[ { "id": 204270, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 38, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n34\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nerrant may be said to have had an ideology, it had more affinity with Taoism than with any other school of thought. True, in their altruism and devotion to duty they showed some resemblance to the Mohists, but they did not share the austerity of the latter. Indeed, the Mohists despised the knights errant and did not think them worth mentioning. It was to Taoism that some knights errant turned for guidance, as recorded in the biographies of several of them. This is hardly surprising: both Taoism and knight errantry came into being before Confucianism became the established official ideology, and both emphasized individualism and freedom from social bonds. To risk a generalization: if the obverse side of the Chinese character is represented by Confucianism—moderate, realistic, and conservative, then its reverse side is represented by Taoist philosophy, knight errantry, and various unorthodox artists and writers: romantic, individualist, and rebellious. It seems to me that it is the obverse side that is familiar to the West while the reverse side is perhaps not so well known and deserves more attention.\n\nTo come back to the history of knight errantry; the early Han emperors, though they paid lip service to Confucianism, actually ruled largely by Legalist methods. It is therefore not surprising that they took strong measures to suppress the knights errant. I have already mentioned that Kuo Chieh's father was executed by order of Emperor Wen. In the next reign, Emperor Ching ordered the execution of many others. And Emperor Wu, as we have seen, ordered the execution of Kuo Chieh and his family. Yet in spite of such suppression, many knights survived, although not all of them lived up to the high ideals of true knight errantry. In later periods, knights errant continued to exist. For instance, the poet Li Po (A.D. 701-762) was a knight errant in his younger days and killed several people by his own hand. In still later periods of history, we also read of people described as being knights errant or behaving in a knightly manner. Sometimes this means no more than that someone behaved in a chivalrous, altruistic way, without necessarily using force or breaking the law. On the other hand, the more swashbuckling knights either degenerated into mere outlaws or became professional bodyguards. As we are concerned here with literature rather than history, I shall give no more examples of historical knights but turn to descriptions of knight errantry in literature.\n\n7 According to the \"Biographies of knights errant\".\n\nSee Lao Kan, \"Yu-hsia, a type of knights errant in the Han dynasty\", Bulletin of the College of Arts, National Taiwan University, No. 1.\n\nLi T'ai-po shih-chi (SPPY), chüan 31, 5a. See Arthur Waley, The poetry and career of Li Po (London, 1950), p. 6.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204272, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 40, "title": "RAS-1961", "content_text": "Vol. 1 (1961)\n\nISSN 1991-7295\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n36\n\nThe next example is from Li Po, who, having been a knight errant himself, naturally eulogized them in his poetry. In his \"Song of the Knight Errant\", he describes a knight thus:\n\nThe man from the North wears a tasselled hat\n\nAnd a curved sword as bright as frost or snow.\n\nHis silver saddle shines on his white steed\n\nOn which he rides as fast as a shooting star.\n\nHe can kill anyone within ten paces\n\nAnd will not stop till he has gone a thousand miles. Shaking the dust from his clothes, he goes into hiding,\n\nTo shroud in secret his person and his name.\n\nAfter mentioning two famous knights of antiquity, the poet concludes:\n\nAfter death, their chivalrous bones are fragrant;\n\nThey can compare with any heroes in the world. Who cares to imitate the pedantic scholar\n\nWriting books until his hair grows white?\n\nIn another poem he again says:\n\nIt is better to be a knight errant than a scholar:\n\nWhat is the good of studying hard when your hair\n\nis turning white?12\n\nFinally, a poem by Chia Tao (A.D. 777-841), which seems to me to sum up the spirit of knight errantry in four lines:\n\nThe Swordsman\n\nThis sword I have been polishing for ten years;\n\nIts frosty edge has never been put to the test.\n\nNow that I've shown it to you, pray tell me:\n\nIs there anyone suffering from injustice?*\n\nBut the richest fruits of chivalric literature are naturally to be found not in poetry but in fiction. Among the romances in classical prose of the T'ang period, we find many tales of chivalry. Apart from their generally high literary standard, these tales are remarkable for two interesting features: first, in many of them, a supernatural element is introduced; secondly, we encounter as many female hsia, or chivalrous ladies, as knights. The story of Hung Hsien is a typical example. Hung Hsien, or \"Red Cotton\", was a maid in the household of Hsüeh Sung, the military governor of Lu-chou, in the T'ang dynasty. She was a skillful p'i-pa player\n\n11 Li T'ai-po shih-chi, chüan 3, 31.\n\n12 Ibid., chüan 3, 14.\n\n13 Ch'üan T'ang shih, chüan 571. (In the Peking, 1960 edition, p. 6618).", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 77, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n73\n\ncalled \"Umbrella of Noumenon and Unity\" (hun-yüan san A) which is decorated with emeralds and precious pearls of divine power which are threaded together to form the words: \"to pack up the universe.\" When this umbrella is opened, heaven and earth, the sun and the moon, will be covered up by darkness, and when it is rolled the world will be shaken. Mo Li-hai carries a spear and on his back there is a four-stringed guitar (p'i-p'a) which will produce the same effect as the \"Blue Cloud Sword\" when played on and the four strings correspond to earth, water, fire and wind. Mo Li-shou carries two whips and a bag in which is concealed a peculiar creature resembling a rat, hua hu-tiao (the striped marten). When hurled into the air this creature will assume the shape of an elephant with wings from its ribs and will devour every one.\n\nThe combat between these four brothers and the heroes from the camp of King Wu can be found in Chs.39-41 of the novel. They are engaged in mortal combat with the Li brothers, Chin-cha, Mu-cha and No-cha in Ch.40. If the reader knows that Li Ching, the fabulous father of these three Li brothers is in fact derived from one of these four heavenly kings, Vaisravana, the ingenuity of the author of this novel can be appreciated, because before the publication of this novel, in many other works Vaisravana and the Chinese god Li Ching, based on the historical hero so named of the Tang dynasty, had long been amalgamated and formed a single name, P'i-sha-mên t'ien-wang Li Ching (Vaisravana or Li Ching, the Heavenly King of Vaisravana). The Chinese transliteration from the Sanskrit \"Vaisravana\" since the T'ang dynasty has been Pi-sha-mên (R), the last character of which, mên, though senseless in this connection, normally means \"gate\". Thus, in popular literature, the term P'i-sha-mên lost its original meaning and became the name of the P'i-sha Gate, and it was therefore natural enough to have a heavenly general, like Li Ching, to take charge of it, though in English this may appear peculiar.\n\n* In Yang Ching-hsien's (MRK) play T'ang San-tsang Hsi-t'ien Ch’ü-ching (EXRE), Scene 9, we read \"P'i-sha-mên hsia Li Tien-wang\" (TX) which means the Heavenly King Li under the P'i-sha Gate. In the prompt-book Ch'i-kuo Ch'un-ch'iu P'ing-hua ta (TH), chüan 3, we have \"P'i-sha-mên To-t'a Li T'ien-wang\" (*XE) or P'i-sha-mên, the Heavenly King Li who holds in his hand a pagoda. Sometimes the story-tellers thought since there was a P'i-sha mên (gate), it was wise to create a palace, called P'i-sha Kung (CE W D). In the Nan-yüeh-chi, Ch. 11, we have \"P'i-sha Kung Li Ching Tien-wang\" (K*XE). In a long eulogistic poem in Ch. 12 of the Feng-shen, there is a palace in heaven called K'un-sha Kung (R V E) which is obviously an erratum.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204314, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 82, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n78\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nson of Li Ching is Hui-an () who was a disciple of Kuan Yin (Bodhisattva Avalokitesvara), while his name, Mu-ch'a (*), is not mentioned except in one verse, and not in the prose part of Ch.21. This is the name the author of the Fêng-shên Yen-i adopted. The origin of the name Mu-ch'a can be found in chüan 18, Kan-t'ung P'ien (A) of the Sung Kao-sêng Chuan (***) by Tsan-ning (), who was a follower of the Monk Sangha (@). The latter was said to be an incarnation of the Avalokitesvara of eleven faces and died in A.D. 710. Apart from Mu-ch'a, Hui-an was also one of his disciples. Therefore, in popular literature, Mu-ch'a and Hui-an are mixed up into one person and in the \"Four Travels\" Hui-an remains a disciple of Kuan Yin. It was the author of the Fêng-shên who changed the character ch'a (X) to cha (RE) in his novel so that the name could have the same second character as No-cha. In some popular editions of the \"Four Travels\" the character ch'a (X) has also been changed.\n\nNow, in the Tantric works, though the second and third sons of Vaisravana (Tu Chien and Nata) play rather important parts, his other sons, especially his first son, are not mentioned. I have read through a large number of sutras about Vaisravana and consulted some Buddhist scholars in Japan,1a but they could not give me any definite opinion. In Oda Tokuno's (1) Buddhist Thesaurus (#) and in the Chinese work Fu-hsüeh Ta Tz'u-tien (BAND) edited by Ting Fu-pao (TR) based upon it,19 we find that the names of P'i-sha-mên wu t’ung-tzu (£££7 Five Attendants of Vaisravana) include Tu Chien and Nata, but no origin is given. I think they may be identical with the \"Five Yakshas\" which appear under the sub-title \"Princes and Family Members\" (ERB) in Caturmaharaja (19F諸小王及眷屬)in E) in chuan 6 of the Ch'i Shih Ching (). They are, in translation, Fifty-feet (wu-chang £), Wilderness (k'uang-yeh ), Golden Mountain (chin-shan ), Long Fellow (ch'ang-shên ) and Hair of A Needle (chên-mao E). They appear (translated literally from the Sanskrit) also in the Caturmaharaja of the Shih Chi Ching (H) and in chüan 19 of the Dirghagama (£§ÂŒ) as \"Five Attending Genii of Vaisravana.”\n\n20\n\nI Dr. Henmi Baiei), Professor of Buddhist Art, Tama University (9) and others. I have also consulted the Chinese Buddhist priest Tan-hsü (1), aged 89, a disciple of the late T'i-hsien (M) of the Tien-t'ai Sect (R) and some Tantric scholars.\n\n19 The 4th ed., I Hsieh Shu Chũ (885), Shanghai, 1939.\n\n20 No. 24, The Tripitaka in Chinese, translated by Jñanagupta. cf. No. 25, Ch'i-shih Yin-pên Ching (#LFXE), chữan 6 & 7.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204318, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 86, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n82\n\nfloated up again, until the Buddha of Light transformed himself into a monk to advise the elder that it was not a lump of flesh, and that inside it were five children.\n\nNo-cha's mother was pregnant for three years and six months. I think this is derived from the Pei-yu-chi (\"The Dark God Chên-wu or The Voyage to the North\"), Ch.6, which depicts one of the re-incarnations of the god Chên-wu (EH). In that story it is said the queen of Li T'ien-fu (X), a king of the Kingdom of Hsi-hsia (E), was pregnant for three years and sixty days. The king was vexed about it and thought it inauspicious. When the baby was born at last, the whole chamber was \"full of an extraordinary fragrance.\"\n\n4. THE COMBAT AND THE STORY OF THE PAGODA-BEARER\n\nWhen No-cha was only seven he was six feet in height. It was in the fifth month, the weather was hot and that made No-cha irritable and uneasy. He went to request his mother to allow him to go out of the Pass for a walk. The mother was very fond of him and approved his request but said, \"You must be accompanied by an attendant and must not stay outside very long lest your father should come back.\" (Fêng-shên Yen-i, Ch.12)\n\nIn Ch. of the Nan-yu-chi we read: \"The young Intelligent Light (XAF) prostrated before his mother and said, 'Your son knows that the hills around here have lovely scenery. Please allow me to ramble about them.' The mother said, 'You may go, but you must be accompanied by an old servant, lest you rush into calamity. Do not stay too long and forget your home-work.' When we come back again to the Fêng-shên, we read: No-cha and the attendant went out of the Pass for about one li, when he was covered with perspiration and could not continue the journey. They decided to rest under the shade of some willows. Sitting there he unfastened his waist belt, opened his coat and enjoyed the cool air. A stream of green water running between two banks of willows with a lively current was in front of them. A gentle breeze blew over its surface, and the murmur of the water flowing through the rocks could be heard. No-cha hastened to the bank and cried out, 'I will bathe here on the rock.' 'Hurry up,' the attendant reminded him, 'and take care of yourself. Your father will be anxious if he returns and does not find you.' No-cha agreed. He stripped off his clothes, and dipped his seven feet of red silk gauze, which covered his body, into the water as a towel. When this precious gauze was immersed in the water its brilliant ray turned the river to a reddish", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204325, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 93, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n89\n\n\"the second son of the third prince of Vaisravana, the Heavenly King of the North”(北方天王吠室羅摩那羅閣第三王子其第二之孫) and in this text Nata addresses Vaisravana as \"my grandfather\" (RAXXE). Furthermore, this legend appears also in 卷一 of the Ta-fang-pien-fu Pao-ên Ching (大方便佛報恩經) (ASENNUE), and as I have found another story about the \"reincarnation from the lotus\" also in that sutra, which is also similar to the description of No-cha's reincarnation in the novel, I think both these stories may have influenced the author besides the case cited above.\n\nThe story of No-cha's reincarnation and the combat between the father and son is a very dramatic one and it reveals again the literary gifts of the author:\n\nNo-cha's souls, being dispersed, had nowhere to go, drifting about in the air. They went directly to the grotto of the Immortal T'ai-I. Chin-hsia (金霞), the younger disciple of T'ai-I saw it at the entrance, came to the master and said, \"I wonder why No-cha is now borne on the wind and drifting about freely.' (Last paragraph, Ch.13 and first paragraph, Ch.14, Fêng-shên Yen-i.)\n\nWe know from the previous narratives of the novel that No-cha was an avatar of Ling-chu Tsu, the Intelligent Pearl. But why was he so named? I think the following paragraph from Ch.2 of the Nan-yu-chi may explain both this name and the last paragraph I have just quoted:\n\nThe Intelligent Light (Ling-kuang) was enveloped by the Purple Emperor (紫皇) with the magic weapon Nine-bend Pearl (九曲珠) and died in that Pearl. The souls of the Intelligent Light borne on the wind had nowhere to go, and were seen by the Celestial Honoured All-Merciful and All-Compassionate Marvellous-Delight (慈悲妙喜天尊) (NEVRXO) who was in his meditation in the Palace of Eight-scenes. Watching the souls drifting about, he thought...\n\nAs the Chinese character is monosyllabic, it is easy to pick out the character ling (靈) and chu (珠) from this paragraph to form a new name and give it to No-cha as his other title since the description of his reincarnation is partially derived from here. The story continues thus:\n\nThe Immortal (T'ai-I) charged No-cha, “This is your place no more. Return to Ch'ên-t'ang Pass and see your mother in dreams, request her to build a temple for you to dwell in on the Ts'ui-p'ing Hill (Green Screen Hill) forty li away from the Pass. Sacrifices will be offered to you for three years and after that you may be reincarnated. Go ahead and do not tarry.\" During the third watch of that night No-cha appeared in a dream to his mother, saying, \"Mother, my souls have nowhere to go and I have suffered bitterly. Pray", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204584, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1963", "page_number": 65, "title": "RAS-1963", "content_text": "54\n\nMA MENG\n\ninfluence. After 1919, Western sentence structures and punctuation marks were deliberately adopted, especially by the so-called \"New Literary writers\", such as Hsu Chih-mo and Hsieh Pin-hsin 謝冰心.\n\nSince 1949 new efforts have been made in Mainland China to work out a Chinese grammar on the Western pattern. As a result, the sentence structure of the Chinese language has become still more westernised, as a glance at the People's Daily will suffice to show. There are also signs of a deliberate effort to introduce Western phrases and grammatical patterns into the spoken language; but so far at least these appear chiefly in political or ceremonial speeches.\n\nIt should be noted that Western influence on the Chinese language, since the May 4th Movement, has been primarily English, not only because English has been the most widely used foreign language in China but also because since that time most Chinese translations of foreign literature have been made from English.\n\nThe most remarkable feature in the recent linguistic changes in China has been the rapid growth of vocabulary, which has greatly enriched the language. This growth has been due to the coinage of new terms to describe new situations or to replace old terms, and the use of traditional, colloquial or regional terms used in a new sense.\n\nAs in all languages, new Chinese terms or expressions can have foreign or native sources; but in Chinese the great majority of new terms have come from foreign sources. Mass assimilation of Western knowledge in recent years has created an ever growing demand for new terms to describe objects or situations hitherto unknown in China. However, since, with a few exceptions, the Chinese language is written in monosyllabic characters and lacks a uniform pronunciation, it does not lend itself well to the adoption of foreign terms by transliteration. Transliteration being difficult, new terms have more commonly been introduced into Chinese by translating the foreign term into Chinese characters - a practice that can cost more effort than the coinage of new terms. When Liang Ch'i-ch'ao described his impressions of a visit to the British Parliament, he coined the expression pa-li-men. “Science” and “democracy\" first became known in China as sai-yin-szu or sai-hsien-sheng (\"Mr. Science\")", "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v", "rank": 0 }, { "id": 204848, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1964", "page_number": 151, "title": "RAS-1964", "content_text": "126\n\nD. LESLIE\n\nannotated. The Lun Heng is over six times the size of Mencius and thirteen times that of the Analects (of which Waley's translation takes up 150 pages with 100 pages of comment). The task is clearly enormous. Until such time as a modern scholar can devote many years to this work alone, Forke's translation will remain indispensable.\n\nForke's \"Introduction\" (pp. 4-44) is still amongst the finest summaries of Wang Ch'ung's thought. It goes deeper than the wider-ranging general surveys of Chinese philosophy mentioned earlier, and consequently gives a more rounded picture of his contribution. The only comparable western summary is given by Li Shi Yi in his \"Wang Ch'ung\" T'ien Hsia Monthly 5, 1937, pp. 162-184, 290-307. After reading Forke, one may turn to the more specialised studies by Joseph Needham in his Science and Civilisation in China, Vol. II, 1956, pp. 368-386; and by myself on \"Technical Vocabulary\" (in my \"Contribution\" pp. 134-149); on Wang Ch'ung's biological ideas in \"Early Chinese Ideas on Heredity\" Asiatische Studien: Etudes Asiatiques 1/2, 1953, pp. 26-46; and on \"Les Théories de Wang Tch'ong sur la Causalité\" (to appear in 1964 in the Mélanges).\n\nSince Forke's work appeared, several annotated commentaries to the Lun Heng have been published. The best is undoubtedly the 1938 Lun-heng Chiao-shih by Huang Hui. Unfortunately this is almost unobtainable. A second-best is the 1957 Lun-heng Chi-chieh by Liu P'an-sui, based on work up to 1932. Both include the comments by earlier scholars such as Yü Yüch and Sun Yi-jang; and both give, in extensive appendices, passages from the Chinese works throughout the centuries which mention Wang Ch'ung. However, Huang Hui not only gives a fully punctuated text, but also the pre-Han and Han parallels, rarely given in Liu P'an-sui's edition, but many of which had been found independently by Forke, who also gives a valuable list of Wang Ch'ung's quotations from earlier sources. Huang Hui also includes the brilliant essay on Wang Ch'ung's reasoning by Hu Shih.\n\nThere is no need to go into details about the many recent books and articles in Chinese on Wang Ch'ung, since Timoteus Pokora has dealt with them in his excellent, mainly bibliographical essay \"The Necessity of a more thorough Study of philosopher", "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r", "rank": 0 }, { "id": 204963, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1965", "page_number": 71, "title": "RAS-1965", "content_text": "64\n\n6.\n\n7.\n\n8.\n\n9.\n\nJ. MCCOY (1958). A Course in Modern Linguistics. New York.\n\nWang, Li (1932). Une Prononciation Chinoise de Po-pei. Paris.\n\nand Ch'ien Sung-sheng (1949-50a), “Chu-chiang San-chiao-chou Fan-yin Tsung-lun\" (A General Discussion of Local Dialects in the Pearl River Delta), Ling-nan Hsüeh-pao (Lingnan Journal), Vol. 10, No. 2.\n\nand Ch'ien Sung-sheng (1949-50b). \"Tai-shan Fang-yin\" (The Toishan Dialect), Ling-nan Hsieh-pao (Lingnan Journal), Vol. 10, No. 2.\n\n10. Ward, Barbara E, (1954). \"A Hong Kong Fishing Village,\" Journal of Oriental Studies, Vol. 1, No. 1. Hong Kong.\n\n11. (1965). “Varieties of the Conscious Model, The Fishermen of South China,\" The Relevance of Models for Social Anthropology. London. From the Association of Social Anthropologists Monographs.\n\n12. Wong, S. L. (1963). Cantonese Conversation Grammar. Hong Kong.\n\n13. Yuan, Chia-hua, and others (1960), Han-yü-fang-yen Kai-yao (The Principal Features of Chinese Dialects). Peking.", "txt_file_path": "txt/dfo323lmgvd/RAS-1965.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/s752cj653", "rank": 0 }, { "id": 205109, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 65, "title": "RAS-1966", "content_text": "60\n\nHERBERT FRANKE\n\ntheir functions in the Yuan-shih. On the Chinese side, the leading astronomer was Kuo Shou-ching (1231-1316). To him fell the difficult task of reconciling the Arab astronomical system with traditional Chinese astronomy which had entirely different mathematical and geometrical foundations. As I am not a specialist in the history of science, I have to refer to Needham's detailed study of this problem.7\n\nAnother field where Western Asians reached some prominence in China was medicine. It seems as if the skill of Westerners in surgery greatly impressed the Chinese, because physicians from the Near East who performed all sorts of difficult operations are frequently mentioned. Some of them were not Muslim but Nestorian Christians, like Ai-hsieh (1227-1308) whose Chinese name is a rendering of Syriac Isa, Yehoshua, or Jesus. He was not only a famous physician but also for some time served as a Court Astronomer under Kublai Khan prior to the arrival of Jamal ad-Din. Ai-hsieh reached high offices at Kublai's court and was even honored posthumously by having his biography included in the Yüan dynastic history. His activities in China, however, and the presence of many other doctors from the Western Regions, failed to leave a permanent impact on Chinese medicine. The theoretical framework of traditional Chinese medicine continued to be the basis for medical literature and there is not much trace of Western contacts to be noticed in such medical and pharmacological Chinese works as the Pen-ts'ao kang-mu by Li Shih-chen (sixteenth century). On the other hand Chinese medicine was made known rather widely in Islamic countries, as we shall see later. It seems, in any case, that individual skills and techniques were appreciated in Yüan China rather than new theoretical issues and ideas that were entirely foreign to the Chinese. This is certainly the case in both astronomy and medicine; both remained faithful to the inherited theories in spite of occasional borrowings from the West.\n\nTechnology was another field where Westerners were active in China. We have mentioned artillery already. The catapults used by the Mongol and Northern Chinese armies against the fortified town of Hsiang-yang on the Han River were built by Mohammedan engineers. Hsiang-yang has, during a long period in Chinese history, been a town of great strategic importance. Whoever commanded Hsiang-yang could block the access to the fertile Middle", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 206025, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1970", "page_number": 105, "title": "RAS-1970", "content_text": "100\n\nK. M. A. BARNETT\n\nFor a Chinese in particular, and in still more particular a Chinese brought up in Hong Kong, I am going to make myself unpopular and say it would be a miracle if any of them really did obtain a thorough grasp of English without first learning Latin, quite a lot of Latin, and some Greek. He needs the Greek because English has (perhaps unconsciously) borrowed a lot of its flexibility from Greek. Then, building on that foundation, he needs to read and read: some Shakespeare and Milton, of course, for they are two cornerstones of the English language, but still more he should read, whatever his religion, large chunks of the Authorized (King James) Version of the Bible, both Old and New Testament. Just as any student of Greek must read Plato, regardless of whether he approves of Plato's philosophy, so any student of English who keeps away from the Bible because he is neither a Christian nor a Jew is throwing away the most fruitful source book: for every English person, even the modern pagans, even those who for Scripture teaching use some other version (e.g., the Revised), still falls back in his ordinary speech on the diction and rhythms of the Authorized Version.\n\nLAT\n\nHaving read and learned by heart the basic speech patterns of the language, it is then safe for him to jump to such modern exponents as G. Bernard Shaw; yes, I would advise jumping all that way, leaping over the 18th and early 19th century writers; you can always go back for them afterwards. But in making this big leap you need an inquiring mind and a patient teacher. Why does Shaw always write ARN'T I? when you have been taught AM I NOT and so forth. At this point I could bewail the lack of an efficient method of writing either (or any) language. Cadmus' alphabet is as unsuitable for any modern language as LI HSIH's: though both were miracles in their day. G. B. Shaw must be grinning wryly at the damp squib his legacy turned out. But although it would be a fine thing if someone would bequeath a few millions to our universities to put a good team working on something of lasting value—a way to record, faithfully, the 15 or so local languages—don't forget that we have a way. The tape recorder makes it possible for the prose or poetry writer of today, in any language whether or not it has a writing, to compose exactly as he wishes it to go. So another piece of advice to the student: ask for a library of recorded radio scripts. But avoid\n\n94\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1970.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ww72j0241", "rank": 0 }, { "id": 206239, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 56, "title": "RAS-1971", "content_text": "50\n\nCHIU LING-YEONG\n\nand the Chinese authorities. However the State Secretary, Thomas F. Bayard, was very pleased with Tseng's friendly attitude to the United States in his article. Cf. Foreign Relations of the United States, 1887, No. 168, Bayard to Denby, May 7, 1887.\n\n* Ho Kai (Ho Ch'i) was born on 12 March, 1859, the fifth son of the Rev. Ho Jun-yang. Ho Kai obtained his Bachelor of Medicine and Master of Surgery degrees from the University of Aberdeen in Scotland, 1879, and was admitted to Lincoln's Inn on 29 April, 1879. He was called to the Bar on 25 January 1882. Ho Kai was admitted to practice as a barrister in the Supreme Court on 29 March, 1882 after he returned to Hong Kong. From 1882 onward, Ho Kai appeared to be an educationalist, reformist, revolutionary etc. Ho died in September 1914. At the time of his death he was a Member of the Legislative Council of Hong Kong and had been knighted for his public services in 1912. See the account given at pp. 12-16 of T. C. Cheng's \"Chinese Unofficial Members of the Legislative and Executive Council in Hong Kong up to 1941” in JHKBRAS Vol. 9 (1969). After Ho's article was published in the China Mail on 16 February, 1887, it was translated into Chinese entitled \"Shu Tseng Hsi-hou Chung-kuo sheng-shui hou-hsing lun-hou\" by his friend Hu Li-yüan (1848-1916) and was published in the Hua Tsu Jih Pao on 11 May, 1887. Most of Ho Kai's writings like Hsin-cheng chen chian was written in English and was translated into Chinese by Hu. For Ho Kai, see Chiu Ling-yeong, The Life and Thought of Sir Ho Kai, unpublished Ph.D. thesis, University of Sydney, March, 1968; Onogawa Hidemi, op. cit.; Watanabe Tetsuhiro, op. cit.; Fang Hao, \"Ch'ing-mo wei-hsin cheng-lun-chia Ho Ch'i yü Hu Li-yüan”清末維新政論家何啟與胡禮垣, Hsin Shih-tai 新時代, Taipei III, 12 (1963) 20-25; Hsiang-Kang yali-shih Ho Miao-ling Na-ta-su i yüân ch'i-shih chou-nien ki nien, 1887-1967, Lo Hsiang-lin, Kuo-fu ti kao-ming kuang-ta, Taiwan, 1965, pp. 115-132, Kuo-fu chih 1a-hsüeh shih-tai, Taiwan, 1954, pp. 5-13; B. Harrison, (Ed): The First 50 Years, University of Hong Kong, Hong Kong, 1962 pp. 5-23; Llyod E. Eastman, \"Political Reformism in China before the Sino-Japanese War\", Journal of Asian Studies, Volume XXVII, No. 4, August 1968, pp. 695-710. André Chih: L'occident Chretien vu par les Chinois vers la fin du XIX siécle (1870-1900), presses universitaires de France, Paris, 1962, pp. 42 and 47. Hu Pin, Chung-kuo chin-tai kai-liang chu-i ssu-hsiang, Peking, 1964. pp. 82-84, pp. 173-182. Jen Chi-yü, “Ho Chi Hu Li-huan ti kai-liang chu-i ssu-hsiang” in Chung-kuo chin-tai ssu-hsiang shih lun-wen, Shanghai, 1958, pp. 75-91.\n\n中國近代思想史論文集 Liu Yü-sheng, Shih-tsai tang tsa-i, Peking, 1960, pp. 163-164. Immanuel C. Y. Hsü: The Rise of Modern China, New York, Oxford University Press, 1970, pp. 425 and 543. Harold Z. Schiffrin, in his book entitled Sun Yat-sen and the Origins of Chinese Revolution, University of California Press. Berkeley, 1968, also has a lengthy chapter dealing with Ho Kai's relations with Sun Yat-sen,\n\n9 Chung-kuo chin-tai ssu-hsiang shih ts'an-k'ao tzu-liao chien-pien, Peking, San-lien Shu-tien, 1957, pp. 174-175.\n\n10 Cf. Chung-Fa Chan-cheng, Chung-kuo shih-hsüeh hui Comp., Shanghai 1955, Vol. I; Ah Ying (Ed); Chung-Fa chan-cheng wen hsieh chi, Chung hua Shu tien, Shanghai, 1957, pp. 3-6.\n\nLi Ting-yi, Chung-Kuo chin-tai shih, Taiwan, 1959, pp. 153-162; Liu Feihua, Chung keo Chin-tại Chiến-shih, Peking, 1954, pp. 117-125.", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206323, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 140, "title": "RAS-1971", "content_text": "134\n\nH. J. LETHBRIDGE\n\nof its history64. The Hong Kong government utilised a number of Chinese associations that had developed independently, gave official status to a few and drew them for the convenience of administration into its orbit. In doing so, to some degree it had to forego total control over the Chinese population and share such control with a small number of Chinese notables. Both benefited from the arrangement. This system has been called one of 'indirect rule' but I feel the phrase conceals more than it reveals, for a committee such as the District Watch could on occasion shape government policy. Government had to play along with a number of Chinese committees for without their support the regulation of the Chinese masses would have been at best an uncertain matter. The heaping of honours on a small number of Chinese notables was, surely, a recognition of the key part they played in promoting stability rather than prizes given for their alienation from Chinese society. Such prominent Chinese, as I have suggested, were as much watchdogs for the Chinese community, and especially the Chinese bourgeoisie, as barking dogs for the colonial government.\n\nNOTES\n\n1 Lennox A. Mills, British Rule in Eastern Asia, London, Oxford University Press, 1942, p. 398.\n\n2 i.e., Sir Shouson Chow, Sir Robert Kotewall, Lo Man-kam, Dr. Li Shu-fan, and William Ngartsee Thomas Tam.\n\n3 S. F. Balfour states that Hong Kong Island was owned originally by the Tang (Têng) clan of the New Territories: 'Hong Kong Before the British', Tien Hsia Monthly, vol. xi, 1941, p. 464. A translation of a Chinese notice printed in the Friend of China, 24 July 1858, reads: Tung Wing-Fook-Tong (sic) of the Sun-on district, was formerly sole proprietor of the Island of Hong Kong, and of the hills and coast of the North Side of the Harbour under the general name of Tsin Shat-Choy.... Lately Tung Wing-Fook-Tong petitioned the Magistrate of Sun-on to examine Tung's claim to Tsin Shat-Choy and the Magistrate issued a proclamation declaring that Tung Wing-Fook-Tong is the real owner of the Property. The editor asseverated 'as to his having been a Lord of this Isle, as well as of Tsim-shat-choy, —in a word, we do not believe a word of it'. Barbara Ward writes of fishermen that for reasons probably mainly connected with their spatial mobility and the lack of land, these fishermen do not have a developed lineage system nor any real concept of one'. See Barbara Ward, 'Chinese Fishermen in Hong Kong: Their Post-peasant economy', in Maurice Freedman, ed., Social Organisation: Essays Presented to Raymond Firth, London, Frank Cass, 1967, p. 278.", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206737, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 14, "title": "RAS-1973", "content_text": "8\n\n7 May\n\n4 June\n\nProfessor Chu-tsing Li\n\n\"The Chinese paintings in Nelson Gallery\" (illustrated with slides).\n\nProfessor Winston Hsieh\n\n\"The Canton Delta Project\"\n\n17 September Professor P. B. Harris\n\n6 October\n\n\"The Republic of virtue: Maoism and Rousseauism considered\"\n\nMr. James W. Hayes (Organizer)\n\nVisit to Cape D'Aguilar, Hong Kong Island.\n\n12 November Mr. James Lethbridge\n\n\"Duellists in nineteenth century Hong Kong\".\n\n10 December Dr. Hugh Baker\n\n\"On how to worship oneself in ancestor worship\".", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206811, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 88, "title": "RAS-1973", "content_text": "82\n\nHELGA WERLE\n\ndissolved in 1964 when because of lack of business the old leader got so desperate that he threw his puppets literally into a rubbish-bin. The third group Tung-i still exists under the leadership of Wu Mu-sen and Ch'en Yung-ming. Their puppets are older and much larger than those of the Hsin-shun-hsiang troupe, and are very seldom used now.\n\nWhen Wang Chiao-tsou died his eldest son Hsi-ch'in continued the Hsin-shun-hsiang Troupe. He usually plays the Yeh-hu, for which he is very renowned, in the opera-orchestras. This is a two-stringed violin of which the sound box is made of a coconut shell. Five of the seven brothers and sisters Hsi-ch'in, Hsi-tang, Hsi-yü, Hsi-ch'ing and Hsi-hsien are all versatile musicians or singers, joining in the puppet or opera performances. There are also six artists of the older generation with 30-40 years' experience performing with them. They are Li Chen-chiang, Huang Shun-ch'i, Ma Chen-huan, Chang Chung-liang, Li Han-t'an and Chiu Hsüeh-ching.\n\nDuring a typhoon in 1960 Hsi-ch'in's squatter hut was flooded and most of his puppets were destroyed. He travelled to Ch'aochow to replace them, but he could not find any old ones. Fortunately, he found an old-puppet-maker who made a new set which he took to Hong Kong, and it is used now by his troupe and also by the Tung-i Troupe.\n\nToday, there are about sixty puppet-bodies and eighty puppet-heads, belonging to these two troupes, the Hsin-shun-hsiang and the Tung-i. They give no more than seven performances a year between them. They are still called by Ch'aochow associations to perform at the festival of the T'ien-kung Chi on the 5th day of the first month, the festival of Po-kung Fu-te Ta-yeh on the 29th day of the third month and to the ceremony of Hsieh-shen (thanking the gods) in the 12th month. Although the name of either of the groups invited to perform appears on top of the curtain, the puppets, puppeteers, musical instruments and musicians are mostly the same. The fee is handed to the leader of the troupe who, together with the leader of the orchestra, keeps a larger share. The rest is distributed equally among all the other performers, puppeteers and musicians.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206816, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 93, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n87\n\nsame tradition. For instance, Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu of 1712 (20 chüan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's Mo-yüan hui-kuan of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chüan with simplified descriptions of painting); and finally, Ku Wên-pin's Kuo-yün-lou shu-hua-lu of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections.\n\nOn the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chronicle were far fewer. From the earlier period, only Huang Po-ssu's Tung-kuan-yu-lun (2 chüan, edited in 1147 by the author's son, Huang Nai) and Chou Mi's Yün-yen kuo-yen-lu (4 chüan, edited probably around 1291) may be regarded as representative works in this line during the Sung and the Yüan.\n\nHowever, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most important were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan (8 chüan); Tu Mu's (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's (1501-1583) Ch'in-shan-r'ang shu-hua-chi (1 chüan, edited in 1565); Chu Chih-ch'ih's Ao-an shu-hua-mu (1 chüan); Sun Feng's Shu-hua-ch'ao (1 chüan); Chen Chi-ju's (1558-1639) Ni-ku-lu (4 chüan); Tung Ch'i-ch'ang's (1555-1636) Hua-chan-shih sui-pi (4 chüan); and Li Jih-hua's (1565-1635) Wei-sui-hsüan jih-chi (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle.\n\nThis type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng-che's (1592-1676) Kêng-tzŭ hsiao-hsia-chi (8", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206817, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 94, "title": "RAS-1973", "content_text": "88\n\nCHUANG SHEN\n\nchuan; completed in the 16th year of the Shun Chih era, 1659); Wu Ch'i-chên's Shu-hua-chi (6 chüan; completed in the 16th year of the K'ang Hsi era, 1677); Kao Shih-ch'i's (1645-1704) Chiang-ts'un hsiao-hsia-lu (3 chuan; completed in the 32nd year of the K'ang Hsi era, 1693); and Miu Yüeh-tsao's (1682-1761) Yü-i-lu (6 chuan; completed in the 11th year of the Yung Chêng era, 1733). During the prosperous period of Ch'ing, there were Lu Shih-hua's (1714-1779) Wu-yüeh so-chien-shu-hua-lu (6 chüan; completed in the 41st year of the Chien Lung era, 1776); Chen Cho's Hsiang-kuan-chai yü-hsiang-pien (12 chüan; completed in the 47th year of the Chien Lung era, 1782). In mid Ch'ing, more works of this kind appeared, such as Pan Shih-huang's Hsü-ching-chai yün-yen-kuo-yen-lu (1 chüan; completed in the 9th year of the Tao Kuang era, 1820); Chang Ta-yung's Chih-i-chai shu-hua-lu (30 chüan; completed in the 12th year of the Tao Kuang era, 1832); Tao Liang's (1772-1857) Hung-tou-shu-kuan shu-hua-chi (8 chüan; completed in the 16th year of the Tao Kuang era, 1836); and Hu Chi-t'ang's Pi-hsiao-hsüan shu-hua-lu (2 chüan; completed in the 19th year of the Tao Kuang era, 1839). Still more were published during the late Ch'ing period. These were: Han Tai-hua's Yü-yü-t'ang shu-hua-chi (4 chüan; completed in the first year of the Hsien Fêng era, 1851); Chang Kuang-hsü's Pieh-hsia-chai shu-hua-lu (4 chüan; completed in the 4th year of the T'ung Chih era, 1865); Li Tso-hsien's Shu-hua-chien-yin (24 chüan; completed in the 10th year of the T'ung Chih era, 1871); Fang Chün-i's Mêng-yüan shu-hua-lu (24 chüan; completed in the first year of the Kuang Hsü era, 1875); Hsieh K'un's Shu-hua-so-chien-lu (3 chüan; completed in the 6th year of the Kuang Hsü era, 1880), Ko Chin-liang's Ai-jih-yin-lu shu-hua-lu (4 chüan; completed in the 7th year of the Kuang Hsü era, 1881); Lu Hsin-yüan's (1834-1894) Jang-li-kuan kuo-yen-lu (40 chüan; completed in the 18th year of the Kuang Hsü era, 1892); and Shao Sung-nien's Ku-yüan-ts'ui-lu (18 chüan; completed in the 29th year of the Kuang Hsü era, 1903).", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206824, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 101, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n95\n\nThe next catalogue completed soon after the Fêng-man-lou shu-hua-lu and Hsin-ch'ou hsiao-hsia-chi was Pan Chêng-wei's T'ing-fêng-lou shu-hua-chi. One paragraph in the preface is of particular importance here,\n\nIt was Tu Mu's Yü-i-pien which initiated the practice of selecting paintings and calligraphies belonging to masters of past dynasties, and cataloguing them in one chronicle. After that, the most distinguished works were Chu Ts'un-li's San-hu mu-nan and Chang Ch'ou's ## Ch'ing-ho shu-hua-fang **★✰★ · In our period, there was Sun Ch’êng-chê's Kêng-tzu hsiao-hsia-chi, in which in addition to his own collection, Sun also included records of other people's collections. Then there was Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu in which Kao entered details such as the material used (whether paper or silk), the format (album or scroll), the measurements (the length and breadth) of paintings that he had seen, and a full record of all his colophons was also given. Recently the minister Wu Yung-kuang has edited a catalogue entitled Hsin-ch'ou hsiao-hsia-chi in which he adopted the system set down by Sun Ch'êng-chê and Kao Shih-ch'i. He has also selected a few items from my own collection and included them in his work. Moreover, he urged me to compile a catalogue for my own collection and have it published. Thus, following his way, I edited this book.\n\nIn this preface by Pan, there are a few points worth our notice: Firstly, among the art catalogues compiled in the Ch'ing dynasty, he had only mentioned Sun Ch’êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Based on this fact, either Pan was entirely ignorant of Pien Yung-yü's Shih-ku-t'ang hua-k'ao or at least he must have held it in low esteem. This attitude is no different from that shown by Wu and Yeh.\n\nSecondly, although Pan Chêng-wei humbly admitted that the compilation methods of his T'ing-fan-lou shu-hua-chi followed that of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, in fact, this was only a polite remark made by him. In the opening part of the Hsin-ch'ou hsiao-hsia-chi, it has been clearly stated that this catalogue was compiled by Wu Yung-kuang, but was collated jointly by his brother Wu Mi-kuang ✯ ✯ Ł. Ch’ü Shu-ch’ên # and Pan Chêng-wei. This means that in the course of compiling the Hsin-ch'ou hsiao-hsia-chi, Wu Yung-kuang had consulted Pan Chêng-wei.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206827, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 104, "title": "RAS-1973", "content_text": "98\n\nCHUANG SHEN\n\nNeedless to say, the two works by Sun and Kao mentioned in the text refer to Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Although Liang T'ing-nan pointed out that it would be unsuitable to compare his T'êng-hua-t'ing shu-hua-pa with the two works of Sun and Kao—which was, moreover, something that he would not venture to do—it could be deduced that, in his opinion, the two catalogues compiled by Sun Ch'êng-chê and Kao Shih-ch'i must have been held in reverence. Otherwise, it would be difficult to explain why he must necessarily take his work to compare with the Kêng-tzŭ hsiao-hsia-chi and the Chiang-ts'un hsiao-hsia-lu, and not with Pien Yung-yü's Shih-ku-t'ang hua-k'ao. According to Liang's remark, it is clear that owing to Pan Chêng-wei's recommendation of the Kêng-tzŭ hsiao-hsia-chi, Sun's work became an art catalogue capable of being compared with Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu in the mind of Kwang-tung art collectors some time later; while, on the other hand, Pien Yung-yü's work seemed to remain unnoticed, as it was during Wu Yung-kuang's time. It thus seems rather questionable whether Liang T'ing-nan was ever aware of Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao.\n\nAs to the origin of the editing method employed in Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, some hints may be obtained from the preface written by Li Ch'ao-t'ang, which reads,\n\nThe two brothers Huai-min and Shao-tang (i.e., Kung Kuang-yung and Kung Kuang-tao) had the largest collection of books in Kwangtung. At his leisure hours, Kung Kuang-tao compiled this catalogue by following the editing system set down in the catalogues of Sun Ch'êng-chê and Kao Shih-ch'i.\n\nThus, it can be seen that the origin of the editing method employed in the Yüeh-hsüeh-lou shu-hua-lu was also that used in the two catalogues of Sun Ch'êng-chê and Kao Shih-ch'i. From the time when Wu Yung-kuang completed his Hsin-ch'ou hsiao-hsia-chi to the time when Liang T'ing-nan completed his T'êng-hua-t'ing shu-hua-pa, 15 years had elapsed, and up to the completion of Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, 21 years. During these 21 years, apart from the fact that owing to Pan Chêng-wei's recommendation, Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi received more attention, and that Liang T'ing-nan's T'êng-hua-t'ing shu-hua-pa", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206830, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 107, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n101\n\nphies listed in the table of contents can be located in the text of their corresponding chüan. According to the table of contents in this catalogue, chüan 5 should include 46 items of painting and calligraphy.* Yet, the text in chüan 5 only includes the entries of 36 items. The last ten items listed in the table of contents have been left out, i.e.\n\n1. Sung and Yüan artists\n\n2. Chi Jan\n\nSung dynasty\n\n3. Shen Chou\n\nMing dynasty\n\nlandscape album\n\nlandscape hanging scroll\n\nCh'ih-pi-t'u, handscroll\n\n4. Hsieh Shih-ch'ên #, landscape album\n\nMing dynasty\n\n5. Ni Hung-pao **,\n\npainting album\n\nMing dynasty\n\n6. Li Yü-ming\n\n£, calligraphy album in regular style\n\nMing dynasty (?)\n\n7. Jen-wu mao-shih t'u £# 圖卷 handscroll\n\n8. Hsing Tzu-yüan *, hanging scroll of rocks\n\nMing dynasty\n\n9. Yün Nan-tien,\n\nCh'ing dynasty\n\n10. Ch'ien Hsi-pai\n\nSung dynasty\n\nhanging scroll of peonies\n\nCh'ing-chieh-t'u ***, handscroll\n\nThe supplement of this catalogue is divided into two chüan. According to the list of contents, chüan 2 consists of 74 items of painting and calligraphy.† However the text only records up to the 62nd item, i.e. Li Chien's landscape hanging scroll. Starting from the 63rd item, the last 12 items have been left out. These are:\n\n1. Wang Hui £*\n\nhanging scroll executed in the style of Wang Meng\n\n*Each album is tentatively regarded as one item here.\n\n†Each album is again tentatively regarded as one item here.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206835, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 112, "title": "RAS-1973", "content_text": "106\n\nCHUANG SHEN\n\nBesides, in the table of contents of chüan 4 of T’êng-hua-t'ing shu-hua-pa, the 126th item is recorded as a landscape executed by Fang Hsün-yüan. Although there were quite a large number of artists in the Ch'ing dynasty, there was no one whose surname was Fang19. However, during the period between the Yung Chêng era and the beginning of the Chien Lung era, there was an artist by the name of Fang Shih-shu ✯±✯ (1692-1751) who was a native of An Hui and yet lived in Yang Chou. The literary name of Fang Shih-shu is Hsün-yüan20 #✡. Since in T'êng-hua-t'ing shu-hua-pa, it was Liang T'ing-nan's practice to designate all artists by their literary names and not their real names, therefore this unidentifiable Fang Hsün-yüan is very likely a name mistaken for Fang Hsün-yüan. If this assumption is correct, then Liang T'ing-nan had not only recorded incorrectly the literary name of this An Hui artist, but also mistaken his real name. Such an inexcusable mistake is again due to carelessness in proof-reading.\n\nC. Chronological Mistakes\n\nI have not thoroughly investigated the number of chronological mistakes in the art catalogues of the Kwangtung collectors. However, this kind of error can at least be discovered in Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi. It should be noted here that Wu Yung-kuang had left two most important documentary records. One was the Li-tai ming-jen nien-p'u in 10 chuan, compiled in the 23rd year of the Tao Kuang era (1843) which was the year of his death. The other was Hsin-ch'ou hsiao-hsia-chi in 5 chuan, which, though printed a little earlier than the Li-tai ming-jen nien-p'u (in the 21st year of the Tao Kuang era, 1841), was in fact completed two years before his death. In other words, the two most important works of Wu Yung-kuang were both completed during the last three years of his life. Unfortunately, there are certain mistakes in both works. As early as ten years ago, the chronological mistakes in the Li-tai ming-jen nien-p'u have already been pointed out by experts21. It is also regrettable that in his Hsin-ch'ou hsiao-hsia-chi, he had committed some other curious chronological mistakes. On page 4 of chüan 4, there is recorded Wu Yung-kuang's own colophon inscribed on Ch'ien Hsüan's Li-hua-chüan #4, which reads,", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206836, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 113, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n107\n\nI was able to have a look at this scroll while I was in the capital in the year ping-shu. Now this scroll and the scroll of correspondence written by monk Fa-ch'ang are both in the collection of Ch'in-shan, minister of the Board of Agriculture 琴山農部. Wu Yung-kuang wrote this on the 9th day of the 12th month in the year chia-shu of the Tao Kuang era.\n\nIt should be noted that ping-shu was the 6th year of the Tao Kuang era (1826). After this year, there was no chia-shu in the Tao Kuang era. The years that have some connections with chia-shu are chia-wu (1834), mu-shu (1838) and chia-ch'en (1844). However Wu Yung-kuang died in the year before chia-ch'en. Therefore, the year chia-ch'en should undoubtedly be left out of consideration. What is more, even the combination of stems and branches of the years chia-wu and mu-shu are different from that given in Wu's own colophon. In all probability, it seems that the date \"chia-shu of the Tao Kuang era\" recorded in the colophon inscribed in Ch'ien Hsüan's Li-hua-chüan should be a slip of the pen for either the year chia-wu (14th year of the Tao Kuang era) or mu-shu (18th year of the Tao Kuang era), in the former of which, Wu was 62 years old, while in the latter, he would already be 66. In a word, the 14th year of the Tao Kuang era was the beginning of the last decade of Wu Yung-kuang's life. No matter whether the date when he put down by mistake the year chia-shu is chia-wu or mu-shu, by that time, he must have begun to show signs of old age. Otherwise in his Hsin-ch'ou hsiao-hsia-chi, he would hardly commit a mistake as to remember incorrectly the date of happenings that he himself had experienced. If, however, this catalogue had been carefully checked through before it was published, then such kind of chronological mistake could very likely be entirely avoided. Yet the fact that neither chia-wu nor mu-shu, but instead chia-shu of the Tao Kuang era had been printed in the Hsin-ch'ou hsiao-hsia-chi shows clearly that in the process of proof-reading, Wu Yung-kuang was indeed most careless.\n\nNOTES\n\n1 At the beginning of Yeh Mêng-lung's *** Fêng-man-lou shu-hua-lu, **** it is stated that Yeh Ying-ch'i ***, son of Yeh Mêng-lung, was one of the collators of that catalogue. On checking Wu Yung-kuang's autobiography (Tzü-ting nien-p'u), the following information is", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206837, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 114, "title": "RAS-1973", "content_text": "108\n\nCHUANG SHEN\n\nobtained under the entry of the 8th year in the Tao Kuang era (1828), \"In the third month, my daughter named Hsi married Yeh Ying-ch'i\". In chuan 2 of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia chi, there is an entry about Mi Yu-jen's Yün-shan tê-l-t'u #4#★#, which according to Kung Kuang-tao's LAM Yüeh-hsüeh-lou shu-hua-lu *****, should bear a square seal, the text of which reads, \"Nan-hai nu-shih Yeh Wu Hsiao-ho hsieh-yün-lou shu-hua-chih-yin” ✯✯✯±‡*+*Z*#‡‡<¢ \"seal of calligraphies and paintings in the Hsieh-yün-lou collection of Madam Yeh Wu Hsiao-ho, native of Nan-hai”. Ho-wu is one of the style names of Wu Yung-kuang, and so he gave his daughter Wu Hsi the style name of Hsiao-ho. Furthermore, above Hsiao-ho's surname, it is added her husband's surname (Yeh). Thus it is evident that the Yün-shan tê-t-t'u was one of the items in her dowry when she was married off to Yeh Ying-ch'i. However, in the opening part of chuan 3 in Wu Yung-kuang's Shih-yün-san-jen fen-t'l-shih-hsuan, it is stated that one of the collators was his son-in-law, whose name, however, was recorded as Yeh Ying-hsin #44.\n\n2 At the end of his Kêng-tzŭ hsiao-hsia-chi chiao-wên ✯TMIERZ - \"Collatery Note of the Kêng-tzŭ hsiao-hsia-chi\" Ho Cho put down the date of \"K'ang Hsi kuei-ssu\" which is equivalent to the 52nd year of the K'ang Hsi era (1713). Ho's collatery note can be found in Ku-hsüeh-hui-k'an **✰★, vol. II, No. V, published by Kuo-ts'ui hsüeh-pao shê @##★#, 1923, and reprinted by Li Hsing Book Co. ★1⁄2, Taiwan. (The collatery note is found in pp. 2585-2601 of this reprint.)\n\n3 Pao T'ing-po's colophon, which is attached to the Kêng-tzŭ hsiao-hsia-chi, was completed in the 20th year of the Chien Lung era ✯✯ (1755). Yu Chi's colophon and Lu Wên-ch'ao's preface were both written in the 26th year of the Chien Lung era (1761).\n\n4 There are altogether 18 collections in Chih-pu-tsu-chai ts'ung-shu ÞILIIT. The fourth collection includes only Sun Ch'êng-chê's Hsien-chê-hsüan-tieh-k'ao §**** (which is now attached to the end of Kêng-tzŭ hsiao-hsia-chi. However, it is included in the occasional publication of the Chih-pu-tsu-chai. Nowadays, an edition that was published separately in the 26th year of the Chien Lung era (1761) is available.\n\n5 See Ssŭ-k'u-ch'üan-shu tsung-mu ti-yao **** chuan 113. Only the last sentence in this discussion is quoted here, since it already suffices to reflect the whole situation by this, \"Though the man can be slighted, his writing is however something that we cannot pass over slightly.\"\n\n6 A hand-written copy of the T'ing-fan-lou shu-hua-chi and its supplement is found in the collection of the Feng Ping-shan library, University of Hong Kong.\n\n7 The Feng Ping-shan library in the University of Hong Kong has in its collection a wood block printed version of the T'ing-fan-lou shu-hua-chi in 5 chuan and its supplement in 2 chuan, the beginning section of both of which are missing. Therefore, the date and place when this catalogue was printed is now known.\n\n* The type printed version of the T'ing-fan-lou shu-hua-chi and its supplement is available in Mei-shu ts'ung-shu *#*# vol. IV, part VII. This catalogue was first printed by the Kuo-ts'ui hsüeh-shê # in the 3rd year of the Hsuan Tung era ✯ (1911). The second edition came out in 1928. The copy used in this paper is the fourth edition published by Shen-chou kuo-kuang shê **B£* in 1947.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206838, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 115, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n109\n\n9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus,\n\nThis painting agrees with the one recorded in Wu's Ta-kuan-lu\n\n4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household.....\n\nIn saying that \"this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting.\n\n10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b.\n\n11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a.\n\n12 Ibid chuan 5, p. 54b.\n\n13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962.\n\n14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a.\n\n15 Refer to footnote 10.\n\n16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang.\n\n17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number).\n\n18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b.\n\n19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important:\n\n(1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734).\n\n(2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan\n\n史棠傳 in 70 chuan and appendix in 2 chuan.\n\n(3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826).\n\n(4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830).", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206938, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 9, "title": "RAS-1974", "content_text": "deity in Hong Kong, particularly among the boat-people. There are many temples dedicated to her in the Colony. This particular temple is believed to date from the Sung Dynasty, and with the nearby rock-carving, dated 1274, provides a popular place for pilgrimages. These three last trips were organised by our Vice-president, Mr. James Hayes, who has an extensive knowledge of the history of Hong Kong, particularly its rural areas.\n\nThe ten lectures covered a wide variety of subjects. The first lecture of the year was delivered by Professor Murray Groves, head of the Sociology Department, University of Hong Kong. Professor Groves had lived in New Guinea and worked there as an anthropologist, and he talked about a sea-faring people, the Motu, and their musical styles. His talk was illustrated with slides and tape recordings. The second talk was about Chinese paintings in the William Rockhill Nelson Gallery of Art: a Gallery of international reputation, situated in Kansas, and housing one of the major comprehensive collections of oriental art in the U.S.A. The talk was delivered by Professor Chu-tsing Li, Research Curator of the Gallery, and was illustrated with slides. Later in the year, Professor Winston Hsieh of Missouri University, talked to us about the Canton Delta Project which he is currently heading. The Canton Delta has great significance for scholars of Chinese social organization, urban studies, foreign trade, revolutionary movements and overseas emigration, and it is particularly rich in Chinese and Western source materials. The project is interdisciplinary and we look forward to hearing more about its activities.\n\nIn September Professor P. B. Harris, who heads the Political Science Department of the University of Hong Kong talked to the Society on \"Maoism and Rousseauism\", and in November Mr. Henry Lethbridge of Hong Kong University's Sociology Department described the exploits of two adventurers extraordinary who visited Hong Kong in the late 1880's: David de Mayréna, soi-disant King of the Sedangs in Indo China, and the Marquis de Morès. Both died later in mysterious circumstances. Mr. Lethbridge specialises in the social history of Hong Kong, and participated in our symposium last year on \"Hong Kong: Chinese tradition and the growth of a town”.\n\nDr. Hugh Baker, who also participated in our first symposium which I organised in 1964 on “The Social Organization of the New", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207050, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 121, "title": "RAS-1974", "content_text": "THE HONG KONG REGION\n\n115\n\nVarious local accounts show that many craft came from northeast Kwangtung and elsewhere for the seasonal fishing. The presence of pirate fleets, sometimes in very large numbers, was also a feature of the local scene.\n\nThis activity, and the importance it gave to the local seaways is reflected by the Chinese records. The Kuang-tung K’ao-ku Chi-yao gives what at first appears as a disproportionately large amount of space to the subject of coastal defence.3 The provincial gazetteer devotes many pages to maps of the coast line and the off-shore islands, and it is significant that these are included in the coastal defence section and not in that dealing with administrative boundaries.4 Another long work, the Kuang-tung T'u-shuo, which deals with the administrative geography of the province, gives maps that show the outer islands in the districts on each side of the Pearl River delta. Some of these maps showing outlying areas are blank, for all but a corner of a page, but have still been included. It also lists the garrisons and naval forces responsible for the area.\n\nIn the Hong Kong region, Lantau and the islands are the subject of much of an article by Hsü Tei-shan on Hong Kong and its past, included in the compendium to the exhibition of Kwangtung Culture assembled at the University of Hong Kong in 1940.6 As is to be expected, the fall of the Sung takes up much of his attention,7 but he then considers Lantau itself. Hsü's discussion on one of its Chinese names, Tai Yue Shan, is relevant here because it\n\n1 Orme, para 53; CR 1947, p. 10.\n\n2 Lo-shu Fu, p. 597 has a long note on pirates in the Ladrones c. 1779-1810.\n\n3 KTKKTY 30/1-11. See also chuan 28 on military matters.\n\n4 KTTC, vol. 2, pp. 2394-2433, especially 2406-2410 for the islands between and outside Hong Kong and Macau, the Ladrones. Two chüan, 123-124, (pp. 2359-2442) deal with coastal defence. The district maps for the Delta are in chuan 83, Hsin-an at pp. 1454-5 and Hsiang-shan at 1464-5. The late Ming work Wu-pei Chih lists posts, garrison strengths and ships for the Central, East and West lu of Kwangtung; chüan 215/12-13, 15-16 and 17, 18 being of special relevance to Hsin-an and the adjoining area. The maps for the outlying parts of the Canton Delta are in chüan 210/9-10 and 215/6-7. For this work see Franke, p. 209. Ku Yen-wu's celebrated T'ien-hsia chün-kuo li-ping shu has eight chüan (97-104) on Kwangtung, much of which is devoted to military organisation and defence.\n\n5 See the general map at the beginning, 1-2, and detailed maps under reference chuan 11-12/7-9.\n\n6 KTWW, pp. 425-426,\n\n7 ibid. He gives a clear exposition of the various problems surrounding the identification of the various places at which the last struggles of the Sung occurred.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207053, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 124, "title": "RAS-1974", "content_text": "118\n\nJAMES HAYES\n\nto play havoc in it. The Japanese wo-jen had been particularly active. In 1571 the small walled town of Tai Pang on Mirs Bay in the northeast of the district had sustained a siege of over forty days by Japanese pirates equipped with scaling ladders.1\n\nThe district gazetteer gives an account of the troubled times at the end of the Ming period, which brought much misery and suffering to the people of the district, since famine accompanied the disturbances.2 These disorders lasted for a considerable time. It is reported that Tai Pang was held for nine years against all comers by a band of soldiers.3 The clan record of the Tsui family of Shek Pik contains a vivid account of the disasters of the time, as it affected their relatives and friends in their old home near Tung-kuan city which was the centre of an unsuccessful revolt against the new dynasty. These disturbances extended to the present New Territories. A former officer of the Ming, Li Man-wing, held this area on his own account between 1647 and his surrender to the new dynasty in 1656, and the walls and moats of the principal villages of the Tang clan in the New Territories are said to date from this time. The land presented a pitiable sight in these years: there was much burning and pillaging and many of the inhabitants fled. During this time, it was said, \"The ground was covered with bones, in the day time nothing could be heard but the hum of flies, and at night the voice of weeping.\"\n\nThe evacuation of the coast in the early years of the K'ang Hsi reign between 1662-1669 followed soon after these prolonged miseries and had a profound effect on the lives of the population and on the pattern of future settlement.\n\nUnder instructions from Peking, the provincial authorities required the evacuation of the coastal areas of Kwangtung. The provinces of Shantung, Chekiang, Kiangsu and Fukien were also affected to varying degrees.7 This measure was in accordance with a five-point plan to deal with the pro-Ming ruler of Formosa, Cheng Ch'eng-kung, suggested by one of his former lieutenants\n\n1 IHNHC 13/7.\n\n2 HNHC 13/8-9.\n\n3 HNHC 13/9-10.\n\n4 JHKBRAS, 7 (1967), p. 154.\n\n5 Sung Hok-p'ang in HKN, VIII, No. 2:107-108.\n\n6 ibid, presumably a quotation from the Tang clan's genealogical record. The YCKC has a lengthy entry on the disorders of this troubled time, chuan 4/46-60.\n\n7 Hsieh Kuo Ching, pp. 585-593.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207054, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 125, "title": "RAS-1974", "content_text": "THE HONG KONG REGION\n\n119\n\nwho had gone over to the Manchus.1 Its adoption was due to a conviction that Cheng's campaigning against the new dynasty could not be continued if aid and supplies were denied him in this way. As the plan has it, \"the end of the enemy comes without war\".2\n\nEnforcement of this drastic measure was extended to the Hsin-an and adjacent districts of Kwangtung in 1661. Two inspections determined the areas to be cleared. At the time of the first inspection up to a distance of 50 li from the coast, it was calculated that two-thirds of the territory of the hsien would be affected. A year later the boundary was extended further inland, and what remained of the district was to be absorbed into the adjoining Tung-kuan county. By the 5th year of K'ang Hsi, Hsin-an had ceased to be a separate administrative district.\n\nWhen the new boundaries were fixed, the inhabitants living outside them were given notice to move inland. These orders were enforced by troops. The result was that whole communities were uprooted from their native place, deprived of their means of livelihood and compelled to settle where they could. The rural people risked their lives if they ignored the government edict to move, or ventured back into the prohibited area. It is recorded that about 16,000 persons from Hsin-an were driven inland. Only 1,648 of those who left are said to have returned when the evacuation was rescinded in 1669.4 The survivors' hardships did not end when they returned to take up their interrupted lives in their old homes, for it is recorded that destructive typhoons in 1669 and 1671 destroyed the new houses in many places.5\n\nThis chapter of unprecedented hardship and suffering has had a great impact on the minds of local people and their descendants. It is recalled in the genealogies and traditions of some of the long-settled clans of the district: it is commemorated in the construction and continued repair of temples to the two officials, a Governor of Kwangtung and a Viceroy of the Liang-kuang, who strove to have\n\n1 Hsieh, pp. 565-566.\n\n2 Hsieh, pp. 566 and 580-581.\n\n3 For the local areas to be cleared see Lo, 1963, pp. 94-95. See also Sung 1939, which details some local events on land and sea.\n\n4 Barnett, 1957, p. 262. A supplementary check in 1667 gave 3,667 persons still living within the district; ibid, p. 263. We cannot be sure whether the figures relate to persons or only to males over 16; or whether they are accurate.\n\n5 HNHC 13/3.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207070, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 141, "title": "RAS-1974", "content_text": "The Hong Kong Region\n\n135\n\nChu Ch'ih-shih #, Notes on the History of Canton *** 8 chuan, Chia Ch'ing year, 1806-07. [YCKC]\n\nHo lineage of Pui O, South Lantau, Hong Kong **1*4*££*...✯ Family record: apparently 1930s. In manuscript.\n\nHsu Ch'ien-hsieh, A Comprehensive Geography of the Ch'ing Empire #₺ 356 chuan, first edition, 1743. [TCITC]\n\nJao Tsung-i ✯ ✯ 1 (Compiler), The Ch'ao-chou Gazetteer # # & Swatow, circa 1946-48. [CCC]\n\nJen Yu-wen § 2 x (Compiler), Kwangtung Art and Scholarship ✯✯X» Hong Kong, Committee for the Advancement of Chinese Culture, 3 vols, 1941. [KTWW]\n\nJen Yu-wen § 2x (Compiler), Sung Wong Toi—A Commemorative Volume *££*** Hong Kong, Chiu Clansmen's Association, 1960.\n\nJuan Yuan and others ¥, Gazetteer of the Kwangtung Province ★★ . 334 chüan, revised edition, 1823, reprinted 1864 and reissued 1933 in 5 vols. by Commercial Press, Shanghai. [KTTC]\n\nLi Chin-wei (Editor) ###, Centenary History of Hong Kong ✯ * 4. Hong Kong, Nan Chung (†) Printing House, c. 1947. [Centenary History]\n\nLo Hsiang-lin 4*, Historical Sources for the Study of the Hakkas #Hong Kong, Institute of Chinese Culture +**, 1965. [LO1965]\n\nMao Hung-pin and Jun Lin, Atlas with Commentary of Kwangtung ★★☆. 92 chuan, Canton, about 1865. [KTTS]\n\nMao Yuan-¡ *, Record of Military Preparations. 240 chüan, Canton, late Ch'ing reprint of Original of 1620.\n\nShu Mou-kuan 4 and Wang Ch'ung-hsi 1, Gazetteer of the Hsin-an District #✯.§. 24 chüan, revised edition, 1819. [HNHC]\n\nTai Chao-chen and others A, Gazetteer of the Canton Prefecture ★★✯✯. 163 chüan, Canton, revised edition, 1880. [KCFC]\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207281, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 49, "title": "RAS-1975", "content_text": "MERCHANT ORGANISATIONS IN IMPERIAL CHINA\n\n41\n\n5 Ho Ping-ti, \"Salient Aspects of China's Heritage,\" in Ping-ti Ho and Tang Tsou, eds., China in Crisis (Chicago, 1968), I. 1:34-35; Ho Ping-ti, Hui-kuan shih-lun, pp. 33-34, 37-40.\n\n6 See John Fincher's article on provincialism in Mary C. Wright, ed. China in Revolution: The First Phase, 1900-1913 (New Haven, 1968).\n\n7 Ezra F. Vogel and Tamako Yagai, “Japanese Studies of Chinese Guilds,\" unpublished paper delivered at the Seminar on Problems of Micro-Organs in Chinese Society, 1963; Peter J. Golas, \"Early Ch'ing Gilds,” unpublished paper delivered at the Conference on Urban Society in Traditional China, 1968.\n\n8 Ch'üan Han-sheng, Hang-hui chih-tu, pp. 99-101; Peng Chang, “Distribution of Provincial Merchant Groups in China, 1842-1911,\" (unpublished Ph.D. thesis, University of Washington, Seattle, 1958), pp. 51-55.\n\n9 The others were from (1) Chihli, (2) Shantung, (3) Nanking, (4) Wusih and (5) the Shansi bankers. See A. M. Kotenev, Shanghai: Its Mixed Court and Council (Shanghai, 1925), p. 253 n.\n\n10 Lai Lien-san, Hsiang-kang chih-lüeh (A brief account of Hong Kong) (Hong Kong, 1931), 115-17\n\n11 For a detailed account, see Fang Teng, \"Yü Hsia-ch'ing lun,\" (On Yu Hsia-ch'ing) in Tsa-chih Yüeh-k'an (Monthly miscellany), 12.2:46-51 (Nov. 1943); 12.3:62-67 (Dec. 1943); 12.4:59-64 (Jan. 1944).\n\n12 P'eng Tse-i, \"Shih-chiu shih-chi hou-ch'i Chung-kuo ch'eng-shih shou-kung-yeh shang-yeh hsing-hui ti chung-chien ho tso-yung\" (The revival and function of urban handicraft and commercial organizations in late nineteenth century China), Li-shih yen-chiu (Historical studies) 1:71-102 (1965).\n\n13 T'ung-chih Shang-hai hsien-chih (Gazetteer of the Shanghai County for the T'ung-chih reign), ed. Yü Yueh (n.p., 1871), 2:21-28.\n\n14 Ibid.\n\n15 Nan-hai hsien-chih (Gazetteer of the Nan-hai County), eds. Chang Feng-chieh, et al. (n.p., 1910), 6:106-13.\n\n16 Sixtieth Anniversary of the Tungwah Hospital: A Commemorative Issue (Hong Kong, 1930).\n\n17 They were Ai-yü, Kuang-chi, Kuang-jen, Ch'ung-cheng, Shu-shan, Ming-shan, Hui-hsing, Fang-pien, Jun-shen.\n\n18 \"Reports of the Special Committee appointed by H.E. Sir William Robinson, KCMG, to investigate and report on certain points connected with the Bills for the Incorporation of the Po Leung Kuk, a Society for the Protection of Women and Girls\" (Hong Kong, 1893).\n\n19 E.g. see Hsiang-shan hsien-chih hsü-pien (A continuation of the Gazetteer of the Hsiang-shan County), ed. Li Shih-ch'in (n.p., 1923), 4:18a-20b, in which it is stated that a number were founded during the Kuang-hsü reign (1875-1908).\n\n20 Song Ong Siong. One Hundred Years' History of the Chinese in Singapore (Singapore, 1967), pp. 277, 309, 424, 432; George W. Skinner, Leadership and Power in the Chinese Community of Thailand (Ithaca, 1958), pp. 2-13.\n\n21 Nan-hai hsien-chih, 6:10b.\n\n22 Shang-hai hsien hsü-chih (A continuation of the Gazetteer of the Shanghai County), ed. Yao Wen-nan (Shanghai, 1918), 2:38a.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207366, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 134, "title": "RAS-1975", "content_text": "126\n\nRICHARD J. SMITH\n\nWhen Ward's employment was first reported to the throne in early 1862, the governor of Kiangsu, Hsueh Huan, took special pains to point out that Ward, in addition to being a courageous and seemingly invincible warrior, was also a loyal servant of the throne, who had petitioned to become a Chinese subject and to change to Chinese ways. Although Ward's petition had in fact been submitted almost a year earlier in a successful attempt to avoid prosecution (this was, of course, unmentioned in the memorial), Hsueh argued that it would be \"inconvenient to repress the sincerity\" of his \"wholehearted turning toward [Chinese] civilization\" (hsiang-hua). Hsüeh suggested that Ward should be granted the fourth rank button and peacock feather in order to encourage him to \"admire right behavior and establish merit” (mu-i li-kung). In response, the throne issued an edict conferring the honors, satisfied that the foreigner had indeed \"turned out of admiration toward Chinese customs\" (hsiang-mu Hua-feng). He was, in Peking's eyes, sincere, helpful and obedient, \"surely worthy of admiration and esteem.”67\n\nIn subsequent months, Ward received additional rewards: the third rank button, brevet rank as colonel, and finally \"expectant\" colonel status. By all accounts he was a brave and singularly effective commander. At the same time, however, he was a brash individual, whose independent spirit and flamboyant style offended, and occasionally alarmed, the Chinese. As Ward's prestige and self-confidence grew, criticisms of his behavior began to appear in memorials to the throne. Hsieh Huan, for one, began to complain of his arrogance and unmanageability. Prince Kung, a leading figure in both the Grand Council and the Tsungli Yamen, found Ward to be proud, boastful, and overly independent. The throne, for its part, expressed special concern over Ward's failure to shave his head and change to Chinese clothing. (Particularly damaging was Hsüeh's report that the barbarian commander had failed to conform to Chinese customs because he feared the ridicule of foreigners!) From Peking's vantage point, the acceptance of Chinese culture was the principal means of gauging the foreigner's receptiveness to imperial control. When Ward failed to conform to the dictates of propriety, his actions cast doubt on his sincerity, and perhaps more importantly, on the efficacy of traditional restraints.68\n\nAll Chinese did not view Ward's indiscretions as matters of great concern, however. Hsüeh's successor as governor, Li Hung-", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207375, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 143, "title": "RAS-1975", "content_text": "EMPLOYMENT OF FOREIGN MILITARY TALENT\n\n135\n\nWu-ti's Northwestern Campaigns,\" HJAS, XXVI (1966), 170, 172-173; Yü, 14; Lattimore, 485. Northern barbarian cavalry units were designated Hu-ch'i; southern barbarian units were called Yueh-ch'i.\n\n29 Michael Loewe, \"The Case of Witchcraft in 91 B.C.,\" Asia Major, XV.2 (1970), 180-181 traces Chin's career, major offices, and impact. See also Han-shu, 7: 1b; 38: 21ff; 68: 2a-b, 20b; 112: 16a-b.\n\n30 G. Haloun, \"The Liang-chou Rebellion 184-221 A.D.,\" Asia Major, I (1949-1950), 119; 121. Note the interesting case of Chao Hsin, discussed in Loewe, \"The Campaigns,\" 79.\n\n31 WSM, TC 79; 11; WCSL, 129: 17.\n\n32 Cited in Ch'ien and Goodrich, 9.\n\n33 See, for example, Yü, 205; Chi Ch'ao-ting, Key Economic Areas in Chinese History (New York, 1963), 99; Eberhard, 126; etc.\n\n34 Mackerras, 56-61, especially 60-61.\n\n35 See Su Ch'ing-pin, 399; Yüan, 160; Gabriella Molé, The T'u-yü-hun from the Northern Wei to the Time of the Five Dynasties (Rome, 1970), 157, 163, 167, 169, 180.\n\n36 See Yüan, 153-163; Su Ch'ing-pin, 589.\n\n37 See Wang Kung-wu, The Structure of Power in North China During the Five Dynasties (Kuala Lumpur, 1962); also Su Ch'ing-pin, 399.\n\n38 The preface to this work is very illuminating. Therein, Li Te-yü describes the general circumstances of Wen-mo-ssu's submission, making repeated reference to past experience with submissive barbarians and lauding the present emperor's virtue. After extolling Wen-mo-ssu's merits, Li suggests that just as the Hsiao-ching (Classic of Filial Piety) defines the proper relationship of ruler and minister, father and son, so the I-yü kuei-chung chuan defines the proper behavior of foreign employees in the Chinese service. Implicit in the comparison is the idea that Li is to T'ang Wu-tsung what Tseng Ts'an was to Confucius. For further information on Wen-mo-ssu, see Chang Ch'ün, T'ang-tai hsiang-hu an-chih k'ao [An examination of the treatment of surrendered barbarians in the Tang dynasty]. Hsin-Ya hsieh-pao [New Asia College Journal], 1.1 (August, 1955), 310-311; James R. Hamilton, Les Ouïghours à l'époque des Cinq Dynasties d'après les documents chinois (Paris, 1955), 69, 71, 153-154; Su Ch'ing-pin, 397; Hsin T'ang-shu, 217(B) [lieh-chuan, 142 hsia]: 1-3; T'ang-shu, lieh-chuan, 145: 13-14.\n\n39 Li Te-yü, 2: 10-11; see also ibid., 7: 56; 8: 57; etc.\n\n40 Ibid., 2: 11.\n\n41 Ibid., 5: 29, 31; 5: 33-35; 7: 56; 8: 59-60; 13: 101-109; 19: 159-160.\n\n42 See Mackerras, 14-47; also Li Te-yü, 14: 116-119. Tseng Kuo-fan undoubtedly had the T'ang experience in mind when he wrote: \"Since ancient times outer barbarians (wai-i) have assisted China; but in each case, after success, there have been unexpected demands,\" IWSM, HF 71: 10b.\n\n43 Howard Levy, Biography of An Lu-shan (Berkeley, 1961), 17-20.\n\n44 See Richard J. Smith, “Chinese Military Institutions in the Mid-Nineteenth Century, 1850-1860,\" Journal of Asian History 8.2 (1974), 124-125; also Lo Jung-pang, \"The Decline of the Ming Navy,\" Oriens Extremus, 5 (1958), 165-168.\n\n45 Sung-shih, 472: 18-21; Liu Sheng-mu, Ch'ang-ch'u-chai hsü-pi [Supplementary writings from the Ch'ang-ch'u study] (preface date 1929), 5: 146.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207569, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 337, "title": "RAS-1975", "content_text": "328\n\nBOOK REVIEWS\n\nof George Eumorfopolos edited by Professor Perceval Yetts is certainly representative; and with respect to the latter, a good example is the first volume of the catalogue about the Charles Seligman Collection, on Chinese, Central Asian and Luristan bronzes, edited by Professor Howard Hansford.\n\nProfessor Li's latest publication, although independently associated with a book title, yet, by its nature, should be classified as an illustrated catalogue about a private collection of Chinese art, since every item discussed by the author in Volume I and illustrated in Volume II is from the collection of Dr Charles Drenowaltz in Switzerland.\n\nVolume I consists of 15 chapters. I propose to give a brief summary for each chapter before presenting other remarks about this book in this review. Chapter I:\n\nChapter II:\n\nChapter III:\n\nChapter IV:\n\nChapter V:\n\n\"Introduction\", gives a general account of how European collectors built up their collections of Chinese art. It also gives a survey of the general development of Chinese painting. \"Figure painting: Persistences and Transformation of the past\", Here the central discussion is focused on figure paintings by Chao Liu (ca. 1350-1370) of the late Yuan Dynasty, and Hsieh Shih-chen (1487-after 1567), Chen Hung-shou (1599-1652) and Ting Yün-peng (b. 1547) of the Ming Dynasty; also Chao Yuan of the late Ch'ing Dynasty. \"Landscape painting of Ming and Ch'ing: A point of view\", serves as a general introduction to this branch of Chinese painting over some 500 years. \"The Wu School: Re-establishment of the Yuan Tradition\", emphasis is laid upon works by five literati artists of the Ming Dynasty; Shen Chou (1427-1509), Wen Cheng-ming (1470-1559), Lu Chih (1496-1576), Ch'en Kuan (ca. 1570-1640). In addition, works by artists of the school of T'ang Yin (1470-1523), and an album painting by an anonymous artist are also discussed.\n\n\"The Wu School in the Seventeenth century: A Host of Little Masters\", points of view are based on works by the following seven artists: Ch'en Kuan, Ch'en Huan (act. 1600-20), Chang Hung", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207577, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 345, "title": "RAS-1975", "content_text": "336\n\nBOOK REVIEWS\n\nincluding Li E, accepted an invitation of the Ma brothers to go on a joint-tour to visit Chiao-shan, the famous island situated in the middle of the Yang-tze River near the present day Ch'en-chiang in Chiang-su province.24 For this trip, all members wrote some poems which were later put together, and titled as Chiao-shan Chi-yu Shih (hereafter to be abbreviated as Chiao-shan CYS), A Collection of poems Commemorating A Travel to the Chiao Island.25\n\nThose poems inscribed by Chin Nung on leaves 11 and 12 of the Drenowaltz album are, in fact, two poems written by two different poets of this joint-tour. The first poem, \"Watching the Moon on Chiao Island but being required in designing poem rhyme to use the word 'Sheng'\"26 is written by Li E. It is not only to be found in the Chiao-shan CYS but also in Li E's own collection of poems; Fan-hsieh Shan-fang-chi #### (hereafter to be abbreviated as Fan-hsien SFC), A Collection of Poems Composed in the Fan-hsien Mountain Studio.27 Similarly, the second poem which is entitled \"Watching the Moon in the Chiao Island but Required to have the word 'Yueh' in rhyme\"28 is composed by Ma Yueh-kuan. It is found in the Chiao Island Collection29 and also in Ma Yueh-kuan's own collection of poems, “A Small Collection of Poems by An Untrammelled and Elderly figure at A Sandy River\".30\n\nIn Vol. I, from p. 235 to the first line in p. 236, Prof. Li's English translation deals with Li E's poem; and, from line two onwards, the latter portion of the poem in English is Prof. Li's translation of the cited poem by Ma Yueh-kuan. To consider these poems by two identifiable poets as one is certainly incorrect.\n\nWith respect to the second inscription, treated by Prof. Li as a long poem of Chin-Nung, it is in fact, a collection of three different poems once again all written by Li E. In Vol. II Plate LXXXI-L which is a reproduction of the last leaf of the album, from line 1 up to the first four characters in line 8, the content is to be identified as the first poem by Li E and the title of the poem is read as \"Lodged in the Fo-jih Ching-hui Buddhist Temple\".31 In Vol. I, page 236, line 1 to line 12 of Prof. Li's English translation deals with this poem. Similarly, in Plate LXXXI-L, from the fifth character of line 8 up to the first five characters of line 17, this section of the inscription on leaf 12 is to be identified as Li E's second poem associated with the long title \"Getting up at dawn, monk Ch'e\n\nPage 345\n\nPage 346", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207582, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 350, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n341\n\n16 This mountain is clearly marked in the map (pl. CXIV of Vol. II) of the book review. In addition, according to Chun kuo ku-chin ti-ming ta tzu-tien \"Dictionary of Ancient and Present Place Names in China\", edited by Tsang Li-ho and others (1933, 2nd edition, Shanghai), p. 135, Mt. Tien-chu is at the northwest of Chien-shan in the present western An-hui Province.\n\n17 In Tung Shih-heng's Li-tai chiang-yu hsing-shih i-lan-t'u (1914, Shanghai), Map 3 (Chan-kuo ch'i-hsung-t'u A Map of the Seven Strong States during the Warring States period); again in Watari Yanai's Toyo Tokushi Chizu (1934, 3rd edition, Tokyo), Map 3; also in Albert Herrmann's A Historical Atlas of China (1966, 2nd edition, Chicago), Map 8 (The Contending States), the Huai River area is always marked as part of the territory of the State of Ch'u.\n\n18 This is to be seen in Fujiwara Sosui's Chokuoku shoho rokutai dai-jiten, Dictionary about Six Different scripts of Chinese calligraphy, (1960, Tokyo), pp. 615-616.\n\n19 See Chin Shu, History of the Chin Dynasty (1974, Peking punctuated edition), Chüan 40, (in Book V), p. 1366.\n\n20 Ibid., p. 1359.\n\n21 For the latest findings of scholars of this small circle, see Ho Ch'i-min: \"Chu-lin ch'i-hsien yen-chiu\" \"A study of the Seven Talents of the Bamboo Grove\", 1966, Taiwan.\n\n22 Po-hsüeh hung-tz'u. This examination, initiated in 731, the 19th year of the K'ai-yüan era during Emperor Hsüan-tsung's reign in the Tang Dynasty was during the Ch'ing Dynasty confined to some limited candidates primarily recommended by the Education Department in each province.\n\n23 For sound scholarship on the economic importance of Yang-chou during the Ch'ing Dynasty, see Prof. Ho Ping-ti: \"The Salt Merchants of Yang-chou: A Study of commercial capitalism in Eighteenth century China\", in the Harvard Journal of Asiatic Studies (1954, Cambridge), Vol. 17, pp. 130-168.\n\n24 Tsang Li-ho and others, op. cit., p. 923.\n\n25 The edition that the reviewer used is the Yüeh-ya-t'ang ts'ung-shu edition, first wood-blocked in Canton in 1850.\n\n26 The Chinese title reads: \"44415447\".\n焦山看月分得辇字\n\n27 In Chiao-shan chi it is to be found in p. 1b-p. 2a, while in Fan-hsieh shan-fang chi, (1937, Shanghai), hsü-chi (a supplementary collection), chüan 7, pp. 359-360 (In the Kuo-hsüeh chi-pen ts'ung-shu edition).\n\n28 The Chinese title reads: \"9493A7”.\n同作分得月字“\n\n29 In Chiao-shan chi it is to be found in p. 9a-9b, while in Fan-hsieh shan-fang chi it is in hsü-chi, chüan 7, p. 360.\n\n30 In Ma Yueh-kuan's own Sha-ho i-lao hsiao-kao (also the Yüeh-ya-t'ang ts'ung-shu edition), it is to be found in chüan III, p. 17a-17b.\n\n31 The Chinese title reads: \"宿佛日淨慈\". It is to be found in Fan-hsieh shan-fang chi, chüan 7, p. 134.\n倪龍瘢痕\n\n32 The Chinese title reads: “晚起 撖上人導行黃萬峯下 倪龍瘢泉 尋龍”. It is in Fan-hsieh shan-fang chi, chüan 7, p. 134.\n\n33 The Chinese title of this poem reads: \"...\". It is to be found in Fan-hsieh shan-fang chi, chüan 7, p. 135.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207583, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 351, "title": "RAS-1975", "content_text": "342\n\nBOOK REVIEWS\n\n34 This observation is mainly based on the fact that the first poem from his own collection is entitled \"Chin shou-men has shown me a rubbing of the inscription taken from the bronze bells being made for the Ching-lung Monastery during the Tang Dynasty.”\n\n毒門见示所裁唐景龍觀錘髭拓本 In Li E's Fan-hsieh SFC, chuan 1, p. 1 under this poem, the date of its completion is recorded by the combined used of the Chinese cyclical characters: chia-mu which according to Li E's chronology, is to be identified as 1714 (the 53rd year of the Kang-hsi era).\n\n35 Ever since 1963, the Kwang-tung ying-jen chuan, “A Biographical study of the seal-carvers in Kwang-tung\", edited by Ma Kuo-chuan, has continuously appeared in the -lin section of Hong Kong's Ta Kung Pao Daily News. His study about Chang Hsiang-ming in particular, appeared in Ta Kung Pao, December 19, 1965. In October 1974 this biographical information was edited and published by the Nan Tung Company in Hong Kong, still entitled Kwang-tung ying-jen chuan. The portion concerning Chang Hsiang-ning is to be seen in this book edition p. 98.\n\n36 This is based on Takikawa Shiteru's colophon being inscribed on Hsiao Yün-ts'ung's painting entitled Li Sao T’u. A full reproduction of this painting has been printed in 1924 in Tokyo by Seigei Omura as one item of his edited Zubon Sosho. In addition, Takikawa's colophon was also quoted by Professor Akiyama Mitsuo in his Sho Sekiboku to Shuzan Koryo zu which appeared as the last article, being collected in the same author's Nihon bijusisu ronko (1943, Tokyo), pp. 413-414.\n\n37 According to Tzu Hai (1967, Taiwan edition), Appendix V (A conversion chart British, Japanese and Metric Lengths), each Japanese feet equals 0.3030 metre. Thus, 40 Japanese feet equal 12.12 metre. On the other hand, since the Drenowaltz handscroll measures 1302 cm; namely, 13.02 metre, the lengths of this painting, now in Switzerland, and the Li Sao Tu, once in Japan, are certainly very close.\n\n38 See Hu I: \"Hsiao Yun-ts'ung Nien-p'u” “A Biographical study of Hsiao Yün-ts'ung on A Yearly Basis”, in Mei-shu Yen-chiu (1960, Shanghai), No. 1.\n\n39 For these literary men who were gifted artists as well as members of the Fu She Association, these were, in addition to Hsiao Yün-ts'ung, many others, such as Li Sui-chlu from Kwangtung province, Wan Shou-ch'i (1603-1652), Wu Wei-yeh (1609-1671), Chi Pao-chia (middle 17th century) and Mao Hsiang (1611-1693) from the Kiangsu province, Fang I-chih (1611-1671) from the An-hui province, and Yang Wen-ts’ung (1597-1645) from the Kwei-chou province. These were all example-figures of such a type.\n\n40 Hsiao Yün-ts'ung name is listed in Fu She Hsin-Shih Lu \"Records of Members of the Fu-she Association\" first volume, p. 7a. This rare book is now owned by the Institute of History and Philology, Academia Sinica at Nankang, Taiwan.\n\n41 Hsieh Kuo-chen: \"Nan-ming shih-luch\" “A Brief History of the Southern Ming Period\" (1957, Shanghai), pp. 12-13.\n\n42 S. W. Stephen: Chinese Art, 2 vols. (1904-06, London).\n\n43 Ch'eng Wei: “A primary study on the Origin and Development of Ancient Bird-and-flower paintings\" in Wen-wo (1963, Peking), No. 10, p. 22-29. This article probably serves as the only research on the history of Chinese painting by using one single painting collection as its basis. Yet unlike the work done by Professor Li", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207912, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 300, "title": "RAS-1976", "content_text": "NOTES AND QUERIES \n\n285 \n\nNOTES ON HO CHUNG A 19TH CENTURY ARTIST IN \n\nKWANGTUNG \n\nFrom a view-point of the history of painting in Kwangtung, as I have pointed out in my other study1, the rich city of Nan-hai ♬ \n\nalways acts as a centre. As early as the late 15th century, Lin Liang, a native of Nan-hai, had been a reputed artist for the subject of bird-and-flower in Peking2. Later, since the latter part of the 17th century and particularly in the 18th century, landscape formed the major interest for Kwangtung painting. The most significant landscapist in the 18th century was certainly Li Chien (1747-1799), an artist of Shun-te. In the first half of the 19th century, Hsieh Lan-sheng ✯ (1760-1831), a native of Nan-hai was again a reputed landscape artist in Kwangtung. With regard to bird-and-flower painting, although it had not been popularly favoured until the second half of the 19th century, yet the most appreciated artist for this subject at that time was Ho Chung *#; once again a native of Nan-hai. \n\nInfluenced by a long cultural tradition and in order to express the elegant taste of the literati, Chinese artists have customarily liked to choose a short but poetic term for their personal and literary name. Similarly, they could also choose a short but poetic phrase to name their studio. This cultural tradition had produced the same influence on Ho Chung. In the past, artists have been very pleased to call themselves as a mountain of some sort. In the 14th century, the name of an outstanding goldsmith was Chu the Blue-mountain. In the 16th century, the leading artist Wen Cheng-ming (1470-1559) was also called Heng-shen #j, a mountain of equilibrium; while one of his chief followers, Lu Chih (1496-1576) was called Pao Shan 1,; a covered mountain. In the 18th century, Wang Fu-chih (1619-1692) a scholar, and Chang Wen-tao (1764-1814) an artist, both called themselves Chuan-shan #u; a boat-like mountain. Active in between of these two figures, Tung Pang-ta (1699-1769) a court artist in Peking had styled himself as Tung-shan, i.e. 'an Eastern mountain' Later, in Kwangtung, Chang Wei-ping * (1780-1859) artist of Pan-yu \n\nwas known for his literary name, Nan-shana mountain in the south. Similar to those artists just listed, Ho Chung had chosen Tan-shan A, a red mountain, as his first literary name. \n\nPage 300\n\nPage 301", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208326, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 50, "title": "RAS-1978", "content_text": "34\n\nRICHARD J. SMITH\n\n1 Throughout the latter half of the nineteenth century, informed Western observers repeatedly pointed to the lack of a modern, Western-trained officer corps as the key deficiency of the Chinese army. See, for example, Mary Wright, The Last Stand of Chinese Conservatism (New York, 1967), 201; Major A. E. J. Cavendish, \"The Armed Strength of China,” Journal of the Royal United Service Institution, 42.244 (June, 1898), 720-722; NCH, July 6, 1880; Chinese Times, December 3, 1887; etc. For an interesting and informative discussion of officer education in the West, consult Correlli Barnett, \"The Education of Military Elites,\" Journal of Contemporary History, 2.3 (July, 1967).\n\n2 Cited in Chang Chung-li, The Chinese Gentry (Seattle, 1955), 174.\n\n3 Helmutt Wilhelm, \"Chinese Confucianism on the Eve of the Great Encounter,\" in Marius Jansen, ed., Changing Japanese Attitudes Toward Modernization (Princeton, 1965), 288-289.\n\n4 Etienne Zi, Pratique des examens militaires en Chine (Shanghai, 1896), 111-112. For other critiques of the traditional military examinations, see Chang Chung-li, 181, 187-190; William Ayers, Chang Chih-tung and Educational Reform in China (Cambridge, Mass., 1971), 178-182; Ichisada Miyazaki, China's Examination Hell (New York and Tokyo, 1976), chapter 8.\n\n5 Richard J. Smith, \"Chinese Military Institutions in the Mid-Nineteenth Century, 1850-1860,\" Journal of Asian History, 8.2 (1974), 128.\n\n6 Hsieh Pao Chao, The Government of China, 1644-1911 (Baltimore, 1925), 311-312; Chang Chung-li, 187.\n\n7 Cited in Chang Chung-li, 181.\n\n8 Miyazaki, 106. See also Robert Marsh, The Mandarins, (New York, 1961), 149-151.\n\n9 Smith, \"Chinese Military Institutions,\" 135.\n\n10 Wu Wei-p'ing, \"The Development and Decline of the Eight Banners\" (Ph.D. dissertation, University of Pennsylvania), 1969), 84-88.\n\n11 Lo Erh-kang, Li-ying ping-chih (Chungking, 1945), 199-200.\n\n12 Cited in ibid., 53.\n\n13 Lei Hai-tsung, Chung-kuo wen-hua yi Chung-kuo ti ping (Changsha, 1940).\n\n14 W. T. deBary, et. al., eds., Sources of Chinese Tradition (New York and London, 1960), 2: 9-10.\n\n15 IWSM, Hsien-feng, 28: 46b-47.\n\n16 Ibid., 28: 47a-b.\n\n17 Ibid., 28: 47b-49.\n\n18 Zi, 112.\n\n19 Chang Chung-li, 181 and note 69. See also Chang Pe'i-lun's reform proposals in 1889, YWYT, 3: 527-530, and Chang Chih-tung's in 1898, Ayers, 178-182.\n\n20 Ralph Powell, The Rise of Chinese Military Power 1895-1912 (Princeton, 1955), 93.\n\n21 Smith, \"Chinese Military Institutions,\" 150-156; see also Wang Erh-min, Huai-chün chik (Taipei, 1967) 191-193, 207-208.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208435, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 159, "title": "RAS-1978", "content_text": "VILLAGE GOVERNMENT IN CHINA, 1933\n\n143\n\nAccording to the theory, each Chia or Pao should select one of its members to serve as a headman, and this headman, when approved by the magistrate, becomes Ti-pao. In practice, however, the Ti-pao will stand at the head of a whole village, or of several small ones, as the agent of the magistrate.\n\nHow the Ti-pao is selected is not a matter of agreement. The official government view is well expressed by the Ta Ch'ing Hui Tien: \"The scholars and people shall elect to this office men of probity, education and property.” Or, in the Ta Ch'ing Lü Li:\n\n\"In every District 100 Families shall elect one Headborough (or Hundred man) Li chang, and ten Tithing men Chia shou, who shall be charged for the year with the collection of the revenue and the arranging of other public matters. Any person who without warrant assumes the title of Chu-pao, Li-chang, Pao-chang or other title of authority, and takes advantage of that to exact levies from the people, shall be liable to 100 blows and banishment for two years. The elders from among whom the above elections are to be made, must be men of mature years and known merit, belonging to the locality, as approved by the majority, and no one who has held office or been employed as a Yamen underling, or been convicted of offence, shall be eligible. A breach of this law shall entail a punishment of 60 blows upon the offender, who shall also be deposed from office, and any official sanctioning such illegal election shall be liable to 40 blows, and in case of bribery to such severer penalty as the law against bribery for an illegal purpose may entail.”\n\nThus it will be seen that in theory the Ti-pao is chosen freely by the people, without interference from the magistrate. Hsieh is authority for the statement that the government even issued orders to the magistrate not to interfere in these elections.3 A dissenting view is expressed by Morse, who states that the Ti-pao is nominated\n\n1 Jamieson; op. cit., p. 68.\n\n2 Ta Ch'ing Lü Li (division of Hu Pu), Sec. 83, Lü. Translated by Jamieson, ibid., p. 63. Most of this passage has also been translated into French by Bazin and by Boulais, who also give the text: Bazin; op. cit., I, p. 25 ff.; Boulais; op. cit., p. 183-184. Also cf. Staunton, G.; Ta Tsing Leu Lee, p. 88-89, According to Dr. C. H. Peake the text should be broken after the words; \"banishment for two years.\" The further discussion would then apply not to the Ti-pao, but only to the village elders. This distinction is not clearly brought out in any of the Western texts cited.\n\n3 Hsieh, Pao Chao; The Government of China, p. 309.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208914, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 76, "title": "RAS-1980", "content_text": "44\n\nJLANN HSIEH\n\njoin a \"clan\" association, organized according to kinship principles on the basis of some fictive relationship with the clan, there being no true genealogical relationship in fact. Also, a man who has never been in his \"domicile of origin\" may be a member of the locality association organized for that place. In short, kinship and locality as abstract organizing concepts, but not involving true relationships, are still the major organizing principles of the Waichow Hakka in Hong Kong.\n\n3. The Waichow Hakka associations tend to conform to the divergent pattern of the development of Chinese associations in Southeast Asia, as suggested by Freedman (1960:47-48). That is, a large association may split into a network of small associations for adapting to the needs of urban society. However, Freedman ignored the convergent pattern of development, whereby several small associations unite to form a large association in response to a special situation. The Kowloon Tz'eng Clansmen Association, a typical example of convergent development, was formed by the combination of three Tz'engs' associations cutting across the localities of Waichow, Chapchow, and Chiayinchow respectively. In fact, this pattern of development reflects changing social factors. Due to the weakening of kinship ties in an urban setting, surname associations of different localities have to unite together to promote further development. In overseas Chinese communities, the developmental pattern of the voluntary associations is so complex that one student has used the word “rattan” to analogize the situation (Li, 1970: 245).\n\nAs I mentioned before, both the Waichow Hakka and the Waichow Hoklos of Hong Kong came from the same area, but they actually had different culturally constituted behavioral environments because of their diverse ecosystems and distinctive subcultures. Traditionally, in Waichow, the seashore-dwelling Hoklos lived mainly by seafaring and its related occupations, while the mountain-dwelling Hakka mostly engaged in farming work. This cultural difference is reflected today, not only in their social and economic lives but also in their religious beliefs. The Waichow Hoklos, being content with little and preferring a free way of life, usually work as sailors, lightermen, peddlers, hawkers, grocers, and small businessmen. On the other hand, the Waichow Hakka are very conservative and hardworking. Sticking strongly to their tradition, the Waichow Hakka are active in manual occupations,", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208918, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 80, "title": "RAS-1980", "content_text": "48\n\nJIANN HSIEH\n\nwithin the Hakka group. Using the Li family in So Kwun Wat Village in the New Territories, settled by Waichow Hakka during the Ch'ing Dynasty, as an example: from their genealogy we know that the family's ancestor Shih-chuan (+) of the twenty-first generation, ancestors Tê-mao (†) and Mu-yu (**) of the twenty-second generation, and ancestor Chên-k'un (*) of the twenty-fourth generation all married women of the surname Kan from a nearby Hakka single-surname village (Li, 1957). According to an informant in So Kwun Wat village, intermarriage among the nearby Hakka villages was very common in the past. However, it is difficult for the new Hakka immigrants to keep up the practice of speech group endogamy because of their settlement pattern and other social factors. It has been pointed out by Skinner (1960:86) that whereas in Indonesia thousands of Chinese can trace back their genealogical descent for as many as twelve generations because of strict Chinese endogamy, in Thailand even fourth-generation Chinese are practically nonexistent because of rapid assimilation. As first-generation immigrants, those Waichow Hakka who came to Hong Kong after 1949 were left with no chance to continue Hakka endogamy. How then can they encourage their descendents to keep up the tradition of Hakka endogamy? The only difference between the Waichow Hakka in Hong Kong and the Chinese in Thailand is that the Waichow Hakka in Hong Kong will be incorporated into the larger Chinese society speaking the Cantonese dialect rather than a host society of foreign origin. This may be the first time that a group of Hakka, always historically a distinctive minority group in China, will be assimilated with a larger segment of other Chinese.\n\n4. Last but not least, the split of the powerful leadership stratum into two parts led to the formation of antagonistic association clusters centered respectively on the Waichow Clansmen General Association and the Ten-Districts of Waichow Association. This in turn resulted in small and low-level associations behaving in an uncoordinated manner, sometimes even hesitating to join either side. In other words, as a group with an estimated population size of about one million, the Waichow Hakka need a central authority, similar to that of the umbrella structure of many Chinese communities in Southeast Asia (Heidhues, 1974:54), an authority which could further the integration of", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208920, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 82, "title": "RAS-1980", "content_text": "50\n\nJIANN HSIEH\n\n* According to an imperial decree issued in 1645, a man could change his official domicile only if his grandfather had settled in a new place for more than twenty years, and if he could prove that in that place he had an estate and a clan graveyard (Ho, 1966:8).\n\n? According to the informant, who is one of the directors of the Wai-yeung Merchants Association is a locality association in nature, but not a merchants' guild.\n\n* It is especially true that genealogical seniority played a very important role in the leadership of the Chinese traditional clan associations. This emphasis on seniority also prevailed in the leadership structure of other kinds of voluntary associations through pseudo-kinship relationships (Gamble, 1929).\n\n• The division of residence by dialect or original locality survives even in today's Chinese community of Singapore. For example, most of the Hainanese concentrate in Hsiao-p'o, while the Cantonese are dominant in the area of Niu-ch'e-shui.\n\n10 Since all the Waichow schools are subsidized by the Hong Kong Government, it is an obligation for them to use Cantonese as the teaching medium.\n\n11 The estimated size of the Waichow population in Hong Kong according to the association leaders ranges from 700,000 to 1,200,000.\n\nREFERENCES\n\nA. CHINESE\n\nHo, P. T.\n\n1966\n\nChung-kui hui-kuang shih lun (A Historical Survey of Landsmannschaften in China). Taipei: Students' Book Store.\n\nHuang, C. L.\n\n1972\n\nMa-hua li-shih tiao-ch'a yen-chiu ch'u-lun (A Preliminary Study of Chinese History in Malaya). Singapore: Wan-li Press.\n\nLi, S. T.\n\n1957\n\nYuan-lang Sao-kuan-hu Li-shih tsu-p'u (The Genealogy of Lis in So Kwun Wat, Yuen Long). MS.\n\nLi, Y. Y.\n\n1970\n\nLo, H. L.\n\n1933\n\nIh-ko i-chih ti shih-chên (An Immigrant Town). Taipei: Institute of Ethnology, Academia Sinica.\n\nK'ê-chiao yen-chiu tao-lun (An Introduction to Hakka Studies). (1975) Taipei: Ku-t'ing Press.\n\nSee, C. B.\n\n1976\n\nFei-lu-pin hua-jên wen-hua ti chih-hsü (Persistence and Preservation of Chinese Culture in the Philippines). Bulletin of the Institute of Ethnology, Academia Sinica, 42:119-206.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209058, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 220, "title": "RAS-1980", "content_text": "188\n\nWILLIAM Y. CHEN\n\nHan-shan, 1546–1623. Kuan Lao-Chuang ying hsiang lun. Taipei, 1974.\n\n憨山,觀老莊影响論.台北,廣文書局,1974.278 p. BC\n\nHsi-hsin-tzu、Ming-tao yù lu. Taipei, 1970.\n\n洗心子,明道語錄,再版,台北,真善美出版社,1970. 4, 5, 6, 159 p.\n\nLC\n\nHsiao, Tien-shih, Tao-chia yang sheng hsiüeh kai yao. Taipei, 1963\n\n蕭天石.道家養生學概要·儒釋合叁.台北,自由出版社,1963. 7, 3, 4, 450, 2, 6 p.\n\nLC\n\nHu, Che-fu. Lao-chuang che-hsüeh. Shanghai, 1935.\n\n胡哲敷,老莊哲學,上海,中華書局,1935.1 v.\n\nCA\n\nKaibara, Ekiken, 1630-1714. Shinshiroku. Osaka.1815.\n\n益軒貝,慎思錄, 大阪, 勝寫喜六郎,1815.6v.\n\nKan ying lei ch'ao, Taipei, 1967.\n\nBC\n\n感應類鈔,史潔珵纂輯,台北,自由出版社,1967. 158 p.\n\nLC. SA\n\nKimura, Eiichi, 1906– Rō-shi no shinkenkyů. Tokyo, 1959.\n\n木村英一,老子の新研究.東京,創文社,1959. 7, 2, 633, 9, 25 p.\n\nLC\n\nKo, Hsüan. Ko-hsien-weng chih tao hsin ch'uan. Taipei, 1968.\n\n葛玄,葛仙翁至道心傳,台北,自由出版社,1968.5, 34, 102 p.\n\nLC, SA\n\nLao-Chuang ssit hsiang yi hsi fang che-hsieh. Taipei, 1968.\n\n老莊思想與西方哲學,宋稚青譯,台北,三民書局,1968. 4, 170 p.\n\nLC\n\nLi, Shu-huan. Tao-chiao tien ku chi. Kao-hsiung, 1975.\n\n李叔還,道教典故集,高雄,李叔還,1975. 6, 7, 104 p.\n\nBC, LC\n\nLi, Shu-huan. Tao-chiao yao i wen ta ta ch'üan. Kao-hsiung, 1972.\n\n李叔還,道教要義問答大全,修訂本,高雄,李叔還,1972. 6, 25, 237 p.\n\nBC\n\nLi, Tao-shun. Chung-hochi. Taipei, 1957.\n\n李道純,中和集,台北,自由出版社,1957. 4, 6, 178 p.\n\nLC, SA", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209265, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 168, "title": "RAS-1981", "content_text": "154\n\nWEI PEH-T'I\n\nthe Chinese point of view, Juan Yuan reported Barrowcliff as the guilty party in his memorial to the Emperor dated 12 December 1820. It was at this time that he wrote the secret memorial proposing strong measures to control the British, and receiving in return instructions from the Emperor to hold to a more moderate line.**\n\nPerhaps Juan Yuan only displayed the willingness to make the best of a situation in the Barrowcliff case, the kind of co-operative spirit that led the British to refer to him as a “man of singular moderation and wisdom”35 only because no opium was involved. The next major crisis over jurisdiction took place not quite a year later. By then, the new Emperor had proclaimed a policy to strengthen the law prohibiting importation of opium and exportation of silver. In October 1821, Terranova, an Italian seaman serving on an American ship, the Emily, accidentally killed a Chinese boat woman. He was sacrificed to Chinese justice in order to prevent the Canton government from investigating further into the cargo of opium that was on various foreign ships in port at that time. This is a well-known case in the West and is often cited as an example of the barbarity of Chinese justice. Terranova, who had been turned over to Chinese officials, was strangled to death as punishment for having taken a life.\n\nThe incident arose when on 29 September, a boat woman, Kuo-Liang shih (surnamed Kao née Liang), who spoke \"pidgin\", sculled her sampan to the Emily, peddling fruit. Terranova, leaning against the railing of the ship above her, lowered her five copper cash in a basket. Not satisfied with the number of oranges and bananas he had been given by the woman, he negotiated further. Somehow, the argument became heated, ending with Terranova throwing a pottery jar at the woman, hitting her on the head, cracking her skull, causing her to fall into the water, and resulting in her death. This was a serious matter, for, in addition to murder, there were other violations. Terranova, as a foreigner, was buying goods from a Chinese directly without going through the regular channel of the hong merchants. The security merchant of the Emily was Exchin, but, as in other serious cases over jurisdiction, Puiqua, as head of the hong merchants, was also involved.\n\nJuan Yüan's investigations showed that the act of the jar striking Kuo-Liang shih on the head had been witnessed by another woman, Ch'en-Li shih, who had shouted for help. A worker for the Canton customs, Yeh Hsia, in a boat nearby, attempted a rescue, but failed. The body of the dead woman was not pulled out of the water until her husband arrived at the scene of the accident. The injury on the woman's", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209278, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 181, "title": "RAS-1981", "content_text": "60\n\nJUAN YUAN'S MANAGEMENT OF SINO-BRITISH RELATIONS IN CANTON, 1817-1826 167\n\nIbid., 1:22b-23. Court letter to Juan Yuan et al., TK 2/5/25 (1822/7/13). 07 After Juan Yuan left Canton, his successor as Governor-General of Kwangtung and Kwangsi, Li Hung-pin, established a system of patrol boats to check on opium smuggling. Each boat received a monthly bribe to permit the illicit trade. Liang, Kuang-chou shih-san hang k'ao, p. 299.\n\nChang Shun-ts'un #\n\nTao-Kuang ch'ao\n\nCh'en 陳\n\nCh'en-Li shih ★BA\n\nchin f\n\nchüan-na ‡Ã1⁄4\n\nfen 分\n\nHsiang-shan J\n\nHsin-hui hsien-chih Hsi Nai-chi 許乃濟 Hsüeh-hai t'ang***\n\nHu-Kuang Hu-pu 户部\n\nHuang I-ming *** I-li-pu 伊里布\n\nJuan Yuan 阮元\n\nKuang-tung shih-san hang k'ao\n\nKuang tung tung chi là ki\n\nKung-chung-tang\n\nkung-hong 2Ấ\n\nKuo-Liang shih\n\nLi Hung-pin 李鴻賓 Liang Chia-pin 梁嘉彬 Liang-Kuang✯ Liang-Kuang yen-chih\n\nch'ou-pan i-wu shih-mo\n\ntao-t'ai\n\nTi-tzu chi, for (Lei-t'ang-an-chuɃ‡ƒ‡ ti-tzu chi)\n\nTs'an-chan ta-ch'en ★★★E ts'un += 1/10 Chinese foot) Wai-chi-tang >-*#\n\nWai-chiao shih-liao ££* Wu Kuo-yung Wu-lung-a\n\nWu Shou-ch'ang ££ 3\n\nWu Ts'ung-yao 14\n\nWu Tun-yuan {£✶ ̃\n\nyang-hang *{1\n\nyang-shang 洋商\n\nYeh Huan-shu #£#\n\nYeh Hsia 葉及\n\nYen-ching shih-chi &*£✯ Yun-Kuei +\n\nNei-wu-fu\n\nPan-yü 番禺 pao-chia 保甲\n\nTa-Ku\n\n#", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 209454, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 111, "title": "RAS-1982", "content_text": "89\n\nThe 1884 events demonstrate how the Tung Wah Hospital made the necessary accommodations, both by its initial encouragement of the strike and by the very pragmatic manner in which it ended it.\n\nThe 1884 events also show how active the Tung Wah Hospital was. One feature of the Hospital was that all past Committee members continued to exert influence on its affairs, and were very actively involved in them. Very often, a man would be associated with the Committee for many years, either as a director, a hip-lit (hsieh-li; sub-director) or a chi-li or chi-shi (chih-li or chih-shih; manager). Li Tak Cheung, Ho Amei and Leung On, the men most active in the 1884 events, had all been directors. Though Ho Kai, who defended several of the rioters, was not himself a member of the Tung Wah Committee, he was nevertheless the son and the brother-in-law of members. The current Chinese representative on the Legislative Council, Wong Shing was one of the founding directors and Ng Choy (known later as Wu T'ing-fang), the first Chinese Legislative Councillor, was one of the founding managers. This concentration of wealth and influence, and most significantly, dynamism and dedication, consolidated the Tung Wah Hospital in its leading position.\n\nLethbridge, in his very perceptive article on the Tung Wah Hospital, has provided many insights into its operations and into the sociological conditions which give rise to such institutions. But sociological theories cannot explain why men did what they did at any given time, nor how these institutions changed the course of history.\n\nThe Tung Wah Hospital was not a lame yes-man to China or Canton. It had its own identity, interests and principles. Merely two years later, in 1886, it resisted the order of Canton authorities to yield funds originally raised for the relief of flood victims for some other purpose. Ironically, on this occasion, the Hong Kong Government again under the acting governorship of Marsh rallied to its support in order to beat off \"the attempt of a Chinese official to exercise jurisdiction over the Directors of a Hong Kong Public Institution.\"\n\nIts role in 1884 was not based upon the need to appease", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 211647, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 62, "title": "RAS-1989", "content_text": "37\n\nPestilence Wang Yeh were revered in Fukien before 1661, the date given for their first arrival in Taiwan. The first images, five in all, bore surnames which have been passed on to individual Pestilence Wang Yeh in all parts of Taiwan. A nineteenth-century missionary, Doolittle,3 noted images of Five Emperors in temples in Fuchou, said to control epidemics and malignant diseases. He understood that the 'idols', much feared by the common people, had several attendants, two of whom were very frequently paraded through the streets, one was the Tall White Devil and the other, the Short Black Devil. These two, Generals Hsieh and Fan, are still commonly seen in Taiwan and South-East Asia but only comparatively rarely are they colocated with the Pestilence Wang Yeh. He went on to describe a ritual involving setting fire to 'spirit boats' floating down the Min river, which were believed to bear diseases and unhealthy influences out to sea. It used to be believed in Taiwan and still is in Singapore, that the Pestilence Wang Yeh themselves could and did spread contagion.\n\nImages of the Pestilence Wang Yeh in temples have in the main been seen in groups of three or five, each bearing an individual surname (see Plate 9). Nowadays they each have only a surname, without any given names and are therefore somewhat more fortunate than the earlier Pestilence Wang Yeh who had neither surname nor given names. It was the practice for migrants to select the Wang Yeh bearing their own surname as their particular protective deity, and although the surnames Chih (李), Wu (武), Wen (温), Su (↡K) and Fan (皖YZ) are common amongst Pestilence Wang Yeh, Li (李*) and Chu (祝) are also quite widespread too. There is little functional difference and though in legend, particularly in South-East Asia, Chih is the main Wang Yeh, \"The Leader of the 108 or 360', Li is a close runner-up for the honour in Taiwan.\n\nDespite the fact that in the Pestilence Wang Yeh temple at Nan K’un Shen near Tainan (claimed to be the oldest Wang Yeh temple in Taiwan) the main deity on the main altar is Li, with the other four, Fan, Chih, Wu and Chu beside him, the Five connected with the Five Protective Spirits of Fukien referred to in the legends below, are Hsu (徐#), Li (李4), Po (舰4), Heng (衡f) and Chu (祝️).\n\nAs one would expect there are individual cults which do not follow standard patterns. One Pestilence Wang Yeh has been referred to by forenames as well as his surname. This also was in Nan K'un Shen where", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212162, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1990", "page_number": 104, "title": "RAS-1990", "content_text": "81\n\nAlso in Taiwan lone images occupy the altar of a number of small temples in the Hsinchu area. In each case the image is a portrait rather than a standard image, of elderly men, obviously ancestral images, revered and prayed to as local benefactors by local residents who rarely know their personal names or life stories. They are all from Hakka communities, and are referred to as Ta-jen A. They include Yang Ta-jen, Huang Ta-jen, Hsieh Ta-jen, Heng Ta-jen and Chao Ta-jen. Presumably each had some social position and status and their present day minor cults have been stimulated by the construction of a decorous and specific shrine or temple housing its charismatic image.\n\nThe following are examples of the legends and cults connected with four deceased locals whose charisma led to them being honoured and later revered as local deities. Two were local secret society gang leaders, the third a scholar who was a renowned healer and the fourth was a local philanthropist.\n\nYeh Te-lai, a Hakka immigrant to Kuala Lumpur where he is better known as Yap Ah-loy, was appointed Kapitan China by the Sultan of Selangor in 1868 with the right to tax tin and opium and to judge lawsuits between Malays and Chinese. During inter-racial troubles his private army of some 2500 Chinese fought many battles against his rivals. He was a go-getter who succeeded in establishing a firm business base for the community in Kuala Lumpur, a 'frontier town' where he maintained law and order by means of his secret society 'soldiers' under their generals, one of whom was Sheng Ming-li and another Ch'en Chung-lai. Ming-li and Chung-lai were both murdered in Negri Sembilan in about 1860, and on the orders of Yeh Te-lai, were deified and their images placed on the main altars in some four temples, in Rasah, Semenyih and Kuala Lumpur. Ming-li was referred to as Shih-yeh (Adviser) or Ssu Shih-yeh Kung-li (the Fourth Secretary [in an official yamen]). His image and that of Chung-li used to be borne around Kuala Lumpur during their annual festival on the 1st of the ninth lunar month. Legend has it that when Sheng Ming-li was decapitated his blood was white, not red, a miracle in the eyes of his followers, who buried him near Malacca.\n\nThe second case is Hsin Ting. Hsin Ting is the main deity in his temple in Taipei where he is portrayed as a scholar holding a scroll. Although his cult was carried to Taipei by a scholar who had passed his examinations after praying to the deity, Hsin Ting has reverted to his original skill of medicine and is now prayed to by the sick for", "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/d79206299", "rank": 0 }, { "id": 213491, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 87, "title": "RAS-1995", "content_text": "55\n\npoor doctor escaped to Taiwan on some other score.\n\nThen we learned that the famous playwright Woo Tzu-kwong () married the actress Hsin Fung-hsia () and the couple live happily together until now. It is fair to say that the theatrical people in China, including those actors and actresses, are living a stricter moral life than their counterparts of the European and American origin. I hope that, one of these days, the social differences will be swept away so that men and women can live a non-hobbled life as anybody else.\n\nThe Applause and the Booing\n\nApplause by hand clapping is only a recent invention to the theatres in China. In the old days, applause came spontaneously from the audience when the public felt the singing or acting was beautifully done by yelling the word “Hao” (好) in the third tone. Booing was seldom practiced except for the following few reasons:\n\n(a) when the singer missed or could not keep up with the rhythm or beat of the music;\n\n(b) when the hat fell off from the actor's head to the ground; \n\n(c) in a fighting scene, when his spear, or weapon, fell to the ground.\n\nCoincidentally, booing is delivered by yelling the same word “Hao\" (好) in a different tone, the fourth tone, pronounced as ().\n\n\"The Patron Saint” of the Theatre\n\nYou have probably heard that in China, every trade has its quasi-deity who is worshipped with reverence. The position of this quasi-god equals, in status, the “Patron Saint\" in the Western world.\n\nIn the theatrical profession, they worship Emperor Xuan-zong (玄宗) of the Tang Dynasty - his real name is Li Long-ji (). Xuan-zong is his reigning name.\n\nHe was an exceptionally talented man, possessing charm and charisma. In the second year of his reign, he established, within his palace, a school which he called the \"Pear Garden”, to teach young and talented men and women how to sing and to put on a show. Up to this day, people like to refer to theatrical men and women as \"disciples", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 }, { "id": 213855, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 207, "title": "RAS-1996", "content_text": "180\n\nThe\n\nIssei, \"The Jiao Festival in Hong Kong and the New Territories,\" in Julian F. Pas, ed., Turning of the Tides: Religion in China Today (Hong Kong: Oxford University Press, 1989), pp. 271-298\n\nInterviews: K'ung Chao-hsiang (age 79), Lung Tseng Tau, Jul 6, 1991; Hsieh Ch'i, op. cit.\n\nInterview of Mo Shu-ling (age 65), Mok Ka, Jun 29, 1991\n\nInterview of Lo Ch'uan, op. cit., Jul 8, 1991\n\n[hid]\n\n\"Ho, op. cit.; while some villagers did not remember the role of the Houwang in the rituals, an old man, who had witnessed the festival three times, indicated that the Houwang idol would be \"invited\" from the temple and enshrined on an altar set up for the ceremony (Interview of Lo Ch'uan, op. cit., Chap Mun Tau, Jun 22, 1991)\n\n\"Tanaka, op. cit., pp. 273-274\n\n*Faure, 1986, op. cit., p. 84\n\n14\n\nJames Hayes, The Rural Communities of Hong Kong: Studies and Themes (Hong Kong: Oxford University Press, 1983), pp. 159-160\n\n\"Ho, op. cit., p. 6\n\n16\n\nInterviews: Cheng P'o, op. cit.; K'ung Chao-hsiang, op. cit.\n\n\"Interviews: Cheng Man-hung, op. cit.; the Tung Chung Public School, Jul 1991; Tseng Kuan-hsing (age 60+), Upper Ling Pei, Jul 12, 1991\n\n*Interview of K'ung Chao-hsiang, op. cit.\n\n14\n\nJCH\n\nIbid.; Interviews: \"Uncle Li\", op. cit.; Cheng Man-hung, op. cit.; the Tung Chung Rural Committee, Aug 12, 1991\n\nInterview of Feng Po (age 65), Ma Wan Chung, Jun 16, 1991\n\nBrum, op. cit.\n\n*James Hayes, \"Chinese Temples in the Local Setting,\" in Some Traditional Chinese Ideas and Conceptions in Hong Kong Social Life Today, Week-end symposium, Oct 2, 1966, the Hong Kong Branch of the Royal Asiatic Society, p. 92\n\n\"Faure, 1981, op. cit., p. 76\n\n**\"Ch'ung-hsiu Houwang-miao pei-chih,\" IV, 1910, collected in K'o Ta-wen, Lu Hung-chi, & Wu Lun Ni-hsia, comp., Hsiang-kang...", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213858, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 210, "title": "RAS-1996", "content_text": "7 Interview of Li P'o, Cheng Man-lung, etc., op. cit.\n\nNg Cheuk Yiu, op. cit.\n\nIbid., p. 183\n\n*2 Ronald Ng, op. cit., p. 58\n\n** Judith Stauch, “Community and Kinship in Southeastern China: The View from the Multilineage Villages of Hong Kong,” Journal of Asian Studies, XLIII:1 (Nov 1983), pp. 21-50\n\nBurton Pasternak, Kinship and Community in Two Chinese Villages (Stanford: Stanford University Press, 1972), p. 157\n\n* Faure 1981, op. cit., p. 80\n\nInterview of Master Kuo-hsi (RMBOA), a Buddhist nun at Tei Tong Tsai, Aug 18, 1991\n\n* Interview of Hsich Ch'i, op. cit., Aug 13, 1991\n\nInterview of Sister Chung (Biff* &) at Tung Chung Our Lady Kindergarten, Aug 13, 1991\n\n444 Interview of Chang Po (age 75) lower Lang Pi, Jun 15, 1991\n\nInterview of Chou Po (age 60) San Tau, Jul 1, 1991\n\nInterview of Miss Cheng (age about 23) upper Ling Pi, Jun 15, 1991\n\n12 Law, op. cit.\n\n13\n\nPage 210\n\nPage 211", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 } ]