[ { "id": 204267, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 35, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n31\n\nRecords of the historiographer,1 by Ssu-ma Ch'ien (145?—86? B.C.). In this monumental work, there is one section entitled \"Biographies of knights errant” (Yu-hsia lieh-chuan). Both in this section and in his general preface to the whole work, the historian explains his reasons for including such a section in his history and expresses his admiration for the knights errant. In the general preface he writes:\n\nTo save people from distress and relieve people from want: is this not benevolence? Not to belie another's trust and not to break one's promises: is this not righteousness? That is why I wrote the \"Biographies of knights errant”.\n\nAnd in the introductory paragraph to the biographies of the knights, he says:\n\nAlthough the actions of the knights errant were not in accordance with the rules of propriety, they always meant what they said, always accomplished what they set out to do, and always fulfilled their promises. They rushed to the aid of people in distress without giving a thought to their own safety. And when they had saved someone from disaster at the risk of their own lives, they did not boast of their ability and were shy to hear their virtue praised. Indeed, there is much to be said for them.\n\nAfter eulogizing them like this, the historian proceeds to give an account of the lives of various knights. The following are two examples.\n\nChu Chia was a contemporary of the first Emperor of Han (cir. 200 B.C.) and a native of Lu, the native state of Confucius. Most men of Lu followed Confucianism, but Chu Chia was known as a knight errant. He saved the lives of hundreds of men but never boasted about it. Whenever he had done someone a favour, he would avoid seeing the latter again, so as to save himself the embarrassment of being thanked. He gave generously to the poor but lived modestly himself, wearing old clothes, having only one dish for each meal, and going out in a little cart drawn by a bullock. When people were in trouble, he would rush to their aid. In particular, he saved the life of General Chi Pu, who had been a supporter of the King of Ch'u, the rival of the first Emperor of Han. When the King of Ch'u fell, the Emperor of Han put up a rich reward for the capture of Chi Pu and threatened to kill the whole family of anyone who should dare to conceal him.\n\n1 The word shih here is a noun, \"historiographer\", not an adjective, \"historical\". Chavanne's translation of the title as \"Memoires historiques\" is inaccurate.\n\n* Shih chi (Ssu-pu pei-yao; henceforth abbreviated as SPPY), chüan 130, 226.\n\nIbid., chüan 124, 1b.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204304, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 72, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n68\n\nVol 1 (1961)\n\nISSN 1991-7295\n\nBUDDHIST SOURCES OF THE NOVEL\n\nFENG-SHEN YEN-I\n\n:\n\nLIU TS'UN-YAN. PH.D.\n\nINTRODUCTION\n\nThe Feng-shên Yen-i, or 'Investiture of the Gods,' is a long novel consisting of 100 chapters. Its authorship had long been unknown, until in 1931 Prof. Sun K'ai-ti discovered in the Japanese Cabinet Library a Ming edition of this novel labelled \"compiled (pien-chi) by Hsu Chung-lin, styled Chung-shan I-sou.\" Many scholars therefore concluded that Hsü Chung-lin was the author. For instance, Lu Hsün in his A Brief History of Chinese Fiction (Chung-kuo Hsiao-shuo Shih-lüeh) mentioned Hsü as the author, though he added that he had not seen the original preface and therefore could not ascertain the date of the novel. This attribution of authorship is not reliable, for in Ming times the term \"compiling” (pien-chi) was rather freely used, and sometimes booksellers would reprint a book with slight additions and alterations and label it as being \"compiled\" by a new writer. In view of this, from 1935 to 1956, I tried to find out the true author of this novel, and my researches led me to the conclusion that the author or compiler of the novel was in fact Lu Hsi-hsing (1520-1601?), a Taoist priest of the Chia Ching period.\n\nLike the Hsi-yu-chi (\"Pilgrimage to the West\", also known to Western readers as \"Monkey\"), the Fêng-shên Yen-i is a work of fiction dealing with the supernatural. It was produced during the time when Chinese fiction was evolving from the prompt-books (hua-pên) of story-tellers to long novels. Its plot is based on the historical events related to the defeat of King\n\n1 There is no English translation of this novel. The German translation by Wilhelm Grube and Herbert Mueller, Die Metamorphosen der Götter (2 vols., Leiden, Brill, 1912) contains only chapters 1-46. Chapters 47-100 have been summarized by Mueller. The novel is mentioned in E. T. C. Werner, Myths and Legends of China (London, 1934) and in Sir J. C. Coyajee, Cults and Legends of Ancient Iran and China (Bombay, 1935).\n\n2 Chung-kuo Hsiao-shuo Shih-lüeh, Ch. 18, p. 176 (1953); also the English translation entitled A Brief History of Chinese Fiction by Yang Hsien-yi and Gladys Yang, p. 220 (1959).\n\n3 Details of my evidence and arguments are contained in my unpublished thesis, \"The Authorship of the Feng-shen Yen-i\", a copy of which is in the library of the School of Oriental and African Studies, London University.\n\n4 Cf. James J. Y. Liu, \"The Knight Errant in Chinese Literature\", in this volume, pp. 30-41.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204306, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 74, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n70\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n(P'u-hsien), and Avalokitesvara (Kuan-yin). Only certain Buddhas of the Tantric Sect, such as Cundi (Chun-t'i) and Vairocana (P'i-lu-chê-na) are mentioned as \"saints from the West\"; but even these are given Taoist-sounding titles like tao-jên. In this way, the mainly Taoist framework of the novel is preserved. This amalgamation of Buddhist and Taoist deities is highly interesting and may have influenced actual religious practice in China. The practice of worshipping Taoist gods side by side with Buddhas and Bodhisattvas seems to have started after the publication of the novel, for in earlier Taoist literature we find no Buddhist deities mentioned among Taoist gods. For instance, in the Yün-chi ch'i-ch'ien, chüan 103, we find an account of the Taoist pantheon as it was in the eleventh century, which contained no Buddhist deities or fictional gods. But after the sixteenth and seventeenth centuries, various Taoist gods mentioned in the novel came to be worshipped together with Buddhist ones. What is more, most of the temples which apparently first adopted such practice were situated in northern Kiangsu, near Hsinghua, the native district of Lu, the author of the novel. It is therefore not unreasonable to suggest that the novel influenced the composition of the Chinese pantheon and contributed to the amalgamation of Buddhist and Taoist gods in popular belief.\n\nThe amalgamation of Buddhist and Taoist gods seems to have been achieved purposely by the author of the Fêng-shên. As a concrete illustration, I propose to describe how Vaisravana (P'i-sha-mên Tien-wang), one of the Four Heavenly Kings in Buddhist belief, and his third son Nata (Na-cha or No-cha), became important characters in this novel. Vaisravana was of course an Indian god, but during the T'ang and Sung periods he became identified with the Chinese general of the T'ang dynasty, Li Ching. But stories about him were disconnected before the novel Fêng-shên Yen-i was compiled. In various prompt-books which existed before the novel, such as the Nan-yu-chi (\"Prince Hua-kuang or The Voyage to the South\") and the Hsi-yu-chi (“Pilgrimage to the West”, the prototype of the famous novel of the same name) in the Ssu-yu-chi (\"The Four Travels\"), there were already stories about this god and his son. But in the hands of the author of the Fêng-shen these fragmentary and disconnected stories were reorganized and transformed into a vivid tale which can almost stand on its own as an interesting story apart from the whole\n\n* For illustrations of some of these temples, such as the Kuang Fu Monastery in Tai-hsing, Yangchow, and the Tu Tien Temple in Hai-men, Kiangsu, see Père Henri Dore, Recherches sur les superstitions en Chine, (10 vols., Shanghai, 1913-38), Bk. 9, Pt. 2, in Vol. 6.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204313, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 81, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n77\n\nprobably the pagoda was a mistake for the parasol originally held by Vaisravana, as stated in the Ekottarik-agamas (增一含經):\n\nThe heavenly king Vaisravana held in his hand a parasol of the seven treasures (七寶) over the Tathagata in the air to protect the Tathagata from dust and soil,15\n\nBut since the circulation of the Tantric sutras was more or less encouraged by the authorities in the Tang dynasty, the public accepted that legend without scepticism.\" According to a Tantric text, Nata (No-cha 哪吒) is the third son of Vaisravana, who attends his father and holds the pagoda with both hands. But on the twenty-first day of every month, when the son is charged to go on some mission, so that they have to separate, Nata gives the pagoda to his father. This is not at all a thrilling story and there is no combat. The author of the Fêng-shên Yen-i created his own story of No-cha, the third son of Li Ching, based upon his profound knowledge of religious beliefs and popular literature, and made No-cha one of the famous heroes in Chinese literature. In order to analyse the parts which are the creative work of the author and to explain from what sources some of his materials may have been taken, I divide the story of No-cha into several sections below.\n\n2. MU-CHA AND CHIN-CHA\n\nBefore the publication of the novel Feng-shên Yen-i and the prompt-book Ssu-yu-chi, No-cha's (哪吒) name was usually Na-cha (那吒) in many of the plays of the Yüan dynasty which preserved the original transliteration found in the Tantric sutras.17 In the Hsi-yu-chi (Ch.7), one of the \"Four Travels\", the second\n\nHi To P'in (TPE), 30, Ekottarikagamas, chian 22, The Tripitaka in Chinese.\n\n10 In the year A.D. 838 (3rd year of K'ai Chiêng), on the 15th day of the 12th month, Lu Hung-chêng (盧弘正) wrote an inscription for the image of Vaisravana in the Hsing-t'ang Monastery (興唐寺) describing him as \"having a sabre in his right hand, and in the left hand a pagoda.\" cf. Ku-chin T'u-shu Chi-ch'êng, Shên-I Tien, chian 91.\n\n27 In Yang Ching-hsien's Yang San-tsang Hsi-tien Ch'ü-ching, Scene 8, “Nacha San Tai-tzu\" (哪吒三太子); anonymous play Menglich Na-cha San Pien-hua (孟麗哪吒三變換) in the Ku-pên Yüan Ming Tsa-chü\n\n*Z9M) edited by Wang Chi-lieh (王季烈), Shanghai, Commercial Press Ltd., 1941; anonymous play Ting-ting Tang-tang P’ên-êrh-kuei (丁丁當當甕兒鬼), Act 1, \"Hê-lien Na-cha\" (黑面哪吒), Act 2, \"Na-cha Fa\" (哪吒法), the last two are influenced by Tantric works. Besides, Na-cha (哪吒) appears in many plays of the Yuan dynasty, not to mention the tune called Nacha Ling (哪吒令).", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204328, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 96, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n92\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nfather\" was only one of revelation of supernatural powers (神通), and it was because of the imagination and the literary gifts of the author of the Fêng-shên that the story became so impressive and full of emotional appeal. The author continues:\n\nThe Immortal T'ai-I asked No-cha to follow him to the peach-garden and taught him personally how to use his \"fiery-pointed spear\" (火尖槍) which the master now bestowed on him. After that, the Immortal gave him the wind-wheel and fire-wheel which he might tread on while chanting incantations and which served him as a magic vehicle; and also a bag made of panther skin in which were the magic bracelet, the red silk gauze and a brick of gold completed his new armour. No-cha prostrated himself before his master once more, and after thanking him, held the magic spear in hand, safely mounted his wind-and-fire wheels and darted straight to the Ch'ên-t’ang Pass and challenged Li Ching, his father. (Ch.14)\n\n**\n\n** In order to prove again how the author of the Fêng-shên Yen-i adapted and utilized confused and promiscuous materials from previous works, we may list some of the arms used by No-cha with their earlier appearances in other prompt-books or plays as follows:\n\n(a) Fiery-pointed spear. In Act 4 of the anonymous play of the Yüan dynasty, Han Kao-huang Cho-tsu Ch'i Ying-pu (漢高皇祖母齊英布), the spear used by Hsiang Yu (項羽) is a \"fiery-pointed spear\".\n\n(b) Wind-wheel. The wind-wheel is originally the wheel, or circle of wind below the circle of water and metal upon which, according to Buddhist teaching, the Earth rests. It appears in many sutras including the Surangama-sutra (楞嚴經), Ch. 4. In Nan-yu-chi (南遊記) (Ch. 2 and 11) and Pei-yu-chi (北遊記) (Ch. 15) it is one of the arms of the Flowery Light (Hua Kuang or Ling Yao 華光, or San-yen Ling Yao 三眼華光). Ling Yao with a deva-eye).\n\n(c) Fire-wheel. The alatacakra, a wheel of fire produced by rapidly whirling a fire-brand. In chuan 3 of his Lêng-yen Ching Shu-chih (楞嚴經疏治) (? “The Principles of the Surangama-sutra\", in the First Series, Second Collection of the Tripitaka in Chinese, 大藏經, 1912), Lu Hsi-hsing says \"as the whirling of a fire-brand, reality does not exist\". In Nan-yu-chi (Ch. 2 and Ch. 11) and Pei-yu-chi (Ch. 15), the fire-wheel is also a weapon of Flowery Light.\n\n(d) Gold brick, The gold brick is also one of the arms of Flowery Light in Nan-yu-chi (Ch, 2 and Ch. 11) and Pei-yu-chi (Ch. 15). But both the gold brick and the fire-wheel are attributed to Flowery Light also in Yang Ching-hsien's T'ang San-tsang Hsi-t'ien Ch'ü-ching, a play of the Yüan dynasty, Scene 8. In Hsü Fu-tso's (徐復祚) T'ou-so Chi (鬧府記), Scene 19, these two weapons belong to Nata of Eight Arms (八臂那吒).\n\n(e) Magic bracelet. In Ch. 11 of the Nan-yu-chi, one of the weapons of No-cha is a \"purple-gold bracelet with raised flowers\" (紅花紫金圈) and it is the origin of the magic bracelet (ch'ien-k'un ch'üan 乾坤圈 the Bracelet of Vitreous & Resinous Electricity) in the Fêng-shên Yen-i,", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204333, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 101, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n97\n\nthree chapters (Ch.12-14) of the Fêng-shên Yen-i and all the other chapters except those parts inherited from the prompt-book Wu-wang Fa-Chou P'ing-hua3 and Lieh-kuo Chih-chuan (@) are the original work of the author.\n\n39\n\n40\n\n38\n\nLu Hsün told us that the approximate dates of Wu Ch'êng-ên are about 1510-1580, and the earliest editions of the Hsi-yu-chi by Wu Ch'êng-ên we have were all published late in the Wan Li period, probably after 1592. It is therefore safe enough if we suppose that the novel Fêng-shên Yen-i was first compiled in the middle of the Chia Ching period (about 1545).\n\n4\n\n38 \"King Wu's Expedition against Chou\", the original copy of which is from an edition dated Chih Chih (a), the reign of Emperor Ying Tsung (1321-23) of the Mongol Yüan dynasty. It was published in Chien-an (# now Chien-yang of Fukien province), then a very famous paper-manufacturing and publishing centre. No less than five different prompt-books of the same sort, historical and fictional, including the Wu-wang Fa Chou, have been found, now kept in the Japanese Cabinet Library, bearing the same sub-title as \"published by the Yu family of Chien-an\" (ZREKƒ). A complete English translation of the last-named is included in my \"The Authorship of the Fêng-shên Yen-i”,\n\n39 The Lieh-kuo Chih-chuan FHEN, a book in a very rare edition, copies of which are now preserved only in a few libraries. See my article \"The Discovery of the First chuan of the Lieh-kuo Chih-chuan and Its Relation to Wuwang Fa Chou P'ing-hua and the Novel Fêng-shên Yen-i\" (元至治本全相武王伐紂話明刊本列國志傳一與封神演義之關係), The New Asia Journal, Vol. 4, No. 1, Aug. 1959.\n\n4o Chung-kuo Hsiao-shuo Shih lüich, Ch. 17, p. 168. Yang's translation, p. 210. cf. (2).\n\n41 See Prof. Sun K'ai-ti's (H) Jih-pên Tung-ching So Chien Chung-kuo Hsiao-shuo Shumu (B££££+5), pp. 101-2, Shanghai, 1953. Shih-tê Tang (H) edition, dated \"the fourth day of the fifth month in the year jên-chên (IR)\",", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204680, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 161, "title": "RAS-1963", "content_text": "NOTES AND QUERIES\n\n145\n\nSeptember 1834 stated: \"The English barbarians have always been very cunning. Hitherto they have squatted in Macao and have coveted Ta Yu Shan.1 Towards the end of this memorandum he wrote: \"Moreover your minister has dispatched three hundred picked troops from [his] Regiment and appointed the tu-ssu2 (? 'Captain') Hung Fa-k'e to go to Macao to reinforce the garrison. As to the fort[s] on Ta Yü Shan we have sent an officer there to take measures for defence and secretly to make dispositions at every place, without arousing suspicion. As soon as it is ascertained that the barbarians are peaceful we will withdraw them.\"\n\nThese precautions were confirmed by an edict issued to the members of the Grand Council dated the 28th day of the 8th month of the 14th year of Tao-kuang's reign (30 September 1834) which contained the following words: \"Junior officers and men must be dispatched to the places both inside and outside the provincial capital and to the neighbourhood of Macao and to the forts of Ta Yü Shan, and patrolling must be increased without arousing suspicion, and precautions taken unostentatiously.\n\nInside the walls of the old fort there is now a flourishing Government-subsidised school and it all looks very neat and peaceful; very different from the time when active preparations were made there to repel a possible attack from the British.\n\nIt would be interesting to know more about this fort and also the one at Fan Lau. Can anyone add any further information?\n\nJ. L. CRANMER-BYNG.\n\n1 The Chinese name of the island called by foreigners Lantao. Text in Shih-liao hsün-k'an, #21, 765b, column 6.\n\n2 Ibid., 766, columns 11-12.\n\n3 There was another fort on Lantao at Fan Lau on the Southwest corner of the island,\n\n4 Tung-hua hsü-lu. Reprinted in Chiang T'ing-fu, Chin-tai Chung-kuo wai-chiao shih tzu-liao chi-yao, Vol. I, p. 10, columns 12-13.", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 205160, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 116, "title": "RAS-1966", "content_text": "The Hanlin Academy\n\nThe Hanlins and the Literary Pursuits of the Chinese Scholarly Class\n\n111\n\nThe Hanlins played an important role in the compilation and composition of the majority of the Empire's publications. In this respect, they were rightly credited as the preservers of the venerable civilization of the Chinese Empire.\n\nIn the compilations of the Shih-lu (Veritable Record of the Present Dynasty) and the Sheng-yü (the Sacred Maxims), the Chancellor of the Academy would act as the assistant editor-general; while readers, expositors, compilers, and correctors would serve as editors.41\n\nIn compiling the Yu-tieh (Imperial Genealogy), Manchu, Mongol, or Chinese Bannermen, being members of the Academy, were to become editors. In editing other official compilations, the Chancellor would serve as the editor-general or assistant editor-general, while other members of the Academy were selected to serve as editors. Not one of the Ch'ing Government compilations could be produced without assistance from some of the Hanlins.42\n\nWe have just mentioned the compilation of major literary works by the Hanlins, but they were called upon to perform other literary functions as well, which required less time to complete. In fact, their assigned jobs included those of laureates and secretaries of the emperor. They were the authors of prayers and sacrificial addresses in various ceremonial acts of worship. They composed honorary and posthumous titles and patents of dignity for the emperors' chief concubines, princes, generals, etc. They laid down forms of new investiture and promotion. They performed inscriptions on the State seals and for the temples of various divinities. They wrote acknowledgments for official services and scrolls or tablets containing Imperial decrees for schools, charitable institutions, and temples throughout the Empire.43 They were also responsible for the translation of important official documents of the government from Chinese to Manchu and vice versa.44\n\nHowever, the most significant influences the Hanlins exerted over Chinese scholarship was their control over the Civil Service Examination. As the Hanlins were regarded as the most educated scholars of the Empire, it was natural that the majority of the posts concerning the public examinations were staffed by them.", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205168, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 124, "title": "RAS-1966", "content_text": "The Hanlin Academy\n\n119\n\nAppendix II\n\nGlossary\n\nChang-yüan hsüeh-shih #4±\n\nChang-ch'un yüan ††E\n\nChi-chu kuan $\n\nChiang-yen E\n\nChien-t'ao at\n\nHsiu-chuan 174\n\nHsüeh-shih #+\n\nHu-tsung\n\nHung-Wu pao-hsün RAHM\n\nJih-chiang 14\n\nJu-chih shih-pan kuan 1fHT\n\nK'ang-hai R\n\nKuo-shih hsiu-shu ch'u XOTË\n\nLi-fan yüan JEAM\n\nLiao Chin Yüan-shih žƒ\n\nLiu-Li\n\nNan-shu fang 4*\n\nPan-shih kuan T\n\nPien-hsiu I\n\nSheng yü\n\nShih-chiang M\n\nShih-chiang hsüeh-shih 1444±\n\nShih-lu k\n\nShih-tu it\n\nShih-tu hsüeh-shih ***±\n\nShu-ch'ang kuan &*❀\n\nShu-chi-shih t\n\nSzu-k'u ch'üan-shu\n\nSzu-shu chi-chu #*#\n\nTa-hsüeh yen-i jih-chiang ★HA¤#\n\nYu-tieh #\n\nYung-cheng E", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 205267, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 29, "title": "RAS-1967", "content_text": "22\n\nJEN YU-WEN\n\nolder than Hsien and Ping, was also reared by Young, being the younger sister of Shih. Hsien, the 2nd son, by virtue of being the offspring of the Queen, was regarded as the legitimate heir to the throne according to Chinese tradition. After being crowned, the boy emperor named his new reign Tê Yu () beginning with the next year (1275).\n\nIn the first year of Tê Yu (1275), the Mongol army under the premier Pê Yen (16) invaded South China and after many victories marched toward the capital Lin-an in the winter. The imperial court was alarmed and evacuated the Emperor's two brothers and sister under the care of mother Young and their uncles.3 Before departure, the two princes received new titles: I Wang (1) and Kuang Wang (1), respectively. Early in 1276 the royal party left Lin-an in a hurry heading for the south. It was the beginning of an itinerary of constant flight which would last for three full years.\n\nShortly afterwards, Emperor Hsien and the Queen Mother Ch'uan surrendered to the Mongols who subsequently took them to Peking. The Mongol Emperor Kublai Khan gave the dethroned Sung Emperor the new title of Duke of Ying Kuo (). Years later he was forced to become a Buddhist monk, was banished to Mongolia and died in exile there. It was said that his own son, who had been adopted by a Mongolian prince, would eventually become the last emperor of the Yuan (Mongol) Dynasty. The Ex-Queen Mother Ch'uan became a Buddhist nun and died of old age.4\n\nWhen the capital Lin-an fell, the royal evacuees arrived at Wuchow (##), Chekiang. They continued their flight toward the south. They had to travel on foot for seven days and the two young princes were carried by their uncles on their backs all the way throughout the rough journey. After reaching Wenchow (), a city near the seashore, they stayed for about three months trying to rally loyal supporters there. A few did come, such as a high official Lu Hsiu-fu (✯✯✯) and generals Chang Shih-chieh (*) and Su Liu-i (***) each bringing soldiers along. An army of considerable size was mustered. The Premier Ch'en I-chung (1), who had deserted the court after the Mongols entered Lin-an, also reported his presence at Wenchow, which was his native city. In view of the grave situation created by the capture of the young emperor, which thus", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205280, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 42, "title": "RAS-1967", "content_text": "The Travelling Palace of Southern Sung\n\n35\n\nits followers to a nearby islet, Ku-ta (†) or Ancient Pagoda, Tung-lung Island.19 In the autumn they proceeded to Ch'ien-wan (*) which is now definitely identified as Tsun-wan (now written) along the western coast of Kowloon. Two months later, the Mongol army, which had been pursuing them along the shore, began to attack. The boy Emperor sailed to Hsiu-shan (ƒ), now known as Hu-men or the Bogue. Continuously under pressure from the Mongols, Tuan Tsung passed by Hsiang-shan District (at present Chung-shan) and reached Tseng-o (#4), south of Macao, where his ship was badly damaged by a typhoon. He himself fell into the sea but was rescued. The terrible shock led him to contract a fatal disease. He was sick on board ship until the spring of 1278, when the whole fleet sailed northward back to the harbour at the mouth of the Pearl River. By that time Canton had been recaptured by some royalists and so they felt safe enough to anchor and encamp at Kang-chou which is identified as Ta-yu-shan or Lantau Island20.\n\nTwo months later he died there. His younger brother Ping succeeded him on the throne and became the last emperor of Sung. He named the new reign Hsiang Hsing (#) and the 1st year began in the next month, still 1278. In the 6th month the new emperor had to sail away with the whole fleet southwestward until they arrived at Ya-Shan of the Hsin-hui District. Finally, in the 2nd month of the next year (spring 1279), they fought the last battle against the Mongol forces commanded by the arch-traitor Chang Hung-fan (K). As a result of the defeat the whole army perished. The boy Emperor with his royal seal was tied to the body of his prime minister, Lu Hsiu-fu, who plunged into the sea, to be followed by thousands of court officials in a mass suicide. When the Queen Mother Young heard of the tragic and heroic death of the Emperor she also drowned herself, thus ending the long reign of 315 years of the Northern and Southern Sung Dynasty.\n\nBefore concluding this talk let me point out that besides the above story there is a deep and important meaning to be derived from our study of the Travelling Palace of Southern Sung in Kowloon. Throughout the Sung Dynasty, China was frequently invaded by neighbouring foreign tribes. Almost every year there was war, not only against the Hsi Hsia (the Tangut), but also, in turn, the Liao (Khitan), the Chin (Nuchen) and the Mongols.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205281, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 43, "title": "RAS-1967", "content_text": "36 \n\nJEN YU-WEN \n\nAt the close of Southern Sung, the last two emperors had to flee and seek refuge by the shores of the sea, from where they led a hundred thousand odd officials and soldiers in the noble endeavour to restore the empire. The Kuan-fu area, with the three big characters Sung Wong Toi still remaining, commemorates one of the last portions of Sung territory on which the two emperors stood. Shortly afterwards they met their ultimate defeat and the whole country was lost to a foreign tribe for the first time in China's history. But what we commemorate is not this unfortunate event in our national history; it is the spirit of nationalism and patriotism displayed in the last struggle of the Sung patriots for the recovery of the mother country.\n\nThe independence and freedom of China had a higher claim to their lives. This unconquerable spirit, expressed in the unceasing revolutionary efforts of the Chinese people to fight against the Mongols ever since the last days of Kuan-fu and Ya-shan, was finally crowned with success in the overthrow of the Yuan Dynasty less than 90 years afterwards. Today, when we pass through the ancient site of the Travelling Palace and look at the Sung Wong Toi monument, we see the symbol of this same spirit, which is the essential quality necessary for the survival of any nation on earth.\n\nNOTES\n\n1 This lecture is a condensation of my Chinese article Sung Kuan-fu Hsing-kung K'ou (†‡3hB) published in the Continent Magazine (†\nA), Taiwan, September, 1966.\n\n2 Such as Ch'en Chung-wei, Erh-Wang Pen-mo (RR#i, =±**), Shu Mou-kuan, Hsin-an Hsien-chih (Chia-ch'ing), Gazetteer of Hsin-an District (**T. **\n**BA), K'o Wei-ch'i, Sung-shih Hsin-pien (MM. ER #), Chang Hsu, Ya-shan Chih (HM, AJA), Nan Sung Shu (ET).\n\n* Mother Yu was never again mentioned in historical records; probably she had died.\n\n4 For references, details and discussions on the royal itinerary from beginning to end, see my treatise Sung-mo erh-ti nan-ch'ien nien-lu k'ou (**=*64***) in Sung Wong Toi, a Commemorative Volume (edited and compiled by myself), Hong Kong, 1960, pp. 122-174 (X£b444).\n\n5 It is alleged that there were eight mountain ranges spreading over the peninsula which look like running dragons (lung), and that when the boy Emperor stayed at the place, people pointed out that he himself represented the ninth, as an emperor was commonly believed to be symbolized by a dragon. But the more rational and reasonable interpretation for the origin of the name would be that there are altogether nine mountain ranges spreading over the peninsula. According to Hsi-nan I Chuan (§§ AM) in Hou-han-shu (**後漢書**), the Ai-lao-i (‡‡✯ aboriginal tribe Lao) in Yunnan Province called back “k'ou\" and seat \"lung\". Hence to them, Kowloon meant", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205397, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 159, "title": "RAS-1967", "content_text": "152\n\nNOTES AND QUERIES\n\nA CANNON FROM THE END OF THE MING PERIOD\n\nYour Honorary Editor has suggested that I write a short piece about the cannon recently found near the Sino-British frontier about twenty miles from Kowloon. I do so with some hesitation, as I have not seen the piece and it has probably already received some attention, including a translation of the inscription. Nonetheless here is my rendering of the latter:\n\n\"Weight: 300 catties.\n\nConstructed on the 26th September 1650 by the following: Wu, Superintendent of Inland Seas, Chief Military Commissioner, installed (?) as Ting-hai General,\n\nTu, Governor General of Kwangtung and Kwangsi, by imperial order.\n\nFan, Regional Commander of Kwangtung and guardian of the imperial heir (?),\n\nHsiao Li-jen, Local Commander of military operations, Su, Chief of bureau (?), Chief of military commission.”2\n\nIt is of some interest to note that the names of Tu, Fan, and Hsiao Li-jen appear also on the inscription of the cannon dated June/July 1650, found in Kowloon Bay in 1956.3 So far I have not been able to identify any of these individuals, especially since four of the five are listed by their hsing only. Doubtless they would all have owed their appointments to one or other of the Ming princes who were trying to uphold the authority of the tottering dynasty. One of these was Chu I-hai (Prince of Lu), then with headquarters at Chusan, captured by the Manchus on October 15, 1651. Another and more likely one was Chu Yu-lang (Prince of Kuei) who at this date held his court on boats at Wu-chou. Canton, after a siege of eight months, was taken by the Ch'ing forces on November 20, 1650.\n\nThese, as may be imagined, were parlous days for the house of Ming. Not alone for the surviving members of the imperial family, but also for the local population and the foreigners in their midst.4 One may surmise that the casting of cannon in the summer and early autumn of 1650 was a singularly difficult and hazardous one. But cannon and their casting were well known to the Chinese in this and earlier times.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205402, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 164, "title": "RAS-1967", "content_text": "NOTES AND QUERIES\n\n157\n\nisland of Hainan). An account of the historical episode mentioned above is given in Yang Lu-yung *, San-fan Chi-shih Pên-mo *, Chüan 3, The entry on the Southern Expedition of the Imperial Army; and in Wan Jui-lin *, Nan-chiang Yi-shih 40#, Chüan 4 (A brief account of the history of the Kwangtung Province), the Prince Yung Ming, Part One (edited by Li Yao 李瑤).\n\nAs the date of construction of this cannon was 26th September, 1650, it must have been cast for the express purpose of fighting the Ch'ing army during the siege of Canton.\n\nFAN, REGIONAL COMMANDER OF GUARDIAN OF THE IMPERIAL HEIR(?) KWANGTUNG\n\nAND\n\nFan's full name was Fan Ch'êng-ên ✯✯&. He was the traitor who conspired with the Ch'ing army during the siege of Canton. He caused the leakage in the embankments so that the Ch'ing army was able to land by stepping on floating logs and eventually took over the forts at Canton. When Shang K'o-hsi entered the city of Canton, Fan went up to surrender to him. See Yang Lu-yung, op. cit. and Wan Jui-lin, op. cit.\n\nWU, SUPERINTENDENT OF INLAND SEAS, CHIEF MILITARY COMMISSIONER, INSTALLED(?) AS TING-HAI GENERAL.\n\nWu may be a mistranscription of hsi, which together with yin Ep, signify the official credentials. In my opinion these titles of Superintendent of Inland Seas, Chief Military Commissioner installed as Ting-hai General do not refer to any particular person but were given to the cannon itself. It was the custom in the Ming dynasty to confer the title of 'ta chiang-chün' (the great general) on a new type of cannon called the fo-lang-chi (Franks) which the Chinese had learnt to manufacture in the sixteenth century. (See Chang Ting-yu 張廷玉, Ming Shih 明史, Chüan 92, military affairs, section 4). This tradition persisted in the Ch'ing dynasty and the fo-lang-chi type of cannon was invariably called 'The great general'. (See Ch'ing Wên-hsien T'ung-kao 清文獻通考, Chüan 194, military affairs, section 16.) This cannon constructed by Tu must have been cast according to the fo-lang-chi type. It is natural therefore that this cannon would have been conferred with the titles mentioned in the inscription.", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 206791, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 68, "title": "RAS-1973", "content_text": "62\n\nCHIU LING-YEONG\n\nT'ang government to maintain the security and prosperity of these multi-racial cities harmoniously and peacefully.\n\nII\n\nIn T'ang China, apart from the capital Ch'ang-an and the Eastern capital Lo-yang, the most prosperous cities within the Empire were Kuang-chou, Yang-chou, Chiao-chou, and Ch'üan-chou.16 These cities were all centres of Persian and Arabian trade. There were a large number of Persians and Arabs living in these cities. In A.D. 760, when T'ien Shen-kung raided Yang-chou, it was recorded that several thousands of Persians and Arabs were massacred.17 It is not clear whether this was an isolated incident or an act of retaliation because the Persians and Arabs had sacked Canton in A.D. 758.18\n\nIt was also believed that Huang Chao had killed thousands of foreign merchants when he captured Canton in A.D. 878.19 The large number of Persians and Arabs killed in Yang-chou and Canton confirmed that the foreign population in these cities was indeed very large. Activities of Persians and Arabs in these cities were confined to maritime trade because the majority of them were merchants. There were also Islamic disciples who came to China with the intention to preach. In the reign of Wu-te (A.D. 618-626), four Islamic disciples were dispatched to China to spread the Mohammedan faith. Of these four, one was posted in Canton, one in Yang-chou and the other two were stationed in Ch'üan-chou.20 There is evidence that some of these Persians, Arabs and Uighurs were also engaged in the restaurant business in Yang-chou and Ch'ang-an. It was recorded that they made very good hu-ping, yu-chien ping and pi-lo.21 Ssu-ma Kuang mentioned in his Tzu-chih t'ung-chien that when Hsüan-tsung took his 'Imperial Excursion' to Szechuan during An Lu-shan's rebellion, the 'Excursion' set off so suddenly that the Emperor had no chance to bring his chef with him. His brother-in-law, Yang Kuo-chung therefore, had to buy hu-ping for him during their journey to the West China.22\n\nThe Persian and Arabian merchants brought to China precious stones and hsiang-yao; and they always could earn a fortune very easily by these commodities. Financially speaking, maritime trade had become very important in the beginning of the eighth", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206816, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 93, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n87\n\nsame tradition. For instance, Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu of 1712 (20 chüan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's Mo-yüan hui-kuan of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chüan with simplified descriptions of painting); and finally, Ku Wên-pin's Kuo-yün-lou shu-hua-lu of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections.\n\nOn the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chronicle were far fewer. From the earlier period, only Huang Po-ssu's Tung-kuan-yu-lun (2 chüan, edited in 1147 by the author's son, Huang Nai) and Chou Mi's Yün-yen kuo-yen-lu (4 chüan, edited probably around 1291) may be regarded as representative works in this line during the Sung and the Yüan.\n\nHowever, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most important were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan (8 chüan); Tu Mu's (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's (1501-1583) Ch'in-shan-r'ang shu-hua-chi (1 chüan, edited in 1565); Chu Chih-ch'ih's Ao-an shu-hua-mu (1 chüan); Sun Feng's Shu-hua-ch'ao (1 chüan); Chen Chi-ju's (1558-1639) Ni-ku-lu (4 chüan); Tung Ch'i-ch'ang's (1555-1636) Hua-chan-shih sui-pi (4 chüan); and Li Jih-hua's (1565-1635) Wei-sui-hsüan jih-chi (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle.\n\nThis type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng-che's (1592-1676) Kêng-tzŭ hsiao-hsia-chi (8", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206821, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 98, "title": "RAS-1973", "content_text": "92\n\nCHUANG SHEN\n\ntion of old merits found in the Ming period art catalogues — the recording of quality and format of paintings, as well as inscriptions and colophons that appeared on them — and innovations of his own — the recording of measurements and seals — could be said to be the first complete art catalogue in the history of development of art catalogue editing systems. Later on, even the Shih-chü pao-chi\n\n*** (The first part was completed in the 10th year of the Chien Lung era, 1745; the second part, in the 58th year of the Chien Lung era, 1793, and the third part, in the 22nd year of the Chia Ching era, 1817), an art catalogue of the Ch'ing imperial household, followed exactly the editing methods introduced by Pien.\n\nIt can thus be said that before the Wan Li era of the Ming dynasty, the editing methods of Chinese art catalogues were mainly descriptive, whereas after the Wan Li era, the stress was shifted to documentary. The Ming compilers' contribution to the compilation of art catalogues lay in their inauguration of recording colophons and inscriptions on paintings, as well as the quality and format of all paintings. The Ch'ing compilers' contribution, on the other hand, was the introduction of records of seal text on the painting, as well as the measurements of all paintings. It was only when such essential elements as inscriptions and colophons, seals, quality, size, and format etc. were all fully recorded that an art catalogue could be said to have possessed all the necessary requirements.\n\nAlthough Pien Yung-yü's Shih-ku-t’ang shu-k’ao and Shih-ku-t’ang hua-k’ao, both completed in the 21st year of the K'ang Hsi era, were the most perfect works in the history of development of art catalogue compilation, some other art catalogues that were completed after the publication of Pien's works still adhered to the traditional editing methods used before the Wan Li era. For instance, there were Tso Lang's San-wan-liu-ch'ien-ch'ing-hu-chung hua-ch'uan-lu\n\n*# (completed in the 60th year of the Chien Lung era, 1795); Shêng Ta-shih's ★± Ch'i-shan wo-yu-lu A4 (first completed in the 21st year of the Tao Kuang era, 1833); and Huang Ch'ung-hsing's\n\nTsao-hsin-lou tu-hua-chi ******* in which no record\n\n* There is no date of completion. However, according to Tan Ting-hsien's ### preface dated in the 27th year of the Kuang Hsü era ✰✰ (1901), he was an old friend of Wang Ch'ung-hsing. Thus, it can be deduced that both were active during the Tung Chih and Kuang Hsü eras.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206825, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 102, "title": "RAS-1973", "content_text": "96\n\nCHUANG SHEN\n\nThus, instead of saying that the compilation method of the T'ing-fan-lou shu-hua-chi was an imitation of the system used in Wu Yung-kuang's art catalogue, rather, it would be more appropriate to say that Pan compiled it according to his own ideas,\n\nThirdly, if this assumption is reasonably correct, then the fact that Pan, in the preface of his T'ing-fan-lou shu-hua-chi regarded Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as one of the representative art catalogues in the Ch'ing dynasty was due to his high esteem for Kao's work, which incidentally was a view shared by Wu Yung-kuang. Moreover, it is possible that he came under Wu's influence while undertaking the collating work for the Hsin-ch'ou hsiao-hsia-chi, thus regarded Kao Shih-ch'i's work of special importance.\n\nFourthly, Pan Chêng-wei considered Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as the most representative art catalogues compiled in early Ch'ing. This point of view is worth our notice. It should be noted that though Sun's catalogue was completed in the 16th year of the Shun Chih era (1659), it was being collated only less than a century after its publication, by Ho Cho2 (1661-1722), a well-known scholar of the Chiang Nan district21 and active in the K'ang Hsi era. Moreover, in the Chien Lung period, distinguished scholars like Lu Wên-ch'aoAx 3 (1717-1795), Pao T'ing-po3* ty (1728-1814) and Yu Chi (1738-1823) at one time or other wrote prefaces and colophons for this catalogue3, and in particular, Pao T'ing-po even included it in his Chih-pu-chü-chai ts'ung-shu1 * F & *** in order to publicize it. Not long afterward, it was well appraised by the Ssu-k'u-ch'uan-shu tsung-mu t'i-yao★ATAIRE, an official catalogue completed in the 48th year of the Chien Lung era. Thus, it can be seen that during the 124 years between the 16th year of the Shun Chih era and the 48th year of the Chien Lung era, in regard to the connoisseurship of painting and calligraphy, no matter whether it was in Chiang Nan or in the capital, and regardless of whether privately or officially, there was no one who did not consider Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi as an important work for reference,\n\nHowever, the situation was not quite the same in Kwangtung. Probably up to the Chien Lung era, no Kwangtung scholar had ever noticed the Kêng-tzŭ hsiao-hsia-chi. Even Wu Yung-kuang and Yeh Mêng-lung, relatives who both served for a long time in the", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206828, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 105, "title": "RAS-1973", "content_text": "# FIVE ART CATALOGUES\n\n99\n\ndiffered somewhat from the two catalogues of Sun and Kao, by the time Kung Kuang-tao compiled his art catalogue, the editing method he adopted seemed to be, if not a continuation of that used in Sun's Kêng-tzŭ hsiao-hsia-chi and Kao's Chiang-ts'un hsiao-hsia-lu, at least unrelated to Pien Yung-yü's Shih-ku-t'ang hua-k'ao.\n\nIn a word, although these five Kwangtung art collectors had adopted a new editing system in their catalogues, they had not referred to the work of the compiler who first introduced this system. This is no different from one who counts the records but has forgotten one's ancestors, and can but be regarded as a very unreasonable incident in the history of art catalogue compilation.\n\n## III\n\n## Defects in the Catalogues\n\nAs mentioned above, though the five Kwangtung collectors' catalogues were all compiled by following the new editing method introduced in the compilation of art catalogue, it should be pointed out here that they are not without shortcomings and errors. These, on the whole, can be divided into 3 types, namely: unsuitable compilation method, carelessness in proof-reading, as well as erroneous chronology. Each of these will be discussed below.\n\n### A. Unsuitable Compilation Method\n\nIn Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, paintings done by the same artist are mostly grouped together. However Wu had at least in two instances separately recorded the paintings of two artists. As a result, the reader would feel rather confused when using this catalogue. For example, this catalogue has recorded two paintings by Ni Tsan (1301-1374) in chüan 4. One of these, the Yu-po-t'an-hua-t'u appears in chüan 4, p. 22b, and the other, Ho-lin-t'u, on p. 41a of the same chüan. They are thus nearly twenty pages apart. Between these two paintings, Wu recorded accordingly the hanging scrolls of calligraphy respectively done by Kung Su, Fêng Hai-su and Nao Nao, as well as a handscroll including calligraphies written by Liu Yu-ch'ing, Fan Kuo, Ouyang Ying, Yü Chi, Wu Ch'uan-chieh, Yü-fu-t'u, and Liu Kuan. In addition, in the space of nearly twenty pages, Wu also recorded Wu Chen's and Wang Fu's (1362-1416).\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206833, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 110, "title": "RAS-1973", "content_text": "104\n\nCHUANG SHEN\n\nlogue seems to be smaller than that found in Pan's catalogue. All in all, the lack of record of paintings and calligraphies listed in the table of contents in the text of a catalogue is the second type of deficiency in compilation found in the art catalogues of the Kwang-tung collectors.\n\nB. Carelessness in Proof-reading\n\nThe deficiency in proof-reading is the second type of deficiency in the art catalogue of the Kwangtung collectors. We may begin by examining Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. The carelessness in the proof-reading of this catalogue can be seen in the two following examples. In the 51st year of the K'ang Hsi era (1712), Wu Shêng completed the 20 chüan of his famous catalogue Ta-kuan-lu. It is not known whether Wu Yung-kuang had read Wu Shêng's Ta-kuan-lu with care or not; however, after acquiring Ni Tsan's Yu-po-t'an-hua-t'u, he had made use of the entry of this painting in Ta-kuan-lu to collate with the inscriptions attached to the painting. Moreover, he mentioned the name of Wu Tzu-min?\n+ in his own colophon. Therefore, having known the literary name of Wu Shêng as Tzũ-min, Wu Yung-kuang could hardly be ignorant of Wu Shêng. Yet in his Hsin-ch'ou hsiao-hsia-chi, he was so careless as to record Wu Shêng's name wrongly. In chüan 5 of his catalogue, after entering Ch'iu Ying's Yü-tung hsien-yüan-tu玉洞仙源 he added,\n\nWang Shêng's12 Ta-kuan-lu has also recorded Shih-fu'sTX Yu-tung hsien-yüan-t'u1\n\n12\n+\n\nIn chüan 4 of Hsin-ch'ou hsiao-hsia-chi, Wu Yung-kuang had already mentioned that the compiler of Ta-kuan-lu was Wu Tzŭ-min11, yet in chüan 5 of the same book, he recorded the compiler of Ta-kuan-lu as Wang Shêng12. It is thus apparent that the mistake of calling Wu Shêng as Wang Shêng could not be due to Wu Yung-kuang's ignorance. Rather, it resulted from a mistake in his own handwriting, or from a mistake made while cutting the blocks for painting. Moreover, according to Ku Fu's P'ing-sheng chuang-kuan13 there was a calligrapher by the name of Wang Shêng active in the Southern Sung period. Thus, if the reader of Hsin-ch'ou hsiao-hsia-chi has complete faith in Wu Yung-kuang, would it not be very likely for the compiler of Ta-kuan-lu to be taken as a Sung figure of the mid 13th century instead of a Ch’ing figure of the mid 17th century?", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206837, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 114, "title": "RAS-1973", "content_text": "108\n\nCHUANG SHEN\n\nobtained under the entry of the 8th year in the Tao Kuang era (1828), \"In the third month, my daughter named Hsi married Yeh Ying-ch'i\". In chuan 2 of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia chi, there is an entry about Mi Yu-jen's Yün-shan tê-l-t'u #4#★#, which according to Kung Kuang-tao's LAM Yüeh-hsüeh-lou shu-hua-lu *****, should bear a square seal, the text of which reads, \"Nan-hai nu-shih Yeh Wu Hsiao-ho hsieh-yün-lou shu-hua-chih-yin” ✯✯✯±‡*+*Z*#‡‡<¢ \"seal of calligraphies and paintings in the Hsieh-yün-lou collection of Madam Yeh Wu Hsiao-ho, native of Nan-hai”. Ho-wu is one of the style names of Wu Yung-kuang, and so he gave his daughter Wu Hsi the style name of Hsiao-ho. Furthermore, above Hsiao-ho's surname, it is added her husband's surname (Yeh). Thus it is evident that the Yün-shan tê-t-t'u was one of the items in her dowry when she was married off to Yeh Ying-ch'i. However, in the opening part of chuan 3 in Wu Yung-kuang's Shih-yün-san-jen fen-t'l-shih-hsuan, it is stated that one of the collators was his son-in-law, whose name, however, was recorded as Yeh Ying-hsin #44.\n\n2 At the end of his Kêng-tzŭ hsiao-hsia-chi chiao-wên ✯TMIERZ - \"Collatery Note of the Kêng-tzŭ hsiao-hsia-chi\" Ho Cho put down the date of \"K'ang Hsi kuei-ssu\" which is equivalent to the 52nd year of the K'ang Hsi era (1713). Ho's collatery note can be found in Ku-hsüeh-hui-k'an **✰★, vol. II, No. V, published by Kuo-ts'ui hsüeh-pao shê @##★#, 1923, and reprinted by Li Hsing Book Co. ★1⁄2, Taiwan. (The collatery note is found in pp. 2585-2601 of this reprint.)\n\n3 Pao T'ing-po's colophon, which is attached to the Kêng-tzŭ hsiao-hsia-chi, was completed in the 20th year of the Chien Lung era ✯✯ (1755). Yu Chi's colophon and Lu Wên-ch'ao's preface were both written in the 26th year of the Chien Lung era (1761).\n\n4 There are altogether 18 collections in Chih-pu-tsu-chai ts'ung-shu ÞILIIT. The fourth collection includes only Sun Ch'êng-chê's Hsien-chê-hsüan-tieh-k'ao §**** (which is now attached to the end of Kêng-tzŭ hsiao-hsia-chi. However, it is included in the occasional publication of the Chih-pu-tsu-chai. Nowadays, an edition that was published separately in the 26th year of the Chien Lung era (1761) is available.\n\n5 See Ssŭ-k'u-ch'üan-shu tsung-mu ti-yao **** chuan 113. Only the last sentence in this discussion is quoted here, since it already suffices to reflect the whole situation by this, \"Though the man can be slighted, his writing is however something that we cannot pass over slightly.\"\n\n6 A hand-written copy of the T'ing-fan-lou shu-hua-chi and its supplement is found in the collection of the Feng Ping-shan library, University of Hong Kong.\n\n7 The Feng Ping-shan library in the University of Hong Kong has in its collection a wood block printed version of the T'ing-fan-lou shu-hua-chi in 5 chuan and its supplement in 2 chuan, the beginning section of both of which are missing. Therefore, the date and place when this catalogue was printed is now known.\n\n* The type printed version of the T'ing-fan-lou shu-hua-chi and its supplement is available in Mei-shu ts'ung-shu *#*# vol. IV, part VII. This catalogue was first printed by the Kuo-ts'ui hsüeh-shê # in the 3rd year of the Hsuan Tung era ✯ (1911). The second edition came out in 1928. The copy used in this paper is the fourth edition published by Shen-chou kuo-kuang shê **B£* in 1947.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206838, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 115, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n109\n\n9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus,\n\nThis painting agrees with the one recorded in Wu's Ta-kuan-lu\n\n4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household.....\n\nIn saying that \"this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting.\n\n10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b.\n\n11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a.\n\n12 Ibid chuan 5, p. 54b.\n\n13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962.\n\n14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a.\n\n15 Refer to footnote 10.\n\n16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang.\n\n17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number).\n\n18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b.\n\n19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important:\n\n(1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734).\n\n(2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan\n\n史棠傳 in 70 chuan and appendix in 2 chuan.\n\n(3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826).\n\n(4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830).", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 207359, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 127, "title": "RAS-1975", "content_text": "EMPLOYMENT OF FOREIGN MILITARY TALENT\n\n119\n\ninto the family of the famous minister and military commander Ho Kuang.29\n\nBut the Han experience in employing outsiders had negative as well as positive effects. While Hsiung-nu might defeat their fellow barbarians in battle, they might also revolt against the Chinese—witness the uprising of the \"Dutiful Barbarians of Huang-chang\" (Huang-chung i-ts'ung hu) in 184 A.D. Financial inducements, honors—and even the Han practice of requiring barbarian soldiers to give up members of their families as hostages—did not always prove sufficient in controlling barbarians with conflicting interests or wavering fidelity.30 Yet on balance, China benefitted from the use of foreigners during the Han, and Chin Mi-ti, like Yu Yü, received the praise of later generations for his faithfulness and devotion to the Middle Kingdom. As a tribute to Chin's loyalty (and in acknowledgement that disloyalty was not a peculiar barbarian trait), the T'ang scholar, Ch'en Yen wrote: \"In the case of the revolt and failure of Lu Wan and Shao-ch'ing [Li Ling] were they not barbarians? In the case of the loyalty of Chin Mi-ti, was he not a Chinese?”32\n\nAfter the fall of Han, subsequent dynasties—both Chinese and foreign—used barbarians in numbers and positions appropriate to circumstance.33 The T'ang is especially noteworthy for its widespread use of aliens in various military and administrative capacities. Turkish tribes, particularly the Uighurs, became indispensable allies of the dynasty, fighting barbarians beyond China's frontiers as well as supplying troops for use against internal enemies. In 757, for example, the Uighur heir apparent (Yeh-hu) led some 4,000 Uighur cavalry forces successfully against the rebel An Lu-shan, for which he was honored with a long edict of praise, gifts, and substantial awards of title and rank.34\n\nOther foreigners, employed permanently in the T'ang service, were such famous generals as Ch'i-pi Ho-li, Kao Hsien-chih, and Li K'o-yung. Ch'i-pi, the grandson of a Turkish (T'u-chüeh) khan, gained high rank and eventual enfeoffment as a duke for his military efforts against various barbarian tribes during the reign of Kao-tsung.35 Kao, a Korean whose father had been an officer in the Chinese army before him obtained numerous high military positions before he fell victim to intrigue following his defeat in the fateful Battle of Talas (751).36 Li was an opportunistic fourth-generation commander of Sha-t'o aristocratic background, whose father had", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207576, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 344, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n335\n\nIn brief, the contents of the writing on each composition of the first 10 leaves have been collectively identified by the author as prose written by seven well-known literary figures; T'ao Ch'ien (365-427), Po Ch'u-i (772-846), Liu Tsung-yüan (773-819), Wang Yu-ch'eng (954-1001), O-yang Hsiu (1007-1072), Su Shih (1036-1101) and Sung Lien (1310-1381).\n\nThe nature of those writings inscribed on the last two leaves of the same album seem quite different from the foregoing. The first inscriptions are all prose and their authors are historical figures; while those appearing on the last two leaves are poem and their authorship is obscure. The literary implications of the prose are all associated with a unified theme; life in the future is hard to know, thus it is more suitable to seek one's personal comfort by way of enjoying nature. In contrast, this theme in leaves 11 and 12 becomes very weak. Instead, remarkable fantastic literary allusions are demonstrated by the poets. After having differentiated the nature as well as the forms of inscriptions on the last two leaves from the first ten, Prof. Li concludes that those unidentifiable poems are most probably verses by Chin Nung himself. The reason that they have been written in an unrealistic manner is because the artist-poet was trying to use those poems to console himself for failing to pass the Po-hsüeh-hung-tz'u degree examination in Peking in 1736.\n\nThis conclusion is theoretically sound, yet it is not convincing; for the poems inscribed on 11 and 12 are not as easily unidentifiable as Prof. Li has claimed. Consequently, because of these poems the date of this album has to be changed. Therefore, the authenticity of this collection of 12 landscapes is also to be questioned.\n\nIn the mid-18th century, at Yang-chou, the richest economic center in China at that time,23 Ma Yueh-kuan (1688-1745) and his younger brother, Ma Yüan-lu (1687-1766?) were not only active as leading salt merchants but also as central figures in terms of their patronage towards literature and art. Amongst those who were closely affiliated to the Ma brothers, was a well-established poet, Li E (1692-1752). Although a native of Ch'ien-t'ang from Chekiang province, he happened to be the most important literary figure whenever he was in Yang-chou.\n\nWhen\n\nIn the winter of 1748, the 13th year of the Ch'ien-lung era, Chin Nung was doing his extensive travels in the north, seven poets,", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207581, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 349, "title": "RAS-1975", "content_text": "340\n\nBOOK REVIEWS\n\nChinese bronze is again by Prof. S. Umehara and was separately published in Kyoto in 1961.\n\n2 The Senoku Seisho is sub-divided according to nature of bronzes, into two parts. The first part dealing with ritual vessels is by Prof. K. Hamada while the next part, devoted to Chinese bronze mirrors, is edited by Prof. Yoshito Harada.\n\n3 In addition to these catalogues about the Sumitomo collection, in 1951 Prof. S. Umehara has also edited Kakkaku Kikkin Senshu (Selected specimens of the Chinese Bronze collection in the Hakkaku Art Museum), an illustrated and descriptive catalogue on Chinese bronzes housed in a private museum possessed and financed by Mr. Jihei Kano in Kobe.\n\n4 For instance, among his various studies on ancient Chinese bronzes, there are three catalogues. The first, \"Bronzes in the Hellström Collection\", is in the Bulletin of Museum of Far Eastern Antiquities (hereafter abbreviated as BMFEA) (1948, Stockholm), No. 20, while the second, \"A catalogue of the Chinese Bronzes in the Alfred F. Pillsbury Collection\" was published in Minneapolis in 1951. The third, \"Bronzes in the Wessen Collection”, is in BMFEA, (1958, Stockholm), No. 30.\n\n5 For instance, his Fruhe chinesische Bronzen aus der Sammlung Trautmann (1939, Peking).\n\n6 For instance, the Chinese Bronzes from the Buckingham Collection, (1946, Chicago), jointly edited by M. C. Chen and Charles F. Kelley.\n\n7 Alfred Salmony (1890-1958): Archaic Chinese Jades from the Edward and Louis B. Sonnenschein Collection (1952, Chicago).\n\n8 W. Perceval Yetts (1878-1957): The Georg Eumorfopoulos Collection: Catalogue of the Chinese and Corean Bronze, Sculpture, Jade, Jewellery, and Miscellaneous objects (1929-32, London).\n\n9 Howard Hansford: The Seligman Collection of Oriental Art, Vol. I, (1957, London).\n\n10 Yoshito Yonezawa: Painting of the Ming Dynasty, (1956, Tokyo).\n\n11 Osvald Siren: Chinese painting, Vol. VII, (1958, London).\n\n12 Victoria Contag: Chinese Masters of the 17th Century (1969, London).\n\n13 The date of Hsuan-ho hua-p'u is not known. But a general date, 1120, the second year of the Hsuan-ho era during the reign of the Emperor Hui-tsung of the Northern Sung Dynasty, associated with its preface, is normally considered to be the date of completion of its compilation. Regarding its authorship, it has been previously suggested by scholars in the Ch'ing Dynasty, such as Wang Wan, as having been edited by Emperor Hui-tsung himself, and by Chou Chung-fu as being by Tsai Ti, and by Pien Yung-yu as being by Hu Kuan. But according to Yu Shao-sung, a 20th-century specialist on the historiography of Chinese art, none of these old identifications are reliable. Instead, a possible editor of this imperial catalogue is perhaps an anonymous eunuch of the Northern Sung palace. For detailed discussion see his Shu-hua shu-lu chieh ti (hereafter abbreviated SHSLCT), \"A Collection of Summary of content and Studies of Titles of Books on Chinese calligraphy and painting\", (1931, Peking).\n\n14 Although it carries a preface by the author, this book is undated. In general, as Yu Shao-sung has suggested (SHSLCT Chuan 12, p. 9), Hsu Hsin must have lived in the transitional period of Ming and Ch'ing but the book itself is written in early Ch'ing.\n\n15 See Yen-Tzu chun-chiu, Nei pien, 10th chapter of the Tsa-hsia section. This book is generally regarded as a work of the 6th century B.C.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207912, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 300, "title": "RAS-1976", "content_text": "NOTES AND QUERIES \n\n285 \n\nNOTES ON HO CHUNG A 19TH CENTURY ARTIST IN \n\nKWANGTUNG \n\nFrom a view-point of the history of painting in Kwangtung, as I have pointed out in my other study1, the rich city of Nan-hai ♬ \n\nalways acts as a centre. As early as the late 15th century, Lin Liang, a native of Nan-hai, had been a reputed artist for the subject of bird-and-flower in Peking2. Later, since the latter part of the 17th century and particularly in the 18th century, landscape formed the major interest for Kwangtung painting. The most significant landscapist in the 18th century was certainly Li Chien (1747-1799), an artist of Shun-te. In the first half of the 19th century, Hsieh Lan-sheng ✯ (1760-1831), a native of Nan-hai was again a reputed landscape artist in Kwangtung. With regard to bird-and-flower painting, although it had not been popularly favoured until the second half of the 19th century, yet the most appreciated artist for this subject at that time was Ho Chung *#; once again a native of Nan-hai. \n\nInfluenced by a long cultural tradition and in order to express the elegant taste of the literati, Chinese artists have customarily liked to choose a short but poetic term for their personal and literary name. Similarly, they could also choose a short but poetic phrase to name their studio. This cultural tradition had produced the same influence on Ho Chung. In the past, artists have been very pleased to call themselves as a mountain of some sort. In the 14th century, the name of an outstanding goldsmith was Chu the Blue-mountain. In the 16th century, the leading artist Wen Cheng-ming (1470-1559) was also called Heng-shen #j, a mountain of equilibrium; while one of his chief followers, Lu Chih (1496-1576) was called Pao Shan 1,; a covered mountain. In the 18th century, Wang Fu-chih (1619-1692) a scholar, and Chang Wen-tao (1764-1814) an artist, both called themselves Chuan-shan #u; a boat-like mountain. Active in between of these two figures, Tung Pang-ta (1699-1769) a court artist in Peking had styled himself as Tung-shan, i.e. 'an Eastern mountain' Later, in Kwangtung, Chang Wei-ping * (1780-1859) artist of Pan-yu \n\nwas known for his literary name, Nan-shana mountain in the south. Similar to those artists just listed, Ho Chung had chosen Tan-shan A, a red mountain, as his first literary name. \n\nPage 300\n\nPage 301", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 207917, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 305, "title": "RAS-1976", "content_text": "290\n\nNOTES AND QUERIES\n\ncareer, since this Nan-hai artist had continuously worked as a professional over half a century; and finally his works were mainly sold at a very reasonable price.\n\nNOTES\n\n1 See Chuang Shen: \"Some observations on Kwangtung paintings\" in Kwangtung Painting (1973, published by the Urban Council, Hong Kong), pp. 9-24.\n\n2 According to the 6th chuan of Ming-hua-lu, “Records of painting in the Ming Dynasty\", edited by Hsu Hsin in the early years of the Ch'ing Dynasty, Lin Liang was active in the Hung-chih era (1488-1505), mainly in the late 15th century.\n\n3 Chu Pi-shan was famous for his specially designed silver wine cup in the shape of a hollow tree. For a colour reproduction of such a cup, dated 1345 by Chu's own carved inscription, see \"The selected Handcrafts from the collections of the Palace Museum\", edited by the Palace Museum, (1974, Peking), pl. 34.\n\nA similar silver wine cup, also dated 1345 by Chu's own carved inscription, in the form of a boat made of a hollow tree in which Chang Ch'ien is seated, is owned by Lady David of London. For its reproduction, see Perceval David: Chinese Connoisseurship (New York, 1971), pl. 19C.\n\n4 The origin of this name seemingly inspired by a famous line of the 5th century poet Tao Chien, in the 5th poem of his \"Drinking wine\". This line reads:\n\n\"Culling chrysanthemums by the eastern hedge, 悠然見南山\n\nI see afar the South hills.\"\n\nFor the English translation of this poem, see Robert Kotewall and Norman L. Smith: The Penguin Book of Chinese Verse (1962, Middlesex), p. 9.\n\n5 In \"Lo-yu-yüan\", the mid-9th century poet Li Shang-yin (813-858) wrote:\n\n\"The setting sun has boundless beauty\n\nonly the yellow dusk is so near.\"\n\nSee also Robert Kotewall and Norman L. Smith; ibid, p. 25.\n\n6 See Wang Chao-yung \"Lin-nan hua-cheng-yueh\" 'A Brief Document on Kwangtung painting' (1927, Shanghai), chuan 10, p. 7.\n\n7 The most important literary man who loved plums during the Sung China was no one but Lin Pu (967-1028). As a native of Chekiang, Lin Pu lived in a mountain overlooking the West Lake of Hangchow. When he lost his wife he had not re-married. Having planted a lot of plum trees near his house, he began to regard the plum blossoms as his wife. For this blossom he had this famous line written:\n\n\"Your slanting shadow reflects on the clear, shallow lake 斜水清淺\n\nYour elusive fragrance floats about in the yellow of the evening moon”.\n\nFor the English translation of this poem, see Max Perleberg: Lin Ho-ching (1952, Hong Kong), p. 15.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208403, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 127, "title": "RAS-1978", "content_text": "SHIWAN POTTERY EXPLORED\n\n111\n\nsuch as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.\n\nI regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.\n\nNOTES\n\n1 Nigel Cameron, \"Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).\n\n2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha\" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.\n\n3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47.\n\n4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci\" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.\n\n5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.\n\n6 \"Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.\n\n7 Op. cit. Ref. 2.\n\n8 \"Gong Yi Ming Cheng Fushan\" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.\n\n9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961).\n\n10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.\n\nThis theory is discussed more fully in: Fredrikke Skinsnes Scollard, \"Destruction and Creation: The Impact of Revolution on Shekwan Pottery\", Leverhulme Conference, University of Hong Kong, 1977, (In press).\n\n11 Manuel da Silva Mendes, \"Barros de Kuang Tung\", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 209071, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 233, "title": "RAS-1980", "content_text": "BIBLIOGRAPHY OF TAOISM\n\nYün-chi ch'i ch'ien. Taipei, 1975.\n\n雲笈七籤,張君房輯,台北,台灣商務,1975.\n\n852 p.\n\n201\n\nCA, LC, SA\n\n# 6. BIOGRAPHY OF TAOISM\n\nChang, Ch'i-chün. Chih hui ti Lao-tzu. Taipei, 1976. 張起鈞,智慧的老子.台北,新天地書局,1976.\n\n6, 2, 208 p.\n\n6.2,\n\nLC\n\nChang, Chih-ho. Hsüan-chen-tzu. Taipei, 1966. 張志和,玄真子,台北,台灣商務,1966.\n\n55 p.\n\nSA\n\nCheng, Ch'ang-shih. Hsien hsüeh cheng-chuan. Taipei, 1960. 鄭昌時,仙學正傳,台北,自由出版社,1960.\n\n42, 33 p.\n\nLC, SA\n\nChih-yu-tzu. Taipei, 1966\n\n至游子,撰人不詳,台北,台灣商務,1966.\n\n68 p.\n\nSA\n\nChung-li, Ch'üan. Chung-Lü ch'uan tạo ch’üan chi. Taipei, 1965.\n\n鍾離權,鍾呂傳道全集,台北,自由出版社,1965.\n\n244 p.\n\nLC, SA\n\nHai-ling san-hsien chuan. Shanghai, 1937.\n\n海陵三仙傳,撰人不詳,上海,商務,1937.\n\n9 p.\n\nSA\n\nHsiang an tu. Shanghai, 1933.\n\n香案牘,陳繼儒纂,上海,商務,1933.\n\n1, 2, 13 p.\n\nCA\n\nHsiao yao ti tzu yu jen: Chuang-tzu. Chung-ho hsiang, T'ai-pei hsien, 1967.\n\n逍遙的自由人:莊子,林耀川編譯,台北縣中和鄉,常春樹,1976.\n\n194 p.\n\nLC\n\nHsien li chuan. Shanghai, 1937.\n\n仙史傳,太上隱者輯,上海,商務,1937.\n\n5 p.\n\nCA\n\nHuang, Lu-tseng, 1487-1561. Chung-Lü ĕrh hsien chuan. Shanghai, 1937.\n\n黄魯曾,鍾呂二仙傳,上海,商務,1937.\n\n2, 2 p.\n\nHuang, Yung-liang. Pei-p'ai ch'i chen hsiu tao shih chuan. Taipei, 1965,\n\n黃永亮,北派七真修道史傳,台北,自由出版社,1965.\n\n88 p.\n\nLC, SA", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209287, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 190, "title": "RAS-1981", "content_text": "176\n\nNG LUN NGAIHA\n\nthe Chinese population. This was to make Sun different from Ho Kai and other intellectual or bourgeois reformists whose interest in economic reform was centred more on industry and commerce. He maintained that improving agricultural productivity was the most urgent and important reform in China. He found it deeply regrettable that in the recent westernization movement undertaken by the Government, agricultural affairs had been neglected as no one was sent abroad or into agricultural college to learn Western techniques. It was perhaps for these reasons that he offered to serve the state, to promote agricultural reforms. He did not claim to have specialized training in this field. But \"for many generations my family had been engaged in farming, and I was able to gain some experience in it\", and \"when I was educated abroad, I often read books concerning Western farming methods, geology and other science subjects\". He admitted that practical knowledge was essential and he was ready to go abroad to study sericulture and other Western agricultural methods.\n\nDr. Sun Yat-sen's years in Hong Kong being an essential part of his formative age, had a significant influence on his intellectual development. He mentioned more than once in his recollections that his revolutionary ideas germinated in Hong Kong, and in his few early essays that can be found, it is evident that he also shared some reform notions of the time. Much of this thinking then, as expressed in his presentation to Li Hung-chang in 1894, was also nurtured by his experience and observations in Hong Kong.\n\nNOTES\n\n1\n\nAccording to Wang Teh-chao, this was published in the September and October (1894) issues of the Wan-kuo kung-pao. It was then republished in issue No. 19 of Yu-shih. See Wang Teh-chao, “Tungmeng hui shih chi Sun Chung-shan hsien-sheng k'o-ming szu-hsiang ti fen-hsi yen-chiu”, Chung-kuo hsien-tai shih ts'ung-k'an, vol. 1 (Taipei, 1960), p. 66, note 3.\n\n2 ibid. note 4.\n\n3\n\nFeng Tzu-yu, “K'o-ming i-shih” (Taipei reprint, 1957), and K'ai-kuo chien k'o-ming shih (Taipei reprint, 1954); Ch'en Shao-pei, Hsing-Chung hui k'o-ming shih-yao (Canton, 1934). See also Chou Hung-jan, \"Kuo-fu 'shang Li Hung-chang shu' chih shih-tai pei-ching”, Ta-lu tsa-chih 23.5, pp. 157–161.\n\n4 The pamphlet, Kidnapped in London, was published in England in 1897. In this, Sun recalled that a Ch'ing official in the Chinese legation said to him, \"You have previously sent in a petition for reform to the Tsung-li yamen in Peking asking that it be presented to the Emperor.\" See Kuo-fu ch'uan-chi vol. 5 (Taipei, 1973), p. 16.", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 210088, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 59, "title": "RAS-1984", "content_text": "38 \n\nSample No. 6 (B-55) \n\nJULIAN PAS \n\nLu Tung-pin's oracles have been printed in booklet form both in Taiwan and in Hong Kong. Several editions only carry the oracle verses without any extra commentary. Only the Hong Kong edition has short commentaries. (See bibliography: Lu Ti ling-ch'ien hsien-fang; Po-chi hsien-fang, and Fu-Yu Ti-chun), \n\n息陽 \n\n陰盛於 \n\n柔順而靜 \n\n只不均 \n\n若此消息 只待羊兎相宜 \n\n坤之六爻皆吉 \n\n不怕亢龍之悔 \n\n宜悔者 \n\n若陰柔 第 \n\n第 \n\n五 \n\n得一天明不宜順蓬 \n\n第一 \n\n意陽地 在來自當 \n\n秋已無三 時復私五 \n\n他正行東 方好舟關 \n\n下圖仙玉 地全賜桃 長計方香 \n\n籖 \n\n必男水萊", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210093, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 64, "title": "RAS-1984", "content_text": "43\n\nB-2\n\nB-2 Pai-shou ling-ch'ien, Ku-shih chu-chieh ti by Cheng Chin-ling $436. Tsoying, Kaohsiung, 1976.\n\nM. Published\n\nKuan-sheng Ti-chun ying-yan t'ao-yian ming-sheng ching E KNMVTÆ. Published by the Fu-ch'uan Fo-t'ang in Kang-shan, Kaohsiung. QUI÷HES, 1971. (The oracles are in the Appendix).\n\nB-6 Kuan Yin ling-ch'ien chu-chieh, erh-shih-szu shou Pi. Taichung: Jui-ch'eng Bookstore, 1975.\n\nB-34 Ch'ien-shu chu-chieh, Tien-shang Sheng-mu, lished by the Nan-yao Temple in Changhua M, R, LTE. Pub Mä, 1977.\n\nB-54 Huang Ta-hsien (Wong Tai Sin) ling-ch'ien, ku-pen chu-chieh A¶ LASER. Published by the Wong Tai Sin Temple in Kowloon, HK, n.d. (purchased in 1980).\n\nB-55 Po-chi hsien-fang 1981;. Taiwan (no exact place indicated but stamped by the Tz'u-yu Temple in Taipei, BMK), 1951.\n\nB-55 Lu Ti ling-ch'ien hsien-fang, PPARI), Hsinchu: Chu-lin Book-store 新竹市竹林書局,1977.\n\nB-55 Fu-yu Ti-chün chüeh-shih ching, Lü-tsu ling-ch'ien chi hsien-fang Fili MEIM.NG MAUZERO/2A07), Hong Kong, N.T., SEDILE. 8-0 1976.\n\n+ Wu-nien ch'ien-sui ling-ch'ien chu-chieh 1F, Published the Chen-an Temple (2000) of Ma-ming-Shan in the county of Yiin lin, Taiwan, 1963.\n\n(ii) Taiwan Oracles: Temple Samples\n\nWerner Banck, Das Chinesische Tempelorakel PPE (part 1: Sources), Taipei: Ku-t'ing Bookstore, fillaliliPVM, 1976.\n\n(iii) Canton Temple Oracles, collected by the Library of the Center of Asian Studies, University of Hong Kong (not included in Banck's source edition)\n\n1. Kuan-shih-yin ling-ch'ien, #, published by Wu-kui t'ang 4, in Canton, n.d. (circa 1940?) block print reproduction; contains 100 oracles).\n\n2. Hung-sheng-wang ch'ien 1, published by I-wen tang in Canton, n.d. (blockprint reproduction; contains 64 oracles).\n\n3. K'ang-kung ling-ch'ien 12, published by T'ien-pao Printing Co.: Ch'an-shan, Canton, dated 1855 (nice wood block print edition)\n\n+ 4. Fu-shen T-u-ti ch'ien (@J:22, published by Wen-tang Bookstore, **W in Yue-tung ch'an shan 40, dated 1859. (woodblock print; 30 oracles).\n\n5. Shang-ti ling-ch'ien (zar, published by Wen-t'ang Bookstore, Z, n.d. (wood block print; 50 oracles).", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210783, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 134, "title": "RAS-1986", "content_text": "117\n\nlowed the discovery of pearls with Chinese immigrants in Early Han times numbering 23,000 taxable households (Wang Hsiang-chih, 1849 edition). As time passed, however, delivery of large quantities of top quality pearls to the Imperial Treasury became routine \"local tribute\" (Schafer, 1952) which usurped the lucrative commercial trade. Nevertheless, Hainan, or the \"Shore of Pearls\" as the island was then known, continued to yield supplies of the precious gems until the end of the fifteenth century by which time the pearl beds were exhausted (Mayers, 1867).\n\nAs the size and wealth of Hainan became more precisely known, successive dynasties attempted to extend their control by using military force to break Li resistance which obstructed Chinese exploitation of the island's rich interior. Costly in lives and money, most campaigns achieved no lasting success, and for the first thousand years of occupation, the Chinese clung precariously to the northern coastal fringe, and at times their influence disappeared completely for periods of ninety years or more (Mayers, 1872).\n\nHainan's reputation as a “treasure island” changed to one of a \"dank, poisonous land unfit for normal men” (Schafer, 1969), and soon became a place of ultimate exile for intellectuals and high-ranking bureaucrats who offended the monarch, as well as a sink for pirates and desperadoes. Amongst the exiled scholars the Three Lords (Li Te-yu, Lu To-sun and Ting Wei) and the poet Su Shih are celebrated for their literary contributions (Mayers, 1872; Schafer, 1969). While the exiled scholars left a rich history of contemporary Hainan in their prose and verse, the only legacy remaining from the successive dynasties is a continuum of changes to the names of towns and counties caused by the monotonous re-organization of the administrative bureaucracy.\n\nAlthough the name Hainan (literally South of the Sea) was used as a rather imprecise collective name for all southern lands which lay beyond the familiar borders of the early dynasties, it was not until the Mongol conquest in the thirteenth century that the name was applied specifically to the island. Under the sovereignty of Kublay Khan, the island was incorporated with the western portion of present-day Guangdong Province under the designation", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210794, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 145, "title": "RAS-1986", "content_text": "128\n\nD.L. MICHALK\n\n1940 and 1941. Troops trained on Hainan included part of the 18th Division which was later landed at Kota Bharu and which pushed southward along the Malayan east coast, the 5th Division which was landed at Singora and Patani in Thailand, the Guards Division which was lent to the XV Japanese Army for the early part of the invasion of Thailand and Burma, and then reverted to the XXV Army to support the advance of the 5th Division (Wigmore, 1957). In fact, the 5th Division was shipped in troops transports from San Ya in December, 1941, to the Thai peninsula (Wigmore, 1957).\n\nAnother attraction for the invaders was the rich mineral resources of the island. Industrialists quickly developed a large, open-cut mine at Shi Lu Shan to provide the much-needed iron ore for the Japanese war effort. This necessitated construction of ports at Ba Suo and Yu Lin, and a railway link to transport the annual ore production of 2 million tonnes to these ports. To achieve the development targets demanded by Tokyo, Chinese were indentured and mustered into work-camps. Later Australian and Dutch soldiers captured in Indonesia were transported to a camp at Ba Suo to help with the work (Wigmore, 1957).\n\nA total of 267 Australians from the 2/21st Australian Infantry Battalion (or Gull Force as it was known) and 233 Dutchmen captured at Ambon were transported in the \"Taiko Maru\" to Hainan, arriving at Ba Suo in October, 1942. Conditions at the camp were harsh, and only 110 Australians remained when liberated by American forces on August 26, 1945. The opening of Hainan to foreign tourists enabled ten former Australian prisoners to return to Hainan in 1985 specifically to seek information on the fate of ten Australians who escaped from the camp and joined Communist forces in guerilla campaigns against the Japanese army (Nelson, 1985).\n\nLiberation and isolation\n\nAfter the defeat of the Japanese, the KMT regained control of the island, and when Chiang Kai-shek retreated from the mainland to Taiwan more than 100,000 of his loyal soldiers fled to Hainan. This meant that although the \"People's Republic\" was", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 211008, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 70, "title": "RAS-1987", "content_text": "45\n\ndencies (Hong Kong: Kelly & Walsh, 1920) p. 130; S.H. Peplow and M. Barker, Around and About Hong Kong (2nd revised and enlarged edition, 1931), p. 10.\n\n59\n\nFor example, Chao Chun-hao, Yueh-Kang-Ao tao-yu #5 (A guide to Canton, Hong Kong and Macao) (Shanghai: China Travel Agency, 1938) p. 58; Wen Te-chang. ii) Kuang-Chiu t'ieh-lu lu-hsing chih-nan\n\nRířili (A guide to travel on the Canton-Kowloon Railway) (1922) p. 139; T'u yun-fuzli Hsiang-kang tao-yu fi (A guide to Hong Kong) (Shanghai: China Travel Agency, 1940) p. 15.\n\n60\n\nChiang-shan ku-jen, “Feng-kuang”, part 163. This was a Mr. Liu T'ao §‡ who had descended from one of the original inhabitants of the City. In 1931, he was living in the K'uei-hsing ke. He had copied every inscription there was in the City for sale to visitors.\n\n61\n\nJarrett, vol. 3, p. 611; \"Report on the New Territories, 1899-1912”, Hong Kong Sessional Papers, 1912, pp. 43-63, p. 47.\n\n62\n\nHsing-che 1, \"Lung-chin shih-ch'iao” ¡¡¡\n\n(The Lung-chin bridge [jetty]) in Li Chin-wei $ (ed) Hsiang-kang pai-nien shih dred years of Hong Kong history) (Hong Kong, 1948) p. 93.\n\n#2(One hun-\n\n63\n\nJohn Stuart Thomson, The Chinese (London: T. Werner Laurie, Clifford's Inn, n.d.) p. 62; Jarrett, vol. 3, p. 611.\n\nSiu, Chiu-lung ch'eng, p. 38.\n\nQuoted by Wesley-Smith, Unequal Treaty, p. 127; an interesting account of the City in the 1930s-50s is provided in Chapter 7. The Colonial Office file dealing with the removal problem in 1933-4 is CO129/546; for the Chinese side of the story, see Wu Pa-ning \"Chiu-lung ch'eng chu-min san-t'u pei pi-ch’ien ching-kuo\" JuffDWIDE-LOK MESA (An account of the three occasions on which residents of the Kowloon City were forcibly evicted) in Li Chin-wei, p. 89 and Chih-che IL “Chiu-lung ch'eng shih-chien ti chiao-she\" ** (Negotiation over the Kowloon City incident) in ibid., pp. 98–101.\n\nז' 1\n\nOther secondary works on the subject include N.J. Miners, \"A Tale of Two Walled Cities\", Hong Kong Law Journal vol, 12; no. 2 (1982); Peter Wesley-Smith, \"Forlorn, Forbidden and Forgotten: Kowloon's Walled City\" Kaleidoscope vol. I: no. 3 (February, 1973) 26-33; Mike Davis, “Inside the Walled City” ibid., vol. IV; no. 6 (August, 1976) 5-11; Michael Chiang, \"The Development of the Kowloon Walled City\" (Student's thesis, School of Architecture, University of Hong Kong. 1979-80).", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211407, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 123, "title": "RAS-1988", "content_text": "Table 1: Genealogy of the Chan Family\n\nChan Tak Youg (Violet's great grandfather)\n\nChan Jok Jun\n\nGeorge, Harry, Henry\n\nChan Jok Chiu (b. 1845) m (1) Au (Violet's grandparents)\n\n(2) Leong\n\nYung Kam in Yim (First Paternal Aunt)\n\nGeorge Goon Hop (adopted) m (1) Auyoung\n\n(2) Liu\n\n \n Gladys Yung Hoy m Lan Kwai\n \n \n Claudia in George Murphy\n David, Michael\n \n \n Calvin m Barbara\n Jennifer, Jason, Jeffrey\n \n \n Kwock Wah m Mona Lew\n Paula, Donna, Marcha, David, Jonathan\n \n \n Lorna (adopted) m\n Lawrence, Paul, Yolanda, Twila-dawn, Keith, Robin\n \n\nChan Ping Wing (First Paternal Uncle) m Ching (Concubine: \"Small Aunt\")\n\nChan Po Ling m (1) Auyoung\n\n(2) Kan (Concubine: Kam)\n\n \n Linda, Judy, Lillian, Robert, Chi Fai, Anthony, m Dorothy (5 daughters)\n \n \n Rosita, m Robert Ting (1 child)\n \n\nChan Ping I (Second Paternal Uncle) m Auyoung\n\nToby in Louise Dung\n\n \n Melody m Johnson Chen, Carol m John Lee, Sonja in Tai Min Wan, Jade m Eddy Lin, Lloyd m Deborah, Lena m Jeffrey Lu\n \n\nHelen m Tong\n\nCharles (children)\n\nGeorgette m Lu Bing Leong (daughter) Moo Yun\n\nTing Cheong (2 sons, 2 daughters)\n\nMoo Sau\n\nChan Ping Yip m Jong (Violet's parents)\n\nRuth\n\nViolet m John Lew m\n\nMe Yuk\n\n \n Helen m (1) Edmund Tin Wai Tong\n \n \n Edmund Yee Sing m (1) Susan Loui\n Kevin\n \n \n (2) Gertrude Kristiansen\n Syrilyn, Clayton\n \n \n (2) Tso-yu Fu\n Lynnette Wen-chu\n \n \n Russell m (1) Lila Kung\n Dora m Tso-chien Shen\n \n \n Eugene m Nancy Chun\n Wendell, Celia\n \n \n (2) Susan Carter\n Russell\n \n \n Gilbert m Christine Liao\n Warren, Tabitha\n \n\ndaughter m Leong Ting Bau (Second Paternal Aunt)\n\nYung Yik m Auyoung (Third Paternal Aunt)\n\nSuk Jun, m So (4 sons, 3 daughters)\n\nSuk Num, (3 daughters, 1 son), Suk Chiu, (2 sons, 2 daughters) Chan Ping Lim (d. 1903) (Fourth Paternal Uncle)\n\nChan Jok Sau\n\nL-6 sons (including Dai Mec, Ngit Chiu and Dai Geng)\n\nChan Jok Sui\n\nNgit Chiu (adopted) d 1924 in Honolulu\n\nChan Jok King\n\nJu Dai, Dai Geng (adopted)\n\n99", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211591, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 6, "title": "RAS-1989", "content_text": "CONTENTS\n\nPRESIDENT'S REPORT\n\nHON. TREASURER'S REPORT\n\nHON. LIBRARIAN'S REPORT\n\nARTICLES:\n\nDan Waters\n\nLIBRARIES\n\n138 1937. vii\n\nAR\n\nIn the Steps of Lu Pan: Reminiscences of Building in Hong Kong\n\nK.J.P. Lowe\n\nHong Kong, 26 January 1841: Hoisting the Flag Revisited\n\nKeith Stevens\n\nThe Jade Emperor and his Family, Yu Huang Ta Ti\n\nKeith Stevens - Fukienese Wang Yeh (Ong Ya [Hokkien])\n\nP.H. Munro-Faure\n\nThe Kiukiang Incident of 1927\n\nA.D. Blackburn\n\nHong Kong, December 1941 July 1942\n\nChan Ka-yan\n\nJoss Stick Manufacturing: A Study of a Traditional Industry in Hong Kong\n\nP.H. Hase\n\nCheung Shan Kwu Tsz, An Old Buddhist Nunnery in the New Territories and its Place in Local Society\n\nJ.H. Haan\n\nThalia and Terpsichore on The Yangtze, Survey of Foreign Theatre and Music in Shanghai 1850-1865\n\nFred Dagenais\n\nJohn Fryer's Early Years in China: I. Diary of His Voyage to Hong Kong\n\nChan Wing-hoi\n\nThe Dangs of Kam Tin and Their Jiu Festival\n\nxxi\n\nxxiii\n\n8\n\n18\n\n34\n\n61\n\n77\n\n94\n\n121\n\n158\n\n252\n\n302\n\nNOTES AND QUERIES:\n\nE. Sinn\n\nNotes on the Robert Hart Papers at the University of Hong Kong Library\n\n376\n\nP.H. Hase\n\nA Song from Sha Tau Kok on the 1911 Revolution\n\n382\n\nP.H. Hase\n\nThe Mutual Defence Alliance (Yeuk) of the New Territories\n\n384\n\nP.H. Hase - More on The Man the Emperor Decapitated\n\n388\n\nIssei Tanaka\n\nThe White Tiger\n\n389\n\nKeith Stevens - British Chinese Labour Corps Labourers Buried in England\n\n390\n\nAnthony Siu Kwok-kin\n\nThe History of Hong Kong: From A Village to A City\n\n391\n\nAnthony Siu Kwok-kin\n\nHistorical Records\n\nAnthony Siu Kwok-kin\n\nBOOK REVIEWS\n\nTai Yu Shan from Chinese\n\n394\n\nA Tung Lo Wan\n\n399\n\n400\n\nV", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211654, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 69, "title": "RAS-1989", "content_text": "44\n\nCommander of the Main Army [ff]) and the Yu Ying Kung share the sanctified premises and all offerings. The stalls in front of the temple sell 'gold paper' for the Wang Yeh and 'silver paper' for the Yu Ying Kung together in one bundle. Worshippers have to pay their respects at both temples or their prayers will not be answered. These are special characteristics of this temple.\n\nThe temple was completed in 1824 and Wang Te-lu (E), an Escort to the Crown Prince and a native of Taiwan, went to Nan K’un Shen to pay his respects to the Wang Yeh. It was generally believed at that time that such deities are incarnated officials and are feared by demons. The way to test whether a deity is a genuine incarnation or not is for a living high official to kick the effigy of the god and if it is a demon in disguise then the effigy will fall over. Wang Te-lu kicked an image of one of the Five Wang Yeh with his boot but the image did not budge.\n\nThe Yu Ying Kung is known in this temple as The Lord of the Myriad Kindnesses (Wan Shan Yeh). He is also referred to colloquially as the Infant Duke (FA).\n\nAccording to legend, one of the Five Wang Yeh of Nan K'un Shen in 1820 made a tour of inspection to the north of their area and encountered the local magistrate also on tour, in what is now Chia I. Neither would give away to the other and a dangerous confrontation took place. A nearby illiterate farmer suddenly had supernatural powers and wrote in the soil with his hoe, \"Representing Heaven in order to deal with both the Yin and Yang worlds. Hope that the bad government will change for the better\". The magistrate seeing these words hurriedly gave way. The local Prefect heard of the incident and decided that he would like to test the power and genuineness of the Wang Yeh. By coincidence the Wang Yeh was on his way to Tainan, where the Prefect had his Yamen, in the course of his inspection tour. So the Prefect ordered his men to tie an effigy of the Wang Yeh on the altar to a large tree stump and announced that if the effigy was unable to free itself from the tree stump then he, the Prefect would chop the effigy up for firewood. Nothing happened for two days and then, on the third day at midday two large black dogs appeared, jumped on to the shrine and tore away the large tree stump. The Prefect was very impressed and pledged that he would go each year to the shrine to worship before the Wang Yeh.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211658, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 73, "title": "RAS-1989", "content_text": "48\n\nOne of the more interesting Wang Ch'uan is in the Hai Ling Temple on the Pescadores. In Tainan there are some boats as big as small buses, and at the Ma Tsu temple at Lu Erh near Tainan, there is a multi-storey boat. The captains and crew of the large wooden models are portrayed by small images, the largest being the captain dressed in Ch'ing mandarin robes, seated in an open cabin on the aftercastle overlooking the whole junk. The crew consists of sailors manning the ropes and tiller, and marines with weapons including cannon. The captain (or comptroller) of the Pestilence Wang Yeh junk is sometimes portrayed holding a writing brush and scroll. One such image in Tung Kang is seated on a throne on a small altar table before his large and magnificent boat, smoking a real cigarette which smoulders down to a stub before being replaced by one of the temple staff.\n\nSimilar images make up miniature military units representing the armies of the Pestilence Wang Yeh; some dozen or so soldiers in V formation with a senior officer at the apex (see Plate 12). Such armies of the Pestilence Wang Yeh, to be seen only in Taiwan and not in South-East Asia, consist of tamed and therefore 'good' demons and are portrayed on side altars on a few temples only. One temple keeper explained that the Pestilence Wang Yeh soldiers were all difficult spirits of dead humans who had been beyond reform during purgatory, but who had been invited to join the army of the Wang Yeh on condition that they would obey orders implicitly, and in return they had been promised rehabilitation and even the possibility of rebirth to the human world should they toe the line. They are referred to as depraved or evil spirits (Hsieh shen 邪神).\n\nThe armies are led by generals and marshals under the overall command of the Wang Yeh. The armies referred to as 'The Office of Military Affairs' (Chung Chun Fu), the main defensive forces for the prefecture in the fight against the demonic forces, are represented in some Pestilence Wang Yeh temples by a single seated image of an anonymous general surrounded by a varying number of soldiers in varying robes and uniforms, each small group of six or eight representing subordinate formations and units. In the Wang Yeh temple at Nan K'un Shen the Wang Yeh army is called “The Grand Defender of the Office of Military Affairs (Chung Chun Fu Chen Shou)\".\n\nThe Pestilence Wang Yeh army in the temple at Hsi Yu on the Pescadores consists of a general in charge, (Assistant Regional", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212526, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 80, "title": "RAS-1991", "content_text": "60\n\nGovernor-General of Yunnan & Guizhou\n\nKunming 2A\n\n1816-1835\n\nAssistant Examiner of Metropolitan Exam\n\nBeijing\n\n1833\n\nAssistant Grand Secretary\n\nKunming\n\n1B\n\n& Peking\n\nGrand Secretary in charge of Board of War\n\nBeijing\n\n1A\n\n1835/3\n\nActing President of the Censurate\n\nBeijing\n\n1835/10\n\nReader, Palace Examination\n\nBeijing\n\n1836\n\nSenior Professor (Hanlin Academy)\n\nBeijing\n\n1836\n\nAppendix 2\n\nRuan Yuan's Major Works and Compilations\n\nKao gong ji ju zhi tu jie 考工記車制圖解\n\nShi qu sui bi 石渠隨筆\n\nYi li shi jing kan ji 儀禮石經校勘記\n\nShandong xue zheng Ruan Yuntai shi tong sheng shu mu 山东学政阮芸台示童生书目\n\nShan zuo shi ke 山左石刻\n\nJingyin dao ren zhuan 淨因道人傳\n\nYunfeng zhi bei tu 云峰志碑图\n\nZhejiang shi ke 浙江詩課\n\nChong xiu piao zhong guan ji 重修剽中观记\n\nXiao cang lang bi tan 小滄浪筆談\n\nShan zuo jin shi zhi 山左金石志\n\nHuai hai ying ling ji 淮海英靈集\n\nLiangzhe yu xuan lu 兩浙輶軒錄\n\nCeng zi shi pian zhu shu 曾子十篇註疏\n\nWei yu shu shi sui bi zhu 魏餘蔬食隨筆注\n\nZhu cha xiao zhi 竹姹小志\n\nJing ji zuan gu bu yi 經籍纂詁補遺\n\nDi jiu tu shuo 地球圖說\n\nGuang ling shi shi 廣陵詩事\n\nChong xiu Hui ji Da yu ling miao bei ji 重修惠济大禹陵庙碑记\n\nDing xiang ting bi tan 定香亭筆談\n\nChong jian Yangzhou hui guan bei ming 重建扬州会馆碑铭", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212784, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 93, "title": "RAS-1992", "content_text": "78\n\nT'ang, dismissed and the Kueichou Force commander, Chou Ta-wang assuming supreme command of all Forces operating within the province of Kueichou.\n\nImperial Army Organisation as Described by Mesny\n\nA division was usually divided into three or more brigades, though some had five, designated as follows:\n\nCh'ien-lu or ch'ien-chün vanguard or the advance\n\nChung-lu 中路 the central brigade\n\nHou-lu 後路 rearguard or the rear brigade:\n\nTso-lu 左路 the left brigade or the left wing of the division, sometimes known as Tso-i\n\nYu-lu 右路 the right brigade or the right wing of the division, sometimes known as Yu-i\n\nThe lone three brigades in a division, when such a formation existed, were usually designated rear, centre and advance, with the divisional general usually with the centre brigade.\n\nThe order of their arrangement in battalions of field troops [yung-ying 勇營] was\n\nCentre, Left, Right, Van and Rear\n\nthus forming a cross [sic] when in order of battle or encampment. On the march however if the above order could not be maintained the order of movement was as follows:\n\nVan, Left Wing, Centre including staff and impedimenta, Right Wing and Rear Guard\n\nThis order held good for divisions, brigades, battalions and companies.", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 212786, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 95, "title": "RAS-1992", "content_text": "80 + broken up in 1871 on the change of command, there was scarcely a man left in the Force who did not bear one or more scars about his head or face, and it was customary to designate the men in familiar conversation as 'the decorated ones', tai-hua ti Æ9, on account of their wounds. They all received double pay, and deserved it too. Many soldiers served until they were sixty without getting beyond the step of veteran leader of a squad, not even getting the rank of an NCO. When a private soldier desired to get married he received a sum of money varying from two to four taels, and when he died, a similar sum of money was allowed to his relations to bury him with.\n\nA typical example of one of the number of items on military matters published by Mesny in his Miscellany was the system of recruitment for the Chinese Territorial Army of the Green Standard [Lu-ying]. It was, wrote Mesny, by voluntary enlistment. In every garrison town there were a number of young men styled Yu-ting or novices, on probation as it were, for vacancies in the lowest rank of soldiery. These novices received neither pay nor pension but generally got odd jobs about the garrison for which they were given rations and some pittance as a reward. They did however attend all drills and exhibited their skill in handling weapons in the presence of the drill instructors and drill inspectors and obtained certain marks of approbation if considered deserving of such as an encouragement to perseverance in the prosecution of their exercises. When a vacancy in the lowest rank of the soldiery, second class private soldier, occurred these novices were summoned to pass an examination, and the most expert in his exercises and the manliest in appearance usually got the appointment which was that of a garrison soldier, shou-ping, and entered on the pay and ration roll, and were immediately available for active service in garrison or field force units, and would then receive both pay and rations accordingly.\n\nOther items included descriptions of the secretariat, orderly officers, and quartermasters. In every battalion brigade and division or corps of field troops there were always a few officers known as ch'ai-kuan or orderly officers, most of them men of experience risen from the ranks with ranging from a general down to the lowest, the lieutenant. These form the staff of the commander under whose orders they are.\n\nViceroys and governors of provinces and commanders of divisions of field troops had one or more officers, each and a military secretariat usually of the civil rank of tao-t’ai, styled as Ying-wu Ch'u, established", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213492, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 88, "title": "RAS-1995", "content_text": "56\n\nof the Pear Garden\" (T).\n\nThis Chinese version of Don Juan lived an absolute profligate life. In his later years, he lavished much of his love on a country-bred beauty called Yang Yu-huan (E) and neglected his State's affairs, which brought about his downfall. In 755 A.D., one of his trusted lieutenants named An Lu-shan (I), a half-Turk, half-Sogdian, revolted. The poor Emperor had to flee from Ch'ang An (E), his capital, with just a few escorts, including his immediate family and a few soldiers, heading for Szechwan (PTI). When the entourage arrived at a place called Ma Wei Po (5), the escorting soldiers refused to go any further and demanded that the Emperor get rid of the concubine Yang. The Emperor had to give in and act accordingly. At last, a general named Kwo Tzi-yı (97) put down the rebellion and restored peace to the land. The Emperor Xuan-zong lost his throne to his son.\n\nIf you ever go to Xian (1) in the Shaanxi Province, you will find a bathhouse called Hwa Ch'ing Chih (#) in the suburb where Yang Yu Huan used to bathe. The area has been restored and kept in good condition to this day.\n\nTaboos\n\nThere are many, many regulations and taboos in the Chinese theatrical circle, including the Peking Opera group. Some of these taboos help to keep smooth the running of the theatre as an orderly institution; otherwise, chaos would reign. For instance, the actors and actresses are not allowed to sit on the trunks of other performers. Once I had the privilege of visiting the backstage of a Peking Opera theatre. There were rows and rows of heavy trunks on the floor where the stage clothing was stored. Some of the actors or actresses were doing their make-up. Layers and layers of stage clothing were neatly folded and stacked in the trunks. There was order and neatness everywhere. Imagine, in the absence of taboo and regulations, what the situation would be. It could be a madhouse where everyone was fighting to have the right kind of clothing to go on the stage, and when they finished acting, they would just throw things around.\n\nI know one or two other taboos, of which everyone, yes everyone, has to observe, such as you should never utter the word “Geng\" \"E”", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213779, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 131, "title": "RAS-1996", "content_text": "102\n\nthat around what is now northern Jiangxi Province there were many temples dedicated to a god known as Jiu Lang. A story in the Song work Yi Jian Zhi mentioned that a god of a Sichuan temple “was popularly known as Er Lang.\" This last example is also important in that it testifies the persistence of the lang title: although the god had more prestigious titles from the Emperors, the oral tradition still used the old one. In the Yao document from Liannan one sees a list of five gods each associated with the Five Yue Mountains in a similar form, from Dong Yue Yi Lang to Zhong Yue Wu Lang.\n\nLang as a title for sorcerers is also mentioned in the Tang compilation Dao Dian Lun in the Daoist Canon, which quoted Mingzhen Ke, an earlier work, saying that ritual experts of “excessive cults\" called themselves gu (for female) and lang (for male).\n\nThe use of lang for man as a title is found not later than the Han dynasty. According to Zhao Yi, during the Han officials of higher ranks were allowed to appoint their sons as lang. Therefore, according to this work of Qing dynasty, people's sons were called lang as an address of respect. Earliest examples of such usage include the Tang dynasty scholar-official Han Yu's short composition to mourn his elder brother's son, a Shi Er (12) Lang. The Song work of anecdotal literature Yi Jian Zhi also mentions quite a lot individuals bearing names of this form. In two cases explanations seem to be suggested for those names: one because he was wealthy, the other because he knew how to communicate with gods. In both cases the use of a name in the lang form seems to imply respect. This may explain partly why this form of name was adopted as a title of gods as well as sorcerers and initiates of magic.\n\n54\n\nWe have relatively more information about Lú Shan Jiu Lang's disciples, who appear to be masters of magic rather than the son of mountain gods. The Cantonese priests' manual contained an entry for Zhang Zhao Er Lang, the last in Bai Yuchan's list. We learn that Zhang Zhao Er Lang were two persons, both from Huainan Xian, probably within the present Anhui province, origin. They studied under Lu Shan Jiu Lang, giving up their positions as high-ranking officials of Qingzhou and Zhangzhou, two prefectures I have failed to identify, to practice magic. One of them was called Zhang Zhao Wu (5) Lang who conquered crocodiles and other sea monsters in the sea of...", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213840, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 192, "title": "RAS-1996", "content_text": "165\n\n55\n\nrepresentatives of the rocket associations bid for the rockets Physical violence is avoided, but competition remains keen among bidders who strive to show superiority over each other in terms of wealth and power' To decide who in the winning group can take the representation of the god home, another ceremony should be held whereby the temple keeper, after placing on the temple altar a list of members of the rocket association and reciting a “song to invite the god\" (#), casts the divining blocks thrice for each member The winner is he who passes the divination three times in a row.\n\n1\n\n50\n\nIn addition to the representative associations from villages such as Mok Ka's Yu-ch'ing tang W, upper Ling Per's Ch'un-ying t'ang #*, Ngau Au's Ch`un-lu t’ang San Tau's Ch'un-ch'ing tang # , and so on, other units such as social clubs and recreational societies also form their own rocket associations. According to Hayes's observation in the 1960s of the concomitant celebration of the Houwang feast day and the reopening of the Houwang Temple after the first major repair in 1909, among the rocket associations, two were fishermen's groups, (one from Tung Chung and the other from Tai O) and one was formed by the Seamen's Union from Hong Kong which came to Tung Chung for the festival for many years.\" Many native Tung Chung seamen had joined the union. By forming the associations and attending the festival, members of the same profession can also exchange information and news of their trade. In this sense, the festival functions tend to promote solidarity not only among villagers, but also among colleagues.\n\nFor local residents of different surnames and various social backgrounds, the Houwang worship and its all-pervasive influence provide them with the social bond of union and the ideology of territory identity, through which the Tung Chung community seems to have become a culturally self-sufficient entity Even the fishermen settled in the district seldom visit the Empress of Heaven Temple at Chak Lap Kok or Ma Wan. Like other Tung Chung villagers, they pay homage mainly to the Houwang, the principal deity of the locale, and participate quite actively in the “bid-for-rockets” contest during the annual feast day festival.\n\nThe Houwang's Birthday celebration also provides the local community with an opportunity for contact with the outside world.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214042, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 110, "title": "RAS-1997", "content_text": "77\n\nhealth and fortune would not be harmed by evil spirits. In fact, these two religious activities are held in Fanling Wai (the settlement of the Pang lineage in Fanling) by the Pangs exclusively. The Pang villagers, be they in Fanling Wai or in other settlements, will enjoy the supernatural benefit from these activities through the descent line of their father or husband.\n\nThis figure was collected from the Lands Department in the North District Office.\n\n12 See Fong, Peter, K. W., op. cit.\n\n\"But the Lees in Wo Hang, Sha Luk Kok recognised that renting village houses out would\n\ninfringe on the values contributing to the maintenance of their community as a whole. The villagers defined occupancy within the village as permanent residence, and the rights for it could only be enjoyed and inherited by their fellow villagers through the male line. Houses were not simply residential structures but constituted Wo Hang as an agnatic village community. The house was a source of the rootedness that permitted the natives to claim identity with their natal village community through their right of occupancy.\" See Allen Chun, op. cit., pp. 249-50.\n\nDavid Faure, The Structure of Chinese Rural Society: Lineage and Village in the New Territories, Hong Kong, pp. 2-4. Hong Kong: Oxford University Press.\n\nLiao Hua Chuan, \"Xin Jie Yifan Lai Min Quan Yi Lu You\" (The Origin of the New Territories Indigenous Inhabitant's Prerogative), p. 144, in Lu Yan (Ed.), Xiang Gang Zhang Gu (Legends of Hong Kong), Xiang Gang: Guang Jia Jing, 1987.\n\n16 See GWE Jones, “Rural Housing in Hong Kong\", in Lok, S. K. Wong (Ed.), Housing in Hong Kong: A Multi-Disciplinary Study, Hong Kong: Heinemann Educational Books (Asia), Hong Kong, 1975; Kwok Kam-chau, Planning for Village Development in the New Territories, M.Sc. thesis, The University of Hong Kong, 1987; Allen Chun, op. cit.; and James Hayes, Chinese Customary Law in the New Territories of Hong Kong, paper proceedings of the fourth International Symposium on Asian Studies in 1988.\n\n18 For details, see Heung Yee Kuk (Ed.), Xin Jie Xiao Xing Wu Yu Zheng Ce Te Ji (Special Collection of the New Territories Small House Policy), 1980.\n\n**Of this total of twelve houses, four were built in 1979, five in 1980, two in 1981, and one in 1982.\n\n19 The one allowed to build ding wu on Crown land had to pay a premium of about $4,000 at that time.\n\n20 210 hectares of this new town were designated for residential and commercial development, 50 hectares for industrial development, and 140 hectares for government and community use. See Hong Kong Government, Hong Kong 1984 (Annual Report), p. 132. Hong Kong Government Press.\n\n21 Hong Kong Government, Hong Kong 1985 (Annual Report), p. 183. Hong Kong Government Press.", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214951, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 47, "title": "RAS-2000", "content_text": "2\n\nthis paper to examine the role of tea in relation to opium and the resulting conflict. For tea, too, was an addiction of sorts, though perhaps without all the deleterious effects of opium.\n\nTea and the Chinese\n\nThe origin of tea is hidden in the remote mists of antiquity and more than enough theories of its discovery exist, mostly legendary. One date keeps cropping up - 2737BC - the legendary year that attempts to pinpoint the discovery, and attribute it to the Chinese emperor Shen Nung, the Divine Healer. Like many great discoveries, it was reputedly made by chance. Shen Nung, concerned about hygiene, used to boil his water for drinking. One day, while boiling water, a gust of wind blew leaves from a branch burning under the pot into the water. A marvellous aroma overtook Shen Nung. The branches came from a tree whose formal name today is Camellia sinensis.\n\nWhile other theories may claim a different origin (a Buddhist connection has been suggested), no one questions that tea as an industry began in China. Did the plant originate in China? Chinese sources claim that the tea tree is indigenous to Hunan Province, in Southwest China, where it grew wild in the mountains, where no other plant could grow. Cultivation of tea, however, appears to have begun around 350AD along the Yangtze River, in Sichuan Province, spreading to Yunnan and through southwest China into the central provinces. By the 5th century AD, tea had joined other products as a popular article of trade. It is not surprising, therefore, that tea's excellent qualities were known to the Chinese since early times, and that drinking tea as a pleasurable pastime had spread throughout the country. A brief attempt to tax tea, in 780 AD, was met with wide public outcry and had to be rescinded. This was also the year in which the first book on tea was published - an important milestone in its history. It was a monumental work in which the author Lu Yu of the Tang Dynasty dealt with tea in detail and from every possible aspect. One can only wonder at Lu Yu's deepest knowledge of the subject. His description of various shapes of different leaves verges on poetical. He described the code of conduct in relation to tea, from which the Japanese had probably derived their tea ceremony, and which in China had evolved into a social custom bordering on ritual. Some would assert that after the conquest of the Songs, at the end of the 13th century, the Tangs' romance of tea disappeared and tea", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 216079, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 378, "title": "RAS-2002", "content_text": "312\n\n* Li Zee-min (1950) Chinese Potpourri. Hong Kong: Oriental Publishers [He relates a local Hong Kong legend about the arrival of the young emperor escorted by Lu in what is now Kowloon, fleeing ahead of the Mongols. Li claims that the headman of the Hakka walled village of Kowloon was Tan Gong who died during the last battle with the Mongol fleet when Lu, with the emperor in his arms, jumped overboard to their deaths].\n\nCouling, Samuel (1917) Encyclopaedia Sinica. Shanghai: Kelly and Walsh\n\n11 Yu Dayu is recorded as being a native of Fujian who died in 1573 having made his name as the victor in the struggle to defeat the Japanese pirates along the coast of China and in particular that of Zhejiang.\n\n12 Yang Xiuqing as one of the leading lights of the Taiping Rebellion, to whose military genius much of the early success of the movement was due. He was known as the Taiping Eastern King [Prince], and professed to be the spokesman of God. After the capture of Nanjing by the Taipings he established his palace in the yamen of the former Viceroy and lived in great state. By 1856 he had begun a campaign of political and religious intrigue to usurp the position of leader and to overthrow Hong Xiuquan, the founder. His plans were uncovered and he, his family and thousands of his supporters were slain by Wei Changhui, the Taiping Northern King.\n\n13 extracted from the Transcription of the letters written from China to Milcote, Stratford on Avon by Thomas Adkins between 1855 and 1879 by courtesy of Theo Christophers of Dorridge, West Midlands : November 1999\n\n14 Hymes, Robert P. (1986) Statesmen and Gentlemen: The Elite of Fu-chou, Kiangsi, in Northern and Southern Sung. Cambridge: Cambridge University Press\n\n15 Although the name was known much earlier Mao Shan has always been the centre of a Daoist sect. [see Kita Aziya gakuho, a Japanese Journal, Vol. 2]\n\n16 Doré, Henri S.J. (1914) Recherches sur les Superstitions en China. Shanghai [Zikawei] : La Mission Catholique : Vol. XI\n\n17 Werner, E.T.C (1932) A Dictionary of Chinese Mythology. Shanghai: Kelly and Walsh", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216182, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 481, "title": "RAS-2002", "content_text": "415\n\nAnd even after the first Opium War in 1841 the secret of tea remained an enigma. As it became possible to travel in China the Royal Horticultural Society of London sent botanist Robert Fortune to procure 'the finest varieties of the Tea-plant, as well as native manufacturers and implements, for the Government Tea plantations in the Himalayas.' (Goodwin p.12) Goodwin describes the torturous process that resulted in the first Assam tea reaching London in 1839. (Goodwin p.148) It was not a huge success, mainly because no one in India knew how to process tea.\n\nFinally, in 1848 Fortune determined that green and black tea came from the same plant, the only difference being in their manufacture. The secret was in a process referred to as fermentation, which is entirely unrelated to fermentation of sugars and starches to make alcohol. It is actually manipulation of the leaves to promote the oxidation of the leaves. (Goodwin p.132/3)\n\nportable greenhouses\n\nEmploying the latest technology Fortune successfully transported tens of thousands of Chinese tea plants to India. (Kit p.61) Goodwin describes this success as a 'mummy's curse' because Chinese teas crossed with Indian teas to ‘become a shrubby Frankenstein's monster, popping up all over the place and spoiling the planters' rest' (Goodwin p.121). Despite this unfortunate genetic engineering disaster by the 1880's Indian teas overtook Chinese teas in the ever-expanding British market. (Goodwin p.221) Initially Chinese teas were blended with Assam tea but ultimately Assam teas held their own. The massive outbound migrations of Fujianese on tea clippers were a direct result of the collapse of the tea industry in China, as the world markets became less dependent on Chinese tea. Hopefully the current intellectual property issues and trade imbalances between China and the USA will be resolved more amicably than those of the 19th century.\n\nWhile Chinese were reluctant to divulge details of the tea manufacturing process there were other sources of information. Lu Yu's Tea Classic of the Tang Dynasty describes the growing and manufacturing process in enough detail for practical purposes. Even if the book was not available in China it was in Japan where it formed the foundation of the tea ceremony. Japan, too, had a thriving tea industry. It is surprising the resourceful tea hunters did not try there.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]