[
    {
        "id": 212109,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1990",
        "page_number": 51,
        "title": "RAS-1990",
        "content_text": "28 \n\nmembership of an alliance.\" \n\nIII. Studies on Jiao Festivals in Hong Kong: the 1980s \n\na. Trend \n\n18 \n\nThere are not as many studies of Jiao festivals in Hong Kong as in Taiwan. The earliest study in Hong Kong is probably Taylor's 1953 ethnographical essay on the Cheung Chau Jiao festival. The article was re-printed in every issue of the special annual bulletin for the Bun festival in Cheung Chau until the beginning of the 80s. The late Prof. B.E. Ward noticed very early the importance of the Jiao festival to the understanding of rural society. Her account of the festival itself, however, appeared only briefly in her introductory guide book on festivals in Hong Kong. Dr. James Hayes has also noticed the importance of the celebration during his studies on rural communities in the outlying islands and new towns in Kowloon. However, only some of the celebrations were given brief mention in his 1983 book. Mathias' study on the 1975 Kam Tin Jiao festival is probably the earliest comprehensive study of the festival. It is a pity, however, that it has not been published. Kani, Obuchi and Yoshihara are probably the earliest Japanese scholars to realize the significance of Jiao festivals in Hong Kong. Kani, in his study of boat people in Hong Kong regards the Jiao on Cheung Chau island as an event, like the Hungry Ghost Festival, to feed wandering ghosts. Obuchi, working with a Taoist priest, Mr. Chan Wah, studied the symbolic meanings of different Taoist rituals performed in the 1975 Shatin Jiao festival. Yoshihara in a section of his paper on religion in Hong Kong briefly described the 1977 Tai Wai, Sha Tin, event. Beginning in 1979, Tanaka and Segawa commenced active data collection on the festival. Tanaka began his extensive research in Hong Kong in 1979. At least 14 different Jiao festivals were recorded in his three books. Segawa joined the research later, from 1983 to 1985, and several articles have since been published in Japanese. \n\n20 \n\n22 \n\nThe nineteen eighties saw a growth in interest in Jiao festivals among local institutions and scholars. In 1980, students and lecturers of the History Department (Dr. D. Faure), the Sociology Department (the late Prof. B.E. Ward), the Anthropology Department (Dr. S.H. Wang) and the Music Department (the late Dr. B.C. Lu) of the Chinese University of Hong Kong [CUHK] began concurrent studies on Jiao",
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    },
    {
        "id": 212111,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 53,
        "title": "RAS-1990",
        "content_text": "30\n\n26\n\nfestivals in the New Territories. Besides Faure's 1986 book The Structure of Chinese Rural Society which touched on the festival, printed work by local scholars arising from these studies is yet to appear.\n\n27\n\nTwo museums, first the History Museum of Hong Kong, and later the Sam Tung Uk Regional Council Museum, have taken photos and videos of the festivals since 1983, following Mr. Hugh Gibb's film of the Ha Tsuen Jiao, taken in 1974. However, only the Jiao festival in Cheung Chau and the 1985 Kam Tin festival have been fully recorded. These are not as yet available in print.\n\nFollowing the sad deaths of Prof. Ward and Dr. Lu, the 1980s also saw the quick decline in interest in Jiao festivals in Hong Kong. This is, perhaps, due to two not completely unrelated reasons: firstly, Jiao festivals in Hong Kong are studied only for their contribution towards the understanding of rural society. Therefore, when a researcher changes his interest to societies of another locality, study of Jiao festivals in Hong Kong becomes irrelevant. Another reason perhaps is a matter of \"time\". Whether it is a diachronic or synchronic study, or even an independent ethnographical report, the physical demands of observing a Jiao are often considerable. Planning for a Jiao festival may take one whole year, starting from fixing the date and selection of representative worshippers to the final purification of the community and households rituals. Moreover, if one intends to observe Jiao festivals held at different times, a long term commitment and interest is necessary since many Jiao festivals in the New Territories are celebrated only once in ten years. A comprehensive study of Jiao festivals cannot be done by a short term survey.\n\nDuring my visits to two Jiao celebrations in 1990 (Lam Tsuen and Fanling), the only other researchers I met were a scholar from the Music department of the CUHK, and some members of an amateur research group.\n\nb. Sources\n\n24\n\n+4\n\n-\n\nSchipper noted that [Jiao festival] simply was ignored in the writings of the bureaucracy, and remained an immensely important factor in the lives of the common people ....29 Studies of Jiao festivals in Hong Kong have so far depended heavily on ethnography",
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    },
    {
        "id": 212116,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1990",
        "page_number": 58,
        "title": "RAS-1990",
        "content_text": "35\n\nAn analysis of the rituals performed. Segawa shows that observation of the Jiao festival reveals not only traditional territorial alliances, but also past rival relationships among communities. Looking at the case of Pat Heung as an example, he illustrated that the Jiao closely reflects the past feuds between a village alliance and its neighbouring landlord community, Kam Tin. He argues that, besides its ritual and symbolic meanings, the Jiao can be seen as a \"rite of solidarity”. That is, the community maintains its unity through regular worship of the heroes and feud victims, at the Jiao festival.“\n\n45\n\nBesides traditional alliance-rival relationships, a study of a Jiao festival also reveals a society's internal social conflicts. Group consciousness and inter-group competition, which are obscured by modern city life, can be observed from the Jiao's organizational and symbolic representation. The deliberate exclusion from the \"Hang Fu” [a ritual to purify every household at the end of the Jiao festival] ritual of some households in Lung Yeuk Tau reminds one of the existence of \"Hahu\" or bondservants in the community in the past. In Cheung Chau, the Tanka boat people are denied participation in some rituals. The festival area that is to receive the purification, blessings and protection from the gods does not include the site of traditional Tanka settlement.\"\n\n46\n\nMy paper in Bunka Jinrui Gaku (Cultural Anthropology) no. 5 shows the family structure and kin relationships of different communities through a study of name lists posted at Jiao festivals. Through a comparative analysis of the name lists of three communities, it was shown that the structure of a community is clearly reflected in their name lists. The names of members of a single lineage community are written according to the principle of lineage. In other words, members of a registered unit are linked by a focal ancestor. On the other hand, in a typical name list of a multi-lineage community, be they settled in one or more localities, names are listed in the structure of a family, extended or nuclear, whose members are related to a surviving parent.\"\n\n47\n\nStudies of Jiao festivals provide an excellent source of reference to the understanding of social and political changes. A Jiao festival shows not only the ritual and social lives of the villagers, it reveals also the community's internal and external relationships. As shown in Table 2, at least 28 communities in Hong Kong celebrated Jiao",
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    },
    {
        "id": 212120,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 62,
        "title": "RAS-1990",
        "content_text": "39\n\nKat Hing Wai and Wing Lung Wai terminated their own independent Jiao but continue to participate actively in the Jiao of the whole Kam Tin community. Still others, like Tai Wai and Tin Sam, celebrate their own Jiao festivals on the one hand but also participate as members in the Jiao celebrated by the Sha Tin Kau Yeuk (Sha Tin Village alliance). Reasons such as the Japanese occupation or economic recession given by villagers themselves cannot explain the diversities found in the New Territories. All villages experienced the Japanese occupation. With regard to economic constraints, a community like Ping Shan, though as prosperous and powerful as Kam Tin and Ha Tsuen, stopped the celebration for some unknown reason. Therefore, the continuity or discontinuity of the Jiao festival depends on the effectiveness of the festival's communal structure and organization. In Lam Tsuen, the Jiao festival is a means to reconfirm the roles of its alliances (the Luk Hap Tong [Lui He Tang] “Hall of the Six [Sc. Village Clusters] United\"). In Kam Tin and other single lineage communities, the Jiao plays an essential role in re-establishing the structure of the segmented lineage as well as in re-confirming membership in the branches. The question of whether Jiao festivals will survive after the 1997 take-over is in fact a question of whether or not there is a need to preserve such a tradition in the community.\n\nNOTES\n\nLiu Zhi-wan, \"Taiwan Taibeixian Zhonghexiang Jianjiao Jidian\" Bulletin of the Institute of Ethnology, Academia Sinica 33 (1972): 135-64.\n\nTanaka, Issei, Chugoku Kyoshon Saishi Kenkyu: Chihogeki no Kankyo [Village Festival in China: Background of Local Theatres] (Tokyo: Tokyo Univ. Press, 1989), 799. Some fishing villages in Hong Kong like Kau Lau Wan, Tap Mun and Kat O name their Jiao festivals \"An Long Qing Jiao\" meaning the Jiao celebrated to pacify the earth dragon.\n\nTanaka claimed that originally \"Qi An Jiao\" was celebrated only when there was need to pray for peace (Ibid., 799). However, evidence in Hong Kong, at least, shows that the festival is celebrated in a regular cycle. The shortest cycle is the Jiao of Cheung Chau where it is celebrated yearly. The longest is Sheung Shui and Shuen Wan where the Jiao is said to be celebrated once every 60 years. In some fishing villages in the New Territories, it is celebrated once every two or seven years. A five-year cycle is also practised in some agrarian communities like Tai Hang. However, a ten year cycle is the most popular in agrarian communities. Nonetheless, the method of counting also differs from one community to another. For instance, Lam Tsuen claims to celebrate the Jiao once every ten years but they actually celebrate it once in nine years. Their Jiao festival was celebrated in the following years: 1963, 1972, 1981, 1990.\n\nMr. Cheung Chi-fan (Zhang Zhi-fan), JP, and Mr. Chung Chi-leung (Zhong Ji-liang), interviewed by author, Lam Tsuen, Dec. 1, 1990. According to Dean, about 80,000 Chinese yuan was spent on the Jiao in a village in Zhangzhou, Fujian in 1986. See",
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    },
    {
        "id": 212122,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1990",
        "page_number": 64,
        "title": "RAS-1990",
        "content_text": "41\n\nKong: Oxford Univ. Press, 1983), 156-160 & 163-164, on the Jiao festivals celebrated between 1964 and 1972 in Ma Tau Wai, Nga Tsin Wai, Tung Chung and Tai O.\n\nN Mathias, John R.G., Study of the Jiao: a Taoist Ritual in Kam Tin in the Hong Kong New Territories (unpublished D.Phil. thesis, Oxford University, 1977-78).\n\n#I Kani, Hiroaki, \"Hồn Kôn Chugokujin no shukyo shiso no ichidan nitsuite\" Shigaku 40, no. 2 & 3 (1967).\n\n22\n\nObuchi, Ninji, “Hon Kon no tokyo girei\" |Daoist ritual in Hong Kong] in Ikeda Sueri Hakase Koki Kinen Toyo Gaku Ronshu (Tokyo, 1980), 753-769.\n\n27 Yoshihara, Katsuo. \"Shukyo\" [Religion] in Kani Hiroaki (ed.) Motto Shiritai Hon Kon (Tokyo: Kobundo, 1984), 184-191.\n\n11\n\nSee note 37.\n\n14\n\nI have been told that Dr. Faure had a manuscript on the Jiao festival sent to a publisher in Hong Kong. However, due to whatever reasons, it has not yet been published. See also Hayes, 164, about Faure's book on Jiao festivals.\n\n36 I was probably the only researcher who participated in the 1980 Kau Lau Wan Jiao festival when I was first introduced by the late Prof. B.E. Ward and Dr. S.H. Wang to the Jiao festival celebrated by the fishing village. In October the same year, Dr. Faure and I attended the Jiao festival at Pak Kong, Sai Kung. In November, the late Dr. Lu Bin-chuan of the Music Department of CUHK, Dr. Lu's student Mr. Chan Wing-Hoi and I attended the Jiao festival in Fanling. Dr. Faure, Prof. Ward and Prof. Tanaka also came. The Jiao festival of Fanling and that of other areas are mentioned here and there in Faure's 1986 book. In December 1980 students of CUHK under the guidance of Dr. Faure, Dr. Wang and Prof. Ward started an ethnographical research on the Jiao festival in Ho Chung, Sai Kung. A detailed report of daily rituals was written by Lee Lai-mui and Cheng Shui Kwan, two CUHK students majoring in History and minoring in Anthropology. The report was sent to interested scholars. Unfortunately it has never been published. Two students of the CUHK at that time should perhaps be mentioned here: Chan Wing-hoi, who specializes in music and computer, was employed by the History Museum of Hong Kong to study the Kam Tin Jiao festival in 1985, a report of which was published in the Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989). Chan's master's thesis on folk music in Hong Kong also includes a chapter on the ritual music played by the Taoists at the Jiao festival. Chan also has an ethnography on the 1986 Shek O Jiao festival published in the Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. The master's thesis of Leung Chor-on, now Ph.D. candidate of Cambridge University, submitted to the Anthropology Department of the CUHK gives a good account of the ritual symbols of the festival. Chan, Leung and I held a seminar on Jiao festivals on Dec. 11, 1988 for the \"Research Circle of the Regional Society of Southern China\" focusing on musical, ritual and social aspects of the festival.\n\n27 Locally published works besides those by Faure and my own are:\n\n-\n\n(a) Chamberlain, Jonathan, \"Introduction” in Chamberlain J. and Iam Lambot The Bun Festival of Cheung Chau (Hong Kong: Studio Publication, 1990). This is largely a collection of photos. Chamberlain's introduction is very descriptive but no sources are quoted.\n\n(b) Chan Wing-hoi, “Observations at the Jiu [Jiao] festival of Shek O and Tai Long Wan, 1986\" Journal of the Hong Kong Branch of the Royal Asiatic Society Vol. 26 (1986), 78-101. Chan recorded meticulously what he was told and observed about the 'settlement', the 'participants', the \"ritual site\", the \"local gods\" and the \"events\".\n\n(c) Xiao, Kuo-jian (Anthony K.K. Siu), Xianggang Xiandai Shehui [Pre-modern society of Hong Kong] (Hong Kong: Chung Wah, 1990), 86-97. Xiao attempts to illustrate three reasons why the communities in Hong Kong celebrate the Jiao. The first reason is to plead for fortune, to pay sacrifices to the gods, to drive away evils and to prevent\n\n4",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1990.txt",
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    },
    {
        "id": 212123,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1990",
        "page_number": 65,
        "title": "RAS-1990",
        "content_text": "42\n\ndisasters. the second is for those who died because of plague. The final reason is to thank the benevolent governors Wang Lai-ren and Zhou You-de of the beginning of the Qing dynasty. In my opinion, all these reasons can be integrated into the first one.\n\n(d) Chan Wing-hoi \"The Tangs of Kam Tin and their Jiu festival\", Journal of the Hong Kong Branch of the Royal Asiatic Society, Vol. 29 (1989) 302-375, a rich and detailed account of the lineage, its temples and villages, and the festival which draws them together.\n\nDr. Faure gradually switched his interest to the Pearl River Delta while Prof. Tanaka, as I was told, is now looking at Sichuan province. Talk on publishing a book on Hong Kong Jiao festivals has been going on for years by members of the \"Research Circle of the Regional Society of Southern China''. In 1990, the editorial board of the society set up a schedule to compile a book focusing on the Jiao festival. It is expected that papers on various aspects will be completed by the end of April 1991. (Correspondence from the society dated 28.12.1990)\n\nSchipper, Kristofer M., \"The Written Memorial in Taoist Ceremonies\" in Wolf, Arthur P. (ed.) Religion and Ritual in Chinese Society (Stanford: Stanford University Press, 1974), 324,\n\nFor example, according to Chan Wing-hoi, villagers of Shek O celebrated their 16th Jiao in 1986 (Chan, 78). The Dengs in Kam Tin claimed to have celebrated their Jiao since 1684 (Tanaka, 918).\n\nSee for instance Basel Mission Archives, doct. Al-6, No. 51 (1869), and doct. Al-7, No. 51 (1870) and Der Evangelische Heidenbote, July 1867, in which a missionary describes how he was forced to go to the Magistrate to get his support before he could avoid having to pay his share of the Jiao expenses. All these cases are from Hsin An County. The Sha Tin poem will, it is hoped, shortly be published by Dr. P.H. Hase.\n\nThese two series are part of the 15 series of historical documents collected by Dr. D. Faure and others in the New Territories. Copies of the collections are kept in the libraries of CUHK, Hong Kong University, Sha Tin Regional Council Library, and Institute of Oriental Culture, Tokyo University.\n\n31\n\nTanaka Chugoku no Sozoku to Engeki [Lineage and Theatre in China] (Tokyo Univ. Press 1985), 608. Jiao festivals celebrated by the powerful communities in Hong Kong like Kam Tin, Ha Tsuen, Lung Yeuk Tau etc., were all performed by the Zhengyi Taoist group, led first by the late Master Lin Pei and now by Master Chan Kau. Another Zhengyi Taoist group is led by Master Chan Wah. However, many Taoist priests work for both groups. There are also other Taoist groups who performed for the Jiao festivals, like a Cantonese group which performed for Ho Chung and a Heklo group for Cheung Chau. In 1983, four out of five Jiao festivals were performed by monastery Taoists. It is not clear whether it was because of tradition or out of economic reasons. A comparison of the two Taoist groups has yet to be made.\n\n14 Choi Chi-cheung **Sho matsuri no jinmei risuto ni mirareru shinzoku ban'i” [Kinship as seen in the name lists of Jiao festival] Bunka Jinnú Gaku 5 (1988): 131, table L. 35 **Shinshi men\" [Section of Believers] in Fanling Wenxian (Historical Literature of Fanling) vol. 8. This brief account records details of the arrangement of the Jiao area, including the contents of couplets, names of deities invited, location and direction of matshed stages, and the sacrifices prepared etc.. See n. 32 for the depositories of Fanling Wenxian.\n\n36 See (1972) Lin Chuan [Lam Tsuen] Xiang Taiping Qingjiao huiyi jilubu in Dapu [Tai Po] Wenzian [Historical Literature of Tai Po] vol. 1. (see n. 32 for depositories)\n\n37 Tanaka Issei's three books, all published by the Tokyo Univ. Press are: Chugoku Saishi Engeki Kenkyu [Ritual Theatres in China] (1981), Chugoku no Sozoku to Engeki [Lineage and Theatre in China) (1985), and Chugoku Kyoson Saishi Kenkyu: Chihogeki",
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    {
        "id": 212124,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1990",
        "page_number": 66,
        "title": "RAS-1990",
        "content_text": "no Kankyo [Village Festival in China: Background of Local Theatres] (1989). The Jiao festivals studied by Tanaka are as follows:\n\n  \n    Communities\n    Year\n  \n  \n    Cheung Chau\n    1979\n1979, 1983\n  \n  \n    Recorded in\n    1981:74-99\n1985:227-302\n  \n  \n    Ha Tsuen\n    1981\n  \n  \n    \n    1985:199-226\n  \n  \n    Hung Hom, Kowloon *1\n    1978-80\n  \n  \n    \n    1981:771-780\n  \n  \n    Kam Tin\n    1985\n  \n  \n    \n    1989:915-996\n  \n  \n    Lam Tsuen\n    1981\n  \n  \n    \n    1985:359-528\n  \n  \n    Leung Shuen Wan, Sai Kung\n    1980\n  \n  \n    \n    1981:99-113\n  \n  \n    Lin Fa Tei *2\n    1967\n  \n  \n    \n    1985:558-572\n  \n  \n    Lung Yeuk Tau\n    1983\n  \n  \n    \n    1985:609-720\n  \n  \n    Sha Tin, Kau Yeuk\n    1985\n  \n  \n    \n    1989:1041-1112\n  \n  \n    Sha Tin, Tai Wai\n    1987\n  \n  \n    \n    1989:977-1040\n  \n  \n    Sha Tin, Tin Sam\n    1986\n  \n  \n    \n    1989:1040\n  \n  \n    Tai Po Tau\n    1985\n  \n  \n    \n    1985:121.131-138\n  \n  \n    Tuen Tsz Wai\n    1986\n  \n  \n    \n    1989:817-913\n  \n  \n    Yuen Long\n    1983\n  \n  \n    \n    1985:139-198\n  \n  \n    43\n  \n\n*1: From the context, this festival, held on the 14th of the seventh moon, can be best seen as a ghost festival organized by the Hoklo dialect group.\n\n*2: Tanaka did not attend this festival. Analysis of the festival was mostly based on the 1967 account collected by H. Baker.\n\nSee map for the location of places.\n\nJH Tanaka, Ritual Theatres, 5.\n\n班 Tanaka, Lineage and Theatre, 11.\n\n40\n\nfbid., i-ii.\n\n41 Tanaka, Village Festival, i-iij.\n\n42\n\nFaure, David, The Structure of Chinese Society: Lineage and Village in the Eastern New Territories, Hong Kong (Hong Kong: Oxford Univ. Press, 1986), 81.\n\n4.3 Segawa, Masahisa, \"Daa Chiu: matsuri ni arawareru Hon Kon no mura no sugao” [Da Jiao: facets of villages in Hong Kong as shown in the festivals] Kikan Minzoku Gaku Ethnography Quarterly 33 (1985): 21-35.\n\n14\n\nSegawa, Masahisa \"Ta-tsiu [Da-Jiao], feuds, and village alliances: the case of Pat Heung\" (unpublished manuscript, 1991).\n\n45 Choi, Chi-cheung, “Chi o urai ekibyo o harau taihei shinsho\" [Jiao festival: to wash: the land and remove illness] Kikan Minzoku Gaku 40 (1987): 90-105.\n\n4\n\n40\n\nChoi, Jiao festival\", 1046.\n\n47 Choi, \"Kinship\", 147-149.\n\n4#\n\nThough Tanaka wrote that only a few communities in the New Territories celebrated the festival during his seven and a half years' observation (Tanaka, Lineage and Theatre, 608), we are still unclear as to how many communities continue to celebrate it. For instance, the Cheung Long Wai case was not mentioned by any informants. It was known only by an occasional visit to the village. A likely source is the Police since theoretically every festival celebrated in Hong Kong has to receive permission from the police for security measures. The district offices in the New Territories are another source of information. Certainly there were in the past other celebrations which have now ceased for one reason or another (e.g. at Sha Tau Kok, Shuen Wan and Ta Kwu Leng).\n\n49 Segawa, \"Daa Chiu', 35.",
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        "id": 213803,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1996",
        "page_number": 155,
        "title": "RAS-1996",
        "content_text": "126\n\n47\n\nform of incense ashes rather than tablets suggests that the ancestor halls did not use tablets to represent ancestors individually. It is also found in the Yingsheng (\"Reception of the Holy\") dedicated to the main honoured gods during the Jiao festivals, and the Yingshen Guiwei (\"Escorting gods to their places\") during the Hongchao festival of Fanling, both conducted by Cantonese Daoist priests in the New Territories. An elder of Kam Tin compared the Yingsheng ritual with the ancestral hall ritual found in the Qingle ancestral hall of Kam Tin, to which I shall refer below. I am not sure if a cloth “bridge” is used in this ancestral hall ceremony.\n\nOp cit pp 142-144. In a recent visit to Cheng Tau, a woman in her 60s referred to the ancestral hall as a-gong ha (\"the Place of Ancestors\"), which seems to have been the more usual expression for ancestral halls among the Hakka. Compare the expression with Bak-gong ha ('the Place of the Bak-gong earth god'). It is interesting that the title of this category of earth god, whose territory is more limited than the dawang, shares the expression for \"elder brother of grandfather\".\n\nibid p. 224 » 10\n\n174\n\nibid p 160\n\nDiscussion of this aspect of ancestral worship is summarized in C Fred Blake, Ethnic Groups and Social Change in a Chinese Market Town, The University Press of Hawaii, 1981, pp 92-93, 115 n 1, 116 n 2. A possible example is the case of Wo Hang, N. T. where an ancestral hall of the second fang houses the spirit tablets of the first and second generation. See Allen John Lueck, Lun Chun, Land is to live: A study of the concept of isu in a Hakka Chinese village, New Territories, Hong Kong, unpublished PhD dissertation, Department of Anthropology, University of Chicago, 1985, p 273.\n\nCompare H G H Nelson, \"Ancestor Worship and Burial Practices\", in Arthur P. Wolf ed., Religion and Ritual in Chinese Society, Stanford University Press, 1974, pp. 263-267, on the shen-ting which fulfilled the functions of domestic altars for the households in each area” in a Cantonese village in the New Territories. He observes that the shenting \"occupy a place half way between [tang ancestral halls] and domestic altars”.\n\nVol under Donga jie (\"Winter festival\")\n\nTON Op cit. pp 147-148\n\nOp cit. p 12\n\nOp cit. p 176\n\n100\n\nIt is interesting to note the distribution and context of Mountain Songs. It is interesting to note that Mountain Songs were sung only by the male villagers (in some festivals with women hired from other villages) in the Cantonese villages whose dialect is known to others as daaih ga wo (\"big family language\"), and which correspond to the area of the five big clans. In some of the other Cantonese villages, e.g. in Shatin and Saikung, Mountain Songs were sung by the women on the eve before a wedding at the bride's home. Mountain Songs, and related pre-marital courtship, was more popular among some female Cantonese villagers in the Kowloon area who cut grasses for sale as fuel. The livelihood of these women, like that of the Hakka immigrants, depended more on the city. I know much less",
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