[
    {
        "id": 204314,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 82,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n78\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nson of Li Ching is Hui-an () who was a disciple of Kuan Yin (Bodhisattva Avalokitesvara), while his name, Mu-ch'a (*), is not mentioned except in one verse, and not in the prose part of Ch.21. This is the name the author of the Fêng-shên Yen-i adopted. The origin of the name Mu-ch'a can be found in chüan 18, Kan-t'ung P'ien (A) of the Sung Kao-sêng Chuan (***) by Tsan-ning (), who was a follower of the Monk Sangha (@). The latter was said to be an incarnation of the Avalokitesvara of eleven faces and died in A.D. 710. Apart from Mu-ch'a, Hui-an was also one of his disciples. Therefore, in popular literature, Mu-ch'a and Hui-an are mixed up into one person and in the \"Four Travels\" Hui-an remains a disciple of Kuan Yin. It was the author of the Fêng-shên who changed the character ch'a (X) to cha (RE) in his novel so that the name could have the same second character as No-cha. In some popular editions of the \"Four Travels\" the character ch'a (X) has also been changed.\n\nNow, in the Tantric works, though the second and third sons of Vaisravana (Tu Chien and Nata) play rather important parts, his other sons, especially his first son, are not mentioned. I have read through a large number of sutras about Vaisravana and consulted some Buddhist scholars in Japan,1a but they could not give me any definite opinion. In Oda Tokuno's (1) Buddhist Thesaurus (#) and in the Chinese work Fu-hsüeh Ta Tz'u-tien (BAND) edited by Ting Fu-pao (TR) based upon it,19 we find that the names of P'i-sha-mên wu t’ung-tzu (£££7 Five Attendants of Vaisravana) include Tu Chien and Nata, but no origin is given. I think they may be identical with the \"Five Yakshas\" which appear under the sub-title \"Princes and Family Members\" (ERB) in Caturmaharaja (19F諸小王及眷屬)in E) in chuan 6 of the Ch'i Shih Ching (). They are, in translation, Fifty-feet (wu-chang £), Wilderness (k'uang-yeh ), Golden Mountain (chin-shan ), Long Fellow (ch'ang-shên ) and Hair of A Needle (chên-mao E). They appear (translated literally from the Sanskrit) also in the Caturmaharaja of the Shih Chi Ching (H) and in chüan 19 of the Dirghagama (£§ÂŒ) as \"Five Attending Genii of Vaisravana.”\n\n20\n\nI Dr. Henmi Baiei), Professor of Buddhist Art, Tama University (9) and others. I have also consulted the Chinese Buddhist priest Tan-hsü (1), aged 89, a disciple of the late T'i-hsien (M) of the Tien-t'ai Sect (R) and some Tantric scholars.\n\n19 The 4th ed., I Hsieh Shu Chũ (885), Shanghai, 1939.\n\n20 No. 24, The Tripitaka in Chinese, translated by Jñanagupta. cf. No. 25, Ch'i-shih Yin-pên Ching (#LFXE), chữan 6 & 7.",
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    {
        "id": 206837,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1973",
        "page_number": 114,
        "title": "RAS-1973",
        "content_text": "108\n\nCHUANG SHEN\n\nobtained under the entry of the 8th year in the Tao Kuang era (1828), \"In the third month, my daughter named Hsi married Yeh Ying-ch'i\". In chuan 2 of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia chi, there is an entry about Mi Yu-jen's Yün-shan tê-l-t'u #4#★#, which according to Kung Kuang-tao's LAM Yüeh-hsüeh-lou shu-hua-lu *****, should bear a square seal, the text of which reads, \"Nan-hai nu-shih Yeh Wu Hsiao-ho hsieh-yün-lou shu-hua-chih-yin” ✯✯✯±‡*+*Z*#‡‡<¢ \"seal of calligraphies and paintings in the Hsieh-yün-lou collection of Madam Yeh Wu Hsiao-ho, native of Nan-hai”. Ho-wu is one of the style names of Wu Yung-kuang, and so he gave his daughter Wu Hsi the style name of Hsiao-ho. Furthermore, above Hsiao-ho's surname, it is added her husband's surname (Yeh). Thus it is evident that the Yün-shan tê-t-t'u was one of the items in her dowry when she was married off to Yeh Ying-ch'i. However, in the opening part of chuan 3 in Wu Yung-kuang's Shih-yün-san-jen fen-t'l-shih-hsuan, it is stated that one of the collators was his son-in-law, whose name, however, was recorded as Yeh Ying-hsin #44.\n\n2 At the end of his Kêng-tzŭ hsiao-hsia-chi chiao-wên ✯TMIERZ - \"Collatery Note of the Kêng-tzŭ hsiao-hsia-chi\" Ho Cho put down the date of \"K'ang Hsi kuei-ssu\" which is equivalent to the 52nd year of the K'ang Hsi era (1713). Ho's collatery note can be found in Ku-hsüeh-hui-k'an **✰★, vol. II, No. V, published by Kuo-ts'ui hsüeh-pao shê @##★#, 1923, and reprinted by Li Hsing Book Co. ★1⁄2, Taiwan. (The collatery note is found in pp. 2585-2601 of this reprint.)\n\n3 Pao T'ing-po's colophon, which is attached to the Kêng-tzŭ hsiao-hsia-chi, was completed in the 20th year of the Chien Lung era ✯✯ (1755). Yu Chi's colophon and Lu Wên-ch'ao's preface were both written in the 26th year of the Chien Lung era (1761).\n\n4 There are altogether 18 collections in Chih-pu-tsu-chai ts'ung-shu ÞILIIT. The fourth collection includes only Sun Ch'êng-chê's Hsien-chê-hsüan-tieh-k'ao §**** (which is now attached to the end of Kêng-tzŭ hsiao-hsia-chi. However, it is included in the occasional publication of the Chih-pu-tsu-chai. Nowadays, an edition that was published separately in the 26th year of the Chien Lung era (1761) is available.\n\n5 See Ssŭ-k'u-ch'üan-shu tsung-mu ti-yao **** chuan 113. Only the last sentence in this discussion is quoted here, since it already suffices to reflect the whole situation by this, \"Though the man can be slighted, his writing is however something that we cannot pass over slightly.\"\n\n6 A hand-written copy of the T'ing-fan-lou shu-hua-chi and its supplement is found in the collection of the Feng Ping-shan library, University of Hong Kong.\n\n7 The Feng Ping-shan library in the University of Hong Kong has in its collection a wood block printed version of the T'ing-fan-lou shu-hua-chi in 5 chuan and its supplement in 2 chuan, the beginning section of both of which are missing. Therefore, the date and place when this catalogue was printed is now known.\n\n* The type printed version of the T'ing-fan-lou shu-hua-chi and its supplement is available in Mei-shu ts'ung-shu *#*# vol. IV, part VII. This catalogue was first printed by the Kuo-ts'ui hsüeh-shê # in the 3rd year of the Hsuan Tung era ✯ (1911). The second edition came out in 1928. The copy used in this paper is the fourth edition published by Shen-chou kuo-kuang shê **B£* in 1947.",
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    {
        "id": 207316,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 84,
        "title": "RAS-1975",
        "content_text": "76\n\nHELGA WERLE\n\nwhich has the shape of a miniature temple, has the three characters Han-lin yuan embroidered on its red curtain; it is not General T'ien who is sitting behind the ever closed curtain, but the San t'ai-tze lao-yeh\n\nthe 3 princes (Mu-ch'a, Chin-ch'a and No-ch'a).* \n\nThe birthday of the San t'ai-tze lao-yeh is celebrated yearly by this troupe with special performances in the first month of the Chinese calendar in the public housing estate Tung Tau Tsuen ✯✯, not far from the airport, where a whole community considers the San t'ai-tze as their patrons.\n\nAt this birthday celebration in 1976, between 9 and 10 p.m. a man suddenly came running to the temple facing the stage and donned the costume prepared on the table. No-ch'a is usually represented as a young boy: his hair tied in a bob over each ear, with his feet on fire-wheels. The man, a medium, is believed to be an ordinary man who might have never thought of No-ch'a. But on his birthday the god (here No-ch'a) will possess a person who will then only act as a medium. The man or sometimes a woman will get up from his bed, if he is sleeping, or from the table if he is eating, and rush to the square where the festivities are held without talking to anyone. Sometimes 3 people appear being possessed by the 3 princes. If the god in this temple has proved to be particularly efficacious (ling) then this event is expected and the respective clothes for the god are already prepared on a table specially marked with a green bamboo 3m high attached to its leg. The costume for the god is usually put into a flat round basket and a weapon is placed beside it. The medium puts on No-ch'a's costume, a yellow silk blouse and trousers and on the head he puts a band with the two hair-knots attached, shaking all the while and aided by those who have expected his arrival. When dressed the medium takes up the weapon, a solid spiky iron-ball on a chain, and wields it against his own body, beating his back and chest, perhaps to prove that he is actually possessed by the god.\n\n* Doré, Chinese Superstitions, Taipei 66, Vol. 7, p. 413 and Vol. 9, p. 111; E. T. C. Werner: Dictionary of Chinese Mythology, page 247.\n\n† Such a bamboo is also fastened to the roof of the stage or where rituals for the dead are held: it indicates the presence of spirits or marks the place to which spirits are invited to come.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 207549,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 317,
        "title": "RAS-1975",
        "content_text": "NOTES AND QUERIES \n\n309 \n\nwith Taoist exorcisms and are performed at wedding ceremonies to obtain from Heaven the happy union, using the ritual of a local Taoist folk religion heterodox cult of the Three Ladies' (三娘). The 'Three Jesters' are called by the puppeteers the \"Three Brothers' (三兄弟) or, individually, the Great, Second and Third Wang Yeh.* \n\nSchipper then explained that he and his informants had made many conjectures in order to identify the Three Jesters. He believed tradition links the Three Brothers (Three Jesters) with the Three Tien Brothers and thus with Tien To Yuan Shuai, and this seemed to him to be better founded than other conjectures. He continued that the identity of T'ien is extremely confused, and claimed that T'ien is reputed to be the master of T'ang Emperor Ming Huang (唐明皇) and to have taught the actresses of the Peach Garden (梨园), popularly believed to be the first academy of the theatre. Iconography, he said, represents T'ien the puppet as the 'laughing lad', similar to T’ien To Yuan Shuai. \n\nSchipper observed that when the plays are of the northern Fukienese type, the Three Jesters are identified with T'ang Ming Huang, the patron of the theatre of North China. When the play is Southern Fukienese or Ch'aochow, T'ien To Yuan Shuai (Chief Marshal T'ien) is the patron, and the Three Jesters are identified with him. The T'ang Emperor is also often referred to in Taiwan and South East Asia, where he is also accepted as the God of Actors bearing the title of the Imperial Prince or King of the Western Ch'in (Hsi Ch'in Wang Yeh, 西秦王爷) or Hsi Ch'in Lao Wang Yeh (西秦老王爷), or, on Taipei and Keelung altars just as Hsi Ch'in Wang (西秦王). (He is called the King of the Western Ch'in because of his exile in Szechuan, in Western China). His image is more colloquially referred to as The Young Gentleman (小哥) and less respectfully as The Old Boy (老郎). Schipper agreed all this might seem highly incongruous, but, he continued, the tradition which links the 'Three Brothers' (The Jesters) with Tien To Yuan Shuai (Chief Marshal T'ien) seems, as we said earlier, better founded than others. \n\nWang Yeh \n\nSchipper has linked the Three Jesters with the Fukienese epidemic gods by the title of Wang Yeh. He also noted the legend \n\n* More often than not Wang Yeh (Imperial Princes) in Fukienese communities are epidemic deities.",
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    {
        "id": 209326,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1981",
        "page_number": 229,
        "title": "RAS-1981",
        "content_text": "SALMON, Mrs P.A.\n\nSAPSTEAD, Mr Gordon A.G. SCOTT, Dr. Ian\n\nSEARLS, Mr M.W., Jr. SHAM, Mr Francis SHANNON, Major J.M. SIDDLE Mr Oliver R.\n\nSIEGFRIED, Mrs Stephanie S. SIU, Mr Anthony Kwok-Kin SMITH, Mr Reginald C. SMITH, Mr Stewart P. SMITH-ROBERTS, Miss Karen A.\n\nSO, Dr Chak Lam STEAD, Miss S.M.\n\nSTEINER, Mr Henry STEWART, Miss Jessie STRICKLAND, Mr John E. STUMF, Mr Karl L., O.B.E. SU, Mr Samson SURECK, Mr Joseph SURECK, Mrs Joseph\n\nTAM, Miss Adelaide Chiu-hor TANG, Mr David TANG, Mr Hai Chiu\n\nTANG, Mr Stephen Wing-hung TAYLOR, Mrs V.V. THATCHER, Mr Melvin Paul THOMAS, Mr Reginald THOMAS, Mrs S.E. THOMPSON, Mr F. John TING, Mr Joseph Sun Pao TING, Mr Thomas Kam-Shu TISDALL, Mr Brian TOCHRANE, Miss Vera TOH, Miss Esther\n\nTOOGOOD, Mr C.W.\n\nTRETIAK, Professor Daniel\n\nTSANG, Mr Augustin Chung-Kong\n\nTSANG, Mr Hin Sum\n\nTSO, Miss Priscilla\n\nTURNER, Mr H. David\n\nTWITCHETT, Miss Yvonne VINE, Mr P.A.K.\n\nWALKER, Mr A.P. WALKER, Mrs Prudence WALTERS, Mrs Sandra L. WATERS, Mr D.D. WATT, Mr James WATT, Mr Mo-Kei\n\nWEBB, Mrs Susan M. WEI, Miss Peh T'i\n\nWHITTAM, Mr Anthony R. WHOLEY, Mr. J.W. WILLIAMS, Miss Stephanie WILLIS, Mr David Nye WILLOUGHBY, Prof. P.G. WILSON, Mr Brian D. WILSON, Miss Elinor WIN, Mr Oliver\n\n215\n\nWINKLER, Mrs Rowena WONG, Miss Marion WONG, Mr Siu-Lun WOODS, Mrs Rowena WORKMAN, Dr Gillian WRIGHT, Mr D.A.L. WRIGHT, Dr Leigh R, WRIGHT, Miss V. Moya YANG, The Hon. Mr Justice YEUNG, Mr Michael Wing Chiu YOUNG, Dr John D. YOUNG, Mr Richard YUNG, Mr David C.W. ZIGAL, Mrs Irene\n\nOVERSEAS LIFE MEMBERS ARMERDING, Mr Ludwig E. BAKER, Dr Hugh David R. BAKER, Mr William Ernest BALL, Mr John M. BARNETT, Mr K.M.A. BENNISON, Mr Larry L.\n\nBERTUCCIOLI, Dr Giuliano\n\nBLACKMORE, Mr Michael\n\nBLACK, Sir Robert BLAKER, Mr D.J.R. CAPLAN, Mr Malcolm\n\nCARLSON, Miss R.E. CATER, Sir Jack\n\nCLARKE, Rev. Cyril S. COCKELL, Miss Juve V. COLLIN, Mr P.H.\n\nCOSBY, Mr Ivan P.S.G. COSTANTINI, Dr Giulio COSTANTINI, Mrs G.\n\nCRANMER-BYNG, Prof. J.L.\n\nCUMMING, Mrs Dorothy M.\n\nDUNCANSON, Mr J.D.\n\nEWING, Miss E.",
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    {
        "id": 210094,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1984",
        "page_number": 65,
        "title": "RAS-1984",
        "content_text": "44\n\nJULIAN PAS\n\n6. Hou-wang ling-ch'ien 14, published by Tsui-ching tang f**, Canton, n.d. (block print edition; 64 oracles).\n\n7. Pei-ti ling-chien w, published by Wu-kui t'ang in Canton, n.d. (block print; 50 oracles, identical with above Shang-ti ling-ch'ien).\n\n(iv) Oracles reproduced in the Tao-tsang\n\n1.\n\n2.\n\n3.\n\n4.\n\n5.\n\n6.\n\n✯ (−TT), 1977 Taipei reprint. Szu-sheng chen-chin ling-ch'ien 145, vol. 54, pp. 44056-44080, TT. 1298 (1 scroll; 49 oracles).\n\nHsian-chen ling-ying pao-ch'ien KERAK, vol. 54, pp. 44081-44137, TT. 1299 (3 scrolls; 365 oracles, divided over 12 daily hours each of which has 30 slips, i.e. 360 plus one slip for each of the five agents).\n\nTa-tz'u hao sheng chiu-t'ien wei-fang Sheng-mu yilan-chun ling-ying pao-ch'ien KkP;AMP@!#MEW, vol. 54, pp. 44138-44150, TT. 1300 (1 scroll; 99 oracles).\n\nHung-en ling-chi chen-chân ling chien light hi. Vol. 54, pp. 44150-44154, TT. 1301 (1 scroll; 53 oracles).\n\nLing-chi chen-chün chu-sheng ling ch’ien OBZIRAR, vol. 54, pp. 44155-44159, TT. 1302 (1 scroll; 64 oracles).\n\nFu-t'ien kuang-sheng ru-i ling-ch'ien KQE✯, vol. 54, pp. 44160-44190, TT. 1303 (1 scroll; 120 oracles).\n\n7. B-2 Hu-kuo chia-chi chiang-tung-wang ling-ch'ien ARMORIA, vol. 54, pp. 44193-44213, TT. 1305 (1 scroll; 100 oracles).\n\n8. Hsuan-t'ien Shang-ti kan-ying ling-ch'ien K, vol. 60, pp. 48479-48506 (49 oracles).\n\n(v) 1. Sham Francis, Trans., Kwun Yum Fortune Slip Predictions. Hong Kong: Tung Wah Group of Hospitals, Board of Directors, 1983. (This set corresponds with the Kuan Yin set found in Lukang; B-11 and -12).\n\n2. Sham Francis, Trans., Predictions of Wong Tai Sin. Hong Kong: Tung Wah Group of Hospitals, Board of Directors, 1984. Chai, Tung-yeh # !f, \"Ling-chien malo-chii” NUE.\n\n3. Heaven-Earth-man Journal Ke (published in Taichung, Taiwan), no. 1 (1968), 117-147.\n\nB. Studies\n\n1. BAUER, Wolfgang, China and the Search for Happiness. Recurring Themes in Four Thousand Years of Chinese Cultural History. (Translated from the German by Michael Shaw.) New York: The Seabury Press, 1976 (German Ed.: 1971)\n\n2. EBERHARD, Wolfram, \"Oracle and Theater in China\", pp. 191-199, Studies in Chinese Folklore and Related Essays, The Hague: Mouton, 1970.",
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    },
    {
        "id": 211008,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1987",
        "page_number": 70,
        "title": "RAS-1987",
        "content_text": "45\n\ndencies (Hong Kong: Kelly & Walsh, 1920) p. 130; S.H. Peplow and M. Barker, Around and About Hong Kong (2nd revised and enlarged edition, 1931), p. 10.\n\n59\n\nFor example, Chao Chun-hao, Yueh-Kang-Ao tao-yu #5 (A guide to Canton, Hong Kong and Macao) (Shanghai: China Travel Agency, 1938) p. 58; Wen Te-chang. ii) Kuang-Chiu t'ieh-lu lu-hsing chih-nan\n\nRířili (A guide to travel on the Canton-Kowloon Railway) (1922) p. 139; T'u yun-fuzli Hsiang-kang tao-yu fi (A guide to Hong Kong) (Shanghai: China Travel Agency, 1940) p. 15.\n\n60\n\nChiang-shan ku-jen, “Feng-kuang”, part 163. This was a Mr. Liu T'ao §‡ who had descended from one of the original inhabitants of the City. In 1931, he was living in the K'uei-hsing ke. He had copied every inscription there was in the City for sale to visitors.\n\n61\n\nJarrett, vol. 3, p. 611; \"Report on the New Territories, 1899-1912”, Hong Kong Sessional Papers, 1912, pp. 43-63, p. 47.\n\n62\n\nHsing-che 1, \"Lung-chin shih-ch'iao” ¡¡¡\n\n(The Lung-chin bridge [jetty]) in Li Chin-wei $ (ed) Hsiang-kang pai-nien shih dred years of Hong Kong history) (Hong Kong, 1948) p. 93.\n\n#2(One hun-\n\n63\n\nJohn Stuart Thomson, The Chinese (London: T. Werner Laurie, Clifford's Inn, n.d.) p. 62; Jarrett, vol. 3, p. 611.\n\nSiu, Chiu-lung ch'eng, p. 38.\n\nQuoted by Wesley-Smith, Unequal Treaty, p. 127; an interesting account of the City in the 1930s-50s is provided in Chapter 7. The Colonial Office file dealing with the removal problem in 1933-4 is CO129/546; for the Chinese side of the story, see Wu Pa-ning \"Chiu-lung ch'eng chu-min san-t'u pei pi-ch’ien ching-kuo\" JuffDWIDE-LOK MESA (An account of the three occasions on which residents of the Kowloon City were forcibly evicted) in Li Chin-wei, p. 89 and Chih-che IL “Chiu-lung ch'eng shih-chien ti chiao-she\" ** (Negotiation over the Kowloon City incident) in ibid., pp. 98–101.\n\nז' 1\n\nOther secondary works on the subject include N.J. Miners, \"A Tale of Two Walled Cities\", Hong Kong Law Journal vol, 12; no. 2 (1982); Peter Wesley-Smith, \"Forlorn, Forbidden and Forgotten: Kowloon's Walled City\" Kaleidoscope vol. I: no. 3 (February, 1973) 26-33; Mike Davis, “Inside the Walled City” ibid., vol. IV; no. 6 (August, 1976) 5-11; Michael Chiang, \"The Development of the Kowloon Walled City\" (Student's thesis, School of Architecture, University of Hong Kong. 1979-80).",
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    {
        "id": 211632,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1989",
        "page_number": 47,
        "title": "RAS-1989",
        "content_text": "22\n\nremoval to T'ai Miao.\n\nIn Tainan in southern Taiwan an elderly temple keeper claimed that the heads of the five major religions, Confucius, Lao Tzu, The Buddha, Christ, and Mohammed gathered and chose Kuan Yu (otherwise known as Kuan Kung, the Patron deity of loyalty) to be raised in succession as the 18th Jade Emperor. He assumed the throne at Chinese New Year in AD 1864 and still occupies the throne.\n\nAlthough the Jade Emperor is concerned with running the bureaucracy of the spirit world and with meting out justice, he delegates many of his day-to-day responsibilities to his ministers and judges. It is accepted by devotees that he is the arbiter during disagreements between the gods. His rule is conceived of as similar to a reigning Chinese emperor, he being the heavenly ruler with the Chinese emperor the terrestrial ruler. Most people believed that the emperor of China was his terrestrial equal. Despite the large pantheon the Jade Emperor commands, containing an inordinate number of Buddhas and bodhisattvas, The Five Emperors, Kings/Judges of the Underworld, major gods and all the deified spirits (shen), in Chinese mythology he is frequently duped and outwitted, as indeed the Chinese well knew that their emperors were. One only has to remember the story of Ch'i T'ien Ta Sheng, better known in the West as Monkey to see how gullible he can be. This does not mean that he was not feared. The Jade Emperor's forces include his powerful spirit armies, capable of destroying anyone or anything, which he can unleash upon anyone who offends him.\n\nAn English missionary in the nineteen thirties after 36 years in North China wrote \"Lao T'ien Yeh is the Supreme God, the popular equivalent of Shang Ti of the Classics. He is not represented by any image or other symbol nor are there any temples in his honour, nor is he the object of popular worship. But built into the outer wall of the house, beside the doorway, there is commonly a little shrine in which thank offerings are placed at harvest time. When you inquire what people know about him, the usual answer is 'He sends the wind and the rain and ordains life and death, and to him the Kitchen God makes his annual report'\"*.\n\nIt is well known that the Jade Emperor personally receives reports from each and every Kitchen God during the period from the 12th day of the final lunar month until the Lunar New Year's Day, and from these",
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        "content_text": "31\n\naides and guardians. His two major aides, according to a Taiwanese temple keeper, are major deities in their own right:\n\nT'ai I Chiu K'u T'ien Tsun (AZREF) and Lei Yin P'u Hua T'ien Tsun (LEO).\n\nHe has a senior deity as his personal messenger, Teh Chih Chiangchun (特赤將軍)\n\nA Buddhist priest guiding a visitor around his temple in Chia I county in Taiwan, in which the Jade Emperor was the main deity on a side altar in a side hall pointed out that he had four bodyguards:\n\nThe Marshals Wen (溫), Ma (馬), K'ang (康) and Chao (趙) with blue, white, red and black faces respectively.\n\nThe full title of the Jade Emperor is:\n\nHao T'ien Chin Kuan Yu Huang Shang Ti (昊天金阙玉皇上帝) or T'ien Ti San Chieh Shih Fang Wan Ling Chen Tsai (天帝三界十方万灵真宰). This is possibly best translated as The True Lord of Heaven, Earth and Mankind, in all areas and of the Mystical Spirits.\n\nThe following are the short titles by which the Jade Emperor is known:\n\nYu Ti (玉帝)\n\nYu Huang T'ien Kung (玉皇天公)\n\nT'ien Kung (天公)\n\nT'ien Kung Tsu (天公祖)\n\nT'ien Kung Yeh Yeh (天公爷爷)\n\nT'ien Shang Ti (天上帝)\n\nTien Ti (天帝)\n\nHe is also known as:\n\nYu Huang Ta T'ien Tsun Hsuan Ch'iung Kao Shang Ti (玉皇大天尊玄穹高上帝)\n\nYu Ch'ing Shang Ti (玉清上帝)\n\nHao T'ien Shang Ti (昊天上帝)\n\nShang Ti (上帝)\n\nLao T'ien Yeh (老天爷) North China",
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    {
        "id": 211643,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 58,
        "title": "RAS-1989",
        "content_text": "NOTES\n\n33\n\n1\n\nChinese Religions; D Howard Smith, Weidenfield and Nicolson, 1968.\n\nThe Monastery of Jade Mountain; Peter Goullart, John Murray, 1961.\n\nThe Origin of Yuh Hwang, H. Y. Feng, Harvard Journal of Asian Studies, 1936, p. 242-250.\n\n4\n\n\"Religion in the villages of North China\"; Rev. A. J. J. Murray, Religion, No. 16. July 1936, p. 18-25.\n\nLao T'ien Yeh was one of the titles given to the Jade Emperor in North China.\n\nIn Min Hsien in North-West China, where hailstorms are very prevalent during harvest time, peasants used to believe they occurred when the Jade Emperor was angry and the actual hail itself was produced on his instructions by the Mountain Gods.\n\nD. C. Graham, \"The Temples of Suifu”, Chinese Recorder, Vol. 61, 1930, p. 108-120.\n\nK\n\n\"Rural temples around Hsuan Hua\", Folklore Studies, XI, 1951.\n\n1\n\nop. cit.\n\nThe Jade Emperor's heir is very rarely seen on altars, but the author has an image of him, described on the base as \"The Imperial Heir\" (XRF). See Plate 6.\n\nA. S. Goodrich, \"The Peking Temple of the Eastern Peak\", Monumenta Serica, (Nagoya) 1964.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    },
    {
        "id": 211649,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 64,
        "title": "RAS-1989",
        "content_text": "39\n\nmajor festival held every five years, hence their title. The ten are Chang (H), Hsu (1), Keng (I), Wu (5), Ho (FPJ), Hsuch (B‡), Feng (B), Chao (#), T'an (M) and Lu (F).\n\nThe generally accepted leader of the Pestilence Wang Yeh is Chih Wang Yeh (1) who is also known by other honorifics, as are other Pestilence Wang Yeh, as Chih Fu Wang Yeh (b); Chih Fu Yuan Shuai (EBD); Chih Fu Ch'ien Sui (af); Chih Fu Tai Hsun (£FF{X); Chih Ch'ien Sui (-1) or Tai T'ien Chin Fu (RX##). In Singapore and Malaysia a not uncommon title for the Pestilence Wang Yeh is 'Great One' (Ta Jen AA), a title more frequently given to non-Pestilence Wang Yeh in Taiwan. In Ang Mo Kio in Singapore three Pestilence Wang Yeh, Li, Liu and Chin who occupy the main altar are referred to both as Ta Jen and Wang Yeh in temple notices. They are prayed to not only for protection from disease but also for tranquility in the home. In Taiwan and South-East Asia a number of what would be non-Pestilence Wang Yeh in Fukienese communities are referred to as Lao Yeh (Em) and Ta Jen. They are mainly in Hakka communities and are very local deified and revered worthies.\n\nPestilence Wang Yeh are identifiable by the honorific 'Touring and Inspecting on behalf of Heaven' (Tai T'ien Hsun Shou X). The various other titles borne by Pestilence Wang Yeh in Taiwan include Tsun Wang (Honourable Prince), with the three on the altar being the First, Second and Third Honourable Princes (AZE); Ch'ien Sui (Prince or Excellency T); En Wang (Prince of KindnessE); Wang Kung (Prince 4), and 'An Emissary for Disaster Relief' (Hsing Ts'ai Shih Chih 77(K).\n\nA number of temple keepers differentiate between a Wang Yeh and a Ch'ien Sui. The former they claim to be permanent whilst Ch'ien Sui are only temporarily on Earth 'for less than one thousand years'. The Wang Yeh are said to be the senior, promoted on orders from Heaven, whilst the Ch'ien Sui are deities promoted by popular acclaim. They are, however, prayed to in the same way, for the same things and with the same results. The latter are also the patrons of sorcerers (wushih ZEL) who use them as a go-between between them and their spiritual contacts. There is little functional differentiation as all are believed to be capable of fending off disasters and curing sickness.\n\nIn one instance, and probably in others too, the full title of a particular",
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    {
        "id": 211650,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 65,
        "title": "RAS-1989",
        "content_text": "40\n\nPestilence Wang Yeh contained the character revealing where he had originated from. An altar in a converted shophouse temple in the suburbs of Taichung bore the title 'Chinmen Su Fu San Wang Yeh'. The temple keeper's family, also named Su, had brought the image over from Quemoy (Chinmen island) off Amoy.\n\nAn example of the many idiosyncrasies involving the worship of the surnamed Wang Yeh can be observed in the Ma Temple in Ssu Hu village in Yunlin county where the Ch'en family has worshipped Pai Fu Ch'ien Sui+ for many generations. The temple was built there with Pai Fu Ch'ien Sui as the major deity but following an epidemic Ma Fu Ch'ien SuiT, the ancestral deity of the local Ts'ao# family became the major deity on the altar. He is regarded as the senior of the two Wang Yeh. According to local legend, during a virulent epidemic Pai Fu Ch'ien Sui gathered together Ma Fu Ch'ien Sui, Ta Sheng Yeh (Monkey god), the Third Prince (T’aitzu Yeh), Kuan Yu (the red-faced god of loyalty), and T'ien Shang Shengmu (The Holy Mother of Heaven better known as T'ien Hou) and together they stopped the epidemic. In their gratitude the locals extended the temple to honour them and, according to the temple keeper, the whole area has been peaceful and harmonious ever since. Ma Fu Ch'ien Sui, the senior Pestilence deity in the group, is portrayed as a multi-armed deity, with a multi-coloured striped face sitting on a throne. It is very Hindu in its appearance.\n\nIn Hsin Ying near Tainan a main deity known as Han Lao Yeh##Zm but better known colloquially as Han Ch’ien Sui### was discussed by a number of villagers. In consensus they decided he was not a Wang Yeh despite being a protective deity who was particularly revered for the maintenance of good health. They were unable to identify Han but recalled that he had been a civil official in Fukien whose image had been brought over to Taiwan long after he had been deified.\n\nPestilence Wang Yeh generally occupy the main altar of the temple in which they reside. The main deity will occupy the centre spot with the junior Wang Yeh in lesser positions beside him. However, in a number of temples they can also be seen in a row on the altar table before the main altar which can be dedicated to another, entirely unconnected deity. This would seem to be the temple staff taking advantage of the custom of borrowing a Wang Yeh image to take home for private reverence by the sick, who leave a donation in the temple for the service. Pestilence Wang Yeh images are frequently carried home from temples",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 211661,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1989",
        "page_number": 76,
        "title": "RAS-1989",
        "content_text": "51\n\nAnother version of this legend claims that it was the T'ang emperor Kao Tsu (618-626 AD) who wished to test the 'pope's' powers by hiding 360 of his most elite literati (and not failed scholars) in the basement where they were required to play music. The 'pope' was instructed to stop the unidentified noise in the cellar and having waved his magic sword all sounds ceased. The 360 were all found dead, decapitated. The 360 complained to Yen Lo Wang, the ruler of the Underworld on their arrival at his Court who criticised the emperor and required him to appease the dead literati. This the emperor did by appointing them all to be Wang Yeh and by ordering a magnificent Buddhist mass to be said for their souls.\n\nIn some versions the detail of the test set by the emperor for the Taoist 'pope' suggests that the imagination of the tea-house story tellers was stretched to the limit. In one, when the music reached its crescendo the emperor ordered the 'pope' Chang to put a stop to it. Chang replied that the only way he could do so was by killing the makers of the music but the emperor insisted. Chang sprinkled rice and salt on the floor, struck it with magic sword or wand and all 360 were instantly decapitated. After their souls had appeared before Yen Lo Wang in the Underworld demanding to be restored to life and Yen Lo had explained that this was not possible, the spirits of all 360 were confined to a box and cast into the waves of the sea. Found later by a fisherman on the foreshore, the box was opened and the spirits released. They returned to haunt the emperor who thereupon ordered that they should be deified as Wang Yeh. He also decreed that they should be revered in all parts of the empire. The spirits separated and went their ways with five going to Fukien where they have been worshipped ever since.\n\nA version heard in rural Singapore claimed that Chang T'ien Shih was told by some immortals that other immortals, heavenly ones who played music and wrote poetry, were in fact demons in disguise and that they should be destroyed. Chang, who could not resist a challenge, drew his sword and killed a mere 36 at one blow. Chang was later horrified to hear that the 36 were not demons at all but genuine immortals, and immediately sped to the Court of the Jade Emperor in Heaven to apologise and request that the 36 should be deified. The Jade Emperor granted his request and the 36 were sent to all parts of China to serve as pestilence deities. This legend in one form or another is possibly one of the best known legends about pestilence deities amongst the Chinese.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt",
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    {
        "id": 212502,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 56,
        "title": "RAS-1991",
        "content_text": "36\n\nKong, Capital Communications Lid\n\nHo, Ping-ti 1966a. Zhongguo huiguan shilun (On the history of Landsmannschaften in China). Taibei, Shihuo Chubanshe.\n\n1966b. The Geographical Distribution of Hui-kuan (Landsmannschaften) in Central Upper Yangtze Provinces. In Tsing Hua Journal of Chinese Studies 5/2 120-52\n\nHonig, Emily. 1992. Creating Chinese Ethnicity Subet People in Shanghai 1850-1980. New Haven and London, Yale University Press.\n\nHunter, William C 1882 'Fan Kwae' at Canton Before Treaty Days, 1825-1844, London Kegan Paul, Trench & Co\n\nKing, Frank H. H. 1983. edited. Eastern Banking Essays in the History of the Hongkong and Shanghai Banking Corporation London, Athlone Press\n\nKeswick, Maggie 1982. The Thistle and the Jade: A Celebration of 150 Years of Jardine, Matherson & Company London, Octopus.\n\nLai, Chi-kong. 1992 The Qing State and Merchant Enterprise: the China Merchants' Company, 1872-1902. In Jane K. Leonard (edited) 139-56.\n\nLee, Pui Tak. 1990 Kindai Chugoku ni okeru kōsho Kigyō no rekishi teki tenkai Kanyahyōkōshi wo jirei toshite (The historical Origins of Commercial and Industrial Enterprises in China, the Case of Han-yeh-p'ing Coal & Iron Company Limited, 1896-1991) M Litt. Thesis. University of Tokyo.\n\nLeonard, Jane K 1992. edited; To Achieve Wealth and Security, the Qing Imperial State and the Economy, 1644-1911. Ithaca, East Asia Program, Cornell University\n\nLeung, Yuensang 1982 Regional Rivalry in Mid-nineteenth Century Shanghai. Cantonese vs Ningpo Men. In Ch'ing-shih wen-t'i: 4/8; 29-50.\n\n1986. The Shanghai-Tientsin Connection. Li Hung-chang's Political Control over Shanghai during the Late Ch'ing Period In Chinese Studies 4/1 315-31\n\n1990 The Shanghai Taotai: Linkage Man in a Changing Society, 1843-90 Singapore. National Singapore University Press\n\nLiu, Kwang-ching 1979 Credit Facilities in China's Early Industrialization The Background and Implications of Hsu Jun's Bankruptcy in 1883. In Modern Chinese Economic History 499-509, Edited by Chiming Hou Taibei, Institute of Economics, Academia Sinica\n\n1982 A Chinese Entrepreneur In Maggie Keswick (edited) 103-30.\n\n— 1990. Jinshi Shixuang yu Xincheng Qiye (The new thoughts and modern enterprises) Taibei, Lianjing Chuban Shiye Gongsi\n\nMann, Susan Jones 1972. Finance in Ningpo the 'Ch'ien Chuang', 1750-1880 In W E. Willmott (edited) 47-78\n\n1974 The Ningpo Pang and Financial Power at Shanghai In Mark Elvin & G. William Skinner (edited) 73-96\n\n— 1976. Merchant Investment, Commercialization, and Social Change in the Ningpo Area In Reform in Nineteenth-Century China 41-8. Edited by Paul A, Cohen Cambridge and Massachusetts, Harvard University Press.\n\nMcElderry, Andrea Lee 1992 Guarantors and Guarantees in Qing Government-Bussiness Relations In Jane K. Leonard (edited) 119-38\n\n1993 Guarantors in China's Treaty Ports the Evolution of Employee Bonding Unpublished paper presented at the 34th International Congress on Asian and North African Studies, Hong Kong\n\nMei, June 1979 Socioeconomic Origins of Emigration Guangdong to California, 1850-1882 In Explorations in Economic History 7/4 451-73\n\nQing Xu Yuzhi xiansheng ruḥ zixu nianpu (Chronological autobiography of Xu Run) Reprinted in 1981\n\nQuan, Hansheng 1972 Zhongguo Jingjishi luncong (Collected essays on Chinese economic",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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