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    {
        "id": 204546,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1963",
        "page_number": 27,
        "title": "RAS-1963",
        "content_text": "22\n\nD.\n\nLINDSAY RIDE\n\nDAVID, J. Ferdinand\n\nDAVIES, Joseph\n\nDE VOGEL, Emile Willem Eugene\n\nDANIELL, Edmond Murray\n\nDENSON, Thomas A.\n\nDINNEN, John\n\n++\n\nDRINKER, Sandwith\n\nDUDDELL, Frederick\n\nDUDDELL, Harriet\n\nDUFF, Daniel\n\nDUNCAN, George H.\n\nDUNCAN, J. George\n\nDURANT, Euphemia\n\nDYER, Samuel\n\n++\n\n+\n\nJ\n\nייי\n\nייי\n\nE.\n\nELLIS, William\n\ntr\n\nENDICOTT, Fidelia Bridges\n\nENDICOTT, James Bridges\n\nENDICOTT, Rosalie\n\nENGLE, Isaac E.\n\n+\n\nEVANS, William Thomas Bowen\n\nF.\n\nFEARON, Elizabeth\n\nFITZGERALD, Edward\n\nFRASER, Sir William\n\nFRENCH, Maria Ball\n\nFORBES, Thomas T.\n\nFORREST, Andrew\n\n...\n\nG.\n\nGANTT, Benjamin\n\nGILMAN, Agnes\n\nGAILLARD, Helen Baptista\n\nGANGER, Charles F.\n\n+r.\n\nGILLESPIE, Elizabeth McDougal\n\n++\n\nrr\n\nGOVER, Samuel\n\n+++\n\nGRAHAM, Charles\n\nGRIFFIN, John P.\n\nH.\n\nHADDON, Elizabeth Lewis\n\n+++\n\nFr\n\n-\n\nHAMILTON, Lewis\n\nHARRISON, George W.\n\nHAVELOCK, William\n\nHAWKINS, Charles\n\nHICKMAN, Washington F.\n\nHIGHT, John Francis\n\n+\n\nHIGHT, Matthew James\n\nHOOKER, James\n\n+++\n\n+\n\nJ\n\n- r\n\n+\n\n++ T\n\n125 L\n\n130 L\n\n25 U\n\n97 L\n\nLL+\n\n5 U\n\n+\n\n17 U\n\n+\n\n39 U\n\n27 U\n\n-\n\n+++\n\n21 U\n\n+\n\n138 L\n\n14 U\n\n48 L\n\nJ\n\n--\n\n111 L\n\n146 L\n\n---\n\n9 U\n\n33 U\n\n165 C\n\n34 U\n\n73 L\n\nJ\n\n10 U\n\n+\n\n84 L\n\n132 L\n\n62 L\n\nJ\n\n26 U\n\n56a L\n\n123 L\n\n32 U\n\n77 L\n\n+\n\nJ\n\n6 U\n\n92 L\n\n30 U\n\n+\n\n53 L\n\nJ\n\n++\n\n66 L\n\n64 L\n\nrrr\n\n+++\n\n28 U\n\nTH\n\n-\n\n72 L\n\nrrr\n\nL\n\n103 L\n\nT\n\nrrr\n\nrtr\n\n47 L\n\nH\n\nTH\n\n++\n\nFFF\n\n51 L\n\n18 U\n\n+\n\n102 L\n\n118 L\n\n+\n\n+\n\n139 L\n\n149 L\n\n110 L\n\n+\n\nJ\n\nTI\n\n57 L\n\n+\n\n137 L\n\n---\n\nJ\n\n+\n\n20 U\n\nHOWARD, Jane\n\nL.\n\nILBERY, Frederick\n\nILBERY, Louisa\n\nINNES, James\n\nJ.\n\nJPLAND, Christian\n\n+\n\nJPLAND, Christian Johann Friedrich\n\nJONES, Henry\n\n+4\n\nL\n\n+\n\n16 U\n\n3 U",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
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    {
        "id": 207193,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1974",
        "page_number": 264,
        "title": "RAS-1974",
        "content_text": "258\n\nLIST OF MEMBERS\n\nORDINARY MEMBERS:\n\n LANG, F. G... LANGLEY, John A.\n\nLAYTON, F. A. L.\n\nLECLERCQ, J. M. LEE, Miss Ngah-Ping\n\n+\n\nLEE, Sung-Tai\n\nLERNER, Bernard\n\n-\n\n+\n\nLESLIE, Mrs. Elizabeth\n\nLETCHER, Dr. Roy M.\n\nLEVIN, David A.\n\nLEWIS, Mrs. Helen\n\nLI, Edwin Lao\n\nLI, Shi-yi\n\nLIM, Miss Laye Tin\n\n+\n\n+\n\n+\n\n-\n\n43, Kadoorie Avenue, Kowloon.\n\nc/o Toronto Dominion Bank, Rooms 917-920, Hutchison House, 10, Harcourt Road, H.K.\n\nc/o The Hongkong & Shanghai Banking Corp., Queen's Road, C., H.K.\n\nG.P.O. Box 13, H.K.\n\nExtra-Mural Studies Dept., University of Hong Kong, Pokfulam, H.K.\n\n36, Village Road, 3D, The Fine Mansion, Happy Valley, H.K.\n\n601, Regent House, H.K.\n\nB-6, Royden Court, 129, Repulse Bay Rd., H.K.\n\nDepartment of Chemistry, University of Hong Kong, Pokfulam, H.K.\n\nDepartment of Sociology, University of Hong Kong, Pokfulam, H.K.\n\n14, Conduit Road, Emerald Court 5-B, H.K. Consulate General of Costa Rice, 3, Tin Hau Temple Road, H.K.\n\n72, La Salle Road, 2nd floor, H.K.\n\nThe Grantham Hospital, Wong Chuk Hung Road, Aberdeen, H.K.\n\nLINTHWAITE, Mr. & Mrs, J. 2, The Albany, H.K.\n\nLIU, Miss Alison\n\nLIU, Sydney C. -\n\nLLEWELLYN, John\n\nLLOYD, Mrs. Aileen $. \n\nLO, Hsiang-lin\n\nLOBO, Mrs. R. H.\n\nLOCKING, J. R.\n\nLOFTS, Prof. B.\n\n-\n\nLUCAS, Col. E. S. $. - LUNDEEN, Mr. & Mrs.\n\nR. W..\n\nLUTZ, Hans F..\n\nMA, Prof. Meng, M.B.E.\n\n+\n\n+\n\n+\n\n+\n\n34. Lugard Road, H.K.\n\nApt. B-2, Swiss Towers, 113, Tai Hang Rd., H.K.\n\nDept. of Geography and Geology, University of Hong Kong, Pokfulam, H.K.\n\nFlat 8A, Hamilton Court, 8, Po Shan Road, H.K.\n\nc/o Dept. of Chinese, University of Hong Kong, Pokfulam, H.K.\n\nRace View Mansions, Apt. 72, 46, Stubbs Road, H.K.\n\nc/o The Royal Hong Kong Jockey Club, Sports Road, Happy Valley, H.K.\n\nDept. of Zoology, University of Hong Kong, Pokfulam, H.K.\n\n94, Main Street, Stanley, H.K.\n\n1101, Tavistock, 10, Tregunter Path, H.K.\n\nTai Yuen Lau, Flat A, 3/F., Tai Pak St., Tsuen Wan, N.T.\n\nDept. of Oriental Studies, University of Hong Kong, Pokfulam, H.K.",
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    {
        "id": 210991,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 53,
        "title": "RAS-1987",
        "content_text": "28\n\nNOTES\n\nVirgile Pinot, La Chine et la formation de l'esprit philosophique en France, 1640-1740 (Paris, 1932).\n\n1 From Diderot's Encyclopédie. English translation from A. Reichwein, China and Europe, Intellectual and Artistic Contacts in the Eighteenth Century (Kegan Paul, Trench, Turbner & Co., London, 1925), p.92. Reichwein offers the best comprehensive treatment of China at the Age of Enlightenment, together with L. Maverick (see note 10).\n\n3 Pierre Poivre, Voyages d'un Philosophe (English translation by Reichwein, loc. cit.).\n\nFrançois Quesnay, Le Despotisme de la Chine (Paris, 1767). His friends had dubbed him 'the Confucius of Europe'.\n\n$ Lo Hui-min, The Tradition and Prototype of the China-watcher, 1976 G.E. Morrison lecture (Australian National University, Canberra, 1978), p. 9.\n\n7 Louis Lecomte, Nouveaux mémoires sur l'état présent de la Chine (Paris, 1969). Du Halde, Description géographique, historique, chronologique, politique et physique de l'Empire de la Chine et de la Tartarie Chinoise (Paris, 1735).\n\n$ Hugh Honour, Chinoiseries, the Vision of Cathay (John Murray, London, 1961).\n\nIn 1951, at the Lycée de Chartres where I was teaching history, the bicentenary of Diderot's Encyclopedia was celebrated at the initiative of left-wing teachers who were keen to stress the connection between the Encyclopedia and French Revolutionary traditions. I gave a public lecture: 'China and the Encyclopedists', of which the present Morrison Lecture might be considered the direct descendant.\n\n10 Lewis A. Maverick, China, a Model for Europe (Paul Anderson Company, San Antonio, Texas, 1946).\n\n|| From Les Fleurs du Mal (my translation).\n\n12 Evariste Regis Huc, L'Empire chinois (Paris, 1854). For a more severe evaluation of Huc, see Simon Leys, The Burning Forest (New York, 1986), pp. 47-94 (\"Peregrinations and perplexities of Pere Huc').\n\n13 Eugene Simon, La Cité chinoise (Paris, 1885).\n\n14 Paul Claudel, Connaissance de l'Est (Mercure de France, Paris, 1908).\n\n15 The novel by Jules Verne, Les Tribulations d'un Chinois en Chine (1879), is quite unique in its concern for the politics of nineteenth-century China. The hero, Kin Fo, is torn between his fascination with modern technology and his loyalty to his teacher Wong, who is an ex-Taiping leader. It is to my knowledge the only appearance of the Taiping rebellion in French literature.\n\n16 V. Hugo, Lettre au Capitaine Butler, Hauteville House, 25 November 1861 (my translation).\n\n17 Charles Bettelheim, Cultural Revolution and Industrial Organisation in China: Changes in Management and the Division of Labor, trans. by Alfred Ehrenfeld (Monthly Review Press, New York, 1974). See also China Since Mao, by Neil G. Burton and Charles Bettelheim (Monthly Review Press, New York, 1978).\n\n18 Claude Roy, Clés pour la Chine (Paris, 1954); Etiemble, Le Nouveau singe-pèlerin (Paris, 1957); Philippe Sollers, Tel quel (a literary magazine edited by...",
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    {
        "id": 211778,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 193,
        "title": "RAS-1989",
        "content_text": "168\n\nso called Christy's Minstrels --- a famous group in the United States, yet it may be doubted severely whether it was the same one that visited Shanghai.\n\nEight years later, the first company to come down to Shanghai from Hong Kong, where they had also been playing, was the one led by a Mr. C.R. Faylor. On February 10 1864 Lytton's The Lady of Lyons was on the bill as the opening piece, but the Herald thought it a failure in consequence of \"that portion of the company which had been collected in Shanghai and pressed into service\". How this is to be understood is not quite clear. Did Faylor's company consist of only a few actors, who were to be supplemented by local worthies? But then, who else could they be but amateurs, the darlings of the foreign community? However this may be, on May 9 at an evening in which also the \"Royal Shanghai Ballet d'Action\" [so far for fancy names!] participated, the \"celebrated comedy Nature and Philosophy or Eighteen Years Labour Lost” was given. As members of the company were mentioned Mr. and Mrs. C.R. Faylor, Mr. and Mrs. E. Yeamans and Major Pegus. Amateurs almost always adopted stage names in order to hide their real identity, but with professional actors it may be assumed these names were real.\n\n45\n\nA more substantial contribution to the amusement of the Shanghai public was made by Lewis' Dramatic Company. It was of Australian origin and the \"musical director and manager\" was Charles Edouin. Other members of the group were Tilly Earl, Mrs. Gill, Lizzie Naylor, Jenny Nye, T. Andrews, Henry Birch, J.B. Creswick, W.B. Gill and nearly the whole Edouin (or, rather, Bryer) family: Julia, Rose, John and Willie. Rose (1844-1925) married G.B. Lewis and became later an actress at, among others, the Maidan Theatre in Calcutta. Her brother Willie (1846-1908; his real name was John Edward Bryer) first appeared in public when he was six; after the tour to Australia, India, China and Japan he played in Melbourne, California, New York and London.46 In 1862 the \"Lewis' Equestrian Australian Troupe\" had visited the port with \"six of the best horses ever landed in China**,** but in 1864 the company had turned to drama and from October 6 until their departure in December an eight week season provided an unprecedented shower of farces, burlesques and even some quality pieces like Sheridan's The Rivals and the prison scene from Shakespeare's King John (Act IV, sc. 1), in which the role of prince Arthur was played by an actress, Julia Edouin, who took \"the house by storm\".48 The success of the company was apparently so great that they returned in March of the following\n\n47",
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    {
        "id": 211831,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 246,
        "title": "RAS-1989",
        "content_text": "221\n\nPark Lanc?). The names of the actors mentioned in the advertisement must have been assumed ones.\n\nJune and July 1864\n\nConcerts by the Rhenish Band and the Band of the 67th Regiment.\n\nLoc.: The Bund\n\nR: NCH 28.5.1864, 2.7.1864\n\n2-9.1864\n\nH.J. BYRON: “Aladdin or the Wonderful Scamp\"\n\nT: Burlesque extravaganza (1 act)\n\nC: Shanghai Amateur Burlesque Company\n\nTh: N.N. (l)\n\nR: That the hope expressed in the Herald of 2.7. was not forlorn was proved by the full house for Aladdin in which \"numerous local hits and puns are introduced which took admirably, especially a parody pidgin English on the 'lost child' (see Survey). The dresses were excellent and the scenery well arranged\" (NCH 1.10.1864).\n\n24.9.-30.9.1864\n\nDuring the week a concert was given by Mr. Desvachez (violin) and two amateurs, TH NM.\n\nR: Another adventurous musician had come to enliven the Settlement's cultural scene. Mr. DESVACHEZ. His concert was \"fairly successful, but people here hardly care to sit for two hours to listen to a performance on the violin, however well the instrument may be handled. Some variety is required and although Mr. DESVACHEZ was assisted by an amateur on the violincello and a pianist this desideratum was hardly attained\". (NCH 1.10.1864).\n\n6.10.1864\n\nOpening night of Lewis Australian Drama Company.\n\nNo titles of plays recorded.\n\nTh: NẠN. (I\n\nR: The first night of an eight-week season by Lewis' Australian Drama Co. (see also Survey). In the Herald, no detailed reviews appeared, only short summaries. The opening pieces have not even been recorded (NCH 8.10.1864).\n\n8.10.-14.10.1864\n\nH.J. BYRON: \"The Maid and the Magpie\" (1858)\n\nT: Burlesque burletta (1 act)\n\nA.G. HARRIS: \"The Rose of Castille\" (1857)\n\nT: Opera (music by M.W. BALFE)\n\nJ.R. PLANCHE: \"Paint Heart Never Won Fair Lady\" (1839)\n\nT: Comedy (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (l)\n\nR: It was reported that the company attracted \"olerably full houses\". Of the plays, Byron's The Maid and the Magpie was \"infinitely preferred; in it every actor is well up to his part and personates the character he represents with ludicrous fidelity\". (NCH 15.10.1864).\n\n£5, 10, 1864 (Sat)\n\nPerformance by the Portuguese Amateur Dramatic Corps.\n\nNo titles of plays mentioned.\n\nR: In their own theatre, the Portuguese actors were as usual well up in their parts and",
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    {
        "id": 211832,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 247,
        "title": "RAS-1989",
        "content_text": "222\n\nthe stage properties were unexceptionable\". (NCH 22.10.1864)\n\n15,10-21. 10. 1864\n\nH.J. BYRON: \"Fra Diavolo\" (1858)\n\nT: Burlesque burletta (1 act)\n\nH.J. BYRON: \"The Maid and the Magpie\n\nT: Burlesque burletta (1 act), and other pieces.\n\nC: Lewis A.D.C.\n\nTh: N.N. (I\n\nR: NCH 22,10,1864\n\n17.10.1864 (Mon)\n\nConcert by Mr. Desvachez (violin) and some local amateurs\n\nTh: Shanghai Club\n\nR: Another musical evening was given by Mr. DESVACHEZ in the recently completed Shanghai Club building. On this occasion \"the audience was numerous and seemed to fully appreciate M. DESVACHEZ's musical talents”. (NCH 22.10.1864)\n\n22.10.-28. 10. 1864\n\nH.J. BYRON: \"The Bride of Abydos\" (1858)\n\nT: Burlesque extravaganza (1 act)\n\nN.N.: \"The Lady of Lyons”, (No author mentioned, so it may have been original play by Lytton or the burlesque by H.J. Byron (1868)), and other pieces.\n\nC: Lewis A.D.C.\n\nTh: N.N. (l\n\nR: For some actors of the Lewis troupe the strains of appearing every evening on the stage had become too much, for in the Herald it was \"regretted that in thus making strenuous efforts to afford satisfaction to their audiences, two of the most promising members of the Company have become so severely indisposed as to be unable for some time to appear in public\" (NCH 29.10.1864).\n\n5.11.1864 (Sat) (See: Theatrical Advertisement, No. 10)\n\nAmateur concert in aid of the repair fund of the \"Hongque Free Episcopal Church”, the \"Shanghai Vocal Quartette Club\" and Mr. Marquis Chisholm, piano, Programme:\n\n1. V. BELLINI: \"La Sonnambula\", duet (presumably 'Prendi l'anel ti dono' from act I) arranged for piano and harmonium by David Hermann ENGEL (1816-1877)\n\n2. Sir Henry BISHOP: \"Foresters sound the cheerful horn\" (glee)\n\n3. Marquis CHISHOLM: \"Japanese Fantasia”\n\n4. MULLER: \"Maying\" (sic; quartet)\n\n5. Ballad \"Arleen Aroom”\n\n6. Philipp Friedrich SILCHER (1799-1860): \"The Miller's Daughter” (quartet)\n\n7. G. VERDI: \"Rigoletto\", duet ('E il sol dell' anima', act I; 'Piangi, fanciulla', act I), arranged for piano by John George CALLCOT (1821-1895)\n\n8. Friedrich Wilhelm KÜCKEN (1810-1882): **Soldier's Love\" (glee)\n\n9. Valentin Eduard BECKER (1814-1890); \"Cheer Up Companions” (choral march)\n\n10. RADETSKA: \"There's music in the air\" (quartet)\n\n11. G. DONIZETTI: \"Lucrezia Borgia\", arrangement for flute and piano by JAMES\n\n12. Heinrich WERNER (1800-1833): \"War Song\" (glee)\n\n13. CAXTON: \"Breathe soft, ye winds\"\n\n14. William HORSLEY (and not F. Mendelssohn as stated in the advertisement): **By Celia's Arbour\" (song)\n\n15. Sir Henry BISHOP: \"Sleep gentle lady\" (glee)\n\n16. William Vincent WALLACE (1813-1865): \"Lurine\", duet arranged for piano and",
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    {
        "id": 211833,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 248,
        "title": "RAS-1989",
        "content_text": "223\n\nharmonium by D.H. ENGEL\n\n17. \"Eupeidee\" (German student song and chorus) Th: Olympic Theatre (H)\n\nR: An advertisement only was published in the Herald of 29.10.1864. From it we learn that tickets could be obtained at the premises of Hiram Fogg & Co (ship chandlers, general store and auctioneers; one of the oldest foreign firms in Shanghai, located at the southern end of the Bund); Hall & Holtz (see 29.6.1864); A.A. Hayes Jr (Olyphant & Co, Nanking Road, ex Park Lane); and Herbert Cope (Geo Barnet & Co, Kiangsi Road (ex Church Street) and Hankow Road (ex Custom House Road)). It also becomes clear that there were at that moment at least two theatres in the Settlement: the Lyceum and the Olympic. The programme is interesting for the number of composers which have now been forgotten (Silcher, Kücken, Becker, Werner, etc.) and the piano arrangements of well-known opera arias.\n\n12.11-18.11.1864\n\nW. BROUGH: “Conrad and Medora” (1856)\n\nT: Burlesque pantomime (1 act)\n\nJ.B. BUCKSTONE: “Married Life\" (1834)\n\nT: Comedy (3 acts)\n\nJ.W. MARSTON: \"A Hard Struggle\" (1858)\n\nT: Domestic drama (1 act)\n\nW. SHAKESPEARE: “King John”, prison scene (Act IV, scene III)\n\nFurthermore:\n\n“Cinderella”, possibly by H.J. BYRON (1860) or T. TAYLOR (1845).\n\n\"Wonder\"; no contemporary pieces are listed in HED; only: Mrs. S. CENTLIVRE: “The Wonder. A woman keeps a secret” (1714) and H. CAREY: \"A Wonder or an honest Yorkshireman\" (1735).\n\nC: Lewis A.D.C.\n\nTh: N.N. (E)\n\nR: The Lewis company continued to draw large houses and ventured even to put a Shakespeare scene on the programme, from King John. It proved to be \"the hit of the week\". In it starred Miss Julia EDouin and Mr. Henry BIRCH: \"The acting was perfect. Miss Julia EDouin doing the fullest justice to the character of Prince Arthur and indeed taking the house by storm!\" (NCH 19.11.1864).\n\n19.11.1864 Sat\n\nH.J. BYRON: “Aladdin or the Wonderful Scamp” (1861)\n\nT: Burlesque extravaganza (1 act)\n\nC: Lewis A.D.C.\n\nTH: N.N. (U)\n\nN: Benefit of Miss Tilly Earl who played the role of Aladdin\n\nR: NCH 26.11.1864\n\n23.11.1864 (Wedn)\n\nR.B. SHERIDAN: \"The Rivals\" (1775)\n\nT: Comedy (5 acts)\n\nC: Lewis A.D.C.\n\nTH: N.N. (P)\n\nN: Benefit of Mrs. Gill who played the role of Mrs. Malaprop.\n\nR: NCH 26.11.1864\n\n26.11.1864 (Sat)\n\nH.J. BYRON: \"Aladdin or the Wonderful Scamp” (1861)\n\nT: Burlesque extravaganza (1 act)",
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        "document_key": "RAS-1989",
        "page_number": 249,
        "title": "RAS-1989",
        "content_text": "224\n\nF. TALFOURD: \"A Household Fairy\" (1859)\n\nT: Domestic sketch (1 act)\n\n\"Aurora Floyd\".\n\nHED lists the following authors: C.S. CHELTNAM (1863), C.H. HAZLEWOOD (1836), J.B. JOHNSTONE (1836), B. WEBSTER (1863). In addition, Adams' \"Dictionary of the Drama\" mentions W.E. SUTER.\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of J.B. Creswick\n\nR: NCH 26.11.1864, advertisement only\n\n3.12.1864 (Sat)\n\nL.B. BUCKINGHAM: \"Take That Girl Away\" (1855)\n\nT: Comic drama (2 acts)\n\nJ.M. MORTON: \"A Capital Match\" (1852)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Benefit of Miss Lizzie Naylor\n\nR: NCH 3.12.1864, advertisement.\n\n9.12.1864 (Fri)\n\nBenefit of Mr. Henry Birch of the Lewis Company.\n\nNo titles of plays were mentioned. (NCH 10.12.1864)\n\n10.12.1864 (Sat)\n\nFarewell performance, also the benefit of Mr. Lewis, of Lewis Australian Drama Company. No titles of plays were mentioned (NCH 10.12.1864).\n\nR: No detailed reviews of the Lewis season were published in the North China Herald, only short announcements. It is quite well possible that more nights than the above ones were given, but they have not been recorded. In general, the company had attracted rather full houses, but for the 9th \"home sweet home\" was preferred; \"the unfavourable state of the weather prevented many ticketholders from putting in an appearance\" (NCH 10.12.1864)\n\nNovember and December 1864\n\nPerformances by the \"Christy Minstrels\".\n\nTh. N.N.\n\nR: Another travelling company that visited the port in these months were the \"Christy Minstrels\" (see also Survey). They too managed reasonably to fill the theatre (it was not stated where the performances took place, but as the Lyceum Theatre was occupied by Lewis, it must have been another location - perhaps the Olympic Theatre). \"No boredom here for by a pleasing variety they prevent that weariness which even the finest display of musical talent must, through frequent repetition, occasion\" (NCH 26.11.1864). In September they had visited Macao (BGM 5.9.1864) and before December 10 they departed for Hong Kong (NCH 10.12.1864).\n\n22.12.1864 (Thur)\n\nPerformance by the Portuguese Amateur Dramatic Corps.\n\nR: It was \"as usual largely attended\" (NCH 24.12.1864).\n\n28.12.1864 (Wedn)\n\nR.B. BROUGH: \"Medea\" (1856)\n\nT: Burlesque (1 act)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
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    },
    {
        "id": 211837,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 252,
        "title": "RAS-1989",
        "content_text": "227\n\nA. DUMAS: \"Camille\"\n\nT: Drama\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: The drama Camille, an English adaptation of Alexandre Dumas' \"La Dame aux Camélias\" was, in the eyes of the Commercial Record (5.5.1865) \"singularly unfitted for the powers of the performers. Miss Rose EDOUIN acted with her usual ability but as the heroine is a character almost impossible to render we must not object where we cannot praise”. Miss Jenny NYE starred in the farce Which is Which? written by a member of the company, Mr. GILL, who himself was a “capital low comedy actor”.\n\n28.3.-5.4.1865\n\nJ.B. BUCKSTONE: \"The Flowers of the Forest\" (1847)\n\nT: Musical drama (3 acts)\n\nJ.B. BUCKSTONE: “Isabella or Woman's Life\" (1834)\n\nT: Drama (3 acts)\n\nD.W. JERROLD: \"Black-eyed Susan\" (1829)\n\nT: Musical drama (3 acts)\n\nT.J. WILLIAMS: \"Nursery Chickweed\" (1859)\n\nT: Farce (1 act)\n\n\"Kenilworth\", possibly by A. HALLIDAY and F. LAWRANCE (1858)\n\nT: Burlesque\n\n\"Mr. and Mrs. Peter White\", anon. (1854)\n\nT: Farce (1 act)\n\n\"Rob Roy”, Numerous pieces with this title are listed in HED. i.a. by W.H. MURRAY (1818) and C.H. HAZLEWOOD (1864).\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: More than the Herald, the Record went into a rather detailed description of the Lewis season. Thus about Flowers of the Forest it wrote that there was \"an energy of revenge predominating all through the play while the occasional glimpse of pathos, combined with the jovial jocularity of the gipsys, tone down the otherwise tragic situations. Miss Rose EDOUIN, Miss NAYLOR and Mr. CRESWICK acted with power and well restrained manner“, Mr. CRESWICK “possesses great dramatic force and expresses himself well. His manner is somewhat stiff, but appearances before larger and more requiring audiences will obviate this habit\", \"His voice is good but somewhat monotonous of lone\" (SCR 5.5.1865).\n\n8.4.1865 (Sat)\n\nW. BROUGH: \"Perdita\" (1856)\n\nT: Burlesque (1 act)\n\nJ.B. BUCKSTONE: \"A Lesson for the Ladies” (1838)\n\nT: Comedy (3 acts)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Rose Edouin's benefit\n\nR: NCH 22.4.1865: no review,\n\n11.4.1865 (Tue)\n\nJ.B. BUCKSTONE: \"A Dead Shot\" (1827)\n\nT: Farce (1 act)\n\nJ. KENNEDY: \"Sweethearts and Wives” (1856)\n\nT: Burlesque (3 acts)\n\nC: Lewis A.D.C.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211838,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 253,
        "title": "RAS-1989",
        "content_text": "228\n\nTh: Lyceum Theatre (1)\n\nN: Rose Edouin's benefit\n\nR: SCR 22.4.1865; no review.\n\n1.4.1865 (Tue)\n\nJ.B. BUCKSTONE: \"A Dead Shot\" (1827) T: Farce (1 act)\n\nJ. KENNEDY: \"Sweethearts and Wives\" (1823)\n\nT: Comedy (2 acts)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Mr. T. Andrews' benefit\n\nR: SCR 22.4.1865; no review.\n\n13.4.1865 (Thur)\n\nJ.B. BUCKSTONE: \"The Rough Diamond\" (1847) T: Farce (1 act)\n\nH.J. BYRON: \"The Bride of Abydos\" (1858)\n\nT: Burlesque extravaganza (1 act)\n\nJ. OXENFORD: \"I couldn't Help It\" (1862)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Julia Edouin's benefit\n\nR: SCR 22.4.1865: no review.\n\n15.4.1865 (Sat)\n\nH.J. BYRON: \"The Maid and the Magpie\" (1858)\n\nT: Burlesque burletta (1 act)\n\nThe Daughter of the Regiment\n\nNumerous pieces with this title are mentioned in HED; possibly by E. FITZBALL (1843; new version in operatic style (1847)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Miss Tilly Earl's benefit\n\nR: SCR 22.4.1865; no review.\n\n17.4.1865 (Mon)\n\nH.J. BYRON: \"The Babes in the Wood\" (1859)\n\nT: Burlesque (1 act)\n\n\"Aurora Floyd\". For possible authors see 26.11.1864,\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Miss Lizzie Naylor's benefit\n\nR: About \"Aurora Floyd\"\n\nthe Record was very satisfied and it thought that it exhibited the Company to the best advantages. CRESWICK as Hargreaves acted one of the most repulsive characters ever put on the stage with consummate tact. Aurora allowed ROSE EDOUIN to be seen to advantage; and in one or two scenes her acting rose to a high point of dramatic effect. Mr. GILL as Grub was capital and was assisted excellently by Miss NAYLOR who as Mary sustained one of her best characters. This lady acts such pieces with a spirit and ease seldom seen and reminds us strongly of Miss Saunders\" (SCR 5.5.1865). The reference to Miss Saunders may have been to Ann Mathew Saunders, died 1891; or Charlotte Saunders, d. 1899.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211839,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 254,
        "title": "RAS-1989",
        "content_text": "229\n\n19.4.1865 (Wedn)\n\nW.B. GILL: \"Aurora Floyd burlesqued\" J. TOBIN: \"The Honeymoon\" (1805)\n\nT: Comedy (5 acts)\n\nN.N.:\n\nA Rourer*\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Mr. W.B. Gill's benefit\n\nR: SCR 22.4.1865; no review\n\n21.4.1865 (Fri)\n\nW. EDQUIN: A Christmas Pantomime\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Mr. Willie Edouin's benefit\n\nR: At a rather odd time of the year there was a Christmas Pantomime written by Willie Edouin, a member of the company (of Survey). Again the Shanghai Commercial Record was enthusiastic: \"This bold venture was completely successful. The local hits were clever and met with great applause. The usual jokes, fun and frolic were duly given and some of the jumping very dexterously gone through. The get up and accessories of the said pantomime deserve all praise and the dresses and costumes were remarkably tasteful. JULIA EDOUIN danced with her usual grace and elegance. Miss NYE was particularly pretty and helped in a great way to make the performance lively and amusing”. All in all it “would be long remembered by those who saw it as a decided hit in the theatrical annals of Shanghai\". About Jenny NYE the Record wrote further: \"The lightness and airiness of her motion and unaffected style did much to relieve some very heavy and stilted acting. Her manner is composed and, never attempting to do too much, always ends in doing well. Simplicity of manner is not a fault and a graceful quietness in acting has often more effect than the lofty dignity of a Tragedy Queen\" (SCR 5.5.1865).\n\n25.4.1865 (Tue)\n\nD. BOUCICAULT: \"The Colleen Bawn\" (1860)\n\nT: Drama (3 acts)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: Tonight Dion Boucicault's most famous Irish play, The Colleen Bawn, was given. The Record (5.5.1865) thought it a \"bold step for any company to attempt in Shanghai\". But the result was a success: \"the actors entered into their parts with a determined earnestness to succeed and on the whole it may be classed as a creditable performance\". Earlier, however, it had stated that the play \"depends much more on scenery than on acting\", a judgement that was hardly likely to please the author as it was not his intention to write a purely melodramatic piece, that indeed often heavily relied on spectacular Stage effects.\n\n26.4.1865 (Wedn)\n\nW. SHAKESPEARE: \"Richard III”, act V\n\nT: Tragedy\n\nN.N.: The Frantic Husband**\n\nand probably:\n\nA. MAYHEW & H.S. EDWARDS: \"The Goose with the Golden Eggs\" (1859) T: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 211840,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 255,
        "title": "RAS-1989",
        "content_text": "230\n\nN: J.B. Creswick's benefit\n\nR: For the second time a scene from Shakespeare could be seen in Shanghai: now it was act V from Richard III in which the king is confronted with the ghosts of his victims, lights his enemies ('A Horse! A Horse! My kingdom for a horse!') and is finally killed. In what kind of version it was played must be a matter of conjecture, although the worst days of adapting, cutting and rewriting Shakespeare's dramas were over. The Record found it \"somewhat disappointing. Richard was too declamatory and an evident appearance of striving for effect predominated\". Who personated the role of Richard III was not stated, but as it was Mr. CRESWICK's benefit it may have been him. The Frantic Husband went off well, with Tilly EARL as the \"Injured wife\". Miss NYE as Mrs. Alibi and Mr. GILL in the leading parts (SCR 5.5.1865).\n\n27.4.1865 (Thur)\n\nNo titles were given, but probably:\n\nJ.H. PAYNE: 'T was (* (1825)\n\nT: Farce (1 act)\n\nJ.T. RODWELL: \"The Young Widow\" (1824)\n\nT: Farce (1 act)\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nN: Miss Nye's benefit\n\nR: Miss NYE was described by the Commercial Record as a \"ladylike and pleasing actress\" who had a good house. \"The performance was light and amusing. She acted neatly and with pleasing unconsciousness of doing so. This actress will some day occupy a position which will still further develop her as a personifier of light and agreeable parts\" (SCR 5.5.1865).\n\n28.4.1865 (Fri)\n\nM. BARNETT: \"The Serious Family\" (1849)\n\nT: Comedy (3 acts)\n\n\"Cinderella\"; by H.J. BYRON? T. TAYLOR!\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (D)\n\nR: In Cinderella, a burlesque, Miss NAYLOR once again “looked and acted with well assumed demeanour\" one of the ugly sisters of the heroine. The latter part was possibly played by Mrs. GILL, \"the most accomplished of the troupe. She pays great attention to dress (...) and there is a quiet repose in her manner that is not easy to attain and only adds to the effect and spirit of her acting“. Miss Tilly EARL also took one of the parts; she was \"vivacious and fascinating\". Only the singing was \"not so good as usual, but one of the fair warblers was suffering from a cold\" (SCR 5.5.1865).\n\n29.4.1865 (Sat)\n\nH.J. BRYON: \"Aladdin or the Wonderful Scump\" (1861)\n\nT: Burlesque extravaganza (1 act)\n\n\"The Lady of Lyons\". Arthur either LYTTON or BYRON.\n\nC: Lewis A.D.C.\n\nTh: Lyceum Theatre (1)\n\nR: This was the farewell performance of the Company as well as Mr. Henry Birch's benefit. BIRCH was described as \"an old hand on the boards of the theatre. He has acted with many well known celebrities and to a certain extent still retains the manner of a school now almost extinct. The Company had left a good impression, although the Record's critic occasionally thought the actors deficient in making “a lucky hit by the casual introduction of a remark. They depend in some instances too much on the prompter and considering the case they act with one another this should not be\" (of the Herald's\n\nPage 255\n\nPage 256",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h",
        "rank": 0
    },
    {
        "id": 215317,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 94,
        "title": "RAS-2001",
        "content_text": "42\n\nFaure, David, 1986. The Structure of Chinese Rural Society: Lineage and Village in the Eastern New Territories, Hong Kong. Hong Kong &c: Oxford University Press.\n\nGu jin tu shu ji cheng 4 (The Complete Collection of Ancient and New Matters from Illustrations and Documents). 1885-88 (1726). Compiled by Chen Menglei and Jiang Tingxi. 3rd edition. Shanghai: Major Brothers.\n\nHODOUS, Lewis. 1974 (1929). Folkways in China. Taipei: Ch'eng Wen Publishing Company.\n\nJing Chu sui shi ji (Records of the Seasons in Jing and Chu). Complied by Zong Lin. Liang Dynasty. In Hubei yunxin yi shutt (Documents on Traditional Morals in Hubei). N.d.\n\nTUN LI-CH'EN. 1987 (1936). Annual Customs and Festivals in Peking as Recorded in the Yen-ching Sui-shih-chi. Translated and annotated by Derk Bodde. Hong Kong: Hong Kong University Press.\n\nTURBAN, HELGA. 1971. Das Ching-Ch'u sui-shih chi, ein chinesischen Festkalender. Augsburg: Dissertationsdruck W. Blasaditsch.\n\nYANG, C.K. 1961. Religion in Chinese Society: A Study of Contemporary Social Functions of Religion and Some of Their Historical Factors. Berkeley: University of California Press.\n\nYiyang xian zhi (Chronicle of the Magistracy of Yiyang). 1874. N.p.\n\nYuanjiang xian zhi (Chronicle of the Magistracy of Yuanjiang). 1807-09. N.p.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    }
]