[
    {
        "id": 206934,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 5,
        "title": "RAS-1974",
        "content_text": "CONTENTS\n\nPage\n\nPRESIDENT'S Report for 1974 · 1\n\nHON. TREASURER'S REPORT FOR 1974 · 8\n\nTHE LIBRARY, 1974 · 10\n\nTRANSACTIONS OF THE BRANCH: · 12\n\nThe Paper Chase-Archives and the Public Records Office of Hong Kong (A lecture given on 7th January, 1974) - A. I. DIAMOND · 28\n\nAdventurers in Hong Kong: the Marquis de Morès and David de Mayréna (A lecture given on 29th March, 1974) - HENRY JAMES LETHBRIDGE · 58\n\nDogs and Horses in Ancient China (A lecture given on 27th May, 1974) CAROLE MORGAN · -\n\nARTICLES: · -\n\nThe Craft of God Carving in Singapore- KEITH G. STEVENS · -\n\n\"Oh for the Joys of England\": Lt. Orlando Bridgeman's Letters from China and Hong Kong, 1842-1843– ROBIN MCLACHLAN · -\n\nFather Ernesto Gherzi, S. J., 1886-1973—G. J. BELL · 68\n\nNotes on the Sources of De Mailla, Histoire Générale de la Chine-Richard Gregg Irwin, with Introduction by L. Carrington Goodrich · 76\n\nThe Monuments of Vientiane and Luang Prabang (Report of the RAS Tour to Laos, 23-24 January, 1974)— MICHAEL SMITHIES · 85\n\nThe Hong Kong Region: its place in Traditional Chinese Historiography and Principal Events since the Establishment of Hsin-an County in 1573....-JAMES HAYES · 108\n\nREPRINTED ARTICLES · 136\n\nPlace Names of Hong Kong and the New Territories (1958) K. M. A. BARNETT · 160\n\nLegends and Stories of the New Territories: Kam T'in (1935-38) (continued) SUNG HOK-PANG · -\n\nNOTES AND QUERIES · 188\n\nThe European Grave on Shek Kwu Chau, Hong Kong JEAN MOORE · -\n\n\"Fung Shui\" Woodlands-L. C. SHEN · 190\n\nUnusual Trees in Hong Kong: the Cassia Bark Tree- L. C. SHEN · 191\n\nTraditional Farming Techniques and their Survival in Hong Kong-P. L. SIAK · 196\n\nProgramme Notes for Visits to Places of Interest in Hong Kong and Kowloon, 1974: Kennedy Town, Old Wanchai, Old Western District, the Diocesan Boy's School and La Salle College, and Ceramic Factory and Sam Tung Uk, N.T. JAMES HAYES, CARL SMITH, HELGA WERLE et. al. · -\n\nBOOK REVIEWS · 235\n\nLIST OF MEMBERS · 245",
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    {
        "id": 206940,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 11,
        "title": "RAS-1974",
        "content_text": "5\n\nof disease and urbanisation in Singapore and Hong Kong. Finally Dr. Shih Hsiao-yen, Curator of the Far Eastern Department of the Royal Ontario Museum, and Adjunct Professor of the Department of East Asian Studies, University of Toronto, talked on the relationship between Chinese tomb figurines and monumental sculpture. Dr. Shih, who is presently visiting professor at The Chinese University of Hong Kong, illustrated her talk with many striking colour slides.\n\nOur overseas trip this year, which took place over five days at the Chinese New Year, proved very popular. It was, like our previous Thailand excursion, very ably led by Mr. Michael Smithies. Forty-one members joined the party, starting at Vientiane, proceeding to Luang Prabang, and returning again to Vientiane. They visited museums, Vat, a silk-weaving village, and other handicraft centres, caves and ceremonies; and they saw a rare performance of classical dancing given by the Royal Lao dancers. It is hoped that we may continue to arrange at least one overseas trip a year and we have already received offers to lead future excursions from two of our members. I regret to say that our proposed trip to China has not advanced very far. On the advice of the China Travel Agency we revised our original proposals, suggesting several small groups of ten to fifteen members—and also the possibility of diversifying, some groups making a longer (approximately three weeks) trip to take in Peking and other northerly areas, and some making a shorter (about ten days) trip to places within Kwangtung Province to include museums, potteries and archeologically interesting areas. Recently members of another learned society in England made a trip to China and we can only hope that we are not too far down China's list of priority groups.\n\nARTS CENTRE MANAGEMENT COMMITTEE\n\nA few words about the progress of the Hong Kong Arts Centre and our participation. The Society became a constituent member of the Arts Centre in January 1973, paying its entrance fee in February of that year. The Society had long wished to have its own premises both for holding lectures and discussions and for housing its library and archives, but despite efforts it was never able to afford to fulfil these wishes and now with astronomical rents it is clearly most unlikely that it ever will. We joined the Arts Centre so that when its buildings are completed we may enjoy",
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    {
        "id": 207036,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 107,
        "title": "RAS-1974",
        "content_text": "The Monuments of Vientiane and Luang Prabang\n\nMichael Smithies*\n\nThe second international tour organized by the Royal Asiatic Society, Hong Kong Branch, went over the Chinese (Lunar) New Year 1974 to Laos. 41 members and their guests visited Vientiane and Luang Prabang from 23 to 27 January, flying directly between Hong Kong and the Laotian capital. Some persons on the tour went ahead to visit Chiengmai in Thailand or Vat Phu in southern Laos and joined up with the main group later.\n\nThe attractions of the monuments of Vientiane, the administrative capital of the Kingdom of Laos, are slight in comparison to those in the royal capital of Luang Prabang. This is less a reflection of the religious fervour or artistic sensibility of the inhabitants of Vientiane, but a proof of the efficiency of the Siamese sack of the city in 1828 as a reprisal for Chao Anou's attempted attack on Bangkok two years previously and his subsequent alliance with Hué.\n\nVientiane's position in relation to Luang Prabang is ambivalent. Luang Prabang was the original capital of the Kingdom of Lane Xang (a million elephants) which was founded in 1353 by Fa Ngum, the son of a Lao chief who had been in exile in Angkor. King Potisarat moved the capital to Vientiane in 1520 and it was from the more central position of the kingdom, which then included much of the territory now in northeast Thailand, that the most famous Lao monarch, Souligna Vongsa, ruled from 1637-1694. On his death, however, the kingdom split into three, not counting the semi-independent existence of Xieng Khouang in the northeast: Vientiane, in alliance with Burma and a vassal of Annam; Luang Prabang, which at first drew support from China and later Siam; and in the south Champassak, which drew ever closer to Siam. The devastation of Vientiane by the Siamese in 1828 and the elimination of the line of Vientiane left in the centre a power vacuum, which the...\n\nMr. Smithies, at the time of this visit and report, Lecturer in French at the University of Hong Kong, was Secretary of the Hong Kong Branch 1972-73 and Councillor until his departure from the Colony in 1974. He organized and led this visit to Laos.",
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    },
    {
        "id": 207037,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 108,
        "title": "RAS-1974",
        "content_text": "102\n\nMICHAEL SMITHIES\n\nFrench, advancing up the Mekong from Saigon, over-anticipating its value as a trade route to China and claiming suzerainty over Annamese vassals, slowly filled.\n\nThe explorer Mouhot was at Luang Prabang in 1861 and Doudart de Lagrée and Francis Garnier shortly thereafter. The Kha rebellion of 1885 gave the French an excuse for intervention and stopping further extension of Siamese power in Laos; in 1886 a provisional Franco-Siamese convention was signed giving the French the right to establish a vice-consulate at Luang Prabang. The first mission by Pavie to Luang Prabang took place early in 1887, but French expansionism was effectively held in check for three years by the devastation caused by Deo Van Tri and the Black Flags (the Ho 'pirates' operating from Yunnan and Tonkin). Incidents increased between Siam and France and culminated with the French naval demonstration at Bangkok in 1893; the Siamese gave way and ceded the left bank of the Mekong to France. The Franco-Siamese treaty of 1907 gave the right-bank province of Sayaboury and those right bank parts of Champassak to France, but recognised Siamese authority over the rest of the right bank. The present frontiers of Laos were effectively decided by the French, from whom the Lao gained independence in 1949 under King Sisavong Vong. Prince Boun Oum of Champassak having in a secret protocol of 1946 renounced his right to the kingdom. More recent events have been well chronicled and the agreement of the three major political princes of left, right and centre in 1974 to form a joint government offers hope that the troubled post-war history of Laos might enter a more peaceful phase.\n\nThe buildings in Vientiane then are either restorations or totally modern and, as always in mainland southeast Asia, the monuments of note are almost exclusively religious. The most attractive shrine is the That Luang slightly outside the city. This solid tapering square tower was built in the 16th century by King Settathirat and is said to contain Buddhist relics. It was badly destroyed by the Red Flags in 1873 and its reconstruction was completed in 1929. It is an impressive pile set in a large open square fringed with trees. A vast fair takes place here every November and assumes a national importance.\n\nVat Pra Keo was also built originally by King Settathirat to house the Emerald Buddha on its arrival from Chiengmai; the statue",
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    },
    {
        "id": 207038,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 109,
        "title": "RAS-1974",
        "content_text": "The monuments of Vientiane and Luang Prabang\n\n103\n\nwent to Bangkok and the temple in Vientiane lost its importance. It has been restored many times and is technically no longer a temple but a 'haw' or hall since services are not held and the building has been converted into a museum. At the entrance is a fine Dvaravati Buddha and there are several good examples of bronze Lao Buddhas with characteristic sharp, pointed noses both outside and inside the building. Among those inside is an elegant and extremely attenuated standing Buddha and two walking Buddhas. The restored pediments of the building are good examples of Lao woodcarving and so are the carved window panels.\n\nNearby is Vat Srisaket which is a quiet spot without having any particular artistic merit, though its galleries of Lao-style Buddhas, the carved ceiling of vihara and its naive frescoes of animals are worth seeing. The only other temple of note is Vat Ong Tu, near the market with good carving on the portal only in the Chiengmai style. The primitive wall paintings at Vat Oup Muong are a modern interpretation of the Ramayana but the temple is otherwise without interest; Vat Xieng Yuen and Vat Chantaburi, by the river Mekong, have peaceful and shady courtyards, and the temple of the Sankaraj, or Lao Supreme Patriarch, Vat Dong Mieng is remarkable mostly for its carving and hideous modern paintings.\n\nVientiane boasts the usual ministries of an administrative capital and a small modern royal palace for the occasions when the king comes from Luang Prabang. Modern Vientiane is largely without interest, the only building of note being the Monument to the Dead on the broad avenue leading to the That Luang; it is a top-heavy and as yet still incomplete miniature of the Arc de Triomphe. The teak-lined boulevards running parallel to the Mekong have a tranquillity which few capital cities can boast.\n\nThe difference between Vientiane and Luang Prabang is striking; the former has on occasions something approaching a bustle of modernity. Luang Prabang, a half-an-hour away by plane, is a century away in time. There are virtually no modern buildings, there is no traffic, and the ring of mountains around seems to keep the world away. The morning market is peopled by Lao villagers and Meo tribesmen, the latter heavy with silver and bright with colour; three soldiers look after a pig and half-a-dozen people watch a kettle boil on the side of the road. Local silk is offered at very low prices and the silverware is unusual. Luang Prabang is the",
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    },
    {
        "id": 207039,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 110,
        "title": "RAS-1974",
        "content_text": "104\n\nMICHAEL SMITHIES\n\nhome of the Lao royal family and the small royal palace at the foot of the Phu Si or central hill sets the modest tone of the town. Its temples are so numerous that it would be impossible to detail each one, and unrewarding, for many are extremely simple, testimonies to the faith of an unaffected and devout people.\n\nThe most splendid is undoubtedly Vat Xieng Tong, originally approached from the Mekong river up a broad stairway. It is the largest temple in area and the compound has a number of interesting buildings; the vihara has high curving roofs coming down very low to the sides and surmounted by an elegant dort xoi fa (flowers pointing to heaven), the many-pronged symbol of the universe, each point tipped with a tiered parasol, that is to be found on nearly every Lao temple roof. The carved portico is striking and the inside of sober simplicity; the altar has a large antique Lao Buddha statue and the ceiling is coffered and painted. The runnels with decorative dragon-head spouts used in ordination ceremonies are kept in many temples in Luang Prabang and there is a good example in Vat Xieng Tong. At the back of the altar, on the outside wall, is a mosaic representing the tree of life, and nearby a small chapel to a Lao hero, Sri Sawai, is entirely covered with charming mosaics on a red background. There are a number of other chapels in the grounds, as well as a small building for a prayer drum. The most opulent of these is undoubtedly the building containing the royal funeral carriages; the carving and gilding is almost overwhelming on the outside, and if the inside of the building is simple, the objects it contains are not; the royal funeral carriages are masterpieces of carving which, until the present king changed the tradition of burning them after the cremation of the monarch they had borne, used to disappear without trace.\n\nAlong the main street going towards the Phu Si is Vat Sene, with a three-tiered roof in the Lao style. The entrance is elegant and raised on octagonal columns and the walls are decorated gold on a red background. Nearby is Vat Pak Khe, one of the most unusual temples in Luang Prabang, with Siamese style frescoes inside and on one of the entrances are supposed to be represented Dutchmen and on a window Venetians. Certainly the objects of the panel carver's attention are European and the style of the dress dates from two to three centuries before the founding of the temple in 1861. Father de Leria visited Vientiane between 1642 and 1647 and his information is recorded in Father Filippo de Marini's book",
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    },
    {
        "id": 207040,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 111,
        "title": "RAS-1974",
        "content_text": "THE MONUMENTS OF VIENTIANE AND LUANG PRABANG\n\n105\n\non Tonkin and Laos; the Dutch merchant van Wusthoff also visited the capital of Souligna Vongsa from 1641-42 and left an interesting account of his travels. But neither Protestant merchants nor Jesuit priests could have made such a visual impression that more than two hundred years later their envoys should be recorded in a different city from that they visited. No known accounts, either written or visual, survive from the Lao side to record the visits of these gentlemen; however the visual tradition of Europeans, particularly the French, in 17th century Siam was strong during the reign of King Narai (as the lacquer pavilion in Suan Pakkard Palace in Bangkok bears witness), and was continued into the nineteenth century, and as the artists for the frescoes undoubtedly came from Siam one suspects that the inspiration for the unusual door and window carving comes from the same source. It is significant that the foundation date of the temple is also that of Mouhot's visit to Luang Prabang, one of the first recorded visits by Europeans. In the grounds of the temple a resourceful monk had utilised a plasma bottle and dripper to feed his roses.\n\nVat May, past the royal palace in the main street, was built in 1820 and has an unusually high roof; the portico is decorated with large gilded panels representing scenes from the life of the Buddha. It was for a time the shrine of the Pra Bang, the palladium of the Lao kingdom. This statue came from Cambodia in 1358 at the founding of the Kingdom of Lane Xang and was moved to Vientiane when the capital was transferred in the 16th century. It was taken in 1778 with the Pra Keo by the Siamese; the Pra Bang was returned in 1781 to Ong Boun. The Siamese again removed it in the sack of Vientiane in 1828 but King Mongkut restored the statue in 1867. Recently it has been moved from the temple for safekeeping in the Royal Palace. Between the temple and the palace is a small red lacquer post and dais; until recently, each year the royal elephants were preached at and requested to behave themselves before being sprinkled with lustral water.\n\nThe two other principal temples of the town are away from the main street. Vat Vixun was restored in 1867 and much changed in shape. It has a large nave and fat pillars and it is far more imposing than many temples in the town. A number of pieces of woodcarving have been collected in it to form the basis of a museum, but at present it is but a jumble of spirit houses and shrines. Here are to be found several flags, each with a number of small Buddhas",
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    },
    {
        "id": 207042,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 113,
        "title": "RAS-1974",
        "content_text": "The Monuments of Vientiane and Luang Prabang\n\n107\n\nOn the return journey one can stop at the village on the bank opposite to Luang Prabang which contains one of the most interesting temples in the whole of Laos, Vat Chieng Men. Its doorways are among the best examples of the carving modelled with a mixture of mahogany sap and ash which hardens in the air; peacocks, perhaps a reminder of the Mon hamsa, decorate the outer arch of each door which is triple tiered and deeply recessed. The ceiling is coffered and carved, and the altar contains a fine Buddha statue. The surrounding buildings are simple kuti, or monks' dwellings, and the whole temple blends harmoniously into the jungle background of the mountain at the very wall of the temple. Not least of the attractions of this temple is the walk to get there from the river bank; one goes along a path through the village where children play, mothers chatter and sell bananas and dogs look suspicious but wag their tails. As everywhere in Laos, the scene may be unsophisticated but it is not wanting in humanity and charm.\n\nReaders of this note should not think that the tour did nothing else but visit temples. A silk-weaving village was seen, a Meo settlement, and the making of silver; the royal palace dancers performed specially for the group and the final evening included a specially-arranged baci blessing ceremony with a Lao dinner.\n\nThe principal point of the tour was to absorb something of the restful atmosphere of Luang Prabang through its not magnificent but charming temples, its unhurried way of life and its noble simplicity. Vientiane provides a more modern contrast, but remains a quiet provincial town rather than a frenzied capital of the twentieth century. Laos might have the lowest income per capita in the world and its problems may be enormous, but it is not lacking in dignity and the charm of its people is unforgettable.",
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