[
    {
        "id": 207107,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 178,
        "title": "RAS-1974",
        "content_text": "172 \n\nSUNG HOK-PANG \n\nHe then returned to the capital, and stayed in General Ngai's house where he was able to make friends with many famous scholars. He wrote a book named \"Yin t’oi san ngai” \n\nwhich had a preface written by Ts'oi Shing Yuen ## Noi Kok Hok Sz a political minister of high rank. Three years later Tang passed his Tsun sz degree, and was appointed district magistrate of Lung Yau Yuen in Chekiang province. \n\nTang Man Wai was of a kind-hearted disposition and some say that through this the wall of T'aai Hong Wai was built. The story goes that when Tang passed his Sau Tsoi degree he was sent to Kwai Shin district, now Wai Yeung, to collect the rent due on cultivated lands, belonging to his family property. While there he came across a young man named Lei Maan Wing * hanging upside down as a punishment. On asking the reason why, Tang learnt that Lei had contracted gambling debts and was unable to pay them. Tang was sorry for the young man, paid all his debts and was able to use his influence in obtaining a military post for him. This happened during the end of the Ming Dynasty. Later on when the Manchus drove out the Mings in the North and the Ming Emperor Wing Lik✯✯ had retreated to Kwangtung, Lei was a colonel under Cheung Ka Yuk ✯ who was fighting against the Manchus. When Cheung was defeated in battle in the 4th year of Shun Chi A.D., 1647 of Ts'ing dynasty, and drowned himself, Lei, who was with him, fled with about a hundred soldiers. Gradually many of Cheung's soldiers were able to rejoin him, and with a strong army he attacked both Tung Kwun ✯✯ and San On ✯* districts. He drove out the Manchus, and made his headquarters in what is now known as the New Territories. One of Lei's camps was situated in the district round K'ei Lun Wai LP'ing Shan A and T'sing Leung Fat Yuen ****. Before the latter, which is a nunnery, was built, the locality had been known as Ying P'oon Tei, \"The ground of the camp,\" and while the building was in progress the workmen dug up many old coffins which were supposed to be those of Lei's soldiers. Among them was found a general's sword, broken in many pieces. Anyone going to Kwun Yam Shaan to visit the Ling Wan monastery would notice half way up Taai Mo Shaan, far above the cultivated land, a stretch of hillside that has been terraced and flattened out in some former time. This is supposed to have been another of Lei's encampments. Lei burned and pillaged, and most of the \n\n+",
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    {
        "id": 207583,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 351,
        "title": "RAS-1975",
        "content_text": "342\n\nBOOK REVIEWS\n\n34 This observation is mainly based on the fact that the first poem from his own collection is entitled \"Chin shou-men has shown me a rubbing of the inscription taken from the bronze bells being made for the Ching-lung Monastery during the Tang Dynasty.”\n\n毒門见示所裁唐景龍觀錘髭拓本 In Li E's Fan-hsieh SFC, chuan 1, p. 1 under this poem, the date of its completion is recorded by the combined used of the Chinese cyclical characters: chia-mu which according to Li E's chronology, is to be identified as 1714 (the 53rd year of the Kang-hsi era).\n\n35 Ever since 1963, the Kwang-tung ying-jen chuan, “A Biographical study of the seal-carvers in Kwang-tung\", edited by Ma Kuo-chuan, has continuously appeared in the -lin section of Hong Kong's Ta Kung Pao Daily News. His study about Chang Hsiang-ming in particular, appeared in Ta Kung Pao, December 19, 1965. In October 1974 this biographical information was edited and published by the Nan Tung Company in Hong Kong, still entitled Kwang-tung ying-jen chuan. The portion concerning Chang Hsiang-ning is to be seen in this book edition p. 98.\n\n36 This is based on Takikawa Shiteru's colophon being inscribed on Hsiao Yün-ts'ung's painting entitled Li Sao T’u. A full reproduction of this painting has been printed in 1924 in Tokyo by Seigei Omura as one item of his edited Zubon Sosho. In addition, Takikawa's colophon was also quoted by Professor Akiyama Mitsuo in his Sho Sekiboku to Shuzan Koryo zu which appeared as the last article, being collected in the same author's Nihon bijusisu ronko (1943, Tokyo), pp. 413-414.\n\n37 According to Tzu Hai (1967, Taiwan edition), Appendix V (A conversion chart British, Japanese and Metric Lengths), each Japanese feet equals 0.3030 metre. Thus, 40 Japanese feet equal 12.12 metre. On the other hand, since the Drenowaltz handscroll measures 1302 cm; namely, 13.02 metre, the lengths of this painting, now in Switzerland, and the Li Sao Tu, once in Japan, are certainly very close.\n\n38 See Hu I: \"Hsiao Yun-ts'ung Nien-p'u” “A Biographical study of Hsiao Yün-ts'ung on A Yearly Basis”, in Mei-shu Yen-chiu (1960, Shanghai), No. 1.\n\n39 For these literary men who were gifted artists as well as members of the Fu She Association, these were, in addition to Hsiao Yün-ts'ung, many others, such as Li Sui-chlu from Kwangtung province, Wan Shou-ch'i (1603-1652), Wu Wei-yeh (1609-1671), Chi Pao-chia (middle 17th century) and Mao Hsiang (1611-1693) from the Kiangsu province, Fang I-chih (1611-1671) from the An-hui province, and Yang Wen-ts’ung (1597-1645) from the Kwei-chou province. These were all example-figures of such a type.\n\n40 Hsiao Yün-ts'ung name is listed in Fu She Hsin-Shih Lu \"Records of Members of the Fu-she Association\" first volume, p. 7a. This rare book is now owned by the Institute of History and Philology, Academia Sinica at Nankang, Taiwan.\n\n41 Hsieh Kuo-chen: \"Nan-ming shih-luch\" “A Brief History of the Southern Ming Period\" (1957, Shanghai), pp. 12-13.\n\n42 S. W. Stephen: Chinese Art, 2 vols. (1904-06, London).\n\n43 Ch'eng Wei: “A primary study on the Origin and Development of Ancient Bird-and-flower paintings\" in Wen-wo (1963, Peking), No. 10, p. 22-29. This article probably serves as the only research on the history of Chinese painting by using one single painting collection as its basis. Yet unlike the work done by Professor Li",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    {
        "id": 211385,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1988",
        "page_number": 101,
        "title": "RAS-1988",
        "content_text": "77\n\nof the castle a Po To Hai (江湖海) or “arrest bandit station\". No trace is left of either of these buildings, but undoubtedly this is the origin of the English name of Castle Peak.\n\nThe history of the monk Pooi To is a curious one, and the stories of the miracles he did are very numerous. It is not known what his real name was. Pooi To being his Buddhist name. He is supposed to have lived in the K'ei Chau (兒洲) district at first, which is between Shantung (山东) and Chili (直雩) provinces. He was an uncultivated man, without family, wandering from place to place, and asking shelter from house to house. Once when he went to the then capital city of China (Sung dynasty) Kin Hong (交宝) he was described as looking about forty years old. He used a rope instead of a belt, his coat was all torn. He was easily pleased, but quickly angered. Sometimes he talked a lot, at other times he remained silent for whole days, and when it was very cold he would often roll in the snow. He would climb the hills in rough wooden clogs or walk about the town barefoot. He was not a vegetarian like other Buddhist monks, but ate and drank as an ordinary man. His only possessions were a rice basket and a wooden cup. The cup plays an important part in the various stories about him, and is the origin of his name. Once he went to live at a monastery called Yin Yin T'z (蕁限壮) where the abbot Faat Yee To Yan (发自美壮) allowed him to occupy the spare room. After staying there a while he wished to go across the Kwa Po river (過波添) but the ferry man seeing his ragged condition and doubting probably his ability to pay refused to take him. So Pooi To tossed his cup into the water, put his legs in it, and singing merrily he floated across to the northern shore.\n\nAnother story, and one rather to his discredit, tells how he stole a Buddhist idol of gold from a house where he had been entertained. The owner gave chase, but even though he ran and Pooi To appeared to be walking slowly ahead of him, he could not catch him up. Then a man on a horse joined in the chase, but even he fared no better. At last the river, Maang Tsun (獱村) was reached and the owner felt certain of being able to get his idol back, but Pooi To, a little ahead of him, calmly threw his cup in the river, and sitting in it ferried across. From these stories his name of Pooi To “cup across” was derived.\n\nOnce Pooi To went to a small district called Kwong Ling (广凌)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
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    {
        "id": 211732,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 147,
        "title": "RAS-1989",
        "content_text": "122\n\nusually considered private in character, and hence the entrances are such that the general public can be excluded as desired.2\n\nIn smaller institutions, the buildings tend to form only a single range, and the Buddha Hall is built in the middle of it. Even here, however, the range of buildings will usually front an enclosed courtyard-garden, and the Hall will be raised up a few steps higher than the other buildings.\n\n1\n\nAlthough the great majority of Buddhist monasteries and nunneries in Hong Kong were founded in the last 80 years, a few are older, founded by indigenous groups before the coming of the British. Five are known to me in the mainland New Territories3 — the Ching Shan, or Pooi To (#4 · *) monastery at Tuen Mun, (certainly in existence in the fifth century*), the Ling To () monastery at Ha Tsuen (probably founded or refounded in the Ming Dynasty), the Ling Wan () nunnery at Shek Kong (an early Ming foundation4), the Lung Kai () nunnery near Lung Yeuk Tau (probably an early Ch'ing foundation5), and the Cheung Shan Kwu Tsz (££‡), near Man Uk Pin on the old road from Sha Tau Kok to Sham Tsun (Shen Zhen).\n\nThe subject of this article.\n\nOf these ancient foundations, the Ching Shan monastery was rebuilt in 1918 and several times since, and the Ling Wan nunnery was rebuilt between 1919 and 1927. These now show the standard Buddhist plan mentioned above. The Lung Kai nunnery is a total ruin, following abandonment and the stripping of the roof during the last War. The Ling To monastery was rebuilt in 1928, and again (from the foundations up) in 1970. It is believed that both rebuildings used the foundations from the 1861 rebuilding, but the interior layout of the present structure is only a shadow of the original. Only the Cheung Shan Kwu Tsz survives unreconstructured and undamaged as an example of a Buddhist institution in the area from before the twentieth century influx of immigrant monks and nuns. Because of this it seemed worth studying the monastery in some detail.\n\nThe old road from Sha Tau Kok to Sham Tsun ran more or less along the line of the present Sha Tau Kok road from Sha Tau Kok to the Wo Hang Au above Sheung Wo Hang. It then cut to the north-west of the present road, passing Man Uk Pin village, and thence on through the mountains by a low pass called Miu Keng (M, \"Temple Pass''), past Ping Yeung village, to cross the Sham Tsun river by the bridge",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211738,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 153,
        "title": "RAS-1989",
        "content_text": "128\n\nThe front part of these three easternmost sections at the Lung Kai nunnery comprised the guest quarters (in the first and third sections), and the main entrance to the nunnery (in the second section). The guest quarters consisted of a twelve foot square room in each of the two sections in question, each with a cockloft above, and each opening off the Tin Tseng.\n\nAt the Lung Kai nunnery the residential accommodation for the nuns, with the kitchen, was in the fourth and fifth sections, but nothing of this survives, except for the doorsill of the door connecting it with the Tin Tseng (including the marks of the settings for the bars), and the sill of the external door connecting the quarters of the nuns directly with the access path to the nunnery. The nunnery opened directly onto this access path, and backed directly onto the hillside; there was no courtyard or enclosure.\n\nThe present layout of the Ling To monastery (this institution was previously a nunnery, but has housed immigrant monks for the last seventy years) suggests that the original plan there was not dissimilar. The present (1970) buildings form a rectangle, of about 85 feet by 65 feet, divided into rooms which seem to represent the shadow of a previous arrangement whereby the buildings were divided into sections by walls running from the front to the back. The present structure suggests that there were, before the 1970 rebuilding, five of these walls, and six sections. The buildings face approximately due north. The easternmost two sections seem likely to have been the original living quarters. The third to fifth sections are now used as worshipping space, and this seems likely to have been the original use as well. The main entrance was previously in the fourth section, (it was moved to the sixth section in 1970) and the space where it used to be has two small square rooms to either side of it, which are likely to be part of the original design; these may have been the original guest-quarters, as in the corresponding position at Lung Kai. The monastery is roofed with two transverse gables, with Tin Tseng between, and this is also likely to be part of the original design: Tin Tseng are currently found in the second, the fourth (this Tin Tseng probably originally covered the whole of sections three to five), and another in the sixth section.\n\nIt will be seen that the Ling To monastery originally had a plan which seems to have been almost identical with Lung Kai, with the addition of a sixth section beyond the triple worshipping halls. It is possible that",
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    },
    {
        "id": 211739,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 154,
        "title": "RAS-1989",
        "content_text": "129\n\nthis sixth section was added at the 1928 rebuilding, and was connected with the taking over of the nunnery by immigrant monks at that date. If the original building was of only five sections, then it would have been of a very similar size to Lung Kai - about 70 feet by 65 feet - as well as of an almost identical design; the only significant difference would be that, at Ling To, the living quarters of the nuns were to the east of the worshipping space, while at Lung Kai they were to the west.\n\nBoth at the Cheung Shan Kwu Tsz and at the Lung Kai monastery, therefore, and at the Ling To monastery, as far as the original layout can be deduced, the plan is quite distinct from the standard Buddhist plan seen in most of Hong Kong's Buddhist institutions. The worshipping halls are entered through the short walls, and the main altar is set against the opposite short wall, with a Tin Tseng between. There is no trace of the transverse hall arrangement. Both the Cheung Shan Kwu Tsz and the Ling Kai nunnery open directly onto the roadway; neither has any trace of a courtyard-garden or other enclosure - although the Ling To monastery is now surrounded by a garden, which is probably original.\n\nAll these institutions were clearly designed for only a few resident nuns - the Cheung Shan Kwu Tsz for probably no more than an abbess and three nuns at most, and the Lung Kai nunnery (and probably the Ling To house as well) for an abbess and perhaps up to four or five nuns. In none of these cases was provision made for large communities by way of substantial ranges of residential buildings. The groundplan of these nunneries is very similar to that of the ordinary temples to the gods of the traditional village religion, with living quarters similar to local farmhouses attached. The implications of this sort of plan must be of closer integration into the local community, and of closer identification of Buddhism and the traditional village religion than is now common.\n\nThe Cheung Shan Kwu Tsz and the local road system\n\nThe Cheung Shan Kwu Tsz was probably founded in the late eighteenth century. The whole of the Sha Tau Kok area was settled by Hakka clans, none of which claims a settlement date of before the Coastal Evacuation (1669), and many of which settled there only during the first half of the eighteenth century, or even later. Most clans consisted of only just one or two nuclear families at the date of their settlement in the area. The population of the Sha Tau Kok area was, therefore, very low during the early eighteenth century, and only started to build up",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211757,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 172,
        "title": "RAS-1989",
        "content_text": "147\n\nThe Magistrate's influence seems to have deferred the success of the Tsat Yeuk in by-passing the Tai Po ferry from about 1840 to 1892, but otherwise it does not seem to have played any significant part. The Magistrate seems to have played absolutely no role at all in the dispute between the Luk Yeuk and Wong Pui Ling.\n\nThe main gentry organisations in the area were the Po Tak Temple Old Alliance and the Community School (1) in Sham Tsun, which was managed by the Tung Ping Kuk (T5, \"Council for Peace in the East\"), consisting of all the Punti degree holders in the Sham Tsun area, who sat in the school in rotation to adjudicate disputes. The political effectiveness (as opposed to their effectiveness in settling inter-personal disputes) of these gentry bodies in ordinary times was slight. The predominant membership of the Community School rota was from Sheung Shui, Lung Yeuk Tau, Wong Pui Ling and Sham Tsun itself, and their mutual enmities rendered it helpless in most major local political crises. The Po Tak Temple was similarly divided. The Sham Tsun Community School was, furthermore, ignored by the Hakka degree-holders, who had a similar, but weaker, body connected with the school in Sha Tau Kok, and known as the Tung Wo Kuk (†1⁄2, “Council for Peace in the East”).\n\n41\n\nThe Nuns and Their Background\n\nThe nuns of the Cheung Shan Kwu Tsz were local Punti girls. This was a common feature of the pre-British Buddhist institutions in the area. The Ta Kwu Ling villagers believe that all the nuns, at all dates, were Punti. They were \"women who refused to marry\".\n\nThis was the same at all the indigenous nunneries in the New Territories. The Tang lineage owned three nunneries: the Ling To nunnery being owned by the Ha Tsuen branch of the lineage, the Ling Wan nunnery by the Kam Tin branch, and the Lung Kai nunnery by the Lung Yeuk Tau branch. Village elders of all three villages say that, before they were taken over by immigrant monks (or, in the case of the Lung Kai nunnery, became ruined), they were all houses of nuns,\n\nand that, while girls from other places were not debarred from becoming nuns there, effectively all the nuns were Tang girls from the branch of the lineage owning the monastery in question, girls, that is, who “refused to marry\". Similarly, the nuns of the Kim Ho monastery at the Law Fong bridge were, according to Law Fong village elders, girls from Punti",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211763,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 178,
        "title": "RAS-1989",
        "content_text": "13\n\n153\n\nPP.\n\n12 The inscription recording the rebuilding is at Faure, Luk and Ng, op. cit. Vol. I, 128-129, but it is unreadable through weathering, except for the heading and date.\n\n(4). Loe An-lim (羅安廉) (42), Qianren Wenxian (千人文献), ÑÍAL. [Collected Writings of Men of Past Ages], unpublished manuscript collection, Vol. 2, ff. 75a. (Copy in library of Royal Asiatic Society, Hong Kong Branch, Kowloon Central Library, Hong Kong). Lee An-lim was a villager of Sheung Wo Hang.\n\n(3) Lee An-lim, Qianren Wenxian, op. cit. ff 73-78.\n\n+\n\nAs honour board recording the donors to the 1920 repair has recently been found. It lists the donors by village. Every village in Ta Kwu Ling donated (except Ping Che, Chuk Yuen, Nga Yiu Ha, very probably included with their lineage brethren in Tong Fong, Law Fong, Ping Yeung), as did the villages close to the road both in the Sha Tau Kok area (Shan Tsui, Yim Tso Ha, Yim Tin, Wo Hang, Nam Chung, Luk Keng, Wu Shek Kok and Sha Tau Kok Market) and in the Sham Tsun area (Sham Tsun Market, Lo Wu, and Wong Pui Ling). Shek Wu Hui from further away also donated. See Win Wen Wei Pao (SCHEW) of 17 September, 1991.\n\nU¿÷\n\n16 Detail from the tablets commemorating the departed leaders of the monastery, and from information given by the recently deceased resident nun. The tablet of Kuk Shan Kit reads: 羅浮山寶積古寺監裤正宗第上三代主持上谷下山潔老和尚莲座. The tablet Kuk Shan Kit placed to commemorate his deceased predecessors names the \"ordained monks\" HIBA · MAZA\n\n+\n\nJ\n\n# and Ki£*, all of whom were dead by the date of erection\n\n+\n\n1\n\nof the tablet, and ✯, at that date still alive, as well as predecessors as rulers of this monastery\" ALLKILMINER and \"those monks who founded this monastery\", A WILDFORIKA BAIMM-\n\nL\n\n17 See P.H. Hase, “Notes on Rice Farming in Shatin', in Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 21, 1981, pp. 196-206; D. Faure, The Rural Economy of Pre-Liberation China: Trade Increase and Peasant Livelihood in Jiangsu and Guangdong, Oxford University Press, Hong Kong, 1989, pp. 46-57 and 212; and Hong Kong Annual Report: Report by District Commissioner, New Territories for Year Ending 31st March, 1950, Noronha and Co., Hong Kong, 1950, p. 5.\n\nTH The Ho clan of Tsung Yuen Ha descends from Ho Chan, the Earl of Tung Kuan in the early Ming, and the Ho family history (CBMGKR — a manuscript volume in the University of Cambridge Library) suggests this area was in Ho Chan's hands before the end of the Ming. It was certainly in Ho family control before 1393 when Ho Chan's family were proscribed. The Tang family has occupied the Lung Yeuk Tau villages, Loi Tung and Tai Tong Wu since the fourteenth century at the latest. A Tang clan also occupies Au Ha (PUF Aoxia) and Wang Kong Ha (Huanggangxia). I have not been able to discover if these two villagers are genealogically connected with the Loi Tung and Lung Yeuk Tau clan, although this is unlikely. The Man family has occupied Ping Che for **18 generations\", according to village elders, i.e. probably from the fourteenth century. The same family occupies Tong Fong, Heung Yuen Wai, and Lin Tong, Liantang), and a branch of it was resident at Man Uk Pin (**Man Family Houses\") before the present residents, the Chung (鍾) clan moved there in the early eighteenth century. The To clan has been resident at Chau Tin village for **500 years\". Local villagers consider that the Lei family has been resident at Lei Uk for as long as the To and Man clans have been at Chau Tin and Ping Che. All these clans are Punti, although sections of the Man clan at Tong Fong, and those at Heung Yuen Wai and Lin Tong, now speak Hakka. Shan Kai Wat (Lam surname, 林), Fung Wong Wu (Yip surname, 葉), and Law Fong (Law surname, 羅), are all included in the list of villages in existence in 1661 included in the 1688 Hsin An County Gazetteer, along with Au Ha, Tsung Yuen Ha, Ping Che (Ping Yuen 平遠), and perhaps Ping Yeung (坪洋) (Gazetteer, Ch. 3, f 12-13). Other Punti clans in the Ta Kwu Ling area (Wong, 黃, Chan, 陳, and Law, 羅, at Kan Tau Wai, and Hau, 侯)",
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        "page_number": 182,
        "title": "RAS-1989",
        "content_text": "157\n\nthat Gazetteer calls the other places Om (J), this must be taken as significant. In addition, the County Gazetteer, at ch'uan 4 (Chung Lap Pao edition, 1979, page 49 – taken from the 1688 Gazetteer) mentions a \"Master of Meditation\" at Ling To in the Ming by the name of Cheuk Shek-chue (pilfa;). This probably suggests a man, although the document at the Appendix shows that this term could be used for a nun. Ling To might, therefore, have been a house of monks in the early nineteenth century. Both Gazetteer references were taken over from the 1688 Gazetteer. However, village tradition at Ha Tsuen states that Ling To was \"always\" a nunnery. Lung Kai is not mentioned in the County Gazetteer. The rebuilding inscription of 1795 refers to it as Miu (§) and Tsz (F); at Faure, Luk, Ng, op. cit., Vol. 1, pages 36-40. Here again, village tradition states that Lung Kai was always a nunnery.\n\nThe Report on the Census of the Colony for 1911 (Sessional Papers, 1911, No. 17, Noronha and Co. 1911) shows that a single man was living in the nunnery in 1911, since the village-by-village population table (Table XIX, p. 103 (33)) includes \"Miu Kang Tsz\" as a village, with a total population of one male.\n\n49 This house is called Tsz ( f ) in the inscription of 1089 (Hsin An County Gazetteer, loc. cit.), which at that date should probably be given its full significance of \"monastery\" - no mention is made or implied there of any religious women associated with Pooi To. However, at chuan 18 of the County Gazetteer (Chung Lap Pao edition, 1979, page 148), the institution at Tuen Mun contemporary with the Gazetteer (i.e. 1819) is called Om (KE, \"nunnery\"), and mention is made of a further Om nearly, the Wai Shin nunnery (ME), on Sui Ying mountain, already extinct by 1819. There may, therefore, well have been a period when even the Ching Shan monastery was a house of nuns. $47 Lei Shin-yue was almost certainly one of Lei Pui-yuen's students. He was already one of the main village elders in 1905, when he was the Manager of most of the main ancestral trusts of the largest branch of the lineage. He was very elderly in 1931.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211945,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 360,
        "title": "RAS-1989",
        "content_text": "335\n\nA. Places of worship\n\nThe gods worshipped in Kam Tin can be divided into four categories. They are gods housed in temples, localized gods in outdoor space, gods on family altars, and the general gods of Heaven. The gods of heaven (Tin-San) are worshipped outside the house door, often with a tablet saying \"Blessings from the Gods of Heaven\" (Tin-Gwun Chi-Fuk).\n\nMore important for the community as a whole are temple gods and localized gods. Firstly there are the Ling-Wan Monastery and the Jau and Wong temple, which were important to the Dangs of Kam Tin as a whole. Stone inscriptions show that villagers of Kam Tin as a whole contributed money for rebuilding or repair, doing so on the basis of villages and higher order lineage estates, notably Ching-Lok Jou and Naam-Kai Jou.\n\nAccording to Sung (1973 and 1974) and the Si Kim Tong genealogy the Ling-Wan Ji was established by the Dangs of Kam Tin for the second wife of their founding ancestor Hung-Yi. But it is probable that Sung's source for this information was the author of the Si Gim Tong genealogy himself, and other villages seemed less aware of the connection of the monastery with their ancestor. Perhaps even more important is the idea that Ling-Wan Ji was the jyu-lou, or “head” of Kam Tin. That is why, a Mr. Dang explained to me, all the village gates should face Kwun Yam Shan, where Ling-Wan Ji is, and there is no need for a tall san-teng. Ko Po and Wing Lung Wai are exceptions to this rule. He knew that the position of the gate in Wing Lung Wai had been altered. He thought that the direction of the Ko Po one had been altered too.\n\nInterestingly the Xin'an gazetteer has no entry for the Ling-Wan Monastery under that name, but records the existence of a Gwun-Yam Temple on Kwun Yam Shan at the foot of Tai Po Shan, which matches the location of the monastery. The Xin'an gazetteer of 1688 is probably the earliest document mentioning the temple. Under the entry for the temple it mentioned a man of Dongguan county in the Ming dynasty who had lived there. It is not completely clear if this man was a Daoist. When Dang Si-daan's uncle donated the bell now at the monastery in 1755, the inscription referred to the place as the nunnery at Kwun Yam Shan. No one had heard about the temple named in the gazetteer, but Gwun-Yam is worshipped in the monastery, with various other gods such as Gwaan-Dai, and it is the goddess who has a central position, with\n\nPage 360\n\nPage 361",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211970,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 385,
        "title": "RAS-1989",
        "content_text": "360 \n\nof the Lineage, or his representatives, went to Ching-Lok Ancestral Hall for Hung-Yi. \n\nEach party took with them sets of paper clothing, fruit, tea, wine, yun-bou and a gong. \n\nI was told that the two officials Jau and Wong would be invited from the temple before the first five ritual representatives went to the Ling Wan Monastery. They departed for Ling-Wan Ji on a goods vehicle. A nun was there to meet them. The nun said that in the celebrations in the past they always heard the sound of the party's gong before the ritual representative's party arrived, this time the party was so quiet that she had no warning of their approach. (She had known that the jiu was to take place, though). \n\nA brief worship was conducted by the nun at the main altar. After that the paper clothing was burnt, and the ritual representatives made offerings of incense, tea, wine and a plate of vegetarian food. Then temporary spirit tablets of paper prepared in advance by the villagers for this occasion were each inserted into a piece of Chinese carrot and put on the altar table. There were a total of seven gods, including Gwaan-Dai, Fui-Sing, Choi-Baak-Sing-Gwan and Man-Cheung. Upon the suggestion of the nun, they added a temporary tablet for Gaam-jaai, a god to oversee observation of vegetarian diet. A concluding baai-san was accompanied by the villagers' gong and the nun's “chime”. Among the gods from Ling-Wan Ji, only Gwun-Yam was invited in the form of an image. \n\nNext the party went to the Pat Heung Temple. A woman of about 70 met them and the Kam Tin men explained that they were inviting the gods to see the opera and they would be brought back afterwards. The gods were Tin-Hau, Yeung-Hau, Gwun-Yam and Wa-Gwong. The woman instructed them to make an offering and burn yun-bou before they fetched the gods, which they did. Here they took no statue of the gods. \n\nThen they went to the Yuen Kong Temple. The ritual representatives had expected the presence of a temple keeper, probably for guidance. But none was to be found. Only Yeung-Hau and Bak-Dai were fetched, although the Kam Tin men made offerings of incense to the other gods of the temple too. After this the party went back to Kam Tin.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211984,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 399,
        "title": "RAS-1989",
        "content_text": "374\n\nwhich has been copied in an untitled manuscript in the possession of Mr. Dang Yu-Hing).36 Dang Kei-faan Genealogy in the Baker Collection of New Territories genealogies in the British Library.\n\n37 The elder was Dang Wing-Sau, the head of the lineage. I do not know which generation he was in. See Taga (1982:92).\n\n38 Translated in Sung (1974:177-179).\n\n39\n\n40 See table above and the genealogy in Kam Tin Historical Documents, vol. 1.\n\nProbably Dang Hei-Seui. See Sung (1974:166-168) and a genealogy of his segment included in Hugh Baker's Collection of Genealogies.\n\n41 Patrick Hase has drawn my attention to the importance of the monastery as central to the establishment Hung-Yi's descendants in Kam Tin, just as Ling To nunnery is to the Dangs of Ha Tsuen. The monastery and the earlier temple are a major element in the fung-seui of the Pat Heung valley and Kam Tin. The rivers important to irrigation in the area all flow from the mountain on which the monastery stands.\n\n42\n\n41\n\n44 I have not tried to find further information on this man in gazetteers.\n\nSee Sung (1973:112-113) for the Hung Sing Temple.\n\nThis was one of two stories. They were thought of as alternatives although there is no contradiction between them. I shall relate the other one later.\n\n45 I was told that the Juk-Yun Am used to be at the present site of the Gwaan-Dai Temple of Shing Mun San Tsuen, and San-Sin Fu near Shui Mei.\n\n46 Two items in Kam Tin Historical Documents vol. 2 were probably intended for this very grave. These were among the papers of Dang Ting-sam from the year 1873. The first was a request for donations towards the establishment of a charitable grave. The second was intended for a stone inscription. There is strong evidence that the charitable grave was established before the British came, although many present-day Dangs believe that those buried in the grave were those who died fighting against the British. The jiu festival record for 1895 included the Dei-Jong Wong of Tung-Fuk Tong among the gods to be invited, and an elder in his nineties remembered seeing gam-taap jars for bones when he was very small. He deduced that those must have been the remains of people who died before 1898, because one had to wait for many years he suggested ten — until the bones could be extracted after a first burial.\n\n47 A bin-ngaak (horizontal inscribed board) presented to the Buddhist altar at its completion included ten names who were believed to be the share-holders of the Tong. They were three Wan-Guk jiu descendants of Shui Mei: Baak-Cheung, Daat-Hung, and Jik-Hing; three brothers Yat-Wa, Seui-Chuen, Gam-Wa and two of their nephews, and Baak-Yi, all descendants of Wan-Gaan; and a Hin-Yiu of Kam Tin Shi.\n\n48 Plus a inscribed stone on the ground saying Naam-mo O-Mei-To-Fat, set up to offset the bad influences that caused traffic accidents near the stone.\n\n49 Hoi-dang for a village did not always take place at an altar for the God of Earth and Grain. In the Shui Mei case it took place at the Tin-Hau Temple.\n\n50 The elders made it clear that gu here does not mean “shares\".\n\n51 The subjects for these paper images were specified in the contract made with the craftsmen. The contract was included in the general record for the festival and was copied from the previous ones. But neither the organizers nor the contractor seem to have paid much attention to the details of the prescription.\n\n52 The object is probably more commonly known by the name dong 'an and is more often installed over the central area of the Taoist altar rather than in the backstage room. See",
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    },
    {
        "id": 212943,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1993",
        "page_number": 11,
        "title": "RAS-1993",
        "content_text": "Lectures:\n\n1993\n\n16 April\n\n14 May\n\n11 June\n\n9 July\n\n15 October\n\n30 October\n\n19 November\n\n26 November\n\n9 December\n\n1994\n\n21 January\n\n18 February\n\n11 March\n\n21 March\n\nChinese Opera Di S.Y Chan\n\nGrowing Up in China Mr Denis Bray\n\nNew Territories Poetry and Song Di Patrick Hase\n\nThe Li Family of Hong Kong Mr Frank Ching\n\nChinese Festivals in Hong Kong. Dr Patrick Hase based on video taken by Mr. Peter Lee\n\nMult-culturalism and Asia Asian Arts Society of Australia Dr. James Hayes\n\nEmigration from Hong Kong Dr. Elizabeth Sinn\n\nLaw as a Foreign Language Professor Derek Roebuck\n\nTriad Societies in Hong Kong Mr. Ip Pau-fuk\n\nWilliam Mesney. Mr Keith Stevens\n\nChinese Clothing An Illustrated Guide Mis Valery Garrett\n\nEternal Serenity Meaning of Architecture of the Chinese Buddhist Monastery Di Puay-peng Ho\n\nAncient Chinese Gold Dr Simon Kwan\n\nCrossing the Taklamakan Desert Mr Charles Blackmore\n\nVisits:\n\n1993\n\n3 April\n\n2 May\n\n22 May\n\n5 June/September\n\n25 June\n\n3 July\n\n30 September\n\nExhibition of paintings by Nancy Woo - Fung Ping Shan Museum, HK University\n\nJewish Cemetery\n\nMer Yung Tang Collection of Paintings by Chan Dai Chien Chinese University Art Gallery\n\nMarine Police Headquarters in Tsim Sha Tsui (two visits)\n\nJapanese Tea Ceremony - Fung Ping Shan Museum, HK University\n\nPicnic and outing to Yuen Tun Village Civil Aid Services Camp, Tar Lam Chung\n\nWo Hang Village to see making and letting off of paper balloons (Moon Festival)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302",
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    },
    {
        "id": 213065,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1993",
        "page_number": 133,
        "title": "RAS-1993",
        "content_text": "114\n\nor a boil on her chest which other doctors had been unable to cure. The story adds that he was required to pass a test before he would be allowed to approach the empress. He was offered a silken thread which had been tied to a column in the hall [or on the knob of a door] but behind a screen and was then asked to take the empress's pulse. It was the custom to take the pulse of ladies by remote means using a piece of thread tied to the wrist. Wu correctly diagnosed that the thread was tied to a column [by the pulse of the dragon in the stone] and not the empress's wrist as he had been told it was. They next tied the silk to the paw of a kitten and again Wu was able to identify the pulse as non-human, and it was only then that he was allowed to treat the empress. Having cured her illness the emperor asked what reward Wu would like and, so legend claims, he requested an old set of the emperor's cast off clothes. After his death Wu was deified by the emperor as Pao-sheng Ta-ti, alluding, so it is said, to him being dressed in the emperor's cast off robes. A caretaker at his cult centre added that as Wu wore the emperor's clothes in life and was buried in them he had command over minor deities and even some of the major ones such as Lei Kung, the god of thunder.\n\nA strange tale recounted by a temple keeper in Jakarta claimed that Pao-sheng Ta-ti appeared to a Sung emperor in a dream and informed him that he, Pao-sheng Ta-ti, was an incarnation of the Yellow Emperor [Huang Ti] and bore the same surname as the emperor of the Sung, Chao. Therefore, so the story concluded, Pao-sheng Ta-ti was regarded as the imperial ancestor and his special protective deity.\n\nHis cult, first established at the Lung-chiu An, a monastery not far from Amoy, and later at the Tzu-chi Kung in Lung-hai [Pai-chiao], was carried by immigrants through the ports of T'ung-an, Amoy and Hai-ch'eng to the southern seas. The oldest image of Pao-sheng Ta-ti in Taiwan is probably in Hsueh-chia in Tainan county where it is said to have been brought over to Taiwan from the mainland by Koxinga.\n\nSome indication of his popularity as a doctor deity in Taiwan is manifest by his presence as the major deity in at least 160 temples on the island, dedicated to him, predominantly in the areas of Tainan and Yunlin, with a great many more as the main deity on a side altar of other temples. A noticeable increase in shrines dedicated to him occurred after the great plague swept Taiwan in 1699 killing large numbers of new immigrants. It was believed that an image of Pao-sheng Ta-ti brought over from Fukien,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
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    },
    {
        "id": 213623,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 219,
        "title": "RAS-1995",
        "content_text": "192\n\nAnother claim suggests that Ch'iu was the adviser to the Yuan emperor Shih Tsu [better known as the Great Kublai Khan] though as Ch'iu is said to have died in AD 1227 this would be impossible; yet another claim which is again fanciful, Ch'iu is said to have been the author of the dramatic version of the \"Journey to the West\" the well-known story in which Monkey [Ch'i-t'ien Ta-sheng] aids a famous monk to carry Buddhist scriptures to China from India.\n\nHis mausoleum was in the influential Taoist White Cloud Monastery, the Sect centre, in Peking. Temple records in the Pai-t'a Dagoba in the Pei Hai in Peking noted that he died at the age of 80 in AD 1227.\n\nHis image is to be seen on two altars in Hong Kong, both in Taoist monasteries where he is portrayed as a seated Taoist figure dressed in robes, blue in one monastery and golden in the other, with a black beard. He is wearing the tiny Taoist crown and holds a fly switch in his right hand. He has no unique identifying characteristics, though in private images he is often depicted with his blue robes decorated with pa-kua signs. His image, in both monasteries, is on a secondary altar in a main hall dedicated to Wang Ch'ung-yang, with Lu Tung-pin being the sole deity in the other secondary altar. These three Immortals are known collectively as the Three Generations, with Lü the eldest, Wang the second generation and Ch'iu the third generation and the junior.\n\nHis great weakness, which he had to overcome, was his impatience. He was renowned for his propensity to butt in and offer his opinion, often after reaching conclusions prematurely.\n\nIn Peking, his image in the Tan-chi Kung depicted him as a young man without eyebrows or whiskers and with a whey-coloured face. In Singapore, his old gilded image stands on an altar in an old temple in Telok Blangah where he shares a shrine on an altar with Lu Tung-pin, one of the Eight Immortals, with the other shrine occupied by images of Ho Hsien-ku, another of the Eight Immortals, and Sun Fu-jen, an unidentified matron.\n\nCh'iu was deified by the Yuan dynasty emperor Shih Tsu [Kublai Khan, ca AD 1260] as: Ch'ang-ch'un Yen-tao Chu-chiao Chen-jen (MIÈ3⁄4Ç^). Later, at the time of Yuan Wu Tsung [ca. AD 1308],",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    }
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