[
    {
        "id": 206238,
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        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1971",
        "page_number": 55,
        "title": "RAS-1971",
        "content_text": "THE DEBATE ON NATIONAL SALVATION\n\n49\n\nThat there be sufficiency of food, sufficiency of military equipment, and the confidence of the people in their ruler from of old, death has been the lot of all men; but if the people have no faith in their rulers, there is no standing for the state.\n\nI (4) was skilful at archery, and Ao (R) could move a boat along upon the land, but neither of them died a natural death. Yu (§) and Chi () personally wrought at the toils of husbandry, and they became possessors of the kingdom.\n\nNOTES\n\n1 For Tseng Chi-tse, see Arthur W. Hummel, Eminent Chinese of Ching Period Vol. II, pp. 746-747; Lee En-han, Tseng Chi-tse ti wai-chiao, Taipei, 1966.\n\n曾紀澤的外交\n\n2 Cf. Boulger D. C., The Life of Sir Halliday Macartney. London 1908.\n\n3 Boulger D. C., op. cit., pp. 433-435. Papers which published Tseng's work include the China Mail in Hong Kong, the North China Herald in Shanghai and the China Times in Tientsin. In Hong Kong, Tseng's article appeared in the China Mail only. However, many historians have mistaken the Daily Press of Hong Kong for the China Mail. This confusion first appeared in Ko Kung-chen's Chung-kuo pao-hsüen shih, Shanghai, 1927, Ch. III, p. 20. Recent Japanese scholars in the field of modern Chinese Studies have followed Ko Kung-chen's mistake. Cf. Onogawa Hidemi - \"Kai Kei Ko Reien no 'Shinsei Rongi'\" Oriental Studies in honour of Juntaro Ishihama on the occasion of his seventieth birthday, Kansai University, Osaka, 1958 pp. 121-133; Watanabe Tetsuhiro, \"Kai Kei Ko Reien no 'Shinsei Rongi'\" Ritsumeikan bungaku, Journal of the Ritsumeikan University, Kyoto (1961) pp. 59-75.\n\n4 Tseng's work was translated into Chinese by Yen Yung-ching and Yüan Chu-i. Both were graduates of the Peking Tung-Wen Kuan. The title of the Chinese version is Tseng-hou Chung-kuo hsien-shui how-hsing lun; cf. Hsin-Cheng chen-chüan ch'u-pien; Tseng-lun shu-hou fulu; Huang-chao hawi wen-pien, chuan i, pp. 32-37; North China Herald, Vol. 38, No. 1021, Feb. 16, 1887, p. 181; Dispatches From U.S. Ministers to China, Microcopy No. 92, The National Archives of the United States, Roll 80, No. 340, Denby to the Secretary of State, March 21, 1887.\n\n5 North China Herald, Vol. 38, No. 1023, March 2, 1887 p. 229.\n\n6 Ibid. Vol. 38, May 27, 1887, p. 569,\n\n7 Foreign Relations of the United States, 1887, No. 158, Denby to Bayard, March 8, 1887, pp. 196-197. Dispatches from U.S. Ministers to China, Microcopy No. 92, Roll 80, No. 328, Denby to Bayard, March 8, 1887. Denby further pointed out that Tseng purposely ignored the importance of the evangelical missions in China in his article. Denby believed that Christian activities were directly supported by foreign powers in China. The priests were always acted as the mediators between the Western Powers",
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    {
        "id": 206541,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1972",
        "page_number": 89,
        "title": "RAS-1972",
        "content_text": "SIR JAMES HALDANE STEWART LOCKHART\n\n54 Index to the Tso Chuan, p. iii of Lockhart's preface.\n\n55 Ibid., p. iii.\n\n56 T'oung Pao, vol. xxix, 1932, p. 180.\n\n83\n\n57 On the study of folklore see Alan Dundes (ed.), The Study of Folklore, Englewood Cliffs, New Jersey, 1965.\n\n58 N. B. Dennys (1840?-1900), a student interpreter in the Consular Service, published in Hong Kong in 1867: The Folklore of China, and its affinities with that of the Aryan and Semitic Races. It was a reprint of a series of articles first published in the China Review. Dennys' study is influenced particularly by the work of Max Müller. A typical example of Dennys' conjecturing would be the following: 'But what are we to make of the monotheistic spirit pervading the numerous sayings in which the \"Heaven\" of the Chinese answers to the \"God\" of Christian Europe or the \"Jehovah\" of the chosen race? Is this the spontaneous invention of an isolated people, or is it the surviving trace of a long-forgotten worship, when the ancestors of the Chinamen and the Semite worshipped at the same tomb?' (p. 155). See also Thomas Watters, 'Chinese Fox-Myths', JNCBRAS, vol. viii, 1873. The article by E. T. C. Werner, 'China's Place in Sociology', China Review, vol. xx, 1891/92, pp. 303-310, provides another example of the speculative thinking current among the educated in the 1880s.\n\n59 Lockhart's circular was also printed in the JNCBRAS, vol. xxi, 1886, p. 120.\n\n60 China Review, vol. xiv, 1885/86, p. 352.\n\n61 In 1860 the Hong Kong Daily Press published a separate newspaper in Chinese. This was the Chung Ngoi San Po and its first editor was Wong Shing (Huang Shêng).\n\n62 The collection contains over 600 letters from R. F. Johnston to Lockhart.\n\n63 JNCBRAS, vol. xlvii, 1916, p. 152.\n\n64 Arthur Bradden Cole, An Encyclopedia of Chinese Coins, New Collegiate Press, Kansas, 1967, vol. 1, p. 335.\n\n65 South China Morning Post, 5 January, 1972.\n\n66 Jean Gittins, Eastern Windows, Western Skies, Hong Kong, 1969, p. 47.\n\n67 The Times, 4 March, 1937. See also the obituary in the North-China Herald of 10 March, 1937. The South China Morning Post on 1 March, 1937, declared that Sir James' name is immortalised in Hong Kong by Lockhart Road on the Praya Reclamation.' Lockhart received the C.M.G. in 1898 and became a K.C.M.G. in 1908.\n\n68 R. F. Johnston's obituary notice of Lockhart: Journal of the Royal Asiatic Society for 1937, p. 393. Johnston states he was one of the first to receive the honorary degree of LL.D from the newly founded University of Hong Kong. He received this honour in 1919 and was in fact the twelfth person to be so honoured.\n\n69 See, for example, Lockhart's letter to Dr. G. E. Morrison after Morrison's speech to the China Association in 1907: 'I admired your pluck', Lockhart wrote, 'in telling your hosts what could not have been entirely pleasing to their self-satisfied ears, and in giving expression to what you well know will not make you popular with the white men in the Far West. You boldly advised removal of the troops. See Cyril Pearl,",
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    {
        "id": 206938,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1974",
        "page_number": 9,
        "title": "RAS-1974",
        "content_text": "deity in Hong Kong, particularly among the boat-people. There are many temples dedicated to her in the Colony. This particular temple is believed to date from the Sung Dynasty, and with the nearby rock-carving, dated 1274, provides a popular place for pilgrimages. These three last trips were organised by our Vice-president, Mr. James Hayes, who has an extensive knowledge of the history of Hong Kong, particularly its rural areas.\n\nThe ten lectures covered a wide variety of subjects. The first lecture of the year was delivered by Professor Murray Groves, head of the Sociology Department, University of Hong Kong. Professor Groves had lived in New Guinea and worked there as an anthropologist, and he talked about a sea-faring people, the Motu, and their musical styles. His talk was illustrated with slides and tape recordings. The second talk was about Chinese paintings in the William Rockhill Nelson Gallery of Art: a Gallery of international reputation, situated in Kansas, and housing one of the major comprehensive collections of oriental art in the U.S.A. The talk was delivered by Professor Chu-tsing Li, Research Curator of the Gallery, and was illustrated with slides. Later in the year, Professor Winston Hsieh of Missouri University, talked to us about the Canton Delta Project which he is currently heading. The Canton Delta has great significance for scholars of Chinese social organization, urban studies, foreign trade, revolutionary movements and overseas emigration, and it is particularly rich in Chinese and Western source materials. The project is interdisciplinary and we look forward to hearing more about its activities.\n\nIn September Professor P. B. Harris, who heads the Political Science Department of the University of Hong Kong talked to the Society on \"Maoism and Rousseauism\", and in November Mr. Henry Lethbridge of Hong Kong University's Sociology Department described the exploits of two adventurers extraordinary who visited Hong Kong in the late 1880's: David de Mayréna, soi-disant King of the Sedangs in Indo China, and the Marquis de Morès. Both died later in mysterious circumstances. Mr. Lethbridge specialises in the social history of Hong Kong, and participated in our symposium last year on \"Hong Kong: Chinese tradition and the growth of a town”.\n\nDr. Hugh Baker, who also participated in our first symposium which I organised in 1964 on “The Social Organization of the New",
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    {
        "id": 207568,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1975",
        "page_number": 336,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n\"A THOUSAND PEAKS AND MYRIAD RAVINES, by CHU-TSING LI, Zurich Artibus Asiae, 1974 (Vol. 1, pp. xi + 319, Vol. 11, 104 plates, signatures and seals, maps)\n\nIn studying the history of Chinese art, particularly that of painting, Professor Chu-tsing Li of the University of Kansas is an active scholar. Formerly his main field of study was the Yuan Dynasty (1280-1368); and for this period his thorough studies on Chao Meng-fu (1254-1322), Tsao Chih-po (1272-1355) and Hsueh Ch'uang (active ca. mid-14th century), as well as a general, but extensive, study about a group of artists active in the late Yüan period in Soo-chou area, are all highly regarded. However, in studying the history of Chinese painting, he seems now no longer to confine himself to individuals of the Yuan Dynasty but has begun to focus on other aspects of the later periods of Chinese art history, c.f. his latest monographs on Ting Yun-peng and Chin Nung (1687-1765). Following this, his latest publication; A Thousand Peaks and Myriad Ravines, a voluminous work in two volumes, deals, with the exception of one painting by a late Yüan artist, many different types of Chinese paintings of either Ming or the Ch'ing Dynasties. It was published in 1974.\n\n5\n\nBeginning from the late 19th century, when private collecting of Chinese art reached its climax, in the East as well as the West, a detailed illustrated catalogue, more commonly edited by a specialist in the field rather than by the collector himself, was published. A few examples for ancient Chinese bronzes are those essential works contributed by Professors Kosaku Hamada,1 Yoshito Harada,2 and Sueji Umehara3 in Japan, and those works by Professors Bernhard Karlgren,4 Gustav Ecke, and Chen Meng-chia in America or other countries; all well-edited bronze catalogues on private collections. For archaic Chinese jade, the catalogue produced by Professor Alfred Salmony is also well known. In addition to those cited which always deal with a specific subject of Chinese art, there are also some catalogues characterized by dealing with more than two branches of Chinese art in the one publication, or separately devoted to Chinese art and art objects in another Asiatic country. For the former, the over-sized catalogues about the famous collection",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d",
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    },
    {
        "id": 207580,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1975",
        "page_number": 348,
        "title": "RAS-1975",
        "content_text": "BOOK REVIEWS\n\n339\n\ncontrolled the central government of the late Ming period. However, due to the expansion of the military power of the Manchus, the central activity of this Association from 1640, turns into the intellectuals' Anti-Manchu Movement.41 The fact that Hsiao Yün-ts'ung has been a member of the Reconquering Association can certainly help us to understand more about his life and personality. Although we know nothing about Hsiao's Anti-Manchu activity, a description of him as, “taking up the life of a hermit, he devoted himself to poetry, essay-writing, scholarship, and painting” (p. 177) is at least not the entire picture of Hsiao Yün-ts'ung's life. He must have been patriotic and full of the spirit of justice at one time. More likely it was only because of the triumph of the Manchus that he was forced to live as a recluse for his last 30 years. Professor Li has tended to ignore this key point in Hsiao Yün-ts'ung's life.\n\nTo conclude, in the 20th Century, in the 60 years since Stephen W. Bushell (1844-1908) published his classic Chinese Art42, due to the stimulation given by the opening of museums, the growth of private collections and a developed new interest in studying things oriental, a good number of histories of Chinese art have been written by scholars of different nationalities. None of them, however, has attempted a Chinese art history based on a single private collection,43 like Thousand Peaks and Myriad Ravines. This appears to be the first book of this kind, and despite those problems that the reviewer has already pointed out, and some other minor disputable points44, it is not inappropriate to call this book the first such publication. It is one, too, that is associated with a unique and earlier feature of writing Chinese art history, the introduction.\n\nThe reviewer suggests that as a Research Curator of the Nelson Gallery and Atkins Museum in Kansas, with its far better known collection, Professor Li should publish another such history of Chinese art, or history of Chinese painting, based on that renowned assemblage.\n\nUniversity of Hong Kong, 1976\n\nFOOTNOTES\n\nCHUANG SHEN\n\n1 For instance, the well-known collection of Mr. K. Sumitomo, is described in the illustrated and descriptive catalogue Senoku Seisho ★A★T (The collection of old bronzes of K. Sumitomo) first edited by Prof. Kosaku Hamada∗ ∗ ∗ and others in 1911. After being revised by Prof. Sueji Umehara∗ ∗ ∗ it was reprinted in 1934 in Kyoto. The additional catalogue concerning Mr. Sumitomo's new acquisitions on ancient",
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    },
    {
        "id": 207918,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1976",
        "page_number": 306,
        "title": "RAS-1976",
        "content_text": "NOTES AND QUERIES\n\n291\n\n* This poetic feeling can be reflected by a Tzu poem written by Chiang Chieh # which reads:\n\n\"The rain song in youth I heard from song bedroom 樓上\n\nred candle setting behind a satin screen *****\n\nolder and travelling I heard rain in a boat #\n\nhuge river, low clouds, ***›\n\na goose crying in the west wind parted from the flock. $$$\n\nK\n\nNow when I hear the rain, in a hermit's cell MET\n\nmy hair has long turned grey 11\n\nsorrow, happiness, parting, joining are all neutral #46BAH raindrops all night long on the stone steps. Ħ¶¤àa¤N ·\n\nFor the English translation, see John Scott: Love and Protest (1972, London), p. 118.\n\n9 see Wang Chao-yung, op.cit. p.7.\n\n10 Its registration number in the Luis de Camoes Museum is AL 1 No. 10.\n\n11 Chiang-nan is a conventionalized geographic term referring to the vast area of Kiangsu, Chekiang, An-hui and Fukien provinces.\n\n12 See Chuang Shen op.cit. pp. 14-18. There I have pointed out that in the 19th century, the painting styles of Hua Yen and Huang Shen, two artists of Fukien, were followed by the Kwangtung artists.\n\n13 See Chu-tsing Li: \"Landscape painting in Kwangtung during Ming and Ch'ing\", in Landscape paintings by Kwangtung Masters during the Ming and Ch'ing Period (published in 1973 by the Art Gallery of The Chinese University of Hong Kong, Hong Kong), p. 4.\n\n14 Sung Kwang-pao and Meng Chuii were both artists of Kiangsu province. Followed Li Ping-shou, they came to Kwangtung during the first half of the 19th century. Later, Sung was regarded as the founder of a more laborious and decorative school, while Meng became the forerunner of a different school, less decorative, and mainly stressing the artist's inner self.\n\n15 See Lin Po-ting *** \"Brief Notes on the Taiwan painters during the Ch'ing Dynasty”滑朝台灣畫人輯系 history selected in Central Chinese culture and Taiwan AXLA÷ (1971, Taipei), pp. 531-539,\n\n16 See Lin Po-ting: ibid, p. 535.\n\n**MFIL\n\n17 See Sohokaku Shogaki **M***, Descriptive catalogue of Chinese paintings and calligraphies in the possession of Bardo Asano (1864-1880), (published in 1973 by the Kansai University in Japan), pp. 143 - 144.\n\nAs to this catalogue and its editor, see also Kokuro Wakimono + A 'Notes on paintings and calligraphy in the Shohokaku Shogaki Collection and its Author Asano Baido\", *NTORE *o****** The Bijutsu Kenkyu ✯ (Journal of Art Studies), No. 35 (1973, Tokyo), pp. 531 - 544.\n\n18 See Chuang Shen: op.cit. p. 21.\n\nUniversity of Hong Kong,\n\nMarch 1977.\n\nCHUANG SHEN",
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    {
        "id": 210039,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1984",
        "page_number": 10,
        "title": "RAS-1984",
        "content_text": "done across the territory. Inscribed tablets have been copied from old temples and other public buildings, together with documents and family papers, and interesting old persons have been interviewed. The nature of this work, and its results so far, were reviewed.\n\nOn 30 May, the Oriental Ceramic Society of Hong Kong invited members of our Society to attend a lecture meeting at which Professor Michael Sullivan, Christensen Professor of Oriental Art at Stanford University spoke on \"The Present State of Chinese Painting”. On 19 June, Dr. Rosemary Quested, Reader in History at the University of Hong Kong and an authority on Sino-Russian relations, spoke on the subject \"Whither Sino-Soviet Relations: some reflections in the light of history and current events.” On 28th June, Ms. Patricia Cuenot gave a slide presentation entitled \"The Magic of Pushkar\", which dealt with the Camel Fair held during October and November each year in Pushkar, Rajasthan.\n\nOn 24 October, one of our members, Mr. Phillip Bruce, a Principal Information Officer of Government Information Services, gave a fascinating illustrated talk, entitled \"The Forgotten Fortress\". Based on his own research, it dealt with the coastal defences of Hong Kong from the 1840s up to the 1939-45 war. Following this, on 13 November, Professor Grant K. Goodman of the University of Kansas, who is Japan Foundation Visiting Professor of History at the University of Hong Kong and a specialist on the history and politics of Japan, gave an interesting lecture entitled \"Vanguard of Empire? — Japanese prostitutes in South East Asia\".\n\nOn Friday, 7 December, Mr. Francis S.Y. Sham, a veteran translator and language teacher and a member of our Society, gave an interesting talk on \"Fortune Sticks from Hong Kong's Temples\". Mr. Sham has published two volumes on fortune sticks from Kwun Yum and Wong Tai Sin Temples and is currently working on Lui Tso oracles from the Ching Chung Kwan monastery in Castle Peak.\n\nOn 29 January, 1985, I spoke on the subject \"Hong Kong before Lord Palmerston: a “Go” at the Barren Rock Myth”. The talk\n\nix",
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    {
        "id": 210291,
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        "page_number": 262,
        "title": "RAS-1984",
        "content_text": "241\n\ning here and not give them trouble\". According to the introduction in the Pang (see Appendix), as posted up at the main entrance, \"the festival was held for the purpose of assisting the reincarnation of i) the soldiers who died during the world wars, ii) the ancestors of all surnames, and iii) the ghosts who were not worshipped by anyone. And it was hoped that through the mediation of the priests, the Three Buddhas and all the spirits would give their permission and open the door for them to cross-over and become human beings again. However, the worshippers, being more interested in self-prosperity, were more concerned about their own ancestors who are the only ones who can guarantee their prosperity.\n\nV. Conclusion; History of the Festival in Kobe\n\n34\n\nAccording to an appeal to the Hyogo Government in 1873, the Ningpo merchants were the first to hold a Ghost Festival for the Chinese in Kobe. Mr. Chan (70 years old, Cantonese, born and educated in Kobe, now vice-president of the History Museum of the Kobe Chinese) told me that before the Second World War, the festival was organized by the Cantonese who then out-numbered the Hokkienese. The Cantonese were wealthier and 'had more knowledge'. Mr. Chan continued to tell me that during that time the Hokkienese were relatively poor. They were mostly travelling merchants (f). They therefore had no stable residential place neither were they economically strong enough to be the organizers of the festival. Though there was a bachelor-centre for about 17 Hokkienese laborers in Nagoya about 30 years ago, there was no Hokkienese cluster in Kobe. Today, however all the three Chinese Ghost Festivals in Japan are organised by the Hokkienese\". Mr. Chan's narration agrees with the information given by Li Ta-shen.36 The Hokkienese, now organisers of the Festival, had never been an influential group until the end of the Second World War. However, since then, until 1978, the Hokkienese were said to be the centre of the Kobe festival.37\n\nDue to the anti-Chinese incident in Kobe in 1976, the Chinese started to pursue unification among all the different Chinese territorial groups, and to disregard their origins. In 1978, the Kobe Chinese News (US) was changed to the Kansai Chi-",
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    },
    {
        "id": 210294,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1984",
        "page_number": 265,
        "title": "RAS-1984",
        "content_text": "244\n\nCHOI CHI CHEUNG\n\nSpring of 1662 the General gave him land in Uji to build the Temple. See “Fu Chin Hsien Chih Shu Lieh” (B) vol. 12, p. 14 (no date).\n\n24 See a copy of the contract for a house in the underworld in the Appendix to this article.\n\n25\n\n26\n\nKulp, D.H., Country Life in South China, pp. 145-148. The Figure-maker of the Kyoto Chinese Ghost Festival is, however, a Japanese.\n\n27 Several Japanese worked in the Kitchen, and two took care of the incense inside the Tao Ch'ang and other odd jobs like carrying things to burn etc.\n\n28 See the document printed in the Appendix from the introduction to the Pang.\n\n29\n\n30\n\nPlate 29. For the tablet in the \"Ancestral Hall\" see the drawing in the Appendix to this article. For the Ming-che see Plate 30.\n\n31 Plate 31.\n\n32\n\n33\n\nAs shown, for instance in DK-NR. Plate 32.\n\n34 See letter printed in the Appendix.\n\n35 Personal interview, Oct. 13, 1982.\n\n36 According to Li, in 1878, 357 Chinese lived in Kobe, 223 of them from Kwangtong and Kwangsi (Liang Kwang); 84 from Kiangsu, Chekiang, and Anhuai (Sankiang); and 50 from Hokkien. See Li Ta-shen, Shen-hu Ta-ban di Hau-chiao, May 15, 1943 (in the collection of the History Museum of the Kobe Chinese). Refer also to So Shi-sai, Fuku Sei no Pooru Unn, p. 12 ff. (unpublished thesis).\n\n37 Kobe Chinese News, Sept. 10, 1977. Kansai Chinese News, Aug. 25, 1978; Sept. 25, 1979; Sept. 1, 1981; Oct. 1, 1982. Until 1978, it was reported that the worshippers were mainly Hokkienese. But, from 1979 it was changed to \"Chinese worshippers from various places of Japan”.\n\n38\n\nOn the one hand, the festival adopted elements that belong to the Japanese, such as: the interpretation of the ritual of Lantern Floating, the Japanese being the mediators, and Japanese was the medium for interdialect group communication. On the other hand, if compared with the Ghost Festival in Uji, Kyoto, the latter is a purely Hokkienese festival. The organizers were Hokkienese, and so were the worshippers. Moreover, the Hokkienese themselves, not the Japanese priests performed the Reporting ritual at the Kyoto festival; there, Hokkienese, not Japanese, was the language for communication. Because of the primary identification or origins, the festival in Kyoto serves more social functions that do not appear in the Kobe festival, e.g. entan (to talk and arrange for marriage). The Ghost Festival in Kyoto is thus one of the 3 main yearly gatherings of the Hokkienese in Japan.",
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        "document_key": "RAS-1994",
        "page_number": 222,
        "title": "RAS-1994",
        "content_text": "210\n\nPollard, Samuel (1864-1915), In Unknown China a Pioneer Missionary Among Tribes in Western China, Philadelphia Lippincott, 1921\n\nPoussielgue, Achille, Voyage en Chine et en Mongolie de M de Bourboulon, Ministre de France, et de Madame de Bourboulon, 1860-1861, Paris L Hachette, 1866\n\nPowell, Lyle Stephenson, A Surgeon in Wartime China, Lawrence (Kansas) University of Kansas Press, 1946\n\nPower, William James Tyrone, Recollections of a Three Years Residence in China, including Peregrinations in Spain, Morocco, Egypt, India, London R Bentley, 1853\n\nPritchard, Earl H, Anglo-Chinese Relations During the Seventeenth and Eighteenth centuries, 1929\n\nPurcell, Victor, The Boxer Uprising, Cambridge Cambridge University Press, 1963\n\nRabe, Valentin H, The Home Base of American China Missions, 1880-1920, Cambridge (Mass) Council on East Asian Studies, Harvard University, 1978\n\nRachewiltz, Igor de, Papal Envoys to the Great Khans, London. 1970\n\nRasmussen, Albert Henry, China Trader, London Constable, 1954\n\nReed, James, The Missionary Mind and American East Asia Policy 1911-1915, Cambridge (Mass) Council on East Asian Studies, Harvard University, 1983\n\nReid, Archibald, From Peking to Petersburg, London E Arnold, 1899\n\nReinsch, Paul S, An American Diplomat in China, Garden City (New York) Doubleday, 1922\n\nRennie, David Field, Peking and the Pekingese During the First Year of the British Embassy at Peking, London John Murray, 1865\n\nRicalton, James, China Through the Stereoscope, a Journey Through the Dragon Empire at the Time of the Boxer Uprising, London Underwood, 1901\n\nRipa, Matteo, Memoirs of Father Ripa, During Thirteen Years' Residence at the Court of Peking in the Service of the Emperor of China, with an Account of the Foundation of the College for the Education of Young Chinese at Naples, translated by Fortunato Prandi. New York Wiley and Putnam, 1846\n\nRoberts, Frances Markley, Western Travellers to China, Shanghai Kelly and Walsh, 1932\n\nRockhill, William Woodville, The Land of the Lamas, Notes of a Journey, London Longmans, 1891",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1994.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zk522640g",
        "rank": 0
    }
]