[
    {
        "id": 204675,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1963",
        "page_number": 156,
        "title": "RAS-1963",
        "content_text": "140\n\nBOOK REVIEWS\n\nSOUND AND SYMBOL IN CHINESE. By Bernhard Karlgren. Hong Kong University Press, 1962. Paper covers. 97 pages. HK$6.00.\n\nThis is the first volume in a series published by the Hong Kong University Press under the title CHINESE COMPANION SERIES, and it is an admirable choice. It consists of a new edition of Professor Karlgren's illuminating study, first published in 1922, which has been revised by the author himself and the Bibliographical Notes brought up to date. Short in length this book is nevertheless of the highest importance and no student of the Chinese language can afford to neglect it. Even those who are not primarily linguists should certainly read it since the subject which it discusses lies at the very roots of Chinese culture. It is written in a pleasant and lucid style which helps to make it easy to understand. The text contains a number of Chinese characters. All students of Chinese will be glad to see that there is a photograph of the author at the front of the book. He is one of the most distinguished living Sinologists.\n\nIt is good to see this important work available in an inexpensive but attractive format and the Hong Kong University Press is to be congratulated on an auspicious start to its CHINESE COMPANION SERIES.\n\nJ. L. CRANMER-BYNG.\n\nASIAN PERSPECTIVES. The Bulletin of the Far-Eastern Prehistory Society. Edited by Wilhelm G. Solheim II. Volume V, Nos. 1 & 2, 1961. Hong Kong University Press, 1962. Approx. 130 pages each. Illustrated. HK$25 per number.\n\nNumber 1 of Volume 5 contains regional reports from seventeen areas, including a brief note for Hong Kong, and a longer one for China mainland by R. C. Rudolph giving a useful annotated bibliography of recent monographs and Journals dealing with current work on Chinese archaeology. It also includes a few notes and articles including a note on a glazed bowl from Lamma island.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1963.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/4m90m091v",
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    },
    {
        "id": 204847,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 150,
        "title": "RAS-1964",
        "content_text": "LUN HENG\n\n125\n\nThe republication, unchanged and in an excellent edition, of Alfred Forke's Lun Heng, by the Paragon Book Gallery in 1962, is clearly a most significant event. Just how valuable is Forke's work?\n\nWhen first published in 1907 and 1911, Forke's translation of the Lun Heng was rightly lauded by Pelliot (Journal Asiatique 20, 1912, pp. 156-171), and later by Karlgren (Bulletin, Museum of Far Eastern Antiquities, 23, 1951, pp. 107-135). Forke's translation, done without the use of a Chinese commentary, was not only one of the greatest Western sinological works, but was also the first serious study of the Lun Heng in any language. We now have several studies and commentaries in Chinese, and also partial translations and summaries in English. Does Forke's work still stand up today?\n\nAs a translation, Forke's great work still stands alone. There is no other complete translation, not even in Japanese. Translations into Polish and into Mandarin have been announced but, so far as I know, not completed. Thirteen chapters (out of the 84 extant) have been translated into Mandarin in the Chung-kuo che-hsüeh-shih tzu-liao hsüan-chi, Liang Han chih pu, 1960, Peking, pp. 215-421.\n\nAs for the quality of the translation, I have already pointed out in my \"Contribution to a New Translation of the Lun Heng\", T'oung Pao 44, 1956, pp. 100-149, that many rough edges and minor inaccuracies need to be eliminated. Nevertheless Forke's understanding of the text is excellent. Comparison with the minute portions translated by E. R. Hughes (Chinese Philosophy in Classical Times, 1942, pp. 317-336), D. Bodde (Fung Yu-lan, A History of Chinese Philosophy, Vol. II, 1953, pp. 150-167), Burton Watson (in Sources of Chinese Tradition, 1960, pp. 250-155), and Chan Wing-tsit (A Source Book in Chinese Philosophy, 1963 pp. 292-304) shows that these scholars, with all the modern aids unavailable to Forke, can still only make slight improvements to his translation.\n\nUntil the welcome publication of this second edition, copies of Forke's translation were almost unobtainable (£30 was a quoted figure). I suggested in my \"Contribution\" that a new translation was required to fill the gap. If such a translation is to be done now that Forke's is again available, it would need to be fully\n\nPage 150\n\nPage 151",
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    },
    {
        "id": 204849,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1964",
        "page_number": 152,
        "title": "RAS-1964",
        "content_text": "LUN HENG\n\n127\n\nWang Ch'ung and of his predecessors\", Archiv Orientalní 30, 1962, pp. 231-257. Useful studies of Wang Ch'ung's materialism, more or less Marxist in orientation, have been written by A. A. Petrov (1954 in Russian, translated into Chinese in 1956), Hou Wai-lu and others (1957), Yang Ch'ao Kuan Feng (1957), Cheng Wen (1958), and T'ien Chang-wu (1958).\n\nThere are a large number of articles on Wang Ch'ung in Japanese by Kimura Ikusaburo, Shigezawa Toshio, and others. But I only know of one book in Japanese, the Ronko no Kenkyu 論衡之研究 by Sato Kyogen 佐藤匡玄 (1956, self-published).\n\nGrammatical study of the Lun Heng, commenced by Karlgren and extended by myself, must await a full concordance. Besides the 1943 Index du Louen Heng by the Centre franco-chinois d'études sinologiques, there are now two Japanese indices by Kato Joken, Shigezawa Toshio, and others, both produced in 1961.\n\n(a) Ronko Koyu-Meishi Sakuin 論衡固有名詞索引\n\nThis, similar in size and scope to the French index, which gave an index of names and topics with a paraphrase of the immediate text, gives a full concordance of names only, subdivided into names of people, of places, of books, titles and reign periods. It also adds a valuable appendix of textual corrections.\n\n(b) Ronko Jirui Sakuin 論衡事類索引\n\nThis is a massive work, over twice the size of the Lun Heng itself, which collects together, under topic headings, all the passages from the various chapters concerning that topic. The main topics covered are philosophy (and religion), science, ancient books, history, government, and sociology.\n\nVery valuable for certain kinds of research, these three works still do not fulfil the function of a complete word-by-word concordance.\n\nThe republication of Forke's monumental work (at almost the same time as these new indices) will be of double value if it encourages other western scholars to go ahead and work on Wang Ch'ung and his Lun Heng, a key work for our understanding of ancient China.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1964.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/qz20zx09r",
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    },
    {
        "id": 205653,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1968",
        "page_number": 195,
        "title": "RAS-1968",
        "content_text": "190\n\nJOUON, René.\n\nTHE LIBRARY\n\nGéographie commerciale de la Chine. 4e éd. [Zikawei, Shanghai, Imprim. de l'Orphelinat de Tou-sè-wè] 1937.\n\nKARLBECK, Orvar.\n\nTreasure seeker in China. Translated from the Swedish by Naomi Walford. London, Cresset Press, 1957.\n\nKARLGREN, Bernhard.\n\nThe book of documents. Stockholm, Museum of Far Eastern Antiquities, 1950.\n\nKARLGREN, Bernhard.\n\nThe book of odes: Chinese text, transcription and translation. Stockholm, Museum of Far Eastern Antiquities, 1950.\n\nKENDALL, Elizabeth.\n\nA wayfarer in China: impressions of a trip across West China and Mongolia, Boston, Houghton Mifflin, 1913.\n\nKOKUSAI BUNKA SHINKOKAI,\n\nK.B.S. bibliography of standard reference books for Japanese studies, with descriptive notes. Tokyo, K.B.S., 1960-\n\nvol. 2: Geography and travel only.\n\nKOREA. Supreme Council for National Reconstruction.\n\nMilitary revolution in Korea. Seoul, the Secretariat, Supreme Council, 1961.\n\nKOREA. University. Asiatic Research Center.\n\nA brief history of the.... Center. Seoul, the Center, 1964. Text in Korean and English.\n\nKUR'ÄN.\n\nThe Holy Qur'ān: Arabic text and English translation by the late Maulawi Sher Ali. Published under the auspices of Hazrat Mirza Bashir-ud-Din Mahmud Ahmad. Rabwah, West Pakistan, Ahmadiyya Muslim Foreign Missions Office, 1960.\n\nKWOK, K. W.\n\nThe splendours of historic Nanking: eighty photographic studies, with descriptive notes... Shanghai, Kelly & Walsh, 1933.\n\nTitle and text in English and Chinese.\n\nPage 195\n\nPage 196",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1968.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/66833948d",
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    },
    {
        "id": 205801,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 107,
        "title": "RAS-1969",
        "content_text": "101\n\nTHE LINGUISTIC AND LITERARY VALUE OF THE MING DYNASTY ‘MOUNTAIN SONGS'\n\nJOHN MCCOY*\n\nPoetry, and the rhyming dictionaries compiled to aid the poet, have presented the linguist with the bulk of his material pertinent to the problem of reconstructing earlier forms of the Chinese language. Of course other aids have been used, such as the evidence of the fan-ch'ieh system of describing character pronunciations by dividing them into initial and final sound segments, the help provided by foreign language data, and the clues from the phonetic elements in the characters. However, the major breakthrough was made with early rhyming dictionaries. Karlgren's great contribution to the history of the Chinese language, his reconstruction of Ancient Chinese, was principally an analysis of the system set up in the Ch'ieh Yün, the Kuang Yün, and other early rhyme books. To this system he assigned phonetic values by positing forms generally consistent with modern dialect pronunciations.\n\nThe value of Karlgren's tremendous scholarship cannot be overemphasized, but note should be made that it does not tell us all we will ever want to know about antecedent forms of the present-day dialects of Chinese. Two aspects of his approach lead us to continue our search for corroborating and supplementary materials with which to increase our knowledge about early Chinese.\n\nFirst, Karlgren's Ancient Chinese must be thought of as a textual reconstruction rather than a linguistic reconstruction, and we ideally want both to fill out our picture. Secondly, for a number of reasons we can assume that the phonology expressed in the formal rhyming dictionaries diverged to some degree from the actual spoken forms of the time.\n\nThe difference between a textual reconstruction and a linguistic reconstruction is the difference between the interpretation and\n\n* Dr. McCoy's article \"The Dialects of Hong Kong Boat People: Kau Sai\" appeared in Volume 5 of the Journal. He is Associate Professor, Division of Modern Languages, Cornell University. This paper is a revised version of one read before the Association of Asian Studies at Philadelphia in March 1968.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/9g553n20d",
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    },
    {
        "id": 205802,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 108,
        "title": "RAS-1969",
        "content_text": "102\n\nJOHN MCCOY\n\nanalysis of older texts on one hand and the development of a hypothetical proto-form on the other. Both approaches rely on modern spoken dialect data but they use these data in significantly different ways. In deriving Ancient Chinese Karlgren first worked out the structured format of the older rhyme books then manipulated modern dialect evidence in order to derive phonetic units to fit each slot of the patterns established in these dictionaries. This is a perfectly valid and useful approach but it sometimes becomes arbitrary; for example, at those points where modern dialects show no contrasts to give us clues to contrasts indicated in the rhyming dictionaries.\n\nIn a linguistic reconstruction a proto-form is derived in such a way that it can logically stand as progenitor of all the modern spoken forms. This approaches a one-to-one relationship in that regular features of present-day dialects should then be reconstructed as features in the proto-form.\n\nSince textual reconstructions are based on pre-linguistic materials, they can seldom be expected to give us results which meet the demands of a modern phonemic analysis. Usually this sort of problem can be at least partially solved by reworking the textual data with newer techniques; this was essentially the contribution of Samuel Martin in his phonemicization of Ancient Chinese. A well-done linguistic reconstruction should produce phonemically accurate data, and thus avoid one of the preliminary problems of the textual reconstruction. Although an abstraction in the sense that it is a projection from rather than a record of real data, the linguistic reconstruction establishes a system which can in turn be valuable in rationalizing textual materials.\n\nThere is a second reason for seeking supplementary data with which to refine our picture of the older forms of Chinese. This derives from the fact that the rhyming dictionaries were essentially proscriptive rather than descriptive; that is, they tended to record how a character ought to be pronounced rather than how it actually was pronounced by a given dialect group. Fairly early the style and rhyme patterns of Chinese poetry became formalized and to a large degree classical and learned forms began to predominate. With the high value put on formal education and with the development of a fairly narrow range of classical models within which a man could deem himself well educated, the poetry",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
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    },
    {
        "id": 205803,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 109,
        "title": "RAS-1969",
        "content_text": "MING DYNASTY 'MOUNTAIN SONGS'\n\n103\n\nwritten by the literati rhymed often by academic fiat rather than in accordance with actual dialect pronunciations and the conversational styles which we know must have been spoken at the time.\n\nThis is not entirely the case since in the verses of the classical poets we often find deviation from the patterns of the rhyming dictionaries. Still the norm held true to the accepted versions, and as time passed the accepted version remained relatively stable while the living language went through a series of sound changes. There is even reason to assume that the earliest rhyming dictionaries may have preserved archaisms or dialect pronunciations, or otherwise mixed the information in a way that would complicate Karlgren's Ancient Chinese. For example, we know from the preface to the Ch'ieh Yün that this important rhyming dictionary was the product of an informal committee composed of members who represented several regional dialects. Presumably a situation like that might lead to a levelling process and the final results might be to some extent an overall pattern of several speech forms rather than a consistent recording of a single dialect.\n\nIn summary, the first proposition is that Ancient Chinese as now reconstructed should be paired with a proto-Chinese developed by the comparative method of modern linguistics. One can look forward to the time when the necessary spoken language data will be gathered and the preliminary reconstructions of individual Chinese proto-dialects will be completed. The second proposition is that the standard rhyming dictionaries can be expected to diverge in greater or lesser degree from any standard spoken language of their time. This second point suggests to the linguist that an ideal target for research might be poetry outside the intellectual, classical tradition. In other words, we can look to folk poetry since in that genre we will more likely be dealing with colloquial rhymes having no reference to the educated patterns of the rhyming dictionaries. This type of poetry would provide rhymes which are so useful in reconstructing earlier forms of Chinese, yet it would be much less likely to present some of the problems of the more artificial rhyming dictionaries. It is a safe assumption that original folk poetry would represent the everyday speech of the area from which it comes rather than any prestige second language of the educated class.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1969.txt",
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    },
    {
        "id": 205806,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1969",
        "page_number": 112,
        "title": "RAS-1969",
        "content_text": "106\n\nJOHN MCCOY\n\nCatullus or Boccaccio, and sometimes approaches Robert Burns' Merry Muses of Caledonia without a similar need to expunge words from the Chinese text.\n\nFrom the literary point of view, one of the problems of handling the Mountain Songs, and especially any attempt to translate them, is just the question of how to handle the double meanings which are so much the key to these verses and their enjoyment. Too many footnotes would kill a translation and too little by way of explanation would probably leave a lot of the allusions lost to modern readers. Some of this is of course already lost forever because we have no way to recover all of the secondary references so familiar to the original singers of these songs. Even some of the primary references are difficult and it will take considerable research to dig all of the meaning out of some of the obscure vocabulary. But the problems of handling the grammatical markers and functors of this dialect are solvable. In spite of the fact that some of these items are written with characters not to be found in most dictionaries and obviously made up to handle the unusual Wu dialect pronunciations of the time, we are still able to reconstruct probable phonetic approximations and to propose probable meanings on the basis of our knowledge of modern dialects. It is in this special area that the linguist is in a unique position to help the student of literature.\n\nIf this sort of popular poetry attracts interest, we will necessarily need the services of the dialect specialist to solve some of the problems of interpretation. The linguist will gain a great deal from the information the Mountain Songs give him on Ming Dynasty dialects. Then the linguist will in turn enrich Chinese literature studies by opening up a neglected field.\n\nAlthough their reasons are quite different, Western scholars are beginning to agree with Peking that we have neglected popular literature too long. It seems reasonable to predict that more departments will give some room to folk songs and poetry in Chinese literature courses if the genre can be made accessible to the average reader.\n\nFrom the linguist's point of view, an analysis of the rhyme patterns of the Mountain Songs, done much on the same plan as Karlgren's Ancient Chinese, would be very useful when we are ready to work out a reconstruction of proto-Wu. I have carded",
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    {
        "id": 205812,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1969",
        "page_number": 118,
        "title": "RAS-1969",
        "content_text": "112\n\nVI.\n\nJOHN MCCOY\n\n師姓齊,姐姓齊,\n\n贈嫁箇了頭也姓齊,\n\n齊家囡嫁來齊家去,\n\n半夜裏番身齊對齊。\n\n\"The groom was named Ch'i, the bride was named Ch'i,\n\nWith the dowry was a serving girl, also named Ch'i.\n\nCh'i family girls came in marriage into a Ch'i family.\n\nThrough the middle of the night it was bodies turning, Ch'i against Ch'i,'\n\n1) Here the surname (M) ch'i\n\nis an obvious pun on the 'navel'. Feng records another\n\nhomophonous word (M) ch'i version in which the surname (M) máo, also meaning 'fur, body hair', is substituted throughout for ch'i,\n\n2) of some anthropological interest is the single surname wedding which took place in this poem. Although frowned upon by Chinese tradition, this type of marriage probably occurred from time to time throughout China.\n\nBIBLIOGRAPHY\n\nChao, Yuen-ren (1928). Studies in the Modern Wu-Dialects. Tsing Hua College Research Institute Monograph No. 4. Peking.\n\nFeng, Meng-lung, compiler, Shan Ko (Mountain Songs). From the Ming-Ch'ing Min-ko Shih-tiao Tsung-shu (Collection of Ming and Ch'ing Folk Songs and Popular Lyrics), Peking (1962).\n\nKarlgren, Bernhard (1915-1926). Études sur la Phonologie Chinoise. Leiden.\n\nMartin, Samuel E. (1953). The Phonemes of Ancient Chinese', Journal of the American Oriental Society Supplement, No. 16,\n\nEditor's Note:- The Chinese text at I-VI above are photographic reproductions from the author's MS.",
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    {
        "id": 206908,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1973",
        "page_number": 185,
        "title": "RAS-1973",
        "content_text": "BOOK REVIEWS \n\n179 \n\nIn my opinion much of the earlier discussion tends to be more an aesthetic exercise, a presentation of personal standards of elegance. Most if not all of the proposed systems work and do their job well enough. Most of the counterproposals were made with such goals as simplification, economies at the printers, or the revelation of linguistic truths in the analysis. These, and a number of other goals, are of course valid and important, but the combination of these goals and the possible differing priorities in achieving them creates literally an infinite number of possible transcription systems, most of them basically acceptable. The first requirement is essentially linguistic and says in over-simplified terms that the system should be non-redundant and unambiguous. If carried to its logical extreme this would generally produce systems satisfying only to linguists, systems in which the minimum inventory of symbols is used to transcribe all the contrasting sounds of Chinese. The trouble with such systems is that they often disturb everyone else in the field by forcing them to learn too many rules to cover situations in which a given symbol may have multiple pronunciations conditioned by the preceding or following symbols. For example, in the Pinyin system now preferred by Peking, the letter u is pronounced [u] or [ü] depending on whether it follows j- or zh- respectively.\n\nThis sort of thing takes care of a perfectly good linguistic fact about the language, but to the average reader or beginning student it is irritating and troublesome to find one letter with two contrasting pronunciations. The effect is generally more confusing than helpful. Therefore, although leaving something to be desired by the linguist, the more popular systems usually work on a principle of one symbol for one sound and ignore the details of linguistic complementary distribution. But the arguments still flare up about the desirability of such an approach, or even about the choice of symbols in cases where multiple choices seem possible to the disputants. No less a figure than Bernhard Karlgren (\"Compendium of Phonetics in Ancient and Archaic Chinese\", Bulletin of the Museum of Far Eastern Antiquities 26, 367) has implied that the reason English and American speakers have so much trouble pronouncing words like 'self' and 'master' is because Wade-Giles spells them tzŭ and chu respectively, whereas in fact the initial consonants of these words are of two quite different values. He argues that the transcription has ignored the complementary distribution between velar and retroflex initials, and he uses a system which",
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    {
        "id": 207001,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 72,
        "title": "RAS-1974",
        "content_text": "66\n\nCAROLE MORGAN\n\n16 Chavannes, Vol. 111, p. 420; Ssu-Ma Ch'ien, 28/4a-5b.\n\n17 Biot, Vol. 11, p. 261; Chou Li, 8/23a.\n\n18 Schindler(1), p. 625.\n\n19 Biot, Vol. 11, p. 256; Chou Li, 8/21a.\n\n20 Biot, Vol. 11, p. 261/62; Chou Li, 8/23a.\n\n21 Erkes(2), p. 45.\n\n22 Biot, Vol. 11, p. 259/60; Chou Li, 8/22b.\n\n23 Biot, Vol. 11, p. 259-260; Chou Li, 8/22b.\n\n24 Schindler(1), p. 314.\n\n23 Dubs, Vol. 111, p. 402, note 10.\n\n26 Erkes(2), pp. 59-60.\n\n27 Biot, Vol. 1, p. 80; Chou Li, 1/33a.\n\n28 Couvreur, Vol. 1, p. 646.\n\n29 Mu Tien Tzu Chuan, 2,2a., 3,3b., 4,24.\n\n30 Erkes(1), p. 206; Couvreur 11, p. 17.\n\n31 Couvreur, Vol. 1, p. 659.\n\n32 Couvreur, Vol. 1, p. 640.\n\n33 Couvreur, Vol. 1, p. 642.\n\n34 Couvreur, Vol. 1, p. 644.\n\n35 Couvreur, Vol. 1, p. 101.\n\n36 Couvreur, Vol. 1, p. 374.\n\n37 Burkhardt, Vol. 111, p. 91.\n\n38 Couvreur, Vol. 1, p. 735 note.\n\n39 Couvreur, Vol. 11, p. 16.\n\n40 Couvreur, Vol. 11, p. 17.\n\n41 Couvreur, Vol. 1, p. 104.\n\nA Cheng, Vol. 11, p. 55; B Chang, p. 138.\n\n42 Chavannes, Vol. 5, p. 69; Ssu Ma Ch'ien, 43, 8b/9b.\n\n43 Dubs, Vol. 11, pp. 133-135.\n\n44 Schafer, p. 60.\n\n45 Dubs, Vol. 11, pp. 133-135.\n\n46 Schafer, p. 60.\n\n47 Erkes(1), p. 207.\n\n48 Laufer, pp. 267, 277.\n\n49 Schafer, p. 77.\n\n50 Laufer, p. 266.\n\n51 Cheng, Vol. 111, p. 235.\n\n52 Karlgren series 251.\n\n53 Erkes(1), pp. 120, 121.\n\n54 Laufer, p. 255.\n\n55 Laufer, p. 260.",
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        "id": 207002,
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        "document_key": "RAS-1974",
        "page_number": 73,
        "title": "RAS-1974",
        "content_text": "DOGS AND HORSES IN ANCIENT CHINA\n\nBIBLIOGRAPHY\n\n67\n\nPrimary Sources\n\nChou Li, Ssu-pu Ts'ung K'an, ts'e 9-14, Commercial Press, Shanghai, 1920-1922.\n\nMu Tien Tzu Chuan, Ssu-pu pei-yao, ts'e 1129, Chung-hua shu-chu, Shanghai, 1927-1935.\n\nSsu Ma Ch'ien, Shi Chi; Er. Shih-Ssu pen, Wu Chou Tung, Wen Shu Chu, Shanghai, 1903.\n\nSecondary Sources\n\nANDERSSON, J. G. Children of the Yellow Earth, Kegan Paul, London 1934.\n\nBIOT, Edouard Le Tcheou Li, Wen Tien Ko, Peking 1929, (reprinted 1939).\n\nBURKHARDT, V. R. Chinese Creeds and Customs, South China Morning Post press, Hong Kong 1955 and 1958.\n\nCHANG Kwang-chih The Archeology of Ancient China, New Haven, Yale University Press, 1963.\n\nCHAVANNES, Edouard Les Memoires Historiques de Se Ma Ts'ien, Brill, Leiden (reprinted 1939).\n\nCHENG Te-K'un Archeology in China, Vols. I, II, III, Heffer, Cambridge 1960.\n\nCOUVREUR, S. Le Li Ki, Imprimerie de la Mission Catholique, Ho Kien Fu 1913.\n\nCREEL, Herrlee G. Studies in Early Chinese History, Kegan Paul, London 1938.\n\nDUBS, Homer The History of the Former Han by Pan Ku, Waverly Press, Baltimore 1955.\n\nERKES, Eduard (1) \"Der Hund im Alten China\" in T'oung Pao, Vol. 37 (1944) 186-225.\n\n(2) \"Das Pferd im Alten China\" in T'oung Pao, Vol. 36 (1940-42) 27-36.\n\nKARLGREN Grammata Serica, Museum of Far Eastern Antiquities, Bulletin No. 12, Stockholm, 1940.\n\nLAUFER, Berthold Chinese Pottery of the Han Dynasty, Brill, Leiden 1909.\n\nSCHAFER, Edward The Golden Peaches of Samarkand, University of California Press, Berkeley and Los Angeles, 1963.\n\nSCHINDLER, Bruno (1) \"The Development of the Chinese Conception of Supreme Being\" in Hirth Anniversary Vol., 298-366.\n\n(2) \"On Travel, Wayside and Wind Offerings\" in Asia Major, Vol. 45 (1924) 624-656.\n\nYETTS, Perceval \"The Horse; A factor in Early Chinese History\" in Eurasia Septentrionalis Antique, Vol. 9 (1934) 231-235.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077",
        "rank": 0
    },
    {
        "id": 207568,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 336,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n\"A THOUSAND PEAKS AND MYRIAD RAVINES, by CHU-TSING LI, Zurich Artibus Asiae, 1974 (Vol. 1, pp. xi + 319, Vol. 11, 104 plates, signatures and seals, maps)\n\nIn studying the history of Chinese art, particularly that of painting, Professor Chu-tsing Li of the University of Kansas is an active scholar. Formerly his main field of study was the Yuan Dynasty (1280-1368); and for this period his thorough studies on Chao Meng-fu (1254-1322), Tsao Chih-po (1272-1355) and Hsueh Ch'uang (active ca. mid-14th century), as well as a general, but extensive, study about a group of artists active in the late Yüan period in Soo-chou area, are all highly regarded. However, in studying the history of Chinese painting, he seems now no longer to confine himself to individuals of the Yuan Dynasty but has begun to focus on other aspects of the later periods of Chinese art history, c.f. his latest monographs on Ting Yun-peng and Chin Nung (1687-1765). Following this, his latest publication; A Thousand Peaks and Myriad Ravines, a voluminous work in two volumes, deals, with the exception of one painting by a late Yüan artist, many different types of Chinese paintings of either Ming or the Ch'ing Dynasties. It was published in 1974.\n\n5\n\nBeginning from the late 19th century, when private collecting of Chinese art reached its climax, in the East as well as the West, a detailed illustrated catalogue, more commonly edited by a specialist in the field rather than by the collector himself, was published. A few examples for ancient Chinese bronzes are those essential works contributed by Professors Kosaku Hamada,1 Yoshito Harada,2 and Sueji Umehara3 in Japan, and those works by Professors Bernhard Karlgren,4 Gustav Ecke, and Chen Meng-chia in America or other countries; all well-edited bronze catalogues on private collections. For archaic Chinese jade, the catalogue produced by Professor Alfred Salmony is also well known. In addition to those cited which always deal with a specific subject of Chinese art, there are also some catalogues characterized by dealing with more than two branches of Chinese art in the one publication, or separately devoted to Chinese art and art objects in another Asiatic country. For the former, the over-sized catalogues about the famous collection",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 210090,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 61,
        "title": "RAS-1984",
        "content_text": "JULIAN PAS\n\nAPPENDIX II: CHINESE DIVINATION TERMINOLOGY\n\nThe terminology used in the context of ancient Chinese divination practices is often conflicting and confusing. It is therefore appropriate to define the terms, both in English and in Chinese.\n\nA. English Terminology\n\nThe two basic types relate to bone divination and to plant (stalk) divination.\n\n1. OSTEOMANCY, general term for Bone Divination\n\nDates from the Shang period or even from earlier times, and includes divination types using a variety of animal bones, especially bovines, sheep or pigs, later also tortoises. Subdivisions, using specific kinds of animal bones:\n\n(a) SCAPULIMANCY or SCAPULOMANCY: using the shoulder blades of sheep, oxen, etc. This term is often inaccurately used for bone divinations in general,\n\n(b) CHELONIOMANCY: using the carapace of tortoise or turtle;\n\n(c) PLASTROMANCY: using the 'plastron' (lower bone) of tortoise.\n\n2. ACHILLEOMANCY: divination of Chou origin (probably) using a number of stalks derived from the milfoil plant, also called yarrow. One of the methods using stalks is the ICHING consultation, which is perhaps an early ancestor of the popularized temple oracles.\n\nB. Chinese Terminology\n\n卜 pu (Karlgren or K. no. 757) to divine by tortoise shell; to divine (shows fissures in heated shell).\n\n兆 (K. no. 1182; Mathews or M. 247) prognostic, omen (cracks in burnt tortoise shell, read as prognostics) a sign, omen.\n\n爻 (K. no. 217; M. 2583) Yao— intertwine; change; lines in the hexagrams of I-ching.\n\nMiyazaki (p. 162); this character yao \"is nothing else but the figure of two of those crosses\", obtained by counting divination sticks, to see whether their number was odd or even.\n\n夬 (K. 161) (accident), calamitous, unfortunate, sad; of bad omen; cruel [a man falling with legs upwards into a pit]\n\nMiyazaki: (p. 162); two sticks remaining in a box or container: means \"bad omen, unlucky”, since representing an even number.\n\n吉 (K. 325) auspicious, lucky, good, (an affair: which may be spoken of, not taboo).\n\nMiyazaki: three sticks (odd number) remaining in divination: therefore 'good omen, lucky'. For unknown reason, \"container' replaced by 'mouth'; perhaps pronounced aloud.\n\n卦 (K. 433): 8 trigrams, basis of I ching (from 2 x three yao plus 'divination')\n\n占 (K. 1162; M. 125) to discern omens, inquire into prognostics, prognosticate, to divine; a lot (to interpret prognostics); to divine by casting lots; to observe signs, to foretell",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 210095,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1984",
        "page_number": 66,
        "title": "RAS-1984",
        "content_text": "45\n\n3. GERNET, Jacques, \"Petits Ecarts et Grands Ecarts\", pp. 52-69, in J. P. Vernant, a.o., Divination et Rationalité, Paris: Ed. du Seuil, 1974.\n\n4. JORDAN, David K., \"Taiwanese Poe Divination; Statistical Awareness and Religious Belief\", JSSR, 21 (1982), 114-118.\n\n5. KALTENMARK, Max & NGO van XUYET, \"La Divination dans la Chine Ancienne\", pp. 333-356, in vol. 1 of A. Caquot & M. Leibovici, Eds., La Divination, 2 vols., Paris: Presses Universitaires de France, 1968.\n\n6. KARLGREN, Bernhard, Analytic Dictionary of Chinese and Sino-Japanese. Taipei: Ch'eng-wen reprint, 1973 (original edition: Paris, 1923).\n\n7. LENORMANT, Francois, La Divination et la Science des Présages chez les Chaldéens, (Les Sciences Occultes en Asie). Paris: Maisonneuve, 1875.\n\n8. LOEWE, Michael & BLACKER, Carmen eds., Oracles and Divination, Boulder: Shambhala, 1981 (\"China\" by M. Loewe, pp. 38-62).\n\n9. MATHEWS, R. H., Chinese-English Dictionary. Shanghai, 1931. Revised edition: 1974.\n\n10. MIYAZAKI, Ichisada, \"Le Développement de l'Idee de Divination en Chine\", pp. 161-165, in Mélanges de Sinologie offerts à Monsieur Paul Demiéville (Bibliothèque de l'Institut des Hautes Etudes Chinoises, vol. 20), Paris: Presses Universitaires de France, 1966.\n\n11. NEEDHAM, Joseph, Science and Civilization in China, vol. 2, Cambridge University Press, 1956.\n\n12. RICHARD, André, \"Scapulimantia\", pp. 143-165, in Boas Anniversary Volume. Anthropological Papers written in honor of Franz Boas. New York: G.E. Stechert & Co., 1906.\n\n13. VANDERMEERSCH, Léon, \"De la Tortue à l'Achillée\", pp. 29-51 in J. P. VERNANT, a.o., Divination et Rationalité, Paris: Editions du Seuil, 1974.\n\n14. NGO van XUYET, Divination, Magie et Politique dans la Chine Ancienne (Bibliothèque de l'Ecole des Hautes Etudes, Sciences Religieuses, vol. 78). Paris: Presses Universitaires de France, 1976.\n\n+",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572",
        "rank": 0
    },
    {
        "id": 214225,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 83,
        "title": "RAS-1998",
        "content_text": "46\n\nJones, Russell (1997), Chinese Names, the Traditions Surrounding the Use of Chinese Surnames and Personal Names, Pelanduk Publications.\n\nKao, George (1946), Chinese Wit and Humour, Coward-McCann, New York.\n\nKarlgren, Bernhard (1971), Sound and Symbol in Chinese, Hong Kong University Press.\n\nLee, Lily Xiao Hong and Sue Wiles (1999), Women of the Long March, Allen and Unwin. Edited extract South China Morning Post, 'Saturday Review,' 'Women on the March' 20 February 1999.\n\nLee, Sherry (1999, February 2), 'Reviving the art of Silent Gestures,' Hong Kong Standard, 'Life' supplement.\n\nLexikon der Ägyptologie (1997), 'Humour.'\n\nLin Yutang (1937), The Importance of Living, Reynal & Hitchcock, New York.\n\n(1936), My Country and My People, William Heinemann.\n\nLindsay, Oliver (1978), The Lasting Honour, the Fall of Hong Kong 1941, Hamish Hamilton.\n\nLittle, Jennifer (1998, June 25), 'Chinese Kiwi Comic Gags Racial Stereotypes,' Hong Kong Standard.\n\nLiu, D.H. (1995), 'The Peking Opera,' Royal Asiatic Society Hong Kong Branch Journal, Vol. 35.\n\nMathews, Jay and Linda (1983), One Billion, a China Chronicle, Ballantine Books, New York.\n\nMcGregor, Richard (1997, August 22), 'Interpreters' nightmares,' South China Morning Post.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
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]