[
    {
        "id": 204858,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 161,
        "title": "RAS-1964",
        "content_text": "136\n\nBOOK REVIEWS\n\nbrush and the most excellent ink, washed his hands and cleaned the ink stone as if to receive an important guest. He let the thoughts settle in his soul, and then he work” (page 46). Among other essays and jotting here translated should be mentioned Ching Hao's \"Notes on Brush-work\" and the Hua Yü Lu #4 (\"Notes on Painting\") by Shih-t'ao of the Ch'ing dynasty. One sentence from Shih-t'ao's essay is typical of his attitude: \"When the superior man borrows from the old masters, he does it in order to open a new road\n\nTwo illustrations gave me special pleasure: \"Misty Hills\" by Ch'en Shun and \"Peach-blossom Spring\" by Shih-t'ao (plates 18 and 19). The book is equipped with a full index of Chinese names, terms and books with their Chinese characters.\n\nThis new edition of an important work by the doyen of Western authorities on Chinese art can be recommended to all who are interested in Chinese painting and it serves as introduction to Sirén's magnum opus, his Chinese Painters, Leading Masters and Principles in seven volumes.*\n\nJ. L. C-B.\n\nTHE ART OF CHINESE POETRY. James J. Y. Liu. Routledge & Kegan Paul, 1962. 166 pages. 30/-\n\nMr. James Liu's book is a fine introduction to the poetry of China for the uninitiated, and a substantial source of information and enjoyment for the sophisticated.\n\nOf a moderate size, the book is divided into three sections. Part I consists mainly of information, Part II of interpretation and Part III of criticism. The subject is generously illustrated with short poems translated by Mr. Liu and others.\n\nA remarkable feature of this book is the way in which Chinese poems are translated. Mr. Liu has in many cases followed the original verse form and rhyme scheme, a difficult and painstaking process requiring considerable virtuosity and originality. What he does, goes contrary to prevailing fashion and one is not surprised to find the critic of the Times Literary Supplement, while maintaining the general excellence of the book, taking\n\n*Lund Humphries, 1956. Profusely illustrated,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
        "rank": 0
    },
    {
        "id": 205650,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 192,
        "title": "RAS-1968",
        "content_text": "GULLAND, W. G.\n\nTHE LIBRARY\n\n187\n\nChinese porcelain; with notes by T. J. Larkin. London, Chapman & Hall, 1902-11. 2 vols.\n\nHACKNEY, Louise Wallace, and YAU, Chang-foo.\n\nA study of the Chinese paintings in the collection of Ada Small Moore, London, Oxford Univ. P., 1940.\n\nHALL, D. G. E.\n\nA history of south-east Asia. 2nd ed. London, Macmillan, 1964, reprinted 1966.\n\nHANSFORD, S. Howard.\n\nChinese jade carving. London, Lund Humphries, 1950.\n\nHARRISSON, Tom.\n\nHistory, science, the arts and nature in Sarawak (1960-61) and (1961-62). [Kuching, Government Printing Office, 1961-62].\n\nReprinted from Sarawak's annual report, 1961 and 1962.\n\nHENDERSON, Norman K.\n\nThe education of handicapped children; recent trends and research, with implications for Hong Kong. Hong Kong, University Press, 1964.\n\nHENDERSON, Norman K.\n\nEducational developments and research, with special reference to Hong Kong. Hong Kong, University Press, 1963.\n\nHENDERSON, Norman K.\n\nStatistical research methods in education and psychology. Hong Kong, University Press, 1964.\n\nHERRFAHRDT, Heinrich.\n\nSun Yatsen, der Vater des neuen China: ein Beispiel west-östlicher Begegnung. Hamburg, Drei-Türme-Verlag, 1948.\n\nHEWLETT, Sir Meyrick.\n\nForty years in China. London, Macmillan, 1943.\n\nHEYWOOD, G. S. P.\n\nRambles in Hong Kong. 2nd ed. Hongkong, Kelly & Walsh, 1951.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
        "rank": 0
    },
    {
        "id": 206419,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 236,
        "title": "RAS-1971",
        "content_text": "BOOK REVIEWS\n\nEARLY MING WARES OF CHINGTECHEN. A. D. Brankston. 106 pp. 45 plates (1 coloured), 18 text-illus. Re-issue 1970. Vetch and Lee, Hong Kong $60; Lund Humphries, London, £5.\n\nThe appearance of a reissue of A. D. Brankston's book Early Ming Wares of Chingtechen will be welcomed by the collector, connoisseur and dealer alike and will fill a long-awaited need to possess this classic in the field of Chinese ceramics. The original edition, published by Mr. Henri Vetch in Peking in 1938 was limited to 650 copies and has been, until now, virtually unobtainable to the layman, despite the fact that it is frequently referred to by writers on Chinese Porcelain and freely quoted from in sales catalogues. The present edition has been faithfully reproduced on the off-set press and Mr. Vetch is to be congratulated for turning out a most pleasing volume which retains much of the charm of the original.\n\nArchibald Brankston was born in Shanghai in 1909. He followed his father's profession as a civil engineer and, after schooling in England, came to Hong Kong to work on the Shing Mun Valley Water Scheme. Being obliged to return to England due to ill health, he was fortunate to be employed in the setting-up of the International Exhibition of Chinese Art in London in 1935. This led to his appointment as a travelling student by the Universities China Committee in London and he was thereby enabled to journey into the interior of China and visited the kiln sites around Chingtechen from which he recovered a variety of samples which now form part of the British Museum study collection. He was also fortunate in being acquainted with well-known Chinese collectors of that time, including Mr. Wu Lai-hsi and others. Back in England, he was employed in the Department of Oriental Antiquities of the British Museum for two years until he had to return to the Far East on behalf of the Ministry of Information. He died in Hong Kong in 1941 at the early age of 31.\n\nThe book deals mainly with blue and white wares of the 15th Century covering the reigns of Yung Lo, Hsüan-Tê, Ch'êng Hua and Hung Chih and also includes some information on the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
        "rank": 0
    },
    {
        "id": 206949,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 20,
        "title": "RAS-1974",
        "content_text": "14\n\nA. I. DIAMOND\n\nSo much for the sorry image of the archivist. Now what are the realities. What are archives and what do archivists do? Most people, if asked what archives are, will say that they are old documents of historical interest, or the records of some person or institution which have value for research purposes.\n\nThis is true enough as far as it goes. Many archives, of course, are old and historically interesting, but neither of these attributes is necessary for documents to qualify as archives. For example, an Act of the United Kingdom Parliament, the original instrument, bearing the seal and sign manual of the Sovereign is undoubtedly an archive, and it is so whether it was passed yesterday or five hundred years ago. Its age has nothing to do with its archival quality. And since, as soon as it receives the Royal assent, copies of it are generally published and distributed in their thousands, one could hardly claim that the original itself was of much interest to the historian. It has value, of course. An authenticated Act of Parliament is the final source of Government's authority for certain of its actions; but it is not this either which makes it an archive.\n\nDocuments acquire archival quality from the manner in which they have been created and kept. The eminent English authority on archives, Sir Hilary Jenkinson, defines them as follows: \"A document which may be said to belong to the class of Archives is one which was drawn up or used in the course of an administrative or executive transaction (whether public or private) of which itself formed a part; and subsequently preserved in their own custody for their own information by the person or persons responsible for that transaction and their legitimate successors”.*\n\nArchives, then, are the totality of the documents produced or received by an office or other agency in the course of its business and which have been retained for action or reference.\n\nIt is sometimes supposed that the term \"archives\" applies specifically, or at any rate more properly, to government records; but this is not the case. The term is equally applicable to the records of banks, insurance houses, churches, clubs and any other forms of association or enterprise. And if it comes to that even families or private individuals may accumulate them. What makes a body of documents archives is not who accumulated it but how it was done.\n\n* Jenkinson, Sir Hilary. \"A Manual of Archive Administration.\" (Percy Lund, Humphries & Co. Ltd., London), p. 11.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    }
]