[ { "id": 205651, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 193, "title": "RAS-1968", "content_text": "188\n\nHOÀNG, Peter.\n\nTHE LIBRARY\n\nA notice of the Chinese calendar, and a concordance with the European calendar. 2nd ed. Zi-ka-wei near Chang-hai, Catholic Mission P., 1904.\n\nHOBSON, R. L.\n\nHandbook of the pottery and porcelain of the Far East in the Department of Oriental Antiquities and of Ethnography. [London, British Museum] 1937.\n\nHODGSON, Mrs. Willoughby\n\nHow to identify old Chinese porcelain. 4th ed., enl. London, Methuen, 1920.\n\nHong Kong et la côte chinoise, du Tonkin à Ning-po... Paris, Hachette, 1910.\n\nHONG KONG. University. Institute of Oriental Studies.\n\nChinese tomb pottery figures: catalogue of exhibition... 26th-28th September, 1953. Hong Kong, University Press, 1953. (Institute of Oriental Studies. Catalogue series, no. 1)\n\nHOSIE, Dorothea, Lady.\n\nTwo gentlemen of China: an intimate description of the private life of two patrician Chinese families... London, Seeley, Service, 1924.\n\nHSUAN Tsang (玄奘)\n\nSi-yu-ki: Buddhist records of the western world. Tr. from the Chinese of Hiuen Tsiang (A.D. 629) by Samuel Beal. Popular ed. London, Kegan Paul, Trench, Trübner, [189-?] 2 vols. in 1\n\nHSUEH, Chün-tu\n\nA review article: the years of triumph. London, 1962. Reprinted from China quarterly, no. 11, 1962, pp.225-235. Presentation copy inscribed by the author in Chinese.\n\nHUANG, Raymond\n\nIntonation in idiomatic English, for Chinese students in south-east Asia; by Raymond Huang in collaboration with A. W. T. Green. Hong Kong, University Press, 1964- v.1 only.\n\nHUCKER, Charles O.\n\nChina: a critical bibliography. Tucson, University of Arizona P., 1962.", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205657, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 199, "title": "RAS-1968", "content_text": "194\n\nPRIP-MØLLER, J.\n\nTHE LIBRARY\n\nChinese Buddhist monasteries; their plan and its function as a setting for Buddhist monastic life. Hong Kong, Hong Kong U. P., 1967.\n\nReprinted from the original ed., Copenhagen, 1937.\n\nRAND, Christopher.\n\nHongkong; the island between. Tokyo, Tuttle, 1955.\n\nREMER, C. F., ed.\n\nThree essays on the international economics of communist China. Publ. for Center for Japanese Studies and the Department of Economics. Ann Arbor, Univ. of Michigan P., 1959.\n\nRIDE, Sir Lindsay.\n\nBiographical note [on] James Legge: concordance tables [to Legge's Chinese classics, and] notes on Mencius, by Arthur Waley. Hong Kong, H.K. Univ. P., 1960.\n\nRIDE, Sir Lindsay.\n\nRobert Morrison; the scholar and the man: and, Illustrated catalogue of the exhibition held at the University of Hong Kong September fourth to eighteenth 1957 to commemorate the 150th anniversary of Robert Morrison's arrival in China. Hong Kong, University Press, 1957.\n\nROWLEY, George.\n\nPrinciples of Chinese painting, with illus. from the Du Boist Schanck Morris collection. Princeton, N.J., Princeton U.P., 1947. (Princeton monographs in art and archaeology, 24)\n\nROY, Jules.\n\nJourney through China. Tr. from the French by Francis Price. London, Faber, 1967.\n\nROYAL ASIATIC SOCIETY. Hong Kong Branch.\n\nAspects of social organization in the New Territories: week-end symposium, 9th-10th May, 1964. [Hong Kong, the Branch, 1964]\n\nROYAL ASIATIC SOCIETY. Hong Kong Branch.\n\nSome traditional Chinese ideas and conceptions in Hong Kong life today: weekend symposium, October 1966. Hong Kong, the Branch, 1967.", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 206419, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 236, "title": "RAS-1971", "content_text": "BOOK REVIEWS\n\nEARLY MING WARES OF CHINGTECHEN. A. D. Brankston. 106 pp. 45 plates (1 coloured), 18 text-illus. Re-issue 1970. Vetch and Lee, Hong Kong $60; Lund Humphries, London, £5.\n\nThe appearance of a reissue of A. D. Brankston's book Early Ming Wares of Chingtechen will be welcomed by the collector, connoisseur and dealer alike and will fill a long-awaited need to possess this classic in the field of Chinese ceramics. The original edition, published by Mr. Henri Vetch in Peking in 1938 was limited to 650 copies and has been, until now, virtually unobtainable to the layman, despite the fact that it is frequently referred to by writers on Chinese Porcelain and freely quoted from in sales catalogues. The present edition has been faithfully reproduced on the off-set press and Mr. Vetch is to be congratulated for turning out a most pleasing volume which retains much of the charm of the original.\n\nArchibald Brankston was born in Shanghai in 1909. He followed his father's profession as a civil engineer and, after schooling in England, came to Hong Kong to work on the Shing Mun Valley Water Scheme. Being obliged to return to England due to ill health, he was fortunate to be employed in the setting-up of the International Exhibition of Chinese Art in London in 1935. This led to his appointment as a travelling student by the Universities China Committee in London and he was thereby enabled to journey into the interior of China and visited the kiln sites around Chingtechen from which he recovered a variety of samples which now form part of the British Museum study collection. He was also fortunate in being acquainted with well-known Chinese collectors of that time, including Mr. Wu Lai-hsi and others. Back in England, he was employed in the Department of Oriental Antiquities of the British Museum for two years until he had to return to the Far East on behalf of the Ministry of Information. He died in Hong Kong in 1941 at the early age of 31.\n\nThe book deals mainly with blue and white wares of the 15th Century covering the reigns of Yung Lo, Hsüan-Tê, Ch'êng Hua and Hung Chih and also includes some information on the", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206426, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 243, "title": "RAS-1971", "content_text": "BOOK REVIEWS\n\n217\n\nof Dr. Colledge in his Opthalmic Infirmary with his Chinese assistant, which was engraved and published in London 25 November 1834. Harriet Low continues \"The pictures\" (not picture) \"were unfortunately all too late for the Exhibition\". To attempt to substitute the double portrait in the place of two separate portraits seen is unethical.\n\n1\n\nAs art experts the authors are careless. The medium in plate not given is watercolor and the \"Chinese Military\" scene was \"later\" engraved not \"lithographed\". It is also poor geography to say that Lord Macartney's Embassy entered the Yangtse, when it was the Peiho River. In the Introduction, they produce two alibis: “Paintings illustrated in the sequence and not otherwise designated are attributed to him\" [Chinnery], “except for portraits of Hong Merchants which are referred to in general terms” and \"Events are necessarily telescoped without rigid regard for precise chronology\". What a multitude of sins one can try to cover up with statements like these.\n\nIs it really necessary to include Richard Henry Dana's \"Two Years Before the Mast\"? The voyage was along the California coast not to the Far East. Bryant & Sturgis, the owners, were of Boston as stated, but never had an office in Canton. Their China Trade business in Canton was handled by J. P. Sturgis & Co.\n\nThere are illustrated 20 paintings by Lt. J. S. Rundle, R. N. of Opium War scenes, also a pen and ink sketch. The medium is not given. All midshipmen in European Navies in the 19th century were taught to sketch and paint watercolors, so presumably these are in watercolor. The authors surmise that Chinnery met Rundle and \"probably saw some of the action paintings actually illustrated in this work\", but offer no factual proof that any meeting took place. No mention is made of W. A. Knell, the marine artist, whose work, of course, is much better known.\n\nIn fact, the authors give a very warped view of China Coast painting. No mention of Webber nor Huggins, nor Borget. The Daniells not to be confused with the Daniells of later date are mentioned, but the one Daniell illustration shown is Indian, inappropriate to a book on China Coast Paintings. Chinnery had European pupils - five at least but apparently they are unknown to the authors.", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 211266, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 327, "title": "RAS-1987", "content_text": "302\n\nMind Landscapes enables C. C. Wang to describe the challenges he faced to see paintings in a land without public museums; \"There were no good museums in China at that time and you couldn't see the work of a contemporary painter in a museum or gallery. But since they had to be mounted or remounted, they could be seen in a mounter's shop. Suzhou was famous for its mounters. They would paste the paintings to be mounted on the walls of their shops, and if you walked around every few days, you could always see new paintings.” (p. 15).\n\nMr. Wang also talks about his teachers and how he was able to view various private collections: \"For me, as well as for painter-scholars of the past, friendships with other painters and collectors were extremely significant. Each new meeting meant a new collection to see. In those days private collectors were never publicly displayed. To see a particular painting you had to know the owner.” (p. 17).\n\nWhen the great Chinese Imperial Collection was being prepared for the London Exhibition at Burlington House in 1936, C. C. Wang was a consultant and had a chance to study all those great paintings another significant step in his development into a connoisseur-collector-painter.\n\nCollecting as well as creating paintings soon became young Mr. Wang's principal preoccupation. However, he supported his collecting and his family by some real estate ventures because he was not able to make enough money through the sale of his paintings.\n\nThe story of C. C. Wang's journey to the West (New York) and attending classes at the Art Students League, his explorations of modern Western art and his artistic evolution is marvelously told through well written prose of Jerome Silbergeld, Professor of Art History at the University of Washington in Seattle.\n\nProfessor Silbergeld comes to his subject with a deep knowledge and background in classical Chinese painting and provides a sinological, art historical perspective of C. C. Wang's work. But the author does not avoid his role as contemporary critic, analyzing the relationship of the artist and modern art. When C. C. Wang's breakthrough to his mature style comes in 1971-2, the author allows the events to unfold like high drama. Moreover, throughout the text, the artist is permitted to state his own views on the elements of his art such as line, color, composition, dots, texture,", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 211845, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 260, "title": "RAS-1989", "content_text": "235\n\nthat in more congenial parts Mr. FUNNYDOG will help to compensate us for the loss of that most genial of humourists, our incomplete BRUSHWOOD\". The critic ended with the following advice: \"For the future it would be better to rehearse three pieces and play two of them the first night; then in the event of a second performance the piece which was received on the first occasion with the heartiest plaudits might be repeated, preceded or followed by the new Drama held ready and in reserve. We are inclined to offer this suggestion owing to the various complaints which we have heard of the lateness of the hour at which Thursday's entertainment concluded, and also from a selfish wish perhaps to have two dramatic treats instead of one” (NCH 16.12.1865).\n\n## APPENDIX I\n## Authorlist of plays staged in Shanghai 1850-1865\n\nIn this list full titles of the plays staged in Shanghai will be found as well as first nights in London (these generally according to Nicoll. History of English Drama).\n\nP: Performance in Shanghai\n\n?: The play is listed under more than one author\n\n| Author | Play Title | First Night in London | P: Performance in Shanghai |\n| --- | --- | --- | --- |\n| AYTON, Richard (1786-1823) | \"The Rendez-Vous\" | 21.9.1818 | 24.3.1852 |\n| BARNETT, Morris (1800-1856) | **The Serious Family** | 30.10.1849 | 8.10.1859; 23.3.1865; 28.4.1865 |\n| A BECKETT, Gilbert Abbott (1811-1856) | \"The Roofscrambler” | 15.6.1835 | 12.12.1850 |\n| | **Siamese Twins** | [14.4.1834] | 5.5.1853 |\n| | **The Turned Head** | 3.11.1834 | 27.1.1865 |\n| BERNARD, William Bayle (1807-1875) | \"A Practical Man\" | 20.10.1849 | 8.3.1854 |\n| BOUCICAULT, Dion (1822-1890) | **The Colleen Bawn or the Brides of Garryowen** | 29.3.1860 | 25.4.1865 |\n| | \"The Octoroon or Life in Louisiana\" | 6.12.1859 | 7.1.1865; 13.1.1865; 14.1.1865 |\n| | \"Used Up\" (with C. Mathews) | 1.6.1846 | 26.1.1853; 8.2.1857 |\n| BRIDGEMAN, John Vipon (1819-1889) | **I've Been Eaten My Friend!** | 8.9.1851 | 22.3.1854 |\n| BROOKS, Charles William Shirley (1816-1874) | \"Anything for a Change\" | 7.6.1848 | 14.5.1854 |\n| BROUGH, Robert Barnabas (1828-1860) | \"Crinoline\" | 18.12.1856 | March 1863; 16.3.1863; 1.4.1863 |\n| | **Medea or The Best of Mothers with a Brute of a Husband** | 14.7.1856 | 28.12.1864 |\n| BROUGH, William (1826-1870) | 'Apartments: Visitors to the Exhibition may be accommodated. A piece of extravaganza to suit the times' | 14.5.1851 | 23.3.1853 |\n| | \"The Area Belle\" (with A. Halliday) | 7.3.1864 | 30.9.1865 |\n| | \"Conrad and Medora or Harlequin Little Fairy at the Bottom of the Sea\" | 26.12.1856 | |\n\n138", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212021, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 436, "title": "RAS-1989", "content_text": "411\n\nJerome Silbergeld, Mind Landscapes: The Paintings of C.C. Wang, Henry Art Gallery, University of Washington Press (Seattle and London), 1987. 132 pp. + plates, bibliography, index.\n\nC.C. Wang is certainly one of the most intriguing Chinese artists of the later twentieth century. His life chronicles cataclysmic changes many Chinese have endured and his path - artist, collector, connoisseur, businessman, and exile - was rarely clear. He was continuously called upon to redefine his relationship with China and the West as he traveled, explored, and matured.\n\nHaving been born into a Suzhou family of mandarins in Imperial China in 1907 and having had a traditional Chinese education till the age of 14 assured young Wang the basis for blossoming into a twentieth-century version of the literati. But young Wang longed for a Western-style education, into which he switched at age fourteen, and from which he went on to study law in Shanghai at China's distinguished Suzhou Law School. But his art education, which started as he learned to read and write, was carried on simultaneously and ever more seriously. Over time, he had many art teachers and, indeed, became a teacher himself at an early age.\n\nMind Landscapes enables C.C. Wang to describe the challenges he faced in seeing paintings in a land without public museums: \"There were no good museums in China at that time, and you couldn't see the work of a contemporary painter in a museum or gallery. But since they had to be mounted or remounted, they could be seen in a mounter's shop. Suzhou was famous for its mounters. They would paste the paintings to be mounted on the walls of their shops, and if you walked around every few days, you could always see new paintings,\" (p. 15).\n\nMr. Wang also talks about his teachers and how he was able to view various private collections: \"For me, as well as for painter-scholars of the past, friendships with other painters and collectors were extremely significant. Each new meeting meant a new collection to see. In those days, private collections were never publicly displayed. To see a particular painting, you had to know the owner,\" (p. 17).\n\nWhen the great Chinese Imperial Collection was being prepared for the London Exhibition at Burlington House in 1936, C.C. Wang was a consultant and had a chance to study all those great paintings — another", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212702, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 11, "title": "RAS-1992", "content_text": "'Fire Dragon' Mid-Autumn Festival -\n\nTai Hang\n\nParty for Dr. James Hayes\n\nGeoff Roper\n\nMichael Kirkbride\n\nProf. Tong Kin Woon\n\n—\n\nChinese Music\n\nElizabeth Sinn\n\nVisit to the New Territories\n\n―\n\nKam Tin\n\nPatrick Hase\n\nVisit to Devil's Peak\n\nVisit to Royal Observatory\n\nVisit to Mai Po marshes\n\nVisit to the Exhibition of Painting\n\nby Nancy Wu\n\nJohn Wilson\n\nElizabeth Sinn\n\n& Rosemary Lee\n\nDan Waters\n\n& Rosemary Lee\n\nMichael Lau\n\nThere was, as you see, another expedition to Chek Lap Kok! This really will be the last one until the new airport is completed, after which you will undoubtedly be able to visit it as much as you can afford to.\n\nI would like to thank all those who took the time and effort to organise these visits and expeditions.\n\nThe programme committee is also responsible for organising our lecture programme and those of us who have been able to attend them will, I think, agree that the standard has been well maintained. Without detracting from the other lectures, I would like to highlight the two lectures at the beginning of January 1993, where we were fortunate to have two prominent academics in the form of Professor Hugh Baker, Professor of Chinese at the London School of Oriental and African Studies, and Professor James Watson from Columbia University. The full list of lectures and speakers are as follows:\n\nLecture\n\nSpeaker\n\nAmerican Chinese Film Making\n\nShirley Sum\n\nCentral Highlanders of Vietnam\n\nGrant Evans\n\nCambodia: Is Peace Possible\n\n!\n\nix\n\nPeter Leeds", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 214120, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1997", "page_number": 188, "title": "RAS-1997", "content_text": "157\n\nBearing in mind the RASHKB is sometimes seen as supporting the \"establishment”, in October 1989, four months after the Tiananmun incident, Dr James Hayes, then our President, wrote to the Chairman of the Consultative Committee for the Basic Law (Hayes 1989: xvi). As no reply was received a copy was then sent to the Foreign and Commonwealth Office, in London. Again, no reply was forthcoming.\n\nIn this letter, put very simply, the President wrote that the RASHKB hoped to be able to continue its activities in the interests of Hong Kong long after 1997. Indeed, members hoped to be able to carry on in the same way as they had been able to operate before 1997. The letter went on to say that the Branch's particular functions are to increase the common stock of knowledge and understanding of Hong Kong and to build a bridge between the Chinese and expatriate sectors of the local community, promoting social interaction and friendship among residents.\n\nLike a number of other societies in Hong Kong, over the years the RAS has in its own way contributed to peace and stability. It has helped to nurture the growing sense of territory identity, for example, that has formed especially since the end of the 1960s. In spite, however, of trying to recruit more Chinese members, especially in recent years, the Branch has had limited success.\n\nI am pleased to say, a few months after the handover of the Territory to China, the Branch is continuing to operate along similar lines as in the past. For the RASHKB, in other words, it is \"business as usual”.\n\nIt is accepted that the world, including Hong Kong, changes in various ways, and our Branch will need to keep its ear to the ground and move with the times. Although we remain basically an English-speaking Society, we did conduct some lectures in Cantonese during the winter of 1995-96. These were held in conjunction with the Exhibition, Hong Kong Going and Gone mounted jointly by our Branch and the Antiquities and Monuments Office.\n\nOur Society, which has a long and honourable history, consists mainly of active members who make up a generally friendly, cosmopolitan body of people with similar interests. In spite of the fact", "txt_file_path": "txt/dfo323lmgvd/RAS-1997.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/wp98g7579", "rank": 0 }, { "id": 214993, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 89, "title": "RAS-2000", "content_text": "45\n\nwas selected and marked with the so-called Chinese eyes like those on a sea-going junk. It served with the 6th Battalion first as Fly-paper though subsequently it was re-named Fan-tan. The 6th Battalion later adopted the eyes as a regimental symbol. Mr David Fletcher of the Tank Museum at Bovington, in correspondence with the author, was not aware that this symbol was not generally adopted in the Great War. The 6th ultimately converted to Whippets, on which Mr Fletcher had never seen the Eyes symbol. When the 6th Battalion was disbanded after the Great War its various honours and customs were passed to the 4th Battalion which then adopted the Eyes as a Battalion symbol. The 4th Battalion used it on their vehicles from the 1920s and, when they amalgamated with the 1st Battalion RTR in 1993, it was adopted by them. In the 1930s the 6th Battalion was reconstituted and was still around to take part in the 1956 Suez action and never got back their Eyes symbol!\n\nIn the main exhibition hall of the Imperial War Museum in London there is a Mark V tank with \"European\" eyes. These tanks were introduced in the Spring of 1918 and first saw action at Le Hamel in France in July 1918. This tank, Devil [T9171] was believed to have served with B Company of the 4th Battalion of the Tank Corps and was still in service in 1925. This tank, belonging to the 4th Battalion, would have been entitled to the Eyes symbol.\n\nCamps and Recreation\n\nCamps were maintained behind the Front lines, some of the larger being at Boulogne, Calais, Dunkirk with the Head Quarters at Noyelles-sur-Mer. Hospitals were at Noyelles-sur-Mer, Arques, Moulle and Calais, with the Shorncliffe Military Hospital at Folkestone also being used for sick and injured Chinese. There was a prison for Chinese at Noyelles.\n\nLabourers died as a result of disease, bombings, gassing and, after the war, when clearing the battlefields and when digging graves, by the many unexploded bombs and grenades. Many also died as a result of the post-war influenza epidemic known as the Spanish Flu. I have seen two photographs, taken of the funeral procession of the German flying ace, Baron Manfred von Richthofen [the Red Baron] at Bertangles cemetery on 22nd April 1918 and amongst the crowd looking over the", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215003, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 99, "title": "RAS-2000", "content_text": "Peking, China and the contents reads as follows:\n\n24-6-18\n\nMy Dear Wife\n\nI intended to write to you but as you know I am very busy all the time and this year I have been more full of work than ever.\n\nOur Company is still here. All the boys are really happy so that they like to work hard every day.\n\nNow I am going to tell you all about the Chinese Dragon Festival in old custom here [June 13th 1918]. On that day we had no work to do, the boys played a very funny game which I never saw in Hankow before.\n\nSome twenty young boys pretended themselves with northern dress as actors, then walked out and played from company to company all day.\n\nThousands of foreigners were invited to come with great pleasure and the British general has paid a visit to the Dancing at which he was very pleased and thanked them for their play, but it was to me as nothing.\n\nI am very well now and then doing duty as hard as possible so please do not feel sorry for me.\n\nwith great love\n\nYours\n\nC.W.Sung\n\nBoth of these letters and envelopes are on display in the basement of the Imperial War Museum in London in the exhibition of the First World War.", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 216342, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 101, "title": "RAS-2003", "content_text": "50\n\nmore detail, the returns for the Company and 'Country' trade at Appendix I in Greenberg, Michael (1951), British Trade and the Opening of China. Cambridge University Press.\n\ns Cited in Views of the Pearl River Delta, Macau, Canton and Hong Kong (1996). Urban Council, Hong Kong joint exhibition organized by the Hong Kong Museum of Art and the Peabody Essex Museum, USA, p.108.\n\n9\n\nBall, B.L., M.D., Rambles in Eastern Asia Including China and Manilla During Several Years' Residence, Boston, 1855, pp.97-8,\n\n10 Davis, John Francis (1845). Sketches of China Partly During an Inland Journey of Four Months, Between Peking, Nanking and Canton. [made with Lord Amherst's Embassy in 1816]. London, as a Supplement to the 1845 edition of The Chinese, p.262.\n\n11 Cited in Views, op.cit., p.109.\n\n12 Parkinson, op.cit., pp.257-8.\n\n13 Gutzlaff, Rev. Charles (1838). China Opened, or A Display of the Topography, History, Customs, Manners, Arts, Manufactures, Commerce, Literature, Religion, Jurisprudence, Etc., of the Chinese Empire. London, Smith, Elder & Co., 2 vols. At Vol. I, p.138.\n\n14 For an evocative recent account of Canton, see Garrett, Valery M. (2002). Heaven is High, the Emperor Far Away, Merchants and Mandarins in Old Canton, Hong Kong, Oxford University Press.\n\n15 For a description, see Davis, The Chinese, vol. II, pp.114-116.\n\n16 Herbert A. Giles (1900). A Glossary of Reference of Subjects Connected with the Far East. Shanghai, Kelly & Walsh, Third Edition, p.87. A plan of the Factories, as drawn in 1856, is given in Morse, Hosea Ballou (1910), The International Relations of the Chinese Empire, The Period of Conflict 1834-1860. Shanghai, Kelly and Walsh, opposite p.70.\n\n17 Ball, Rambles in Eastern Asia, op.cit., p.100. The earlier remark is by Commodore Mathew Perry, USN, when en route to his Mission to Japan, but other than having recorded \"Perry, p.136\" I cannot at present trace my source.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 }, { "id": 216343, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 102, "title": "RAS-2003", "content_text": "51\n\nThere is a good selection in Views of the Pearl River Delta, cited above.\n\n19 In a major exhibition of China Trade paintings brought to Sydney's Maritime Museum in 1998, of the 22 oil and other colour paintings of Canton, no fewer than 19 were by Chinese artists. And of 7 such paintings of Whampoa and the Bocca Tigris, 4 were also by Chinese artists.\n\n20 Morse, International Relations, Period of Conflict, op.cit. p.70.\n\n21 Hayes, James, with Garrett, Richard and Valery (1992-3). The Honam Temple (Haichuang Dzi) Revisited, at pp.137-143 of Hong Kong Library Association Journal, No. 16. Honam became a site for additional trading houses under an Agreement signed on 6 April 1847, after Sir John Davis had sent an expedition up the Pearl River and captured the Forts at Bocca Tigris. \"The territory of Honam\", it was stated, \"is a place for trade, the renting of warehouses or of ground for building houses is therefore fully conceded. This will be managed properly by the Consul and the local authorities in accordance with the provisions of the [1842] Treaty. Hertslet's China Treaties, Third Revised Edition 1908, Vol.1 [of 2] p.17.\n\n22 Preface to Dyer Ball, J.(1911). The Chinese at Home, The Man of Tong and his Land. London, The Religious Tract Society. \"Tong' is the Cantonese romanization of \"Tang'.\n\n23\n\nIn MacNair, Harley Farnsworth (1923). Modern Chinese History, Selected Readings. Shanghai, Commercial Press, at p.145.\n\n24 Fu, Lo-Shu (Compiler etc., 1966). A Documentary Chronicle of Sino-Western Relations (1644-1820). University of Arizona Press, 2 vols., at Vol. I, p.368.\n\n25 Chinese text at No.37 in Vol. 1 of the three volume set of Hong Kong's Historical Inscriptions published by the Hong Kong Urban Council in 1986.\n\n26 Davis, Sketches of China, op.cit., p.261.\n\n27 Burford's Panorama, Leicester Square (1838) Description of a View of Canton, The River Tigress, and the Surrounding Country, London, pp.11, 15.\n\n28 Views of the Pearl River, op.cit., pp.176-7.", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]