[ { "id": 204888, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 191, "title": "RAS-1964", "content_text": "166\n\nRATH, F. C.\n\nREID, A. R.\n\nRICHARDS, G.\n\nRIDE, Lady L. T.* RIDE, Sir L. T.*\n\nROBINSON, F. C.\n\n+\n\nROOKE, Miss B. E.\n\nROSS, Cdr. R. D.\n\nROTHE, U.*\n\nROY, Dr. A.\n\n+\n\nRUDGE, Mrs. A. K.\n\nRUMJAHN, S. M.\n\n+\n\nRUTTONJEE, Mrs. A.\n\nRUTTONJEE, Hon. D.\n\nRYAN, The Rev. Father T. F.\n\nRYDINGS, H. A.\n\nSAUNDERS, J. A. H.\n\nSCHOYER, B. P.\n\nSCHWARZ, Miss M. D.*\n\nSCOTT, A. C.\n\nSCOTT, J. M.\n\nSELLERS, D.\n\nSELLETT, G.*\n\nSHEKURY, Miss E.\n\nSHEPHARD, A. J.\n\nSHU, Dr. H. T.\n\nSHUI, Chien-tung\n\nH\n\n+\n\nMuller & Phipps (China) Ltd., P.O. Box 25, H.K.\n\nP.O. Box 479, H.K.\n\n19, Douglas Apts., Old Peak Road, H.K. The Lodge, 1 University Drive, H.K.\n\nAs above.\n\nc/o The British Council, Gloucester Building, H.K.\n\n3-B, 3 University Drive, H.K.\n\nH.M.S. Tamar, H.K.\n\nc/o Deutsch-Asiatische Bank, Postfach 944, 2 Hamburg 1, Germany.\n\nChung Chi College, Ma Liu Shui, New Territories.\n\n2 Macdonnell Road, H.K.\n\nP.O. Box 448, H.K.\n\n2 Conduit Road, H.K.\n\nAs above.\n\nWah Yan College, 281, Queen's Road, East, H.K.\n\nH.K. University Library, H.K.\n\nc/o H.K. & Shanghai Banking Corpn., H.K.\n\nNew Asia College, 6 Farm Road, Kowloon.\n\n1 Clovelly Court, 12 May Road, H.K.\n\nUniv. of Wisconsin, Dept. of Speech, 2201 Univ. Ave., Madison 6, Wisconsin, U.S.A.\n\nc/o H.K. Exchange Control, Fung House, H.K.\n\nc/o Labour Department, 22 Ice House Street, H.K.\n\n\"Pinecrest\", N.K.I.L. 3543 Tai Po Road, Kowloon.\n\n14 Braga Circuit, Kowloon.\n\nc/o Colonial Secretariat, Lower Albert Road, H.K.\n\n70 Mt. Davis Road, Ground floor, H.K. Tsing Hua College, 263 Prince Edward Road, Kowloon.\n\nLife Member\n\nPlease notify the Hon. Secretary of any inaccuracy", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 205395, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1967", "page_number": 157, "title": "RAS-1967", "content_text": "150\n\nLIN SHU-YEN\n\nfamilies the men and women were in their fifties. In the third, the son, who is about thirty, did most of the work.\n\nThe leaching process, Lin tells us, was carried out mainly by natives of Lantau Island and was the only method inherited from their remote ancestors. In 1962 I was able to speak to an old lady who came in 1898 at the age of 16 to the village of Leung Uk, at the south-west edge of the salt pans, to be married to one of the villagers. She told me that men and women from the locality worked in the fields, some of them from Leung Uk. Not many people worked in the fields at that time, and they were operated by an outsider. The workers were paid on a piece work basis depending on their output, but it was customary for the company to advance money for daily food and deduct the sum from the final wage.\n\nFor how long the local village people, as opposed to outsiders, carried out the work on the salt-pans is not known. The Leung Uk settlement, since it is named after the Leung family, it is reasonable to suppose that they were the first inhabitants of the present settlement, was apparently settled about 1800. This estimate is based on calculations from a genealogy which also states that the first ancestor came to Tai O from a village near Shum Chun Market to the north of the present Sino-British frontier. These people are Hakkas. The other villages in the Tai O basin, adjacent to the market town, are the similar small settlements of Nam Chung, San Tsuen, and Wang Hang, and it is unlikely that they are earlier than Leung Uk. At the 1911 Colony census, the population of these three small villages was recorded at 50, 42, and 90 respectively, whilst the population of Leung Uk was 104 persons. There were other, larger villages a little further afield, and some of their inhabitants may also have worked at the pans.\n\nSince writing the above, I have chanced upon a note in The Hong Kong Naturalist, also in Vol X (1940), by Father R. Maglioni, the noted archaeologist, in which he offers some comments upon Lin's article and an earlier one by Dr. C. M. Heanley on some of the problems connected with local, i.e., Hong Kong archaeology. He writes:\n\n\"About the furnaces described by Dr. Heanley in The Hong Kong Naturalist (Vol. VI, Nos. 3-4), I must confess that I am not", "txt_file_path": "txt/dfo323lmgvd/RAS-1967.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/0c488p70g", "rank": 0 }, { "id": 205540, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 82, "title": "RAS-1968", "content_text": "ON FENGSHUI IN SOUTHEASTERN CHINA\n\n77\n\navailable in Plum Grove Village. In Big Stream Village rice land occupied 16.8 acres and dry cultivation 8.6 acres. The total was then 25.4 acres. The corresponding figures for Plum Grove Village are 17.9 and 6.5 giving a total of 24.4 acres. The ratio between Plum Grove land and Big Stream land is then 6.9, 1.3, and 1.0 respectively.\n\nThere is yet a complication to be taken into account. Plum Grove villagers were not the sole occupants of land around their own village. Three other settlements further up in the mountains own a considerable amount of paddy fields and dry cultivation land there. A very old lady in one of these other villages thought she had heard that these fields were bought ‘a very long time ago' and that they were then very expensive. The land around Plum Grove Village is generally considered the best in this mountain area. It is not possible to establish how outsiders were vested with rights in this land. My guess is that this small village could not supply labour enough to make full use of what was at least potentially arable land, and outsiders were let in. There may also have been an earlier decrease in population. Out of the 24.4 acres registered soon after 1899 only 15.5 were controlled by local villagers. The outsiders from the other three villages had together 8.6 acres of rice fields and 0.3 acres of dry land. Thus only 64% of the local arable area were in the hands of Plum Grove people at the turn of the century. If we then compare the actual land-holdings of the two villages at this period we still find that the 2.9 times larger population of Big Stream Village had access to arable land that was only 1.5 times as large as that of Plum Grove Village; which means roughly that five persons in the former village had to live on what three persons were dependent on in the latter. As to the more vital rice land the proportions are the same.\n\nTo this basic situation could be added some other factors that were to the advantage of Plum Grove Village. They had a better supply of water for irrigation, they had better-quality soil, and they had better conditions for the formerly important complementary tea plantations. Their situation up in the mountains offered more security than could be obtained on the coast in a pirate-haunted strip of land. Plum Grove people will also have had better marketing conditions in that their traditional market town Xigong (Sai Kung) was situated in a predominantly Hakka-speaking and small-scale lineage area, while Big Stream people were dependent", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 205628, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1968", "page_number": 170, "title": "RAS-1968", "content_text": "NOTES AND QUERIES\n\n165\n\nhe charged two or three cash a chih, with food and a place to sleep as was the custom. That was a lot of money for a man to earn; he could live for a week on one day's labor.\n\nAt page 53 it is mentioned that a few years later, at or about the Boxer time, the Old Weaver no longer came to the Chu home to weave cloth each winter, and that no one took his place, it being then cheaper to buy British or foreign cloth in the market.\n\n1. For descriptions of hemp spinning wheels from Chekiang see pp. 167-169 of Rudolf P. Hommel's China at Work... (New York, The John Day Company, 1937). Photographs of two such wheels are at pp. 170 and 171. I have not yet come across any such relics from the Hong Kong region.\n\n2. The Hakkas of Hing Ning district, mentioned above, appear also to have played a large part in weaving foreign cotton yarn imported via Swatow. Consul F.S.A. Bourne in his section of the Report of the Mission to China of the Blackburn Chamber of Commerce 1896-7 (Blackburn, The North-east Lancashire Press Company, 1898) at pp. 153-4 mentions them as using foreign yarn for weaving cotton cloth \"sent down the Canton East River past Hui-chow Fu to Fatshan where it is dyed black and called ch'ung-ch'ang-ch'ing i.e. imitation long black. This cloth, like that of which it is a copy, is very largely exported to Singapore.\"\n\n3. For local, i.e. Hong Kong, place names see A Gazetteer of Place Names in Hong Kong, Kowloon and the New Territories (Hong Kong, Government Printer, 1960).\n\nHong Kong, 1968.\n\nJAMES HAYES\n\nTHE TUNG CHUNG FORT (LANTAU ISLAND, HONG KONG)\n\nFor earlier references in NOTES AND QUERIES see Vols. 3 (1963) and 4 (1964) of this Journal at pp. 144-145 and 146-152 respectively.\n\nIn late January 1966, I heard of, and spoke with, an old lady aged 90 sui (歲) born on 2nd October 1877. She had spent all her days in the Tung Chung valley, having been born in Wong Ka Wai and married into Sheung Ling Pei village. A series of questions...", "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d", "rank": 0 }, { "id": 207318, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 86, "title": "RAS-1975", "content_text": "78\n\nHELGA WERLE\n\npart, and even the music was streamlined by her. There are up to date eight plays in their repertoire: Pa-pao kung-chu† ± princess Pa-pao; T'ao-hua huo tu*; also called Su Liu-niang*; Shih yü-cho£; The Jade-bracelet; Ch'en San Wu-Niang: Tze Liang Chi : Tang Po-hu tien ch'iu-hsiang唐伯虎點秋香(三笑姻緣); Shou Shu-yüan搜書院; and Tze Lang-chu辭郎洲.\n\nHere is the content of two of these operas as they were performed by Hsiao Nan-ying in Hong Kong in 1975.\n\nSTABBING LIANG CHI (✯✯M✯)\n\nLiang Chi, a treacherous prefect, passes through the streets and his guards catch a man who roamed about instead of retiring at the approach of the prefect. When questioned, it turns out that he is a fortune-teller. The prefect dismisses his entourage and encourages the fortune-teller to look at his face and tell his fortune. After some hesitation he talks professional terminology about Liang's eyes and physiognomy and asks him about his age. 63 was the answer. Then he would be stabbed in the next 3 days; but if he could avoid it he would be very successful thereafter. If he wants to avoid it—and he asked the lord to go backwards 3 steps—then he should not go out of his house and not see anyone from outside for 3 days.\n\nThe fortune-teller, although afraid, was rather satisfied with the prospect to see this wretched lord killed.\n\nAfter this the fortune-teller wished to get out of the house as fast as possible, but the lord called his housekeeper and ordered him to feed the fortune-teller,\n\nThe gates were locked and orders given, and then the lord planned to enjoy these 3 days of unexpected leisure. As he had just got a new lady in his residence, he gave orders that she should serve him the wine that night.\n\nThe new lady (performed by Hsiao Nan-ying) was in fact the daughter of a fisherman whom the lord had killed with an arrow. The fisherman's daughter had come instead of another, in order to avenge her father. When she was summoned, she knew that this was her chance to fulfill her vows. She took a hair pin from her hair, and decided that she would stab him with it. The ladies-in-waiting brought a crown and gorgeous red garments to dress her for", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207917, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 305, "title": "RAS-1976", "content_text": "290\n\nNOTES AND QUERIES\n\ncareer, since this Nan-hai artist had continuously worked as a professional over half a century; and finally his works were mainly sold at a very reasonable price.\n\nNOTES\n\n1 See Chuang Shen: \"Some observations on Kwangtung paintings\" in Kwangtung Painting (1973, published by the Urban Council, Hong Kong), pp. 9-24.\n\n2 According to the 6th chuan of Ming-hua-lu, “Records of painting in the Ming Dynasty\", edited by Hsu Hsin in the early years of the Ch'ing Dynasty, Lin Liang was active in the Hung-chih era (1488-1505), mainly in the late 15th century.\n\n3 Chu Pi-shan was famous for his specially designed silver wine cup in the shape of a hollow tree. For a colour reproduction of such a cup, dated 1345 by Chu's own carved inscription, see \"The selected Handcrafts from the collections of the Palace Museum\", edited by the Palace Museum, (1974, Peking), pl. 34.\n\nA similar silver wine cup, also dated 1345 by Chu's own carved inscription, in the form of a boat made of a hollow tree in which Chang Ch'ien is seated, is owned by Lady David of London. For its reproduction, see Perceval David: Chinese Connoisseurship (New York, 1971), pl. 19C.\n\n4 The origin of this name seemingly inspired by a famous line of the 5th century poet Tao Chien, in the 5th poem of his \"Drinking wine\". This line reads:\n\n\"Culling chrysanthemums by the eastern hedge, 悠然見南山\n\nI see afar the South hills.\"\n\nFor the English translation of this poem, see Robert Kotewall and Norman L. Smith: The Penguin Book of Chinese Verse (1962, Middlesex), p. 9.\n\n5 In \"Lo-yu-yüan\", the mid-9th century poet Li Shang-yin (813-858) wrote:\n\n\"The setting sun has boundless beauty\n\nonly the yellow dusk is so near.\"\n\nSee also Robert Kotewall and Norman L. Smith; ibid, p. 25.\n\n6 See Wang Chao-yung \"Lin-nan hua-cheng-yueh\" 'A Brief Document on Kwangtung painting' (1927, Shanghai), chuan 10, p. 7.\n\n7 The most important literary man who loved plums during the Sung China was no one but Lin Pu (967-1028). As a native of Chekiang, Lin Pu lived in a mountain overlooking the West Lake of Hangchow. When he lost his wife he had not re-married. Having planted a lot of plum trees near his house, he began to regard the plum blossoms as his wife. For this blossom he had this famous line written:\n\n\"Your slanting shadow reflects on the clear, shallow lake 斜水清淺\n\nYour elusive fragrance floats about in the yellow of the evening moon”.\n\nFor the English translation of this poem, see Max Perleberg: Lin Ho-ching (1952, Hong Kong), p. 15.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208335, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 59, "title": "RAS-1978", "content_text": "ALTER IMAGES FROM HUNAN AND KIANGSI\n\n43\n\nhad had made another image of Ti Chu ( ), (the tutelary deity of the home) which he presented for consecration so that it could be efficacious and able to expel all demons and evils, protect his family and bestow the three abundances (blessing, long life and off-spring) on him, his family and all his future generations. The slip also referred in passing to the \"secrets of Lao Tzu”, “the magic of Erh Lang\" \"the five Thunder Magic\" and the \"Lei Kung\"4, as charms, witnesses or aides. The image of Ti Chu was carved and decorated as a bearded and seated elderly man, in robes and wearing a tall, decorated hat. His right hand is holding his robe edge. The original colours have faded, but faintly discernible are the red of the robe and a flash of gilt on the hat.\n\nThe second image (Plate 3), also from Wu Kang county but from a different area, is of an unidentified female, surnamed Jen (£). It was presented at the City God Temple for dedication in 1903 prior to being placed on the family altar. Her decoration, red, blue and white paint, is chipped but still quite bright. She is wearing red robes with a blue and white decorated shoulder cape, and open-winged bird headdress. The slip of paper in the back of this image says that \"worshipper Yin Chang-kung, together with his son, daughter-in-law, sister-in-law, younger brother and four nephews, all of Shuang Chiang Chiao, Shan Men (about sixty kilometers north of Wu Kang), on the 16th day of the 9th moon of the 29th day of Kuang Hsü (4th November 1903) offered sacrifices to the Gods at the City God temple, reporting to them that he had had an image made of a lady surnamed Jen, and presented it to undergo consecration prior to its installation in the family shrine for the perpetual worshipping by and protection of the whole family\". Six other images in the shipment were identical or almost so, to this image, but the cavities in their backs had been emptied before they arrived in Hong Kong.\n\nThe third image (Plate 4) from Wu Kang county, again from Shan Men, was dedicated in 1871 at the City God temple. This one is identified as Duke Wei, (±), protector of the family of the person who commissioned the carving, Yin Tso-fan, and of their domestic animals and poultry. The slip of paper calling itself a \"Viscera and Stomach Document\" () relates that devotee Yin (#) together with his wife, five sons, grandson and others, on the 25th day of the 4th moon, of the 10th year of Tung Ch'ih (June", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208888, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 50, "title": "RAS-1980", "content_text": "22 \n\nKEITH G. STEVENS \n\ncolumns, boards, boards bearing auspicious phrases, balustrades, roofs and lattice windows exactly like full-size temples (Illustration 16). Several wooden miniature shrines seen on lower decks of large sea-going junks were heavily ornamented and the carving exquisitely detailed. At the other end of the scale, soap boxes, painted red and upended, serve as the simple shrine of the less affluent household. \n\nActual images of gods in homes are few, and their worship is very limited. Usually, there is just a framed print, and routine offerings consist of a daily incense stick burnt before the print with, in addition, a small offering of tea or rice on the first and fifteenth day of each lunar month. The majority of Chinese who have a household shrine display on their main altar the bodhisattva Guan Yin, who is, without a doubt, the most popular deity of Chinese everywhere. Most homes also have a second “altar”, the Kitchen or Stove God, whose title on a red board is hung up, or when written on a red paper is pasted up near the family cooking range. \n\nShop or factory shrines usually stand or hang on walls at shoulder height, constructed of wood and painted vermilion. The majority of shop shrines contain plaques or prints of Guan Di as patron deity of merchants and Tu Di Gong, the Earth God. Those in fire stations and police stations bear prints of Guan Di in his role as the patron deity of loyalty. \n\nOn days marked Chu (除)22 in the Almanac (i), old lady devotees offer prayers in the street before unpainted wooden boxes used as shrines. They are propitiating the demons who cause disasters, and are also attempting to change their luck for the better. They use one of their shoes to strike the \"small men” (1-A) banging small figures of humans cut out of black paper and at the same time calling out in high-pitched voices for the demons to flee. The voice is pitched particularly high when calling back the roaming soul of a sick child (the absence of the soul being the cause of the sickness). \n\nApart from modern concrete decorative structures in places like the Tiger Balm Gardens and on the foreshore of Repulse Bay, there is only one pagoda in Hong Kong or Macau. This is at Ping Shan, in the New Territories, and was built of stone blocks some three hundred years ago. Like other Chinese pagodas, it has little use other than to enshrine some sacred object, in this case, several images", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 211815, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 230, "title": "RAS-1989", "content_text": "205\n\nN: First performance of the season\n\nR: Alter the usual doubts about the formation of a theatrical company for the season, two plays were given this evening. The theatre had been redecorated and there was a new drop scene, not quite to the liking of the critic though: \"however picturesque and attractive the drop scene may be it ought not to absorb the attention of the onlookers to the exclusion of other objects quite as attractive and much more interesting\". Considering how much stage furniture was normal at that time, this performance must have been very crowded!\n\nOne of the plays, Done on Both Sides, also came in for some sharp remarks, yet this time there was no public outcry in the Herald. But for the remainder the principal character, Henry Jasper (in A Bachelor of Arts) was most successfully personated by Mr. NEWCOME who greatly excelled his efforts on a former occasion and succeeded in placing himself in the foremost ranks of our genteel comedians. Not less finished and effective was the acting of Mr. PICKWICK, in the character of Mr. Thornton. It would, indeed, be difficult to conceive a more quiet and judicious representation of the intelligent, gentleman-like, elderly merchant and man of the world than this performer succeeded in giving. \"Mr. PICKWICK as one of the new members of the corps, we look upon as a decidedly valuable acquisition\". And of course there was that \"first star of the galaxy\" Mrs. NESBIT as Emma Thornton with her \"astonishing powers of portraying the multifarious and often uncomprehensible traits of character which make up that delightful enigma 'woman'\". In Done on Both Sides \"our old favorite Mr. BRUSHWOOD appeared in the character of Pygmalion Phibbs, a veterinary Surgeon\" (NCH 13.2.1858). For behaviour of some members of the public see Survey.\n\n16.3.1858 (Tue)\n\nJ.H. PAYNE: \"Charles the Second\" (1824)\n\nT: Comedy (2 acts)\n\nH. LILLIE: \"As Like as Two Peas\" (1854)\n\nT: Farce (1 act)\n\nC: Amateurs\n\nF: Music by Messrs Phu & Mor; a selection of overtures and operatic morceaux\n\nTh: Theatre Royal (C)\n\nN: Second performance of the season.\n\nR: Again one of the pieces, As Like as Two Peas, was not quite up to the standards of the reviewer: \"what was successful in creating laughter was due to the acting, certainly not to the play\". Mrs. NESBIT got some competition tonight for an \"actress of much promise made her debut before the Shanghai audience [Miss WALTERS – JHJ]. The lady-like manner and finished toilette of the new candidate created quite a sensation\". Payne's Charles the Second was far more to the taste of Herald: \"On this occasion the corps took a large step backward — not, we would for an instant wish to infer, in point of ability, but merely in point of time. Hitherto their efforts have been enlisted upon contemporaneous subjects upon the manners and custom of the present day (this was not quite true, see e.g. 21.4.1851 and 26.1.1852). Their characters have been taken from the sunny side of Regent Street or the genteel suburbs of Clapham and exhibited on the stage in the costumes to which the genius of living tailors has brought us, and which we, in our foolish vanity, may consider elegant and becoming, but which, it is mortifying to think, will furnish a subject of lively mirth and ridicule to our great-grandchildren. The comedy selected went back to the time of Charles II and was illustrative of the manners of himself and his court. The scenes were laid in Whitehall and Wapping; and the characters were the courtiers of the merry Monarch and the occupants of a hostelry. The mise-en-scene, considering the means the amateurs have at command, was very well arranged and the two royal and noble revellers, together with the attendant Page and Lady Clara, were dressed with great elegance and effect.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211956, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 371, "title": "RAS-1989", "content_text": "346\n\nthe 71st birthday of Dang Nga-Chyun, a member of a rich family descended from the mou-geui-yan Dang Ying-Yun. Also on display in the same room were other scrolls of calligraphy and painting. Put on display for a couple of hours were relics of the wong-gu. As many of the Dangs were proud of telling, there were two of them (1) a set of twelve small paintings known as Gwai-Fei Tip, believed to be the work of Fu Qing, a lady-in-waiting in the Song court; and (2) a painting of an eagle, reputed to be the work of the Emperor Song Huizhong; both given to the wong-gu as souvenirs.54 Although they were put on display during a visit by about 200 members of the Hong Kong Branch of the Royal Asiatic Society, to put those two antiques on display had always been part of the tradition.55\n\nEach of the villages was decked out with fa-paai banners too. In most cases there was a fa-paai presented by all the members of the village in celebration of the ten-yearly jiu. In the case of Tai Hong Wai there was one from all the descendants of Sung-Gok jou (father of Dang Man-Wai and his brothers) as well as one from the \"youngsters\" of Tai Hong Wai. The village gate had red slips of paper saying Fast (tsai-gai) and Clean (git-jing).\n\nC. Ritual Representatives\n\nIt was explained to me that the people in each gu divided into family groups (chu). In some cases, the nearest common ancestor such a \"family\" group could trace was more than ten generations distant. For example, under Mr. Dang Tim-Kau's entry were his blood brothers, the sons of his father's brothers, as well as others who were more remotely related to him. The nearest common ancestor of the chu as a whole was Git-Sau jou, who was, from the standpoint of Dang Tim-Kau's grandsons, 12 generations up the lineage tree. The selection of ritual representatives was done by divination with bui.56 The theory of an elder is that each chu chooses its own candidate for ritual representative. But, according to a younger ritual representative, if a man failed in the divination, then his son would try his luck in the same selection process. The candidate who got the longest series of sing-bui would be the no. 1 ritual representative. The others were chosen and ranked in the same manner. But there were additional rules. Each gu section must have one man among the no. 1 to no. 5 ritual representatives, and each had to have three men among the no. 1 to no. 15 ritual representatives. The last three places (58-60) were, as a rule, alloted to the Ying Lung Wai people,", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 211985, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 400, "title": "RAS-1989", "content_text": "375\n\nOfuchi (1983).\n\n5.1 These two kinds of embroidery were always found in major festivities and at temple altars.\n\n54\n\nBoth are reproduced in the Dang Clan Association handbook in Huge Baker's collection of genealogies, with commentary. One of the Dangs I talked to had some doubt about the authenticity of the alleged painting of Song Wuizong. He observed that the calligraphy was not of the typical style of the emperor, the shou-zhen ti.\n\n55 Although the wong-gu was a common ancestress, her relics were not public property. The painting of the eagle belonged to a wealthy leader of the Dangs of Kam Tin, and the other pieces to the Wan-Gaan jire segment or one of its members.\n\n57 On this divination instrument, see Ahern (1981:45-47).\n\nDiscussed in the next part of this report.\n\nSV For more information on Lam Pui and his family, see Tsui (1985).\n\n60\n\nThe rite is locally found probably only in the Kam Tin jiu festival. The priests explain it by alluding to the legendary Baiguai Zhen battle formation of Zhuge Liang, a stateman and strategist in the period of the Three Kingdoms (220-265). I think it is probably more directly related to the gimen dunjia style of magic.\n\n42\n\nA handheld small metal idiophone with a handle.\n\nSee Schipper (1974) for a thorough discussion of the Memorials in the Taiwan case, which is very close to the one I am describing.\n\nThe Oral History Project collection and Osuchi (1983) include most of the manuals used in this festival.\n\n64 The actual seating no longer observed the segregation of the sexes, although this used to be the practice.\n\n65 The difficulty was due partly to the fact that there were more Naam Bin people than their Bik Bin counterparts, even when the Ying Lung Wai villagers were added to the latter. As I have mentioned already, the seating area was divided into two halves, one for Naam Bin and one for Bak Bin. This gave the Bak Bin chu more seats each.\n\nI learned from a different source that the elder left early on the day because he felt that some younger villagers were being hostile to him.\n\n67 The informant explained that it was usual for the Village Representatives to keep their position until they die. Therefore, those who are interested in becoming one always fail, except in Shui Tau, where the villagers generally have more exposure to the outside world and re-elect their V.R. once every two years.\n\n68 I saw another lady doing waan-san at Ying Lung Wai. In addition to the san-seng, she made offerings at the village gate as well, which I guess is the normal practice.\n\nThe two men were elders/ritual representatives, neither was the head of the lineage, probably due to the lineage head's age.\n\n70\n\nExcept in the case of Tin-Chyun San-Gwan, I have relied on the Daojiao Yuenliu, the priests' manual to which they often refer when asked to explain their tradition, for interpretation.\n\nThere were some young ladies in the procession this time, which represented a recent development.\n\n72 Ancestral tablets could be seen inside, but Mr. Dang Jik-Waai said that the place used to be a sun-teng, and was worshipped by the procession because of this.\n\n73\n\nIn which case only the woman herself would suffer.", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212659, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 213, "title": "RAS-1991", "content_text": "194\n\nKang district of Chia I county where his grave is flanked by a pair of stone civil and military guardians and stone horses. Wang was created an Earl, granted the posthumous name Kuo-min, \"Determined and Beneficial\", and the posthumous title of T'ai-tzu T'ai-pao, the Grand Guardian of the Heir Apparent. Votive tablets bearing the name Wang Te-lu can be seen in a number of temples in Taiwan, including the Lung-shan Ssu in Taipei, reflecting the importance with which he is held within the island.\n\nHis paternal grandfather was a lieutenant in the force sent to Taiwan to put down the revolt by Chu I-kuei against the Manchu Ch'ing dynasty in 1721. He was killed in battle in Feng-shan county, and was followed to Taiwan by his sons and grandsons who settled in the area now known as T'ai-pao village in T'ai-pao district of Chia I county, places bearing Wang's posthumous honour of Grand Guardian, T'ai-pao.\n\nAccording to folk memory Wang Te-lu was a feckless youth causing his parents to fear humiliation. They took the extreme step of constructing a secure area within the home where he was incarcerated and fed three meals a day by his elder brother's wife who perceived that his face bore the fateful signs of a formidable future. One day she failed to follow the instructions of her parents-in-law, left open the door to the secure area which permitted Te-lu to escape. He was ever beholden to his sister-in-law, and after she died and was buried in Pai-ho district of Tainan county, he memorialised the throne requesting she be raised posthumously to the \"Lady of the first official grade”. \n\nIn 1786 Lin Shuang-wen led a revolt in Taiwan against the Manchu Ch'ing dynasty in support of the campaign to \"Restore the Ming”. Although Wang Te-lu was a mere youth at the time, he would have been 15, he nevertheless became involved in the struggle to suppress the revolt and after the troubles were over was awarded Hung-ting Hua-ling: (the red button and the peacock's feather), mandarin's rank and an imperial honour.\n\nLocal history maintains that in 1821 Wang was transferred to be the staff of the provincial military commander of the two provinces of Chekiang and Kiangsi, and in 1828, during the siege of Chia I led by Chang Ping, Wang Te-lu's service with the imperial force protecting the town and building up the town's walls resulted in him being awarded the honour of the Imperial Grand Guardian of the Apparent.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 214896, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1999", "page_number": 311, "title": "RAS-1999", "content_text": "285\n\nProbably it was worth it with someone fanning you the whole time. We all had a good laugh...........\n\nOn the third day, after breakfast, we took a sampan ride along the serene Perfume River and visited the Minh Mang Tomb, built between 1840 and 1843. The zenith of the Nguyen Dynasty was reached during the reign of Emperor Minh Manh. The tomb consists of about 40 monuments of various dimensions. All lie within a wall, oval in shape and 2,000 metres across. The main entrances to the monumental complex opens to varied scenes offering visitors pleasant sights. Most of the monuments mirror themselves in man-made lakes. The planning of the tombs reflects the strict social organization in Minh Mang times, the centralism and the monarch's Confucian inclinations.\n\nAnother place we visited was the Khai Dinh Tomb. Emperor Khai Dinh (1885-1925) ruled the country for nine years, from 1916 to 1925. His tomb, however, was built within a period of 11 years, from 1920 to 1931. Under Khai Dinh, western culture vigorously infiltrated Vietnam. As a result, in his tomb, several elements of western architecture blend with Vietnamese traditional art, particularly in the use of concrete in place of wood, ardoise slates for roofing, iron gates, lightning rods and electric lamps. Mountains, hills and rivulets around the tomb are exploited to fulfil the geomantic requirements thus offering the tomb a majestic environment. In the Thien Dinh Palace, inside the tomb, its interior decoration features colourful mosaics made up of millions of ceramic chips. The Khai Dinh Tomb has been classified as a work of \"neo-classicism.\"\n\nThe last monument we visited was the Thien Mu Pagoda. It was built by Lord Nguyen Hoang, in 1601, and named \"Pagoda of the Heavenly Lady\". The pagoda area can be divided into two sectors separated by a triple gate. The front sector comprises monuments and memorials such as the seven-story Phuoc Duyen Tower, the Big Bell, weighing two tons, a Stele on the back of a Tortoise, and the Stele \"Bell of the Pagoda of the Heavenly Lady\". The rear sector of the Pagoda is set aside for the practise of Buddhism and monks' activities. Also preserved there are some precious antiquities such as the bronze gong, cast in 1677, and the 1715 timber gilded board with Lord Nguyen Phuc Chu's inscription. With landscape and monuments in perfect harmony, the monuments mirror themselves in the peaceful Perfume River.", "txt_file_path": "txt/dfo323lmgvd/RAS-1999.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s178b887x", "rank": 0 }, { "id": 215334, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 111, "title": "RAS-2001", "content_text": "59\n\nin southern China. Although he is particularly remembered in the south of China as the General who conquered the Yue people [Tonkinese] in about AD 39, the Hainanese in South-east Asia regard him as one of their special heroes with his image on side altars in several Hainanese community temples in Malaysia and Sumatra. Support of such a powerful spirit of a general who symbolised courage and confidence in the comparatively newly conquered south was vital to bolster the spirits of the Chinese settlers and to counter threats from aborigines, the climate and the general misgivings of the migrants so far from the Han homelands of central and northern China. Although this was the original reason for the worship of this deity, in recent centuries it has been lost and, in general, replaced by worship for his magical efficacy in providing satisfactory solutions to daily problems.\n\nHe began his career under the Xin dynasty ruler, the usurper Wang Mang but stimulated by ambition he later took up arms against him. During one campaign when briefing his generals he produced a \"cloth model\" by tracing out the lie of the land in a large tray of rice pointing out the routes and lines of advance his assembled generals should take. He aided Liu Xiu in re-establishing the Han dynasty by defeating the forces loyal to Wang Mang. Ma was then appointed Governor of what is now Gansu province, in the north-west, from where he led an army down to Tonkin to put down the revolt against the Chinese overlords.\n\nMa Yuan, well known in Guangzhou for his great height and bravery as a general, was particularly renowned for his campaign in Annam where he had pacified the country and brought back to Guangzhou city a number of Tonkinese bronze drums which he had melted and cast into statues of horses. Apart from the award of the title 'The Conquering Wave' he had the honour of having his daughter joined in marriage with the heir apparent.\n\nA certain Lady Zhu headed the insurrection against the Chinese in Annam and was captured and sentenced to death. She had been stripped of her finery before execution and was dressed in her barest clothes. Ma Yuan took pity on her and gave her one of his robes to cover her bare limbs which is said to have led to the Tonkinese ladies' custom of wearing trousers and a long covering dress with wide sleeves.\n\nDespite his age he volunteered with his ardour and ferocity", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 } ]