistrate to eliminate these and other customs relating to belief in sorcerers and shamans. The practice is also mentioned, as prechang dushui, in the Third Gazetteer of Yongan County, compiled about 1822, which gives very slightly more but very useful information. It mentions that \"those ordained\", again, \"were given white [ordination] certificates and yellow [celestial] mandate”, and, in addition, “slaughtered animal for sacrifice for the rite of Fengchao\". Similarly the Changle County Gazetteer of about 1845 mentioned very briefly the practice, as, again, jrechang dushui,22\n\nWe cannot preclude the possibility that the Hakka ordination actually amount to initiation to the practice of magic as in the Yao case, as the Xueshan Gazetteer mentioned that men in Kaijian “like to study to be a sorcerer.21\n\nThe Tradition of Lü Shan and Mao Shan\n\nThe Hakka and the Yao were ordained under a religious tradition distinct from Daoism and Buddhism which may be called the Lu Shan tradition. Popular traditions of “Daoist\" ritual experts of Fujian, Guangdong Cantonese and Hakka, and the Yao had in common the Lu Shan Jiu Lang, his disciples and a Wang Tai Mu which is often confused with the Daoist goddess Wang Mu. The canonical Daoist gods appear to have been incorporated at a time later than Southern Song dynasty, while the characteristic group of gods still occupies a central position.\n\nProbably the earliest mention of the Lu Shan Jiu Lang's tradition is a passage about the wuze's (\"sorcerers\") magic / method of exorcism from the Southern Song dynasty which gave the names of Lu Shan Jiu Lang, his successors and predecessors. The passage is in the Sayings of Bai Yuchan,25 the famous Daoist who was active in Guangdong, Jiangxi, Jiejiang and Fujian around 1220. Bai is obviously talking about something that had begun before his time, as he mentioned several names of these \"sorcerer's magic” that existed \"in the past\". The account began, curiously, with The King of Sha Tan, which can be interpreted by a sinicization of Satan. The magic originated with the King of Satan, who passed it to the King of Pan Gu, who in turn passed it to the King of Asura, who in turn passed it to a Wei Tou Shi Wang,26 King of Changsha, Tou To Wang, Lu Shan Jiu Lang, Meng Shan Ji",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213776,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 128,
        "title": "RAS-1996",
        "content_text": "99\n\nLang, Heng Shan Shi Lang, Zhao Hou San Lang, Zhang Zhao Er Lang, and \"countless others\"\n\n17\n\nOnly the Lü Shan Jiu Lang, Zhao Hou San Lang and Zhang Zhao Er Lang are found in the Cantonese and Hakka ritual specialists' manuals, and Yao ritual manual from Qujiang County, Guangdong and Guangxi Province. But their predecessors, however unlikely, were not invented by Bai Yuchan or his disciples. We do see mention of the King of Asura, Tou To Wang, and Changsha Wang in a Yao manual from Liannan. The King of Asura as a major god is not one would expect in a Chinese context as the Buddhist (as well as the Hindu) consider Asura \"powerful demons\", although the same gods represents good in Persian mythology. Interestingly, there were some gods whose native place was what could be sinicization of Persia in the Liannan document.\n\nThe gods Zhao Hou San (3) Lang and Zhang Zhao Er (2) Lang appeared in the Yao ritual manuals from Qujiang county and in a slightly altered form in excerpts from Guangxi Province. They were featured together with Lu Shan Jiu Lang in the local Cantonese priestly tradition. The latter has a manual entitled Daojiao Yuanliu (“The Origin of Daoism”) (NJYL) which is a handbook on both the style of rituals with the Lü Shan Jiu Lang and the Wang Tai Mu in a central position, and another style more closely related to the Canonical tradition. In the Taiwan and Fujian case, the connection with Lu Shan Jiu Lang was mentioned in the hagiography of Chen Jinggu, a goddess central to one school of the Taiwanese ritual experts as well as the local Cantonese and Hakka ritual specialists. Although there are many versions of her story, they agree that she lived during the Five Dynasties period, in Fujian. According to the Ming work San Jiao Yuanliu Shou Shen Da Chuan, believed to be the work of popular authors of Fujian, She was a disciple of Lu Shan Jiu Lang. The book illustrates the entry with a man in Daoist garment holding a cow's horn, the latter being one of the objects common to the local Hakka and Cantonese and the Taiwanese \"popular\" magicians. More recent versions of Chen's story named the famous Xu Xun who was accepted as the patriarch of a respectable school of Daoism, identifying Xu with Lu Shan Fa Zu, the patriarch of Lu Shan. Although this may seem a change in the genealogy reflecting change of alliance between different schools of magic, some Yao material suggests that the two\n\n14",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213780,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 132,
        "title": "RAS-1996",
        "content_text": "103\n\nQingzhou. The other, Zhang Zhao San (3) Lang, eliminates epidemics. Less is known about Zhao Hou San Lang, who may be related to a legendary figure Zhao Hou who could have once been accepted into Canonical Daoism during the Ming, but left otherwise no trace in the Daoist Canon.\n\n50\n\n45\n\nHakka and Cantonese material suggest that Chen Jinggu, one of the three ladies, actually belonged to a separate tradition: that of goddess Wang Tai Wu who was associated with Mao Shan. It is likely that the current Taiwanese version represented the result of an effort to bring into the tradition of Lü Shan the Three Ladies. One observes that the Taiwanese account curiously mentioned Wang Tai Mu and two other female deities under the name of upper, middle, and lower “palaces\", which is a corrupted version of an entry in the Cantonese priests' manual. But the connection between the Lü Shan and Mao Shan traditions can be found in the Liannan manuals as well. Perhaps they are found in the same tradition all along. I have already mentioned the appearance of Mao Shan magic much earlier than the 17th century ones to which Strickmann referred. \"The Yi Jian Zhi has also a strange story, in more complete form elsewhere, that tells of a man who is destined to become upon his death Mao Shan dongzu (“master of cave?\") and is therefore protected even before then from the revenge of a ghost.\n\n**\n\nRecords of ordination name in genealogies\n\nGiven the different interpretations by genealogists of the names of their ancestors, some ordination names are not designated as such. There are cases in which genealogies trace descent from the same ancestors but some give “ordination names\" their designation and some do not. Examples include the Wen genealogies and the Lis found in the New Territories of Hong Kong and elsewhere. I shall mention this again. Probably in many cases, the descendants have one or more names but no specific information as to the nature of each; i.e., whether ming, zi, hao, or an ordination name. One example is a He whose entry in the genealogy reads \"Nian Shi(4) Lang, ming Chuan, zi Yuan Mei, hao Han Ming\", leaving the reader no name category to apply to Nian Shi(4) Lang, which is not designated as an ordination name. Another example is the first ancestor of the Diaos, whose names were given as Qing, \"original name\" Fa Ying, and zi Zizhong, but written Qian Yi(1001).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213797,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 149,
        "title": "RAS-1996",
        "content_text": "120\n\n24\n\nН\n\nTou To Wang, Changsha Wang and various Muowang \"demons\" I have not consulted Shuton Yoshio eds. Yao Documents (Tokyo Kodansha 1975)\n\nFor example the Buddhist concept of Liu Dao, and the Asura was summoned by the Devil King to fight the Buddha in the Dunhuang narrative literature Buo Muo Branwen, in Dunhuang Brannen, in Tarper Shipe Shuju reprint, 1980, p 347 But in a passage of the Hua Yan Jin quoted by Hong MA,, op cut P. 1680, the King of Asura was among those summoned by the Bodhisattva to come to the rescue of those in turmoil\n\nBut Muowang \"Demon Kings' also featured in canonical Daoism in which They have been conquered by the Daoist gods and can be summoned by Daoist for protection\n\nEven then the Jade Emperor's native place, according to the same document, was \"Puo Xi\" which could have been Persia too\n\nSee Jiang op eit for Qujiang, and Hu Qiwang et al Bancun Yang, Minzu Chubanshe, 1983, for Guangxi Province\n\n\"See Lagerwey for the present situation\n\n\"The SJYLSSDC as we see now, a Qing reprint of the Ming book, has a passage that says Chen went to Lu Shan to study magic. But the next four characters do not make sense The crucial characters will give the master's name as Jiu Lang and can be found in reprints in a more recent series A Ming version reprint of the same book, under the title of Sanpao Yuanliu Shengdi Faozu Shoushen Dachuan, in the series Zhongguo Mijian Xinvang Zijido Hunbuan, Taiwan, 1989, gets most of the characters right. Compare also Shi Shen, a Qing manuscript also reprinted in the same series that quotes a Zheng Shou Shen ji, the passage is otherwise identical with SJYLSSDC\n\n\"See for example Lagerwey, perhaps Liu Zhiwan also. Note the latter being account of practice of the Zhang Fazu sect, which seemed not to involve the Lu Shan Jiu Lang at all\n\nTh\n\nInteresting information is found in John Lagerwey was not mentioned, instead \"John Keupers\", \"A Description of the Fa-ch'ang Ritual as Practiced by the Lu Shan Taoists of Northern Taiwan\", in Saso and Chappell eds Buddhist and Taoist Studies 1. Hawaii University of Hawaii, 1977, p 83 This article on the Lu Shan San Nai sect shows, without saying so, that the confusion has multiplied as the priest has mistaken the pair Lu Shan Jiu Lang and Wang Tu Mu for Dong Wang Gong and Xi Wang Mu, two prominent gods in canonical Daoism, and by two steps of substitution (Xu Xun = Lu Shan Jiu Lang, Dong Wang Gong = Lu Shan Jiu Lang) identified Dong Wang Gong with Xu Xun\n\n-\n\nSee for example the San Jiao Shou Shen Da Chuan\n\nMin Du Wai Ji by den He Qiu, reprinted 1987 by Fujian Renmin Chubanshe\n\nYuan Hao-wen, Yi Jian Zhi, Reprint Beijing Zhonghua Shuju, 1988\n\n14\n\nALL\n\nOp eit pp 1181, 1429\n\n+",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
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    },
    {
        "id": 213798,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 150,
        "title": "RAS-1996",
        "content_text": "121\n\n4. Such as Muxía San Lang (p 695), Hagoo Wu Lang (p. 1802), Hupe Wu Lang (p 1802) and Mu Ping San Lang (p. 308)\n\n12 See for example, Yi Yuan of Southern Dynasties15 p. 1, Shoku edition. The passage reportedly appears also in Hua Yang Guo Zhi of earlier Jin dynasty, and the Hou Han Shu of the Southern Dynasties\n\n\"Kainan Xhuan Xin\" 4, Shoku edition pt\n\nHht No Gan p 5 in Shankar edition\n\n14 For Tarshan Shi(4) Lang see p. 297 21b Tarshan Sau Lang | 298 p 24b Huayue San Lung | 300 p 30 and ↑ 301 p 33, Huashan San Lang | 303 p 39. There is even a Ji (7) Lang son of Daryue San Lang in) 305-p-490). By in Xiaoshuo Daguan edition reprinted Yangzhou 1983\n\n** J 4 p 21 in Shrakat edition\n\n\"The Wudu HaYao\", quoted by Wang Jiayon Daojiao Tungan, hengdu Basu Shushe, 1987,\n\n$49\n\nIN\n\nNanbu Xusha, Simoku edition mp4\n\nHong op out p 508\n\n* Quoted by Rolf A. Stein \"Religious Laoism and Popular Religion from the Second to the Seventh Centuries”, in Holmes Welch and Seidel eds. Facets of Taoism. Yale University Press, 1979. He dates the collection as from Tang dynasty (p. 67). The text is in the Daoist Canon, vol 704\n\n4)\n\nGaryu Congkao | 37, p 677 in reprint by Hefei Rennin Chubanshe 1990.\n\n52 Hong mp of, pp. 916, 1692\n\n* The most curious example is abid, pp. 328-110, quoting an abridged document submitted to a temple as petition. The quoted passage gave an additional name of himself in the form Ediscuss here. The quoting passage seems to have overlooked the fact the author of the quoted passage was the husband of the female ghost who made trouble.\n\nDIYLp 41, p 25\n\n\"He may be related to Zhan Hou of Jin dynasty who appeared in a legend about a stone horse and stone rider, related in the Yi Yuan a work of the Southern Dynasties quoted by Taiping Guangji4 (top en ↑ 284 p 1969). Perhaps the same Zhao Hou is referred to by Zhao Hou Nan Fa (Southern Magic) and Zhao Hou Da (register) mentioned by the Ming Daoist manual [Tan Huang Daojiaoling Yu Ce, in the Daoist Canon vol. 1109-1110]. There are a few schools of magic, that calls themselves Nan Fa. One is mentioned in Du Guangting op cit 12 p 5, and another in Hong op cit pp. 1733 and 1736]\n\nPage 150\n\nPage 151",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 214009,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 78,
        "title": "RAS-1997",
        "content_text": "44\n\nthe news to Tsung-pao.\n\nAt this point the commander of the Liao army arrogantly demanded that the Sung forces surrender. Miss Mu, angered by the enemy commander's comment about the Sung general dallying with her and being afraid to fight, fired a single arrow which took the helmet off the enemy commander's head. She then fired a second arrow at his left eye but he had already turned to flee and it struck his armour instead. Her popularity and prestige soared and the Liao Khitan forces' morale plummeted. Miss Mu led her force to victory whilst Yang the Fifth killed one of the Liao commanders and Yang Tsung-pao another, leading their forces in a rolling battle which lasted all of twenty-four hours. The defeated Liao Khitan fled, broken, back north leaving the field to the Sung. Peace reigned for the first time for decades and lasted for the following ten years.\n\nFinally, we have the tales told in temples, individual stories told not only by temple custodians and devotees about members of the Yang family with the father, Yang Yeh, the main character, but also by professional tea-house story tellers. One might expect versions of the lives of the Yang family as related by temple staff and devotees would reflect the religious traditional tales of story tellers and theatrical stories. As will be seen this is not always so.\n\nYang Yeh, his wife, daughters and sons were deified for their heroism and loyalty to the Sung dynasty. Images of Yang Yeh, alone or with his wife, the Lady Yü, Yü Lao T'ai-chun, also known as Yang Ling-p'o, and with one or more of his seven [eight] sons, can be seen in two temples near the Great Wall in northern China as well as on Fukienese community altars in Taiwan and South-east Asia. Yang Yeh, when portrayed on altars, is also known as The Holy Prince of the Yang Family 楊老令公.\n\nIn the majority of Singaporean and Taiwanese temples the staff were quite clear in their own minds that the two major deities of the cult are Yang Yeh, the powerful general and father of the family, and his Fifth Son. Confusion over definitive identifications of images on altars has arisen out of this almost universal belief. The reason for the popularity in temples of the Fifth Son, rather than the greater hero, the Sixth Son, is almost certainly due to the Fifth's religious background.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
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    },
    {
        "id": 214017,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 85,
        "title": "RAS-1997",
        "content_text": "51\n\nfeet above sea level with the col being barred by a massive stone gateway. This was the Pass of the Wild Geese HEP, said by the local Cultural Site custodian to be one of the Three Passes facing Central Asia defended by the Yang family, and the main defensive point on the former main road, with its old track still visible winding up from the Chinese side and down to the Mongolian plain.\n\nThe aged local custodian pointed out the location of the old temple and identified it as having been dedicated to Wu Lang. It was standing on the Chinese side of the gateway though all that remained of it, apart from the outline of the outer walls, were two tall marble flag-poles, several large inscribed tablets standing vertically on the backs of stone tortoises and a number of pieces of dressed stone and the entrance steps. A modern temple dedicated to Kuan Kung, the Patron both of Loyalty and of Shansi province, has been built on the northern side of the gateway, constructed since the Cultural Revolution. However, the old temple, according to the aged custodian and the local peasant back on the main road, had most certainly been dedicated to Yang Wu Lang whereas, according to a large coffee-table book on the temples and architecture of Shansi published by the Shansi provincial authorities, the old temple had been dedicated to Li Mu, with no mention whatsoever of Wu Lang.\n\nLi Mu, like Yang Yeh, was a soldier renowned for his valour in guarding the northern frontiers against incursions from Central Asia. Li Mu was a general of the state of Chao during the 3rd century BC who always maintained a defensive posture and, ridiculed for it by the enemy, the barbarian Hsiung Nu, a major warring race, he was removed by his Prince. His successor failed miserably; Li was recalled and after intense drilling of his forces Li decisively defeated the Hsiung Nu; he also routed the forces of the neighbouring state of Ch'in. Finally, the ruler of Ch'in [who later became the first emperor of China, Ch’in Shih Huang-ti] succeeded by means of bribes to induce the Prince of Ch'ao to dismiss his great general. Li refused to accept the order to stand down and was put to death. Three months later, in 229 BC, Ch'in declared war and carried off the Prince of Ch'ao, annexing his state.\n\nThe question here is, which is correct? Folk memory claiming that the temple was dedicated to the 10th century hero, Yang Wu Lang or the official publication which claimed that the temple had been",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 214018,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1997",
        "page_number": 86,
        "title": "RAS-1997",
        "content_text": "52 \n\ndedicated to the 3rd century BC hero, Li Mu? Peasant memories have so frequently proved to have been selective and extremely partial to local heroes and as the famous battle fought by Yang Yeh in northern Shansi took place quite close to the site of the temple it would be understandable for them to assume rightly or wrongly that the temple had been dedicated to his son in those distant days before the temple was destroyed. And here is another problem. No one nowadays knew when the temple had been demolished, the best bet would seem to be during the Japanese campaigns of the 1930s.\n\nNOTES\n\n'The Khitan [in Chinese Ch'i-tan] were Tatars who adopted the Chinese name Liao for their dynasty, and were hunters from approximately the area now known as Inner Mongolia\n\n4\n\n༣\n\n\"General\" in Chinese used to be a generic term for the leader of an independent body of soldiers and was even used for leaders of village militia groups as small as a score or so\n\nHe was also known as P'an Hung and referred to in the novel as the Sung Imperial adviser Hung-yang Tung At the Hung-yang cave)\n\nThe Eldest Son was Yang Yuan-ping, the Second Son, Yang Yen-ling, and the Third, Yang Yen-kuang.\n\n*This cult is in no way connected with Yang Hou, whose images have been noted in eight temples in Hong Kong and Macau\n\n7\n\nA small temple in Taipei is dedicated to the Four Ambassadors [who crossed to Taiwan] from the Chin Lake in Ch'uanchou, and despite the main deities within all being pestilence Wang-yeh, and acknowledged as such by the temple keeper, they were also identified as four of the sons of Yang Yeh. The images were well-nigh impossible to discern with any clarity as the protective plate glass was extremely grimy.\n\n8 Werner also noted that Ch'an Shih-kung was a popular deity in Kiangsi province whose aid was sought by peasants for rain during prolonged drought. He added that pictures of the deity in monasteries showed him with a vermilion mark on his forehead and with a tiger crouched at his feet. Legend explained that a tiger which had menaced travellers had been ordered by Ch'an Shih-kung to desist, and it had followed him like a dog thereafter. It would seem that the deity noted by Werner was not in any way connected with Yang Wu Lang.\n\n9 In a small Singapore temple the following title was inscribed into a multi-deity tablet, even though no images of the Yang clan were present: Hsien-feng Yang Chiang-chun Chi-chiao Wang-yeh [The Fleet of Foot Vanguard General].",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579",
        "rank": 0
    },
    {
        "id": 214258,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 116,
        "title": "RAS-1998",
        "content_text": "The King Protector of the East and controller of Spring\n\nelement: water\n\nP'i-p'u Tung-ch'a T'ien-wang LUXXE\n\n毘普動叉天王\n\nRed face\n\nMo-li Hai\n\nLute/guitar\n\nor Umbrella\n\n摩禮海\n\nor Sword and Snake\n\nor writing brush\n\nor Green face\n\nKuang-mu Virupaksa\n\nT'ien-wang\n\nwith Red beard 廣目天王 [Colour: red]\n\nThe King Protector of the West and controller of Winter\n\nelement: fire\n\n79\n\nP'i-p'u Po-ch'a T'ien-wang OXXE\n\nMo-li Shou Rat or Mongoose\n\nPink or Green face Tseng-ch'ang Virudhaka\n\nT'ien-wang\n\n[Colour: Red] 增吒天王\n\n[which changes into\n\nand short beard\n\n摩禮壽\n\na white, winged\n\nor Red Bird\n\nelephant]\n\nor Red or Golden Dragon\n\nor Magic sword and ring\n\nor Whip\n\nThe King Protector of the South and controller of Summer [or Spring]\n\nelement: wood\n\nT'i-t'ou Lai-cha T'ien-wang DELI\n\nMo-li Hung Umbrella\n\nPink or white face T'o-wen Vaisravana\n\nClean shaven\n\nor Money bag\n\nT'ien-wang\n\n摩禮紅\n\nor Snake [and pearl]\n\n[Colour: Black]\n\n多聞天王\n\nor Rat/Mongoose\n\nor gold\n\nand occasionally",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214266,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 124,
        "title": "RAS-1998",
        "content_text": "87\n\nubquitous whilst Lei Tsu, the Ancestor of Thunder is rare. These two forms tend to be confused by devotees, with a concensus accepting that Lei Shen is another name for Lei Kung, whilst Lei Tsu is an entirely separate deity, the major deity who has two aides, Lei Kung and his consort, Tien Mu [the Goddess of Lightning]. Numerous differing views offered by temple keepers, devotees, god carvers and even Taoist religious specialists claim that Lei Kung himself under several different titles is a member of the Five-deity Board of Thunder but subordinate to the President, Lei Tsu.\n\nThe Thunder God, is an early Chinese nature deity, a stern god who, though generally speaking benevolent, is one who averts evil. He is also feared as being particularly merciless towards those who kidnap children and oppress widows and orphans. He was revered in the very early days because of the mystery and powers of nature he and his consort controlled. The list within temples of the evil doers against whom he takes action is seemingly endless. It used to be that the list only included capital crimes, nowadays however it includes the filial impious, liars and cheats, and physical discomfort for truants and lazy scholar students. Children were told that he would not harm them unless they told lies. On the other side of the coin he has the power to obtain pardons for anyone who genuinely repents, and for many centuries Lei Kung has answered people's prayers and requests for cures for all diseases, injuries and sickness. However, during the early part of this century in and around Peking it was believed that he would not cure anything more severe than scratches and bruises. He has developed into a deity whose charms cure minor wounds, stomach aches and perhaps hasten the delayed birth of a babe.\n\nLei Kung causes damage to property and fields with his thunderbolts whilst Tien Mu, the Lightning Goddess, merely flashes her mirrors to cause the lightning. During the late Ming and the Ch'ing dynasties images of Lei Kung were situated on high places, a roof of a temple, for example, to ward off lightning.\n\nHis standard image is unique and the most easily identifiable deity in the Chinese pantheon. Represented as half-man half-bird, a human body and arms, chicken's feet and claws, a monkey's head apart from his bird-like beak, he is also occasionally portrayed with a third eye. He holds a hammer and chisel13, has a string of drums slung around",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
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    },
    {
        "id": 214358,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 216,
        "title": "RAS-1998",
        "content_text": "181\n\nmay be unremarkable, in Mao's China not all that long ago folk religion was taboo, and even in today's China that they offer such displays of the old deities without blatant propaganda is surprising.\n\nNOTES\n\n1 The Feng-shen Yen-i is usually attributed to Hsü Chung-lin who lived during the first half of the 16th century.\n\n2 The mythological gods of the Creation and pre-history are different from the “human” deities, the latter being canonised since the 11th century BC [and, indeed, up to the present day]\n\n3 Confusion between the new dynasty, the Chou and the last ruler of the Shang, Chou Hsin was so general that it became the convention for a while to romanise the name of the last ruler of the Shang as Tsou rather than Chou.\n\nDuke Fa of the Shang vassal state of Chou, the later King Wu [Wu Wang], the first emperor of the Chou dynasty\n\nFilial piety prohibited a son from bearing a higher title than that borne by his father. Should he acquire the throne it was necessary that the title should first be conferred on his father, dead or alive. We therefore hear of names like Wen Wang [the Emperor Wen] and Chou Kung, awarded to his father and brother respectively, these being the titles\n\n6 A mural portraying Duke Chou is one of the panels, together with others depicting Christ, Confucius, Lao Tzu and Mohammed, around the inside of the dome above the main hall of the cult centre temple of the I-kuan Tao at Nan Hua near Tainan.\n\n7 The only image of Pai Chien noted in today's temples is in Havelock Road in Singapore where he is one of the 24 Heavenly Generals.\n\n* The seven, who not long after this became Immortals, free from the cycle of rebirth and death, were:\n\nLi Ching\n\nThe Three Princes, Chin Cha, Mu Cha and Na Cha\n\nYang Chien\n\nWei Hu",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214498,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 356,
        "title": "RAS-1998",
        "content_text": "325\n\nrural simplicity. Many of those in the procession were school children dressed in a variety of international costumes whilst the presence of ladies dressed in costume (see illustration) reminded us that Tan Gong is a Hakka god and that the Hakkas have both a rural as well as coastal background. (3)\n\nAfter a sumptuous Portuguese casserole lunch at the Cacarola Restaurant in the nearby Rue das Gaivotas we made our way to the Taipa House Museum. Here there was lovingly recreated the living style of Macanese civil servant families living on Taipa Island during the early 20th Century. A reminder of much quieter times before we jet-foiled our way back to busy Hong Kong.\n\nNOTES\n\n1. It is not uncommon in 19th Century and early 20th Century Guandong folklore for dragons appearing in the guise of serpents to perform epidemic curing miracles. Witness my account of the Tai Hang Fire Dragon Dance on p.307. Vol.30, 1990 JHKBRAS. (For my research on this subject I am indebted to the Rev. Eric Kvan).\n\n2. Stevens, Keith (1997), p.140 Chinese Gods, Collins and Brown, in his account of the story of Lung Mu, the Mother of the Dragon, gives another example of a Pearl River area dragon turning from a serpent to a dragon.\n\n3. SIU, Anthony K.K., Vol. 27 JHKBRAS tells of the origins of Tan Gong in Guandong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
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    },
    {
        "id": 214692,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 107,
        "title": "RAS-1999",
        "content_text": "with Kap Sang & A Cheung\n\n[0.12]\n\nSee Shing Hi\n\nLin Shan\n\nLin Kwai\n\nLoi\n\nSee Shing Hi\n\nVI\n\n2/2\n\nwith Shing Po\n\n0.03\n\n0.08\n\nLoi Fat\n\nMan Hi [Hei]\n\nSee Hing Tak\n\n4/5\n\n1/3\n\n1.23\n\nMan Hing\n\n1/1\n\nwith Kap Hing\n\nMo[Muk][mu]Tsun\n\nMuk Sang\n\nOn Pong\n\nPak Hing & Kun Hing\n\nPak Kam & Tseuk Wing\n\nPak Ling\n\nPing Fuk\n\nSam Hing\n\nShing Fat Shing Fu\n\n[0.45]\n\nKC2/3\n\n0.41\n\nSee Kam Tak\n\nSP2/7\n\n1.81\n\nPredominantly Sha Po.\n\nwith Shui\n\n[0.06]\n\n2/2\n\n1/1\n\nKC1/3\n\n0.30\n\n3/3\n\n0.16\n\nSee Shing Hi\n\n2/6\n\n0.04\n\nSee 1 Po\n\nSee Shing Fu\n\n0.12\n\nKC16\n\n1.37\n\nSP1/2\n\n0.46\n\n1.23\n\nPredominantly Sha Po\n\nwith Shing Fat\n\n2/6\n\nShing Hi\n\nwith Lin Shan, Lin Kwai, Cheung Fat, Pak Ling\n\nShing Po\n\nwith Loi\n\n1/1\n\n1/1\n\n0.04\n\n[10.08]\n\n71",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
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    },
    {
        "id": 215705,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 4,
        "title": "RAS-2002",
        "content_text": "演講\n\n本會每月(七月除外)均邀請著名學者或專家作專題演講,題目廣泛有趣,如香港境內燈塔、中國神祇、風水、新界1899年以前墟市、中華白海豚及香港海洋保育等。演講多於星期五在中環舉行,近期講題可參閱本會網址www.royalasiaticsociety.org.hk。\n\nTEARNING THE ROPES\nAbeer ga\n(kuðlenges\nDer Epivering the set törkelsøg\nSystems, NË PUCntit korpung\nDenis Voesen audi ciæră, princes\nGetting the wriÉZ 500g\n11. STARTING RISE AROTE IN THONG, KIM,\nSen culture, new languver\nCemeteries zoved first visit in Macaro\nChinese death mučices\nKyle Havesick all whƐ Murray Home\nlih Class, Alesrom, Hung J44 Special\n\nTalks\n\nEach month, except in July, RAS members are enlightened and entertained by distinguished speakers on subjects as diverse as Hong Kong's lighthouses, Chinese Gods, Fung Shui, the market towns in the New Territories in 1899 and Hong Kong's pink dolphins and marine conservation in Hong Kong, to name but a few. The talks take place in a Central location, usually on Friday evenings.\n\nFor details of our current talks please refer to our latest newsletter posted on our web site: www.royalasiaticsociety.org.hk.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    }
]