[
    {
        "id": 206457,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 5,
        "title": "RAS-1972",
        "content_text": "CONTENTS\n\nPRESIDENT'S REPORT FOR 1971 ·\n\nHON. TREASURER's ReporT FOR 1971 -\n\nTHE LIBRARY, 1971 -\n\n-\n\nTRANSACTIONS OF THE BRANCH\n\nChinese Medicine and its Contribution to Modern Medical Science (A Lecture given on 16th November, 1971) DR. F. I. TSEUNG\n\n-\n\nSome Nineteenth Century Water Colours of Canton and the Far East (A Lecture given on 15th December, 1971) P. H. COLLIN -\n\nRaja James Brooke and Sarawak: An Anomaly in the 19th Century British Colonial Scene (A Lecture given on 18th January 1972) -DR. L. R. WRIGHT\n\nARTICLES:\n\nThe Establishment of the Tsungli Yamen: A Translation of the Memorial and Edict of 1861 — J. L. CRANMER-BYNG\n\nSir James Haldane Stewart Lockhart: Colonial Civil Servant and Scholar- HENRY JAMES LETHBRIDGE\n\nA Historical Review of Housing Conditions in Hong Kong DR. E. G. PRYOR\n\nTraditional Chinese Regional Architecture: Chinese Houses LINDA F. SULLIVAN\n\n·\n\n-\n\nPage\n\n1\n\n6\n\n9\n\n12\n\n20\n\n29\n\n41\n\n-\n\n-\n\n55\n\n89\n\n130\n\nThe Origins of Hong Kong's Central Market and the Tarrant Affair Dafydd Emrys Evans\n\nArchaeology in Hong Kong and South China (1938) — W. SCHOFIELD\n\n―\n\nThree Chinese Deities: Variations on a Theme KEITH STEVENS\n\nNOTES AND QUERIES\n\n-\n\nWho Hoisted the Union Jack? DR. J. R. JONES\n\nChina's Earliest Printing—a Note a Note L. CARRINGTON GOODRICH\n\n-\n\n-\n\nUnusual Trees in Hong Kong: the Canton Water Pine SHEN DZE-CHIA\n\nA Note on Agricultural Change in Hong Kong AIJMER\n\n-\n\nLetting Go the Wooden Goose JAMES HAYES\n\n150\n\n-\n\n· 161\n\n169\n\n196\n\n-\n\n197\n\n-\n\n198\n\nGORAN\n\n-\n\n201\n\n207\n\n-\n\n207\n\n-\n\n213\n\nProgramme Notes for the Visit to Pokfulam, Hong Kong Island, 29th July, 1972 - JAMES HAYES -\n\nBOOK REVIEWS\n\n-",
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    {
        "id": 206588,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 136,
        "title": "RAS-1972",
        "content_text": "TRADITIONAL CHINESE REGIONAL ARCHITECTURE: CHINESE HOUSES\n\nLINDA F. Sullivan*\n\nINTRODUCTION:\n\nThe traditional architecture of China stands as a tangible example of the necessity, clearest in an agrarian society, for people to deal with the forces of nature and to try to come to an understanding with their surroundings by adapting their social organizations and needs to best suit the pre-existing conditions. It is by examining the way the people live and work in their homes that it is possible to begin to understand the problems which the Chinese have faced in finding shelter and in making it suitable to their ways of life and thought.\n\nGEOGRAPHICAL SETTING:\n\nIt has been said that \"the unity and homogeneity of the Chinese race have frequently been emphasized. While there is a sense in which this is true, it is quite as important to point out the great variations which exist in language, physical appearance and psychology.\" It follows that any understanding of regional architecture must begin with an appreciation of variations in social customs and organization, of language barriers within regions, and of the forces of history. With the limited information available, this study will be confined to examining various types of houses and hypothesizing why they were built in the way they were. For the purposes of this paper, China can most conveniently be divided into North and South, with each region having distinct characteristics. It must be understood that within each region there are some variations of climate, topography, soil, etcetera which cause immediate local differences. The houses which will be discussed are all in the eastern part of the country, ranging from North to South. In the North the homes are in Honan and Hopei. In the South they are in Hunan, Chekiang, Kiangsu, Kwangtung, Fukien, and Hong Kong (the New Territories).\n\n* Miss Sullivan is a graduate student of the Department of Asian Studies, Washington University, St. Louis, Missouri, who is at present (July 1972) in Hong Kong to study the vernacular architecture of this region.",
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    {
        "id": 206590,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 138,
        "title": "RAS-1972",
        "content_text": "132\n\nLINDA F. SULLIVAN\n\nmain crop, rice, requires an extensive system of irrigation. Rice farming divides the land into small paddies which tend to separate the communities. The mountainous country with its many isolated valleys further compartmentalizes the area into small and closely knit groups, speaking a large number of dialects. These conditions aided in the development of a strong clan system which is most heavily concentrated in the provinces of Kwangtung and Fukien. This type of social organization demanded an architecture that would reflect the community structure. In the rugged, mountainous regions, as in Chekiang, where land is precious, the Chinese utilized the smallest possible space for building. Hence, the Chinese, when they developed their systems of architecture, were acutely conscious of the natural environment and tried to come to an understanding with it.\n\nThe townhouse courtyard complex plan () is the most familiar architectural structure for Chinese houses. It is, however, by no means the most common of all domestic architecture but rather represents the home of the affluent. The basic plan was a rectangular walled area consisting of two courtyards separated by the guest hall. The less important buildings, kitchen, storage sheds, animal pens and servants' quarters, were located along the sides, or adjacent to the front wall. The first or main courtyard normally was larger than the second courtyard and was used for receiving visitors. The second courtyard was that of the family where the women and children spent their days. Only intimate friends and relatives would be invited into it. At the end of this courtyard, adjacent to the back wall, was the parents' suite. The children's rooms were along the sides. Richer and larger families would extend this basic design by adding more courtyards and halls and of course, gardens. Life behind the walls of the courtyard house was isolated from the life of the busy streets. The walls were normally built high enough so that only the peaks of the roofs were visible from the street. There were no windows facing out but only onto the inner yards. The courtyard house shows the attempt of the Chinese man to seek privacy and seclusion from the outside world,\n\nIn Hopei province in the city of Peking, this architectural plan was quite common. The outer walls of the complex were normally built of sun-dried brick and the roofs were made of overlapping clay tiles. It is not unusual that this house would be popular in the city of Peking, for in many ways it is a small scale model of the",
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    {
        "id": 206592,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 140,
        "title": "RAS-1972",
        "content_text": "134\n\nLINDA F. SULLIVAN\n\nthis adaptation of feng shui was much more severe but in most cases the principles were followed. The Chinese sought ways in which to build their houses according to their economic and social conditions but never forgot the principles of feng shui. This paper will now describe the numerous, different examples of regional domestic architecture in an attempt to illustrate the ways in which each family in its own way tried to deal with the problems of privacy, protection, and personal needs in building its living and working space.\n\nEXAMPLES OF REGIONAL DOMESTIC ARCHITECTURE:\n\nNorth: The first homes to be described are the caves of North China. They are not the same as the subterranean pit dwellings of the Late Neolithic Ages but rather are dug at a ninety-degree angle into the sides of mountains. These caves are found in the loess region stretching across Honan, Shansi, Shensi, and Kansu provinces where through vertical cleavage the soil mixed with water has hardened to form steep cliffs. Here the winters are long and bitter with a strong Northwest wind sweeping the region. The extremely limited rainfall is highly variable and often comes as a cloudburst. The land is barren of trees and because of the lack of timber, these cave dwellings have formed the typical dwelling of the region.\n\nThis cave in Honan is based on a plan for a free-standing house but has been built into the side of the cliff. The superstructure is basically a courtyard system with the main gate positioned at the southeast corner (North-South axis). The building on the left within the courtyard is for receiving guests, and thus the privacy of the man's cave is maintained. In other words, as the townhouse courtyard plan had provided for a system of \"graduated privacy\", the cave dweller has adapted this system to his specific location and circumstances. This particular cave complex has two storeys. The first level has three caves of which the left and middle ones each have two rooms which are used for living space, while the right side cave has an additional third room for storage. As one comes out of the left-hand side cave, there is a stairway leading to the second-level platform at the back of which there are two more caves. It should be noted that the Chinese have developed a system of interlocking support in the construction of these caves. The second-level platform is reinforced in front and on its surface and is supported...\n\n* See also Fig. 1 at the rear of this article.",
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    {
        "id": 206594,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1972",
        "page_number": 142,
        "title": "RAS-1972",
        "content_text": "136\n\n: \n\nLINDA F. SULLIVAN \n\na few free-standing houses and reinforced the fronts of their caves, again there was no fuel (timber or with the scarcity of livestock, animal manure) with which to heat this type of house. These caves suited the climate. They provided a warm shelter in winter without fuel and a cool house in summer. The people of the region took pride in their cave homes which represented to them a way of life with all its social and economic manifestations.\n\nIn contrast, the predominant form of domestic architecture in the countryside of Hopei province is free-standing houses. This house is the most basic unit or type of house in China. It is a three-bay plan. The house is built on a North-South orientation with the main door facing south. As one enters the front door there is a large living room with an ancestral shrine placed on the back wall. On both sides of the living room there are the bedrooms. The k'ang, or platform beds, are placed on the south side of the rooms so that the windows with southern exposure allow the rays of the sun to warm the sleeping platforms. In regions further north, fires are built beneath the k'angs for added warmth in winter. The outside of the house is part brick and stone with a simple thatched roof. The three-bay house, being the simplest form of Chinese architecture, is the most easily adaptable to many types of geographical and economic conditions and is found with modifications in many regions of China.\n\nThe next house in Hopei combines itself with a small store.9 The entrance to the house has been pushed to the southeast corner so that the more auspicious central southern door is given to the shop door. In this way, perhaps, the local geomancers felt that the man's business would be more prosperous. It also would be giving the customers the more honored position. After entering the southeast gate one is forced to turn by the spirit wall before entering the large but private courtyard of the proprietor. The privacy of his house is further seen by the lack of windows on the outside wall. The main door of the house faces south. As one steps in there is again a living room with an ancestral shrine and a bedroom to the left. The kitchen can be reached only by going outside. In the courtyard there is another bedroom. All the buildings in this group are on a foundation requiring two steps to reach the floor level. At the rear of the house there is a vegetable garden. Thus, within this private domain, the individual can find peace from the outside",
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    {
        "id": 206596,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 144,
        "title": "RAS-1972",
        "content_text": "138\n\nLINDA F. SULLIVAN\n\nAnother house in Kiangsu13 is almost a square and is of unusual appearance, perhaps because of its shape and especially the height of its southern wall. Unlike the last house which is built of earth walls and has a thatched roof, this house is made of brick. With the added strength of brick walls, the outer appearance becomes very much like a fortress. As one approaches, there is a shadow wall outside the main door which faces south. The southern end of the house is a very high wall which rises above the other walls of the house and shields the courtyard from the extremely hot and intense rays of the summer sun. After passing through the front door one enters the small courtyard which leads to a living space with two kitchens on either side which could be shared by two families. The two kitchens might also indicate that several generations live in the one house, in which case each generation would eat at different times and prepare their own food. The bedrooms are also located on either side of the living room. At the far side of the living room there is a small door which leads to the backyard where there is a vegetable garden. From a photograph, the house is nestled in the arms of a small hill, adding strength and fortune to the family.\n\nThe Ku family house in Shanghai14 is a free-standing three-sided courtyard house. The main part of the house has five bays. From the courtyard one enters a hall which combines as the living room and ancestral hall. On both sides of the hall there are clusters of three bedrooms which are entered through intermediary rooms. Perhaps these rooms are private spaces for each family or generation of a family to eat or gather for talk. From these private rooms one has access to the kitchens. The house is made of wood and is reinforced by bamboo poles. The main hall is high with an added upturned ridge at the apex of the roof. It appears that the kitchens also have this same type of roof while the corner buildings have a very plain and simple roof. The outer appearance is very light and simple and is a common sight in the southeastern parts of Kiangsu.\n\nMoving south from Kiangsu to Chekiang one leaves the Yangtze valley of waterways and rice paddies and goes into the mountainous, rugged land of the Chekiang mountains. Here the amount of arable land is scarce, and thus when the Chinese peasant builds his home he wants to use as little space as possible. Despite this constraint, there remains a strong desire to maintain a degree of privacy and to bring the world of nature within the walls of his home.",
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    },
    {
        "id": 206598,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 146,
        "title": "RAS-1972",
        "content_text": "140\n\nLINDA F. SULLIVAN\n\nand have traditionally been looked down upon by other groups. In the southern provinces, they have fought bitterly against the native Punti for ownership of land.17\n\nIn their building arts and plan arrangements, the Hakka houses or complexes have varied greatly from the homes of other Chinese. Their houses have a distinct character which in many ways reflects the hardy and fearless spirit of their inhabitants. Generally Hakka complexes are three or four storeys high with from ten to a hundred and twenty rooms. There are both horizontally and vertically rectangular storeyed houses with as many as three halls and two cross sections. It is the circular house, however, which is so markedly different from all other domestic architecture in China. Most of the houses built in this style were constructed during the Ch'ien Lung reign (1736-1796).18\n\nThe first example is a complex of rectangular houses.19 The complex is symmetrical on the right and left. One comes in from a gate on the southwest corner, turning so that upon entering the front courtyard one is heading toward the front door which faces south on the main axis.* After passing the front door there is a small gatehouse behind which there is a five-sided courtyard. After crossing the yard and climbing a few steps, one enters a large hall at the back of which there is a second courtyard. Further on there is a hall from which one has access to the ancestral hall which completes the main axis. Around the inside of the external wall are the kitchens and surrounding the central area are the animal sheds. On both sides of the central area there are stairs which lead to the upper floors. The second floor is for storage and the third and fourth are the living quarters. The windows are only on the top floor for which there may be many reasons. One is that the noise of the ground floor cannot penetrate the living quarters of the various families. Secondly it might be for protection and lookout purposes. It is known that the walls on both the left and right sides are thickened for defense. The appearance of this housing complex is very strong and stable and gives the impression of a fortress.\n\nThe circular type of Hakka house is shown in the next example.20 The plan of the complex is basically the same as the rectangular variety.† As one enters from the front door, one proceeds along a central axis from the gatehouse to the central courtyard which is\n\n* See also Fig. 2.\n\n† See also Fig. 3.",
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    {
        "id": 206600,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 148,
        "title": "RAS-1972",
        "content_text": "142\n\nLINDA F. SULLIVAN\n\nmale agnatic descendants of a single ancestor together with their unmarried sisters and their wives.\"22 Hence, it is not uncommon for a village to have only one surname, as often is the case in the New Territories of Hong Kong. These patrilineal groups or family lineages play an important role in the life of the community. If there is more than one lineage existing in a settlement, there may be a struggle for power and control of the area. The more powerful clans may force the small clans to leave or assimilate, thus maintaining a single lineage. In those areas where two or more lineages do co-exist, they sometimes have their own areas within the village, separated from the other group. Hence, a need for protection developed from social conflict.\n\nWhen the Hakkas moved into these areas, they no doubt did not try to assimilate. They were a proud and independent people who sought freedom for their way of life. They built their fortified dwellings to maintain themselves in a countryside already divided into small units. Since these provinces are also near the sea, pirates were a problem, not to mention bands of robbers on land. Defense, therefore, was a necessary part of community life. Perhaps this stimulated the growth of relatively independent and closely settled local lineages. The Hakkas settled by themselves in their own tightly organized, independent complexes. The circular house was simply a more effective way to protect themselves against any enemy. A circle does not provide the enemy with any obvious point of internal weakness. The Hakka lineages have also been very small. Why this is so remains an unanswered question. It is not known whether it is because of the general poverty or because of some social more which prevents the growth of powerful, large groupings. Another factor might be that the Hakkas have always been moving on to new areas of settlement seeking freedom and independence. Hence, the younger generation travels away from home and fails to continue the patrilineal line.\n\nThe walled towns in the New Territories represent another form of communal housing. Here the settlers are Punti (Cantonese), not Hakka. Their walled villages are located on the richer farming plains of the mainland New Territories amidst smaller and later unwalled settlements of other Punti and Hakka arrivals. These villages are enclosed on all four sides by a very high wall. Within these walls, the life of a \"common descent\" family unfolds.",
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    {
        "id": 206602,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 150,
        "title": "RAS-1972",
        "content_text": "144\n\nLINDA F. SULLIVAN\n\nmust build a shelter from the natural world. Yet as he builds, he is always careful to consider the way in which nature will affect his life and is careful to bring a little bit of it into his home. Finally, there is a persistent desire to maintain the privacy of his family, and of his inner thoughts.\n\nNOTES\n\n1 George B. Cressey, China's Geographic Foundations, A Survey of the Land and Its People, (New York: McGraw-Hill Co., Inc., 1934), p. 12.\n\n2 T. R. Tregear, A Geography of China, (London: University of London Press, 1965), p. 31.\n\n3 Ibid., p. 211.\n\n4 The reasons for vertical cleavage in the loess region are as yet only hypotheses. Tregear (p. 212.) states that the most probable theory is that originally the region was covered with steppe grass which was successively buried by the loess dust storms from the Northwest and then fresh grass would grow. The decayed grass left minute vertical hollow tubes in the soil along which cleavages were formed.\n\n5 Ibid., p. 61.\n\n6 Liu Tun-chen, A General Discussion of Chinese Houses, (People's Republic of China: Architectural Engineering Publishing Company, 1957), plate No. 1-8, p. 11-16.\n\n7 Bulletin of the Society for Research in Chinese Architecture, (V, 1).\n\n* Liu, Op. cit., plate No. 56, p. 29.\n\n9 Ibid., plate No. 93, p. 42.\n\n10 Ibid., plate No. 73, p. 36.\n\n11 Ibid., plate No. 45, p. 25.\n\n12 Ibid., plate No. 44, p. 25.\n\n13 Ibid., plate No. 69, p. 35.\n\n14 Ibid., plate No. 71, p. 36.\n\n15 Colin Penn, \"Chinese Vernacular Architecture,\" Royal Institute of British Architects, October, 1965.\n\n16 Ibid.\n\n17 Hsieh T'ing-yu and Kuo Ch'ang-ch'eng, The Hakka Chinese Origin and Folk Songs, (San Francisco: Jade Mountain Press, 1969).\n\nTheir\n\n18 Chinese Architecture: A Simple History, Volume 1, The Old Architecture of China: A Simple History, (China Industrial Publishing Company, 1963).\n\n19 Ibid., plate No. 105, p. 45.\n\n20 Ibid., plate No. 118, p. 48ff.\n\n21 Ibid., plate No. 119 & 120, p. 48ff.\n\n22 Maurice Freedman, Chinese Lineage and Society: Fukien and Kwang-tung, (New York: Humanities Press, Inc., 1966), p. 1.\n\nJaco\n\n23 Wong Chung Hong, \"Walled and Moated A Hong Kong Village,\" Arts of Asia, Vol. No. 4, July-August 1971, p. 22.\n\n24 Ibid., p. 26.\n\n25 Ibid.\n\nPage 150\n\nPage 151",
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    {
        "id": 206604,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "page_number": 152,
        "title": "RAS-1972",
        "content_text": "146\n\nup\n\nLINDA F. SULLIVAN\n\nN\n\n+\n\ndown.\n\nئيسية\n\n+\n\nFig. 1. Ground and upper floor plans of cave dwelling, Honan\n\n(Reproduced from p. 110 of Andrew Boyd's Chinese Architecture and Town Planning 1500 BC - AD 1911, London, Alec Tiranti, 1962)",
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    },
    {
        "id": 206606,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 154,
        "title": "RAS-1972",
        "content_text": "148\n\nLINDA F. SULLIVAN\n\nL\n\nD\n\nFig. 3. Ground floor plan of circular Hakka dwelling\n\n(Reproduced from Boyd, op. cit., p. 108)",
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