[
    {
        "id": 209473,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 130,
        "title": "RAS-1982",
        "content_text": "108\n\nW. ALLYN RICKETT\n\nwere usually removed and their activities closely controlled by whatever leftist faction happened to be in control at the moment. At this time, the procuratorate was eliminated, as had been the Ministry of Justice in 1959. One of the most important developments during this period was the expansion in the cities of so-called non-criminal sanctions, generally ranging from warnings to three years reform through labour, imposed by local mediation or residents' committees in conjunction with the local police station. The mediation of neighbourhood disputes and the handling of petty local crime and anti-social behaviour by properly supervised local institutions has been, in principle, one of the more constructive developments in China since the Revolution. However, during the Cultural Revolution a vast expansion of informal and arbitrary punishment, including beatings and long-term imprisonment or deportation to the countryside, was instituted by Red Guard and other leftist groups operating in such places as schools, factories, government organizations. These leftist groups merely charged their victims with being \"rightists\" and then proceeded to take any suppressive action that seemed desirable to them.\n\nViolence and factionalism reached such proportions that in September 1967 the Army was ordered to restore order, but major outbreaks continued to occur throughout 1968 and into 1969. In April 1969 the Ninth Party Congress was held, this marking the official end of the Cultural Revolution, and though some semblance of stability began to emerge thereafter, tension throughout the society continued, especially as many purged Party officials were returned to office and the split between Mao and Lin Biao intensified. During the early 1970s, the Party machinery was restored and under the leadership of Zhou En-lai the country seemed to be entering a new period of stability. However, even after the death of Lin Biao, the leadership remained divided, with the Cultural Revolution forces now being represented by what was later to be called the Gang of Four. It was not until January 1975 that the NPC met to pass a new Constitution designed to formalize the changes in China's political and social life over the past twenty years. According to the new Constitution, the People's Republic was no longer a \"people's democratic state,\" but a \"socialist state of the dictatorship of the",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
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    },
    {
        "id": 209688,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 345,
        "title": "RAS-1982",
        "content_text": "BOOK REVIEWS\n\n323\n\neffect a movement by people in power to get rid of those holding different views. Lin Biao, who was designated as Mao's \"successor\", and his supporters were trying to seize power in a bid to consolidate their stronghold on China's political scene. From this political background emerged the \"May 7 cadre schools\", which were in name labour camps where people tempered themselves through physical labour, but were in reality concentration camps for those cadres who were excluded from the new regime because they did not follow closely or enjoy the trust of those in power. We as \"May 7 fighters\" were sent down to cadre schools with our families to make our homes there.\n\nAll organs of political power are governed by a process of metabolism whereby the old are superseded by the new. However, it is unprecedented for personnel changes to come about like this. This may be less destructive than resorting to violence; nevertheless, it is not an example to be followed because to do so would merely cause unnecessary damage and waste all over again, in just the same way. It is hard to understand why the Liuhe cadre school, originally intended to accommodate those cadres who were left in the lurch during the power struggle, was later used to take in those from cultural, educational and scientific research institutions. As the saying goes, the \"fish in the moat suffer when the city gate catches fire\". So many intellectuals who were probably completely uninterested in wielding power were made 'victims' of a power struggle.\n\nWhile no one can safely guarantee that the new must be better than the old when the change comes about by democratic means, it is certain that any unnecessary damage or waste can be avoided through a democratic and peaceful change. If the present Chinese leadership has finally come to realise this need and allows those who do not want to distinguish themselves in politics but simply want to dedicate themselves to the well-being of mankind to live and work in peace and contentment, then it is still worth our while to have paid \"fees\" for the \"May 7 cadre schools\". These are some of my humble opinions and heartfelt expectations.\n\nCHANG HSIN\n\n(Note: This review was written in Chinese, and translated into English by the kindness of Mr. Louis Kong),\n\n---\n\nPage 345\n\nPage 346",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
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    {
        "id": 209955,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1983",
        "page_number": 214,
        "title": "RAS-1983",
        "content_text": "192\n\nN° of Column\n\n27.\n\n+\n\n+\n\n+\n\nOmens\n\nbelow the black, offer it along with wine and dried\n\nmeat (?) and it will be auspicious.\n\nIf sounds are heard on a chen day it bodes ill; parents will die. Offer a peach tree branch 6 inches 8 mu long. Write.\n\n+\n\nNOTES\n\n1 Cheng Te-K'un, Archaeology in China, Heffer, Cambridge, vol. II (1960) p. 90. For the ning ceremony see the same volume p. 55. For further dismembering ceremonies see note 11.\n\n2\n\n* In Song times canine teeth, bile and penises were thought to possess medicinal properties. See D. Bodde Festivals in Classical China, Princeton University Press (1975) p. 321,\n\n\"For an entertaining if not always accurate account of the discovery of the Dunhuang manuscripts, see Peter Hopkirk Foreign Devils on the Silk Road, John Murray, London (1980). The manuscripts discovered by Aurel Stein are in the British Library, those discovered by Paul Pelliot in the Bibliothèque Nationale. Manuscript numbers preceded by \"P\", refer to manuscripts in the Pelliot collection.\n\n+\n\nDuring the Song, the same offence carried the death penalty. Two cases of scholars found guilty of possessing astronomical works are on record; the life of the first man was spared because the book in his possession was incomplete but the second man was executed. See Li Tao * Xu zizhi tongjian chang bian * j.123, pp.1a, b and\n\n續資治通鑑長編 j.14, p.10b.\n\n* P. 3608, chapters 9 to 14. This manuscript contains characters introduced in 689 which, while remaining in official use only until the end of Empress Wu's reign, continued to be used elsewhere until well into the 9th century. See D. Twitchett Printing and Publishing in Medieval China, Frederic C.Beil, New York 1983, p. 88 note 2.\n\nThe most inauspicious themes associated with dogs are: the mating of dogs with pigs, thought by Jing Fang to indicate moral laxity in the nation's women (quoted by the Shou Shenji (juan 6) from the Yichuan); dogs growing horns, the birth of deformed dogs and dogs which suddenly begin to speak or sing. In this connection a tale from the lost part of the Shuyi ji by Ren Fang # preserved in the Gu Xiaoshuo Gouchen tells of a dog which suddenly began to sing and wittily announced the demise of two brothers. Although the animal was beheaded and its head buried by the side of a road the evil inherent in this supernatural phenomenon could not be averted and the brothers did indeed die. See Wei Jin Nanbei Chao Zhiguai Xiao Shuo Yanjiu 魏晉南北朝志怪小說研究 by Wang Guoliang, Wenshi Xue Shubanshi, Taipei (no date), p. 148.\n\n* E.A. Schafer \"The Auspices of Tang\" in The Journal of the American Oriental Society, vol. 83, No. 2, p. 210.\n\n* E.S. Schafer, op.cit, p. 202 “Our knowledge of popular omens lore is limited to a few random notes made by inquisitive scholars\".",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v",
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    },
    {
        "id": 212530,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 84,
        "title": "RAS-1991",
        "content_text": "64\n\n28\n\n19\n\n3:0\n\nDavid Nivison, The Life and Thought of Chang Hsueh-ch'eng, (Stanford, 1866), 251\n\nIbid\n\nSee Si ku wei shou shu mu u yao, 5 juan, 1807 Ruan Yuan's bibliographical annotations on important books omitted from the Si Ku chuan shu. He had found these books in Zhejiang. The original memorials that accompanied these books and his annotations are in the Qing Archival Collection at the National Palace Museum (Taipei)\n\n31 Yi zheng Liu Meng zhan nian pu (Chronological account of the life of Liu Wen chi), 114-115.\n\n32 Arthur Hummel, Eminent Chinese of the Ch'ing Period, (Washington DC, 1943), 91\n\n33\n\n34 Yang Wensheng X, Si shi cao ji (1801), Preface\n\nLetter to Liu Taigong (1790-1855), dated 1802 Liu's daughter was married to Ruan Yuan's adopted son, Ruan Changsheng,\n\n34 Letter to Wang Niansun.\n\n36 Ruan Yuan blamed the errors on the fact that he had not had a chance to do the final proof reading before the book was printed.\n\n37 Ruan Yuan's letters written in old age, Ruan Wen da gong zhi shi hou jia shu, consisting of several dozen memos written to his family after 1838 when he retired from government service, serve to prove that Ruan Heng, always referred to as \"my younger brother\" but actually a distant cousin who had been adopted as heir to a half brother of Ruan Yuan's father, had taken care of Ruan Yuan's business and financial interests with the aid of a couple of clerks. These letters are in the Rare Book Collection of Beijing Library. I am grateful to Professor Wang Junyi and his staff of the Qing History Institute at the People's University who made it possible for me to have access to the collection in March 1991\n\n38\n\nI am not happy with the English translation \"tent friend\" or \"guest\"\n\nDing xian ting bi tan, 1:11a.\n\n40\n\n41 See, for instance, Ding xiang ting bi tan 3.52b-53a\n\nHai ning zhou zhi gao 4:3 shan, 11b-12b.\n\n42 Xie Guozheng, Jin dai shu yuan xue xiao zhi du bian quan kao (An inquiry into recent changes in the academies and schools of China), (Hong Kong, 1972), 2-18.\n\n43 Zhang Ying in Wen lan xue bao 2:1\n\nLin Bo tong, Xue hai tang zhi",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    },
    {
        "id": 212543,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 97,
        "title": "RAS-1991",
        "content_text": "77\n\nincoming events did take the role of initiating a new trend in China.\n\nChina's domestic policy reassessments were mainly motivated by political considerations and were generally centred on political and theoretical matters. Accordingly, art and literature were less affected than policies by these reassessments. Nonetheless, the bearing of these reassessments on art and literature were enormous.\n\nIn 1977-1978 there appeared a literary genre called “scar literature” (“wounded literature”), under which a number of stories, plays and poems were published or staged. Among these works were \"Class Teacher\" (\"Ban zhuren”) and “Scar” (“Shanghen”), after which the genre was named. The themes of the works under this genre were almost exclusively focused on the wrongs done in the Cultural Revolution. The open, and sometimes forceful condemnations of past policies were pretty much the same as the practices in earlier campaigns to criticize Liu Shaoqi and Lin Biao, but the content showed that writers tried to analyse history from their own perspective. After the Third Plenum in December 1978, at which Deng Xiaoping called upon the intellectuals to “emancipate their minds” and to break into previously forbidden zones, more works under this genre were published.\n\nThe impact of political reassessment in the post-Mao era was strong though, the first reassessment affected the development of art and literature only marginally. With the pulling down of the Xidan \"Democracy Wall\" and the arrest of Wei Jingsheng, an activist in the demonstrations who advocated adoption of a Western system of democracy, there appeared a tendency to limit the scope of literary and artistic activities. In June 1979, an article \"Praise and Shame\" was published arguing that any writer who criticizes the dark side of socialism is shameful. This article ignited a nationwide criticism of “ultra-leftist tendencies in literary and artistic creation.” In the following few months, major newspapers and journals published articles to refute this stand, dubbing its supporters the \"whatever\" faction.\n\nThis development made high culture a victim of political campaigns.\n\n16\n\nThough \"scar literature\" was unaffected by the campaign started in the spring of 1979, it had become out-of-sale by the autumn of that year as the mood of the nation turned more to the present and the future rather than concentrating on the past. So this literary genre was replaced by a more controversial genre, \"exposure literature\", in which social",
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    {
        "id": 215085,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-2000",
        "page_number": 181,
        "title": "RAS-2000",
        "content_text": "138\n\nThe Binary Titles for the Sexagenary cycle\n\nThe list of the sixty combinations given below also includes the full title of the deity, the Spirit of the Year, the Taisui. Each title begins with the two characters from the 10 stems and 12 branches. These are followed by the two characters Tai Sui, and in turn the next two characters are the individual name of the spirit, followed by the final three characters for the Great General. Therefore, the first is Jiazi Taisui Jinbian Da Jiangjun, Jiazi being the first group of the sixty Taisui, followed by his name Jinbian, and finally the title of the Great General. However, the romanisation gives two words only out of the full title. The romanisation therefore only provides the first two [the stem and branch], followed by the personal name.\n\nThe iconography of the Sixty varies considerably though the individual images in the two modern sets in Taipei do have very similar features. These range from military, civil and Daoist and Buddhist robes and caps to carrying spears, unsheathed swords, kerchiefs, fruit, small bowls of lustral water, tablets, brush pens, pearls and fans.\n\nThe list, apart from the number within the bracket, obtained from the Daoist centre in the Baiyun Guan in Peking, provides sequentially the years of the sexagenary cycle. However, the images of the sixty Taisui in temples seem to be placed haphazardly along the altars. Also, the personal names of the spirits in each temple set can be different or allocated to a different year. A few are the same in every set, for example the first, Jiazi with the personal name of Jinbian, but the majority are different.\n\nThe numbers in brackets are the order in which the images of the Taisui are placed in the folk religion temple in Pudong, Shanghai. Thus, the first item gives us:\n\n[the Shanghai number] Jiazi Taisui Jinbian Da Jiangjun Jiazi Jinbian and the years within the Sixty Year Cycle.\n\n[1] 甲子太歲金辨大將軍\n\n[2] 乙丑太歲陳財大將軍\n\nJiazi\n\nJin bian\n\n1924 1984\n\nYichou\n\nChen cai",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
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