[
    {
        "id": 204483,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 115,
        "title": "RAS-1962",
        "content_text": "104\n\nELSPETH MANEELY\n\n16\n\nhill slopes of the western islands and in the Castle Peak area; but perhaps only four places investigated since archaeological work began in the Colony may be dignified by the term \"site\". These are: So Kun Wat #, a series of low hilltops to the west of the Tai Lam Chun reservoir; Lamma Island (Pok Liu Chau14), which really comprises several distinct sites; Shek Pik and Man Kok Tsui, both on Lantau Island (Tai Yu Shan). A report on the findings at So Kun Wat was presented by C. M. Heanley and J. L. Shellshear in 1932 at the first Congress of Prehistorians of the Far East held at Hanoi. Father Finn's publications on the Lamma sites, begun in 1932, have recently been reprinted in one volume, Archaeological Finds on Lamma Island Near Hong Kong.3 The Shek Pik site, on the south-west coast of Lantau Island, was excavated by W. Schofield and J. G. Andersson in 1937 and a report was published in the Proceedings of the Third Congress of Prehistorians of the Far East, Singapore, in 1938. The artifacts uncovered at Man Kok Tsui are similar to those found at these earlier sites and are of three kinds: stone tools and ornaments, pottery and bronze.\n\nBefore describing the discovery of Man Kok Tsui in more detail however, reference should be made to Father R. L. Maglioni's extensive discoveries in Hoifung as they bear a definite relationship to finds in the Hong Kong area. Hoifung lies on the China coast about one hundred miles north-east of Hong Kong. In 1934 Fr. Maglioni, then a priest in the Hoifung region, embarked on a thorough search for prehistoric remains. He located as many as twenty distinct sites. In general the finds were of the same type as those described by archaeologists working in Hong Kong, but Fr. Maglioni was able to distinguish three separate Neolithic cultures. These three he called the SON, SAK and PAT cultures from the capital letters of the romanized names of villages adjacent to the sites. So far Neolithic remains in Hong Kong resemble closely those of Fr. Maglioni's PAT culture, the latest of the three.\n\nIn April 1958, Dr. S. M. Bard first reported Man Kok Tsui as a possible area for investigation by the University Archaeological Team. The site, given the number 30 by the Team, lies at the extreme tip of the northern arm of Silvermine Bay, Lantau Island. It consists of two sheltered, sandy beaches, a flat fertile valley",
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    {
        "id": 204515,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1962",
        "page_number": 147,
        "title": "RAS-1962",
        "content_text": "132\n\nMURRAY, Douglas P. NEWBIGGING, D. K.\n\nNG, Peter Y. L.\n\nNIXON, F. A., O.B.E, NOBLE, Herbert\n\nO'CONNELL, Miss S. E.\n\nPENNELL, W. V.\n\nPERESYPKIN, Oleg P.\n\nPICCIOTTO, Mrs. J. R. PRATT, Mark S.\n\nPRESCOTT, Jon A. RAE-SMITH, W. B. RICHARDS, G.\n\nRIDE, Dr. L. T., C.B.E. RIDE, Mrs. L. T.\n\nROFE, Fevzi Husein\n\nROOKE, Miss Barbara E. RUTTONJEE, Mrs. Anne RUTTONJEE, Hon. Dhun\n\nRYAN, The Rev. Father T. F.\n\nRYDINGS, H. A.\n\nSARGENT, G. E.\n\nSAUNDERS, J. A. H.\n\nSCHOYER, B. Preston SELLERS, David\n\nSHEPHARD, A. J.\n\nSHU, Dr. H. T. SHUI, Chientung\n\nSIDBURY, Henry SIDWA, Mrs. M. C. SIMPSON, R. F.\n\nSKELSON, Mrs. Margaret Clare\n\nSKELSON, Robert Ernest SMALL, C. J.\n\n41-B Granville Road, 1st floor, Kln.\n\nc/o Jardine, Waugh (Malaya) Ltd. P. O. Box 304, Kuala Lumpur, Federation of Malaya.\n\nDept. of History, Hong Kong University, H.K.\n\nRoom 42, Hong Kong Club, Hong Kong. Ying Wah College, Bute Street, Kowloon,\n\nc/o U.S. Consulate-General, 26 Garden Road, H.K.\n\nc/o S.C.M.P., Wyndham Street, Hong Kong, P. O. Box 1382, Hong Kong.\n\n46, Stubbs Road, Hong Kong.\n\nU.S. Consulate-General, Garden Road, H.K. Dept. of Architecture, H.K. University, H.K.\n\nc/o Butterfield & Swire, Union House, H.K. The British Council, 2nd fl., Buckingham Bldg., Kln.\n\nThe Lodge, 1, University Drive, H.K. The Lodge, 1, University Drive, H.K.\n\n5, Tai Hang Road, Hong Kong.\n\n3-B 3, University Drive, Hong Kong.\n\n2, Conduit Road, Hong Kong.\n\n2, Conduit Road, Hong Kong.\n\nWah Yan College, 281, Queen's Road, E., H.K.\n\nThe Library, University of Hong Kong, H.K. Dept. of Chinese, University of Hong Kong, H.K.\n\nHong Kong & Shanghai Banking Corpn., H.K.\n\nNew Asia College, 6 Farm Road, Kowloon,\n\nc/o Labour Department, 22 Ice House St., H.K.\n\nc/o Colonial Secretariat, Hong Kong.\n\nP. O. Box 1213, Hong Kong.\n\nChung Chi College, Ma Liu Shui, New Territories.\n\nJardine, Matheson & Co., Ltd. Hong Kong.\n\naddress not known yet.\n\nDept. of Education, H.K. University, H.K.\n\nc/o Hong Kong Club, H.K.\n\nc/o Hong Kong Club, H.K.\n\n34 Arundel Avenue, Ottawa, Ontario, Canada.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f",
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    },
    {
        "id": 204677,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1963",
        "page_number": 158,
        "title": "RAS-1963",
        "content_text": "142\n\nBOOK REVIEWS\n\nBOOKS RECEIVED\n\nLUN-HENG. THE PHILOSOPHICAL AND MISCELLANEOUS ESSAYS OF WANG CH’UNG. Translated from the Chinese and annotated by Alfred Forke. Second edition. 2 Vols. Paragon Book Gallery, New York, 1962. Vol. I, 577 pages, Vol. 2, 536 pages. HK$20.\n\nSYMPOSIUM ON ECONOMIC AND SOCIAL PROBLEMS OF THE FAR EAST. Edited by E. F. Szczepanik. Hong Kong University Press, 1962, 508 pages. HK$50.\n\nTHE ART OF CHINESE POETRY. James J. Y. Liu. Routledge & Kegan Paul, 1962. 165 pages. 30/-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
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    },
    {
        "id": 204766,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 69,
        "title": "RAS-1964",
        "content_text": "58 \n\nK. M. A. BARNETT \n\nfrom the point of view of my present subject, the event which ushered in the new age is the capture of Canton in +878 by the Huang Chao146 rebels. Between this event and the re-incorporation of Canton's territory into China in +971, by which time the earliest Chinese had already a firm grip on what is now Hong Kong, the Liu76 family gave five emperors to the Nan Han99 Dynasty at Canton. This family was allied by marriage with the Cheng163 and Tuen families which successively at this period ruled the powerful kingdom of Nan Chao;100 with the Ma89 family which ruled the kingdom of Tsu1 and no doubt, if the evidence could be pieced together, with many other peoples. For we are told that the emperor Liu Chang78 had a Persian princess in his harem, and among the many Arab travellers who visited Canton there must be some who left a description of these flamboyant half-Chinese rulers, with their eighty or more palaces, the walls of which were encrusted with pearls, their bloodthirsty exuberance and, what shines even through the disapproving accounts of the Chinese historians, their courage and administrative skill. The name Po On3 revived by the Republic of China as the name for the district of which geographically, Hong Kong is a part, was adopted by the Canton rulers in obvious reference to the pearls for which this district was at that period famous. The statement in the San On Yuen Chi123 that the name comes from the hill called Po Shan north of Nam Tau8 city is the \"cart before the horse\". The pearls were fished in great numbers somewhere near Tolo Channel, probably in Double Haven where the name Chue Tong Wat162 survives as a bay on Kar O Island.\" They were then transported overland along the route marked by a chain of forts over the pass northeast of Tai Po Tau34 village, through Kau Lung Hang, over the present golf course and skirting the Pat Heung2 marshes to the present Ping Shan, and across the creek to the fort of Tuen Mun4 which I mentioned earlier in this paper. The route, I would have you observe, almost at every point passes one of the chief settlements of the Tang44 clan who are, I believe, together with all the old Cantonese-speaking clans of this territory, the descendants of the soldiers stationed here in the Nan Han Dynasty and its successors for the express purpose of guarding these precious pearls. They were as I have said encouraged, when too old to serve with their arms, to settle down",
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    },
    {
        "id": 204790,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 93,
        "title": "RAS-1964",
        "content_text": "PENG CHAU\n\n81\n\nThe first ancestor came from Po Kat in Po On, then San On, district. He settled not far from the anchorage and the shops nearby, and the family flourished there for several generations, farming most of the cultivable land and planting an extensive forestry lot.29 But the position had changed for the worse by 1899. At the land settlement which followed the British lease, though the LUIs were credited with owning house land, four and a half acres of paddy fields, and nine and a half acres of dry cultivation and vegetable land on Peng Chau, all except their houses were mortgaged to different persons without hope of return.30 When my informant was a boy, the LUI houses were in a broken-down condition. They also owned a lot of land on the Lantau coast opposite Peng Chau, but much of this too was mortgaged by the end of the century.31\n\nThe CHUNG family are said to have been the next arrivals. According to old Mr. CHUNG, his great-grandfather, who was the family's first ancestor to live on the island, came together with his son, a boy of ten. Consultation of the grave tablet, which is dated 1834,32 shows that he probably arrived in Peng Chau in the first quarter of the nineteenth century, not long after the LUIs. He came from his parent village of Tin Liu Ha in the Lam Tsuen Valley near Tai Po in the present New Territories. In 1899, the family still owned very little land of its own on Peng Chau, having, besides houses, only one-third of an acre of dry cultivation, but they held the mortgages of nearly nine acres of the LUI land, including most of their paddy fields.33 The family farmed their own and the mortgaged land, but, as I have said above, fishing was their chief concern about ten years before the British lease, another seeming \"irregularity\" which warns against the assumption that our local communities have separate characteristics and perform distinct functions which do not overlap. It was very likely Mr. CHUNG's grandfather's success at sea which enabled him to loan money to the LUI family and so gradually obtain their land; and the lack of land which made this family concentrate on the sea in the first place.\n\nAnother family of Hakka settlers are the LAM ✯ clan who came in the mid-nineteenth century. According to family tradition, three brothers who were operating a pawn-shop in Shum Chun Market were \"squeezed\" by yamen runners when a murder...",
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    },
    {
        "id": 204853,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 156,
        "title": "RAS-1964",
        "content_text": "BOOK REVIEWS\n\n131\n\nartists. It is disturbing indeed to find that two of these previously published elsewhere as \"attributed\" — are promoted here to \"full\" Chinnery status without a word of explanation!\n\n12\n\nHow does one reconcile the title \"The Hong Merchant, Gou Qua\" with the picture showing a man in the costume of a North China scholar?\n\nAnyone familiar with Chinese ship portraits and Chinese port scenes will question the two handsome Chinese Junk oils.13 The clue is the small British and American vessels in the lower corners of the \"War Junk\" — alluring to a prospective nautical purchaser, typical of many ship portraits, but so different in style and subject from other Chinnery marines.\n\nThe time has come to bury forever that misused, euphonic term \"School of Chinnery\". Take port scenes. Mariners and merchants arrived in Canton centuries before Chinnery. Even my two great grandfathers14 had won their battle with the pirates off Macao nearly a generation before Chinnery's arrival. What is more natural than to take home a port scene oil to show one's family. These men were not art experts and Chinese representations were good enough for them. It is possible today to date port scenes definitely prior to Chinnery, proving that Chinnery had no influence on those Chinese artists. It is also possible to date similar port scenes after Chinnery's death that show no style change from the earlier representations. Why not be honest and call them \"China Trade Port Scenes\",15 which they are, instead of \"School of Chinnery\", which they are not? To all other port scenes such as St. Helena and the Cape of Good Hope16 “School of Chinnery”, verges on fantasy, particularly so when the text denies the existence of any Chinnery pictures made on his voyage to India.17\n\n12 Plate 42 top.\n\n13 Plate 73.\n\n14 William Sturgis and Daniel C. Bacon. See R. B. Forbes — Personal Reminiscences.\n\n15 It has taken many years to substitute the correct \"China Trade Porcelain\" for \"Oriental Lowestoft\".\n\n16 Plate 55 bottom, Plate 56 top.\n\n17 Page 59.",
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    {
        "id": 204858,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 161,
        "title": "RAS-1964",
        "content_text": "136\n\nBOOK REVIEWS\n\nbrush and the most excellent ink, washed his hands and cleaned the ink stone as if to receive an important guest. He let the thoughts settle in his soul, and then he work” (page 46). Among other essays and jotting here translated should be mentioned Ching Hao's \"Notes on Brush-work\" and the Hua Yü Lu #4 (\"Notes on Painting\") by Shih-t'ao of the Ch'ing dynasty. One sentence from Shih-t'ao's essay is typical of his attitude: \"When the superior man borrows from the old masters, he does it in order to open a new road\n\nTwo illustrations gave me special pleasure: \"Misty Hills\" by Ch'en Shun and \"Peach-blossom Spring\" by Shih-t'ao (plates 18 and 19). The book is equipped with a full index of Chinese names, terms and books with their Chinese characters.\n\nThis new edition of an important work by the doyen of Western authorities on Chinese art can be recommended to all who are interested in Chinese painting and it serves as introduction to Sirén's magnum opus, his Chinese Painters, Leading Masters and Principles in seven volumes.*\n\nJ. L. C-B.\n\nTHE ART OF CHINESE POETRY. James J. Y. Liu. Routledge & Kegan Paul, 1962. 166 pages. 30/-\n\nMr. James Liu's book is a fine introduction to the poetry of China for the uninitiated, and a substantial source of information and enjoyment for the sophisticated.\n\nOf a moderate size, the book is divided into three sections. Part I consists mainly of information, Part II of interpretation and Part III of criticism. The subject is generously illustrated with short poems translated by Mr. Liu and others.\n\nA remarkable feature of this book is the way in which Chinese poems are translated. Mr. Liu has in many cases followed the original verse form and rhyme scheme, a difficult and painstaking process requiring considerable virtuosity and originality. What he does, goes contrary to prevailing fashion and one is not surprised to find the critic of the Times Literary Supplement, while maintaining the general excellence of the book, taking\n\n*Lund Humphries, 1956. Profusely illustrated,",
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    },
    {
        "id": 204860,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1964",
        "page_number": 163,
        "title": "RAS-1964",
        "content_text": "138\n\nBOOK REVIEWS\n\nbetween man and woman. True, there are many Chinese poems by men professing affection for other men in terms which would bring serious embarrassment if not public prosecution to an English poet; true also that in old China, where marriages were arranged by the parents, a man's need for sympathy, understanding, and affection often found their answer in another man\n\n15\n\nOne of the things that often lead to a misunderstanding of Chinese poetry is the insistence, to the point of excess, on the associative power of Chinese characters. One often hears that the genius of China is in its written language, in the curves and squares and dashes of its mystic signs. However, to the Chinese there is much less mysticism attached to their ideograms. They are taken for granted. No doubt association is important in Chinese poetry but it is allusion which provides the chief difficulty to readers, foreign and native alike. It is often impossible for people who have no classical Chinese background to go beyond the first line of some Chinese poems.\n\nPerhaps Mr. Liu's chief contribution to an understanding of this art is his application of Western methods to the criticism of Chinese poetry and his attempt at a synthesis between the traditional Chinese views of poetry and the verbal analytical approach of the West. This is contained in Part III of the book which begins with a criticism of the four schools of critics, namely, The Moralists, the Individualists, the Technicians and the Intuitionalists, and continues with a description of how these views might be reconciled. Imagery, symbolism, allusion, antithesis and other poetical devices are then described, contrasting Western and Chinese uses of them.\n\nThere will always be two types of readers: the man in the street and the academician. To whichever category one may belong, to those who are looking for something peculiarly Chinese or to those who look upon poetry as an exploration of different worlds (world as \"emotion and scene\")—there will be much to enjoy in Mr. Liu's well-conceived volume The Art of Chinese Poetry.\n\nT. C. LAI.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
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    {
        "id": 204870,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1964",
        "page_number": 173,
        "title": "RAS-1964",
        "content_text": "148\n\nNOTES AND QUERIES\n\nabandoned, broken-down, and over-grown with trees and scrub, probably because it lies in a more remote and less populous part of Lantau, so that there would be no use for it after the garrison left.\n\nAn interesting feature of the Tung Chung fort is the presence of six old muzzle-loading cannons on its walls, each fixed to a cement base. (There are now none at Fan Lau). How these were preserved at Tung Chung is told in the following extract from the 1918 Administrative Report of the District Officer, South:\n\nMiscellaneous Receipts show an increase of $5,000 odd, due to the sale of old cannon for $5,265 which had previously remained neglected in the district. In this connection, it may be noted that any specimens of interest were retained, and that six guns were selected for mounting upon the wall of the old Yamen — the present Police Station — at Tung Chung, Lantau. So the guns at Tung Chung may not always have been there, but may have come from elsewhere, some perhaps from Fan Lau.\n\nThe cannons vary in weight from 1,000 to 2,000 catties, i.e. between 12 and 24 cwts., and are quite large. An interesting comparison is the Ming cannon dredged from Kai Tak Bay in 1956 during the construction of the new runway, which weighs 500 catties and is now mounted outside the Colonial Secretariat. All six pieces carry inscriptions, of which only four are now legible. A typical description reads as follows (though there is room for dispute as to the precise translation):\n\nCannon; weight - 2,000 catties (23-8 cwts.) YIK, Border Pacification General by Imperial Appointment. CHAI, Minister of Constant Support, Junior Guardian of the Heir Apparent and Viceroy of Kwangtung and Kwangsi.\n\nLEUNG, Assistant Minister of Defence and Governor of Kwangtung.\n\nLAU, Acting Prefect of Fat Shan Prefecture.\n\nCHEONG, Hoi Fung District Magistrate, on Reserve, supervised its manufacture in the 21st year of Reign of To Kwong, 10th Moon (1842)\n\nby Cannon Artisans LI, CHAN & FOK.",
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    {
        "id": 204873,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1964",
        "page_number": 176,
        "title": "RAS-1964",
        "content_text": "NOTES AND QUERIES \n\n151 \n\nevacuation (1662-1669). But it is certain that Tung Chung and Sha Lo Wan had a share in the incense trade which terminated with the evacuation. Wild incense trees can still be found but the art of making incense sticks has vanished.\n\nThe ancestors of the people living in the valley may have migrated into the area from the north in 1669 but the area has been, until recently, notorious for occurrences of malaria which claimed heavy tolls. The entire population may have been completely wiped out several times, as the oldest of the families has a family history of no more than seven generations.\n\nTung Chung came into the limelight again when Cheung Pao Tsai and his pirate band who had been using the bay as one of their bases to prey upon the coastal trade of the South China Sea, successfully repelled a Ching naval contingent after a ten-day battle in the Ping Chung Bay in the twelfth year of Chia Ching's reign (1807). The trouble was finally quelled in 1809 when Cheung Pao Tsai surrendered and his pirates were disbanded.\n\n2\n\nWith the suppression of the pirates, trade flourished. The Viceroy at Canton petitioned the Ch'ing Government in 1817 saying that \"Ta Yu Shan of San On District, an isolated island, is on the (trade) route of the ships of the \"barbarians\". Tung Chung and Tai O are the only places where these \"barbarian\" ships can anchor. A fort at Chi Yi Kok2 with a Captain(?) and soldiers from the Tai Pang Camp has been maintained but there is no garrison at Tung Chung. As the two places are very far apart, eight garrison houses should be built at the mouth of the Tung Chung Rivers and two batteries (the fort), seven garrison houses and one arsenal should be constructed on the foot of Shek Shee ShanJ. \"6 The petition was accepted and the work was completed in the same year. Whether the work was carried out as requested by the Viceroy has still to be proved. However, the fort has been relatively well preserved and seven old\n\n2 Fan Lau (), 24 miles from Tai O.\n\n3 Nan Tau (南頭), Po On District, 15 miles to the north of Lantau.\n\n4 The distance is 6 miles across the main watershed and about 9 miles along the coast.\n\n5 The idea was to prevent the \"barbarians\" from drawing fresh water for their ships.\n\n6 Kwangtung Annals (廣東通志), p. 2,530.",
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        "document_key": "RAS-1965",
        "page_number": 68,
        "title": "RAS-1965",
        "content_text": "THE DIALECTS OF HONG KONG BOAT PEOPLE\n\n61\n\nGiven these obstacles in the way of locating KS origins geographically, I will continue to speculate that the most fruitful area for further research in the problem would be in the regions bordering the northern part of the Pearl River delta. Furthermore, and on firmer ground, it seems clear that the anthropological and the linguistic data put this group of Boat People well within the mainstream of Han Chinese culture and it would take some new type of evidence to assign other origins to them. I repeat the point that similar research should be done on other Boat People groups in Hong Kong before the full picture can develop. On the basis of this one study and a series of more casual observations I would also expect to find support for the thesis, shared by others, that the Boat People are not of a single origin but come from various regions of China at various times.\n\nNOTES\n\n1 The Kau Sai village and anchorage are located on Kau Sai Chau in the Port Shelter area off Sai Kung in the New Territories. My sincere thanks are due to those people of Kau Sai who gave so freely of their time to help with this project.\n\nI am especially grateful to Mrs. Stella Lau Fessler of Hong Kong for her generous assistance during all the collection phases of the research in Kau Sai and Sai Kung; she also served as informant for Standard Cantonese against which base the Kau Sai speech was compared.\n\nBy Standard Cantonese I refer to the dialect spoken by the majority of persons residing in Canton, Hong Kong, and now possibly Macau.\n\n2 See Egerod (1956) for some notes on the Hoklo and a detailed study of the dialect spoken by one particular group of Fukien Province immigrants in south Kwangtung.\n\n3 These three terms are not technical but may be self-explanatory. For a more precise definition reference should be made to Hockett (1958 pp. 137-8). My term grammar might include his terms grammatical and morphophonemic; my term lexical is roughly equivalent to his term semantic.\n\n4 The distinction between a phonetic and a phonemic description is highly significant in scientific linguistics and in oversimplified terms represents the differences between a close transcription of the gross sound features of a language and a transcription of this same language in an unambiguous script with a minimum number of symbols. Thus, a good phonetic transcription might indicate all the differences in the 'h' of he, hat, and home since the 'h' is articulated in slightly different areas from the roof of the mouth to the back of the throat as these words are pronounced. A good phonemic script, as English happens to be in this instance, would use one symbol with the guiding principle that these three 'h' sounds are nearer to each other than to other sounds in the language and that as a group they signal...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653",
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    },
    {
        "id": 204964,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1965",
        "page_number": 72,
        "title": "RAS-1965",
        "content_text": "65\n\nTHE SOUTHERN SUNG STONE-ENGRAVING\n\nAT NORTH FU-T’ANG\n\nJEN YU-WEN\n\nOn the southern tip of the small peninsula, North Fu-t'ang (Pak Fat-t'ang), on the eastern shore of Junk Bay, lies a stone-engraving dating from the Southern Sung Dynasty, one of the most famous historic relics in Hong Kong. The vernacular name for this place is Ta-miao (Tai-miu), or \"Big Temple,\" because a temple of T'ien-hou (T'in-hou), or \"Heavenly Queen,” is situated there. About half-way up the hill just behind this Temple, is located the large rock, five feet high, ten feet wide and five feet thick, hidden in the thick brush. On its flat surface facing the south, there are 108 Chinese characters engraved in nine vertical lines with twelve characters each. Each character is about four square inches in size. The entire surface covering the engraving is four feet two inches wide and three feet nine inches high. The engraving was done in the tenth year of the reign of Hsien-hsun (Ham Shun) of the Emperor Tu Chung of the Southern Sung Dynasty (A.D. 1274) — the date given at the end of the inscription. Just three years before this date, two of the Emperor's sons, who later successively succeeded him to the throne, were fleeing from the pursuit of the Mongols and had landed on the western shore of Kowloon Bay at the historic spot subsequently named Sung Wong Toi.\n\nThis stone-engraving is recorded in the Chia-ch'ing (Ka Hing) edition of the Gazetteer of Hsin-an (Sun-on) District, but details of the historic relic are not given in its description. The Genealogical Record of the Lin (Lum) clan of P'u-kang (P'u-kong) village in Kowloon, however, contains a narration concerning the place, the Temple and the stone-engraving which is very helpful for studying the history of this historic relic. Unfortunately, many of the characters on the stone as transcribed therein are not correct, leaving the readers still in the dark regarding the real meaning of the original text. As a matter of fact, a few engraved characters on the rock have been partially worn-out so badly that it renders some lines absolutely unintelligible.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653",
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    },
    {
        "id": 205089,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1966",
        "page_number": 45,
        "title": "RAS-1966",
        "content_text": "HUGH D. R. BAKER \n\nPat Heung in this. The Pangs ran a bitter feud with the Lius over many years, there being a story that a mud rampart was raised between the areas of influence of the two lineages, serving the purposes both of defence and delineation. The Mans of San Tin had battles with the Hau Clan and also with many smaller lineages in their area of the New Territories. The Haus fought the Mans, the Lius and the Pangs at various times.\n\nAs an example of a quarrel deliberately picked and a battle sought in order to change the status quo, we can cite the case of the Mans fighting the Haus in the last century. The Mans of San Tin were numerous but poor, and for many years (up until the Japanese occupation in fact) they resorted to terrorism in the neighbourhood, running a 'protection racket', whereby in return for payment of an annual fee from the weaker villages they guaranteed that the villages would be patrolled and guarded against attack from bandits and thieves. The Hau village of Ping Kong had been paying this fee, but at one stage felt strong enough to dispense with the 'protection'. They sent the Man fee-collectors away empty-handed, knowing that there would be a battle. The Mans raised a large army from their village and descended on Ping Kong under their leader, a notorious fighter with an unsavoury nickname. The Haus of Ping Kong's sister village, Kam Tsin, had sent reinforcements for the defence of the walled village. On arrival outside the walls, the Mans had the misfortune to see their leader shot dead, and immediately lost heart for the battle. They contented themselves with destroying Ping Kong's ancestral hall, which was several hundred yards from the village. There were two results from this episode. Firstly, the Haus have not paid protection money to the Mans since that day; and secondly, the ancestral hall was rebuilt inside the walls of the village, a unique instance in the New Territories as far as I know.116\n\nAs an example of escalation and the lengths to which an inter-clan dispute could go, there is the case of the Haus versus the Lius in the late nineteenth century. A Liu and a Hau farmer quarrelled over an irrigation matter (a very common cause of trouble), came to blows, and within a short time were backed up by the entire Liu lineage on one side and the entire Hau Clan on the other. No armies were sent out, but the Lius locked themselves\n\nPage 45\n\nPage 46",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811",
        "rank": 0
    },
    {
        "id": 205274,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 36,
        "title": "RAS-1967",
        "content_text": "The Travelling Palace of Southern Sung\n\n29\n\nSung Wong Toi Garden was finally completed in the winter of 1957. Acting upon the suggestion of the Chiu Clansmen's Association, most of whose members are the descendants of the early emperors and princes of the Sung Dynasty, whose family name was Chiu, the Government, with the valuable assistance of the Association, provided two stone tablets commemorating the Sung Wong Toi, one in Chinese and the other in English, on each side of the entrance to the garden. On the 28th December, 1959, a simple and dignified unveiling ceremony was held in the garden. The design and craftsmanship of the tablets are of the first quality. In particular the two dragons, symbolizing two emperors, were beautifully done. It was said that only a very few craftsmen in Hong Kong could have done them and that they should be ranked as one of the Colony's works of art. I had the honour of being asked to compose the Chinese text and to assist in translating it into English. I was also asked to compile and edit a book entitled Sung Wong Toi, A Commemorative Volume which was published in Chinese in 1960 by the Chiu Clansmen's Association.\n\nV. A FEW LEGENDS\n\nIn the text on the tablets above mentioned I stated that there existed a few historical sites connected with Tuan Tsung's stay in Kowloon. They may be of interest to you, in spite of their legendary character, if you are keen to know more of local history.\n\nNorth of the Sung Wong Toi rock it is said that there was a Chin-fu-jen mu (Lady Chin's Tomb). It is recorded in the Hsin-an Gazetteer that the Princess of Tsin Kuo, younger sister of Tuan Tsung, had been drowned nearby, or en route to Kowloon, and that a golden image of her was buried in that tomb. That was why it was called Lady Chin (Gold)'s Tomb. A large stone tablet was erected there with the name Chin-fu-jen engraved on it. I consider this as sheer legend, unsupported as it is by any substantial proof.\n\nTo the northwest of the hill is the popular Temple of Hou-wang (Hou-wang miao). Ch'en P'ei-t'ao, a famous scholar of Tung-kuan District in late Ch'ing, put out the theory that Yang Liang-chieh, uncle of Tuan Tsung, had died at sea on the way here; was subsequently buried at this spot; that he was posthumously given the title of wang (king); and that the local people built the temple in memory of his loyalty. I have found",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g",
        "rank": 0
    },
    {
        "id": 205352,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1967",
        "page_number": 114,
        "title": "RAS-1967",
        "content_text": "A NOTICE OF THE SANON DISTRICT\n\n107\n\nof the mountains, in order to procure a more luxuriant herbage, and these conflagrations seen at night have a very picturesque effect.\n\nThe height of the Mountains is not very considerable, but some of them reach to between 4,000 and 5,000 feet.\n\nThe Islands usually consist of mountains and rocks; the Chinese therefore very seldom use the expression “island” — Hoi-taou, but call them \"mountains\" — Shan, as Lin-tin-shan 零丁山.\n\nThere are only three Plains of any extent in the district. The most important lies in the N. W. part of the district, and is well watered and covered with villages; it is under the government of the Mandarin of Fuk-wing, who, by-the-by, though he is supposed to rule over 200 villages, confided to me, in a conversation that I had with him, that he had nothing to do but to eat, to drink, and to smoke.\n\nThe important towns of San-keaou, Wong-kong, Cap-sui-hou✯, and Sha-tsing #, are situated in this plain, and it might be named the San-keaou plain, San-keaou being the largest and most influential of its towns. The inhabitants of the plain are industriously occupied in the pursuits of agriculture and trade; and in the more populous and richer towns, is found the highest degree of cultivation and learning which the Sanon district affords.\n\nThe north-west angle of the plain lies very low, and is covered with rushes, some parts of it only being under cultivation, and in these only a certain kind of rice will flourish. The second plain extends from Si-heong to Deep Bay, and is continued on the southern side of that bay, there forming a triangular perfectly-even plain, the sides of which measure about five miles. The third plain occupies the eastern part of the district, near the city of Ti-pung, and is not personally known to me; even these plains have ridges of hills running through them.\n\nAmongst the principal mountains, that of 'Ng-tung † ♫ is said by the Chinese to be the highest and the most powerful; all remarkable mountains are supposed by the Chinese to have some spiritual influence over the affairs of mortals. It lies in the eastern part of the district near Mirs Bay, and is probably about",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g",
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    },
    {
        "id": 205546,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 88,
        "title": "RAS-1968",
        "content_text": "FAN LAU AND ITS FORT\n\n83\n\noverlooking various approaches in connection with the maritime defence of the Chu Kong estuary.2\n\nIn the past vessels proceeding towards Canton from northerly points used two main routes. The first was an inner route through Fat Tong Mun1 into Kowloon Bay by way of Lei Yu Mun, after which a stop was made near the present day Kowloon City. Vessels then proceeded through what is today's Hongkong harbour towards Kap Shui Mun. Continuing northwestwards, they negotiated the inner Tai Yu Shan passage towards Lung Kwu island, using for their landmark Castle Peak (1, Shing Shan) the same landmark that Sung sailors used centuries ago to pinpoint the then bustling emporium of Tuen Mun, located near its base. From then on, ships continued towards their destination, stopping either at Lin Tin or at Nam Tau with a final clearance at Fu Mun.\n\nA second approach used by vessels was to raise their landfall at Pak Tsim, Yung Hai, or at Tam Kong (see page 87 for these places), and thence to proceed through the Sam Chau Mun picking up the twin-peaked heights of Fung Wong Shan, the highest point in the Tai Yu Shan, as a navigational landmark. On this bearing, ships entered the estuary of the Chu Kong at a point below Fan Lau fort. From Fan Lau they set course for Lung Kwu, before continuing up the estuary to Fu Mun and then to Canton.\n\nThe importance of Fan Lau to the Chinese coastal defence system lies in its location athwart the entrance of the Chu Kong estuary. The headland of Fan Lau too, made an excellent navigational landmark for ships approaching the estuary.\n\nFan Lau fort\n\nThe fort is sited on high ground about 235 feet above sea level. The exterior dimensions are 155 feet by 70 feet. The stone walls vary from 3 to 7 feet in width depending on the extent to which the existing walls have crumbled (plate 7). The height of the walls also varies, being higher at the southern end facing the sea than at the northern end. The area inside the fort covers no more than 7,380 square feet (123 feet by 60 feet). The smallness of this area suggests that the structure was a small outpost fitting the description of “guard-station\" rather than \"fort\", although it appears on a map in the Kwong Tung Tung Chi as the Tai Yu Shan pao tai (*: literally \"Tai Yu Shan gun terrace\").",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
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    },
    {
        "id": 205550,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 92,
        "title": "RAS-1968",
        "content_text": "FAN LAU AND ITS FORT\n\n87\n\nUsing the Ching dynasty maps from the District Gazetteers and the Provincial Gazetteer, I identify the places on the Chu Kong estuary section on the Mo Pei Chi charts as follows: (see map 4)— Po Toi Shan 蒲胎山 an island south of Hongkong. Now written 蒲台\n\nTung Keung Shan 東姜山\n\nYung Hai Shan 翁鞋山\n\nFat Tong Mun 佛堂門\n\nPak Tsim 北尖\n\nLang Tin Shan 小溪山\n\n+\n\n++\n\nTam Kon islands 檐桿\n\nYung Hai 湧鞋 or Hai Chau 鞋洲 retains the same name, Fat Tong Mun 佛堂門 retains the same name, Pak Tsim 北尖 as the \"outer Lintin\", Ngoi Ling Tin 外伶仃\n\nas the \"inner Lintin”, Ting Lin 伶仃\n\n\"Lantau\", Tai Yu Shan 大嶼山\n\n\"Fan Lau\", Kai Yik Kok 雞翼角\n\nNam Tin Shan 南停山\n\nTai Kai Shan 大溪山\n\nSiu Kai Shan 小溪山\n\nKwun Fu Chai 宮富寨\n\n+ present day \"Kowloon City\", Kau Lung Shing 九龍城\n\nTung Kwun Sor 東莞所 District of Tung Kwun, Tung Kwun Yuen 東莞縣\n\nHeung Shan Sor 香山所 District of Heung Shan, Heung Shan Yuen 香山縣\n\nThe absence of any mention of the San On district (新安縣) on the charts is significant. It is highly improbable that the compilers of the charts would have deliberately omitted or accidentally overlooked that district. Now, we know that the San On district was detached in 157310 from the Tung Kwun district to form two separate districts, the Tung Kwun and the San On districts, a circumstance which confirms the suggestion that the Mo Pei Chi charts were drawn at least before the creation of the San On district. If this were the case, the Kai Yik Kok fort must also be dated before 1573, which would make it a Ming dynasty fort.\n\nBetween 1805 and 1810 control of the Chu Kong estuary slipped from the forces of the government. A new pirate leader, Cheung Po-tsai 張保仔 became master of the seas around Tai Yu Shan.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
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    },
    {
        "id": 205595,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 137,
        "title": "RAS-1968",
        "content_text": "132 \n\nJ. NACKEN \n\nfollow their pattern sage. They pluck and eat their fruit when still unripe; this may be partly because they are afraid of thieves, and partly because the means of sending their produce to the market are so primitive and slow. \n\nOne of the most interesting aspects of street life presents itself at noon. Tables are set in convenient places shaded by a large umbrella, A bench for guests stands in front, whilst the busy cook stands behind. He cries out his delicacies and the price of them, which varies from 2 to 8 cash a bowl. Those of the Chinese who can afford it sit down to \"shik-án-chau.”* There are beef, mutton, fish, and shrimp-congee, macaroni, vermicelli, sago soup, etc. Those of the hawkers who have not yet earned so much capital as to have such a stall, offer cheaper delicacies on their perambulating tables. You may get several kinds of cooling gelatine or jelly with sugar for 3 cash a bowl, or a glass of lemon-water, or cake with meat or peanuts inside. Cakes vary according to seasons and festivals. \n\nIn the evening all the stalls and hawking tables are illuminated by paper lanterns, which, indeed, make the streets look lively and interesting. Besides the articles mentioned above you may hear cried out: Pickled, salted, or candied fruit, betel nut, almonds' milk, lotus-nut soup and a kind of whey made of milk. In winter the cooling dishes and drinks are exchanged for flour-balls and cakes boiled or cooked with oil. \n\nI think we have now listened long enough to street cries for selling articles of food, and I should not wonder if my friend ex-claimed, \"Dear me, I had no idea that the Chinese had such a variety of chow-chow.\" The fact is, I have not by any means exhausted my list of street cries of this nature. The Cantonese are gourmands and they pride themselves on their art of cooking. They have this saying:- \n\n\"Happy is he who is born in Soochow, who has his meals in Kwong-chow, and who dies in Laou-chow.”† \n\n* : to eat the noon meal; to take lunch. The last two characters have probably given rise to the pidgin-English chow-chow, to eat. \n\n† The Soochowites are envied by our orange-skinned Cantonese friends, being of a fair complexion; Laou-chow is said to have the best wood for coffins.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
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    },
    {
        "id": 205744,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 50,
        "title": "RAS-1969",
        "content_text": "44\n\nR. G. GROVES\n\nthat one could not bear to think of them.\"55 These apprehensions represent the core of arguments which were developed and embellished as the campaign to mount the resistance movement continued. They reached their highest point in a petition sent to the San On Magistrate some two weeks later. This alleged that, in an effort to control cholera, the Hong Kong Sanitary Board murdered Chinese who were ill by poisoning them with arsenic and then burned their houses down. The inflammatory potentialities of these charges — which appear to have been widely believed — are obvious. They were used frequently by leaders of the resistance in subsequent weeks.\n\nAs requested, leaders of the various districts within the Yuen Long marketing area assembled the next day at Yuen Long market. Pat Heung, Shap Pat Heung, and Kam Tin were each represented by four people. Ping Shan sent six representatives, Ha Tsuen three, and Tun Mun (Castle Peak), one. Of the twenty-two people who attended the meeting, thirteen were members of one or another of the three Tang lineages. Once again, a decision was taken in favour of resistance, although not without disagreement. Two days later, on 31st March, leaders from throughout the area convened again at Yuen Long. The previous decision to resist was reaffirmed and letters were sent to leaders within the Sheung U Division, asking them to attend a general meeting at Yuen Long the next day.56\n\nOn 1st April leaders from the northern part of the Sheung U Division made their way to Yuen Long. In addition to the Yuen Long leaders, representatives of the following Sheung U lineages were present: Liu (Sheung Shui), Pang (Mandarin: P’eng, Fan Leng), Tang (Tai Po Tau), and Man (San Tin). The ensuing meeting was characterised by long and heated debate. It ended with a decision to offer resistance on an inter-divisional basis. Whatever the others did, the Tangs were clearly determined that the occupation would be opposed. While the Yuen Long meeting was in progress a copy of a placard issued by the Yuk-on Hin (\"wish for peace\" library) of Ping Shan reached the Governor in Hong Kong. Its message was direct and to the point:\n\nWe hate the English barbarians, who are about to enter our boundaries and take our land, and will cause us endless evil. Day and night we fear the approaching",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
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    {
        "id": 205757,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 63,
        "title": "RAS-1969",
        "content_text": "MILITIA, MARKET AND LINEAGE\n\n57\n\nas leaders during the fighting. Ten of the 63 leaders are identi-fiable as members of the gentry, in the sense that they are men-tioned in the documents as having degrees obtained either by purchase or by examination.\n\nexamination. Most of the remainder could be termed 'local notables'. Some were substantial owners of agricul-tural land and village houses. Other owned shops in their local markets. It is probable that they were often --as was Man Cham-tsun managers of corporately-owned lineage property. The available information about these men is summarized below.\n\n—\n\nTable II\n\nLEADERS IN THE RESISTANCE MOVEMENT\n\n(By Marketing area, District & Village, Surname)*\n\n  \n    Marketing area\n    District, or other Association of sharing gradu-ates\n    Village, or Surnames\n    No.\n    No. of leaders\n  \n  \n    Yuen Long\n    5+\n    \n    \n    \n  \n  \n    Ha Tsuen\n    \n    Tang\n    12\n    2\n  \n  \n    Ping Shan\n    \n    Tang\n    11\n    1\n  \n  \n    Kam Tin\n    \n    Tang\n    10\n    2\n  \n  \n    Pat Heung\n    \n    Tang\n    2\n    \n  \n  \n    \n    \n    Li\n    1\n    \n  \n  \n    \n    \n    Lai\n    1\n    \n  \n  \n    \n    \n    Tse\n    1\n    \n  \n  \n    \n    1.\n    \n    +3\n    \n  \n  \n    \n    15\n    \n    \n    \n  \n  \n    Shap Pat Heung\n    \n    Chu\n    1\n    \n  \n  \n    \n    \n    Ng\n    2\n    2\n  \n  \n    \n    15\n    \n    \n    \n  \n  \n    Tai Po\n    \n    \n    \n    \n  \n  \n    Tun Mun Ts'at Yeuk\n    \n    Tang\n    1\n    \n  \n  \n    \n    \n    Lo\n    1\n    \n  \n  \n    Tai Hang\n    \n    Man\n    3\n    1\n  \n  \n    \n    71\n    \n    \n    \n  \n  \n    Pan Chung\n    \n    Chan\n    1\n    \n  \n  \n    \n    \n    Mak\n    1\n    \n  \n  \n    \n    -\n    \n    *\n    \n  \n  \n    \n    +3\n    \n    +\n    \n  \n  \n    \n    ++\n    \n    7\n    \n  \n  \n    \n    \n    \n    **\n    \n  \n  \n    Fan Leng\n    \n    Pang\n    1\n    \n  \n  \n    Sha Lo Tung\n    \n    Li\n    2\n    \n  \n  \n    \n    \n    \"\n    **\n    \n  \n  \n    \n    \n    *\n    *\n    \n  \n  \n    \n    2\n    \n    \n    \n  \n  \n    Cheung Shue Tan\n    \n    Chan\n    1\n    \n  \n  \n    \n    7:\n    \n    \n    \n  \n  \n    \n    *\n    \n    H\n    \n  \n  \n    3.\n    \n    \n    \n    \n  \n  \n    Hang Ha Po\n    \n    Lam\n    1\n    \n  \n  \n    Tai Po Tau\n    \n    Tang\n    *\n    \n  \n  \n    Shek Wu Hui\n    \n    \n    \n    \n  \n  \n    Lung Yeuk Tau\n    \n    Tang\n    I\n    \n  \n  \n    \n    ++\n    \n    +1\n    \n  \n  \n    Sheung Shui\n    \n    Liu\n    1\n    \n  \n  \n    Ping Kong\n    \n    Hau\n    2\n    1\n  \n  \n    \n    **\n    \n    \n    \n  \n  \n    Sha Tau Kok\n    \n    \n    \n    \n  \n  \n    Sham Chun\n    \n    \n    \n    \n  \n  \n    Wo Hang\n    \n    \n    \n    \n  \n  \n    San Tin\n    \n    Li\n    4\n    \n  \n  \n    \n    \n    Man\n    1\n    \n  \n\n* All romanisations are in Cantonese.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
        "rank": 0
    },
    {
        "id": 206056,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 136,
        "title": "RAS-1970",
        "content_text": "A BRITISH WARTIME CHART SHOWING HONG KONG\n\n131\n\nThe name \"Iron River\" given to the present-day Hebe Haven may be related to the fact that Ma On Shan to the north has iron-ore (Magnetite) deposits on its south western side. It would seem to indicate that the deposits were known in the eighteenth century, if not worked.\n\nMers (Mirs) Bay is shown as being very small. A number of soundings near the entrance indicate the visit of a ship, so the error in its size and shape would seem to be yet another indication of poor visibility causing errors in observation.\n\nSuggested Identification of Place Names\n\n(Alphabetical Order)\n\n  \n    Botoe Is.\n    East Brother (Siu Mo To)\n  \n  \n    Cape Lintin and Bay\n    South West Point and Deep Bay\n  \n  \n    Castle Land\n    Nam Tau Peninsula\n  \n  \n    Chang Cheou Is.\n    Cheung Chau\n  \n  \n    Chin-falo\n    Tsing Yi Island\n  \n  \n    Co-chee\n    Ma Wan Island\n  \n  \n    Co-long\n    Kowloon City\n  \n  \n    False Hook\n    Wong Chuk Kok (on Lamma Island)\n  \n  \n    Fan-Chin-Cheou or He-ong-kong\n    Hong Kong\n  \n  \n    Furado or Poo Toy\n    Po Toi Island (N.B. Fury Rocks, 1 Sea Mile to N.E. on modern charts)\n  \n  \n    Hay-tae-man Bay\n    Tai Shan Bay\n  \n  \n    Ichou\n    Chi Chau\n  \n  \n    I of Gatto\n    Shek Wu Chau\n  \n  \n    Iron Point\n    Fat Tau Point\n  \n  \n    Keyzers Hook\n    Fan Lau Point\n  \n  \n    Lammon\n    Lamma Island (Nam A Island)\n  \n  \n    Lang Shitoe or Chato Id.\n    Lafsami\n  \n  \n    Lantoe or Magpyes Island\n    Lantao Island\n  \n  \n    Lantoe Bay\n    Bay at Sham Tseng\n  \n  \n    Lentua\n    Lantao Island-Peninsula north of Cheung Chau\n  \n  \n    Lintin\n    Lintin\n  \n  \n    Lon-ko\n    Lung Kwu Chau",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    },
    {
        "id": 206139,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1970",
        "page_number": 219,
        "title": "RAS-1970",
        "content_text": "212\n\nBOOK REVIEWS\n\nTRADITIONAL CHINESE PLAYS, Volume 2, translated, described, annotated and illustrated by A. C. Scott, Longing for the worldly Pleasures, Ssu Fan, Fifteen Strings of Cash, Shih wu kuan, University of Wisconsin Press, Madison, Milwaukee and London, 1969, pp. X, 156.\n\nThe second volume is translated with all the same accompaniments that we find in the first one. But the two plays chosen are not Peking operas. They belong to another kind of opera which was predominant in China from the end of the XVIth century to the end of the XVIIIth. The music was softer than in Peking opera and the main instrument for accompanying the singing was the flute. As in more ancient forms, the sung parts were written on different types of melodies, with verses of unequal lengths. The literary character of these verses made them difficult for a popular audience to understand. And this type of opera, created at K'un-shan, near Suchow, was later overcome by the success of the genre elaborated at the capital and favoured by the court.\n\nBut this K'un-ch'ü, as it is called, remained for years part of the training of a good Peking opera actor. The famous actor Mei Lan-fang tried to revive it around 1915-16 and again later in 1933 with the great actor Yü Chen-fei. After 1949 a new troupe of K'un-ch'ü was formed, which put on Fifteen Strings of Cash in 1956, with the actor Wang Ch'uan-song as the clown, Lou the Rat.\n\nLonging for worldly Pleasures comes from a Buddhist story: a nun, put in a monastery, escapes to find her paramour. Fifteen Strings of Cash is a detective story from storytellers' repertoires: Lou the Rat commits a murder to steal and puts the blame on the stepdaughter of the murdered man. But a good judge, disguised as a fortune-teller, confounds him.\n\nThe interest of these books lies not so much in the translation of four librettos as in all the information about costumes, make-up, and the movements made by the actors at each moment. Consequently, the work is not just one more translation, but, first and foremost, a handbook; and a good one for anyone wanting to put on and adapt Chinese plays for a foreign audience, instead of being interested in Chinese opera as a museum piece or as an...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241",
        "rank": 0
    },
    {
        "id": 206204,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 21,
        "title": "RAS-1971",
        "content_text": "15\n\nDRAGE, C.\n\nTaikoo London, Constable, 1970.\n\nEGERTON, H. E.\n\nSir Stamford Raffles. London, Unwin, 1900.\n\nFITZGERALD, C. P.\n\nA concise history of East Asia, London, Heinemann, 1966.\n\nHEMMINGSEN, A. M., and GUILDAL, J. A.\n\nObservations on birds in northeastern China, especially the migration at Pei-tai-ho Beach. Hong Kong, Vetch & Lee, 1969.\n\nLAING, E. J.\n\nChinese paintings in Chinese publications, 1956-1968: annotated bibliography and an index to the paintings. Ann Arbor, 1969 (Michigan Papers in Chinese Studies, no. 6)\n\nLAL, K.\n\nMiracle of Konark, New York, Castle Books, 1968.\n\nLAU, S. M. Joseph\n\nTs'au Yüan. Hong Kong University Press, 1970.\n\nLI, Chi, and JOHNSON, D.\n\nTwo studies in Chinese literature. Ann Arbor, 1968. (Michigan Papers in Chinese Studies, no. 3)\n\nMURPHEY, R.\n\nThe treaty ports and China's modernization: what went wrong? Ann Arbor, 1970. (Michigan Papers in Chinese Studies, no. 7)\n\nOKSENBERG, M., and others.\n\nThe cultural revolution, 1967, in review. Ann Arbor, 1968. (Michigan Papers in Chinese Studies, no. 2)\n\nRUTT, R.\n\nKorean works and days: notes from the diary of a country priest. Seoul, R. A. S., Korea Branch, 1964.\n\nSPEISER, W.\n\nChina: spirit and society. London, Methuen, 1960. (Art of the world, 4)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
        "rank": 0
    },
    {
        "id": 206331,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 148,
        "title": "RAS-1971",
        "content_text": "A BRIEF REPORT ON SUNG-TYPE POTTERY FINDS IN HONG KONG\n\nJ. C. Y. WATT*\n\nTHE SITES\n\nOver the past thirty years various pottery finds attributed to the Sung period have been made in many parts of Hong Kong. For the purpose of this paper, two representative sites will be described and the finds discussed. The sites are: the area of Kowloon City near the present Kai Tak Airport, and Nim Shu Wan on the eastern coast of Lantau Island, the largest of the islands of Hong Kong.\n\nKowloon City, formerly called Kuan-fu Chai, was the administrative centre of the salt-pans on the north coast of Kowloon Bay. These salt-pans were one of the chief official centres of production of salt in south China during the Southern Sung period2. The existence of the Kuan-fu salt-pans, which we know from historical records, is confirmed by an inscription written by one of the salt-officers, Yen I-chang, in 1274 and carved on a rock which still stands today. The rock is situated behind a Tien-hou temple in Joss House Bay. Kuan-fu Chai was also one of the stopping places of the fleeing court of the last princes of the Sung dynasty3.\n\nIt is not surprising that a site with so much connection with Sung history should yield archaeological finds of the Sung period. The first group of finds made in this area, which are still partially available for inspection and have a fair claim to be Sung, were unearthed intermittently from a small hill which used to be known as the Sacred Hill. This hill, on which stood the Sung Wang T'ai, the Sung Princes' Rock, was levelled during the Japanese occupation in the Second World War when the airfield was extended. When the hill was demolished a large quantity of pottery was unearthed, which consisted of celadons, green glazed\n\n*Mr. Watt is Assistant Curator, City Museum and Art Gallery, Hong Kong. His note \"A Pair of Pottery Covered Jars found at Shek Pik, Lantau Island\" appeared in Vol. 9 (1969) of this Journal, pp. 161-163. This article is based on a paper presented by the author at the Manila Trade Pottery Seminar held in March, 1968.\n\nPlates 1-10 illustrate this article.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
        "rank": 0
    },
    {
        "id": 206407,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1971",
        "page_number": 224,
        "title": "RAS-1971",
        "content_text": "198\n\nNOTES AND QUERIES\n\nROPE-MAKING AND DYEING/\n\nCALENDERING ON AP LEI CHAU, HONG KONG\n\nEditor's note. The following Note describes a visit to Ap Lei Chau in March, 1971 with several members of the Ap Lei Chau Kaifong, namely Messrs. Tam Wah, Tam Keng-fat and Yue Yiu-wah.\n\nWe first visited the shop, Kwong Po Wah (**), at 141 Main Street where Mr. Yue's father, Yue Kou, aged 73 and born on Ap Lei Chau, was waiting for us. Pre-war, Mr. Yue had operated a dyeing manufactory whilst his elder brother, Yue Yip, had operated a rope manufactory.\n\nMr. Yue explained to us how the glazing or calendering part of the dyeing was carried out. The only visible sign of this activity was a large cut-granite slab. (See Fig. 1).* This had been the top part of the equipment. It had been obtained from Kowloon City, where there were many dyers and had been brought by boat and then carried by four coolies to his shop. The lower part, now destroyed, consisted of a wooden block of lai chee wood and a wooden roller of the same wood. (See Fig 1). The cloth, measuring two or three (up to 30 feet) in length and 2.4 ft in breadth was wound round the roller. A man stood with a foot on each end of the granite block and, holding on to a specially made wooden frame with his hands, moved it over the roller.\n\nMr. Yue had not learned this trade from his father but from a partner whom he had financed. They did not buy cloth to sell retail but operated whenever persons brought white cloth to them for dyeing. At that time it was customary to dye dark blue or black. This was a part-time activity, and Mr. Yue supplemented it by rearing pigs and chickens and cultivating fruit trees.\n\nHis elder brother, Yue Yip, had been a rope-maker at a long level platform behind and above the shop, Kwong Po Wah. This space, known as Ta Lam Lo (T), is now occupied by squatter huts. The area was long and wide enough to provide a working space 300 feet by 15 feet. One-sixth of it had a thatch made of palm leaves (). This was to provide cover for storage of materials and completed goods.\n\nRope-making was of two kinds: using mit lam (*) for the trawling ropes of trawlers and wong ma lam (*) in com-\n\n* On p. 197.\n\n† Ap Lei Chau with Aberdeen has always been a home base for a fishing fleet.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g",
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    },
    {
        "id": 206471,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 19,
        "title": "RAS-1972",
        "content_text": "CHINESE MEDICINE\n\n13\n\nof centuries, and which represents the observations and experiences of many bright minds.\n\nThe most glorious epoch in Chinese medical history was the Han (漢) dynasty, 206 B.C.-264 A.D. This is sometimes referred to as the Age of Science in Chinese medical history. Great stress was laid on direct observation during this period. It was in this period that we had the greatest medical Trio in Chinese history, namely Tsang Kung (倉公), Chang Chung-ching (張仲景), the Hippocrates of China, and Hua To (華佗).\n\nTsang Kung was the first medical man in China to introduce clinical case taking.\n\nChang Chung-ching is well-known for his Essay on Typhoid (傷寒論) which is regarded as a classic in Chinese medicine. It was he who advocated the use of enema, and also hydrotherapy, for treating fever. He contributed much to the medical world, especially in his own period.\n\nHua To was the most celebrated surgeon in the Three Kingdoms period (221-264 A.D.). It is usual to associate anaesthetics with him. According to the Later Han Annals (後漢書), Hua To caused the patient to take an effervescing powder in wine which rendered him completely unconscious. He then opened the abdomen, washed and cut the diseased portion. He sutured the parts together and applied a salve to the wound which cleared up in four or five days, the patient completely recovering within a month. The surgical skill of Hua To is highly commended by all Chinese medical men.\n\nDuring the Tsin (晉) dynasty (265-419 A.D.) two noteworthy features were the Classic on Pulse (脈經) by Wang Shuo-ho (王叔和) and the first authentic description of small-pox in the publication of Chou Hou Pei Chi Fang (肘後備急方) or Handbook of Prescriptions for Emergencies by Ko Hung (葛洪).\n\nAs is probably known, the most characteristic and typical Chinese method of diagnosing diseases is the feeling of the pulse. Space does not permit a long account of this art. Suffice it to say the native doctor, having no other means, either instrumental, chemical or biological at his disposal, has developed the sense of touch to such a degree as to be able to tell what is wrong from the pulse better than the modern doctor whose faculties of observation have been dulled for want of practice.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    },
    {
        "id": 206642,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 190,
        "title": "RAS-1972",
        "content_text": "184\n\nd.\n\nKEITH STEVENS\n\nAn image in the form of Yin Ch'iao; with six arms, a blue face covered in spots like warts; two fangs, two banners, a bell, two swords and one arrow.\n\nPossible Misidentifications\n\nThe images of Yin Ch'iao/T'ai Sui can be confused with several deities who have similar characteristics. These are:\n\na. One version of the Fukienese god of actors, Tien T’o Yuan Shuai (*), is a standing general with a sword in his right hand and a hand bell in his left. He has or should have, however, a pink face, and his usual identifying characteristic, a crab painted over his mouth or his forehead.\n\nb. In a Singapore Foochow clan temple of the Hsu (✯) family there is a seated general in armour, with a blue face and fangs, called Liu Chin Sheng Ho (Hr). He holds an axe in each hand and is prayed to for the good health of the clan and for the rapid recovery of the sick.\n\nc. Pu Tu Kung (#2) who releases souls from the Under-world during the seventh lunar month, is often shown as blue-faced and with two fang-like teeth showing. Normally, however, he does not carry anything in his two hands.\n\nd. One of the two attendants of Fa Chu Kung (✯È2) is a general with a sword raised in his left hand and a handbell held in his right. He wears a tiger's head hat and is called Hu Ye (A). He has a pink face and a black beard.\n\nAn image of the Golden Youth (✯✯), one of the assistants to Kuan Yin, could be mistaken under certain conditions with the manifestations of T'ai Sui as a seated youth with the scroll. The Golden Youth has a similar seated pose, the same style head and hair but normally holds a fly whisk in the right hand. If this is lost the image looks at first glance like a T'ai Sui without a scroll.\n\nThe Indian Buddhist deity of death, Mara, could understandably be mistaken for T'ai Sui, Mara (A) in his Chinese form normally has a greenish hue, has a frightful face with two tusk-like teeth, holds a bell in his right hand, but has bare feet, is bare to the waist and wears a fur skirt. He is usually accompanied by two demon attendants, one black and one white, who are the Yamen runners, the Wu Ch'ang Kuei (❀❀Ą), who collect the souls of",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    },
    {
        "id": 206646,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 194,
        "title": "RAS-1972",
        "content_text": "188\n\nKEITH STEVENS\n\nthe 23rd day of the sixth lunar month. In Singapore and in Malaya the usual date is the 23rd of the seventh lunar month; but other comparatively common dates are the 6th of the third lunar month, the 18th of the fifth lunar month, the 26th of the sixth lunar month, and the 10th of the eighth lunar month.\n\nNames of his family\n\nFa Chu Kung's family name was Chang (**張**) and he was called Chang Kung (**昌公**). His two brothers are called variously:\n\na. Chang Kung (#2); red face; in Fukien temples\n\nb. Hsiau Kung(); pink face; in Fukien temples\n\na. Hung Kung (#2); pink face; in Fukien temples\n\nb. Hsiau Kung (2): white face; in Fukien temples\n\na. Chiang Chün Ye (*): red face; this last group was seen in a Cantonese temple in Seremban\n\nb. Fa Ch'ing(): white face; this last group was seen in a Cantonese temple in Seremban\n\nHis four assistants have been observed in one temple only, a Hengwa Fukien temple, and are called:\n\na. Liu 劉\n\nb. Lien 遵\n\nc. Chang 張\n\nd. ...\n\nHe has two main disciples:\n\nMa Ye: white faced; with a bell in right hand for punctuating prayers, and wearing a horse head hat.\n\nHu Ye: red faced; with a bottle in his left hand containing magic water for frightening demons, and wearing a tiger head hat.\n\nCommunity Groups worshipping Fa Chu Kung\n\nEach temple in which Fa Chu Kung has been observed has had a temple keeper, appointed by the temple committee or from whom he had purchased his franchise. The main community groups in which Fa Chu Kung is to be found are from the An Chi and Ying Ch'üen areas of Fukien province. Other community groups which have images to Fa Chu Kung are Foochow City, T'ung An and Heng Wa. He is to be seen in at least 34 temples in Singapore and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1972.txt",
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    {
        "id": 206800,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1973",
        "page_number": 77,
        "title": "RAS-1973",
        "content_text": "PERSIANS, ARABS IN T'ANG CHINA\n\n71\n\n23 Ch'en Yu-ching, p. 19; Wang Gungwu1, 'The Nanhai Trade', Journal of the Malayan Branch Royal Asiatic Society, vol. 31, part 2, chapter 7, \"The Middlemen and the Spices 618-960 (II), (Kuala Lumpur, 1958).\n\n24 CTS, chüan 89; HTS, chüan 116.\n\n25 TCTC, chüan 203; Wang Gungwu, pp. 75-76. The passage from TCTC follows Wang Gungwu's translation.\n\n26 CTS, chüan 89; HTS, chüan 116.\n\n27 Tung Hao and others, eds., Ch'üan-Tang wen♬ X (A.D. 1814 edition), chüan 291.\n\n28 Hsiang Ta, pp. 38-39.\n\n29 Ibid., Schafer, p. 21.\n\n30 Wang Ch'i±1 ed., Li T'ai-po wen-chi4★ø̇ (A.D. 1758 edited), chüan 3, 'Ch'ien yu tsun-chiu hsing'☀☀f The Chinese version is as follows:\n\n嬰獒龍門之綠桐，玉壺美酒清若空口\n\n催舷梯往與君飲，看朱成碧顏始缸口\n\n胡姬貌如花，當爐笑春風，笑春風，\n\n笑春風，舞羅衣，君今不醉將安歸。\n\nThe translation here follows Schafer's.\n\n31 Hsiang Ta, pp. 41-47.\n\n32 Yüan-shih chang-ch'ing chiZAŁA (1929 edition), chüan 24, p. 5, 'Fa Chu'. After Schafer's translation. Schafer, p. 28.\n\n33 Liu Mau-tsaiA†, 'Kulturelle Beziehungen zwischen den Ost Türken (Tu-Küe) und China', Central Asiatic Journal 3:3:199 (The Hague and Wiesbaden, 1957-58). The dictionary is 'T'u-chüeh yü'*A* See Schafer, p. 285, n. 175.\n\n34 Cf. S. W. Bushell, Chinese Art, Victoria and Albert Museum Handbook (London, 1906), chapter 12; Osvald Siren, Chinese Painting (London, 1956) I, 71; Arnold Silock, Introduction to Chinese Art and History (Oxford, 1948), p. 181; Arthur Waley, An Introduction to the Study of Chinese Painting (London, 1923), p. 108; Jitsuzo Kuwabara, 'Zui-To-jidai ni Shina ni raiju shita seikijin ni tsuite'隋唐時代に支那に来往した番域人に就いて Naito Hakase Kanreki shukuga shukuga Shinagaku ronsoAKŁET#***$*£ (Tokyo, 1926; *ˆ†±‡ƒ), pp. 643-644; Chuang Shen#, 'Sui-Tang shih-tai Yü-tien tsu-chih chi fu-tzu hua-chia'MAARTA##, Lishih yü-yen yen-chiu-so chi-k'anAt*7*ƒƒ4N (Bulletin of the Institute of History and Philology), Extra Vol. 4, part I, pp. 403-454 (Academic Sinica, Taiwan, 1960).\n\n35 Schafer, p.\n\n36 Chuang Shen, pp. 408-416.\n\n37 Ibid., pp. 440-443.\n\n38 TCTC, chüan 203, p. 6415. For Ch'in Ming-ho and Li Hsün, I am indebted to Professor Lo Hsiang-lin's stimulating article 'Hsi-chu po-ssu chih Li Hsün chi ch'i Hai-yao pen-ts'ao'±Ùƒ±‡HZ‡❀$$‡ Symposium on Chinese Studies Commemorating the Golden Jubilee of the University of Hong Kong, 1911-1961. F. S. Drake, ed., (Hong Kong, 1964) II, 217-240.\n\n39 For Ch'ung ICTH, chüan 95 see Lo Hsiang-lin's article on Li Hsün; also",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206816,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 93,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n87\n\nsame tradition. For instance, Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu of 1712 (20 chüan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's Mo-yüan hui-kuan of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chüan with simplified descriptions of painting); and finally, Ku Wên-pin's Kuo-yün-lou shu-hua-lu of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections.\n\nOn the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chronicle were far fewer. From the earlier period, only Huang Po-ssu's Tung-kuan-yu-lun (2 chüan, edited in 1147 by the author's son, Huang Nai) and Chou Mi's Yün-yen kuo-yen-lu (4 chüan, edited probably around 1291) may be regarded as representative works in this line during the Sung and the Yüan.\n\nHowever, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most important were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan (8 chüan); Tu Mu's (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's (1501-1583) Ch'in-shan-r'ang shu-hua-chi (1 chüan, edited in 1565); Chu Chih-ch'ih's Ao-an shu-hua-mu (1 chüan); Sun Feng's Shu-hua-ch'ao (1 chüan); Chen Chi-ju's (1558-1639) Ni-ku-lu (4 chüan); Tung Ch'i-ch'ang's (1555-1636) Hua-chan-shih sui-pi (4 chüan); and Li Jih-hua's (1565-1635) Wei-sui-hsüan jih-chi (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle.\n\nThis type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng-che's (1592-1676) Kêng-tzŭ hsiao-hsia-chi (8",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206818,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 95,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n89\n\nIn a word, during the thousand years between the Sung and the Ch'ing dynasties, documentary records of calligraphies and paintings of past dynasties were never compiled by following editing principles other than these two: either joint or separate. Among the above listed Ch'ing art catalogues, five of them conformed with the separate principle, while eighteen others followed the joint principle. Thus from the ratio of 1:3.6 shown between the two groups, it is clear that although these two editing principles both made their appearance in the Sung dynasty, by the Ch'ing period, catalogues that conformed with the joint principle by far out-numbered those that followed the separate principle.\n\nThe Kwangtung Art Catalogues\n\nII\n\nThe compilation of the catalogues for the five Kwangtung collections is, in fact, closely related to the above-mentioned editing principles: either joint or separate. For example, in his Fêng-man-lou shu-hua-lu (4 chuan, completed around the 20th year of the Tao Kuang era, 1840) Yeh Mêng-lung (1775-1832) adopted the principle of separating records of calligraphy and painting of past dynasties into two independent sections. However, in the other four catalogues, i.e., Wu Yung-kuang's (1773-1843) Hsin-ch'ou hsiao-hsia-chi (5 chuan, completed in the 21st year of the Tao Kuang era, 1841); Pan Chêng-wei's (1791-1850) T'ing-fan-lou shu-hua-chi (5 chuan, completed in the 23rd year of the Tao Kuang era, 1843) and supplement (2 chuan, completed around the 29th year of the Tao Kuang era, 1849); Liang T'ing-nan's (1796-1861) T'ing-hua-t'ing shu-hua-pa (4 chuan, completed in the 5th year of the Hsien Fêng era, 1855); and Kung Kuang-tao's (1832-1880) Yüeh-hsüeh-lou shu-hua-lu (5 chuan, completed in the 11th year of the Hsien Fêng era, 1861), the compilers all followed the principle of combining the records of calligraphy and painting together in one chronicle.\n\nThus, among the five art catalogues, only one was edited in accordance with the separate principle, and the other four all adhered to the joint principle. This ratio of 1:4 seems to be quite close to the 1:3.6 ratio shown between catalogues respectively edited by",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206821,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 98,
        "title": "RAS-1973",
        "content_text": "92\n\nCHUANG SHEN\n\ntion of old merits found in the Ming period art catalogues — the recording of quality and format of paintings, as well as inscriptions and colophons that appeared on them — and innovations of his own — the recording of measurements and seals — could be said to be the first complete art catalogue in the history of development of art catalogue editing systems. Later on, even the Shih-chü pao-chi\n\n*** (The first part was completed in the 10th year of the Chien Lung era, 1745; the second part, in the 58th year of the Chien Lung era, 1793, and the third part, in the 22nd year of the Chia Ching era, 1817), an art catalogue of the Ch'ing imperial household, followed exactly the editing methods introduced by Pien.\n\nIt can thus be said that before the Wan Li era of the Ming dynasty, the editing methods of Chinese art catalogues were mainly descriptive, whereas after the Wan Li era, the stress was shifted to documentary. The Ming compilers' contribution to the compilation of art catalogues lay in their inauguration of recording colophons and inscriptions on paintings, as well as the quality and format of all paintings. The Ch'ing compilers' contribution, on the other hand, was the introduction of records of seal text on the painting, as well as the measurements of all paintings. It was only when such essential elements as inscriptions and colophons, seals, quality, size, and format etc. were all fully recorded that an art catalogue could be said to have possessed all the necessary requirements.\n\nAlthough Pien Yung-yü's Shih-ku-t’ang shu-k’ao and Shih-ku-t’ang hua-k’ao, both completed in the 21st year of the K'ang Hsi era, were the most perfect works in the history of development of art catalogue compilation, some other art catalogues that were completed after the publication of Pien's works still adhered to the traditional editing methods used before the Wan Li era. For instance, there were Tso Lang's San-wan-liu-ch'ien-ch'ing-hu-chung hua-ch'uan-lu\n\n*# (completed in the 60th year of the Chien Lung era, 1795); Shêng Ta-shih's ★± Ch'i-shan wo-yu-lu A4 (first completed in the 21st year of the Tao Kuang era, 1833); and Huang Ch'ung-hsing's\n\nTsao-hsin-lou tu-hua-chi ******* in which no record\n\n* There is no date of completion. However, according to Tan Ting-hsien's ### preface dated in the 27th year of the Kuang Hsü era ✰✰ (1901), he was an old friend of Wang Ch'ung-hsing. Thus, it can be deduced that both were active during the Tung Chih and Kuang Hsü eras.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206823,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 100,
        "title": "RAS-1973",
        "content_text": "94\n\nCHUANG SHEN\n\nIt should be noted here that the Shih-ku-t'ang hua-k’ao was completed in the 21st year of the K'ang Hsi era, and Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu, in the 32nd year of the K'ang Hsi era. Thus there were eleven years in between. As early as the 21st year of the K'ang Hsi era, Pien Yung-yü had already begun to record the measurements of painting, use the regular script to transcribe the seal text, and squares and rectangles to represent the original shape of the seals. Therefore, the Chiang-ts'un hsiao-hsia-lu was not as Wu Yung-kuang stated \"the first catalogue that recorded the measurements of scrolls and paintings\". Furthermore, neither did the method of \"enclosing seal text transcribed in the regular script by lines\" to record seals that appeared on paintings, as had been extolled by Wu Yung-kuang as the \"best\" method, originate from Kao Shih-ch'i. Kao was only one of those early art catalogue compilers who followed Pien's systems. However, in regard to these two compilers' writings, owing to the fact that no matter on the subject of the classics or literature, Kao by far out-numbered Pien in quantity. His reputation as a connoisseur was also far higher than Pien's. It was probably because of these reasons that Wu Yung-kuang only noticed Kao's Chiang-ts'un hsiao-hsia-lu and overlooked Pien's Shih-ku-t'ang hua-k'ao. Consequently Wu's editing methods adopted in his Hsin-ch'ou hsiao-hsia-chi followed exactly those of Chiang-ts'un-hsiao-hsia-lu. Undoubtedly, the editing methods adopted by Wu were the most perfect ones in the compilation of art catalogues. However, the fact that he was only aware of Kao Shih-ch'i and not Pien Yung-yü seems to show that he had put a wrong emphasis on the first and last, which is something regrettable.\n\nA catalogue that was completed earlier than the Hsin-ch'ou hsiao-hsia-chi was: Yeh Meng-lung's Fêng-man-lou shu-hua-lu. Unfortunately, Yeh Mêng-lung did not give any introductory note to explain his editing system. Therefore it is not known whether his inclusion of the five essential elements i.e. measurements, material, format, seals and colophons was under the influence of Pien Yung-yü or Kao Shih-ch'i. However, since Yeh and Wu were not only good friends, but also later became relatives1, it is possible that when compiling his Fêng-man-lou shu-hua-lu, Yeh Mêng-lung was somehow influenced by Wu Yung-kuang. Thus like Wu Yung-kuang, Yeh's adoption of the five essential elements was probably under the influence of Kao Shih-ch'i and not directly from Pien Yung-yü.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206824,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 101,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n95\n\nThe next catalogue completed soon after the Fêng-man-lou shu-hua-lu and Hsin-ch'ou hsiao-hsia-chi was Pan Chêng-wei's T'ing-fêng-lou shu-hua-chi. One paragraph in the preface is of particular importance here,\n\nIt was Tu Mu's Yü-i-pien which initiated the practice of selecting paintings and calligraphies belonging to masters of past dynasties, and cataloguing them in one chronicle. After that, the most distinguished works were Chu Ts'un-li's San-hu mu-nan and Chang Ch'ou's ## Ch'ing-ho shu-hua-fang **★✰★ · In our period, there was Sun Ch’êng-chê's Kêng-tzu hsiao-hsia-chi, in which in addition to his own collection, Sun also included records of other people's collections. Then there was Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu in which Kao entered details such as the material used (whether paper or silk), the format (album or scroll), the measurements (the length and breadth) of paintings that he had seen, and a full record of all his colophons was also given. Recently the minister Wu Yung-kuang has edited a catalogue entitled Hsin-ch'ou hsiao-hsia-chi in which he adopted the system set down by Sun Ch'êng-chê and Kao Shih-ch'i. He has also selected a few items from my own collection and included them in his work. Moreover, he urged me to compile a catalogue for my own collection and have it published. Thus, following his way, I edited this book.\n\nIn this preface by Pan, there are a few points worth our notice: Firstly, among the art catalogues compiled in the Ch'ing dynasty, he had only mentioned Sun Ch’êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Based on this fact, either Pan was entirely ignorant of Pien Yung-yü's Shih-ku-t'ang hua-k'ao or at least he must have held it in low esteem. This attitude is no different from that shown by Wu and Yeh.\n\nSecondly, although Pan Chêng-wei humbly admitted that the compilation methods of his T'ing-fan-lou shu-hua-chi followed that of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, in fact, this was only a polite remark made by him. In the opening part of the Hsin-ch'ou hsiao-hsia-chi, it has been clearly stated that this catalogue was compiled by Wu Yung-kuang, but was collated jointly by his brother Wu Mi-kuang ✯ ✯ Ł. Ch’ü Shu-ch’ên # and Pan Chêng-wei. This means that in the course of compiling the Hsin-ch'ou hsiao-hsia-chi, Wu Yung-kuang had consulted Pan Chêng-wei.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206825,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 102,
        "title": "RAS-1973",
        "content_text": "96\n\nCHUANG SHEN\n\nThus, instead of saying that the compilation method of the T'ing-fan-lou shu-hua-chi was an imitation of the system used in Wu Yung-kuang's art catalogue, rather, it would be more appropriate to say that Pan compiled it according to his own ideas,\n\nThirdly, if this assumption is reasonably correct, then the fact that Pan, in the preface of his T'ing-fan-lou shu-hua-chi regarded Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as one of the representative art catalogues in the Ch'ing dynasty was due to his high esteem for Kao's work, which incidentally was a view shared by Wu Yung-kuang. Moreover, it is possible that he came under Wu's influence while undertaking the collating work for the Hsin-ch'ou hsiao-hsia-chi, thus regarded Kao Shih-ch'i's work of special importance.\n\nFourthly, Pan Chêng-wei considered Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as the most representative art catalogues compiled in early Ch'ing. This point of view is worth our notice. It should be noted that though Sun's catalogue was completed in the 16th year of the Shun Chih era (1659), it was being collated only less than a century after its publication, by Ho Cho2 (1661-1722), a well-known scholar of the Chiang Nan district21 and active in the K'ang Hsi era. Moreover, in the Chien Lung period, distinguished scholars like Lu Wên-ch'aoAx 3 (1717-1795), Pao T'ing-po3* ty (1728-1814) and Yu Chi (1738-1823) at one time or other wrote prefaces and colophons for this catalogue3, and in particular, Pao T'ing-po even included it in his Chih-pu-chü-chai ts'ung-shu1 * F & *** in order to publicize it. Not long afterward, it was well appraised by the Ssu-k'u-ch'uan-shu tsung-mu t'i-yao★ATAIRE, an official catalogue completed in the 48th year of the Chien Lung era. Thus, it can be seen that during the 124 years between the 16th year of the Shun Chih era and the 48th year of the Chien Lung era, in regard to the connoisseurship of painting and calligraphy, no matter whether it was in Chiang Nan or in the capital, and regardless of whether privately or officially, there was no one who did not consider Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi as an important work for reference,\n\nHowever, the situation was not quite the same in Kwangtung. Probably up to the Chien Lung era, no Kwangtung scholar had ever noticed the Kêng-tzŭ hsiao-hsia-chi. Even Wu Yung-kuang and Yeh Mêng-lung, relatives who both served for a long time in the",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206826,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 103,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES \n\n97\n\ncapital during the Chia Ch'ing and Tao Kuang eras, did not seem to be aware of the significance of the Kêng-tzu hsiao-hsia-chi. This was why when quoting a representative work among the art catalogues completed in the Ch'ing dynasty, Wu Yung-kuang only commended Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu, and completely ignored Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi. Finally it was only when Pan Chêng-wei wrote the preface for his own T'ing-fan-lou shu-hua-chi in the 23rd year of the Tao Kuang era (1843) that for the first time Sun and Kao's works were given equal attention. In other words, whilst Sun's Kêng-tzu hsiao-hsia-chi had already aroused attention among the scholars of Chiang Nan only half a century after its publication, it had to wait 184 years after its publication to be brought to the notice of Kwangtung art collectors. If Wu Yung-kuang's introduction of Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu to Kwangtung can be regarded as some kind of contribution to the art collectors in his native place, then Pan Chêng-wei's recommendation of Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi should in the same way be said to be one of his contributions to the Kwangtung art collectors. It was probably because of Pan's high recommendation of the Kêng-tzu hsiao-hsia-chi that this book later attracted the attention of two other Kwangtung art collectors. Therefore, although in the Chia Ch'ing and Tao Kuang eras, the earlier Kwangtung art collectors Wu Yung-kuang and Yeh Mêng-lung were not fully aware of the significance of the Kêng-tzu hsiao-hsia-chi, it seems that in the Hsien Fêng era, however, the later Kwangtung art collectors Liang Ting-nan and Kung Kuang-tao began to show a certain degree of respect for Sun's catalogue. Evidence for this can be obtained in the compilation system adopted in the art catalogues compiled by Liang and Kung.\n\nNow let us examine the editing system set down in Liang Ting-nan's T'êng-hua-t'ing shu-hua-pa and Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu. In the former there is a preface written in the 5th year of the Hsien Fêng era (1855) by Liang T'ing-nan himself, the last part of which reads,\n\nThis time when I came again to the province, I lived in seclusion ... I decided to keep this part after making a revision. As to this edition, I would not dare to compare it with the two works compiled by Sun and Kao respectively. Moreover, in the matter of the editing system, my book differs from theirs on many points.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206827,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 104,
        "title": "RAS-1973",
        "content_text": "98\n\nCHUANG SHEN\n\nNeedless to say, the two works by Sun and Kao mentioned in the text refer to Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Although Liang T'ing-nan pointed out that it would be unsuitable to compare his T'êng-hua-t'ing shu-hua-pa with the two works of Sun and Kao—which was, moreover, something that he would not venture to do—it could be deduced that, in his opinion, the two catalogues compiled by Sun Ch'êng-chê and Kao Shih-ch'i must have been held in reverence. Otherwise, it would be difficult to explain why he must necessarily take his work to compare with the Kêng-tzŭ hsiao-hsia-chi and the Chiang-ts'un hsiao-hsia-lu, and not with Pien Yung-yü's Shih-ku-t'ang hua-k'ao. According to Liang's remark, it is clear that owing to Pan Chêng-wei's recommendation of the Kêng-tzŭ hsiao-hsia-chi, Sun's work became an art catalogue capable of being compared with Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu in the mind of Kwang-tung art collectors some time later; while, on the other hand, Pien Yung-yü's work seemed to remain unnoticed, as it was during Wu Yung-kuang's time. It thus seems rather questionable whether Liang T'ing-nan was ever aware of Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao.\n\nAs to the origin of the editing method employed in Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, some hints may be obtained from the preface written by Li Ch'ao-t'ang, which reads,\n\nThe two brothers Huai-min and Shao-tang (i.e., Kung Kuang-yung and Kung Kuang-tao) had the largest collection of books in Kwangtung. At his leisure hours, Kung Kuang-tao compiled this catalogue by following the editing system set down in the catalogues of Sun Ch'êng-chê and Kao Shih-ch'i.\n\nThus, it can be seen that the origin of the editing method employed in the Yüeh-hsüeh-lou shu-hua-lu was also that used in the two catalogues of Sun Ch'êng-chê and Kao Shih-ch'i. From the time when Wu Yung-kuang completed his Hsin-ch'ou hsiao-hsia-chi to the time when Liang T'ing-nan completed his T'êng-hua-t'ing shu-hua-pa, 15 years had elapsed, and up to the completion of Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, 21 years. During these 21 years, apart from the fact that owing to Pan Chêng-wei's recommendation, Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi received more attention, and that Liang T'ing-nan's T'êng-hua-t'ing shu-hua-pa",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206828,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 105,
        "title": "RAS-1973",
        "content_text": "# FIVE ART CATALOGUES\n\n99\n\ndiffered somewhat from the two catalogues of Sun and Kao, by the time Kung Kuang-tao compiled his art catalogue, the editing method he adopted seemed to be, if not a continuation of that used in Sun's Kêng-tzŭ hsiao-hsia-chi and Kao's Chiang-ts'un hsiao-hsia-lu, at least unrelated to Pien Yung-yü's Shih-ku-t'ang hua-k'ao.\n\nIn a word, although these five Kwangtung art collectors had adopted a new editing system in their catalogues, they had not referred to the work of the compiler who first introduced this system. This is no different from one who counts the records but has forgotten one's ancestors, and can but be regarded as a very unreasonable incident in the history of art catalogue compilation.\n\n## III\n\n## Defects in the Catalogues\n\nAs mentioned above, though the five Kwangtung collectors' catalogues were all compiled by following the new editing method introduced in the compilation of art catalogue, it should be pointed out here that they are not without shortcomings and errors. These, on the whole, can be divided into 3 types, namely: unsuitable compilation method, carelessness in proof-reading, as well as erroneous chronology. Each of these will be discussed below.\n\n### A. Unsuitable Compilation Method\n\nIn Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, paintings done by the same artist are mostly grouped together. However Wu had at least in two instances separately recorded the paintings of two artists. As a result, the reader would feel rather confused when using this catalogue. For example, this catalogue has recorded two paintings by Ni Tsan (1301-1374) in chüan 4. One of these, the Yu-po-t'an-hua-t'u appears in chüan 4, p. 22b, and the other, Ho-lin-t'u, on p. 41a of the same chüan. They are thus nearly twenty pages apart. Between these two paintings, Wu recorded accordingly the hanging scrolls of calligraphy respectively done by Kung Su, Fêng Hai-su and Nao Nao, as well as a handscroll including calligraphies written by Liu Yu-ch'ing, Fan Kuo, Ouyang Ying, Yü Chi, Wu Ch'uan-chieh, Yü-fu-t'u, and Liu Kuan. In addition, in the space of nearly twenty pages, Wu also recorded Wu Chen's and Wang Fu's (1362-1416).\n\nPage 105\n\nPage 106",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206832,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 109,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n103\n\nThe same deficiency can also be found in Liang T’ing-nan’s art catalogue. In the table of contents of chüan 4 in T’êng-hua-t’ing shu-hua-pa, the titles of 166 items of painting and calligraphy have been listed. Yet beginning with the 125th item, i.e. Fang Fêng-chi’s landscape, the rest have not been recorded. This shortcoming, though it seems to be exactly the same as that found in the Ting-fan-lou shu-hua-chi, shows in fact a certain degree of difference in comparison with the latter, as explained below.\n\nIn the table of contents of chüan 4 in T’êng-hua-t’ing shu-hua-pa, below the title of the 126th item of painting (i.e. Fang Hsün-yüan’s landscape) there is a four-small-character note (“i-hsia-wei-k’o” — the blocks for painting the following items have not yet been cut), indicating that the record of items following the 125th title have not been included in the text. Consequently, when a reader, checking through the table of contents, comes across this short note of “i-hsia wei-k’o”, he would understand that the record of paintings and calligraphies in the text ends with the 125th item, and that beginning from the 126th item, only the titles are listed in the table of contents, and so he is well prepared.\n\nHowever, neither in T’ing-fan-lou shu-hua-chi nor in the supplement of this catalogue did Pan Chêng-wei attach any explanatory note to indicate which items had not been printed. As a result, the reader would presume that the entry in the text would agree with the title listed in the table of contents. He is thus not prepared for the inconsistency of finding the title of a certain painting in the table of contents, and yet not being able to find any record about it in the text. Consequently, when the reader notes the text of chüan 5 or the supplement of this catalogue and cannot locate any entry of the 10 items (i.e., starting from the landscape album executed by the Sung and Yüan artists in the former or the 12 items of painting starting from Wang Hui’s hanging scroll executed in the style of Wang Meng in the latter) and yet later discovers these 22 items of painting and calligraphy in the respective tables of contents of these 2 chüan, he could feel particularly confused and disappointed.\n\nIn regard to the discrepancy between the table of contents and the text, in the two art catalogues mentioned above, there is no difference in the nature of deficiency found in Liang and Pan. Only that, in the matter of seriousness, the shortcoming in Liang’s catalogue is less severe.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206836,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 113,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n107\n\nI was able to have a look at this scroll while I was in the capital in the year ping-shu. Now this scroll and the scroll of correspondence written by monk Fa-ch'ang are both in the collection of Ch'in-shan, minister of the Board of Agriculture 琴山農部. Wu Yung-kuang wrote this on the 9th day of the 12th month in the year chia-shu of the Tao Kuang era.\n\nIt should be noted that ping-shu was the 6th year of the Tao Kuang era (1826). After this year, there was no chia-shu in the Tao Kuang era. The years that have some connections with chia-shu are chia-wu (1834), mu-shu (1838) and chia-ch'en (1844). However Wu Yung-kuang died in the year before chia-ch'en. Therefore, the year chia-ch'en should undoubtedly be left out of consideration. What is more, even the combination of stems and branches of the years chia-wu and mu-shu are different from that given in Wu's own colophon. In all probability, it seems that the date \"chia-shu of the Tao Kuang era\" recorded in the colophon inscribed in Ch'ien Hsüan's Li-hua-chüan should be a slip of the pen for either the year chia-wu (14th year of the Tao Kuang era) or mu-shu (18th year of the Tao Kuang era), in the former of which, Wu was 62 years old, while in the latter, he would already be 66. In a word, the 14th year of the Tao Kuang era was the beginning of the last decade of Wu Yung-kuang's life. No matter whether the date when he put down by mistake the year chia-shu is chia-wu or mu-shu, by that time, he must have begun to show signs of old age. Otherwise in his Hsin-ch'ou hsiao-hsia-chi, he would hardly commit a mistake as to remember incorrectly the date of happenings that he himself had experienced. If, however, this catalogue had been carefully checked through before it was published, then such kind of chronological mistake could very likely be entirely avoided. Yet the fact that neither chia-wu nor mu-shu, but instead chia-shu of the Tao Kuang era had been printed in the Hsin-ch'ou hsiao-hsia-chi shows clearly that in the process of proof-reading, Wu Yung-kuang was indeed most careless.\n\nNOTES\n\n1 At the beginning of Yeh Mêng-lung's *** Fêng-man-lou shu-hua-lu, **** it is stated that Yeh Ying-ch'i ***, son of Yeh Mêng-lung, was one of the collators of that catalogue. On checking Wu Yung-kuang's autobiography (Tzü-ting nien-p'u), the following information is",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 206838,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 115,
        "title": "RAS-1973",
        "content_text": "FIVE ART CATALOGUES\n\n109\n\n9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus,\n\nThis painting agrees with the one recorded in Wu's Ta-kuan-lu\n\n4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household.....\n\nIn saying that \"this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting.\n\n10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b.\n\n11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a.\n\n12 Ibid chuan 5, p. 54b.\n\n13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962.\n\n14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a.\n\n15 Refer to footnote 10.\n\n16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang.\n\n17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number).\n\n18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b.\n\n19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important:\n\n(1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734).\n\n(2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan\n\n史棠傳 in 70 chuan and appendix in 2 chuan.\n\n(3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826).\n\n(4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r",
        "rank": 0
    },
    {
        "id": 207175,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 246,
        "title": "RAS-1974",
        "content_text": "240\n\nBOOK REVIEWS\n\nscholars, 10 articles by 5 Japanese scholars and 3 by 2 Europeans). According to this bibliography, the earliest study on Chu-kung-tiao seems to be an article by a Chinese scholar, Sun K'ai-ti written in 1932, while Japanese scholars' earliest study on the same subject is an essay written by Yoshikawa Kujiro in 1942.\n\nHowever, among Asian scholars' study on chu-kung-tiao literature, the earliest study on this subject should be credited to “Liu Ti-en shio-kyu tio kō” (A Study of the chu-kung-tiao of Liu Chih-yüan) written by Aoki Masaru. It first appeared in Shina Gaku (Journal on Chinese Studies), Vol. VI, No. 2, pp. 21–56 (Tokyo, 1932, March). Subsequently, the same article was included in the same author's Shina Bungaku Geijutsu Ko (Studies on Chinese Literature and Art), 1942, August, Kyoto (pp. 183-219). In this article, Aoki has not only analysed the written format of the chu-kung-tiao ballad but also compared the composition of Liu Chih-yüan CKT with that of pai-t'u-chi (Tale of a White Hare), a mid-14th century Chinese drama, once again written on Liu Chih-yüan's life stories. In addition, Aoki reproduced a plate to show the page face of the Liu Chih-yüan CKT.\n\nFour months after Aoki's article appeared in Shina Gaku, Ho Ch'ang-ch'ün's Chinese translation of Aoki's same article was published in the July-August issue of the Kuo-li pei-p'ing t’u-shu’kuan kuan'k'an (Bulletin of National Library of Peking) Vol. VI, No. 4, pp. 4603-4620 (1932, Peking). Undoubtedly, Aoki's study on Liu Chih-yüan CKT was regarded as both attractive and important. At this time Sun K'ai-ti's article on other chu-kung-tiao was also published in the volume VI No. 2 (pp. 4345-4350) of Bulletin of National Library of Peking.\n\nIn addition to Aoki Masaru and Ho Ch'ang-ch'ün, once again in 1932, Cheng Ch'en-to (1898-1958), one of the pioneer scholars of Chinese popular-literature also published a study on the same subject. This is the well-received article: “Sung-chin yüan chu-kung-tiao kao”, i.e., “Studies on the 'various mode' of the Sung Chin Yüan Periods\" which appeared in the first issue of the Wen-hsueh nien-pao (July, 1932, Peking). This massive study, occupying the first 78 pages of the cited journal, could in fact be treated as a monograph for this particular subject. In this essay, in addition to his study of the Structure of Liu Chih-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
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    },
    {
        "id": 207242,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 10,
        "title": "RAS-1975",
        "content_text": "2\n\nwhich followed his talk. In May, Mrs Carole Morgan talked on Dogs and Horses in Ancient China, a subject for which she is preparing a doctoral dissertation for the Sorbonne in Paris, and also in May we were invited by the Hong Kong History Society for a cultural evening. It was an Indian occasion, with a talk by Mrs Raj Ghose on Buddhist Art, followed by curry at the Gaylord Restaurant in Kowloon and a film on Rock Carvings. In October we invited Mrs. Raj Ghose back to talk to the Society and her subject was Tibetan Iconography. In September we had a talk by Miss Helen Perrell on Mandarin Squares, and in October our members were invited to the Fung Ping Shan Museum of the Hong Kong University to hear a talk on the museum given by the curator, Dr. Michael Lau, to University staff. In January Mr. John Myers, another doctoral candidate, for the University of Pittsburgh, talked on his field research into Chinese spirit-medium cults in Hong Kong's urban area. Mr. Myers is currently with the anthropology section of the Sociology Department, The Chinese University of Hong Kong.\n\nThree other talks have been organised so far this year, all on China. One, also in January by Professor Cheng Te-k'un, scholar of international renown in the field of Chinese archaeology and art, was on Chinese export ceramics, and was illustrated with beautiful slides. In February Professor Hsieh Chiao-min talked on contemporary problems in modern Chinese geography. Professor Hsieh is on sabbatical leave from the University of Pittsburgh and honorary visiting professor in the Geography and Geology Department, University of Hong Kong. Finally in March Professor Noah Fehl, Chairman of the Department of World History of the Chinese University and a long time resident of Hong Kong, talked about the work and thought of the philosopher/scholar Tsou Yin, who matches Aristotle in period of time and some of his ideas. All our talks drew good size audiences and from the variation in their constitution from lecture to lecture it would appear that our policy of variety to suit different interests is a correct one. During the period, then, we were fortunate in being able to borrow the talents of many visiting and resident scholars.\n\nEXCURSIONS\n\nMr. James Hayes, one of our Vice-presidents was as usual active in organising many of our excursions during the period. In",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
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    },
    {
        "id": 207569,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 337,
        "title": "RAS-1975",
        "content_text": "328\n\nBOOK REVIEWS\n\nof George Eumorfopolos edited by Professor Perceval Yetts is certainly representative; and with respect to the latter, a good example is the first volume of the catalogue about the Charles Seligman Collection, on Chinese, Central Asian and Luristan bronzes, edited by Professor Howard Hansford.\n\nProfessor Li's latest publication, although independently associated with a book title, yet, by its nature, should be classified as an illustrated catalogue about a private collection of Chinese art, since every item discussed by the author in Volume I and illustrated in Volume II is from the collection of Dr Charles Drenowaltz in Switzerland.\n\nVolume I consists of 15 chapters. I propose to give a brief summary for each chapter before presenting other remarks about this book in this review. Chapter I:\n\nChapter II:\n\nChapter III:\n\nChapter IV:\n\nChapter V:\n\n\"Introduction\", gives a general account of how European collectors built up their collections of Chinese art. It also gives a survey of the general development of Chinese painting. \"Figure painting: Persistences and Transformation of the past\", Here the central discussion is focused on figure paintings by Chao Liu (ca. 1350-1370) of the late Yuan Dynasty, and Hsieh Shih-chen (1487-after 1567), Chen Hung-shou (1599-1652) and Ting Yün-peng (b. 1547) of the Ming Dynasty; also Chao Yuan of the late Ch'ing Dynasty. \"Landscape painting of Ming and Ch'ing: A point of view\", serves as a general introduction to this branch of Chinese painting over some 500 years. \"The Wu School: Re-establishment of the Yuan Tradition\", emphasis is laid upon works by five literati artists of the Ming Dynasty; Shen Chou (1427-1509), Wen Cheng-ming (1470-1559), Lu Chih (1496-1576), Ch'en Kuan (ca. 1570-1640). In addition, works by artists of the school of T'ang Yin (1470-1523), and an album painting by an anonymous artist are also discussed.\n\n\"The Wu School in the Seventeenth century: A Host of Little Masters\", points of view are based on works by the following seven artists: Ch'en Kuan, Ch'en Huan (act. 1600-20), Chang Hung",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 207576,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 344,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n335\n\nIn brief, the contents of the writing on each composition of the first 10 leaves have been collectively identified by the author as prose written by seven well-known literary figures; T'ao Ch'ien (365-427), Po Ch'u-i (772-846), Liu Tsung-yüan (773-819), Wang Yu-ch'eng (954-1001), O-yang Hsiu (1007-1072), Su Shih (1036-1101) and Sung Lien (1310-1381).\n\nThe nature of those writings inscribed on the last two leaves of the same album seem quite different from the foregoing. The first inscriptions are all prose and their authors are historical figures; while those appearing on the last two leaves are poem and their authorship is obscure. The literary implications of the prose are all associated with a unified theme; life in the future is hard to know, thus it is more suitable to seek one's personal comfort by way of enjoying nature. In contrast, this theme in leaves 11 and 12 becomes very weak. Instead, remarkable fantastic literary allusions are demonstrated by the poets. After having differentiated the nature as well as the forms of inscriptions on the last two leaves from the first ten, Prof. Li concludes that those unidentifiable poems are most probably verses by Chin Nung himself. The reason that they have been written in an unrealistic manner is because the artist-poet was trying to use those poems to console himself for failing to pass the Po-hsüeh-hung-tz'u degree examination in Peking in 1736.\n\nThis conclusion is theoretically sound, yet it is not convincing; for the poems inscribed on 11 and 12 are not as easily unidentifiable as Prof. Li has claimed. Consequently, because of these poems the date of this album has to be changed. Therefore, the authenticity of this collection of 12 landscapes is also to be questioned.\n\nIn the mid-18th century, at Yang-chou, the richest economic center in China at that time,23 Ma Yueh-kuan (1688-1745) and his younger brother, Ma Yüan-lu (1687-1766?) were not only active as leading salt merchants but also as central figures in terms of their patronage towards literature and art. Amongst those who were closely affiliated to the Ma brothers, was a well-established poet, Li E (1692-1752). Although a native of Ch'ien-t'ang from Chekiang province, he happened to be the most important literary figure whenever he was in Yang-chou.\n\nWhen\n\nIn the winter of 1748, the 13th year of the Ch'ien-lung era, Chin Nung was doing his extensive travels in the north, seven poets,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
        "rank": 0
    },
    {
        "id": 207618,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 6,
        "title": "RAS-1976",
        "content_text": "166\n\nDAVID FAURE\n\nin Sheung Yiu, Tsak Yue Wu, Tai Mong Tsai, She Tau, Shek Hang, Tai Long, Wo Mei, Nam Wai, and Ho Chung.1\n\nFinally, the pirates must not be omitted in any discussion of the early history of Sai Kung. It would seem that, in the late nineteenth and early twentieth century, the pirates were most rampant in the outer reaches of the region. Seung Sz Wan and Hang Hau Village kept two guns on the two arms of the bay to be directed against pirates. Madam Lau of Seung Sz Wan remembered that the pirates once came into the village, and took away the villagers' pigs. In Tan Ka Wan, there were bandits in the late 1920's and 1930's, and the young men had to keep watch regularly.1\n\n15\n\nUp to the early 1900's, despite the economic development, Sai Kung was not yet in any strict sense a \"district\". There is no indication that the villagers of the time thought of the area that is now Sai Kung District as a single territorial unit. Crucial to the creation of the district was the founding of Sai Kung Market.\n\nSAI KUNG MARKET AND ITS TRADE\n\nThe San On Gazetteer of 1819 did not consider either Sai Kung or Hang Hau to be a market. Unlike other markets in the New Territories, periodic market gatherings were not held here at any time. As Mr. Yau T’aam Shang explained it to us, \"Sai Kung in those days was not a market; it was a moorage inlet.\"10\n\nIn 1835, Lai Tak Yau, a Tanka fisherman who sometimes served as pilot for Western sailing boats, took by force some four thousand dollars from one that was hit by storm. Out of this, he spent over a hundred dollars to settle his debts with the general store San Ue T'aai on Leung Shuen Wan. He went on a shopping spree, and spent more than a hundred dollars on Peng Chau and Cheung Chau, buying silk goods from the shops in the latter place. He left most of the balance with a certain Wong Yau Kwong, of Kowloon, a Tanka boatman who owned a large fishing boat and moored at Fat Tong Mun. Wong, in turn, went to San Ue T'aai, and purchased four hundred and fifty dollars' worth of provisions, and then, because he thought",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 207914,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 302,
        "title": "RAS-1976",
        "content_text": "NOTES AND QUERIES\n\n287\n\nof incorruptness. The last name of Ho Chung's studio was T’ing-yü-hsien, that is, a pavilion for listening to the rain. The melancholy atmosphere of a rainy day, from the point-of-view of Chinese literary life, has been a special but poetic mood favoured by poets of Sung China in the 13th century. Transferring this sad feeling of listening to the rain as one of Ho Chung's studio names showed that this late 19th century Kwangtung artist certainly shared the Sung poets' feeling of melancholy.\n\nWith regard to Ho Chung's biography, due to the lack of information his life as an artist is not completely clear, although according to an art history written in 1927 and devoted to Chinese artists in Kwangtung, Ho Chung was over seventy years old when he died. Based on this clue, the chronology of this artist can be ascertained in general. There are 34 pictures all by Ho Chung in the Luis de Camoes Museum in Macau. Among them, a circular fan painting has been inscribed by the artist with the date Keng-tze ✯; a year corresponding to the 26th year in the Kwang-shü * era during the Ch'ing Dynasty, which in turn corresponds to the year 1900. This is a very helpful discovery, since if Ho Chung died around 1900 at the age of seventy-five, he might have been born around 1825. At any rate, Ho Chung must have been an artist chiefly active in the second half of the 19th century and presumably his late years touched at least the first one or two years of the 20th century.\n\nFrom the 17th to the 19th centuries, Chinese painting in Kwangtung certainly developed into a more fruitful stage than in the preceding centuries. Nevertheless, the artistic quality of these Kwangtung paintings was not only less significant than those of the Chiang-nan area, the centre of Chinese painting of that time\n\n- but also can hardly be compared with the standard of her neighbouring province, Fukien. For this reason, within these three centuries, artists who were not natives of Kwangtung and were also not first class artists of the Chiang-nan area, but whenever and wherever settled in Kwangtung, were always regarded by Kwangtung art historians as Kwangtung artists. For instance, Wang Hou-lai, a native of An-hui province settled at Pan-yü during the 18th century, was treated as a representative artist for Kwangtung landscape painting. Similarly, Sung Kwang-pao and Meng Chin-i, two artists of the Kiangsu province, lived in Kwang-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
        "rank": 0
    },
    {
        "id": 207926,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1976",
        "page_number": 314,
        "title": "RAS-1976",
        "content_text": "NOTES AND QUERIES\n\nVol. No. Village (and Gazetteer reference)\n\n299\n\nSurname\n\n41. Tong To (p. 217)\n\nYau 余\n\n42. Shek Pik (p. 73)\n\nTsui 徐\n\n43. Tap Mun Sheung Wai (p. 244)\n\nLai 黎\n\n44. Ha Yau Tin (p. 167)\n\nTsui 徐\n\n45. Sham Chung (p. 192)\n\nLei 李\n\n46. Sham Chung (p. 192)\n\nLei 李\n\n47. Chung Mei (p. 193)\n\nLei 李\n\n48.\n\n49. Kei Ling Ha San Wai (p.183) 企嶺下新村\n\nHo 何\n\n50. Kei Ling Ha San Wai (p.183) 企嶺下新\n\nHo 何\n\n51. Pak Sha O Ha Yeung (p.189) 白沙澳下洋\n\n52. Lo Uk Tsuen (p. 171) 羅屋村\n\nChuk Hang (p. 170)\n\nYung 翁\n\nLo 羅\n\nTang 鄧\n\n53. Shek Po Tsuen (p. 163) 石壆村 (2 vols.)\n\nLam 林\n\n54.\n\n55.\n\n56.\n\n57. Kan Tay Tsuen (p. 212) 簡堤村\n\nSo Lo Pun (p. 219) 莽魯半\n\nMong Tseng Wai (p. 165) 輞井圍\n\nLo Shue Ling (p. 215) 羅樹嶺\n\nWong 黃\n\nTang 鄧\n\nTo 陶\n\nLau 劉\n\n58. (Tai Po Tau (p. 174)) ✯\n\nTang 鄧\n\n(Tai Po Shui Wai (p. 174)) ***@\n\n[Not a genealogy: listing of ritual forms etc.]\n\n59. Kau Tam Tso (p. 194)\n\nLei 李\n\n60. Heung Sai (not in New Territories)\n\nCheung 張\n\n61. Lung Kwu Tan (p. 160)\n\nHo 何\n\nLau 劉\n\n62. San Tin (p. 203)\n\nMan 文\n\n63. Lau Clan Association Handbook\n\nLau 劉\n\n(Hong Kong Branch) 香港劉氏宗親會特刊\n\n64. Sam A (p. 221)\n\nTsang 曾\n\n(4 vols.)\n\n65. Che Ha (p. 183)\n\nLei 李\n\n66. She Shan (p. 200)\n\nChan 陳\n\n67. Kat O (p. 221)\n\nLau 劉\n\n68. Yung Shue Au (p. 219)\n\nWan 溫\n\n69. Hang Ha Po (p. 200)\n\nLam 林",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q",
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    },
    {
        "id": 208055,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 94,
        "title": "RAS-1977",
        "content_text": "J \n\n78 \n\nJ. T. KAMM \n\nIt is interesting to note that each of the five great clans (§ Tang (鄧), Hau (侯), Pang (彭), Liu (廖), and Man (文) — are represented on the schedule.30 Of these, the Tangs clearly have the greatest share. Another point, which is less obvious from the scanty data presented above, is that the taxlords only chose land within the boundaries of the tung itself, even though plots existed in Un Long Tung considerably closer, and hence easier to manage, than the plots chosen. This seemingly minor point leads us into an examination of the political and economic foundations of the tung. \n\nThe standard \"primary source\" on the nature of tung is Lockhart's description of “Local Government in the Villages\" contained in his report on the Extension of the Colony of Hong Kong.31 On the basis of this report, which heavily stresses the judicial functions performed by the chu (Cantonese: Kuk) which oversee the tung, Acting Governor Black recommended the appointment of “a commissioner or a Resident, possessing knowledge of the Chinese” who \"should govern somewhat in the present Chinese system, i.e., the village elders to rule the villages, which grouped according to topographical limits, form a tung having a council composed of representatives from the village elders.\"32 \n\nConsiderable confusion exists over the precise nature of tung and chu. Lockhart clearly overestimated the political-judicial power of the Tung Ping Kuk (東平局), a mistake which would have proven costly had not the British possessed superior firepower in the Pat Heung Valley. Having won the support of this chu, Lockhart believed that the gentry of the various “divisions” would follow suit. He was to discover later that the gentry of Un Long Tung had convened another chu, the Tai Ping Kung Kuk (太平公局) which financed, and to some extent coordinated, the local revolt; in so doing, they effectively dismantled the Tung Ping Kuk by summoning Tung-Kuan clansmen to occupy Sham Chun.33 \n\nIn most of the counties of the Kwangchow Prefecture, chu formed the basis of local self-government throughout the troubled nineteenth century. One of the best descriptions of these organizations is to be found in Kang Yu-wei (康有為)'s chapter on self-government.... \"taxlord claims,\" but, since the inhabitants could not produce title to the land, the Tangs were recognized as \"chief landlords.\" CSO8551 in 1903. One taxlord was recognized in Sha Tau Kok (Li Tung-chung) and one on Lantao (Wong Kwok-shi). Little is known concerning these cases, except that the latter status was granted out of compassion.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208057,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 96,
        "title": "RAS-1977",
        "content_text": "80\n\nJ. T. KAMM\n\nOne of the earliest petitions received by the British after the occupation relates to the collection of land tax by a group of tax-lords, and illustrates their ability to lobby effectively for the preservation of their \"rights\":\n\nHau Chak Wing (侯澤榮), Liu In Yu (廖延裕), Liu Sut Kam (廖雲錦) and Tang Yui Shan (鄧銳臣) gentry of Sheung Yu Tung, complain that Ho Fung Wing (何鳳榮) of Ki Ling Ha (企嶺下) village, Wong Sin (黃先) of Nai Chung village (坭涌村), Li A Fat (李亞發) of Wong Chuk Yeung (黃竹揚), Tang Shek Tse (鄧錫梓) and Wong Fat Shing (黃佛成), have combined together, and instigated the various villages of Tung Hoi (東海) district to refuse paying the rent in paddy amounting to 2000 stone.\n\nPetitioners have already produced title deeds for the payment of taxes, and the government has already issued notification directing the farmers to pay their rent as hitherto. These farmers have not paid their rent for two years, nor have they been dealt with, although petitioners have brought this matter to the notice of the Government.40\n\nThough considerable confusion initially existed over the issue of whether the sum stated referred to taxes or rents, the matter was eventually resolved with the Land Court's recognition of these gentry as \"taxlords.\"41\n\nExamination of the early history of Britain administration in the New Territories lends final proof to the economic interpretation of the basis of tung. Though the colonial administration attempted to bolster the chu as local judicial bodies, they essentially undermined their power by abolishing taxlordism. As a result, the category tung rapidly dropped out of local usage.42\n\nNOTES\n\n1 Imperial Maritime Customs, Decennial Reports, See Kowloon reports in the volumes for 1882-1891 and 1892-1901.\n\n2 Ibid., 1882-1901: p.682.\n\n3 C. M. Chang, \"Tax Farming in North China,” in Nankai Social and Economic Quarterly 8:4 (1936), pp. 831-836. Chang defines ya shui (牙稅) as \"at first no more than a license fee paid by various brokers for the privilege of doing the business of brokerage, i.e. to bring together prospective...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208157,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 196,
        "title": "RAS-1977",
        "content_text": "180\n\nNOTES AND QUERIES\n\nA visit will be made by coach to five of the oldest graves belonging to the family and, in addition, to a school in Kat Hing Wai at Kam Tin to see some of its heirlooms.\n\nQuite a bit of walking is involved and lady members are advised to wear flat shoes for comfort and ease of movement over hill paths. The visit will start from the Tsuen Wan Ferry Pier at 11 a.m. Members are advised to catch the regular ferry from the Central Terminus, Hong Kong (35 minutes by ordinary ferry, 20 by hover ferry). Please check ferry times with HK Yaumatei Ferry Co. (Tel. 5-220393) and make your own arrangements. Otherwise, come by car and park locally, allowing plenty of time to find parking space (try the western end of Yeung Uk Road, in the area of the Yeung Uk Road Sports Ground, in the same road as the pier).\n\nMembers are advised to bring a picnic lunch. The visit should end between 5--6 p.m., back at the Tsuen Wan Ferry Pier.\n\nThe tour will be limited to two buses and members and their friends are invited on a first-come-first-served basis. Please telephone names to Mrs. Kam at 12-403396 (District Office, Tsuen Wan).\n\nProgramme notes will be available on the day.\n\nDAVID LIU and JAMES HAYES\n\nJoint Organizers\n\n29.11.76\n\nTHE TANG (4) CLAN IN THE NEW TERRITORIES AND ITS OLDEST GRAVES\n\nAccording to the genealogical record kept by the Tang clan at Kam Tin, it originated from a branch settled in Kut Shui County (*) of Kiangsi Province during the northern Sung period (960-1126).* \n\nIt all started when one of the ancestors by the name of TANG Fu-hip (###) passed through this part of Kwangtung on his way to his new official assignment as the magistrate of Yeung Chun County () after he had successfully passed the imperial examination and was awarded the chin-shih degree during the reign of Hsi Ning (1068-1077).\n\n* With the exception of \"Kiangsi” romanizations used in this Note are in Cantonese.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208160,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1977",
        "page_number": 199,
        "title": "RAS-1977",
        "content_text": "NOTES AND QUERIES\n\nThe five graves may be summed up chronologically as follows:\n\n(1) TANG Hon-fat\n\n(2) TANG Kun\n\n(3) TANG Yuk\n\n(4) TANG Fu-hip\n\n(5) TANG Wai-kap\n\nHong Kong, Nov. 1976\n\n183\n\n(Yuk Nui Pai Tong) near Wang Chau.\n\nYuen Long.\n\n(Kam Chung Fook Fo) on a small hill\n\nbehind Pok Oi Hospital.\n\n(Pun Yuet Chiu Tam) Tsuen Wan on\n\nCastle Peak Road.\n\n(Sin Yan Tai Tso) near Wang Chau,\n\nYuen Long.\n\n(Wu Lei Kuo Shui) near Au Tau cross-\n\nroads.\n\nDAVID LIU\n\nACCOUNT OF THE VISIT\n\nOn Saturday, 11th December, 1976 some thirty members of the Society visited the five main graves of the Tang family of Kam Tin and other old established villages in the New Territories (see the programme notes above).\n\nWe first visited grave No. 3 in Tsuen Wan which is located on a small hill that was bought by the family in 1927 to protect the grave in the face of various encroachments. In addition to the grave, there exist two round granite pillars (similar to those at graves 1 and 4 but without their lion-dog tops). These are situated each at a distance of 132 feet and angles of 125 and 217 degrees from the centre of the grave, as measured standing at the main table with the compass pointing north.* Lower down, a little off the main road there is also part of an entrance, built of inscribed rectangular granite pillars, erected in the 4 year which the Tang elders say is, in this case, 1894.\n\nMr. Peplow was Land Bailiff, Southern District at the time the Tangs purchased the land in 1927, and his account,† quoting from a silk scroll given to him by one of the Tangs, is as follows:\n\n† S. H. Peplow Hong Kong About and Around (Hong Kong Commercial Press 1930) pp. 148-149.\n\n* I have since learned from the Tangs that the two pillars stood further to the front of the grave, nearer the former shore line, and that they were moved to their present location when the first Castle Peak motor road was constructed about 1917-1919.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1977.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/np198x23n",
        "rank": 0
    },
    {
        "id": 208401,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 125,
        "title": "RAS-1978",
        "content_text": "SHIIWAN POTTERY EXPLORED\n\n109\n\nUtensil Factory No. I makes use of many low buildings built just post-1949, as well as a few larger, more modern buildings, while in the grounds of Daily Utensil Factory No. III, the workers' residences consist of pre-1949 buildings in narrow alleyways. The new look of the town inspires optimism, while its old structures invite comparison with the past and are a constant reminder of its developing state.14\n\nJust as the town combines old and new, so the potters in the Fushan Shiwan Arts Pottery Factory combine a new work force with a preserved family tradition.\n\nIn 1952, two members from PLA \"propaganda units\" (i.e. publicity units), Zhuang Jia(4) and Zeng Liang(R), joined the newly established State-owned arts factory, under the tutelage of the two best-known artists in Shiwan at the time, Liu Quan(F*) for figure sculpture, and Ou Qian(§#) for animal sculpture. After 1958 there was a concerted policy of bringing in outsiders to build up the industry. Of the 21 designers in the design studio, seven came to Shiwan between 1961 and 1963 directly from specialized pottery training in technical or art schools. Four out of these seven have married spouses in the pottery business.\n\nAn examination of the designers' family trees, however, revealed the continuation of old family traditions and the beginning of new family traditions. Three old Shiwan families are represented in the design studio; two in the fourth generation (families of Liu Quan(#1), and Liao Hongbiao(A)), and one in the fifth generation (family of Liu Zemien(###), Plate 21). In addition, the sons of both former PLA members Zhuang Jia and Zeng Liang have joined the pottery industry, indicating that these new families are now thoroughly integrated into the industry and beginning new family traditions.\n\nFamily involvement appears to be characteristic of the industry as a whole. Of the 21 artists in the design studio there are three married couples, two brothers and three father and son teams. Seventeen of the 21 designers have family members in other aspects of the pottery industry at Shiwan.\n\nThese artists vigorously carry on the tradition of Shiwan ceramic art, continuing to sculpt historical and folklore figures in addition to personalities of contemporary society, both well-known ones",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    },
    {
        "id": 208403,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 127,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n111\n\nsuch as Lu Xun (§i§) and Yang Kaihui, (#5 B♬*) and many types of workers and peasants. In 1962 the art theory of well-known potter Liu Quan was published in Mei Shu (), which greatly enhances the understanding of a designer's creation process.\n\nI regret that time does not permit more than the introduction of a few topics related to Shiwan pottery, but it is hoped that they are sufficient to stimulate the interest of the audience, whom I have no doubt will have further opportunity in the future to hear more about this fascinating artistic expression.\n\nNOTES\n\n1 Nigel Cameron, \"Second Thoughts on Shekwan”, South China Morning Post, Tuesday, October 18, (1977).\n\n2 These discoveries were subsequently published in: Chen Zhiliang (***), “Guangdong Shiwan Gu Yao Zhi Diao Cha\" (ARGZSEALJO✨), Kuo Gu (**), (1978) No. 3, pp. 195–199.\n\n3 Li Jingkang (*), “Shiwan Tao Ye Kao” (*****), Guangdong Wen Wu {}£x#), (1941) Vol. 10: 39-47.\n\n4 Xu Zhiheng (#2&), “Yin Liu Zhai Shuo Ci\" (ABÜZ), Mei Shu Công Shu (*#*#), Shen Zhou Guo Guang She (®Æ*), (1947), Vol. 3, No. 6, pp. 159-160.\n\n5 See Guangdong Wen Wu Zhan Lan Hui Chu Pin Mu Lu (ARXMAL**), Zhong Guo Wen Hua Xie Jin Hui, Xi Nan Tu Shu Yin Shua Gong Si (@ztbet, gå!***AJ), (1940); and photographs in Guangdong Wen Wu (A*X4b), (1941) Vol. 2, pp. 163-165.\n\n6 \"Guangdong Yangjiang Shiwan Cun Fa Xian Gu Dai Yao Zhi” (ARBELZHURLRED), Wen Wu Can Kao Ze Liao (24b4”**) (1955), No. 3, pp. 161-162.\n\n7 Op. cit. Ref. 2.\n\n8 \"Gong Yi Ming Cheng Fushan\" (ILM−84), Xin Fu (**), (February 1959), No. 39, pp. 34-37.\n\n9 Yu Chengxian, editor, (**), Zhong Hua Tong Su Wen Zhang: Fushan Qin Si, (+$**$4ké), Xianggang Zhong Hua Shu Ju (✯#+4#5), (March, 1961).\n\n10 Zhuang Jia (ƒ), “Yi Qi Bu Yi Zhi, Yi Cang Bu Yi Lou-Liu Quan Tao Su Jing Yen Jian Jie”(宜起不宜止,宜藏不宜露,一則傳陶塑經驗簡4) Mei Shu, (★#ƒ), (1962), No. 3, pp. 41 f.\n\nThis theory is discussed more fully in: Fredrikke Skinsnes Scollard, \"Destruction and Creation: The Impact of Revolution on Shekwan Pottery\", Leverhulme Conference, University of Hong Kong, 1977, (In press).\n\n11 Manuel da Silva Mendes, \"Barros de Kuang Tung\", Boletim do Instituto Luis de Camoes, (Outubro de 1967), Vol. 2,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208412,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 136,
        "title": "RAS-1978",
        "content_text": "C. MARTIN WILBUR\n\ngoes on in his social environment. He feels morally responsible, and realizes that he may be held legally so, for the behavior of the members of his family certainly, and to some extent of all his neighbors.\n\nIII\n\nThe general structure of the Chinese family is pyramidal. This is true both for the largest unit, the clan, and for the smallest group, the individual sex family. At the head of each family unit stands an individual usually called Chia-chang (家長). It is of value to consider the attributes of this Chia-chang because he is the basic unit of village government, the link between the family and the larger group of neighbors. Moreover, he is the prototype of the village elder, who stands somewhat in the same legal and psychological position in the village as does the Chia-chang in his immediate family. The customary, ethical and legal sanctions which reinforce the Chia-chang reinforce also the village elder. There is no more perfect example, in fact, of the generical relationship between the family and all other social institutions in China.\n\nIn the simple sex family the father is usually Chia-chang, or after his death, the mother, if the family is still dependent upon the parental grouping. It was found that in Ching Ho, a village just north of Peiping, of 371 families only ten had women as family heads, and of these nine were widows. In the \"larger family\" which covers several generations living together by common consent under one roof as a single economic unit, the principle is more complicated. Su, quoting Chinese legal sources, gives the following order for succession to the position: grandfather, grandmother, great paternal uncles, their wives, father, mother, paternal uncles, their wives, elder brothers, their wives2. This systematic order is sometimes broken when the individual who would properly become incumbent is judged to be too young or of questionable character or ability. These qualifications of age and character are most important, and carry over into village government as well. Certainly no system of family or village control could be efficient without some modification from the rigid rule set down by law.\n\n1 Ching Ho a Sociological Analysis; p. 43.\n\n2 Su; op. cit., p. 48; from: Ta Ch'ing Lü Li, sec. 88; and Provisional Civil Code, art. 1324.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
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    },
    {
        "id": 208473,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 197,
        "title": "RAS-1978",
        "content_text": "WOODBLOCK PRINTING\n\n181\n\nmethods had been much improved and paper became more economical. Many important works were done in this period. “Tou Pan” (ƒ) or multi-colour printing was also invented. Some of their works are well known to us through the painting manual series of the Ten Bamboo Studio († in Nanking (). Formerly, colour prints were made by first putting different colours on various parts of the woodblock. In the \"Tou Pan\" technique, different blocks were made and colours of different shades were applied on these blocks. Sometimes as many as hundreds of blocks of different sizes were used to make one print. In this way, very complex colour combinations could be achieved. The invention of “Tou Pan” and “embossing” (##) techniques in printing was attributed to Hu Cheng-jen (‡), the owner of the Ten Bamboo Studio, whose Catalogue of the Ten Bamboo Studio Letter-sheet Design and the Calligraphic and Painting Manual are monumental landmarks in the history of art.\n\nOther important works were produced in the early Ch'ing period. One of them was the Mustard Seed Garden Painting Manual († \n4) compiled and printed by a famous painter Wang Kai (± *) for the Studio of the Mustard Seed Garden in Nanking in the years 1679-1701 of the K'ang Hsi period (). The manual was printed in colour by using the same techniques as the Ten Bamboo Studio and was printed together with painting instructions. It has been widely used by painters as a bible of Chinese painting. The manual has been copied and reprinted many times by different painters and publishers during Ch'ing Dynasty. The copies we can obtain in the market are usually photostat printed copies from the reproductions issued in the Late Ch'ing period. The pictures contained in these new copies are no longer as gorgeous as those in the original ones. We can hardly see an original copy as only a few of them are known, and are being treasured by museums and libraries or private collectors.\n\nDuring the past thousand years, book printings were centered in Szechuen, Chekiang, Anwhei and Fukien Provinces where paper was also manufactured. The folk or religious printing work had been widespread all over China, but the noted centres of the production were Yang Liu Ching (##), To Hua Wu (✯✯) and Fatshan (*). Yang Liu Ching is a village on the outskirts of Tientsin city (△) and the people living there have been engaged",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208492,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 216,
        "title": "RAS-1978",
        "content_text": "200\n\nNOTES AND QUERIES\n\nANCESTRAL IMAGES*\n\nI have been fortunate enough to come across a most interesting book, \"Religious Art in Taiwan\" (in Chinese) by LIU Wen-san.† In it, amongst many other things, LIU describes several 17th Century wooden figures, some 18\" high, which he discovered on the Pescadores. His photographs show images of elderly people, devoid of any colour and ravaged by time. I have translated part of his short article on them as it amplifies my Note on ancestral images.\n\nThe Contemplative CHANG Pai-wan (張百萬)\n\nIn Taiwan, not only temples but also homes have gods and ancestral tablets. Ancestral worship, a major characteristic of Chinese culture, is to show gratitude to the ancestors for bringing us up, and to mould us so that we do not shame them. Some people even have images made of their ancestors. The writer visited the old home of the legendary CHANG Pai-wan, a poor fisherman who lived over 300 years ago, in Pai Sha on the Pescadores.\n\nOne day in a cave CHANG saw large numbers of black bricks and took a few home, only to discover that they were black gold bars. To prevent others from finding out, he took only a few bars home each day until after a month he had moved the lot into his small home.\n\nNow a wealthy man, he bought several hundred acres of land and the long string of bullock carts he owned filed past his home before dawn each day. Unfortunately they also had to pass the home of another rich man, a Mr. WU, who took CHANG to court for disturbing peace. The court case, a stalemate, led WU to suggest to CHANG that they see who was the richer of the two, the richer being the winner. The arrangement was for both WU and CHANG to take their gold to a nearby bay and one by one cast their bars of gold into the sea. Whoever was first to have no more bars left was the loser. CHANG emerged the winner.\n\n* To be read in conjunction with the article at pp. 47-54\n†台灣宗教藝術, 劉文三 (雄獅圖書股份有限公司) 台北 1976",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208500,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 224,
        "title": "RAS-1978",
        "content_text": "208 \n\nNOTES AND QUERIES \n\nThe westermost cannon has an inscription showing that it was cast in the 1st moon of the 10th year of the reign of Chia Ching (1805), weighing 1,200 catties (嘉慶十年正月造,重一千二百斤). Again, this cannon and some others were probably cast for the defence of the region against pirates.4 The cannon which lies next to it had been severely weathered, and the inscription is illegible. \n\nTwo cannons on the east wall bear the same inscriptions. These read as follows:-- \n\nCannon: weight 2,000 catties. \n\nYik: General of Border Pacification, by Imperial Appointment (欽命靖逆將軍奕(山)). \n\nChoi: Minister of Constant Support. Kay: Junior Guardian of the Heir Apparent, and Viceroy of Kwangtung and Kwangsi (太子少保廣東總督都堂祁(墳)). Leung: Assistant Minister of Defence, and Governor of Kwangtung (兵部侍郎廣東巡撫部院(寶常)). \n\nLau: Acting Prefect of Fat Shan Prefecture. Cheong: Reserve Magistrate of Hoi Fung District, supervised its manufacture (海豐縣丞即補縣昌、監造). \n\nIn the 10th moon of the 21st year of the reign of Tao Kwang (1841) (道光二十一年十月吉日). \n\nCast by Cannon Artisans Li, Chan, and Fok. \n\nDuring that time, British influence in this area was strong. Viceroy Lin Tse-hsü ordered the casting of cannons from Fat Shan for the fortification of the coast of Kwangtung. These two cannons must be two of those that Viceroy Lin had ordered to be cast, and they were placed in this region for defence purposes. \n\nThe cannon which lies next to these two is again illegible, because of severe weathering. \n\nThese six cannons were selected from elsewhere, some perhaps from the Kai Yik Kok Fort, others from the Shek Se Fort, and were mounted there. Though they were not cast at the same time, they had the same purpose: they were used to defend the region against pirates and foreign invasions. They are now preserved at Tung Chung and help to commemorate these events.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208522,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 246,
        "title": "RAS-1978",
        "content_text": "The family of Liu Shengji (242) was originally from Xun De Xian (191).\n\nThree brothers established three shops in Shelvan:\n\n刘輝記 Liu Huijì\n\n刘注荣 Liu Zhurong (above: Liu Senji)\n\n刘螽記 Liu Zhongjì\n\nLiu Rylshang (above: Liu Shengji)\n\n1978: retired, still in Shelvan\n\nLiu Kuanji\n\nLis Shaqui\n\nLiu Zuocheo\n\nHad daughters only.\n\nHow they seldom con...\n\nLiu Yuan\n\n1949 came to Hong Kong. Had a younger sister only, to the studio.\n\n刘錦 Liu Jia\n\n刘伟 Liu Wei : Design (Chemical)\n\nLiz Bing Design Studio\n\nbla Lia Liu Sheng Hui Stu\n\nLlu Qing Hin Zhi feng 证\n\n刘伟堂 Liu Weitang\n\nCase to Hong Kong in 1949 with Liu Yuan works in arts factory\n\n划基权 Liu Jiquan\n\n刘国祥 Lie Guoxiang taschen in ceramic factory\n\n刘国龙 Liu Guolong, middle school. Makes miniatures in art factory.\n\nPlate 21. Liu family tree.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
        "rank": 0
    },
    {
        "id": 208552,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 9,
        "title": "RAS-1979",
        "content_text": "198\n\nNOTES AND QUERIES\n\nTHE MAN THE EMPEROR DECAPITATED\n\nI quote the following from notes taken at the Kat O ta-tsiu on 24th October, 1986:\n\nHalfway through lunch, I overheard Mr. Lau giving the Hoh Choh Shan story to one of the photographers from the Museum. I went over and asked him to repeat it. I have his version on tape. He reiterated that the name old people used was Hoh Choh Shan, but he thought it should be something else. This Hoh was a high-ranking official and worked at the capital. But his wife became pregnant while he was supposedly away from home. His mother, therefore, became suspicious. Then she learnt that he flew home every night. She became jealous and did something to his flying horse. So the next day he was late for the roll-call at court. The emperor wanted to decapitate him, but would rescind the order if he could name a hundred objects that could grow again after their heads had been chopped off. On the way home, he counted ninety-nine such objects (such as the sweet potato). When he got home, he saw his mother killing a chicken to celebrate his son's moon-yuet [one month after birth]. He asked his mother if the chicken would live without its head. [Of course it wouldn't.] The moment the mother answered in the negative, his head fell off.\n\nThere was a sequel to the story. At his grave three bamboos grew. Someone had left word that they should not be cut until a hundred days later. The advice was not followed. They were cut early and the bamboos flew into court but missed the emperor. [If they had grown for a hundred days, they would have hit him.]\n\nHoh Choh Shan was none other than the Tung Koon Paak, the Earl of Tung Koon whose descendants were decapitated by the Ming Emperor when his son was implicated in a conspiracy. The first half of this story I had heard once previously at Lung Yeuk Tau, but the second half was",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
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    },
    {
        "id": 208776,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 233,
        "title": "RAS-1979",
        "content_text": "206\n\nNOTES AND QUERIES\n\nHe named the new temple the 'Pu To' (Po Tor in Cantonese) in the East, meaning Kwangtung. There is a much older 'Pu To in the South' at Amoy in the Fukien province.* The original 'Pu To' is the famous island of that name off the Chekiang coast. It is covered with temples and is one of the homes of Chinese Buddhism.†\n\nApart from seeing the relics associated with its founder and visiting his grave and those of later abbots, the purpose of our visit is to walk round the premises and to note the wealth of presentation boards (§§§) to be found on them. These combined examples of calligraphy and Buddhist sentiment are cut on wood and mostly painted in gold characters on a red ground. Many are from the brush of the several abbots, especially the founder who clearly took a delight in naming and commemorating the different buildings and gateways.\n\nThe Monastery occupies a considerable area and its grounds were previously much larger, taking in a wooded area in front which has since been resumed by the Government for development. There has been considerable re-building and much new building, but overall the influence of the founder is still plainly evident.\n\nChinese calligraphy has always been a highly—indeed perhaps the most—respected and prized art form. Dun J. Li in his The Essence of Chinese Civilization (New York, Van Nostrand Co., 1967) writes (p. 414):\n\nOf all the talents the Chinese emphasized, none was more important than the literary talent. Such emphasis was evidenced by the fact that prior to the modern period the Chinese produced more books than the rest of the world combined. As for fine arts, the art form which the Chinese cherished most was calligraphy, and the works of such great masters as Wang Hsi-chih (321-379), Liu Kung-ch'üan (d.A.D. 865), and Chao Meng-t'iao (d.A.D. 1322) were imitated throughout history.\n\nHe then gives biographies of several famous calligraphers, taken from the standard dynastic histories, which illustrate this esteem. Emperor Mu-tsung of T'ang (821-824) was not considered an able, enlightened ruler.\n\n* P. W. Pitcher, In and About Amoy (Shanghai and Foochow, The Methodist Publishing House in China, 1909) p. 78 and illustration at p. 161. † See the extensive account in Reginald Fleming Johnston, Buddhist China (London, John Murray, 1913) pp. 259-389.\n\nI",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2801w5938",
        "rank": 0
    },
    {
        "id": 208787,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1979",
        "page_number": 244,
        "title": "RAS-1979",
        "content_text": "4\n\nNOTES AND QUERIES\n\nWork of the Association in its early years\n\n217\n\nSoon after the port of Hong Kong was opened [again] in the last year of the reign of Hsien Feng in the Ch'ing dynasty (1860-61), there used to be a Nam Pak Hong Street (later renamed Bonham Strand West). At this favourable location our predecessors set up firms dealing in native products from south and north China. The following firms were among those then established one after another: the Kwong Mau Tai Hong and the Woo Kee Hong of Mr. Chiu Yue-tin, a celebrity of Kwangtung origin, the Hau Fung Hong of Mr. Lo Chor-san, the Hop Hing Hong of Mr. Lau Lo-tak, the Siu Fung Hong of Messrs. Fung Ping-shan and Kwong Tsz-ming, the Kwan Mau Hong (in Wing Lok Street West) of Mr. Li Sau-hin, the Wah On Hong of Mr. Chan Yue-fan, the Yue Wo Loong of Mr. Chan Sik-nin, the Yuen Fat Hong of Messrs. Ko Mun-wah and Chan Chun-chuen, celebrities of Chiu Chau origin, the Yuen Sing Fat Hong, the Kam Yue Fung Hong and the Kam Sing Lee Hong of Mr. Choi Si-kit, the Yue Tak Sing Hong and the Kwong Tak Fat Hong of Mr. Chan Tin-san, the Kin Tye Lung of Messrs. Chan Wun-wing and Chan Tsz-tan, the Ng Yuen Hing Hong of Mr. Ng Lei-hing, a celebrity of Fukien origin, the Chui Tak Loong Hong of Messrs. Wu Ting-sam and Wong Ting-ming, the Hau Tak Hong of Mr. Kwok Yim-sing and his brother(s), the Yi Tai Hong and the Lee Yuen Cheung Hong of a business group of Shantung origin. With the exception of Messrs. Chan Yue-fan, Chan Sik-nin and Kwok Yin-sing, all the aforesaid gentlemen have now deceased.\n\nIn 1868, with the concerted initiative and efforts of the said Messrs. Chiu Yue-tin, Chan Chun-chuen, Fung Ping-shan, Choi Kit-si, Chan Tin-sau and Wu Ting-sam, the Nam Pak Hong Association was founded in Bonham Strand West near its junctions with Wing Lok Street and Queen's Road. Then the objectives of the Association were to promote members' welfare and market prosperity, to assist the police in the maintenance of law and order in the neighbourhood and to formulate plans for the prevention of fires and alleviation of disasters. On the first floor of the Association building was the office, where regulations and business rules of the Association were decided, Directors and Managers of the Association mutually elected, and monthly meetings held. For the first term, the Chairman of the Board of Directors was Mr. Chiu Yue-tin and the Manager was Mr. Lau Lo-tak. The latter mana-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1979.txt",
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    },
    {
        "id": 208859,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 21,
        "title": "RAS-1980",
        "content_text": "been teaching at Wah Yan since 1960. The other was given by myself, and I spoke on “Chinese and Western medicine: compatible or antagonistic?\" My data was gathered during a three-year research project into the medical system of Hong Kong conducted at Hong Kong University's Centre of Asian Studies. In February Mr. Patrick Lau spoke on \"Rural Architecture in Hong Kong\". He is the author of a book on the subject, based on a series of survey studies and published jointly by the Government Information Services and the Hong Kong Tourist Association.\n\nIn February Dr. Norman Ko, Reader in the Department of Mechanical Engineering at the University of Hong Kong, gave a talk on \"Underwater Photography and some Observations of Marine Life in Hong Kong\". Finally, in March, there were two talks: one given by Mr. Nigel Cameron, a well-known locally-based historian and art critic, and author of many books and essays, on \"The K'ang-Hsi Emperor (1662-1722)\". The other was given by Professor Winston Wan Lo on the work of his late father, Lo Hsiang-lin, who was Professor of Chinese at the University of Hong Kong. Winston Lo is himself a professor of History at Florida State University. Future talks are in the process of being arranged, and you will already have received advanced notice of two, possibly three talks for April.\n\nTours Abroad\n\nIn April 1979 Dr. Shaw led a trip to Darjeeling and Sikkim, and in July another to Srinagar and Ladakh or “Little Tibet\". Members on the latter trip were particularly fortunate in that, by a harsh 3 a.m. start, they were able to witness and record the most interesting part of the final day's ceremonies in the annual masked dance festival at Hemis Monastery near Leh. Our Society is, of course, a non-profit-making organization, and Dr. Shaw was able to make a refund of $240 to each participant on the Sikkim trip, although a nominal loss was made on that to Srinagar and Ladakh. At the end of this week, a group of 19 members will leave for the Kingdom of Bhutan, the last of the forbidden kingdoms opening its doors to a select group of visitors. Again, they will be led by Dr. Shaw. In the absence of any response from China International Travel Service in Peking concerning our proposals for visits to China by groups of members of the Society, no further representations were made during the past year. Members will, of course, know they can now, as individuals, join a number of tours operating from Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
        "rank": 0
    },
    {
        "id": 209009,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 171,
        "title": "RAS-1980",
        "content_text": "NOTES AND QUIRIES\n\n139\n\nFuk Tak Temple **\n\nTai O Market- No information.\n\nThe number of temples found in each area is as follows\n\n1. Mui Wo-2\n\n6. Tsin Yu Wan-1\n\n11. Sha Lo Wan-1\n\n2. Pui O-4\n\n7. Yi O-1\n\n12. Tung Chung 3\n\n3. Tong Fuk-2\n\n8. Tai O-7\n\n13. Tai Pak - 1\n\n4. Shek Pik-3\n\n9. Keung Shan- 1\n\n14. Nim Shue Wan-1\n\n5. Fan Lau-2 10. San Shek Wan-1\n\n15. Chak Lap Kok-1\n\nHong Kong, March 1980\n\nANTHONY K.K. SIU\n\nTHE KOWLOON WALLED CITY\n\nThe Kowloon Walled City was situated to the north of the present Kai Tak Airport. It had been the most important military base in Hong Kong during the later Ch'ing Dynasty (1644-1911).\n\nAt the beginning of the Ch'ing period, there was no walled city. In the 7th year of the K'ang Hsi reign (1668), there was only a watchpost, called the 6, recorded as having thirty guards. Fourteen years later, in the 21st year of Kang Hsi (1682), the number of guards was reduced to only ten, and the post was turned into the Kowloon guard-station. This Kowloon guard-station, with only ten soldiers, was still in existence up to the 16th year of the Chia Ch'ing reign (1811)\n\n1\n\nDuring the 15th year of the Chia Ch'ing reign (1810), the Fat Tong Mun Fort # was evacuated, and a new fort was built on the coast of Kowloon. This was the Kowloon Fort #. Its garrison was forty-eight men, under one pa-tsung and one ngai-wai.\n\nAfter the 22nd year of the Tao Kuang reign (1843), Hong Kong Island was under British rule. In order to strengthen the fortification of Kowloon, a walled city was built in the 27th year of Tao Kuang (1847). This was the Kowloon Walled City\n\n* See JHKBRAS 19 (1979)· 209-210.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207",
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    },
    {
        "id": 209014,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1980",
        "page_number": 176,
        "title": "RAS-1980",
        "content_text": "144\n\nNOTES AND QUERIES\n\nTai Lam Chung Sub-district:- Tai Lam Chung, So Kun Fat, Tai Lam, Tsing Fai Tong, Un Tan and Tin Po\n\nTsai 田箭仔、\n\nLung Ku Tan Sub-district:- Nim Wan, Tai Shui Hang 大水坑, Pak Long 北朗, Ha Nam Long 下南朗, Sheung Nam Long 上南朗 and Tuk Mi Chung 篤尾涌.\n\n18\n\nAt present, Tuen Mun consists of thirty-two villages; namely: Chi Tin Tsuen, Ching Chuen Wai † (mainly surnamed To 陶), Ching Shan Keuk 青山脚, Ching Shan Tsuen 青山村, Chung Uk Tsuen (mainly surnamed Chung), Fu Ti Tsuen 虎地村, Fu Hang Tsuen 福亨村, Ho Tin Tsuen 河田村, Ki Lun Wai 麒麟圍 (mainly surnamed Chan 陳), Kwong Shan Tsuen 礦山村, Lam Tei 藍地 (mainly surnamed To 陶 and Kwan 關), Lam Tei San Tsuen (mainly surnamed To), Leung Tin Tsuen 良田村 (mainly surnamed Ho 何), Lung Ku Taan 龍鼓灘 (mainly surnamed Lau), Nai Wai (mainly surnamed To 陶), Nim Wan 稔灣, Po Tong Ha 寶塘下 (mainly surnamed Tsui 徐), Sam Shing Hui 三聖墟, San Hing Tsuen 新慶村 (mainly surnamed Siu 蕭), San Hui 新墟, San Wai Chei 新圍仔, Shun Fung Wai »§ £, ♬ (mainly surnamed Cheung 張 and Leung 梁), Siu Hang Tsuen 小坑村 (mainly surnamed Tse 謝), So Kwun Wat 掃管笏 (mainly surnamed Lee 李), Tai Lam Chung (mainly surnamed Wu 吳 and Wong 黃), Tin Fu Chai (mainly surnamed To and Choi), To Yuen Wai (mainly surnamed Lee 李), Tseng Tau Tsuen 井頭村, Tuen Chi Wai 屯子圍 (mainly surnamed To 陶), Wo Ping San Tsuen 和平新村, Yeung Siu Hang 楊小坑 and Luen On San Tsuen 聯安新村.\n\nTuen Mun has now been developed into a large new satellite town. A major road, the Tuen Mun Highway, has been built, joining it with Tsuen Wan, and a light rail system within the town area will be developed in the near future.\n\nNOTES\n\n1 The name 'Tuen Mun' appeared first in Chapter 43 of the New History of T'ang.\n\n2 Tuen Mun Shan was also known as 'Pui To Shan'. Nowadays, it is also called 'Castle Peak'.\n\nThe Bay was also known as Tuen Mun O.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt",
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    {
        "id": 209113,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 16,
        "title": "RAS-1981",
        "content_text": "2\n\nsen and his Hong Kong experience and was based on a current study he is undertaking into the meaning and significance of Sun Yat-sen's sojourn in Hong Kong. Also in February we were pleased to welcome Mrs. Robyn McLean, assistant archivist at the Public Records Office, who, using material on her files, spoke on the efforts to locate the Chater art collection after the Japanese Occupation - an effort that proved in vain. Finally, this month Carl Smith, one of our Vice-Presidents and a well-known investigator of primary sources of Hong Kong history, spoke on the origins, functions, and network of the Hong Kong compradores.\n\nExpeditions: Hong Kong and Abroad\n\n- During the year we had one walking tour in the New Territories and two expeditions to Rajasthan. The November walking tour was one of the winter walks which David Liu of your Council arranges from time to time, and the first for members of the society. Thirteen people participated. The first expedition to Rajasthan was centred around the Pushkar Fair/Camel safari but included many other novel activities, such as desert camping, 6 days by camel to visit off-the-track villages of the Shekhawati with their frescoes, a visit to the remote desert town of Bikaner with its palaces and forts, as well as a visit to the Rajmahal Palace, Jaipur. Altogether fifteen members took the tour. The second tour, entitled \"Meet the Maharaja\", took place in January of this year and went from Delhi through Jaipur, Udaipur, Jodhpur, and Jaisalmer. Participants stayed in hotels converted from maharajas' palaces, met maharajas, and travelled on a royal saloon train. Seventeen members went on the tour. This is the first time that overseas tours have been arranged for us outside the Council, and I cannot report fully on the tours as no member of Council was able to go along. We will be pleased, however, to get the reactions and comments of those taking part. Mrs. Craig has kindly offered to show moving films of the two expeditions that she took to the Society, possibly in April - and those taking part in them will be invited to bring along their own photographs for display.\n\nPublications\n\n- The 1979 Journal (Vol. 19) was published and distributed during the year. Editorial work on the 1980 Journal was completed, and so was much of that on the 1981 Journal. Dr. James Hayes, who handed over the role of editor to Dr. David Faure last year, remained in charge of the Journal for 1980 and as advisor on that for '81. He has asked me to",
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    },
    {
        "id": 209141,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1981",
        "page_number": 44,
        "title": "RAS-1981",
        "content_text": "30\n\nEDGAR WICK BERG\n\n-\n\nclaims were not settled by the British administration until 1908. Despite the wide prevalence of revenue-claiming practices and institutions, the British recognized only those revenue rights that could be documented. Thus, the raw power and somewhat less raw influence of the Tangs of Kam Tin which underlay their revenue claims, and which the Pat Heung region, at least, had but recently thrown off by force, was not recognized. Only in the fifth circumstances and sometimes the fourth where a perpetual lease document, or perhaps a satisfactory sale document could be produced, were such rights recognized. It is of interest to note that despite the wide prevalence of multiple \"ownership\" noted by early British land officers, only the claims of about 40 \"taxlords\" were sufficiently documented to be recognized, and the land involved amounted to only about 200 acres, in a total New Territories cultivated acreage estimated at 40,000 acres. Those whose claims were so recognized were awarded lands as full owners elsewhere in the New Territories, and the multiple-\"ownership\" system was thus retired.\n\nIt is interesting to note the similarities and differences between the New Territories and Taiwan on these points. In 1900, north Taiwan was 100 to 150 years past the frontier age which had shaped its multi-tiered land system. But by 1900, fewer than 50 percent of the cultivated lands in the north had such arrangements, and when the Japanese put an end to the system in 1905, they were actually following through on an attempt that had been made in the 1880s, under Chinese rule, by Governor Liu Ming-ch'üan to end the multiple \"ownership” system. This is not the place for extensive comparisons, but we may observe in passing that the much greater prevalence of the multi-tiered system in the New Territories in 1900 as compared to Taiwan at the same time may be a result of the much greater importance of clans here than there.\n\nII. The rate of tenancy.\n\n-\n\nHere we are speaking, properly, in terms of a multi-tiered system, of subtenancy: not the taxlord-\"owner\" relationship, to use the early British terms, but the relationship between the \"owner\" and the tenant under him - the man who actually cultivated the land. Much less has been written about tenancy at this level than at the upper-level of taxlord to \"owner\". Understandably, the British interest in 1900 was primarily in determining a single owner who would be responsible for paying the tax. Owners were asked the names of their",
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    },
    {
        "id": 209145,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1981",
        "page_number": 48,
        "title": "RAS-1981",
        "content_text": "34\n\nEDGAR WICKBERG\n\nOne might infer that in such cases the large owner was using mortgage loans as well as direct purchases to expand his holdings over a large span of territory. Not all large \"absentee\" owners appear as mortgage holders, however.\n\nOur interpretation of the mortgage data is severely limited by the fact that we are looking at a single slice in time, 1905, which may not give us a full picture of the lending and borrowing operations of individuals as they might appear over several years of activity. It also is well known that at the time of British takeover of the New Territories many long-standing customary mortgages were paid off under an apprehension that they might not be recognized by British policy. Therefore, the situation of 1905 as reflected in the Block Crown Lease Schedules, does not necessarily typify that of any given year in the nineteenth century.\n\nIt would be of interest to compare land tenure in Hakka areas and in Punti areas. Of the four major villages that make up my area of study, only one is completely Hakka, although Hakkas are found in one other. In addition, much land in this region was owned by the Hakka clans of the large village of Wang Toi Shan, which is in the eastern part of the Pat Heung but outside the scope of my research so far. The limited amount of information I have allows little generalization. The small Hakka village of Shui Lau Tin contains a few major owners whose holdings are well beyond the lands of the village itself; but many \"outsiders\" owned lands right up to the gates, so to speak, of Shui Lau Tin. The Wang Toi Shan Hakkas, on the other hand, owned land all over the region of my study. More about them below.\n\nHakkas were important as landlords. We do not normally think of Hakkas as landlords. But in this region Hakka-owned tenant-cultivated land amounted to about 175 acres out of 1,472, or about 12 percent. Locally speaking, about 20 percent of tenant-cultivated land in the western end of this area was Hakka-owned; and in the western extremity Hakka-owned land was almost 50 percent of all tenant-cultivated land.\n\n―\n\nThus, of four reasons commonly given for relatively high rates of tenancy - population pressure on land; existence of sizeable land-owning clans; frontier or land reclamation; and commercialization it would appear that the presence of the clan was clearly the most important reason for the level of tenancy in this part of the New Territories, and probably in the entire New Territories as well.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt",
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    {
        "id": 209149,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 52,
        "title": "RAS-1981",
        "content_text": "38\n\nEDGAR WICKBERG\n\nhalls to see what I could learn about Tang influence on the one hand and local solidarities and influence on the other.\n\nI expected to find a pattern of declining Tang landholdings as one moved away from Kam Tin towards the east end of the Basin. In fact, what I found was solid owned-holdings and mortgage holdings by the Kam Tin Tangs in the area immediately to the east of the lineage stronghold itself, but a complete drop-off thereafter: no Kam Tin Tang holdings beyond a mile or two east of Kam Tin. Instead, what is most noticeable is the widespread land ownership influence of a different set of Tangs - the Hakka Tangs of Wang Toi Shan, a large village of several hamlets in the Northeastern portion of the Pat Heung area. Indeed, it is Wang Toi Shan ownership that follows my presumed pattern of solidity nearby trailing off to smaller amounts over distance. Wang Toi Shan people owned lands at considerable distances from their village well beyond their ability to walk to them and cultivate them themselves and right up to the area where Kam Tin Tang ownership began. Interestingly enough, Wang Toi Shan Tang holdings were mostly those of clan trusts. Where the lands were near to Wang Toi Shan itself, they were both individually-owned and clan-owned; more distant lands were almost all clan-owned. Parenthetically, this seems to resemble an observation made by J. T. Kamm about the holdings of the Kam Tin Tangs: that their individual holdings were close by and their clan holdings were often distant.\n\nThe Tangs of Wang Toi Shan may or may not be related in some way to the Tangs of Kam Tin. The Wang Toi Shan Tangs were Hakkas, of course, and the Kam Tin Tangs are usually thought of as Punti. But there is a Kam Tin tradition that someone of the Punti Tang branches of Ping Shan or Ha Tsuen married a Hakka woman of Waichow and that her male offspring settled in Wang Toi Shan, thereby founding the Tang name and fortune there. And the genealogy of the Hakka Tangs of Shui Lau Tin, who claim affiliation with the Wong Toi Shan Tangs, shows some possible links between themselves and the Kam Tin Tangs. The Wang Toi Shan Tangs with whom I have spoken deny kinship, but their genealogy appears to show a common place of origin in North China with the Kam Tin Tangs. Lo Hsiang-lin, however, finds no modern connection.\n\nV. Localities\n\nLet us look individually at the villages in the area east of Kam Tin, starting with Sheung Tsuen village, the farthest away at the east end",
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    },
    {
        "id": 209151,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1981",
        "page_number": 54,
        "title": "RAS-1981",
        "content_text": "40\n\nEDGAR WICKBERG\n\nThe small Hakka village of Shui Lau Tin was quite different. This was essentially a two-lineage village. The Tsois was the more numerous and owned most of the houses. But the one Tang lineage was quite prosperous as were many of the Tsois. Yet, while the largest landowners among both Tsois and Tangs owned much of their lands away from the village, and more to the west near Yuen Kong, other lineages and other villages owned land right up to the walls, so to speak, of Shui Lau Tin. Without tracing the affiliations of each of these surname groups it would be difficult to classify Shui Lau Tin in any typology of New Territories lineage villages.\n\nFinally, the large village of Yuen Kong, a mixed Hakka-Punti village nearest to Kam Tin of any I have looked at. Here, the Leung surname was preeminent, since Leungs owned almost 30 percent of the houses in the village, twice as many as any other of the major surnames of the village, and they also owned 26 percent of the cultivated land in the village area. There were seven lineage trusts - one for each of the major surnames and five religious associations. 75 percent of the cultivated land around the village was locally-owned, but there were important enclaves of ownership by the Kam Tin Tangs, the Wang Toi Shan Tangs, and individuals from Shui Lau Tin, Lin Fa Tei and Sheung Tsuen.\n\nHaving surveyed the area in this way, I find myself puzzled by what appears to have been an absence of Kam Tin influence east of Kam Tin, other than in the way we know about: that is, the earlier overlordship. Is it possible they never held land in the Pat Heung other than within a mile or two of their own gates? To the west of Kam Tin there were Tang branches, large-scale land ownership, market control, and overlordship over ha-lu. It would seem that the Kam Tin Tangs expanded to the west, but not much to the east. If so, why? Surely, the Pat Heung, a fertile area, was attractive.\n\nI can think of some possibilities. One might be united local opposition. We know that, strong though they are, Tang branches could be successfully opposed when several groups united. The Pat Heung opposition to overlordship discussed above is one instance; the Taipo Market case is another. Was there a united Pat Heung organization well before 1900 and well before the opposition to Tang overlordship, perhaps centering on the Tong Yick Tong, or something like it, that could prevent sales of land to Kam Tin? A second possibility: were there, perhaps, village-level agreements not to sell land to Kam Tin, but rather, if one must sell, to sell to another surname in the",
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    {
        "id": 209507,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1982",
        "page_number": 164,
        "title": "RAS-1982",
        "content_text": "PHONOLOGY OF A CANTONESE DIALECT OF THE NEW TERRITORIES: KAT HING WAI\n\nLAURENT SAGART*\n\nThe walled village of Kat Hing Wai (hereafter KHW) near Kam Tin in the New Territories of Hong Kong is inhabited by a lineage of the Tang clan, whose founding ancestor is believed to have settled there in the 10th or 11th century, coming from Jishui in Jiangxi1. Their dialect, which they refer to as way2 t'aw2 wa4 or 'dialect of the (walled) villages', differs from Standard Cantonese (SC) in a number of respects, and some of its speakers have formed the notion that it is really a transplanted Jiangxi dialect. It is not, however, only in use among members of the Tang clan, or in the village of KHW: I have heard a very similar dialect spoken in the Lau Fau Shan peninsula. Furthermore, Dr. P. H. Hase informs me that most, if not all indigenous Cantonese speakers of the New Territories call their dialect 'dialect of the (walled) villages' or 斗話. While there seem to exist differences between the different branches of this dialect, especially between the varieties spoken in the N.W. plains around Yuen Long and in the Eastern N.T. around Tai Po and Kowloon, the nature and extent of such differences are not known. Consequently, the scope of the present paper is limited to the phonology of way2 t'au2 wa4 as spoken in KHW.\n\nSha Tin\n\nI undertook a survey of the phonology of this dialect, which I believe has not so far been described, in October and November 19822. The informant, Mr. Tang Sau-man XXX, a 66-year-old native speaker of the 'dialect of the walled villages', was born and had always lived in KHW. He went to school in Kam Tin until the age of 18. The school was in the traditional Chinese style, and the courses were given in the local dialect by a teacher, himself a 'person of the walled villages' from 圍頭人.\n\n* Dr. Sagart (Doctorat de 3o cycle Paris 7, 1977) is a full-time researcher with the Centre National de la Recherche Scientifique, Paris.",
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    {
        "id": 209515,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 172,
        "title": "RAS-1982",
        "content_text": "150\n\nLAURENT SAGART\n\nSC: ui; KHW: -ü:\n\nSC: -ue;\n\nSC: -0: KHW: -u: SC: -00:\n\nEk'ü2 ‘he';\n\n'female' but also\n\nyül 'rain'\n\nhül 'go' ✯ nül\n\nsül 'book' and\n\nlu4 'road'; pul 'cloth' tyu3 'ancestor' but also ku3 'old' and\n\nful 'father'\n\nIn addition to this we find that words classified in the Sung dynasty rhyme-book Yun Jing # as belonging to the 1st division of the Xiao rhyme-group have merged in SC with those /-o/ finals that are the result of the lowering of /-00/, as detailed above. In KHW, the same words have merged instead into the lax /-aw/ final, in which they coexist with words from the Liu rhyme-group, which have SC final /-au. Hence the correspondence:\n\nSC: -0:\n\nSC: -au:\n\nThus, KHW\n\n'clown', and 'save' etc.\n\nKHW: -aw:\n\nkaw? 'high'; # ty'aw3 'grass' lawi 'old' but\n\nmaw4 'hat';\n\nalso ty'aw3 'clown' and\n\nkawl 'save'\n\nty'aw3 'grass' is homophonous with #ty'aw3 kawl 'high' is homophonous with kawl\n\nApart from those SC /ui/ finals that were derived from an earlier /-ue/ after certain initials as detailed above, the /-ui/ final of SC also includes words classified in the Sung rhyme-tables as belonging to the labialized finals of the Zhi it & and Xie rhyme-groups. In KHW, these Zhi and Xie rhyme group words appear with the final /-oy/, together with words with non-guttural initials from the non labialized 1st division of the Xie rhyme-group. These non labialized Xie rhyme group words with non guttural initials in SC have the final /-oi. Hence the correspondence:\n\nSC: -ui; SC: -oi;\n\nKHW: -oy:\n\nsoyl 'tax'; # tyoyl 'drunk'; # toyl 'pair' but also ty'oyl 'vegetable'\n\nThus, some words with the SC final /-ui/ and some with the final /-oi/ have merged into the KHW final /-oy/. I can only",
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    {
        "id": 209653,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1982",
        "page_number": 310,
        "title": "RAS-1982",
        "content_text": "288\n\nNOTES AND QUERIES\n\nThe reply from the Secretary of State, Lord Salisbury, was, “I approve your proceedings\" (F.O.228, v.605, p.237, dated Dec. 9, 1878).\n\nThe letter from the Foreign Office to Mr. Herton which he referred to in his letter to Mr. Keswick has not been traced in F.O.228. Perhaps he would have been less pleased with Foreign Office action if he had been aware of the above exchange.\n\nNothing further appears to have happened until 24th July 1879, when Sir Thomas Wade, who as H.M. Minister in Peking had meanwhile taken over from Chargé d'Affaires Fraser, wrote to Mr. Scott enclosing a memorandum on the Herton claim (F.O.228, v.630, p.101-2), and instructing him to inform the Superintendent of Customs at Kiungchow that the firm's claim for $909.57 was supported, and that the attention of the Chinese authorities in Canton had been directed to the case. It is not entirely clear whether this was before or after Scott's letter of 3rd July, enclosing one from Herton of 2nd July to Sir Thomas Wade (F.O.228, v.630, p.134-6), had reached Peking, though the latter are filed later. Herton claimed that, because of his \"unfair treatment at the hands of the Authorities\" his business had been \"entirely crippled\", and he was \"now in most pressing need of the money,\"\n\nIn accordance with Sir Thomas Wade's instructions, Scott wrote on 22nd August 1879 to the Customs, claiming $909.57, and rehearsing the whole affair on the lines of Wade's memorandum (F.O.228, v.630, p.165-7). No reply of substance was received until November, when, on the instructions of the Governor General of the two Kwangs, the old argument was reiterated, that no instructions for issue of transit passes were drawn up until January 1879 and as Herton had made his journeys in 1877 the duties paid were legally charged (F.O.228, v.630, p.174-5). In reply, Scott referred Acting Taotai Liu to the Treaty of Tientsin, art. XXVIII (see note 3 below), and pointed out that transit passes had been obtainable at Shanghai and other open ports for many years. He continued, \"Are the Canton Authorities then alone to be free to carry out their individual opinions under pretext of drawing up rules, refuse to issue passes and levy any dues they please in opposition to Treaty rights?\"\n\nIn",
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        "id": 209728,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 385,
        "title": "RAS-1982",
        "content_text": "Page 363\n\nROYAL ASIATIC SOCIETY\n\nHONG KONG BRANCH\n\nMEMBERSHIP LIST AS AT 31ST DECEMBER, 1982*\n\nPATRON:\n\nH.E. SIR EDWARD YOUDE, G.C.M.G., M.B.E., GOVERNOR OF HONG KONG.\n\nHONORARY MEMBERS\n\nTHE AIDE-DE-CAMP LAM, Mr. Y. F.\n\nLAWRY, Mr. R.E.\n\nMACLEHOSE, Baron\n\nO'HARA, Mrs. M.\n\nTOPLEY, Dr. M.\n\nYOUDE, Sir Edward\n\nALLEYNE, Mrs. E.L.\n\nBOARD, Mr. D.B.M.\n\nBONSALL, Mr. G.W.\n\nBUTT, Dr. N.S.G.\n\nLOCAL LIFE MEMBERS\n\nCALCINA, Mr. P.G.\n\nCHAMBERS, Mr. J.W.\n\nCHAN, Mr. A.T.\n\nCHENG, Mr. T.C.\n\nCHIU, Dr. L.Y.\n\nCHOA, Dr. G.H.\n\nCHUN, Miss O.L.\n\nCOMBER, Mr. L.\n\nCRAMER, Mr. B.L.C.\n\nCRONE, Dr. D.L.\n\nDJOU, Mr. G.G.\n\nDUNCAN, Mrs. J.\n\nEMERSON, Mr. G.C.\n\nEVANS, Mr. P.J.\n\nEVANS, Mrs. P.J.\n\nFAULKNER, Mr. R.J.\n\nFOK, Miss N.\n\nFREMANTLE, Mr. A.\n\nFRY, Mr. R.A.\n\nFUNG, Mrs. L.\n\nFUNG, Sir Kenneth P.F.\n\nGAFF, Mrs. J.A.\n\nGILKES, Mr. D.\n\nGORDON, The Hon. Sir S.S.\n\nGREEN, Mrs. J.\n\nHASE, Dr. P.H.\n\nHAYES, Dr. J.W.\n\nHAYIM, Mr. E.J.\n\nHO, Mr. T.\n\nHONEY, Dr. N.R.\n\nHOPKINSON, Mrs. I.\n\nHOTUNG, Mr. J.E.\n\nHOWARD, Mr. W.J.\n\nHOWNAM-MEEK, Mr. R.S.\n\nHOYNINGEN-HUENE, Baron T. von\n\nHU, Dr. S.H.\n\nHUI, Miss W.H.\n\nHUNG, Mr. C.S.\n\nIU, Miss S.\n\nKINOSHITA, Mr. J.H.\n\nKVAN, Rev. E.\n\nLAI, Mr. T.Y.\n\nLAU, Mr. M.W.M.\n\nLAWRENCE, Mrs. B.M.L.\n\nLEE, Mr. J.S.\n\nLEE, Dr. R.C.\n\nLEE, Mrs. S.J.\n\nLETHBRIDGE, Mr. H.J.\n\nLEUNG, Mr. P.K.\n\nLI, Mr. D.K.P.\n\nLIU, Mr. D.H.\n\nLO, Mr. T.S.\n\nLOSEBY, Miss P.\n\nLUK, Mr. G.P.C.\n\nLUM, Miss A.\n\nMACKENZIE, Mr. J.\n\nMACKEOWN, Dr. P.K.\n\nMARDEN, Mrs. J.L.\n\nMcCRARY, Mr. M.\n\nMCKEIRNAN, Rev. M.\n\nMCINTYRE, Mr. W.M.\n\nNORONHA, Mr. J.E.\n\nOGDEN, Mr. B.J.N.\n\nOU, Miss G.\n\nPAIN, Mr. J.H.\n\nPICCUS, Mr. R.P.\n\nRAE, Mr. J.A.\n\nRAWLINSON, Mr. M.C.\n\nRAYNER, Mrs. C.M.\n\nRIDE, Lady May\n\nRUST, Mr. H.A.\n\nRYDINGS, Mr. H.A.\n\nSEED, Mr. B.\n\n*Honours and Decorations of Members are not noted in this list.\n\nPage 363",
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        "page_number": 134,
        "title": "RAS-1983",
        "content_text": "112\n\nHaven\".\n\nPui O at present often uses for its name characters meaning \"Shell Harbour\".\n\n1* Yi Long Wan (\"Second Wave Bay\").\n\n1 These villages used to stand just south of Discovery Bay but have since given way to the major housing project of that name.\n\n\" Tai Pak Island is now called Tai Lei (\"Great Profit\").\n\n19 Shau Chau is now called Sha Chau (\"Sand Isle\").\n\n\"Tongkwu is now called Lung Kwu Chau (\"Dragon Drum Island”). \"The Society for the Aid and Rehabilitation of Drug Addicts (SARDA) has had a treatment centre here since about 1960.\n\n31\n\n* Capital of San On District.\n\n** No villages now survive on Hei Ling Chau, which, after the closure of the leprosarium, is now occupied solely by the Correctional Services Department. The remaining villagers were resited to various places on Lantau in 1952-53.\n\n** Chau Kong is now called Sunshine Island (Chau Kung To), after an agricultural rehabilitation programme for refugee families launched there in the 1950s by Mr. Gus Borgeest (of Hong Kong) and others.\n\n\"Kau Yi Tsai is now called Siu Kau Yi Chau, with the same meaning.\n\n**A prewar periodical magazine containing many items of great interest, including Father D.J. Finn's contributions on local archaeology, 1933-36. These were reprinted, edited by Rev. T.F. Ryan S.J., by Ricci Hall, University of Hong Kong, 1958, entitled Archaeological Finds on Lamma Island (M) near Hong Kong.\n\n** Waglan at present uses for its name characters meaning \"Barrier to the Waves\".\n\n#T\n\nRespectively Cheung Shek Pai, Ngan Wu, and Shan Liu.\n\n\" Also known in English as Junk Island. At present the island is known in Chinese only as Fat Tau Chau (\"Buddha's Head Island\").\n\nNam Tong Island is now known as Tung Lung Chau (\"Eastern Dragon Island”).\n\n* This is the Tin Hau Temple (Tai Miu) on Joss House Bay.\n\nAfter partial excavation, it is now listed as an ancient monument under the care of the Urban Services Department.\n\n** Respectively Pak A, Leung Shuen Wan, and Pak Lap.\n\n** These inlets were drowned in the mid 1970s to form the High Island Reservoir.\n\n*Tolo Harbour.\n\nYuen Chau Tsai, see note 2 above.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
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    },
    {
        "id": 210221,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 192,
        "title": "RAS-1984",
        "content_text": "171\n\nfarmers as to whereabouts in Deep Bay is best for spat collecting although some claimed certain areas were better than others. Spat was collected at the mouths of the rivers and streams discharging into the north-east of the Bay before 1908, but since then spatfall has occurred throughout the Bay (Bromhall, 1958). Most oyster-men now assume that it is relatively random, subject to fulfillment of basic biological criteria, and consequently tend to operate a number of beds scattered throughout the Bay so that they would not be caught in any particular year without at least some spat. In all probability the variations in tidal currents have a substantial influence on the location of spat fall.\n\nIn occasional years when towards harvest time the Deep Bay oysters are found to be insufficiently fat (random samples are opened to check), they are barged to Shajing for fattening. About one third of the Hong Kong oyster beds in Deep Bay are devoted to fattening.\n\nShajing is about 27 km up the Pearl River estuary from Deep Bay. Although it is a place which keeps recurring in any discussions of the oyster industry, it is only used as a fattening area during autumn and winter when the salinity is around 20 g/kg. In summer, when salinity drops to as low as 1 g/kg on occasions, no oysters are to be found at Shajing.\n\nOysters are shipped from many locations along the South China coast outside of the Pearl River estuary to Shajing for fattening. There are no data to support the claim made by most farmers that very fertile waters exist at Shajing, but the place does serve as an oyster holding centre. Oysters are shipped from Shajing to market; Lau Fau Shan in Hong Kong being the main export market. The ultimate origin of oyster imports into Hong Kong whether by the official or unofficial route is thus not easily determined.\n\nThe oyster species\n\nChinese oystermen recognise two major types of oyster. The first is called Bai Hao (白蚝) or white oyster, which is also known by its Chinese scientific name Zhang Mu Li which means long",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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    },
    {
        "id": 210319,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 290,
        "title": "RAS-1984",
        "content_text": "269\n\nMy notebook says “We had tea at all these villages all locally grown\". The list includes Tai Hang Hau, Sheung Sze Wan and Ha Yeung, but I visited others in the group without making special mention of tea. At Ha Yeung I was told that they had 100 trees of what they called shan cha (山茶) (“hill tea”), not wild but planted by themselves. Tai Po Tsai, one of the larger villages of the area, claimed to have 50 trees, but the largest village settlement, Mang Kung Uk, reported \"only a few tea bushes not many.\" However, the little island settlement of Fu Tau Chau in Junk Bay gave me hill tea to drink, from its own trees.\n\nFurther towards Sai Kung Market, I was given hill tea to drink at Nam Wai, and also at Pak Kong Au, though the village reported \"only 8 to 10 trees\". East of Sai Kung, people in the hamlet of Shan Liu said that “tea was formerly grown (i.e. cultivated) but only wild bushes are now harvested”. But it was at Nam A, east of Sha Kok Mei, that I learned most. \"A really nice, almost English village\", I wrote enthusiastically. \"We drank hill tea (excellent) from trees planted twenty years ago in the hills behind the village, but not many. It is best brewed in porcelain, they said. Their supply lasts six months in all, but is harvested four times a year - once in the winter months, once at Easter and twice in the summer. The best is the Easter crop.” Nothing was said, or asked, about preparation but each crop was kept in a drawer for two months. My note ends \"The cows like to eat it!”.\n\nOn Lantau, the villagers of Pa Mei, otherwise known as Shan Ha, said they collected hill tea from Tai Tung Shan Keuk (大東山腳), that is the north western slopes of Sunset Peak. On South Lantau the people of the Pui villages also went up to Tai Tung Shan to collect leaves from wild bushes there in the second to fourth moons. Previously there had been many trees, but hill fires had reduced their number. It was used as leung cha (涼茶) for cooling the system. At Tong Fuk my notes state, \"they gather tea leaves from bushes on the hill and use it a lot. The tea comes from the Fung Wong Shan peak behind the village, and the leaves used are plucked in the second and third moons.” Rather surprisingly, the villagers of Upper and Lower Keung Shan, though located on the mountain slopes of a sheltered valley with good tree cover, had never cultivated tea bushes, or at least not within living memory.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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    },
    {
        "id": 210358,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 329,
        "title": "RAS-1984",
        "content_text": "308\n\nJAMES HAYES\n\nthem, this title was given to persons who would later be called the headman (†) or village representative (††). Their main job was to stop or settle petty squabbles and secure the adjustment and payment of compensation for damage to crops caused by straying cows and pigs. These leaders consulted each other by mutual visiting, and by occasional meetings in the Hau Wong temple (i) when the occasion was serious enough to warrant this. Even persons of 30-40 years of age could serve, if they were capable and had the time.\n\nWritten proof for the Sha Kok Mei wai cheung comes from a sale of land recorded in 1942 during the Japanese Occupation of Hong Kong. The buyer and seller and wai cheung were all from the village (local testimony) and the fact that the post was, as stated above, held on a yearly term of office is confirmed by the expression ... . The deed reads as follows, in translation:\n\n2\n\nI, CHU Hei, executor of this sale of paddy field for want of money at home, hereby sell of my own free will thirteen pieces of paddy land that have come down to me from my ancestors. Of different sizes, they total two tau chung, and they are situated at Kang Lau Ha. Sold for the sum of Two Hundred and Fifty Dollars, they pass into the perpetual ownership of TSANG HO Sze as of this day without possibility of redemption. This deed is final and binding between the two parties.\n\nThe hand of seller of land; CHU Hei\n\nWitnessed by: CHU Kat-hing\n\nLAU Kei-yau,\n\nWai cheung of current-year.\n\nDated the 8th day of the first lunar month in the 31st year of the Republic of China (1942)\n\nThe fact that the wai cheung who witnessed the transaction was not of the seller's clan is probably accounted for by the fact that the CHUs were among the smaller clans in this large, multi-clan village.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
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    },
    {
        "id": 210510,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1985",
        "page_number": 117,
        "title": "RAS-1985",
        "content_text": "98\n\nBARBARA E. WARD\n\ningly and quite quickly into almost as complete a retirement as his own eighty-year-old father. For the next six or seven years he continued to live on board the second junk of the pair and take part in fishing operations, but everybody now called Cheung Hei si lau even though his father and grandfather were both still alive. He was 34.\n\nLo Shing Chui took over command of his family's pair of purse-seiners at an even earlier age. His father, Lo Kwai Fat, amiable but not very intelligent and, like Ma Tai Tak who retired when his son was barely 20, unhappy in contacts with the outside world, was only too pleased to withdraw as soon as possible. His younger brother Kwai Ch'ing, still in his thirties, still lived and worked in the same firm, undivided, and it might have been expected that (as in another Kau Sai pair at the same period) he would take over the mastership. So indeed he might, had he not been of such subnormal intelligence that he was obviously incapable. In cases of real incapacity, I was told, mere seniority is always overridden.\n\nrather less regular\n\nOne final case will illustrate another situation. In 1953 the two brothers Shek Hung Toh and Shek Hei Toh (they denied any relationship with the other Shek family just described) were running a pair of purse-seiners together. The elder, Hung Toh, aged 35, was si tau of the firm; the younger, Hei Toh, 29, master of the second junk. Their father had recently died, and their mother, aged 51, lived on Hei Toh's boat. Also living with them, on Hung Toh's boat, was their deceased father's elder brother, Shek Lin Hei, aged 63. This man had no managerial status. He was, like Lo Kwai Ch'ing above, simply another member of the crew, but unlike Kwai Ch'ing he was in no way incapacitated except, a little, by his age. On enquiry, I was told that Lin Hei and his now deceased brother had formally divided their family some ten or so years before, during the Japanese occupation (when poverty forced a number of divisions that might not otherwise have taken place). Unlike his brother, who had prospered, Lin Hei had suffered a run of very bad luck culminating in an accident in which his wife and all his children were drowned. After this, his brother had invited him to come and live on his boat, although, the family being divided there",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1985.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/gt54s866x",
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    },
    {
        "id": 210658,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 9,
        "title": "RAS-1986",
        "content_text": "6 October, 1986:\n\n19 January, 1987:\n\n17 February 1987;\n\n16 March 1987:\n\n31 March\n\n(still to come):\n\nDr. Betty Wei Peh T'i\n\n\"Treasures from an Attic in Pennsylvania: Letters from the Chinese Countryside 1901-6\"\n\nDavid Lung\n\n\"Vernacular Houses in Fujian and Guangdong\"\n\nDr. Ronald Skeldon\n\n\"Ladakh: Land, Peoples and Plays\"\n\nAnthony Lawrence\n\n\"The Long March: The Story of a Joint Venture\"\n\nMr. Geoffrey Emerson\n\n\"Yankee on the Yangtse\"\n\nBesides the lectures, eight local visits were made during the year to places of interest. They comprised the following:\n\n9 and 30 August, 1986:\n\nVisits to the Museum of Teaware and Hong Kong's 1941 Underground Military headquarters David Pannach, Robyn McLean and James Hayes\n\n25 October, 1986:\n\nTa Chiu at Kat O island\n\n9 November, 1986:\n\nJames Hayes\n\nWalk from the Peak to Kennedy Town to view the fortifications which guarded the Western approaches to Hong Kong Phillip Bruce\n\n29 November, 1986: Ta Chiu at Tuen Mun\n\nJames Hayes\n\n6 December, 1986:\n\nFung Ping Shan Museum\n\nDr. Michael Lau\n\nviii",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063",
        "rank": 0
    },
    {
        "id": 210766,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1986",
        "page_number": 117,
        "title": "RAS-1986",
        "content_text": "100\n\nCHAN WING HOI\n\nNOTES\n\nBesides \"three-day jius\", there are more elaborate “five day jiu” celebrations in the New Territories.\n\nThe annual ritual takes place typically in Chiu Chau, Wai Chau and Hoklo settlements to make offerings to uncared-for dead spirits.\n\n1 The oldest dated object in the Tin Hau Temple, which housed the main god of the festival, was about one hundred years old. I shall refer to this again later.\n\n6\n\nThere could have been more than one \"chairman\".\n\nProbably part of the golf club, or otherwise a similar establishment.\n\nTanaka Issei 田仲一成, Chugoku saishi engeki kenkyū 中国祭祀演劇研究 (Tokyo: Institute of Oriental Culture, University of Tokyo 1981) p. 891.\n\n7 The Fuk-Wai-Chiu immigrants had their own gods and their operas in the Tin Hau festival. According to Tanaka, eleven or twelve gods other than Tin Hau were sacrificed to (op. cit., pp. 891-3). One of them, the Daai Wong Paak Gung of Naam Bin Chyn, is attributed by Tanaka to the Hoklo residents. Tanaka also points out that the Fuk-Wai-Chiu members of the organizing committee were alone responsible for a special part of the festival, that is, the performance of Wai Chau and Chiu Chau operas.\n\n8 Piu-sik are usually carried on frames at a height far above that of the audience in a parade. Because of the rain during the procession this time they stood in a lorry instead.\n\nAbout half of the gods sacrificed to in the Tin Hau Festival, including the Fuk-Wai-Chiu deity mentioned above, were not found among the spirit tablets in the jiu festival.\n\n10 \"Picking green\". In this case the two lions competed in capturing a bank note hanging near the entrance to the house.\n\nGlossary\n\nChoi Paak Lai 蔡伯勵\n\nchoi-cheng 採靑\n\nDai Wong (Ye) 大王(爺)\n\nba-wong-dei 霸王地\n\nChiu Chau 潮洲\n\nbaai-chaam 拜懺\n\nBaak Mou Seung 白無常\n\nBaak-gung 伯公\n\nBak Dai 北帝\n\nBao'an 寶安\n\nbui 杯\n\nbin-ngaak 匾額\n\nChai Wan 柴灣\n\nChan Wa 陳華\n\nCheung Chau 長洲\n\nDaai Si (Wong) 大士(王)\n\ndaai-gat 大吉\n\ndiu-lau 碉樓\n\nDongguan 東莞\n\nfa-laam 花籃\n\nfa-paai 花牌\n\nFaaigou jeungdaai ...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt",
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    },
    {
        "id": 211078,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 139,
        "title": "RAS-1987",
        "content_text": "114\n\nTie. The best man held a black umbrella over the groom, draped with a strip of red cotton: although it was not raining, bad spirits may have been about and it is common Chinese tradition to protect those about to be married from harm befalling them.\n\nThe procession reached the temple of Ma Jo (#), the Hoklo name for Tin Hau. This is the main temple in Yim Liu Ha. The women redoubled their rowing efforts and the Chilin cavorted and stretched as the groom and best man went in. After making obeisance to the god, they came out, bowed and lit incense at the little shrine opposite the temple, all the while to the deafening accompaniment of gongs and cymbals.\n\nFirecrackers were set off and after a further brief visit to the temple, the procession continued on its way to the shrine of the earth god, To Dei Gung (±‡A) at the beginning of the village. Two of the rowers were now carrying small branches of kumquat leaves with which they flailed the air. The Chilin pounced and postured, incense was burned as a sign of respect, and the god offered food from a basket of carefully arranged chickens and other tasty morsels. The bridegroom and best man bowed to the god, more firecrackers were set off, and the procession reformed to return to the house, taking with it the basket of food.\n\nThe proceedings so far had taken about an hour, and all felt entitled to a rest. Then at 11:30 am, the procession resumed as the bridegroom prepared to leave the village to collect his bride from Kwan Tei. This time he was carrying a bouquet of artificial pink roses to give to the bride. The women rowers had increased in number: the drummer at the front now wearing a funny hat, while of the eight in the middle, two pairs were wearing aprons while two pairs were not. These were followed by the woman representing the tail of the dragon, and then by a \"fortunate\" woman whose parents were both living and who had several children. She was carrying a round rattan sieve with pomelo leaves, cypress leaves, and two pieces of ginger root, traditional emblems of marriage, long life, and fertility. After this came the Chilin, the band, and the groom and best man with the umbrella.\n\nThey stopped briefly outside the temple and the earth god to",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522",
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    },
    {
        "id": 211293,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1988",
        "page_number": 9,
        "title": "RAS-1988",
        "content_text": "27 \n\nMay \n\n9 \n\n30 \n\nJune \n\n10-13 \n\n27 \n\nJuly \n\n11 \n\nAugust 1 \n\nOctober 1 \n\n17 \n\nNovember 1 \n\n26 \n\nDecember 1 \n\n10 \n\nJanuary 6 \n\n21 \n\nFebruary 24 \n\n25 \n\nMarch \n\n4 \n\n10 \n\n17 \n\n\"Women in China\" (lecture: Dr. Maria Jaschok) Cocktail Party for New Members \n\n\"Britain and Vietnam, 1948-1955\" (lecture: Prof. Mary Turnbull) \n\nVisit to Foshan (organiser: Dr. Michael Lau) \n\n\"Fortune & Safe Passage: Chinese Paper Folk Art (Kam Fa)\" (lecture: Dr. Janet Lee Scott) \n\n1 \n\n\"Ancestors\" (lecture: Mr. Frank Ching) \n\n\"Pirates in the Pearl River Delta\" (lecture: Prof. Dian Murray) \n\nVisit to Fung Ping Shan Museum, Hong Kong University (organiser: Dr. Michael Lau) \n\n**Introduction to Chinese Musical Instruments\" (lecture: Prof. Tong Kin-woon) \n\nChinese Dinner for Members \n\nTour of Central Police Station and Royal Hong Kong Police Museum (organiser: Mr. Geoffrey Roper) \"Jade Carving\" and \"Chinese Costume\" (joint lecture: Mrs. Sydney Fung and Mrs. Valery Garrett) \n\nWalk around Western District (organiser: Dr. James Hayes and others) \n\n\"Influenza: the Asian Connection\" (lecture: Prof. K. F. Shortridge) \n\nIntroduction to New Territories Villages (tour: organiser Dr. Patrick Hase) \n\n**Shanghai Entrepreneurs in Hong Kong\" (lecture: Prof. Wong Siu-lun) \n\nTour of Kowloon Walled City (organiser: Dr. James Hayes) \n\nTour of Country Parks (organisers: Dr. James Hayes and Mr. K. C. Iu) \n\n\"The Tale of the Norma Bell\" (lecture: Mr. John Chetwynd-Chatwin) \n\nAnnual General Meeting and Dinner \n\nWe are grateful to all speakers and organisers, and following last year's innovation have continued the practice of inviting them to attend the Annual Dinner as guests of the Society. It is gratifying to report that eleven of them have accepted our invitation this year. In addition, we \n\nvili",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q",
        "rank": 0
    },
    {
        "id": 211612,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 27,
        "title": "RAS-1989",
        "content_text": "2\n\nfor 1959 and 1972 when he was on leave). After the Kwong Chow was demolished, these events were held in the Ying King Restaurant, in Wanchai. Many architects, engineers, surveyors, Public Works Department staff, and contractors attended these functions. Speeches were made, and all present, at a given moment, paid their respects by bowing three times to a portrait of Lu Pan.\n\nBut a builder's life is not all brandy and shark's fin soup. Steep, rugged, rocky Hong Kong is not ideal terrain for many projects. In the early days of the Colony, when roads and reservoirs were built (the first reservoir, at Pok Fu Lam, was completed in 1864), there was little in the way of mechanical equipment. It was not until 1962 that the first crane was used to construct a building, the Hilton Hotel (originally named the American Hotel).\n\nEven today, for structures up to 150 metres high, the ubiquitous bamboo, which typifies an exemplary man's life in that it grows tall, straight, and yet is flexible and versatile, with rings marking important achievements in a person's career — is still used for scaffolding. It bends rather than breaks and is about one-third the price of steel. Bamboo is, or has been, also used for making (among other things) chipboard, woven bed mats, furniture, water pipes, fishing rods, summonses for secret-society meetings, and Chinese medicine. In addition, bamboo shoots provide a tasty dish.\n\n10\n\nAlthough some old building techniques, like bamboo scaffolding, are still in use, many have long since disappeared, along with the ancient structures built using them.” A few of the latter are, however, still left.\" These include \"walled\" villages, such as Kat Hing Wai at Kam Tin, and the 600-year-old, three-storey Tsui Shing Lau at Ping Shan in the New Territories. This was built in a geomantically favourable location to placate the God of Literature and originally had seven floors. But the upper part was damaged in typhoons. This Man Pat (its local name) Pagoda was built to improve the performance of the Tang clan of Ping Shan in the imperial examinations. Academic results indicate the edifice proved effective.\n\nIn the urban area, Victoria Prison, off Arbuthnot Road in Central, which was completed in 1843, is said to be the oldest jail still in use for that purpose in the Commonwealth. Hangings used to take place there (the last in Hong Kong was at Stanley Prison on November 6, 1966),",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211634,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 49,
        "title": "RAS-1989",
        "content_text": "24 \n\nand not even a tablet is permitted. Images of the Jade Emperor seen in Taiwan, Hong Kong, Macau and in South-East Asia are all very similar, portraying him as a bearded, usually gilded, image of an official seated on a throne, with a jade tablet clasped in both hands before his chest (see Plates 2 and 3). His head-dress is not a crown in the western sense, but a classic hat, the mien (mian) the rectangular mortar board cap from which is suspended, front and back, thirteen red cords bearing green, red and blue beads and descending almost to the level of his eyes. Thirteen indicates his supreme rank. This, it should be noted, is the typical standard image of a great number of official deities other than the Jade Emperor, and the only way one can categorically identify his image is to see it on his altar, or to find that it bears an original inscription describing it as the image of the Jade Emperor.\n\nHis image is placed as high on the altar as possible, even to the extent of placing it on as many as three to four tiers; his image, even more than most, must never permit his feet to be touching the ground. In a number of places he is considered to be too holy and too powerful to be portrayed by an image; his title only being recorded on a tablet which occupies the centre of his altar. Images of the Jade Emperor are to be seen not only on the main altars of temples dedicated to him but also, in a small number of instances, on secondary altars in temples dedicated to lesser deities. In Suifu in Szechuan, Graham in 1928 counted nineteen images of the Jade Emperor on altars in the town. The images were placed on the first floor of the temples whereas other gods were normally on the ground floor.\n\n7\n\nGrootaers noted that the cult of Yuh Huang was well represented in the sanctuaries built in high spots in the city of Hsuan Hua (south of Chang Chia Kou [Kalgan] and northwest of Peking). The earliest was dated 1535 AD. Yuh Huang was better known there as Hao T'ien Shang Ti and his image portrayed him as a bearded scholar with a mortar board cap.\n\nIn many folk religion temples in Ch'aochou (Teochew) communities his tablet stands in the front centre of the altar table nearest the main entrance, and in front of the main altar, with only an image of the Third Prince on his altar table standing between the Jade Emperor's tablet and the entrance. The altar of the Jade Emperor is referred to as the T'ien Kung T'an (Tiangong Tan). On his birthday, the 9th of the first lunar month, large sacrificial offerings to T'ien Kung are placed on this special altar",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211740,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 155,
        "title": "RAS-1989",
        "content_text": "130\n\n―T\n\ntowards the end of the century. The original market for the Sha Tau Kok area was Sham Tsun; it was only from about 1825 that the population of the Sha Tau Kok area rose to the point where it could sustain a market of its own, at Sha Tau Kok.\n\nThe main impetus to the foundation of the Cheung Shan Kwu Tsz, apart from the purely religious one, and the political one to be discussed below, was to provide a resting-place for travellers on the road to Sham Tsun. This road was long, and the two-mile-long deserted section through the mountains was without shelter, either from the elements or from wild animals (tigers were a serious problem in the area, as village tales and placenames demonstrate). The nunnery was founded, in part, to provide services to wayfarers; in particular, according to elderly villagers, free tea was given to anyone stopping to rest there.\n\nTraffic on this road was heavy. At its peak, between 1900 and 1915, about 20,000 people a month passed by, carrying up to 400 tons of goods, according to surveys conducted in 1904 and 1910 by the Hong Kong Government to assess likely traffic on railway lines in the area.\n\n10\n\nThe road from Sham Tsun to Sha Tau Kok was important not only because of its local significance to the two market towns, but to a wider area as well. It was part of the main road from the county city of Nam Tau (Nantou) to the Deputy Magistrate's city of Tai Pang (Dapeng), which was the most important east-west route in the county.\n\nThe main north-south routes in the county were those which linked Kowloon with Sham Tsun, and then on from Sham Tsun with the towns further north, and, eventually, with Canton. There were three main crossings of the Sham Tsun river between the New Territories area and Sham Tsun: the Liu Pok ferry to the southwest of Sham Tsun, which carried the traffic on the Yuen Long-Sham Tsun road, and the Lo Wu ferry and the Law Fong bridge, which between them carried the Kowloon-Sham Tsun traffic. The most direct route from Kowloon to the north was the road from Tai Po to Sheung Shui, and thence over the Lo Wu ferry. This ferry, however, was expensive, and could only be bypassed by using a waist-deep ford, which was difficult and dangerous, and impossible after rain. Many travellers, therefore, preferred the slightly longer, but cheap and safe Law Fong bridge crossing. There were two routes from Kowloon to the Law Fong bridge. One crossed the mountains north of Tai Po by the Kat Tsai Au pass,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211741,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 156,
        "title": "RAS-1989",
        "content_text": "N\n\n+\n\nSham Tsun\n\nLUK VEUK\n\nCHEUNG SHAN KWU TSZ\n\nPing Yeung\n\nKeng Shan\n\n[Ping Che\n\nCHEUNG\n\nCHEUNG SHAN KWU TSZ\n\nLeng Tsai\n\nKan Fou\n\nHung Leng\n\nSZE YEUK\n\nROADS\n\nTEMPLE\n\nTai Po\n\nMOUNTAINS\n\nRIVER\n\nVILLAGES\n\nTon Chuk Hang\n\nShan Tong\n\nÊ tại Trung Hu\n\nLeng Pe\n\nJ\n\nLOCATION\n\nSHAP\n\n'Man UK\n\nLại Tưng\n\nES\n\n¿Son Uk Tsai\n\nSon Wal\n\nHawai Tau Legg\n\nYEUK BOUNDARY\n\nTung Shih Hạ\n\nLAND SUPPORTING CHEUNG SHAN KWUTSZ\n\n/Hek You\n\nMETHE O\n\nSpe\n\nTheo meng\n\nL\n\nTai Po\n\nKAT TSAI\n\nAU\n\n131",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211764,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 179,
        "title": "RAS-1989",
        "content_text": "154\n\n19\n\n, at Law Fong) are believed to have entered the area after 1700. See Map of Ta Kwu Ling.\n\nIt is interesting to note that, of the 21 villages in the Ta Kwu Ling area, seven are purely Punti, nine are purely Hakka (including two of originally Punti but now Hakka speaking Mans), but five are of mixed Punti and Hakka residents, including the large village of Chau Tin (which has only a tiny handful of Hakka residents), Fung Wong Wu, Kan Tau Wai, and Law Fong, and Tong Fong which consists partly of Punti speaking Mans, and partly of Hakka speaking Mans.\n\n+\n\n1\n\nYeung, and Ng, at Fong Wong Wu; Siu, and Ho, at Chau Tin; Wong, at Kan Tau Wai; Pang, and Au, at Tai Po Tin; Fu Lau, (and others) at Wo Keng Shan; Yiut, at Chuk Yuen; Chan, and Yiu, at Law Fong (Luofang); Chau at Wang Kong Ha; Yeung, and Kwu, at Sai Ling Ha (Xilingxia), and others.\n\n21 The temple bell, of Chien Lung 21 (1756) was donated by \"all the faithful people of the Ping Yuen Hap Heung...\n\n...to stand for ever before the altar of the Lady Tin Hau*. Faure, Luk, Ng, op. cit., Vol. 3, p. 670. The only earlier dated item in the temple, a Cloud Gong of 1727, was donated by a single family from Ping Che, Faure, Luk, Ng, op. cit., Vol. 3, p. 661. The temple continued to be owned and controlled by this group of villages. Faure, The Structure of Chinese Rural Society: Lineage and Village in the Eastern New Territories, Oxford Univ. Press, Hong Kong, 1986, p. 104 is incorrect in saying that the temple was owned by Ping Yeung. In the Block Crown Lease, the Manager of the temple was Man Shan-fung, of Ping Che. The Tong Fong people, although closely related genealogically to the Ping Che people, were not part of the Ping Yuen Hap Heung, and did not take part in the Ta Tsiu.22 Faure, op. cit., p. 103.\n\n+\n\n+\n\n23 The four managers at the time of the Block Crown Lease were Tang Hung-wai (a houseowner of Loi Tung), Chan Shing-pong, called a houseowner of Ping Yeung in a District Office report of 1979), Man Ying-shau (probably a villager of Ping Che, a relative of the houseowners Man Ying-kei, Man Ying-wai, and Man Ying-fat), and Chung Choi-wah (a houseowner of Man Uk Pin). These died in 1938, 1926, 1925, and 1942 respectively, according to a report made to the District Office in 1979. The abbess, Wong Tik-yuen, was appointed a manager in 1926, but she died in 1931. After the War, the lack of managers caused trouble on a number of occasions. A temporary manager was appointed in 1968. In 1979 the Chairman of the Sha Tau Kok Rural Committee and others were appointed as managers, although he, as a Lin Ma Hang villager, had no connection with the nunnery. This seems to have been with a view to rebuilding the nunnery. This proposal has led to a string of vigorous complaints from the elders of the six villages with shares during the last three years, but the situation remains, at present (1991), unresolved.\n\n24 See Faure, The Structure of Chinese Rural Society, op. cit., pp. 100-127, for a discussion of the Yeuk.\n\n25 The only alternative was a dangerous, difficult, and often impassable waist-deep ford, as the 1896 Kwong Fuk bridge tablet makes clear. See Faure, Luk and Ng, Historical Inscriptions of Hong Kong, op. cit., Vol. 1, p. 298.\n\n26 See Robert G. Groves, \"The Origins of Two Market Towns in the New Territories\", Aspects of Social Organisation in the New Territories, Royal Asiatic Society, Hong Kong Branch, Symposium Report, 1964, pp. 16-20, and Alice Ng Lun Ngai-ha, \"Xianggang Xinjie xushi zhi xingqi yu shuailao: Dabuxu yanjiu\" [The Foundation and Decay of Market Towns in the New Territories of Hong Kong: A Study of Tai Po], in Chinese Studies, Vol. 3, No. 2, 1985, pp. 633-655. The very widespread support for the Tsat Yeuk can be gathered from the list of donors shown on the Kwong Fuk bridge tablet, Faure, Luk and Ng, loc. cit.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211924,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 339,
        "title": "RAS-1989",
        "content_text": "314 \n\n10 \n\nthe Dangs of Kam-Tin in the dispute with the Dangs of Ping Shan over the grave of the gwan-ma several decades before 1737. The descendants of Man Wai and his brothers (i.e. the members of the Gwong Yu Tong and the Lei Ging Tong) are all also members of the Sung-Kok jou segment which derives its name from the \"pen name\" of Man Wai's father.\n\nE. Loi-Sing Tong \n\nTo avoid confusion with Gwong-Yu Tong (i.e. the descendants of Man-wai) I shall call the Gwong-Yu jou segment (Le, the descendants of Gwong-Yu) by the name of their ancestral hall, the Loi-Sing Tong. The first datable event relating to this segment was the building of the ancestral hall in 1701 by Jeung-Luk, a sixth generation descendant of Gwong-Yu. Probably the best known of the Loi-Sing Tong ancestors was Si-Daan. The details of Si-Daan's descent are obscure. He was probably a descendant, perhaps a grandson, of Jeung-Luk. Sung (1973:63-65) records a story that upon his birth there was an unmistakable sign that he was destined to be a rich man. According to Sung (1974:164) he “built himself a very big house called Naam Teng, the remains of which can still be seen on the South side of Kat Hing Wai\". In 1755 when Si-Daan's uncle presented a bell to Ling-Wan Ji his name was included as one of the donors. The family probably had become rich before his father's generation. That uncle of his, Dang Yu-Jung, had purchased a minor official title. The donation list for the rebuilding of a temple in 1744 recorded a single sum donated by four Yus that included Yu-Jung and Si-Daan's father Yu-Man. Among the four, Yu-Ji had purchased a gung-sang degree in the Yongzheng period (1723-1735), and two others had degrees of gaam-sang. Si-Daan himself had purchased an official title of jau-tung.\n\nOf the ancestors whose tablets were housed in the hall Puk-Chai, gung-sang degree holder, is remembered by his descendants, who still keep an embroidery presented to the father of this degree holder on the occasion of a birthday.\" He was probably one of Jeung-Luk's brothers.\n\nF. Mau Ging Tong \n\nThe period of the late Ming and the early Qing was an eventful period for the people of the Xin'an county. The Kam Tin jiu festival itself had started as a response to experiences in this period, especially the serious",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211926,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 341,
        "title": "RAS-1989",
        "content_text": "316\n\nG. Gwok-Yin jou\n\nA segment of the Ching Lok Tong worth mentioning is the Gwok-Yin jou, which has a small ancestral hall in Wing Lung Wai. It has ancestral tablets for Lam-Mau (one of the great grandsons of Fong in the 20th generation), two of his sons, neither of whom had had any descendants, and Gwok-Yin his third son (with a title of mou-leuk-ke-wai), and Lam-Mau's grandsons Chiu-Yip, Chiu-Yung, Gwan-Leung (also with a title of mou-leuk-ke-wai) and Gwan-Haak. Dang Ying-Yun, a grandson of Gwan-Leung, is represented by a horizontal inscribed board to congratulate his mou-geui-yan degree award in 1789. In all likelihood, the titles of Gwok-Yin and Gwan-Leung were conferred in consideration of the imperial degree of this descendant of theirs.\n\n13\n\nSung (1974:173-174) provides some information about Dang Ying-Yun. He wrote the calligraphy for many inscriptions, including those for the repair of the Jau and Wong Temple in 1824 and the rebuilding of the Ling-Wan Monastery in 1821. His involvement in public affairs was not limited to calligraphy. Sung recorded the oral tradition that he was instrumental in the construction of a fortress in the present Kowloon City and a county school in its capital town.\n\nH. Ji-Ga Tong\n\n14\n\nAccording to his descendants and other informants, Ji-Ga Tong prospered after the marriage of Dang Kyun-Hin (1755-1822), its founder. He was a member of the Fourth Branch, the descendants of Gyun, and was originally poor. He had worked when he was young for a Gwok-Yin jou person known as Haan sau-choi who had a peanut oil factory. His wife was a servant girl of the sau-choi's. The family prospered afterwards. The good fortune was partly attributed to the wife. The family was very large and wealthy. According to oral tradition recorded by Sung (1974:175-176), Dang Kyun-Hin \"had four sons and twenty-four grandsons and the number of his family and servants together are said to have totalled two hundred.” He built a hall called Sou-Lau Yun, better known to local villages as Ji-Ga Tong, which term is also used for the lineage segment consisting of his descendants. Chung-Shaan, one of his sons, built a hall called Cheung-Cheun Yun which had two side rooms, one for a school and one for martial arts. When he died, a banquet was held in Ji-Ga Tong for seven days. The guests included some people from Yuen Long and Pat Heung. The youngest of Kyun-Hin's sons, Yu-",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211938,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 353,
        "title": "RAS-1989",
        "content_text": "328 \n\nwinter. Once in a year they practised shooting at a police shooting range near Man Kam To. In earlier times the guards had used gwan sticks.\n\nC. The village market\n\nAt present there are a few shops, mostly food stalls, in Kam Tin Shi. Some Dangs also live there. They are descendants of the senior branch, including descendants of Wan-Guk and Wan-Gaan. The place used to be the local market. It was active before the Japanese occupation. It had a sign in the form of an arch, which was removed by the Japanese. Some documentary information about the market has survived in a rent record.29 One of the shops entered into the rental contract in 1851. The rent book included entries for five shops in Kam Tin Shi. Among them one was run by a tailor. It also mentioned the names of three streets. These were Upper Main Street (Sheung Taai Gaai) and Lower Main Street (Ha Taai Gaai) as well as Middle Street (Jung Gaai). The elders remembered that the market had two or three butchers and two or three fishmongers. Besides these there were a few other shops. Two sold jaap-fo (“sundry goods”). Kam Tin Shi is remembered to have mainly catered for the needs of the Kam Tin people. Very few outsiders came.\n\nSome informants added that there was even one pawn shop inside Kat Hing Wai. The owner was a descendant of Wan-Gaan jou. I have no idea when the pawnshop was started. There was also a peanut oil factory which was started more than 100 years ago. It was owned by a Wan-Yu jou person.\n\nIV. SETTLEMENTS AND LINEAGE SEGMENTS\n\n4\n\nAccording to Sung (1973:111) Hon-Faat, the first Dang ancestor to come to the province, built the first house at the bottom of a hill called [Gwai Gok Saan] about three-quarters of a mile away from the present Kam Tin\". His grandson Fu-Hip lived there on retirement and founded a school called Lik Ying Jai (ibid.: 116). The descendants of Fu-Hip's grandson Seui, lived in the Naam Wai and Bak Wai villages around the beginning of Ming dynasty (1368). The division of the Kam Tin settlement into Naam-Bin and Pak-Bin remain today. Yun-leung, father of the gwan-ma and one of the sons of Seui, remained in Kam Tin. The other four descendants of Fu-Hip moved to nearby Ping Shan and places in Dongguan county, among other places. The descendants of many of the sons of the gwan-ma moved away to Lung Yeuk Tau, Tai Po Tau,\n\n30",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211940,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 355,
        "title": "RAS-1989",
        "content_text": "330\n\nA. Early History of Settlements\n\nThe present relationship between lineage segment and settlement is roughly the same as that recorded by Sung (1974: 168-70) concerning who started and walled which village and when.\n\n  \n    Village\n    Started by\n    Genealogical Position\n    Walled in\n  \n  \n    Kat Hing Wai\n    Baak-Ging\n    Son of Chyu-Yin and Gwong-Yu Jik Gin\n    Kangxi (1662-1721) by Chyu-Yin and two others\n  \n  \n    Wing Lung Wai\n    Siu-Geui\n    and seven others\n    \n  \n  \n    Tai Hong Wai\n    Chung Shui Tau\n    and four others\n    Kei-Fong and Kei-Wa, both from Tai Hong Wai and Gwok-Yin\n  \n  \n    \n    One of the Man-Wai and five sons of Gaai-Yut Naam-Kai\n    Son of Chung-Yut Gam-Tin jou, son of Hak-Sa\n    \n  \n  \n    Shui Mei\n    Suk-Leun and Wan-Guk\n    Sons of Gwai-Ting, Gwong-Yu\n    Son of Ching-Lok\n  \n  \n    Kam Hing Wai\n    Yut-Man of Ko Po\n    Kat Hing Wai\n    and Pui-Hing of Tai Hong Wai\n  \n  \n    \n    Jau-Man +34 of Kat Hing Wai\n    \n    \n  \n\nSung has indicated that Kat Hing Wai, Shui Tau and Shui Mei were",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211943,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 358,
        "title": "RAS-1989",
        "content_text": "333\n\nD. Outsiders in the villages and the immediate vicinity\n\nBesides outsiders who rented houses from the Dangs for residence or workshops/factories in recent years, there are some non-Dangs who have lived in the Kam Tin villages for many generations. These \"resident outsiders\" were believed by the Dangs to have been ha-fu, a term which can be translated as hereditary servants. When a Mrs. Dang mentioned to me that some people of the surnames Man and Sam lived in Naam Bin Teng, a part of Tai Hong Tsuen, she added that they had been ha-fu. Her logic was that any non-Dang who lived in Kam Tin must have been ha-fu. The present Dangs applied the term to servants of the lineage, as well as to settlements of tenants of the Dangs. My general impression is that there was more than one usage of the term, and the status of some groups might have changed in the passage of time.\n\nThe elders explained to me that ha-fu meant ha-yan, servants, and the fu in this term was the same fù as in kiu-fu (“sedan chair carriers”). Another term for ha-fu is sai-man. In this connection, one of them added that the villagers of Sha Po, Chuk Yuen and Pok Wai had been tenants of the Dangs of Kam Tin, and that ha-fu were not the same as tenants.\n\nAt Wing Lung Wai and Tai Hong Wai, some elders still remembered some ha-fu in their village. A Wing Lung Wai elder remembered only one ha-fu in his village. The person belonged to the great grandfather of an elder, a Yeui jou descendant who had a large land holding. The ha-fu carried sedan chairs for his master, among other things. A ha-fu had lived in Tai Hong Wai until he died around the time of the Japanese occupation. His given name was Loi-Fu. His surname was probably Mak. He lived in a house in the north-east corner of the wai. The house, now broken, was still there. He had to serve the whole village. His work was to do errands on special occasions such as banquets. In the old days one invited guests to banquets by sending a ha-fu. This Loi-Fu did not have to work for the Dangs on ordinary days. He often fished using his nets at a pit (haang) where the children went to swim. He would scold the children when he saw them swimming. He also kept bees, and gave some of the honey to the children. One of the villagers remembered that his mother often gave this Uncle Loi-Fu food to eat. He left no descendants. He had had no wife.\n\nNear the centre of the Kam Tin Dang settlements is Sa Bui Leng, which has only three or four families now. According to an elder the Sa",
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    {
        "id": 211947,
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        "document_key": "RAS-1989",
        "page_number": 362,
        "title": "RAS-1989",
        "content_text": "337\n\nThe Jau and Wong Temple also used to house spirit tablets to \"heroes\". The tablets (three in total, without names) were moved to the Yau-Leun Tong from the side altar in the temple about 50 years ago because they were siu-yan (“small people”), and it was unseemly to house them in the same temple as the two great men (daai-yan). As mentioned before, villagers agreed that the “heroes” were those who had died in fighting (da-saat) between Kam Tin and its enemies.\n\nKam Tin has quite a number of other temples. There are the Man-Cheung Temple and Hung-Sing Temple in Shui Tau, and the Tin-Hau Temple in Shui Mei. Many of the other villages, e.g. Kam Hing Wai, Tai Hong Wai, Kat Hing Wai, Tsi Tong Tsuen, and Wing Lung Wai, which do not have “standard” temples, have a san-teng, a house with an altar for a spirit tablet for about ten popular temple gods. The gods of some of the vanished temples, which include a Yeung-Hau Temple and a Bou-Dak Chi in Shui Mei, and the Hung-Fan Taam Temple of Shui Tau, are still worshipped in the jiu festival, as are the gods of two nunneries, in Shui Mei and Tai Hong Wai respectively, which no longer exist.\n\nThese temples and nunneries hold tablets or images of some 20 different gods, if we are to include the Earth God for temples, and Wai-To for Buddhist establishments. The other 18 include the popular temple gods Yeung-Hau, Tin-Hau, Bak-Dai, Man-Cheung, Gwun-Yam, Gwaan-Dai, Hung-Sing, the God of Wealth, Gam-Fa, Taai-Seui, the Dragon King, and the Buddha. The Bou-Dak Chi housed spirit tablets for Jau and Wong. There is not much information about this other temple dedicated to Jau and Wong, but it was worshipped probably only by the villagers of Shui Tau, where it was situated.\n\nFui-Sing, and Fa-Gung Fa-Mou are probably respectively responsible for success in imperial examinations and the health of children. Hoi-Saan Suk-Lou is a title found in some other local temples as well, and represents the earliest settlers of the place. Hong-Wong is a title that I have not seen elsewhere in the New Territories.\n\nThe titles of localized gods found in most of the Kam Tin villages include the God of Earth and Grain, the Water God of wells, and the Earth God for the gates of the walled villages. There are, in some of the villages, a Tree God and Earth Gods for bridges and for the gate to a complex of houses. In addition, there are Ngau-Wong and Pun-Gu,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211950,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 365,
        "title": "RAS-1989",
        "content_text": "340\n\nrespected person in a family. I found in Wing Lung Wai that the households take their turn to take care of the incense and lamps of their san-teng. It probably plays an important part in major celebrations: in Tai Hong Wai I noticed that wedding deui-lyuns couplets had been put on both the san-teng doors and the village gate.\n\nOf a similar status were the places for the Gods of Earth and Grain, where communal worship (jou-se) is held once or twice a year. In addition, there is the hoi-dang ceremony for the new born children of the village. In the case of Tai Hong Wai, Kat Hing Wai, and Wing Lung Wai village-level collective worship includes a jiu. It is held once in seven years at Tai Hong Wai, once in five years, at Kat Hing Wai, and once in ten years at Wing Lung Wai. The Tai Hong Wai case is probably representative. The rituals are simpler than the one for Kam Tin as a whole, and lasted only two days and one evening. The main feature is the offering of paper clothing to hungry ghosts.\n\n49\n\nIn some cases the social unit involved in the rites for the new born and other collective rites is a lineage segment in a village and in one case a main village and its associated smaller settlements. Some villages have more than one place for the God of Earth and Grain. Shui Tau has two. The one belongs to the whole village of Shui Tau while the other one belongs only to the descendants of Gam-Tin jou, who have their hoi-dang there. Similarly, there is more than one place for the God of Earth and Grain in Shui Mei. One of them is worshipped by the Git-Sau jou people alone, who make offerings of paper clothing there at the Yu-Laan Festival. In the case of Tai Hong Wai, its jiu, and the rite for the newly born include as participants the villagers of Tsi Tong Tsuen and Tai Hong Tsuen. The hoi-dang at the Ching-Lok ancestral hall is not precisely a lineage event: only his descendants living in Shui Tau and Shui Mei take part.\n\nBesides worship associated with membership in residential and sometimes partially lineage segment units, there is worship organized by ritual associations. There are quite a few ritual associations (san-wui) in Kam Tin. Each has its landed property, which ranges from one daam-jung (about 65 thousand square feet) to about 500 thousand square feet of farm land. A share was inherited by all the descendants of the original shareholders. In some cases, one share was actually shared by a few dozen people. Some of the shares were acquired by the present holder by purchase. Worship by these associations takes place once a year, and",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211968,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 383,
        "title": "RAS-1989",
        "content_text": "358\n\nask the men instead. Throughout the festival period, one saw the ritual representatives, other elders and younger men in the rites and ceremonies. Whenever a woman came to the site, she was either doing strictly practical work such as that described above, or worshipping for her immediate family and herself.\n\nI talked with a lady of the Liu surname who had married into Kam Tin from Sheung Shui, at the san-teng of Kat Hing Wai where she was cleaning the altar for the coming festival. She did not know who the principal gods of the festival were. But she knew what she had to do at home for the festival: (1) She had to do the chau-san year-end thanksgiving rite before the jiu. (I saw another woman do this ritual at the san-teng, with chicken as part of the offering68). (2) She had to baai-san at home on the opening day with home-made cha-gwo and to burn paper clothing as offerings (those selected as ritual representatives had to do this at the festival site itself, she explained). The gods to worship include ancestors as well as the Gods of Heaven (tin-san). She also mentioned that in the rite of Procession of Incense the priests and the ritual representatives would come to worship at the san-teng. There would also be the Procession of well-being, when a priest comes to each house to purify by sprinkling charm water for the well-being (ping-on) of the family. A woman of about 60 in Ko Po told me that they would baai-san both at home and at the ritual site.\n\nVIII. RITES OF THE VILLAGE\n\nA. Worship at the Jau and Wong Temple before the festival\n\nBetween mid-night and the Opening Rite, villagers, as required by custom, came to the Jau and Wong Temple to make offerings. First I saw a few women and one man making offerings of incense at the altar. I was told that they came on the basis of individual families in Shui Tau. People from the other Kam Tin villages, which were further from the temple, came later.\n\nFrom one point only men came to worship at the temple. It was explained to me that they were from Kat Hing Wai. The men came in this case because it was too early an hour for the women to walk. All these men wore cheung-saam but they were not ritual representatives, according to the temporary temple keeper.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211969,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 384,
        "title": "RAS-1989",
        "content_text": "359\n\nThe offerings included fruits and cha-gwo pastries. In addition to these they burnt paper clothing for Jau and Wong, and a yellow piece of paper with the characters wing-bou-ping-on (\"unremitting protection\") and some yun-bou for the earth god.\n\nB. Setting up the ghost flags\n\nEarly in the morning of the opening day, after the rite of Fetching Water, the ritual representatives on their own installed faan flag posts for the worship of ghosts. There were five of these posts, each set up by the ritual representatives of one gu.\n\nThe ritual representatives took precautions in this rite, since it dealt with ghosts. They told each other the taboos to observe in installing the posts. One should avoid speaking people's names out loud while this was being done. It would be wise to be silent. It was said (by the ritual representatives) that those who posted a faan should be those to dismount it afterwards. Some of the ritual representatives complained about not getting red packets for doing the rite. It was not for the money, they said, but for the good fortune.\n\nThese faan posts were initiated by the priests in the first Procession of Offerings.\n\nC. Inviting the gods\n\nBeside the temple gods and other localized gods of Kam Tin, gods were fetched from the Pat Heung Temple at Sheung Tsuen and the Yuen Kong Temple. These two places were included because the places, I was told by the villagers, originally belonged to Kam Tin. Also fetched was the portrait of the Heavenly Master from his altar inside the village gate of Tai Hong Wai.\n\nGenerally the ritual representatives of each gu were responsible for fetching their own gods: e.g. the gods at the Hung-Sing Temple and Man-Cheung Temple were fetched by the ritual representatives of Shui Tau. There were special arrangements for the gods important to the Kam Tin Dangs as a whole, and gods from outside the heung: (1) Ritual representatives no. 1 to no. 5 went to Ling-Wan Ji, as well as to the temples of Yuen Kong and Sheung Tsuen; (2) All 60 ritual representatives went to fetch the Heavenly Master from Tai Hong Wai; (3) The Head",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211970,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 385,
        "title": "RAS-1989",
        "content_text": "360 \n\nof the Lineage, or his representatives, went to Ching-Lok Ancestral Hall for Hung-Yi. \n\nEach party took with them sets of paper clothing, fruit, tea, wine, yun-bou and a gong. \n\nI was told that the two officials Jau and Wong would be invited from the temple before the first five ritual representatives went to the Ling Wan Monastery. They departed for Ling-Wan Ji on a goods vehicle. A nun was there to meet them. The nun said that in the celebrations in the past they always heard the sound of the party's gong before the ritual representative's party arrived, this time the party was so quiet that she had no warning of their approach. (She had known that the jiu was to take place, though). \n\nA brief worship was conducted by the nun at the main altar. After that the paper clothing was burnt, and the ritual representatives made offerings of incense, tea, wine and a plate of vegetarian food. Then temporary spirit tablets of paper prepared in advance by the villagers for this occasion were each inserted into a piece of Chinese carrot and put on the altar table. There were a total of seven gods, including Gwaan-Dai, Fui-Sing, Choi-Baak-Sing-Gwan and Man-Cheung. Upon the suggestion of the nun, they added a temporary tablet for Gaam-jaai, a god to oversee observation of vegetarian diet. A concluding baai-san was accompanied by the villagers' gong and the nun's “chime”. Among the gods from Ling-Wan Ji, only Gwun-Yam was invited in the form of an image. \n\nNext the party went to the Pat Heung Temple. A woman of about 70 met them and the Kam Tin men explained that they were inviting the gods to see the opera and they would be brought back afterwards. The gods were Tin-Hau, Yeung-Hau, Gwun-Yam and Wa-Gwong. The woman instructed them to make an offering and burn yun-bou before they fetched the gods, which they did. Here they took no statue of the gods. \n\nThen they went to the Yuen Kong Temple. The ritual representatives had expected the presence of a temple keeper, probably for guidance. But none was to be found. Only Yeung-Hau and Bak-Dai were fetched, although the Kam Tin men made offerings of incense to the other gods of the temple too. After this the party went back to Kam Tin.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211972,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 387,
        "title": "RAS-1989",
        "content_text": "362\n\nassociated with lion dance groups. The ritual representatives held incense burners, but the joss sticks in them were not lighted from the beginning to the end of the procession.\n\nMr. Dang Jik-Wai, an elder of Tai Hong Wai, with an outsider who had lived in Kam Tin since shortly after the war and was employed by the rural committee, led the procession. Mr. Dang had a list on a piece of paper of the gods to worship. The procession left the main ritual area where the participants had been waiting since the end of the rite of posting the Memorial.\n\nThey first stopped at the Wa-Bou altar for the God of Earth and Grain at Shui Tau. From there they proceeded to the Tin-Hau Temple at Shui Mei and worshipped at the Temple, and two nearby altars for the God of Earth and Grain. The procession then turned south to Ching-Lok Ancestral Hall at Shui Tau, and worshipped at the Ancestral Hall, and at the Hung-Sing Temple. Next they worshipped at another altar for the God of Earth and Grain of Shui Tau, the Yi-Dai School (i.e. Man-Cheung Temple), and the altar for the God of Earth and Grain for the Mui Jai Yun section of the village.\n\nThey entered Kam Hing Wai and worshipped at the san-teng, the earth god's place at the former village gate, as well as the altar for the God of Earth and Grain.\n\nThe party proceeded to Kam Tin Shi, where they worshipped at an altar for the God of Earth and Grain. They intended to enter Yau-Leun Tong to worship too. But it was locked and no one in the procession had the key. So they made the offerings at the door. They then entered Sa Bui Leng and worshipped at the ruin of a former san-teng and the god of the well.\n\nThey continued the procession to Ko Po, where they worshipped the God of the well, the God of the village gate, and an altar for the God of Earth and Grain.\n\nThe procession turned back and continued towards Kat Hing Wai, where they worshipped at its altar for the God of Earth and Grain outside the village wall, and then entered the village and worshipped at the san-teng. The procession then took Kam Sheung Road to the san-teng (?) of Naam-Teng.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211973,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 388,
        "title": "RAS-1989",
        "content_text": "363\n\nThey now entered Tai Hong Tsuen. They first worshipped at the san-teng. The party worshipped at a well of Tsi Tong Tsuen. Next they worshipped at Lai-Gaan Tong, and then at an altar for the God of Earth and Grain.\n\nThey made offerings at the spot where Gau Ga Chyun used to be.\n\nThen they proceeded to Wing Lung Wai, where they worshipped first at an altar of the God of Earth and Grain, then at the village gate, then the san-teng, and finally at the ancestral hall of Gwok-Yin Jou.\n\nThe procession turned back and went to worship at the altar for the God of Earth and Grain of Shing Mun San Tsuen, a village of outsiders who moved to Kam Tin when their village, Shing Mun, was destroyed in the 1930s for the construction of the Shing Mun Reservoir. Then the procession entered Tai Hong Wai to worship at its san-teng, village gate, altar for the God of Earth and Grain and well. After this the procession went back to the festival site.\n\nThe procession was received and treated to soft drinks and cakes at Shui Mei, Shui Tau, Sa Bui Leng, Ko Po, Kat Hing Wai, Wing Lung Wai and Tai Hong Wai by the local villagers.\n\nE. Procession of incense II\n\nThis second procession took place on the day after the main day. It was to visit Ying Lung Wai, the village of Hung-Yi's descendants outside Kam Tin, as well as the Yuen Long Old Market and the villages in its vicinity. The other spots were included because the Yuen Long Market had once belonged to a segment of the Kam Tin Dang lineage, and they used to have landed property in the surrounding villages.\n\nThe procession started at 12:40. The equipment involved was more or less the same as the previous day, but I also noticed something I had not seen before: two lanterns saying \"to offer incense\" and two banners saying \"keep quiet\" and \"keep clear\", and burning incense inside a \"pavilion\" on a table carried by poles. There were a very large number of people again, but less than the previous day. The same Dang Jik-Wai, and the headmaster of Mung Yeung School, originally from Ko Po, led the procession.\n\n363",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211981,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 396,
        "title": "RAS-1989",
        "content_text": "san wui \n\nSap Pat Heung -|- A sau宿 \n\nsau-choi 3 sek Zi \n\nSeui 瑞 \n\nseui-jeun-si :: \n\nSha Tau T \n\nSha Po 沙埔 \n\nSham Chun 深圳 \n\nSheung Che 1: Sheung Tsuen Sheung Shui 1: \n\nShing Moon San Tsuen Shun Fung Wai MAN Si-Daan MILL \n\nsing-bui \n\nSing-Ngok ! \n\nsiu-cheng \n\nSiu-Geui \n\nsiu-yan 小人 \n\nsona 嗩吶 \n\nSong 柒 \n\nSou-Lau Yun VTMN \n\nTin-San toi-wai 枱圍 \n\nTong Fong #† tong \n\nTsi Tong Tsuen Tsiu Keng 蕉徑 Tsuen Wan # Tung Tak 通德 Tung Tau Tsuen Tung Fuk Tong Wa Bou 華寶 \n\nwaang-mei (?) waan-san \n\nWa-Gwong #* wai \n\nwai-jyu \n\nWai-To 韋陀 \n\nWang Toi Shan \n\nWan-Gaan S Wan-Guk \n\nWan-Yu H \n\nwing-bou ping-on *RTE \n\nWing Lung Wai 永隆圍 \n\nWing-Sau 永壽 \n\nWong E \n\nWong Loi-Yam E \n\nwong-gu \n\nWudan Shan 武當山 \n\nsuk-jing wui-bei \n\nSuk-Leun #KA \n\nSung-Gok \n\nTaai-Seui \n\nTaai-Yut Jan-Yan AZHA \n\nwui \n\nTai Shue Ha AMF \n\nTai Hong Wai \n\nTai Hong Tsuen 泰康村 \n\nXin'an \n\nA \n\nYam \n\nTai Kiu 火樾 \n\nTai Mo Shan \n\n1 \n\nTai Po Tau 大埔頭 \n\nyamen 衙門 \n\nyan-hau A \n\nYau-Leun Tong \n\nyau-saan \n\nTim-Kau \n\nYeui銳 \n\nTing-Jing NVI \n\nyeuk # \n\nTing-Sam \n\nTin-Dei-Seui-Yeung \n\nTin-Hau G \n\nTin-Gwun Chi-Fuk X \n\nYeung 楊 \n\nYeung-Hau A \n\nyi * \n\nYi-Chung Wui \n\n371",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211983,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 398,
        "title": "RAS-1989",
        "content_text": "373\n\nMany Dangs attributed the deceased worshipped in their Altar for Heroes (Ying-Hung Chi) and those buried in the big grave known as yi-chung to the battle with the British in 1898. We found that the number of \"heroes\" for whom paper clothing were ordered for the jiu of 1955 is only 2 more than the 1895 figure, i.e. only two can be attributed to the 1898 incident.\n\nSee also Law and Lau (1985) about this dispute.\n\n19\n\nAccording to this informant the Dangs married villagers of Lam Tsuen, Tai Hang, Sheung Shui and places like Sha Tau across the border. Other Tangs who discussed the point included Tuen Mun and Gak Tin, a place of the Wong surname, also known as Fuk Tin, across the border.\n\n20 Another stone inscription dated 1786 recorded a similar case. Although it has been cited by many scholars as another rent dispute case that involved the Dangs of Kam Tin as the landlords, I cannot find any of Dangs whose names appear in the inscription in other documents.\n\n21\n\nIn Kam Tin Historical Documents, vol. 2.\n\n11 The original expression is that the villagers were the diding of the Dangs. Diding refers to tax on land and persons.\n\n73 See also Kamm (1977:213-214) on other similar disputes.\n\n24 See Cheng (n.d.).\n\n25\n\nBesides the formal names that appear in local documents and present-day road signs and maps, many of these villages had other names that were used in everyday conversation.\n\n10\n\nFormal names\n\nKam Hing Wai\n\nKat Hing Wai\n\nPak Wai\n\nTai Hong Wai\n\nWing Lung Wai\n\nAccording to the jiu festival record of the year.\n\n\"Nickname\"\n\nGaak Seui Yun\n\nFui Sa Wai\n\nLaan Bak Wai\n\nTaan Wai\n\nSa Laan Mei\n\n27 Tanaka (1985:935-7), quoting A Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories, Hong Kong, pp. 172-173.\n\nThe original expression was \"Tai Hong Wai and Tsuen\" and probably included only the part of Tai Hong Tsuen whose residents were considered Tai Hong Wai people.\n\n20\n\nKam Tin Historical Documents vol. 2.\n\n30 See the account dated 1966 in the Si Kim Tong genealogy.\n\n31 According to a descendant of Fau-Ng. The genealogical relationships among the ancestors he gave may be wrong.\n\n32 Ying Lung Wai is part of Shap Pat Heung, the group of villages which was involved in several disputes with the Kam Tin Tangs. It seems that the Ying Lung Wai Dangs join the Kam Tin Dangs only in the jiu festival and the worship at the Mau Ging Tong ancestral hall. I have not heard anything about its position in the disputes between Kam Tin and Shap Pat Heung.\n\n33 Sung (1974:168) says Tai Hong Tsuen. This is my interpretation.\n\n34 Ditto.\n\n35 Siu-Geui, with his father and others, made a new stone inscription for the grave of the wong-gu in 1483. Kei-Fong's will is dated 1562. (See the genealogy in Kam Tin Historical Documents vol. 1 for both.) Kai-Wa was born in 1494 (See inside text of his spirit tablet,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 212107,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 49,
        "title": "RAS-1990",
        "content_text": "26\n\nSTUDIES ON HONG KONG JIAO FESTIVALS\n\nCHI CHEUNG CHOI\n\nI. Introduction\n\nAccording to Liu Zhi-wan, there are various types of Jiao festivals which are celebrated regularly in the south and irregularly in the north of Taiwan.1 In Hong Kong, many Jiao festivals are \"Tai Ping Qing Jiao\" [literal meaning \"the Purest Sacrifice celebrated for Great Peace'], which are a type of \"Qi An Jiao\" which pleads for peace. There are many such festivals in the agrarian communities in the New Territories of Hong Kong, often celebrated in a once-in-a-decade cycle. The festival has different ritual and symbolic meanings as well as different social and economic significance for the different groups of participants, namely the priests, the organizing committee members, the villagers and outsiders like the hawkers, the beggars and the researcher. For the villagers themselves, the Jiao festival is the most important community-wide event. Often millions of dollars are poured into the celebration. For example, in the Lam Tsuen Jiao in 1990, about HK$2,000,000 was spent, of which HK$260,000 was used for the construction of temporary mat-sheds, HK$150,000 for the engagement of Taoist priests, and $460,000 was paid to the opera troupe.2 It is not at all uncommon for villagers who have emigrated to charter flights to return to Hong Kong for the celebration. Emigrant villagers of Fanling, a single lineage community, chartered three flights from England for the Jiao celebration in 1990. No villager would disagree that the Jiao is the most important religious activity in their community. The significance of the Jiao festival is not only enhanced by complicated rituals performed by the Taoist priests during the festival, but also by the extensive social activities that bond members and alliances of the community together. However, systematic study of the event did not begin until the 1960s. Even then, cross-community comparative studies of the festival are extremely rare.\n\nThis paper will review previous studies of Hong Kong Jiao festivals. I will show what we can learn of the various local traditions by a synchronic study comparing the Jiao festival celebrated by different communities and also by studying the social and organizational changes within a particular community over a period of time by a diachronic study comparing the Jiao of one single community over that period of time.\n\n2\n\n11",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212117,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 59,
        "title": "RAS-1990",
        "content_text": "36\n\nTable 2:\n\nSome Jiao Festivals celebrated in Hong Kong in the 1980s\n\n  \n    Community\n    A\n    B\n    C\n    D\n    E\n    F\n    G\n    H\n  \n  \n    Cheung Chau\n    1\n    3\n    M\n    H\n    V\n    גון\n    \n    1989,1990 E\n  \n  \n    Cheung Lung Wai\n    10\n    5?(*2)\n    A\n    P\n    V\n    S\n    \n    1988\n  \n  \n    Fanling\n    10\n    3\n    A\n    P\n    VC\n    S\n    \n    1980, 1990 E\n  \n  \n    Ha Tsuen\n    10\n    5\n    A\n    P\n    a\n    sm\n    \n    1984 E\n  \n  \n    Ho Chung\n    10\n    5\n    A\n    P\n    vc\n    m\n    \n    1980, 1990 E\n  \n  \n    Kam Tin\n    10\n    5\n    \n    \n    \n    \n    \n    \n  \n  \n    Kat O\n    7\n    in th\n    A\n    P\n    vc\n    sd\n    \n    1985 E\n  \n  \n    \n    57\n    F\n    T\n    V\n    מן\n    \n    \n    1980,1986 E\n  \n  \n    Kau Sai\n    1\n    —\n    F\n    T\n    V\n    M\n    \n    1981 E\n  \n  \n    Kau Lau Wan\n    7\n    فرا\n    3\n    F\n    T\n    V\n    In\n    1980,1987 E\n  \n  \n    Lai Chi Wo\n    10\n    5?\n    A\n    Р\n    vc\n    sm\n    \n    1983 E\n  \n  \n    Lam Tsuen\n    10(*1)\n    5\n    A\n    P\n    а\n    sm\n    \n    1981, 1990 E\n  \n  \n    Leung Shuen Wan\n    2\n    1\n    F\n    P?\n    ve\n    m\n    \n    1980 E\n  \n  \n    Lin Fa Tei\n    5\n    3?\n    \n    \n    \n    \n    \n    \n  \n  \n    Lung Yeuk Tau\n    10\n    5\n    in\n    \n    \n    \n    \n    \n  \n  \n    Nam Luk Yeuk\n    10\n    رکرا\n    5\n    > > >\n    \n    \n    \n    \n  \n  \n    \n    \n    A\n    Р\n    ve\n    m\n    \n    \n    1982,1987 T\n  \n  \n    \n    \n    A\n    Р\n    VC\n    s\n    \n    \n    1983 E\n  \n  \n    \n    A\n    P\n    А\n    sm\n    \n    \n    1983 E\n  \n  \n    Pak Kong\n    10\n    ?\n    A\n    P\n    V\n    m\n    \n    1980 E\n  \n  \n    Sha Kong Wai\n    7\n    ?\n    A\n    P\n    v\n    Π\n    \n    1981, 1988 T\n  \n  \n    Shek O\n    10\n    3\n    A\n    H/P\n    a\n    m\n    \n    1986 01\n  \n  \n    Sha Tin\n    10\n    4\n    A\n    P\n    а\n    sm\n    \n    1985 E\n  \n  \n    Tai Hang\n    5\n    3\n    A\n    P\n    VC\n    S\n    \n    1985,1990 E\n  \n  \n    Tai O\n    30\n    ?\n    A/F/M\n    T\n    ve\n    m\n    T/03\n    \n  \n  \n    Tai Po Tau\n    10\n    5\n    A\n    P\n    VC\n    s\n    \n    1983 E\n  \n  \n    Tai Wai\n    10\n    4\n    A\n    P\n    vc\n    sm\n    \n    1987 02\n  \n  \n    Tap Mun Alliance\n    10\n    3(*3)\n    F\n    T\n    а\n    M\n    \n    1980,1990 03\n  \n  \n    Tin Sam\n    10\n    4\n    A\n    P\n    vc\n    sm\n    \n    1986 02\n  \n  \n    Tuen Tsz Wai\n    10\n    3\n    A\n    P\n    vc\n    sd\n    \n    1986 02\n  \n  \n    Wang Chau\n    7\n    ?\n    A\n    P\n    vc\n    sm\n    \n    1981,1988 T\n  \n  \n    Wang Chau\n    \n    \n    \n    \n    \n    \n    \n    \n  \n  \n    Yuen Long\n    از هم\n    3\n    ?\n    F\n    T\n    V\n    m\n    1986,1989 T\n  \n  \n    \n    10\n    5\n    M\n    P\n    V\n    M\n    \n    1983 E",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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        "rank": 0
    },
    {
        "id": 212118,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 60,
        "title": "RAS-1990",
        "content_text": "37\n\nNOTES TO TABLE 2\n\nA = yearly cycle claimed\n\nB = celebration period (one-day, three-day, five-day), (refers only to main rituals started from the ritual “Qi Tan” [Opening of the Jiao) and ended with the \"Da You\" [Great Offering])\n\nC = predominant occupation of the community\n\n== market town\n\nD = spority ethnic groups:\n\nE\n\nP → Punti Cantonese\n\nH\n\nT = Takka\n\n:. = Tanka\n\n=Territorial type:\n\nบ = village\n\nVC = village cluster\n\nlocal alliance\n\n1: = Descent type:\n\nS = single-lineage\n\nsc = single-lineage dominated\n\nH = single-lineage village, multi-lineage community\n\nm = multi-surname in one community\n\nyear celebrated\n\n--\n\nSources: Either seen by myself\n\nJE = from beginning to end,\n\ne = only partially.\n\nrecorded in other scholars' work [0], or provided by villages or Taoist priests\n\n[T].\n\nOI\n\n02\n\n——\n\n03 = Chan, \"Jiu festival** see note 37\n\nTanaka, Village Festival, 99, 816\n\nNote:\n\n*1 In fact, it is held every ninth year, as the year of celebration is counted into both the outgoing and incoming decade.\n\n*2 Photos taken on 1989.3.10. A poster was written Cheung Lung walled-village of Ping Kong Tsuen village, ten years' once Taiping Qing Jiao\". The notice recorded the Year Mu Wa (1988).\n\n*3 This alliance include the following fishing villages in the northeastern part of Hong Kong: Tap Mun, Kau Lau Wan, Sham Wan, Wong Wan, Kat O, Sam Mun Tsai. See Tanaka, Village Festival, 99, 816.\n\nPage 60\n\nPage 61",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212120,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 62,
        "title": "RAS-1990",
        "content_text": "39\n\nKat Hing Wai and Wing Lung Wai terminated their own independent Jiao but continue to participate actively in the Jiao of the whole Kam Tin community. Still others, like Tai Wai and Tin Sam, celebrate their own Jiao festivals on the one hand but also participate as members in the Jiao celebrated by the Sha Tin Kau Yeuk (Sha Tin Village alliance). Reasons such as the Japanese occupation or economic recession given by villagers themselves cannot explain the diversities found in the New Territories. All villages experienced the Japanese occupation. With regard to economic constraints, a community like Ping Shan, though as prosperous and powerful as Kam Tin and Ha Tsuen, stopped the celebration for some unknown reason. Therefore, the continuity or discontinuity of the Jiao festival depends on the effectiveness of the festival's communal structure and organization. In Lam Tsuen, the Jiao festival is a means to reconfirm the roles of its alliances (the Luk Hap Tong [Lui He Tang] “Hall of the Six [Sc. Village Clusters] United\"). In Kam Tin and other single lineage communities, the Jiao plays an essential role in re-establishing the structure of the segmented lineage as well as in re-confirming membership in the branches. The question of whether Jiao festivals will survive after the 1997 take-over is in fact a question of whether or not there is a need to preserve such a tradition in the community.\n\nNOTES\n\nLiu Zhi-wan, \"Taiwan Taibeixian Zhonghexiang Jianjiao Jidian\" Bulletin of the Institute of Ethnology, Academia Sinica 33 (1972): 135-64.\n\nTanaka, Issei, Chugoku Kyoshon Saishi Kenkyu: Chihogeki no Kankyo [Village Festival in China: Background of Local Theatres] (Tokyo: Tokyo Univ. Press, 1989), 799. Some fishing villages in Hong Kong like Kau Lau Wan, Tap Mun and Kat O name their Jiao festivals \"An Long Qing Jiao\" meaning the Jiao celebrated to pacify the earth dragon.\n\nTanaka claimed that originally \"Qi An Jiao\" was celebrated only when there was need to pray for peace (Ibid., 799). However, evidence in Hong Kong, at least, shows that the festival is celebrated in a regular cycle. The shortest cycle is the Jiao of Cheung Chau where it is celebrated yearly. The longest is Sheung Shui and Shuen Wan where the Jiao is said to be celebrated once every 60 years. In some fishing villages in the New Territories, it is celebrated once every two or seven years. A five-year cycle is also practised in some agrarian communities like Tai Hang. However, a ten year cycle is the most popular in agrarian communities. Nonetheless, the method of counting also differs from one community to another. For instance, Lam Tsuen claims to celebrate the Jiao once every ten years but they actually celebrate it once in nine years. Their Jiao festival was celebrated in the following years: 1963, 1972, 1981, 1990.\n\nMr. Cheung Chi-fan (Zhang Zhi-fan), JP, and Mr. Chung Chi-leung (Zhong Ji-liang), interviewed by author, Lam Tsuen, Dec. 1, 1990. According to Dean, about 80,000 Chinese yuan was spent on the Jiao in a village in Zhangzhou, Fujian in 1986. See",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299",
        "rank": 0
    },
    {
        "id": 212155,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 97,
        "title": "RAS-1990",
        "content_text": "74\n\n5\n\nTa-ch'in ching-chiao is translated by Legge (The Nestorion Monument of Hsi-An-Fu, Oxford, 1888) as the 'lustrious Religion of Ta-tsin; by Saeki (The Nestorian Monument in China, 1916, and The Nestorian Documents and Relics in China, 1951) as the 'Ta-ch'in Luminous Religion', and by Moule (Christians in China Before The Year 1550. London, 1930) as the 'Brilliant Teaching of Ta-ch'in'. Moule's translation seems to me to be the best, though none of the three translations for ching brings out its full resonance.\n\n+\n\n4\n\nTa-ch'in ching-chiao liu-hsing Chung-kuo pri K★*KAT¶M. See Plate 1.\n\nThe Manicheans, who also originated in Persia, used in China the term 'the shining teaching\", ming-chiao W, for their religion.\n\nThe Hsü-ting Mi-shih-he ching FDM. P. Y Saeki (The Nestorian Documents and Relics in China) calls this work the Jesus-Messiah-Sutra. I have departed from Saeki's bizarre terminology here and elsewhere, but his names are given in notes where I have done so.\n\n7 The xhen lun\n\nSaeki's Discourse on the Oneness of the Ruler of the Universe, is actually a compilation of three short essays, the F-r'ien lun or Essay on the One Heaven (Saeki's Discourse on the One Heaven); the Yu, or Parable; and the Shih-tsun-pu-shih fun 1942 fibili, or Essay on the Charity of the Creator (Sacki's Lord of the Universe's Discourse on Alms-Giving).\n\nH\n\nリ\n\nThe Chih-hsüan-an-lo ching &£, Sacki's Sutra on Mysterious Rest and Joy.\n\nThe Ta-ch'in ching-chiao Ta-shing-t'ung-chen-kuei-fa tsan K**HARIANZA, Saeki's Ta-ch'in Luminous Religion Hymn in Adoration of the Transfiguration of Our Lord.\n\nTHE\n\nThe Ta-ch'in ching-chiao San-wei-meng-to tsan ★*** ***, Saeki's Ta-ch'in Luminous Religion Morwa Hymn in Adoration of the Holy Trinity.\n\nJ\n\nThe Ta-ch'in ching-chiao Hstian-yuan-chih-pen ching ****, Sacki's Ta-ch in Luminous Religion Sutra on the Origin of Origins.\n\nנו\n\nThe Tsun ching **\n\nFor example, in lists of metropolitan provinces. Amrus gives a list for 1343 in which Beth Sinaye, the old province of China created by the Nestorian patriarch Seliba-zekha around 720, is listed together with the contemporary province of Cathay and Ong (China and the country of the Ongut tribe).\n\n14\n\nThe pronunciation of the characters ching ## 'scripture\", and ching it. \"brilliant”, differs only in tone.\n\n1.5\n\nLe Quien's Oriens Christianus (Paris, 1740), an invaluable prosopography of the eastern churches, contains the names of nearly a thousand Nestorian bishops, but no other bishop or metropolitan named Adam is recorded.\n\nThe New Catalogue of the Teaching of Shakya in the Cheng-yuan period, composed by a monk of Ch'ang-an's famous Hsi-ming (Buddhist) monastery.\n\n17\n\nThe Tien-pao-tsang ching KMR.\n\nE The To-hui-sheng-wang ching\n\nZLI\n\nWEER.\n\nThe A-wan-chi-li-yung ching EHFIYR.\n\nThe Nestorian monastery at Tun-huang was apparently named after the nearby prefectural city of Sha-chou.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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        "rank": 0
    },
    {
        "id": 212251,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 193,
        "title": "RAS-1990",
        "content_text": "170\n\nburning of the temporary theatre, and the sudden deaths of the troupe or community members, were believed to be the outcome of either a violation of the taboo, or a bad performance of the ritual. Besides such disasters, harm of a moderate degree can also occur. This might include the sickness of troupe employees, the loss of an actor's voice, the forgetting of one's part and the commitment of some impossible mistakes during a performance. It has also been a custom that local people should stay away from the performance hall or hide themselves at home before the completion of the White Tiger ritual.\n\nWithin the Cantonese operatic troupes which perform in modern Hong Kong, the taboo of shutting one's mouth and keeping quiet is still strictly observed by the two actors, three percussionists and two to three backstage workers who happen to be assigned by the troupe owner to participate in the preparation and performance of the ritual. Such troupe members often avoid laughing and talking from the moment they arrive at the theatre until the ritual is held, even in areas other than the stage. The two actors always stay away from their friends and colleagues and do not talk to each other. Other employees of the troupe try to hide themselves in the dressing compartments of the backstage, or leave the stage area.\n\nAnother tradition connected with the White Tiger ritual concerns the entrance and exit space located between the backdrop and the back wing curtain on both sides of the frontstage. These two areas are called fu dou mun (the tiger's gate of passage) and are referred to as the Tiger Gates in the present paper. It is uncertain whether the White Tiger ritual is related to the Tiger Gates but another taboo requires the employees to enter the frontstage area through the gate at stage left and leave through the one on the other side before the completion of the White Tiger ritual.\n\nAs pointed out by Barbara E. Ward in her paper \"Not Merely Players: Drama, Art and Ritual in Traditional China\", to avoid the breaking of the taboo by outsiders who do not know it, troupe members do not welcome any visits onstage before the ritual is held. However, the present writer has observed that some backstage workers of a younger age often fail to follow the taboos. Some of them said that they did not believe in these taboos and dismissed them as old-fashioned superstitions.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212543,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 97,
        "title": "RAS-1991",
        "content_text": "77\n\nincoming events did take the role of initiating a new trend in China.\n\nChina's domestic policy reassessments were mainly motivated by political considerations and were generally centred on political and theoretical matters. Accordingly, art and literature were less affected than policies by these reassessments. Nonetheless, the bearing of these reassessments on art and literature were enormous.\n\nIn 1977-1978 there appeared a literary genre called “scar literature” (“wounded literature”), under which a number of stories, plays and poems were published or staged. Among these works were \"Class Teacher\" (\"Ban zhuren”) and “Scar” (“Shanghen”), after which the genre was named. The themes of the works under this genre were almost exclusively focused on the wrongs done in the Cultural Revolution. The open, and sometimes forceful condemnations of past policies were pretty much the same as the practices in earlier campaigns to criticize Liu Shaoqi and Lin Biao, but the content showed that writers tried to analyse history from their own perspective. After the Third Plenum in December 1978, at which Deng Xiaoping called upon the intellectuals to “emancipate their minds” and to break into previously forbidden zones, more works under this genre were published.\n\nThe impact of political reassessment in the post-Mao era was strong though, the first reassessment affected the development of art and literature only marginally. With the pulling down of the Xidan \"Democracy Wall\" and the arrest of Wei Jingsheng, an activist in the demonstrations who advocated adoption of a Western system of democracy, there appeared a tendency to limit the scope of literary and artistic activities. In June 1979, an article \"Praise and Shame\" was published arguing that any writer who criticizes the dark side of socialism is shameful. This article ignited a nationwide criticism of “ultra-leftist tendencies in literary and artistic creation.” In the following few months, major newspapers and journals published articles to refute this stand, dubbing its supporters the \"whatever\" faction.\n\nThis development made high culture a victim of political campaigns.\n\n16\n\nThough \"scar literature\" was unaffected by the campaign started in the spring of 1979, it had become out-of-sale by the autumn of that year as the mood of the nation turned more to the present and the future rather than concentrating on the past. So this literary genre was replaced by a more controversial genre, \"exposure literature\", in which social",
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    {
        "id": 212565,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 119,
        "title": "RAS-1991",
        "content_text": "NOTES\n\n99\n\nI\n\nExcept for those documented otherwise, all the figures presented in this paper are obtained through researches in published and unpublished sources, including those from Xinhua News Agency, year books, newspapers and magazines, personal interviews and so on.\n\n2 Records of CFEIC\n\n3 See Samuel S. Kim, ed. China and The World: Chinese Foreign Policy in the Post-Mao Era (Boulder: Westview Press, 1984) for a discussion of a number of cases reflecting this.\n\n4 John K. Fairbank, China Bound (New York: Harper and Row, 1982), p. 338\n\n5 USIA: Its Work and Structure (USIA), p. 2\n\n6 Ying Hua, \"**Youhao, reqing, guangcai**\" (\"Friendly, Enthusiastic and Glorious\"), Guangming ribao (Guangming Daily), 19 September 1973, p. 4\n\n7 For further information on the definition, see Hu Qiaomu, \"Dangqian sixiang zhanxian de ruogan wenti\" (\"Some Issues of the Current Ideological Work\") in Jianchi sixiang jiben yuanze, fandui zichan jieji ziyouhua (Uphold the Four Fundamental Principles, Oppose Bourgeois Liberalization) (Beijing: Renmin Press, 1987), pp. 158-198\n\n8 In this respect, one may think that Chinese performing artists were like athletes in that they were more competition-oriented than performance-oriented. This was especially true of opera singers and ballet dancers. While quite a few of them, some of whom had the experience of being trained by foreign artists, won international competitions, there was seldom opera or ballet staged in China.\n\n9 Records of CPAA\n\n10 Personal interview with Wu Fenghua, 31 March 1987\n\n11 Records of CPAA\n\n12 Personal interview with Zhongyan, 14 March 1988\n\n13 Km, p. 115\n\n14 Tang Tsou, \"Political Change and Reform,\" in The Cultural Revolution and the Post-Mao Reforms (Chicago: University of Chicago Press, 1986), p. 223\n\n15 Ibid., p. 224\n\n16 Li Jian, \"Gede yu Quede\" (\"Praise and Shame\"), Hebei Wenyi (Hebei Literature and Art), June 1979\n\n17 Hebei ribao (Hebei Daily), 7 August 1979\n\n18 Guangming ribao (Guangming Daily), 20 July 1979\n\n19 Merle Goldman, \"Intellectual Dissent in the People's Republic of China,\" in Yu-ming Shaw, ed., Power and Politics in the People's Republic of China (Boulder: Westview Press, 1985), p. 294\n\n20 Ibid.\n\n21 Liu Binyan, for example, said: \"when literature mirrors what is undesirable in life, the mirror itself is not to be blamed, instead, disagreeable things in real life should be spotted and wiped out.\" For more of his view, see Beijing Review, No. 52, 28 December 1979, p. 13.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
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    {
        "id": 212780,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1992",
        "page_number": 89,
        "title": "RAS-1992",
        "content_text": "74\n\nRepeated references by Mesny to the refusal by the Szechuan provincial Viceroy to send funds, supplies, reinforcements and rations to his provincial Force in Kueichou were followed by harrowing descriptions of the great hardships caused to the Szechuanese troops, with rations virtually non-existent and rampant disease carrying off many men.\n\nBy mid-winter of 1869/70 the C-in-C of the Szechuan Force decided that he could no longer wait for the Hunan Force to complete its reorganisation, and made up his mind to capture Ka-ba Niu-ch’ang, near to where the Hunan Force had been defeated the previous year. In the event the main body of the Ko-i Brigade were defeated with heavy losses though the rest of the Szechuan Force managed to hold on. The Ko-i Brigade, after a feint attack by a flanking element of the Szechuan Force which drew off the Miao rebels, eventually reached Wu-ku Lung and Ka-ba Niu-ch'ang.\n\nAgain the C-in-C of the Szechuan Force proposed joint action with the Hunan Force, supporting an advance this time towards Tu-yün Fu and Ma-ho Chou with the express aim of relieving pressure on the provincial capital. The Hunan Commander appears not to have agreed and, without co-operation and united action, nothing could be attempted and nothing therefore was done. However, T'ang, the C-in-C of the Szechuan Force again decided to act alone. He seemed to be unaware at the time that a new Kueichou provincial C-in-C, Chou Ta-wu, had been appointed to command all troops within the province operating against the rebels; this included the Szechuan and Hunan Forces. T'ang went ahead, ordering the withdrawal of the main body of the Szechuan Force from its forward positions in Miao territory in mid August, leaving behind at Ch'ang-p'ing Hsien some fourteen battalions of his now increased Force to hold the line until new plans could be made and carried out. In less than three days the main body of the Force had retreated unmolested through Ta-ngai and Niu-ch'ang to Weng-an Hsien where the main body remained whilst the C-in-C and his headquarters withdrew a further 20 miles to Kou-ch'ang (later renamed Lung-ch'ang: about half way between Kuei-yang and Tsun-i).\n\nThe commander of one half of the force of the fourteen battalions left behind at Ch'ing-p'ing Hsien decided off his own bat to evacuate the city, abandoning all camp kit and equipment, and fleeing with his seven battalions to Kuei-yang where he spread a report that the main body",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt",
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    {
        "id": 213134,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1993",
        "page_number": 202,
        "title": "RAS-1993",
        "content_text": "184\n\npreoccupied with the fuel trade to have any spare time to enter the carrying trade.\n\nEspecially in the 1930s, one of the biggest coolie trades was smuggling, although it was of significance earlier as well. Villagers smuggled their own purchases back over the frontier (the bridge carrying the footpath over the border river near the Sha Tsui temple was a commonly used route, as it was not continuously guarded by the Customs), but bulk smuggling (mostly of sugar, kerosene, tobacco, and also opium) was organised by the shops in the market, especially the tobacco dealers. These treated their trade as any other carrying trade, with village women being hired ad hoc to carry loads to customers across the frontier, or across the lines to Sha Yue Chung. Most village women active in the coolie trade took part in this smuggling business.\n\nThe society of the market at Sha Tau Kok was entirely dominated by the local Hakka of the surrounding villages. The Tanka - the boat people - were, as always, regarded as somewhat second-class, even though their presence was essential to the economic success of the town. The perceived inferiority of the boat-people may well be the reason that few of them lived in the market at Sha Tau Kok: they preferred to live at Kat O, a few miles off-shore, outside the Shap Yeuk area.\n\nEven more regarded as second-class, however, were the Hoklo saltworkers. These groups of workers, living for the term of their contract away from their families in their miserable huts on the saltpans, had no status at all. Of the total population of the town, perhaps as many as one fifth were saltworkers (assuming five workers per salt-works). The Hakka villagers owned the salt-works, but left them entirely to the contract overseer and his hired staff, so long as the rent was paid. No-one remembers the names of any of these salt-workers, nor can anyone remember any marriages between local Hakka or Tanka girls and these Hoklo labourers. The villagers kept away from them, and their only contact was the exchange of fuel or vegetables for salt at Yim Liu Ha. The salt-workers were important to the economy of the town, but they were treated as being the very bottom of the social scale.\n\nAt the other end of the social scale were the teachers at the Tung Wo School. The Shap Yeuk elders had wanted to ensure that the district had at least one first quality school, and had consequently built the school to",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
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    },
    {
        "id": 213139,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1993",
        "page_number": 207,
        "title": "RAS-1993",
        "content_text": "189\n\nAPPENDIX 2\n\nShops in Sha Tau Kok Market. 1925\n\n=\n\n(WTS = Wang Tau Shek), UP = Upper Street, LS = Lower Street, OS = Old Street, SLH = Sha Lan Heung (= Fish Laans) TYK = Tai Yuen Kok, SH = Sam Heung LH = Luk Heung, WH = Wo Hang, YT = Yim Tin, YSQ = Yung Shue O, FH = Fung Hang, TT = Tong To, ST = Shan Tsui, HL = Hoklo, KLH = Kwun Lo Ha, LK = Luk Keng, JMK = Jat Muk Kiu, LL = Lai Long, AH = Au Ha, SNT = San Tsuen, NC = Nun Chung, SC = Sham Chun, STK = Sha Tau Kok A = in 1894 Shan Tsui Tablet, B = Cheung Shan Kwu Liu Tablet, C = in Oral Evidence, D = in 1906 Budd's Pool Tablet * = The largest shops)\n\n= in 1920\n\n  \n    No.\n    Name of Shop\n    Address of Shop\n    Name of Owner\n    Village of Owner\n    Source\n    Comments\n  \n  \n    \n    General Stores\n    \n    \n    \n    \n    \n  \n  \n    1\n    \n    WTS\n    \n    \n    \n    Sold saws, bowls, plates, pottery, ropes, nails etc\n  \n  \n    4\n    LA\n    ABC\n    \n    JAWN\n    MHL\n    WTS\n  \n  \n    \n    C\n    C\n    YSO\n    BCD\n    \n    Donated Bell to Wu Shek Kok Temple, 1922\n  \n  \n    \n    PL\n    \n    \n    \n    \n    Pottery Basel missionaries, 1853\n  \n  \n    \n    (A)BCD\n    \n    Occupied lower floor\n    of gun lower\n    Probably donated to\n    1898 Tai Po\n  \n  \n    \n    YSO\n    TH\n    BC\n    BC\n    \n    Kwong Fuk Bridge sold gram, pig slaughterer, winemaker etc\n  \n  \n    \n    Pawnshop\n    fli\n    THI\n    PS\n    H\n    YT\n  \n  \n    7\n    Growery\n    \n    \n    X*\n    W\n    WTS\n  \n  \n    WTS\n    \n    \n    \n    \n    \n    \n  \n  \n    12\n    \n    I\n    WTS\n    China\n    BCD\n    sugar dealer, etc\n  \n  \n    \n    WTS\n    +\n    WH\n    BC\n    \n    r\n  \n  \n    1\n    WTS\n    $1.\n    TTC)\n    ABCD\n    IS\n    ST\n  \n  \n    BC\n    \n    IS\n    7\n    WH\n    AC\n    pig slaughterer, winemaker etc\n  \n  \n    1HI\n    WTS\n    ΥΠ\n    BC\n    [4*\n    \n    \n  \n  \n    \n    Other Goods\n    \n    \n    \n    \n    \n  \n  \n    15\n    \n    \n    \n    \n    \n    \n  \n  \n    16\n    \n    FEE\n    #\n    WTS\n    China\n    BC\n  \n  \n    THI\n    IS\n    THE\n    C\n    \n    \n    \n  \n  \n    20\n    AC\n    \n    \n    \n    \n    winemaker. grocer. etc Basel missionaries, 1853\n  \n  \n    \n    winemaker\n    \n    \n    \n    \n    baker, probably connected with ↑ FI\n  \n  \n    21\n    \n    \n    \n    \n    \n    \n  \n  \n    22\n    ze aza夤èsa a\n    \n    4\n    WH\n    C\n    dogmeal\n  \n  \n    WTS\n    SIK\n    BCD\n    \n    \n    \n    baker\n  \n  \n    \n    Lishmongers\n    \n    \n    \n    \n    \n  \n  \n    20 FHC\n    WTS\n    THE\n    BC\n    \n    \n    \n  \n  \n    \n    WTS\n    BC\n    \n    \n    \n    \n  \n  \n    ƒ\n    SLET\n    SI\n    BC\n    \n    \n    \n  \n  \n    נו\n    \n    \n    \n    \n    \n    \n  \n  \n    23*\n    SLET\n    YT\n    BC\n    \n    \n    main donor, 1894\n  \n  \n    \n    واع\n    \n    \n    \n    \n    \n  \n  \n    24\n    \n    \n    \n    \n    \n    \n  \n  \n    26*\n    Aumal\n    01\n    临\n    WTS\n    China\n    вс\n  \n  \n    THI\n    SETI\n    LA\n    BC\n    \n    \n    \n  \n  \n    SLEE\n    SIK\n    ABCD\n    \n    \n    \n    \n  \n  \n    SLET!\n    BC\n    \n    IS\n    IT\n    C\n    \n  \n  \n    =\n    WIL\n    C",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1993.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833t302",
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    },
    {
        "id": 213187,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1994",
        "page_number": 9,
        "title": "RAS-1994",
        "content_text": "ROYAL ASIATIC SOCIETY\n\nHONG KONG BRANCH\n\nPRESIDENT'S REPORT FOR 1994/95\n\nMay I welcome all of you here this evening, the 35th gathering since the resuscitation of the Society in 1960.\n\nFor me one of life's real pleasures is to be a member of the Royal Asiatic Society (Hong Kong Branch) and I hope that this feeling of enjoyment is shared by all of you this evening. It is not idle enjoyment, it is of the active voluntary kind, which stimulates the mind, and gives you insight into areas of activity which you would not normally tread into given the very busy lives which most of us lead in Hong Kong. In other words most of us make time to come to the activities of the Society, because we know that when we come to hear a talk or go on an activity we will learn something we did not know before, or are given some insight into Hong Kong's history which is much more fascinating than many of us imagine.\n\nThese words, although they may be obvious to some, are worth saying because it gives me a lead into the very active programme which we have had since I last reported to you this time last year. At that time I said I thought we had had one of the most active years ever, but looking at this last year we seemed to have even surpassed last year. We have had no less than seventeen lectures, fifteen visits to various parts of Hong Kong and two very successful visits: one to North Vietnam, and I am very pleased to see so many Vietnamese veterans here this evening and one to North Taiwan; the former organised by Dr. Patrick Hase and the other by Mr. Keith Stevens. (Some of us did our best to conquer the Perfume Pagoda high in the Vietnamese hills but lack of time and breath in some cases prevented us from reaching the top, and seeing members of the Society sitting and wobbling precariously in a Vietnamese sampan trying to eat a picnic lunch out of a box without falling into the water was something which is not easily forgotten by those who had the privilege of seeing them). For the success of the talks and visits we have to thank the very active Programme Committee, i.e. Mrs. Rosemary Lee, Rev. Carl Smith, Dr. Patrick Hase, Dr. Elizabeth Sinn, Mr. Geoffrey Roper, Dr. Dan Waters, Mr. Philip Bruce, Dr. Michael Lau and Dr. Joseph Ting. They have really done a splendid job.\n\nviii",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
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    },
    {
        "id": 213418,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 14,
        "title": "RAS-1995",
        "content_text": "I Jul 95\n\n19 Aug 95\n\n23 Sept 95\n\n18 Nov 95\n\nTraditional Trades and Crafts of Hong Kong - HK Museum of History (Exhibition)\n\nHeaven's Embroidered Cloths A Thousand Years of Chinese Textiles (Exhibition) - HK Museum of Art\n\nLife Under the Japanese Occupation 1941-45 (Exhibition) - HK Museum of History\n\nExhibition of Chinese Folk Art - HK University Museum and Art Gallery\n\nNew Territories Temples and Da Jiu at Kam Tin\n\n26 Nov 95\n\n16 Dec 95\n\nJade Exhibition - HK University Museum and Art Gallery\n\n13 Jan 96\n\nPrince of Wales Barracks and former HMS Tamar Site\n\n20 Jan 96\n\nVillages of the north eastern New Territories\n\n10 Feb 96\n\nWalk through the deserted villages of Sai Kung\n\n9 Mar 96\n\nMaritime Silk Route (Exhibition) - HK Museum of History\n\n16 Mar 96\n\nOrganic Farm on Lamma Island\n\nVisits outside Hong Kong:\n\n22/23 Apr 95\n\nDapeng, Xin'an County\n\n2/3 Feb 96 14/17 Mar 96\n\nBocca Tigris Forts of the Pearl River\n\nTemples of northern Taiwan\n\nSuch activity demands some very dedicated organisers and besides those already mentioned in the Activities Committee we are particularly grateful to Dr. Joseph Ting, Dr. Anthony Siu, Mr. John Wilson, Mr. Philip Bruce, Dr. Patrick Hase, Mr. David Sheil and Dr. Michael Lau for their help. Sometimes not all members can obtain places on these outings and I would like to say that we are quite willing to run the trip again provided we can find someone to assist in organising it. In fact, if any member is willing to propose any trip to somewhere of interest the Society will always be prepared to consider it.\n\nThere is one other activity to which I would like to draw your",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    },
    {
        "id": 213549,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 145,
        "title": "RAS-1995",
        "content_text": "114\n\nof it are hard to come by One of the best-known sources in English, whose descriptions I shall speak of later, is Charles G. Leland. In his book, \"Pidgin-English Sing-song\" published in 1876, Leland polishes off his introduction to the language with the words:\n\n\"There are, in all, not more than thirty altogether foreign or strange words in ordinary use, and a number of these are familiar to all persons of the least general information. What remains can present no difficulty to anyone who can understand negro minstrelsy or baby talk\"\n\nTo the modern person who has not lived in the Pacific Islands or Papua New Guinea, Pidgin English brings to mind partly apochryphal stories of Duke-of-Edinburgh worship and terms like \"mixmaster-bilong-Jesus\" (a helicopter) and \"big-man-box-you-bash-him-teeth-he-cry\" (a grand piano).\n\nWe have set the background to the article. Before we go further, let's just remind ourselves what China Coast Pidgin English spoken in the later part of the last century really did sound like. Listen carefully for the baby talk.\n\n\"O-lo dim Hongkong sai hab dou-mat-ji man tok-gi Ying-li-sı a-la sim mai. Je-sı naau no hap gat; a-la daat man go dai. Je-si naau mai ding-ki you no gen hi-ya wan pr-si Chee-na man tok-gi long daat o-lo dim man sim, fa-san.\n\n++\n\nHistorical background\n\nMacau was occupied by the Portuguese in 1557. They had previously been trading with south China for many years from a place called, in Portuguese, Lampacau\n\nDr Graciete Batalha, who has carried out extensive research on the Portuguese dialect of Macao (Glossario do Dialecto Macaense, Instituto Cultural de Macau. 1988 from original articles published from 1971-1977), has formed the opinion that during this early period of the development of the Macau \"patoa”, the formative influence was not so much the way that Chinese people learned to speak Portuguese, but the manner in which the Macau Portuguese formed the habit of speaking to the Chinese in the Portuguese language.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    },
    {
        "id": 213562,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 158,
        "title": "RAS-1995",
        "content_text": "127\n\nspeakers that the difference was unimportant. As you can hear from the Chinese names for the Chartered Bank and Chater Road, (ja-da, je-da), English aspirated sounds normally came out as unaspirated in Chinese transcriptions.\n\nTurning to the vocabulary of Pidgin, it is clear that a very small base of common words filled a wealth of meanings. Where technical words were in everyday use, Pidgin used them. In other cases, an approximation of the meaning was assembled from a limited stock. For example, \"You have no occasion to fear, I have been a tea broker for ten years. I have never given any dissatisfaction to anyone,\" is rendered as \"You no gar-san mat-gi fer-ya. My hap dou di bou-luk-ga tan ya, mai nu gat wan dim mat-gi na ba-lap-ba bi-jin”\n\nThe vocabulary of book-keeping is resolved like this-\n\n“You mix up your accounts. Put all the receipts on one side; put all the payments on another side; deduct the payments from the receipts and you will know the balance in hand '\n\n“You mai-ki mik-si you gon-da, A-la mun-ni gam yin you but wan sai; mun-nı bai na-da man but na-da sai; mun-ni hap, git-ji so mar-ji tik-gi aap hap bat so mat-ji; you gen sa-bi hot ba-loen-sı.”\n\n門\n\n時沙\n\n巴倫時\n\n妖吽沙比喝\n\n巴味 治鴨梳捫\n\n文擱\n\n烟柽\n\n合ㄝ尼体尼\n\n天鐺\n\n拿跛\n\n梳結\n\n打韋\n\n品\n\n乜其治\n\n西打\n\n西甘\n\n妖米其竟士\n\n肤\n\n千米\n\n妖干打\n\n烟妖砵温西\n\n鑄捫尼甘\n\nFig. 2. The accounting example Pidgin in Chinese characters\n\ni",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    },
    {
        "id": 213564,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1995",
        "page_number": 160,
        "title": "RAS-1995",
        "content_text": "說\n\n番人亦有\n\n如此之分\n\n番如稔失\n\n印則\n\n但更俱\n\n有三等之介\n\nBitt m\n\nFE\n\nE***S\n\n129\n\nFig. 5. Tong explains the pidgin form of comparison of adjectives\n\nThat is as far as we want to go in discussing the structure of Pidgin.\n\nAs a last topic, however, we want to say something about the etymology of Pidgin. Over the years, a lot of effort has gone into tracing the history of certain Pidgin words, especially where the words have entered standard English. The mass of fresh material in Tong's book lets us throw a little new light, although we have to admit that, as with most attempts at etymology, a lot of guesswork is involved.\n\nTong cites very many words derived from English, in which all syllables are represented quite fully, given the limitations of the language. To say, then, that the word \"pidgin\" itself originated just because that was the nearest that Chinese could get to pronouncing \"business\" is hard to accept. The same people who could say “di-fa-loen-si\" could presumably have said “bi-si-nei-st\", had they been so inclined.\n\nOur examination of the vocabulary in Tong brings us to believe that at the earliest stage there was a core of words derived not directly from English but from a variety of Portuguese, Malay, and English. These were then added to with a gradually more extensive vocabulary.\n\nWe consider that the following should be included in the early layer:\n\nbi-jin, kam-sha, de-lam, se-lam, but-lam, si-bui-lum, gi-lam, go-lam, ma-si-gi, gou-dang, ka-gou, tik-gı, get-ji, dim, gat-ji, dim, waan-sam, jaau-jaau, chin-chin, jo-si, hu-man, mai, ma-sa, ma-jin, mat-sa, jap-jap, gu-lei, mun-ni, bai, sa-bi",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g",
        "rank": 0
    },
    {
        "id": 213856,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 208,
        "title": "RAS-1996",
        "content_text": "181\n\nper-muing hia-pren, diffighi Vol 2 (Hong Kong Urban Council. 1986), pp. 395-402\n\n* Interview of Lo Ch`uan, op cat Jun 22 1991\n\n46 Interviews La P'o † # (surname Ho, age 70+), Ma Wan Chung, Jun 30, 1991, Ch'en Kuang-sheng P4144 (age 63) Fishermen's Village. Jul 8,1991 & by telephone, Aug 1,1991, 20 Mall, op cit\n\n1\n\nAnthony KK Sau “Distribution of Temples on Lantan Island as Recorded in 1979.** JHKBRAS, Vol 20(1980), p 138\n\n** Ch^en Po-Cao BR1MB \"Touwang ku-mao sheng-shih per-chu,” (Kowloon: n.p., 1917) the Flouwang Temple Kowloon City For different opinions on the Houwang's identity, see Hsiao Kuo-chuen \"Hstang-kang Hou-lung so ssu-feng chih 'Yang-hou-ta-wang' k'ao,” in Hstang-kang ch'inh-tai-shih huu-chu (Taipei: Taiwan Shang-wu yin-shu-kuan, 1985), pp 307, 313, Jao Tsung-yı \"Yang-1'ai-hou chia-chih yu Chit-lung Yang-Houwang miao,' in Chu-hung vu Sung-chi shuh-hao (Hong Kong: Wan-yu t'u-shu kungssa, 1959), pp 84--92\n\n* Ronald Ng. \"Culture and Society of a Hakka Community on Lantau Island,” in I_C Jarvie, ed, A Society in Fransition. Contributions to the Study of Hong Kong Society (London: Butler & Tanmer Lid. 1969), pp. 55, 62\n\n40\n\nAccording to an interview at the Tung Chung Public School, Jun 24,1991, see also interviews. La P'o †% (age 63), upper Ling Per, Jun 15, 1991, Cheng Man-hung, op cit\n\n1\n\n5? Interview of 11 Chii-sheng PL/ (age_73), Lam Che. Jun 18,1991\n\n* Interview of M. Huang (age 76), Wong Ka Wai, Jun 25, 1991\n\nBrim, op eit, p. 100, N 10\n\n** Interview of Cheng Man-hung, op uit, upper Ling Per Aug. 11. 1991\n\nHo, op ett. p 13\n\nFlayes, 1967, op eit, p 91\n\n* Ho, op. cit, p9\n\n5 lbid. p 13\n\n* Brum op eit,p/103",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 214165,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 23,
        "title": "RAS-1998",
        "content_text": "Appendix B\n\nLocal Visits\n\n21 March, 1998, T.T. Tsui Gallery and Hong Kong University Gallery with lunch at Luk Yu Tea House, with Dr Michael Lau.\n\n16 May, Return visit to view dolphins with Lindsay Porter.\n\n21 November, Buddhist Treasures, exhibition at Fung Ping Shan Museum, led by Catherine Maudesly.\n\n5 December, Gems of Ancient Chinese Inventions exhibition at Hong Kong Museum of History, led by Osmond Chan.\n\n16 January, 1999, Egyptian Treasures from the British Museum exhibition at Hong Kong Museum of Art proceeded by lunch at the Mariners Club. Exhibition tour led by Rosa Lee.\n\n13 March, Walk on Lantau from Pak Mong and Tai Ho to Mui Wo followed by tea at the Bunkers' residence.\n\nVisits outside Hong Kong\n\n10-13 April, 1999, The Backstreets of Beijing, led by Dr Joseph Ting.\n\n1-6 October, Ningbo, Putuoshan and Chusan, led by Geoffrey Roper and Keith Stevens.\n\n7-8 November, Macau: Heritage, Preservations and Portuguese Delights, led by Valery Garrett.\n\nxxii",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214198,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 56,
        "title": "RAS-1998",
        "content_text": "19\n\neration to be found in wine. Then there is Journey to the West, which has been translated into English, where the Monkey King goes in search of immortality. We have Chinese opera and puppets (Liu, 1995:43-58). A great deal of mirth is to be found at Hong Kong festivals, whether it be at the Cheung Chau Bun Festival or the festival of the Hakka Boy God, Tam Kung. Then again, close friends of a bridegroom get a great deal of enjoyment from making fun of him on his wedding night.\n\nThere is also considerable humour (funniness) in the countless everyday expressions of 'old one-hundred names' (the man in the street). Such sayings which can be described as 'words that work,' are as common in China as chopsticks. For example, inserting money in a car-parking meter is known as 'feeding the hungry tiger,' and, when one is 'booked,' the 'ticket' placed under the windscreen wiper of one's car by a traffic warden, is called naau yuk kon (4), which is slang meaning a thin slice of Chinese dried, sweet beef. There is also a great deal of humour in the vocabularies of merchants and con men, nicknames and clever allusions to everyday objects and curses (Bolton, 1997:299). To scold someone is also an art which onlookers often treat as entertainment. The art is for the person to stand there and give the other person face and let him or her have their say. Then, after remaining quiet, the other person steps in and lets the other party have it!\n\nThe Chinese language abounds with expressions, many commonly used, which make you smile on the outside and laugh within. There are amusing adages such as:\n\n(a) Melon fields, under the pear tree.\n\n(Cantonese know, when this is said it means: don't bend down in a melon field or adjust your hat under a pear tree, or people may think you are stealing melons or pears. Thus, it implies, do not arouse suspicion.)\n\n(b) When a pretty woman marries an ugly man it is like sticking fresh flowers behind the ears of a donkey.\n\n(c) Local ginger is not hot.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214225,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 83,
        "title": "RAS-1998",
        "content_text": "46\n\nJones, Russell (1997), Chinese Names, the Traditions Surrounding the Use of Chinese Surnames and Personal Names, Pelanduk Publications.\n\nKao, George (1946), Chinese Wit and Humour, Coward-McCann, New York.\n\nKarlgren, Bernhard (1971), Sound and Symbol in Chinese, Hong Kong University Press.\n\nLee, Lily Xiao Hong and Sue Wiles (1999), Women of the Long March, Allen and Unwin. Edited extract South China Morning Post, 'Saturday Review,' 'Women on the March' 20 February 1999.\n\nLee, Sherry (1999, February 2), 'Reviving the art of Silent Gestures,' Hong Kong Standard, 'Life' supplement.\n\nLexikon der Ägyptologie (1997), 'Humour.'\n\nLin Yutang (1937), The Importance of Living, Reynal & Hitchcock, New York.\n\n(1936), My Country and My People, William Heinemann.\n\nLindsay, Oliver (1978), The Lasting Honour, the Fall of Hong Kong 1941, Hamish Hamilton.\n\nLittle, Jennifer (1998, June 25), 'Chinese Kiwi Comic Gags Racial Stereotypes,' Hong Kong Standard.\n\nLiu, D.H. (1995), 'The Peking Opera,' Royal Asiatic Society Hong Kong Branch Journal, Vol. 35.\n\nMathews, Jay and Linda (1983), One Billion, a China Chronicle, Ballantine Books, New York.\n\nMcGregor, Richard (1997, August 22), 'Interpreters' nightmares,' South China Morning Post.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214607,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 22,
        "title": "RAS-1999",
        "content_text": "Appendix Two\n\nActivities - Visits\n\nDate 1999\n\n24 April: Kadoorie Farm, led by Dr Gary Ades, followed by visit to Shui Tau and Kam Tin led by Jason Wordie and Dr Patrick Hase.\n\n29 May: Adornment for the Body and Soul, Ancient Chinese Ornaments from the Mengdiexuan Collection, led by staff of the Hong Kong University Museum and Art Gallery.\n\n15 to 18 June: Zhangjiajie, North-west Hunan Province, Tour, led by Dr Michael Lau.\n\n27 June: Ohel Leah Synagogue, led by Rabbi Kermayer and Glenn Fromm followed by lunch at Jewish Community Centre.\n\n24 September: Wo Hang Mid-Autumn Festival Fire Lanterns, led by Dr Patrick Hase.\n\n15 to 21 October : Bits of Broken China - Shandong and Dalian, led by Robert Nield, Sarah Parnell and Michael Broom.\n\n27 November: Backstage at the Opera, led by Dr Patrick Hase.\n\n18 December: Railway Museum, Man Mo Temple and Tai Po Tau Study Hall, Tai Po, led by Dr Patrick Hase and Peter Crush.\n\n2000\n\n15 January: Public Records Office, led by Carl Smith.\n\n26 February: Wan Jing Jai Temple and Kan Lung Wai Walled Village, led by Ron and Veronica Clibborn-Dyer and Peter Stuckey.\n\nDan Waters,\n\nPresident\n\nxxi",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 214660,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1999",
        "page_number": 75,
        "title": "RAS-1999",
        "content_text": "39 \nand Li Kun-fuk, 2 houses within the walls, and then with these two brothers or cousins holding 0.17 acres of land jointly, and Kun-sang in addition a further 0.01 individually; Li Tin-hi, 2 houses within the walls and 0.18 acres; Li Tin-yau, 1 house within the walls and 0.11 acres). The reasons for these households with far less arable land than could possibly allow for subsistence are likely to be the same as in the case of the Ngs, although, in this case, some of the Li households may have been in the process of moving out of the village. In the case for Li Kun-fuk and Li Kun-sang, however, who were important elders of the clan (Kun-fuk was the trustee of three trusts, and Kun-sang of two), the tiny-recorded individually owned areas of agricultural land must hide far more substantial areas actually under their control.. \n\nOf those households of the Li clan which recorded their land-holdings under the family head's name, the holdings varied from 0.31 acres (Kun-tai), and then through 0.45 acres (Yung-tai), 0.67 acres (Yung Wa and Yung Fat jointly), 0.89 acres (Yuk-hing), 0.93 acres (Kam Tak), 1.15 acres (Lai-ting, the dominant elder), 1.5 acres (Ping-shan, part of this was held jointly with Tak-hing and Chiu-hing, and another tiny part jointly with Ip Shi); to 3.81 acres (Loi: he also owned 0.86 acres jointly with Li Hau-fuk). Kun-tai, who held no less than 5 houses within the walls, must have been wealthier than his 0.31 acres of agricultural land-holding would suggest: he was also one of the trustees of the Luk Wa Tso. He probably had access to a significant amount of trust property. Yung-tai also had a significant amount of house property - three houses within the walls. \n\nRelatively wealthy villages like Nga Tsin Wai were usually marked by an interest in education. The village had a fine school, which was held in the Ng clan Ancestral Hall. Villages like Nga Tsin Wai often also had \"literary clubs\", where the more scholarly and better educated of the villagers would meet to write poetry together, and drink wine in the light of the moon. The Sub-Magistrate in Kowloon City encouraged such literary groups, in particular by sponsoring poetry competitions and so forth. Nga Tsin Wai villagers had access to such a club (probably in the Market), and the Li clan had a small trust to support it, the Man Lau Tong (\"Association for the Literature House\"). This owned only 0.05 acres, the income of which probably supported the costs of tea and wine for the Li clan members of the club, but it demonstrates the scholarly ambitions of the village. \n\nPage 75\n\nPage 76",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x",
        "rank": 0
    },
    {
        "id": 215355,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 132,
        "title": "RAS-2001",
        "content_text": "80\n\n21 This is present day Maoming in western Guangdong province, not too far from the Liaozhou peninsula leading down to Hainan.\n\n22 A city in south eastern Guangdong province, half way between the Liaozhou peninsula and the Pearl River.\n\n23 Note that there are two different deities, Longwei Shenggong worshipped by the Hainanese and Longwei Shengwang worshipped by the Chaozhou people. The latter is, to all intents and purposes, a local Earth God.\n\n24\n\n25 Laomu, Old Mother [or Elderly Matron], is a title often mentioned in popular stories. In Xue Dingshan's Campaign to the West Laomu was Fan Lihua's teacher who, in eight years, taught her the art of moving mountains and raising armies from a handful of beans.\n\nAn elderly Chaozhou man in a Kowloon temple confided that Lishan [‘Fan Lihua' he called her] is a fictional character to support the story of the two generals Xue, and that much of their legends have little or no historical basis.\n\n26 Xue Dingshan's father, Xue Rengui, also a general, was an early Tang hero who not only also led an expedition to the west, he also served in the Korean campaign of Tang Tai Cong. Xue Dingshan, otherwise known as Xue Gang, is claimed to have saved the life of his emperor and is now a Fukienese cult deity, the face of whose image is characterised by extraordinary and colourful decorations.\n\n27 William Mesny relates that recumbent iron images of oxen were believed to be a protection from floods when these images were placed along the banks of river courses and lakes likely to overflow. He noticed several along the banks of the Grand Canal in 1874 and was told that they had been placed there by Liu Bowen Mesny's Chinese Miscellany: Vol. IV: Shanghai: 11 February 1905.\n\n28 As in Taipan, the Senior Boss.\n\n29 The shrine and its images disappeared, doubtless into a high rise flat, though it could have gone the way of so many minor cults and disappeared due, perhaps, to the aged temple keeper's demise.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
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    {
        "id": 215390,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 167,
        "title": "RAS-2001",
        "content_text": "116\n\nThe present The Tribute and 4 abun to Kai\n\n1\n\nft\n\n...\n\n# G A HAD AN\n\nDATO €\n\nF# 陷阱\n\n# B 7 X 5 trai\n\nA\n\nJ\n\nI I\n\n24\n\nLau\n\n710\n\nMY AM I WM (I\n\n#OMI\n\nDA\n\n作一份值得擁有了雪律\n\nJ\n\nUVM FARL PICKU\n\nf #\n\nقطر\n\nAT MEX\n\nTIMOTA 1P 400AY ARMP (\n\n#BIT MADYAAL IN IF\n\nI AM MAI M\n\n44\n\nA\n\n41\n\n腆情路\n\n香港大學的成疒\n\n#\n\nA004 11\n\n翻糖\n\n香港人做作我(J嵌入\n\nMANKAI B&HL\n\nACH AU KAMKI PLOT AN\n\nTATA\n\nAMM 以長期的商業低潮的\n\n(TWEN)M (LIENTEMINIZ 上有廣闊 AMS DIMILAJAR JANAKA\n\n2\n\nng\n\nMy u plea e far! eller or behalf of the lead ræember OF be thine e com unut¡ [1 «e he nonot r lo dit pre car you u sto\n\nuld\n\nin aldres a o Ibu ceen embr idered on atın and u bub IxR ask ye i sir te do us he h now to graciou l¡ ucept i a mill oken of the high esteem and iffe i mi i hue for you is ur (veren ind ruler will frie id an C0072 ellor\n\nIt was clear that the Tribute was behind schedule as it had been the intention to have it completed on Wednesday 16th March 1910. But the pace of the fine work carried out by the craftsmen in Canton dictated otherwise.\n\nIt was our intention to present you with the address shortly after the laying of the foundation stone of the Hongkong University, but time did not permit us, for we desired to present you with a work of art more worthy of your acceptance, and so we had perforce to wait for this occasion in order to allow time to get the work properly executed.\n\nYour administration was unstinting without being in any way fulsome.\n\nIt is scarcely three years since our arrival in this colony, but during the comparatively short period, you have achieved much by your wise and able administration. You have come through a most trying time and succeeded in placing the colony once more on the high road to prosperity and success.\n\nThe University\n\nIn the presentation address, the founding of The University of Hong Kong is given special prominence.\n\nNo one appreciates more than the Chinese community the immense benefits which you have conferred upon this colony, and they are doubly grateful to you for, though we have had a long commercial depression, you have succeeded by your broadmindedness and by your incomparable energy and enthusiasm in founding the Hongkong University.\n\nThe benefits conferred by such an institution on the colony as a whole, and more especially upon the Chinese, whether resident in this colony or throughout China, are incomparable, and we thank you, sir, most cordially and most gratefully for such a boon. I am sure future generations will cherish your memory and thank you.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
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    {
        "id": 215766,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 65,
        "title": "RAS-2002",
        "content_text": "Lim, Pui Huen, Patricia\n\nDiscovering Hong Kong's cultural heritage: Hong Kong and Kowloon, Hong Kong: Oxford University Press, 2002. 2nd ed.\n\nLim, Pui Huen, Patricia\n\nDiscovering Hong Kong's cultural heritage: the New Territories. Hong Kong: Oxford University Press, 2002. 2nd ed.\n\nThe Lime Kilns and Hong Kong's Early Historical Archaeology. [Hong Kong: s.n., 2002?]\n\nLiu, Yiqing\n\nA new account of tales of the world. Ann Arbor, Michigan: Center for Chinese Studies, The University of Michigan, 2002.\n\nThe Lugard Tribute. Hong Kong: University Museum and Art Gallery, The University of Hong Kong, 2001.\n\nLung, Phat\n\nBook of Lingsu. Australia: Lingsu Publications, 1990.\n\nMadsen, Juel\n\nCelebrities of the Shanghai turf. [s.l.: s.n., n.d.].\n\nMarsman, Jan Henrik\n\nI escaped from Hong Kong. New York: Reynal & Hitchcock, c1942.\n\nPelcovits, Nathan A.\n\nOld China Hands and the Foreign Office. New York: Published under the auspices of American institute of Pacific relations by King's Crown Press, c1948.\n\nPlauchut, Edmund\n\nChina and the Chinese; translated and edited by Mrs. Arthur Bell (N. D'Anvers). London: Hurst and Blackett, 1899.\n\nRattenbury, Harold Burgoyne\n\nFace to face with China, with 45 photographs by Cecil Beaton and 15 pictorial charts in colour designed by the Isotype Institute.\n\nlvi",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
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    },
    {
        "id": 216015,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 314,
        "title": "RAS-2002",
        "content_text": "248\n\nin the other, we see 'fecundity' punned with 'select' and 'manifest.' Confucian idealists were using such word-play to put expression to their view of the purpose of archery in ritual and selection.\n\nThe Zhou addition to the cultural baggage of archery should therefore be regarded as a ritual/religious layer and a badge of office for certain ranks, probably at the shi level.\n\nThe Eastern Zhou transition\n\nIn the Han (or Jin?) historical novel, 'Romance of Wu and Yue' by Zhao Ye, Chen Yin sets out the history of the bow and arrow. (Zhao Ye: Wu Yue Chunqiu, Selby: 8A.) The Han perception was that in the Eastern Zhou, mastery of the bow and arrow passed from the aristocracy to the common people (in his state of Chu, the 'spiritual homeland' of the Liu Royal household). He also makes explicit the role of the crossbow in this progression. Zhao Ye's exposition is a highly-plausible description of the true evolution of the art.\n\nHowever, for the early part of the Eastern Zhou period, the ritual performance of archery flourished among the aristocracy. There is abundant archaeological evidence of Eastern Zhou performance of archery:\n\n* in ritual,\n\n* in warfare,\n\n* in hunting, and\n\n* as a sport.\n\nLiterary evidence further exists of archery in the selection of candidates offered by the zhuhou to the royal household under the feudal system. Archery magic also appears in Warring States literature, together with a growing link with funerary practices, such as the 'protective' filigree thumb-ring.\n\nHow did archery come to retain its link with the aristocratic classes?\n\nThe development of mounted archery tactics among the Han",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
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    },
    {
        "id": 216021,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 320,
        "title": "RAS-2002",
        "content_text": "254\n\nConclusion\n\nHow unbroken is the tradition?\n\nA disjuncture occurs with the fall of courtly ritual in the Warring States period. To what tradition did the 'Shi' participating in the archery rituals of the Warring States regard themselves as heirs?\n\nWe cannot hope to find more than fragments from the pre-Shang times, from when no written record has come down to us. But interpreting the evidence generously, magic and shamanism were the domain of the Yi clan. (In Chapter 2 of my book, Chinese Archery, I have done a more ambitious job of collating these scraps than is possible within the scope of a paper like this one.)\n\nThe legend of Yi remained popular in folklore and found its way into funereal art even of Northern Wei times. The idealized Confucian work, the 'Zhou Li', which may have originated in the Eastern Zhou state of Qi, explicitly states that there was magic involved in the target, to bring the feudal lords into line. I believe that the cultural heritage accruing to ritual archery in Warring States times included an element of magical power that echoed the activities of the archery Shamans of the distant past.\n\nFurther disjunctures are less acute. The weakening of ritual beliefs throughout the Han and Wei-Jin periods were replaced by the inclusion of the Confucian orthodoxy (in the form of the 'Archery Classic', which itself acknowledged archery magic though the theory of the hou target, rites of passage for males and ritual dance movements to music). The Confucian ‘Archery Classic' acted as centre of a major gravitational force. Once formally incorporated in the Imperial Examination System, not only did the Confucian system ensure that the traditions of the Zhou period remained alive, it even exerted an influence in maintaining archery as a semi-ritual pursuit outside the purely practical field of military affairs, despite being part of the syllabus of a supposed military examination'.\n\nIf this tradition has died out in China, it is not altogether lost. The practice of traditional archery in both Korea and China up to the present day recognises, preserves and respects aspects of the cultural tradition of Confucian ritual archery.",
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