[ { "id": 204306, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 74, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n70\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n(P'u-hsien), and Avalokitesvara (Kuan-yin). Only certain Buddhas of the Tantric Sect, such as Cundi (Chun-t'i) and Vairocana (P'i-lu-chê-na) are mentioned as \"saints from the West\"; but even these are given Taoist-sounding titles like tao-jên. In this way, the mainly Taoist framework of the novel is preserved. This amalgamation of Buddhist and Taoist deities is highly interesting and may have influenced actual religious practice in China. The practice of worshipping Taoist gods side by side with Buddhas and Bodhisattvas seems to have started after the publication of the novel, for in earlier Taoist literature we find no Buddhist deities mentioned among Taoist gods. For instance, in the Yün-chi ch'i-ch'ien, chüan 103, we find an account of the Taoist pantheon as it was in the eleventh century, which contained no Buddhist deities or fictional gods. But after the sixteenth and seventeenth centuries, various Taoist gods mentioned in the novel came to be worshipped together with Buddhist ones. What is more, most of the temples which apparently first adopted such practice were situated in northern Kiangsu, near Hsinghua, the native district of Lu, the author of the novel. It is therefore not unreasonable to suggest that the novel influenced the composition of the Chinese pantheon and contributed to the amalgamation of Buddhist and Taoist gods in popular belief.\n\nThe amalgamation of Buddhist and Taoist gods seems to have been achieved purposely by the author of the Fêng-shên. As a concrete illustration, I propose to describe how Vaisravana (P'i-sha-mên Tien-wang), one of the Four Heavenly Kings in Buddhist belief, and his third son Nata (Na-cha or No-cha), became important characters in this novel. Vaisravana was of course an Indian god, but during the T'ang and Sung periods he became identified with the Chinese general of the T'ang dynasty, Li Ching. But stories about him were disconnected before the novel Fêng-shên Yen-i was compiled. In various prompt-books which existed before the novel, such as the Nan-yu-chi (\"Prince Hua-kuang or The Voyage to the South\") and the Hsi-yu-chi (“Pilgrimage to the West”, the prototype of the famous novel of the same name) in the Ssu-yu-chi (\"The Four Travels\"), there were already stories about this god and his son. But in the hands of the author of the Fêng-shen these fragmentary and disconnected stories were reorganized and transformed into a vivid tale which can almost stand on its own as an interesting story apart from the whole\n\n* For illustrations of some of these temples, such as the Kuang Fu Monastery in Tai-hsing, Yangchow, and the Tu Tien Temple in Hai-men, Kiangsu, see Père Henri Dore, Recherches sur les superstitions en Chine, (10 vols., Shanghai, 1913-38), Bk. 9, Pt. 2, in Vol. 6.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 206655, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1972", "page_number": 203, "title": "RAS-1972", "content_text": "NOTES AND QUERIES\n\n197\n\nand his three small survey ships have given their names respectively to Sulphur Channel, Starling Inlet and Plover Cove.\n\nJ. R. JONES.\n\nCHINA'S EARLIEST PRINTING A NOTE\n\nLLL\n\nIn Volume 7 (1967) of this Journal I published a brief note entitled \"Printing, a new discovery.\" This told of a find in a stone stupa, standing in the courtyard of a temple called Pulguk-sa, in Korea, erected in 751, of a printed Buddhist sutra. The find was hailed by the Korean archaeologists as perhaps the oldest example of printing known, although the exact date of the printing still remains a mystery.\n\nRecently I have learned that the Chinese discovered another piece of printing as far back as 1944. (Somehow, perhaps because of the war, news of this had escaped my attention.) Known in Chinese as T'o-lo-ni ching chou (dharani sutra charm), it was unearthed in a T'ang dynasty grave site in Chengtu, Szechwan, inside the silver bracelet of a young woman. As Professor Max Loehr has written, it \"is a charm printed on a single sheet showing a six-armed Bodhisattva figure in the center of concentrically laid out Sanscrit words written in Lantsa letters.\" This is surprising, but not unreasonable. In the last half of the Tang, Chengtu happens to have developed into perhaps the chief center of printing, and, as everyone knows, by the middle of the eighth century Chinese civilization had reached one of its heights. It was the age of Li Po and Tu Fu, Wu Tao-hsüan and Wang Wei, and Buddhism was at the summit of its influence. With the demand for reduplication in every circle - Confucian, Buddhist, and Taoist - and with all the tools and techniques at hand, the printing of a highly popular charm seems natural. So it came about that there have come to light charms, printed within a few years of each other, in Korea (751?), China (757), and Japan (764-770).\n\nBibliography:\n\nChung-kuo pan-k'o lü-lu, compiled by the Peking Library (Peking 1961), pl. 1, text Vol. I, p. 7;", "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/gm80qf99h", "rank": 0 }, { "id": 207007, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 78, "title": "RAS-1974", "content_text": "72\n\nKEITH G. STEVENS\n\nThe process of carving a new god begins with the customer approaching the master carver and over tea discussing his requirements. Most customers know the deity they want and all is settled in about half an hour. The details required by the carver are the title of the deity, its size, decoration and finish. However, as would be expected, there are the awkward customers who either know better than the carver and want a regular image with unusual features, or they want a deity who is not commonly carved and therefore possibly unknown to the carver, or want particular features incorporated for their own reasons. The carver accommodates all and after a few sketches and more discussion a price is fixed. The size of images in Singapore nowadays is measured by height in inches; the standard household altar images being six or eight inches and small temple images ten or fourteen inches high. Larger images are carved approximately 3 feet, 6 feet and 8 feet high, but nowadays not all that frequently (Plate 9).\n\nA block of camphor wood of the right height is selected from stock, prayers are said over it and a charm to ward off evil spirits pasted on it (Plate 10). The title of the intended deity is written on the side and the block replaced to await its turn (Plate 11).\n\nOne carver had a special ruler (Plate 12) which he uses for \"measuring the destiny\" of the gods he carves, copied in modern plastic from the wooden one his father had made originally in Fukien province. It is not divided into either Chinese or Western numerical measurements but into sections of equal length labelled “lucky, unlucky, healthy, unhealthy, etc\". This \"secret\" ruler is stood vertically against the image block to ensure that its final height will be such that it will be able to perform the function required of it and is not of a size which will bring bad luck.\n\nOn an auspicious day before a start is made, the master carver says a silent prayer before his own household altar to Lu Pan, the Patron of Carpenters (7) for guidance and help. He sometimes learns whilst in prayer that the basic feature of the image should show him seated or standing, astride a horse or mythical animal, and with or without a weapon. He roughs out with a charcoal pencil the three-dimensional outline; then using the first tool, a small axe, he chops away to produce a rough shaped block (Plates 13 and 14). This he passes over to one of his senior employees who carves the final shape with his western chisels (14\"-1/8\") (See plate", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207135, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 206, "title": "RAS-1974", "content_text": "200\n\nNOTES AND QUERIES\n\n1885), records the establishment of the temple about that time. It consists mostly of the names of the many contributors to the building fund, spread over several tablets. The tablet shows that a large number of persons contributed to the building fund, many of them presumably connected with the construction industry in Hong Kong in one way or another. They are grouped according to their home districts and include persons from no less than 22 districts (hsien) of the Kwangtung province including many from the districts round Canton, adjoining Hong Kong. A group from what may be Mangalore in India (????) is also listed among the subscribers.\n\nBesides the inscriptions inside the temple, there are 2 outside the building. One commemorates the establishment of a school premises by the Kwong Yut Tong in the 38th year of the Chinese Republic (1949-50). Another, earlier, one dated in the year (1924-25) explains the ownership of the land on which both temple and school stand.\n\nIt appears that, as Carl Smith relates above, the temple had been built on the land bought by the Chinese consortium in 1883, but that no deed had been drawn up between it and the temple's managers, then or later known as the Kwong Yut Tong. After Li Po Lung (son of the leading member of the consortium) sold most of his local property interests in 1921, the Tong's managers discovered that the temple site had been included in the sale. After discussion with the new owners the latter agreed to make over the land to the temple; that is, to the Tong. This satisfactory outcome is recorded in the tablet. The only point of difference between the tablet and the official records consulted by Carl Smith is that the records state that the new owners sold to the Tong for $4,222.40 whereas the tablet indicates it to have been a gift with a then market value of about $40,000!\n\nLu Pan (in the Northern romanisation) (??)\n\nAs is usually the case in China, Lu Pan was a mortal man become a god; and as is equally common, there are different versions of his origin. E.T.C. Werner in his Dictionary of Chinese Mythology (1961 reprint with introduction by Hyman Kublin; pp 281-282) gives the following account which, in its essentials, may be taken as typical of the life stories and miracles attributed to many Chinese deities.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207137, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 208, "title": "RAS-1974", "content_text": "202\n\nNOTES AND QUERIES\n\nmoon) by carpenters and varnishers (the latter generally worship his two wives).\" \n\n[Note the different date on which worship is carried on in Hong Kong. The above is given without the Chinese characters found in the original.]\n\nThe Kwong Yut Tong states that between 1000-1500 persons visit the temple annually on Lo Pan's birthday, drawn mostly from bosses and workers in the construction trades. The God must be considered to be effectual, since deities who perform no miracles soon lose support and patronage.\n\nThe hillside adjoining the temple has recently been cleared of squatter huts, and it is hoped to develop it as a public park,\n\nLady Ho Tung Hall, University of Hong Kong\n\nAccording to the HKU's Jubilee publication The First Fifty Years (HKU Press, 1962) this women's hall of residence was donated by Sir Robert Hotung a few years after the War, to be named after his deceased wife. The foundation stone was laid on 14th August 1950 and the hall opened on 16 March 1951. It provided accommodation for 85 of the 206 woman students then enrolled, and was in addition to two other halls of residence for women administered by religious bodies.\n\n(2) VISIT TO OLD WANCHAI\n\nFRIDAY, 5 APRIL 1974\n\nBackground and Early Development\n\nWanchai is one of the oldest districts of British Hong Kong. Under the name Ha Wan or 'Lower Bay', it was one of the 5 wan, alternatively 'bay' () or 'circuit' (#), a term used in the 1850's and 1860's to describe the residential and commercial areas largely developed by the new Chinese population of the Island. (See The China Review Vol. 1 (1872) p. 333 for an article \"The Districts of Hong Kong and the Name Kwan-Tai-Lo'.)\n\nThe area is described as follows in a list of the city districts, with boundaries, given in the Government gazette in 1857:\n\n'Ha Wan, District No. 5.\n\nFrom Murray Barracks to Observation Point',\n\nFootnote: Those members who visited the Lu Pan temple at Ching Lin Terrace, Kennedy Town, in January may wish to know that there is an article on this subject in Colonel V. R. Burkhardt's Chinese Creeds & Customs, Vol. 2, pp. 117-120. The statement therein that the temple was built in 1928 is misleading: the entrance is dated in 1884-85.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207320, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 88, "title": "RAS-1975", "content_text": "80\n\nHELGA WERLE\n\nThe girl comes out of hiding, and the fortune-teller takes her to safety.\n\nSU LIU-NIANG (SIXTH DAUGHTER SU) *** Drama in 10 acts, lasting about 3.4 hours.\n\nDramatis personae: Su family: Uncle, the eldest of the Su clan Mr. Su and Mrs. Su, their daughter, Liu-niang (6th young lady),* her maid, T'ao-hua, 1 girl-servant and 2 man-servants\n\nAct I\n\nyoung master Yang young master Kuo\n\nand his wet-nurse cousin of Liu-niang\n\nTao-hua the maid comes to the river returning from Hsi-lu\n\nwith a parasol, gay silk trousers and jacket, her hair in two knots one over each ear garlanded with flowers, the temple hair hanging down in two long strands which are adorned with coloured silk-strings. She calls the ferryman [old man-servant type with white beard], who arrives rowing with an oar. There are no other stage props. The movement of the boat is all indicated by mime.\n\nT'ao-hua hides behind the parasol fooling the ferryman and suddenly surprises him by showing her face. Then she pretends to be afraid to jump on the ferry, so the old man tries hard to bring the boat closer. With a wicked smile she jumps on the boat with all her strength, causing it almost to turn over. They perform a beautiful dance to balance the boat and she pretends to be terribly frightened.\n\nThey then start chatting and T'ao-hua proposes to sing a couplet each, composing it as they go along. But which of them first says things that are wrong or cannot rhyme has lost. The old man starts, \"In the first month all flowers bloom...\". T'ao-hua carries on, \"In the 2nd month the cotton tree blooms\" and so on.\n\n*The names of sons and daughters of important families (those with high doors) in these operas are called, for example, Su Liu-niang, meaning the sixth daughter of the Su family. The parents Su have only one daughter, but she is still called the sixth daughter because she is the sixth girl born in this generation to all the brothers of Mr. Su. The same is the case for Wu-niang meaning 5th daughter, called such although she is the only child of her parents. Ch'en San is the third (son) of the Ch'en clan. The term 'niang' is an address for a young lady, whereas the word 'chieh' 'sister' is used for a girl of humble birth.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208338, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 62, "title": "RAS-1978", "content_text": "46\n\nKEITII STEVENS\n\nMu. The whole is best known as a Taoist Heaven (*). The temple at its peak bears the title of Fan Ch'ih Kung (£) \"The Palace of the Essence of Brahma\". The slip of paper in Tou Mu's back relates that Huang Wen-yuan, a sincere believer, born on the 27th day, 11th moon of the Year i wei (about December, 1835), residing south of Lu Ling City, Chi An Prefecture, Kiangsi Province, together with the whole of his family, on a lucky day of the 9th moon, of the Year keng wu during the Tung Ch'ih reign (about October, 1870), prayed before Tou Mu stating, \"I respectfully implore Most Reverend Tou Mu, a heavenly Goddess of Sacred Virtue, having the immense brilliance of T'ien Hou, generosity, the magic powers of suppressing demons and spirits, and the ability to produce amulets and prescriptions for saving people with serious afflictions, to effectively respond to my earnest prayers and wishes, and wield her supernatural powers to protect all the members of my family and to increase not only the number of children but also all kinds of happiness and prosperity\".\n\nOf the score or so images, only three deities are categorically identifiable, Kuan Ti, Kuan Yin, and Chao Kung-ming, the deities of loyalty, mercy and wealth respectively. Two of the images seem to be local Earth Gods (+) (Plate 8). They are of a style very commonly seen but with what are probably provincial characteristics. They are seated old men, clutching a fly whisk by the end of its handle allowing the handle itself to rest along the forearm and the whiskers to hang from about the elbow. They have a \"shoe\" of gold in their left hand, long white beards, white eyebrows and white hair under a green floppy form of skull cap with their hair drawn up into a bun through a hole in the top of it. They are wearing long robes bound by a red belt tied in a bow at the front, and black shoes. A female carved in the same pose, holding a fly whisk in the same manner, and dressed in a floral robe but without the “shoe\" of gold, has unbound feet, and hair, without a cap, drawn into two short pigtails. She may perhaps, be the consort of the Earth God.\n\nA final image, unidentified, has a spectacular face (Plate 9). He is an unidentified monk, seated cross-legged on a bench and with the ends of his robes hanging beneath him concealing the bench. He holds a fly whisk in his right hand in the same manner as the Earth God and in his left hand he holds a rosary. He has the face of an elderly man but with the characteristics more frequently", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 209179, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 82, "title": "RAS-1981", "content_text": "68\n\n1968).\n\n \n\nHUBERT SEIWART\n\nCf. Holmes Welch, The Buddhist Revival in China. (Cambridge, Mass.\n\nCf. Y. Raguin, \"Buddhismus auf Taiwan\", in Buddhismus der Gegenwart, ed. by H. Dumoulin (Freiburg 1970) pp 113 – 116.\n\na \"Taoism' (by A. K. Seidel), in The New Encyclopaedia Britannica, Macropaedia, p 1042.\n\nFor example, the Taoist Association of the Republic of China is run mostly by laymen who try to get rid of many of the more \"vulgar\" practices of religious Taoism and to restore the intellectual tradition of former times. These efforts seem not to be supported by many of the Taoist priests, possibly since they make their living by performing these practices.\n\n10\n\n \n\nSee for example G. G. H. Dunstheimer, “Religion et magie dans le mouvement des Boxeurs”, in T’oung Pao, 47 (1959) pp 323 - 367; G. Miles, \"Vegetarian Sects\", in The Chinese Recorder, 33 (1902) pp 110; D. H. Porter, \"Secret Sects in Shantung\", in The Chinese Recorder, 17 (1886) pp 1 – 10, 64 – 73; M. Topley, \"Chinese Religion and Rural Cohesion in the Nineteenth Century\", in JHKBRAS 8 (1968), pp 9 - 43.\n\n11\n\nCf. Wing-tsit Chan, Religioses Leben im heutigen China, (München, 1955) pp 109-156.\n\nT'ai-pei-shih\n\n12 Such a healing-cult is treated by Wang Chih-ming Chi-lung-lu ti i-ko min-su i-sheng he t'a-ti hsin-t'u-men (unpublished B.A. thesis, National Taiwan University, Dept. of Archaeology and Anthropology, 1971)\n\n13 An example of this is the Sheng-hsien-t’ang community in Taichung. The publications of the revelations of the mediums of this temple are distributed and read everywhere in Taiwan.\n\n14\n\nSome sects (e.g. Li-chiao), however, are copying Buddhist or Taoist ceremonies and dress so that it is difficult to decide whether the performers are priests or laymen.\n\n16 Some of the \"new religions” are treated in Hsiao Ching-fen, “The current situation of new religions in Taiwan\", Theology and the Church, 10:2 – 3 (Tainan, 1971) pp 1 -- 28;\n\n10 I-kuan is actually derived from a passage in the Confucian Analects (IV, 15).\n\n17\n\nThe popular name is Ya-tan chiao. Other names are Tien Tao chiao, K'ung-tzu chiao, Ta Tao chiao, Lao-mu chiao\n\n4. Cf. Tung Fang-yüan, Tai-wan min-chien tsung-chiao hsin-yang (Taipei 1976) p 123.\n\n18 Tung, op. cit., p 123f. According to Su Ming-tung, T'ien-tao kai-lun (Kaohsiung, 1979) p 197, there are more than 300,000 followers of I-kuan Tao in Taiwan today.\n\nLi Shih-yü, Hsien-tsai Hua-pei mi-mi-tsung-chiao (Chengtu, 1948, repr. Taipei, 1975) p 32.\n\n20 It seems certain, however, that the I-kuan Tao has followers outside Taiwan, esp. in Hong Kong, Japan and Singapore. In contrast to Taiwan, in these places the sect is not forbidden by the government and can operate openly (cf. Su Ming-tung, op. cit., p 198f). For the propaganda of the Communist government", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 210093, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 64, "title": "RAS-1984", "content_text": "43\n\nB-2\n\nB-2 Pai-shou ling-ch'ien, Ku-shih chu-chieh ti by Cheng Chin-ling $436. Tsoying, Kaohsiung, 1976.\n\nM. Published\n\nKuan-sheng Ti-chun ying-yan t'ao-yian ming-sheng ching E KNMVTÆ. Published by the Fu-ch'uan Fo-t'ang in Kang-shan, Kaohsiung. QUI÷HES, 1971. (The oracles are in the Appendix).\n\nB-6 Kuan Yin ling-ch'ien chu-chieh, erh-shih-szu shou Pi. Taichung: Jui-ch'eng Bookstore, 1975.\n\nB-34 Ch'ien-shu chu-chieh, Tien-shang Sheng-mu, lished by the Nan-yao Temple in Changhua M, R, LTE. Pub Mä, 1977.\n\nB-54 Huang Ta-hsien (Wong Tai Sin) ling-ch'ien, ku-pen chu-chieh A¶ LASER. Published by the Wong Tai Sin Temple in Kowloon, HK, n.d. (purchased in 1980).\n\nB-55 Po-chi hsien-fang 1981;. Taiwan (no exact place indicated but stamped by the Tz'u-yu Temple in Taipei, BMK), 1951.\n\nB-55 Lu Ti ling-ch'ien hsien-fang, PPARI), Hsinchu: Chu-lin Book-store 新竹市竹林書局,1977.\n\nB-55 Fu-yu Ti-chün chüeh-shih ching, Lü-tsu ling-ch'ien chi hsien-fang Fili MEIM.NG MAUZERO/2A07), Hong Kong, N.T., SEDILE. 8-0 1976.\n\n+ Wu-nien ch'ien-sui ling-ch'ien chu-chieh 1F, Published the Chen-an Temple (2000) of Ma-ming-Shan in the county of Yiin lin, Taiwan, 1963.\n\n(ii) Taiwan Oracles: Temple Samples\n\nWerner Banck, Das Chinesische Tempelorakel PPE (part 1: Sources), Taipei: Ku-t'ing Bookstore, fillaliliPVM, 1976.\n\n(iii) Canton Temple Oracles, collected by the Library of the Center of Asian Studies, University of Hong Kong (not included in Banck's source edition)\n\n1. Kuan-shih-yin ling-ch'ien, #, published by Wu-kui t'ang 4, in Canton, n.d. (circa 1940?) block print reproduction; contains 100 oracles).\n\n2. Hung-sheng-wang ch'ien 1, published by I-wen tang in Canton, n.d. (blockprint reproduction; contains 64 oracles).\n\n3. K'ang-kung ling-ch'ien 12, published by T'ien-pao Printing Co.: Ch'an-shan, Canton, dated 1855 (nice wood block print edition)\n\n+ 4. Fu-shen T-u-ti ch'ien (@J:22, published by Wen-tang Bookstore, **W in Yue-tung ch'an shan 40, dated 1859. (woodblock print; 30 oracles).\n\n5. Shang-ti ling-ch'ien (zar, published by Wen-t'ang Bookstore, Z, n.d. (wood block print; 50 oracles).", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 210297, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 268, "title": "RAS-1984", "content_text": "37. Ten Zo:\n\na. Nu Rai Fo Chu\n\nb. 6 paths and 4 species Kit\n\nc. The Heaven Honorific of origin 元始天線\n\nd. Dragon kings of the 4 seas 14.\n\ne. Male and female orphan spirits 男女孤魂\n\nf. The great Jade Emperor LAWS\n\n38. the City God WP!\n\n39. The Earthgod\n\n40. Chi-zo k\n\n41. T'ien Hau APE\n\n42-43. Generals Han and Ha\n\n44-45. T'ien Hau\n\n46. Kwan T'I IPEXY\n\n47-48. Kwan Ping and Chau Chan PPT-MAT\n\n49. Kwan T'I MÝ\n\n50-51. Kwan Yin (Kannon) 19:*\n\n52-54. The Earthgod sitt laY\n\n55-57. Tzi Nan Kung W E\n\n58. The Lord of the Heaven A^ L\n\n6 paper-made tablets were hung on a paper-made 5 colours lantern.\n\nIt was a Japanese term (see Soo, 1981: 59-60). Most of the informants\n\n247\n\ndid not know what it was and no one talked about it, and no offering was made to it, either.\n\nH Decoration, except the roof, was the same as the Ming-che.\n\nH\n\nRJapanese Earthgod\nRT'ien Hau's Guardmen,\nRThe substitutes of T'ien Hau.\nRThe main God of the Temple.\nRThe guardmen of Kwan T'i.\nRSubstitute of Kwan T'i\nRThe Goddess of Mercy and her substitute.\nRThe god and his substitutes.\nQThe name was a Temple's name. The god of the temple was Lu Tzu ( ) 56 and 57 were his substitutes.\n\nIn addition there was 4 paper-made messenger-and-horses (f†). One of them was burnt after every 'Reporting' ritual and the 'Thanking' ritual of the last day.\n\nNotes:\n\nQ = Incense bowl(s) and offerings only\n\nR = Porcelain Statue\n\nT = paper-tablet\n\nH = paper-made house\n\nF = paper-made figure\n\nP = painting\n\nL = paper-made lantern", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 211054, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 115, "title": "RAS-1987", "content_text": "90\n\nese pronounced exactly like Wang) after becoming a hermit at Mt. Luofu. Thus the foundation for a subsequent merger of the two \"Yerens” was created. According to Soymie, \"Le Lo-feouchan\", pp. 110-111, another immortal of the mountain, Wang Tijing, was also occasionally referred to as Huang Yeren. Today, however, he seems to be totally disconnected from the \"Yeren\" figure,\n\n21 Su Dongpo Ji [collected works of Su Dongpo], Shanghai, Shangwu Yinshu Guan (Commercial Press), 1933, Vol. 2, p. 58. In this volume there are numerous references (poems as well as letters and essays) to Luofu. Su Dongpo was exiled to Huizhou from the Song capital, and went to Luofu Mountain soon after (in 1094) arriving in Huizhou (this probably indicates the fame of Luofu among men of letters and politicians). What attracted him, no doubt, was the name of Ge Hong. Su is said to have spent about two years (of his four years in Huizhou) in Luofu. (Source: Luofushan Fengwuzhi, p. 105).\n\n22 Guangdong Xinyu, Hong Kong, Zhonghua Shuju (Chung Hwa Book Company), 1975 (reprint), pp. 729-730.\n\n23\n\nThe reference is in Tan Cui's work Chuting Baizhu Lu (Records of precious pearls from Chuting [old name of Guangzhou], reprinted in October 1982 by Guangdong Renmin Chubanshe). This work contains a rather detailed account of Luofu Mountain and most (possibly all) of the temples which existed in the mountain in the 18th century.\n\n24 According to the Luofushan Fengwuzhi, the original temple at Luofu was built in 405 A.D., and was called Ge Hong Ci. Later in the early Tang, a large one called Ge Xian Ci was built. Another source (Lingnan Gu Jin Lu or Records of old and present Lingnan [Guangdong], edited by Xu Xu, well-known Guangzhou-based scholar, Hong Kong, Shanghai Book Company, 1984) states that a small temple was built at Luofu in 742 A.D., called Ge Xian Ci. During the Song dynasty, a Taoist temple was built, called the Duxu Guan, later renamed the Chongxu Guan. The deities worshipped in the central shrine of the temple (they have superseded Ge Hong, perhaps from as early as the Southern Han dynasty) are the three gods residing in the 35th (San Qing Tian) of the 36 heavens (Tianbao Jun, Taishang Daojun and Taishang Laojun). They are the mightiest among the \"shenxians\" (the fairies and saints [immortals]). They are normally understood by worshippers to be the Jade Emperor and his two closest officials.\n\n25 We learned this from the interviews at Luofu, especially from an interview with Mr. Zhang Zongquan, the presiding Taoist at a smaller temple, the Jiutian Guan (devoted to Beidi, the \"northern emperor\"), on the plain near the mountain several kilometres from the main temple. Mr. Zhang had been an officer in the anti-Japanese forces of the area in the 1930's. The provincial Fengwuzhi (Guangdong Fengwuzhi, Guangzhou, Huacheng Chubanshe, 1985, p. 151) also mentions worship of Ge Hong together with worship of Huang Yeren and the mute tiger often mentioned in folk-tales. This account refers to the situation prior to the restoration.\n\n26 See the picture of the Red Pine Fairy in Zhongguo Shenhua Chuanshuo Cidian (Dictionary of Chinese myths and legends), Shanghai, Cishu Chubanshe (Lexiographical publishing company), 1985, p. 185.\n\n21 One Taoist whom we interviewed (see note 25) dismissed the importance of the differences in the biographies of the two Huangs with the remark that the spirit of Huang Chuping entered (or could enter) into the person of the later Huang Yeren. He was the only one we met who explicitly used this strategy to rationalize the merger of the two Huangs into one figure at the Chongxu Guan. It is possible that", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211611, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 26, "title": "RAS-1989", "content_text": "IN THE STEPS OF LU PAN:\n\nREMINISCENCES OF BUILDING IN HONG KONG\n\nDAN WATERS\n\nLu's architectural precepts hold good forever;\n\nHis methods of computation will endure a thousand years.\n\nTranslation of inscription at Lu Pan Temple, above Kennedy Town, Hong Kong Island.\n\nParts of Hong Kong give the impression of being one gigantic building site, and a visiting schoolboy, on being asked what he thought of the Territory, replied, \"It will be nice when it's finished!\"\n\nThere have, of course, been recessions, and those brought about by the 1967 Disturbances in the Colony, and the world shortage of oil in the mid-1970s, spring to mind. Yet all employed in the construction industry in Hong Kong, with its unrivalled prosperity which provides a barometer of the economy, have a great deal to thank Lu Pan, master builder and patron saint of the industry, for.\n\nHe was born in 606 BC, and was a leading technical innovator in the era of Confucius (551-479 BC). Besides being credited with creating the handtools that revolutionised carpentry, such as the saw, the plane and the chisel, he also invented, among other things, a kite which took him up to the sky. Homage is paid to this early \"Leonardo Da Vinci\" on the 13th day of the Sixth Moon, his birthday, when banquets are held.\n\nThe author first attended a Lu Pan dinner, hosted by the Hong Kong Building Contractors' Association, in 1955. This was held at the old Kwong Chow restaurant in Western. It was the close of the period when Western was the entertainment district of the Territory. Large gatherings could be hosted at the Kwong Chow and the Kam Ling, each of which were capable of providing 100 tables (a circular Chinese table normally seats 12 or so persons). In the late 1950s a few Sing Song girls, the Chinese equivalent of the Japanese Geisha, were still active.\n\nThe writer attended the Lu Pan dinners from 1955 to 1975 (except", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211654, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 69, "title": "RAS-1989", "content_text": "44\n\nCommander of the Main Army [ff]) and the Yu Ying Kung share the sanctified premises and all offerings. The stalls in front of the temple sell 'gold paper' for the Wang Yeh and 'silver paper' for the Yu Ying Kung together in one bundle. Worshippers have to pay their respects at both temples or their prayers will not be answered. These are special characteristics of this temple.\n\nThe temple was completed in 1824 and Wang Te-lu (E), an Escort to the Crown Prince and a native of Taiwan, went to Nan K’un Shen to pay his respects to the Wang Yeh. It was generally believed at that time that such deities are incarnated officials and are feared by demons. The way to test whether a deity is a genuine incarnation or not is for a living high official to kick the effigy of the god and if it is a demon in disguise then the effigy will fall over. Wang Te-lu kicked an image of one of the Five Wang Yeh with his boot but the image did not budge.\n\nThe Yu Ying Kung is known in this temple as The Lord of the Myriad Kindnesses (Wan Shan Yeh). He is also referred to colloquially as the Infant Duke (FA).\n\nAccording to legend, one of the Five Wang Yeh of Nan K'un Shen in 1820 made a tour of inspection to the north of their area and encountered the local magistrate also on tour, in what is now Chia I. Neither would give away to the other and a dangerous confrontation took place. A nearby illiterate farmer suddenly had supernatural powers and wrote in the soil with his hoe, \"Representing Heaven in order to deal with both the Yin and Yang worlds. Hope that the bad government will change for the better\". The magistrate seeing these words hurriedly gave way. The local Prefect heard of the incident and decided that he would like to test the power and genuineness of the Wang Yeh. By coincidence the Wang Yeh was on his way to Tainan, where the Prefect had his Yamen, in the course of his inspection tour. So the Prefect ordered his men to tie an effigy of the Wang Yeh on the altar to a large tree stump and announced that if the effigy was unable to free itself from the tree stump then he, the Prefect would chop the effigy up for firewood. Nothing happened for two days and then, on the third day at midday two large black dogs appeared, jumped on to the shrine and tore away the large tree stump. The Prefect was very impressed and pledged that he would go each year to the shrine to worship before the Wang Yeh.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211658, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 73, "title": "RAS-1989", "content_text": "48\n\nOne of the more interesting Wang Ch'uan is in the Hai Ling Temple on the Pescadores. In Tainan there are some boats as big as small buses, and at the Ma Tsu temple at Lu Erh near Tainan, there is a multi-storey boat. The captains and crew of the large wooden models are portrayed by small images, the largest being the captain dressed in Ch'ing mandarin robes, seated in an open cabin on the aftercastle overlooking the whole junk. The crew consists of sailors manning the ropes and tiller, and marines with weapons including cannon. The captain (or comptroller) of the Pestilence Wang Yeh junk is sometimes portrayed holding a writing brush and scroll. One such image in Tung Kang is seated on a throne on a small altar table before his large and magnificent boat, smoking a real cigarette which smoulders down to a stub before being replaced by one of the temple staff.\n\nSimilar images make up miniature military units representing the armies of the Pestilence Wang Yeh; some dozen or so soldiers in V formation with a senior officer at the apex (see Plate 12). Such armies of the Pestilence Wang Yeh, to be seen only in Taiwan and not in South-East Asia, consist of tamed and therefore 'good' demons and are portrayed on side altars on a few temples only. One temple keeper explained that the Pestilence Wang Yeh soldiers were all difficult spirits of dead humans who had been beyond reform during purgatory, but who had been invited to join the army of the Wang Yeh on condition that they would obey orders implicitly, and in return they had been promised rehabilitation and even the possibility of rebirth to the human world should they toe the line. They are referred to as depraved or evil spirits (Hsieh shen 邪神).\n\nThe armies are led by generals and marshals under the overall command of the Wang Yeh. The armies referred to as 'The Office of Military Affairs' (Chung Chun Fu), the main defensive forces for the prefecture in the fight against the demonic forces, are represented in some Pestilence Wang Yeh temples by a single seated image of an anonymous general surrounded by a varying number of soldiers in varying robes and uniforms, each small group of six or eight representing subordinate formations and units. In the Wang Yeh temple at Nan K'un Shen the Wang Yeh army is called “The Grand Defender of the Office of Military Affairs (Chung Chun Fu Chen Shou)\".\n\nThe Pestilence Wang Yeh army in the temple at Hsi Yu on the Pescadores consists of a general in charge, (Assistant Regional", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211663, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 78, "title": "RAS-1989", "content_text": "53\n\nwere destroyed but at the end of the campaign (ca 1127 BC) Lu was made President of the Celestial Ministry of Epidemics () with his four disciples as his senior departmental officials. The coincidence of the number five, and of them dying from epidemics before their due date of death, suggests that these five might be the precursors to the Five Plague Gods of much later times. Lu is described as having red hair, a blue face, fangs and a third eye, and it is therefore not surprising that god carvers have used this description when making Wang Yeh, and a number of images of the Wang Yeh on altars in Taiwan and South-East Asia have blue faces, red hairs and fangs though none has been seen with a third eye. It was interesting to encounter a Hakka ancestral image on a public altar in northern Taiwan which had a bright blue face. This was explained to be so because the ancestor, a Mr Huang, was a Ta Jen, an alternate form of Wang Yeh, a worthy and not a Pestilence deity; but because many of the temples around had Pestilence Wang Yeh and their faces were blue, red or green, it had been decided that the worthy Mr Huang should have a blue face too.\n\nAccording to the Yeh Wang Yeh legend in Tainan, Yeh himself took part in fund raising to build his cult temple in Fukien province. He disguised himself as an old man and went to Fuchou to buy the wood necessary to build the temple and also sent instructions to the villagers in their dreams that he would like his effigy to be carved in camphor wood to be placed on the roof. This they had carved, and when it was delivered to the site the timbers for the temple's construction arrived without anyone appearing to have carried them there, leaving the villagers only the task of erecting the building.\n\nFishermen in 1795 found an unmanned bamboo raft near the island of Haifeng on which there was a tablet dedicated to Chang, Li and Moh, Three Wang Yeh. They built a shrine on the island dedicated to the three and later the tablets were moved to the present temple at T'ai Hsi in Yunlin county on the west coast of Taiwan.\n\nOther groups of five deities in Taiwan have similar and on occasions identical legends and are believed to be able to control or prevent epidemics. They too are also prayed to for a cure by the sick, and for the maintenance of good health by the hale and hearty. Temple keepers on occasions identify them as Pestilence Wang Yeh though they are not officially referred to as such. These groups include The Five Great Emperors of Fortune (Wu Fu Ta Ti), and the Five Efficacious Lords", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212658, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 212, "title": "RAS-1991", "content_text": "193\n\nto and honouring the memory of Wang Te-lu, an Imperial fleet commander who helped clear the Straits of Formosa of pirates during the early years of the nineteenth century. The Wang Clan Temple in T'ai-pao village in Chia I county in central Taiwan was an elegant building first built during the late 19th century by the proud clan whose surname Wang Te-lu bore. It was rebuilt in 1979, this time a modern metal frame construction retaining the comparatively small single hall in which there is but one altar on which stands one large multi-ancestor tablet and three ancestral tablets. The flanking walls bear texts, with Wang Te-lu referred to in a number of the captions as Wang Ta-jen, i.e. His Excellency Wang, and paintings of Wang Te-lu stage left and of his primary wife stage right.\n\nAlthough we know little about Wang's early life apart from what has been retrieved from local folk memory which, as with all family recollections, is highly subjective and probably exaggerated out of all reality, we do have official records of the highlight of his life. This \"five minutes of glory\", depicted in a painting hanging in his Memorial Chapel illustrating the incident, was his victory over pirates who had been causing immense and terrible problems up and down the coasts of the southern provinces of Chekiang, Fukien and Kuangtung since the late 1790s. One pirate fleet in particular had sailed the Fukien coast under its dreaded Fukienese leader, Ts'ai Ch'ien. The Chinese Imperial naval commander, Li Ch'ang-keng, commanding the joint fleets of Fukien and Chekiang province, determined to suppress them, successfully defeated the pirates on a number of occasions but was killed in action in 1808, following which his two subordinate admirals, of whom Wang was one, were entrusted with continuing the task. Wang, in charge of the Imperial Fukien fleet, together with the Chekiang fleet under Admiral Ch'iu, fought the major battle in September 1808 near the Tai-chou islands off the Chekiang coast. The pirate fleet was destroyed with Ts'ai Ch'ien going down with his ship.\n\nWang was born and named Te-lu, literally meaning \"To become prosperous and happy\", in 1771, the thirty-fifth year of the emperor Ch'ing Ch'ien Lung, in Kiangsi's provincial city of Nanch'ang, and in later years acquired the courtesy name of Pai-ch'u, literally \"All Honours are concentrated within Him\"; and the literary name, Yü-feng, literally meaning \"The Jade Peak\". He died at the age of 71 in 1842 on the Pescadores, an archipelago in the middle of the Straits of Formosa, and having been borne in honour back to Taiwan, was buried in Hsin-", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212767, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 76, "title": "RAS-1992", "content_text": "61\n\nNovember 1862\n\n1863 March\n\n1863 May 1864 April\n\n1864\n\n1864-1865\n\n1867 Winter\n\n1867\n\nhis junk and three others\n\nCaptured at Fu-shan-chan by Taiping rebels. Mesny held first in Soochow and Chang-shu, then at Pao-ying the Taiping camp, and finally in Nanking\n\nRescued by Adkins, the British Consul at Chin-kiang aboard HMS Slaney and taken back to Chin-kiang\n\nJoined Chinese Imperial Customs Service, Hankow\n\nResigned from Customs Service after fourteen months Involved in cotton broking\n\nEstablished the Hankow Horse Bazaar, a private hotel in Hankow, and set up Hupei Iron and Brassworks, Han-yang Romantic interlude with a Chinese widow in Hankow Mesny called on Tso Tsung-tang during the latter's visit to Hankow and was appointed his French and English Secretary, and was further offered the opportunity to accompany Tso on his campaign to the Northwest. Mesny also claimed that he had made recommendations to Marquis Tso Tsung-tang for a number of undertakings to help modernise China\n\nSold the Huper Iron and Brassworks to officials of the Viceroy of Szechuan province\n\nMesny's trek to war\n\n1868 June\n\nLate July or early August Late August\n\nSeptember\n\nLeft Hankow, after five year's residence, for Szechuan to become a drill instructor with the Szechuan Force\n\nArrived Chungking\n\nDeparted Chungking for Kueichou to join the Szechuan Force suppressing the Miao rebellion: he accepted employment as a military instructor (wu-chiao hsi)\n\nArrived Niu-ch'ang, the headquarters of the Szechuan Force in Kueichou\n\nSeptember 1868-May 1874 Involved in the military campaigns to suppress the Miao\n\nThe Advance: Late Summer 1868-March 1869\n\n1869\n\nPromoted Colonel, awarded the Star of China and the Flowery Plume The Retreat: Summer 1869-Summer 1870 1870/1871\n\n1871\n\n1872\n\nHelped form a joint stock company in Kuei-yang to \"recover mercury\"\n\nThe Withdrawal: mid-August 1870-Lunar New Year 1871\n\nca 1873\n\n1873\n\n1874 Spring\n\nEstablished a small day school for poor boys and girls in the Jade Emperor temple in Kuei-yang, importing suitable books and paying a Chinese teacher, a struggling student painter, Chin Yü-t'ang Siege of Hsin-ch'eng in upper Kueichou (Mesny involved in preparations for the siege during 1871)\n\nWent to Szechuan with General Chou Ta-wu\n\nPromoted Major-General and awarded the Ying-yung Pa-t'u-lu Left Kueichou for Szechuan: Margary expected to meet Mesny in", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213620, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 216, "title": "RAS-1995", "content_text": "The Sixth, Liu Tsu (NL) and last Patriarch of the Ch'an sect of Chinese Buddhism lived during the 7th century AD and is best known by his name in religion, Hui Neng (E). He is commonly called Ch'an-tsung Liu Tsu Hui Neng (AE). Hui Neng studied under the Fifth Patriarch, Hung Jen, in Hupei province, was chosen by him to be his successor and, as the Buddhist Law was by that time well established in China, Liu Tsu did not feel the need to proclaim his successor, in particular. He founded the “Sudden Enlightenment School\". He was born into the Lu family in Hsin-hsing county in Kuangtung province in 637. Stories are told about his upbringing in the province by poverty-stricken parents and as an illiterate youth his employment as a common labourer in the kitchen of the Fifth Patriarch. Also, whilst still a youth he amazed monks and nuns with his miraculous ability to understand the chanted sutras.\n\nIn 676 he took holy orders in the Kuang-hsiao Ssu in Canton, the temple where Ta Mo had stayed on his arrival from India some 150 years earlier, and insisted on working in the fields until old age prevented it. He was a great proponent of the saying he first created \"One day no work, one day no food\". A special pagoda was erected in the grounds of the temple and the hair shaved from the head of Hui Neng was stored there as a relic.\n\nHe died in 713 in the Kuo-en Monastery in Kuangtung where his corpse, which proved to be incorruptible, was enshrined. It was lacquered and looked for all the world as it did whilst still living. His mummified body is still kept in the Nan-hua Monastery, built by Hui Neng on Nan-hua mountain, a prime site some twenty miles from Shaoguan, north of Canton.\n\nThe Ch'an cult developed in the Nan-hua Monastery. Liu Tsu has been adopted by Buddhists as the protective genius of the province of Kuangtung and was, for example, successfully prayed to for rain in 1900 during a prolonged drought. His image still stands in the temple of the Six Banyans in Canton city, and has been seen on altars in Cantonese communities in SE Asia and in Hong Kong and Macau, and also in one of Hong Kong's clan associations as the patron of the Lu clan, with his image amidst slips and tablets dedicated to the departed Lu's.\n\nThe standard image of Liu Tsu, in the likeness of the mummified body, portrays him as an elderly monk, sitting cross-legged, head bent forward with his hands resting palms upward on his lap. In one or two images he is portrayed wearing the bodhisattva's five-leaf crown. One of the best-known Shekwan potters, Ch'en Wei-yen [18th century] had been ill for some time. His mother prayed to Liu Tsu and promised that", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213623, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 219, "title": "RAS-1995", "content_text": "192\n\nAnother claim suggests that Ch'iu was the adviser to the Yuan emperor Shih Tsu [better known as the Great Kublai Khan] though as Ch'iu is said to have died in AD 1227 this would be impossible; yet another claim which is again fanciful, Ch'iu is said to have been the author of the dramatic version of the \"Journey to the West\" the well-known story in which Monkey [Ch'i-t'ien Ta-sheng] aids a famous monk to carry Buddhist scriptures to China from India.\n\nHis mausoleum was in the influential Taoist White Cloud Monastery, the Sect centre, in Peking. Temple records in the Pai-t'a Dagoba in the Pei Hai in Peking noted that he died at the age of 80 in AD 1227.\n\nHis image is to be seen on two altars in Hong Kong, both in Taoist monasteries where he is portrayed as a seated Taoist figure dressed in robes, blue in one monastery and golden in the other, with a black beard. He is wearing the tiny Taoist crown and holds a fly switch in his right hand. He has no unique identifying characteristics, though in private images he is often depicted with his blue robes decorated with pa-kua signs. His image, in both monasteries, is on a secondary altar in a main hall dedicated to Wang Ch'ung-yang, with Lu Tung-pin being the sole deity in the other secondary altar. These three Immortals are known collectively as the Three Generations, with Lü the eldest, Wang the second generation and Ch'iu the third generation and the junior.\n\nHis great weakness, which he had to overcome, was his impatience. He was renowned for his propensity to butt in and offer his opinion, often after reaching conclusions prematurely.\n\nIn Peking, his image in the Tan-chi Kung depicted him as a young man without eyebrows or whiskers and with a whey-coloured face. In Singapore, his old gilded image stands on an altar in an old temple in Telok Blangah where he shares a shrine on an altar with Lu Tung-pin, one of the Eight Immortals, with the other shrine occupied by images of Ho Hsien-ku, another of the Eight Immortals, and Sun Fu-jen, an unidentified matron.\n\nCh'iu was deified by the Yuan dynasty emperor Shih Tsu [Kublai Khan, ca AD 1260] as: Ch'ang-ch'un Yen-tao Chu-chiao Chen-jen (MIÈ3⁄4Ç^). Later, at the time of Yuan Wu Tsung [ca. AD 1308],", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213777, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 129, "title": "RAS-1996", "content_text": "100\n\npersonalities were the same. In an enumeration of patriarchs of their magic the Yao manuals from Liannan do name Xu Jiangyang (i.e. Xu Xun) just before a Zhang Zhao Lang (probably referring to Zhang Zhao Er Lang) and a Zhao San Lang (probably Zhao Hou San Lang). Comparing the position of Xu Xun in this account with the Cantonese DJYL which alleged the Zhang Zhao Er Lang and Zhao Hou San Lang were disciples of Lü Shan Jiu Lang, one may surmise that Lü Shan Jiu Lang is none other than Xu Xun. 36\n\nWe notice three different styles of names in this genealogy of the magic of sorcerers related by Bai. The first group had titles ending with wang \"King\", the second titles beginning with what looks like the name of a mountain followed by a number and the word lang, and the third beginning with a surname and ending in a pattern similar to the second. The first two characters in the titles of the third group seem at first reading two surnames which leads one to guess they refer to more than one person (3 in the case of Zhao Hou San (3) Lang and 2 in the case of Zhang Zhao Er (2) Lang). Of the gods of the second group the format of their title bears close resemblance to the names of some gods found since at least the Southern Dynasties. It was this third format that we have seen above appearing as ritual names of some class of persons initiated by traditions of magic found among the Yao, the She and the Hakka.\n\nThe Southern Song passage has a note under Lu Shan saying that it was a mountain in Luzhou or what is Liaoning province in Northeastern China. A work of anecdotal literature of the Jin period, by Yuan Haowen (1190-1257), did mention a Lu Shan Gong temple or Lu Shan temple in Guangning, near Lu Shan in the present Liaoning province, which was certainly in honor of the god of the Lü Shan. The temple was said to be very daunting. It housed ugly and fearful images, so much so that people who entered during day time were frightened. The name of the other two mountains can be found in many different parts of China, making it difficult to determine their locations. In the case of Heng Shan, the one referred to in the name of the god may be related to the one in the story of Sishan Zhang Daidi\". But a popular novel from Fujian in late Qing dynasty, featuring as its central figure Chen Jinggu, allegedly the disciple of Lu Shan Fazu, quoting what it claims to be a saying known in Fujian at its time, suggested that the place is in Fujian province itself. I believe that Lu Shan could have been somewhere in", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213778, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 130, "title": "RAS-1996", "content_text": "101\n\nSouthern China, as the Liannan document saying the Lü Shan Jiu Lang (written Lu Shan Jiu Lang) buried his father on a mountain in Gaozhou.\n\nOne major source of information of religious practice during the Song is the Southern Song work of anecdotal literature, the Yi Jian Zhi. It made frequent mentions of the well-known styles of Daoist magic such as the Thunder Magic and the Tian Xin Zheng Fa, the Buddhist Weize spell related to the Yujia style of exorcism, as well as various popular gods, and magicians who were neither Daoist or Buddhist. Some of these lay magicians practiced magic of the Daoist and Buddhist varieties mentioned above. Noticeably some of those lay magicians blew the horns [of animals] in their rites, and some were practicing what is called Mao Shan magic. It curiously made no mention of Lú Shan Jiu Lang or his immediate disciples found in Bar's passage.\n\nBut as I have mentioned, sources on Chinese religion of ancient times do have many examples of divinities with names of the same form as the Lú Shan Jiu Lang and his colleagues. The latter appear to be part of the trend between Tang and the Five Dynasties during which many of these other divinities are recorded. Some of the popular gods mentioned in Yi Jian Zhi do bear four character names ending with a numeric character and lang, resembling the names of Lü Shan Jiu Lang. Earlier examples include the Zhu Wang San Lang shen mentioned during the Southern Dynasties, which the book alleges to be the name in use at its time of writing in Yielang county in the present Sichuan Province, although in this example San Lang referred to three people rather than one. During the Tang, a work of anecdotal literature recorded that during the Emperor's visit to the mountain god of Huayue, he was told about a San Lang, who appeared to be a son of the god. Another work of anecdotal literature of about the same time recorded a female shaman(?) who specialized in communicating with the Jin Tian Wang (God of Hua Shan) and his son Hua Yue San Lang. This name, and many others, which are closer to Lu Shan Jiu Lang in form, is also found in Tang stories included in the Song compilation Taiping Guang Ji. During the Five Dynasties the Lu Yi Ji recorded a Pan Gu San Lang temple in a Guangdu county of the present Sichuan Province. An early Song work on the history of the Five Dynasties mentioned that in the year 932 the Emperor of Hou Tang conferred a title (styled \"General\") to a Tai Shan San Lang. Early during the Song it is reported\n\n41", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213779, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 131, "title": "RAS-1996", "content_text": "102\n\nthat around what is now northern Jiangxi Province there were many temples dedicated to a god known as Jiu Lang. A story in the Song work Yi Jian Zhi mentioned that a god of a Sichuan temple “was popularly known as Er Lang.\" This last example is also important in that it testifies the persistence of the lang title: although the god had more prestigious titles from the Emperors, the oral tradition still used the old one. In the Yao document from Liannan one sees a list of five gods each associated with the Five Yue Mountains in a similar form, from Dong Yue Yi Lang to Zhong Yue Wu Lang.\n\nLang as a title for sorcerers is also mentioned in the Tang compilation Dao Dian Lun in the Daoist Canon, which quoted Mingzhen Ke, an earlier work, saying that ritual experts of “excessive cults\" called themselves gu (for female) and lang (for male).\n\nThe use of lang for man as a title is found not later than the Han dynasty. According to Zhao Yi, during the Han officials of higher ranks were allowed to appoint their sons as lang. Therefore, according to this work of Qing dynasty, people's sons were called lang as an address of respect. Earliest examples of such usage include the Tang dynasty scholar-official Han Yu's short composition to mourn his elder brother's son, a Shi Er (12) Lang. The Song work of anecdotal literature Yi Jian Zhi also mentions quite a lot individuals bearing names of this form. In two cases explanations seem to be suggested for those names: one because he was wealthy, the other because he knew how to communicate with gods. In both cases the use of a name in the lang form seems to imply respect. This may explain partly why this form of name was adopted as a title of gods as well as sorcerers and initiates of magic.\n\n54\n\nWe have relatively more information about Lú Shan Jiu Lang's disciples, who appear to be masters of magic rather than the son of mountain gods. The Cantonese priests' manual contained an entry for Zhang Zhao Er Lang, the last in Bai Yuchan's list. We learn that Zhang Zhao Er Lang were two persons, both from Huainan Xian, probably within the present Anhui province, origin. They studied under Lu Shan Jiu Lang, giving up their positions as high-ranking officials of Qingzhou and Zhangzhou, two prefectures I have failed to identify, to practice magic. One of them was called Zhang Zhao Wu (5) Lang who conquered crocodiles and other sea monsters in the sea of...", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213840, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 192, "title": "RAS-1996", "content_text": "165\n\n55\n\nrepresentatives of the rocket associations bid for the rockets Physical violence is avoided, but competition remains keen among bidders who strive to show superiority over each other in terms of wealth and power' To decide who in the winning group can take the representation of the god home, another ceremony should be held whereby the temple keeper, after placing on the temple altar a list of members of the rocket association and reciting a “song to invite the god\" (#), casts the divining blocks thrice for each member The winner is he who passes the divination three times in a row.\n\n1\n\n50\n\nIn addition to the representative associations from villages such as Mok Ka's Yu-ch'ing tang W, upper Ling Per's Ch'un-ying t'ang #*, Ngau Au's Ch`un-lu t’ang San Tau's Ch'un-ch'ing tang # , and so on, other units such as social clubs and recreational societies also form their own rocket associations. According to Hayes's observation in the 1960s of the concomitant celebration of the Houwang feast day and the reopening of the Houwang Temple after the first major repair in 1909, among the rocket associations, two were fishermen's groups, (one from Tung Chung and the other from Tai O) and one was formed by the Seamen's Union from Hong Kong which came to Tung Chung for the festival for many years.\" Many native Tung Chung seamen had joined the union. By forming the associations and attending the festival, members of the same profession can also exchange information and news of their trade. In this sense, the festival functions tend to promote solidarity not only among villagers, but also among colleagues.\n\nFor local residents of different surnames and various social backgrounds, the Houwang worship and its all-pervasive influence provide them with the social bond of union and the ideology of territory identity, through which the Tung Chung community seems to have become a culturally self-sufficient entity Even the fishermen settled in the district seldom visit the Empress of Heaven Temple at Chak Lap Kok or Ma Wan. Like other Tung Chung villagers, they pay homage mainly to the Houwang, the principal deity of the locale, and participate quite actively in the “bid-for-rockets” contest during the annual feast day festival.\n\nThe Houwang's Birthday celebration also provides the local community with an opportunity for contact with the outside world.", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213855, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 207, "title": "RAS-1996", "content_text": "180\n\nThe\n\nIssei, \"The Jiao Festival in Hong Kong and the New Territories,\" in Julian F. Pas, ed., Turning of the Tides: Religion in China Today (Hong Kong: Oxford University Press, 1989), pp. 271-298\n\nInterviews: K'ung Chao-hsiang (age 79), Lung Tseng Tau, Jul 6, 1991; Hsieh Ch'i, op. cit.\n\nInterview of Mo Shu-ling (age 65), Mok Ka, Jun 29, 1991\n\nInterview of Lo Ch'uan, op. cit., Jul 8, 1991\n\n[hid]\n\n\"Ho, op. cit.; while some villagers did not remember the role of the Houwang in the rituals, an old man, who had witnessed the festival three times, indicated that the Houwang idol would be \"invited\" from the temple and enshrined on an altar set up for the ceremony (Interview of Lo Ch'uan, op. cit., Chap Mun Tau, Jun 22, 1991)\n\n\"Tanaka, op. cit., pp. 273-274\n\n*Faure, 1986, op. cit., p. 84\n\n14\n\nJames Hayes, The Rural Communities of Hong Kong: Studies and Themes (Hong Kong: Oxford University Press, 1983), pp. 159-160\n\n\"Ho, op. cit., p. 6\n\n16\n\nInterviews: Cheng P'o, op. cit.; K'ung Chao-hsiang, op. cit.\n\n\"Interviews: Cheng Man-hung, op. cit.; the Tung Chung Public School, Jul 1991; Tseng Kuan-hsing (age 60+), Upper Ling Pei, Jul 12, 1991\n\n*Interview of K'ung Chao-hsiang, op. cit.\n\n14\n\nJCH\n\nIbid.; Interviews: \"Uncle Li\", op. cit.; Cheng Man-hung, op. cit.; the Tung Chung Rural Committee, Aug 12, 1991\n\nInterview of Feng Po (age 65), Ma Wan Chung, Jun 16, 1991\n\nBrum, op. cit.\n\n*James Hayes, \"Chinese Temples in the Local Setting,\" in Some Traditional Chinese Ideas and Conceptions in Hong Kong Social Life Today, Week-end symposium, Oct 2, 1966, the Hong Kong Branch of the Royal Asiatic Society, p. 92\n\n\"Faure, 1981, op. cit., p. 76\n\n**\"Ch'ung-hsiu Houwang-miao pei-chih,\" IV, 1910, collected in K'o Ta-wen, Lu Hung-chi, & Wu Lun Ni-hsia, comp., Hsiang-kang...", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213915, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 267, "title": "RAS-1996", "content_text": "244\n\nKong Fuk Yee Chi 廣福義祠\n\nTai Ping Shan Street, Central: Also known as Pak Shing Temple. Built in 1856, repaired in 1895 and 1977*. Bell 1858.\n\nPak Ka Temple\n\nWong Nei Chung: Removed to the present site in 1971. No bell.\n\nNgok Wong Temple 岳王廟\n\nNorth Point. No information. No bell.\n\nChai Kung Temple 濟公廟\n\nWanchai: Built in 1899, removed, and completely disappeared since 1981. No bell\n\nTai Shing Temple\n\nChai Wan: Built in 1973. No bell.\n\nLu Pan Temple 魯班廟\n\nWest Point: Built in 1884*, repaired in 1894*, 1897*, 1902*, 1907*, 1910*, 1924*, 1927, 1949* and 1951*. Bell 1888.\n\nShui Ching Pak Temple\n\nTai Ping Shan Street, Central: Built in 1890, repaired in 1895, 1901 and 1976. No bell.\n\nYee Pak Kung Temple 二伯公廟\n\nQuarry Bay: Built in 1889*, repaired in 1929 and 1966*. No bell.\n\nThe number of temples found in each area is as follows-\n\n1. Central: 5\n\n2. Wanchai: 4\n\n3. Causeway Bay: 1\n\n9. Chai Wan: 2\n\n10. Shek O: 2\n\n11. Tai Long: 1", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213994, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 63, "title": "RAS-1997", "content_text": "29\n\nway while working\n\nMore accidents happen when scaffolding is being dismantled than when being erected. Most trades have their written and unwritten rules and, with bamboo scaffolding, it is generally accepted that, whoever erects a scaffold, then the same scaffolders should also dismantle it. The argument is that the craftsmen who put it up know the peculiarities of the scaffold and they are in the best position to take it down. There have been disputes between main contractors and scaffolding subcontractors resulting in the latter walking off the job. In the end, in most cases, the main contractor had to relent as no-one else was prepared to take the scaffold down.*2\n\nDeities\n\nFor all employers and employees in the building industry, Lu Pan is worshipped as a general deity. His birthday is celebrated on the 13th day of the Sixth Moon. In addition, the patron saint for bamboo scaffolders, performers in opera troupes, goldsmiths and silversmiths, and incense and funeral-paper shop staff, also worship Wah Kwong (Hua Kuang). He is sometimes described as the God of Fire.* As one mature scaffolder proudly told the author, 'We have three sz foo masters [sic].' He included, of course, Yau Chao Shi, who was mentioned at the start of this paper, as well as Lu Pan and Wah Kwong.\n\nThe last is said to have defied the Heavenly Jade Emperor's order to destroy all bamboo opera stages on earth as punishment for an opera performance that had insulted his Majesty. As a result, Wah Kwong gained the undying gratitude of scaffolders. It is important to remember that Wah Kwong is a powerful, cleanshaven god with a third eye in his forehead. He often has a piece of gold in his hand. He is a destroyer of demons and is rarely prayed to by individuals, but, more likely, by groups. There is a temple dedicated to Wah Kwong in Tai O, a small market town and fishing port to the west on Lantau Island. There is also an effigy of Wah Kwong Sz Foo in the Lit Shing Kung (“temple”), adjacent to the Man Mo Temple, in Hollywood Road.*34 Master Wah Kwong's birthday is observed on the 28th day of the Ninth Moon,*35 The author has, however, been told by scaffolders that the birthday of Wah Kwong is on the 18th day of the Ninth Moon. The author has, however, been told by scaffolders that the birthday of Wah Kwong is\n\n75", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 213995, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 64, "title": "RAS-1997", "content_text": "30 \n\non the 18th day of the Ninth Moon. \n\nBamboo scaffolders seldom use a rule. They set the spacing of the bamboo members by their eye, without the use of blueprints or plans. To do this, so many believe, they are assisted by Wah Kwong's third eye. Scaffolders, however, will usually submit a sketch to a client if they are going to erect, say, a matshed to house opera performances. \n\nIn the past, incense, fruit and pork were offered up to both Wah Kwong and Lu Pan on an altar at the time of starting work (hoi kung) on a building project. Such rituals are frequently still carried out today. When the author asked the mature scaffolder mentioned earlier, who said scaffolders had three masters, whether he would be going to the Lu Pan Temple in Kennedy Town on the Sage's birthday (the 13th day of the Sixth Moon), which was due to be held the following day, he replied that he would not. But his employer would be going. The old scaffolder said, however, that he would be attending a dinner to honour Lu Pan, when everyone would pay their respects. The author recalls attending these annual dinners, from 1955 to 1972, on a regular basis.37 \n\nConclusions \n\n36 \n\nSome people prophesied, in the 1950s, that the end had come for scaffolding and that western style metal scaffolding would take over. Although there has been a move in that direction metal has by no means taken over. In fact, the switch to metal scaffolding has been faster in places like China and Singapore than in Hong Kong. Bamboo is light and flexible and has many advantages, especially for smaller jobs. These include 'Cantilevering out', from high up on a building, to erect, say, a signboard. \n\nIn addition to the trade having its ups and downs, and being on the slow decline, bamboo is significantly cheaper. At mid-1997 prices single-layer bamboo scaffolding costs about HK$20 per square metre, double-layer bamboo scaffolding HK$36 per square metre and metal scaffolding HK$80 per square metre. Such figures are given only as a rough comparison. Prices vary, to some degree, depending on the job in question. For example, especially with metal scaffolding, the taller the scaffold the more expensive it will be.", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 213998, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 67, "title": "RAS-1997", "content_text": "33\n\n\"Lee, loc cit, and Keith Stevens, Chinese Gods. The Unseen World of Spirits and Demons,\n\nCollins and Brown (UK 1997), p. 63\n\n14\n\n77\n\nThe Lu Shong Kung Temple adjoins the Man Mo Temple in Hollywood Road, on Hong Kong Island. Walt Kwong is the second god on the right as you enter. He has two attendants.\n\nBarbara E. Ward and Joan Law, Chinese Festivals in Hong Kong, Guidebook Co. Ltd (Hong Kong, 1993), pp. 75 and 92)\n\nThe Author went to the Lu Pan Temple on Lu Pan's birthday, in 1997. In spite of rain, a large number of contractors and building trade workers came to pay their respects, including some scaffolders. There were also two television teams, one of which interviewed the author.\n\nDan Waters, \"In the Steps of Lu Pan: Reminiscences of Building in Hong Kong\", The Journal of the Hong Kong Branch of the Royal Asiatic Society, vol. 29, 1989 (1991), pp. 1-7", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214130, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 198, "title": "RAS-1997", "content_text": "169\n\nRAS VISIT TO HUIZHOU\n\nDan Waters\n\nOn Saturday 15 November, 1997, 14 stalwart members of the Royal Asiatic Society Hong Kong Branch (RASHKB) set off by coach on a two-day visit to Huizhou (Waichau or Waichow) and the surrounding region in eastern Guangdong Province.\n\nHuizhou has a population of about 600,000, making it larger than Macau. In this part of Guangdong, where Westerners attract a certain amount of attention, we visited scenic spots like the West Lake (see Plate I), the Xizhou Pagoda and the Su Dongbo Well as well as his Monument (see Plate II).1 Su Dongbo was a leading poet and a member of the literati in Northern Song times. He was also concerned with the building of bridges, improving dams and constructing water supply schemes. Madam Wang (1062-96), his Concubine, was a native of Hangzhou. Su was disgraced and banished to Guangdong and subsequently to Hainan Island.\n\nOur RAS Group also visited one of the most famous Taoist temples (the Lu Dong Bin Temple) in Guangdong Province, situated at Loh Fau Shan. Lu Dong Bin is one of the Eight Immortals and a patron saint of the literati. He uses a fly whisk to sweep away the clouds and carries a magic sword associated with healing.\n\nOn the following day (Sunday 16 November) the RAS Group drove to the unspoiled Nine Dragon Mountain (named 'Kowloon' like in Hong Kong) and its comparatively well-known Tam Kung Temple which was visited by a group of RASHKB members in November 1995. Research has previously been carried out and RAS visits have been made to various Tam Kung temples both in Hong Kong and in Macau, including during the Tam Kung Festival. Also, an illustrated lecture was given on the Hakka Boy Deity, Tam Kung, in 1996, to the RASHKB by Professor Anthony Siu and Geoffrey Roper. There is little point in repeating similar information here.\n\nOne of the tasks that the RAS group set itself, in November 1997, was to find two buildings in Huizhou which were used by the British Army Aid Group (BAAG) during World War Two. Both sites were", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 215333, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 110, "title": "RAS-2001", "content_text": "58\n\nclaiming that the Society used to worship ‘openly' in Hainanese temples before convening a meeting. One hundred and eight is also a Buddhist number, the number of the beads in a rosary, the number of passions and delusions, and the number of tolls of the monastery bell at dawn and dusk. A further connotation of the number 108 is reflected in the number of times temple keepers claimed that the Brothers were the 108 heroes at Liang Shan Po in the classic novel, Shuihu Chuan, 'The Water Margin,' but when pressed, in every case they admitted that this had been no more than a guess.\n\nThe Brothers are also known as:\n\nYibai You Ba Gong 一百有八公\n\nYibai You Xiongdi 一百有八兄弟 and\n\nYibai Lingba Xiongdi Zhonghun 一百零八兄弟忠魂\n\nLu Bode and Ma Yuan are two generals revered in Hainanese temples, often on the same altar, with both bearing the same honorific, the Wave Conquering General, [Fupo Jiangjun13].\n\nThe first general, Lu Bode, subjugated large areas of what today is Guangdong province during the Earlier Han [ca. 120 BC]. A native of Pingzhou, he served with distinction under He Chubing who became the president of the Board of War. In BC 120 he subjugated large portions of what is today Guangdong and Guangxi, and received further honours.\n\nThe second general, Ma Yuan [14BC - AD 49], was also awarded the title of the Wave Conqueror for the pacification of the southern region some hundred years later. Popular in Guangdong province he used also to be particularly honoured in Guangxi where he was revered as a river god, \"The Wave Conquering General - Fupo Jiangjun' and in Hengzhou in Hunan he used to be the main deity in a small temple where he was worshipped as the protective deity at the local river rapids.\n\nMa Yuan, also known as the Vanguard General, Xianfeng14 led a further southern expansion of the Han empire and has been popularly worshipped from about the fifth century AD by Han settlers", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215992, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 291, "title": "RAS-2002", "content_text": "225\n\nA recently prepared description of the area from local sources can be seen, along with fuller descriptions of this famous mountain and its history, in Bóluóxiàn zhì (The Gazette of Bóluó District) (Bóluó: Guangdong Provincial Cultural History Research Library, 1988), pp. 69-79, 325-329.\n\n16. These are drawn from Legge's notes in \"Journal of a Missionary Tour\" and materials from 19th century gazettes (fangzhi) from the Nanbai district of western Guangdong province.\n\nA description of the refurbishing and building up of the temple complex dedicated to Master Kong in Poklo, initiated in the seventh year of the Kangxi emperor (1668) is rehearsed in Bóluóxiàn zhì, pp. 315-316. In the third year of the Qiánlóng reign (1738) yellow tiles were added to the roof reflecting imperial honour and a decorative sign was added to the main temple, honouring Master Kong as one yǔ Tiān Dì gēn (“a Partner with Heaven and Earth\"), a phrase from the Zhongyong which Legge translated \"[Confucius] may with Heaven and Earth form a ternion\" (Ch. 22, CC1, p. 416). Three other similarly adulatory signs were added in the fourth year of the Jiaqing emperor (1800), during the Dàoguāng reign (1821-1850), and the second year of the Tongzhi reign (1863).\n\n17. See Chinese Classics, Volume 1 (CC1), prolegomena, pp. 112-127. The following footnote (p. 113) provides the necessary details for understanding the layout and furnishing of the \"temples (diàn) of Confucius\". [Transliterations replace characters in the original text, which can be looked up in the attached glossary. Here I use standard Pinyin for the sake of easier identification.]\n\nThe principal hall, called Dàchéng diàn, or 'Hall of the Great and Complete One,' is that in which is his own statue or the tablet of his spirit, having on each side of it, within a screen, the statues, or tablets, of his 'four Assessors.' On the east and west, along the walls of the same apartment, are the two xù, the places of the shí'èr zhé, or 'twelve Wise Ones,' those of his disciples, who, next to the 'Assessors,' are counted worthy of honour. Outside this apartment, and running in a line with the two xù, but along the external wall of the sacred inclosure, are the two wǔ, or side-galleries, which I have sometimes called the ranges of the outer court. In each there are sixty-four tablets of the disciples and other worthies, ... Behind this principal hall is the Chong shèng cídiàn, sacred to Confucius's ancestors, whose tables are in the centre, fronting the south, like that of Confucius....\n\nFrom a rubbing of a stele portraying the arrangement of the sacred tablets in the Beijing temple dedicated to Master Kong, it is seen that the \"four Assessors” are (from left to right when facing the Sage) Mèngzǐ (“Mencius,” c. 372 B.C. - c. 289 B.C.), Zēngzǐ (noted for his filial piety, 505 B.C. - 436 B.C.), Yánhuí (noted for his humane virtue, the Master's favourite student, 521 B.C. - 490 B.C.), and Zǐsī (a grandson of the Sage who edited and/or wrote the Zhongyóng, one of the four books Legge first called it the Doctrine of the Mean, but later gave it the more preferable title, the State of Equilibrium and Harmony (see CC1, p. 383).\n\n18. See Legge's descriptions of these ceremonies and some of their prayers to the Sage in CC1, prolegomena, pp. 91-93.\n\n19. According to the journal record, Legge and Ch'ea had preached in the grounds of the Confucian temple at Lung Ch'un on May 15, 1861.", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216031, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 330, "title": "RAS-2002", "content_text": "264\n\nAbout two miles west of Zhenjiang railway station, on rising land, there was a temple called Xiu Wang Miao, the Temple of the Xiu Kings, dedicated to the memory of the Xiu dynasty of Nantang.\n\nLu Xiufu [AD 1238 - 1279] was a native of Zhenjiang, and a statesman and military commander during the latter years of the Southern Song. He had been appointed to the Court of Imperial Family Affairs, a form of Minister of Protocol, during the reign of Song Gong Zong [ca 1276]. He is remembered as a man of integrity and a devoted Minister who, when the Mongols were on the point of capturing Hangzhou, was sent in an attempt to reach an accommodation with them. This ended in failure. The Court was persuaded by Wen Tianxiang [one of the Three Loyal Generals of the Song] that the imperial heirs should be sent to the coast of south China, to Fuzhou and later to Quanzhou to ensure their safety. The emperor and his mother were captured by the Mongols and taken to Beijing, whilst Lu followed the Court in its retreat to the south. Lu met up with Zhang Shijie [the third of the Three Loyal Generals of the Song] in Wenzhou to rally support for the imperial cause, but had to flee on south to Fuzhou where they joined the forces of Wen Tianxiang. The senior heir was enthroned in Fuzhou as the Song Jing Yan emperor. At this point, following a reorganisation, Zhang and Lu became deputies to Chen Yizhong, the Commissioner of Military Affairs and Grand Counsellor. The new emperor was forced to flee further and further south pursued by the Mongol forces until he reached the area of present day Kowloon where Lu Xiufu rejoined the force from Chaozhou. The Mongol fleet having captured Guangzhou destroyed the forces of Zhang Shijie thus driving the Song Court out to sea. A typhoon struck the fleeing Song fleet and even though the ship carrying the young emperor was sunk he was rescued but died from shock and exposure near the Leizhou peninsula in mid-1278. Lu and Zhang stood firmly against any talk of surrender and ensured that the younger heir, a boy of six, was made emperor. Zhang became the Junior Guardian whilst Lu was Grand Counsellor. The next year the Mongol forces having been reinforced compelled the last of the Song forces to attempt to escape. Lu is said to have committed suicide but the official records do not reveal how the last of the Song, the boy of seven, died. The popular version claims that Lu, the hero from Zhenjiang, leapt into the sea with the boy in his arms.\n\nAn imperial hostelry, the Danyang Guan, was founded in Zhenjiang\n\nPage 330\n\nPage 331", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216313, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 72, "title": "RAS-2003", "content_text": "21\n\nof the temple complex.\n\nOne other positive result of the new development is that the section of Longhua Lu which passes in between the walled temple compound and the pagoda has now been closed to vehicular traffic, unless you count motorcycles, and turned into a pedestrian mall.\n\nLonghua Temple's current structures\n\nThe 40 meter high octagonal wooden pagoda, Longhua Ta, has orange walls with red cross timbers, upturned eaves and wood railing balconies at each level, and a metal spiral spire on top. As late as 1934 visitors could still ascend to the top of this tower, but now it is closed and cannot be entered or ascended. The base is encircled by a brick wall with a perpetually locked gate, which keeps admirers at arm's length. Depending on who you believe, it may have been built during the Three Kingdoms, the Bei Song or the late Qing Dynasty. After extensive research into the difangzhi local histories, the author has concluded that the current pagoda may possibly be the same as the Xin Bao Ta first constructed in 1066 by the Song Emperor Ying Zong. Although at that time the temple was named Kong Xiang Si, the Longhua Pagoda's official name has continued to be the Bao Ta to this day. In 1984 the pagoda underwent a massive restoration during which the entire tower was covered with scaffolding, and a giant boom crane dropped a brand new copper spiral ornament onto the tower's roof. Although impressive, Longhua Ta is not the only pagoda in Shanghai, as is sometimes claimed, but is in fact only one of a total of 16 pagodas within the Shanghai Municipality.\n\nThe grand outer Shan Men gateway to the temple complex is one of the most impressive sights it has to offer. The five-gate pai lou has a granite stone frame with five wooden double gates, above which are three inscribed wooden signboards, all of which is covered by an enormous three-tiered wooden roof with multiple layers of upturned eaves, itself supported by layers of intricate wooden brackets. The top of the roof is covered with tiles and decorated with dragon-fish ornaments. Each wooden gate is one-foot thick, which should have made the temple impregnable to attack during times of unrest, but unfortunately did not stop the Red Guards in 1966.\n\nPassing through this outer gateway, you enter the first of six", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]