[ { "id": 204275, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 43, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n10\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n39\n\nand defeated government troops again and again. They were eventually persuaded to capitulate to the government, and took part in the victorious campaign against another rebel Fang La.1 However, some modern historians believe that after they had helped the government forces, Sung Chiang and his followers were themselves liquidated in their turn. Be that as it may, the exploits of Sung Chiang and his followers soon became the subject of popular legends told orally. These grew in number and came to be written down. At first only short accounts were written, but later, towards the end of the Yuan period, about 1300, the different stories were joined together to form one long romance, possibly by Shih Nai-an, who has been identified with the dramatist Shih Hui, styled Chun-mei.2 By then, the number of heroes involved had grown from the original thirty-six to a hundred and eight. The romance continued to be enlarged and revised by various hands during the Ming period, until it became a work of 120 chapters, published about 1620. Then, at the beginning of the Ch'ing period, in 1644, the critic Chin Sheng-t'an took the first seventy chapters, added a new chapter at the end as well as commentaries, and published it as the \"Fifth Work of Genius\" in Chinese literature. This edition achieved immense popularity, and it is this truncated version which most Chinese readers have read and which has been rendered into English.\n\n21\n\nMeanwhile, some stories about knights errant found their way into the drama of the Yuan period. The plays of this period were classified by subject under twelve categories, one of which was \"long swords and clubs\". This obviously corresponded to the two categories of stories \"long swords\" and \"clubs\" mentioned earlier. In particular, some stories about Sung Chiang and his followers not included in the Shui-hu chuan were given dramatic treatment in Yuan times. For instance, there were at least a dozen Yuan plays about Li K'uei, one of the followers of Sung Chiang and one of the most colourful characters in popular literature.22 Two of these plays are still extant.23 They present with great gusto this rough-mannered, quick-tempered outlaw with a heart of gold. In plays of later periods, Li K'uei and other\n\n4a.\n\n18 Sung-shih* (SPPY), chüan 22, 3a; chüan 351, 11b; chüan 353,\n\n1 Mou Jun-sun, \"On the tombstone inscription of Chê K'ê-ts'un and Sung Chiang's end\" 牟潤孫,折可存墓誌銘考証兼論宋江之結局, Bulletin of the College of Arts, National Taiwan University, No. 2.\n\n20 Sun K'ai-ti, Chung-kuo t'ung-su hsiao-shuo shu-mu 孫楷第,中國通俗小說書目 (Peking, 1957), p. 181.\n\n+\n\n21 Chu Ch'üan, T'ai-ho cheng-yin p'u 朱權,太和正音譜 (reprinted together with the Lu kuei pu 錄鬼簿, Shanghai, 1957), p. 135.\n\n22 For the titles of these plays, see Fu Hsi-hua, Yuan-tai tsa-chü ch'üan-mu 傅惜華,元代雜劇全目 (Peking, 1957), pp. 406-7.\n\n23 There is another Yuan play in which Li K'uei appears, but only as a subsidiary character.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204304, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 72, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n68\n\nVol 1 (1961)\n\nISSN 1991-7295\n\nBUDDHIST SOURCES OF THE NOVEL\n\nFENG-SHEN YEN-I\n\n:\n\nLIU TS'UN-YAN. PH.D.\n\nINTRODUCTION\n\nThe Feng-shên Yen-i, or 'Investiture of the Gods,' is a long novel consisting of 100 chapters. Its authorship had long been unknown, until in 1931 Prof. Sun K'ai-ti discovered in the Japanese Cabinet Library a Ming edition of this novel labelled \"compiled (pien-chi) by Hsu Chung-lin, styled Chung-shan I-sou.\" Many scholars therefore concluded that Hsü Chung-lin was the author. For instance, Lu Hsün in his A Brief History of Chinese Fiction (Chung-kuo Hsiao-shuo Shih-lüeh) mentioned Hsü as the author, though he added that he had not seen the original preface and therefore could not ascertain the date of the novel. This attribution of authorship is not reliable, for in Ming times the term \"compiling” (pien-chi) was rather freely used, and sometimes booksellers would reprint a book with slight additions and alterations and label it as being \"compiled\" by a new writer. In view of this, from 1935 to 1956, I tried to find out the true author of this novel, and my researches led me to the conclusion that the author or compiler of the novel was in fact Lu Hsi-hsing (1520-1601?), a Taoist priest of the Chia Ching period.\n\nLike the Hsi-yu-chi (\"Pilgrimage to the West\", also known to Western readers as \"Monkey\"), the Fêng-shên Yen-i is a work of fiction dealing with the supernatural. It was produced during the time when Chinese fiction was evolving from the prompt-books (hua-pên) of story-tellers to long novels. Its plot is based on the historical events related to the defeat of King\n\n1 There is no English translation of this novel. The German translation by Wilhelm Grube and Herbert Mueller, Die Metamorphosen der Götter (2 vols., Leiden, Brill, 1912) contains only chapters 1-46. Chapters 47-100 have been summarized by Mueller. The novel is mentioned in E. T. C. Werner, Myths and Legends of China (London, 1934) and in Sir J. C. Coyajee, Cults and Legends of Ancient Iran and China (Bombay, 1935).\n\n2 Chung-kuo Hsiao-shuo Shih-lüeh, Ch. 18, p. 176 (1953); also the English translation entitled A Brief History of Chinese Fiction by Yang Hsien-yi and Gladys Yang, p. 220 (1959).\n\n3 Details of my evidence and arguments are contained in my unpublished thesis, \"The Authorship of the Feng-shen Yen-i\", a copy of which is in the library of the School of Oriental and African Studies, London University.\n\n4 Cf. James J. Y. Liu, \"The Knight Errant in Chinese Literature\", in this volume, pp. 30-41.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204307, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 75, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n71\n\nnovel. After this treatment, Vaisravana and Nata became completely Sinicized, and few, if any, Chinese readers ever suspect that they are \"alien\" in origin. This is typical of the way in which Chinese Buddhists took stories or ideas of foreign origin and gradually turned them into something totally Chinese.\n\nApart from its influence on religious practice, the novel Fêng-shên Yen-i is also of considerable importance from a literary point of view. It superseded previous stories from which it took some of its material, so much so that but for the efforts of scholars in the past thirty years these previous stories contained in prompt-books would have been unknown. Even now, only a handful of experts have read the prompt-books, while most readers are not aware that the Fêng-shên is not entirely the original creation of one man. This goes to show the success of the author as an imaginative writer.\n\nIn the following pages I shall attempt to describe how the stories about Vaisravana and Nata became integral parts of the novel, as an example of the Sinicization of Buddhist stories and figures and their assimilation into the mainly Taoist pantheon of China. I shall also try to show how the author, Lu Hsi-hsing, made use of the material derived from miscellaneous sources and turned it into a fascinating tale.\n\n1. VAISRAVANA AND NATA\n\nWhen we come to a discussion of some of the prominent figures in the novel Fêng-shên Yen-i, the most striking fact we shall find is that the author described these figures vividly and did not rely on previous legends for literary effect. Rather, he chose from miscellaneous and discordant materials and put them into a unified system which enlarged and modified the Chinese pantheon. The story of Li Ching and his three sons, especially the third one, No-cha, in this novel may serve as an outstanding illustration.\n\nIn this novel Li Ching was first a commander of the Ch'ên-t'ang Pass in the court of the ruthless King Chou (Ch.12), but he was also a Taoist, and for a period of years he had learnt the process of Taoist cultivation from the Immortal Tu O of the K'un-lun Mountain though he was unable to reach the final attainment. He had three sons: the eldest, Chin-cha, was a disciple of Wên-shu (Mañjusri), the second, Mu-cha, was a disciple of P'u-hsien (Samantabhadra) and the third one, No-cha, a disciple of the Immortal Tai-I. Both the father and his three sons joined the side of King Wu in the expedition against King Chou. Though they all knew some magic feats and possessed magic weapons, they are described as human beings. Unless we study the Tantric sutras and compare them with the Chinese\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204309, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 77, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n73\n\ncalled \"Umbrella of Noumenon and Unity\" (hun-yüan san A) which is decorated with emeralds and precious pearls of divine power which are threaded together to form the words: \"to pack up the universe.\" When this umbrella is opened, heaven and earth, the sun and the moon, will be covered up by darkness, and when it is rolled the world will be shaken. Mo Li-hai carries a spear and on his back there is a four-stringed guitar (p'i-p'a) which will produce the same effect as the \"Blue Cloud Sword\" when played on and the four strings correspond to earth, water, fire and wind. Mo Li-shou carries two whips and a bag in which is concealed a peculiar creature resembling a rat, hua hu-tiao (the striped marten). When hurled into the air this creature will assume the shape of an elephant with wings from its ribs and will devour every one.\n\nThe combat between these four brothers and the heroes from the camp of King Wu can be found in Chs.39-41 of the novel. They are engaged in mortal combat with the Li brothers, Chin-cha, Mu-cha and No-cha in Ch.40. If the reader knows that Li Ching, the fabulous father of these three Li brothers is in fact derived from one of these four heavenly kings, Vaisravana, the ingenuity of the author of this novel can be appreciated, because before the publication of this novel, in many other works Vaisravana and the Chinese god Li Ching, based on the historical hero so named of the Tang dynasty, had long been amalgamated and formed a single name, P'i-sha-mên t'ien-wang Li Ching (Vaisravana or Li Ching, the Heavenly King of Vaisravana). The Chinese transliteration from the Sanskrit \"Vaisravana\" since the T'ang dynasty has been Pi-sha-mên (R), the last character of which, mên, though senseless in this connection, normally means \"gate\". Thus, in popular literature, the term P'i-sha-mên lost its original meaning and became the name of the P'i-sha Gate, and it was therefore natural enough to have a heavenly general, like Li Ching, to take charge of it, though in English this may appear peculiar.\n\n* In Yang Ching-hsien's (MRK) play T'ang San-tsang Hsi-t'ien Ch’ü-ching (EXRE), Scene 9, we read \"P'i-sha-mên hsia Li Tien-wang\" (TX) which means the Heavenly King Li under the P'i-sha Gate. In the prompt-book Ch'i-kuo Ch'un-ch'iu P'ing-hua ta (TH), chüan 3, we have \"P'i-sha-mên To-t'a Li T'ien-wang\" (*XE) or P'i-sha-mên, the Heavenly King Li who holds in his hand a pagoda. Sometimes the story-tellers thought since there was a P'i-sha mên (gate), it was wise to create a palace, called P'i-sha Kung (CE W D). In the Nan-yüeh-chi, Ch. 11, we have \"P'i-sha Kung Li Ching Tien-wang\" (K*XE). In a long eulogistic poem in Ch. 12 of the Feng-shen, there is a palace in heaven called K'un-sha Kung (R V E) which is obviously an erratum.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204321, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 89, "title": "RAS-1961", "content_text": "Vol. 1 (1961).\n\nJournal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nISSN 1991-7295\n\n85\n\nNo-cha then partially pulled off the celestial robe of the dragon-king and revealed the scales under his left ribs. He tore off some forty or fifty of the dragon-scales and the dragon-king was wounded and suffered a violent pain. He begged his assailant to spare his life. No-cha said, “If you want me to spare your life you must give up your law-suit against me before the Jade Emperor, and follow me back to Ch'ên-t'ang Pass.\" The dragon-king could not free himself and yielded to No-cha. Transforming himself into the shape of a small black snake, he hid in No-cha's sleeve and they descended from heaven. (Ch.13)\n\nSome references can be cited here for comparison and we can see how clever the author was in composing his ingenious and complicated plot which surpasses all the materials he made use of.\n\nIn the prompt-book Ch'in Ping Liu-kuo P'ing-hua (\"The Annexation of the Six States by the Emperor of Ch’in”), chüan 2, there is a sentence, \"to fasten the cuirass he should use the sinews of the old dragon.\" In the Ta-T’ang San-tsang Ch’ü-ching Shih-hua (\"Tripitaka's Search for Buddhist Sutras\"), chuan 2, (7), the Monkey-monk (Hou Hsing-chê) pulled out the sinews from a dragon with nine heads for a belt to hold the cuirass.\n\nAccording to the Min Shu (M), there was a Taoist priest named Yu Chên-chai (2) living in the epoch of Hung Wu, who was called upon by an old woman:\n\nShe was a female-dragon... and was to be struck to death by lightning on account of her failure in regulating the rains. She begged him to save her life. Yü said, “Can you transform yourself to a small shape so that I may hide you in my alms-bowl?\" The dragon followed his advice and transformed herself into a snake wriggling into the bowl.\n\nThe story of No-cha goes on as follows:\n\nOne day as the weather was excessively hot, he felt restless and annoyed, and ascended the tower over the city-gate. On the weapon-stands he found a wonderful bow called ch'ien-k'un kung (the cosmic bow) and three arrows called chên-t'ien chien (heaven-shaking arrows) which he appreciated very much, and did not know that they were left by the Yellow Emperor and since then no one had been strong enough to use them. He was so glad of this discovery and he seized the bow and shot an arrow toward the south-west. With a startling sound the sky was covered with red mist and auspicious clouds floated around. (Ch.13)\n\nIn chuan 13, in the chapter of the \"Competition in Martial Exercises for the Hand of Yasodhara\" of Abhiniskramana-sutra (DATE · #), we have the following paragraph:", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204326, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 94, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n90\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n\"build for me a temple on the Ts'ui-p'ing Hill that I may be worshipped for a certain period and thereafter I can be reincarnated.\" When she awoke, she cried bitterly, and told the request to Li Ching. Li Ching was exasperated, and blamed his son once more for the disaster he had brought on them. No-cha repeated his request in vain on several successive nights and at last he warned the mother, \"You know that my temper is bad. If I lose my control over it, you know who will suffer.\" The mother was scared and sent some servants to go secretly to the Hill and build the temple with an image of No-cha set up in it. The temple of No-cha attracted many pilgrims and the incense burnt to him was ever increasing.\n\nOne day, after inspecting his troops at drill Li Ching, with a troop of soldiers, was passing the place. He saw many pilgrims flocking to the place and asked his aid-de-camp, \"Why is this hill thronged with people?\" \"For the last six months the god of this temple has performed miraculous deeds and answered the prayers of his worshippers. Therefore pilgrims from every quarter come to worship him,\" the officer answered. \"What is the name then of this god?\" Li Ching asked. \"The temple is called the Spiritual Palace of No-cha.\" \"No-cha! What!\" Li Ching was enraged, and ordered, \"Stop! I want to go to the temple myself.\" He dismounted at the entrance to the temple and entered the hall in which a lifelike image of his son was erected with some idols as his retinue. Li Ching pointed to the image and rebuked it, \"While you were living you were a source of trouble to your parents. And now, look, you even deceive the people after your death!\" He wielded his whip and smashed the image to pieces, and kicked away the other images. He ordered his troops to set fire and burn down the temple, and the multitude dispersed.\n\nWhen his father visited the temple No-cha had just entered into meditation in such a way that his spirit disappeared from the throne. On his return he found the temple had been burnt to ashes, and his retinue came to him with tears in their eyes. After he was told what had happened, No-cha grumbled, \"I have returned what I got from you and broken off all our relations. Why should you come here to molest me, burn down my place and leave me with no fixed abode?” No-cha's souls after half-a-year had acquired some nourishment through the food offered to him and was somewhat visible, so he went instantly to Mt. Ch'ien-yüan and appealed to his master. The Immortal T'ai-I said, \"Since you returned the flesh and bones to your parents, Li Ching had no right to interfere with the offerings. But Chiang Tzu-ya is soon to descend from the K'un-lun Mountain to help King Wu and", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204328, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 96, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n92\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nfather\" was only one of revelation of supernatural powers (神通), and it was because of the imagination and the literary gifts of the author of the Fêng-shên that the story became so impressive and full of emotional appeal. The author continues:\n\nThe Immortal T'ai-I asked No-cha to follow him to the peach-garden and taught him personally how to use his \"fiery-pointed spear\" (火尖槍) which the master now bestowed on him. After that, the Immortal gave him the wind-wheel and fire-wheel which he might tread on while chanting incantations and which served him as a magic vehicle; and also a bag made of panther skin in which were the magic bracelet, the red silk gauze and a brick of gold completed his new armour. No-cha prostrated himself before his master once more, and after thanking him, held the magic spear in hand, safely mounted his wind-and-fire wheels and darted straight to the Ch'ên-t’ang Pass and challenged Li Ching, his father. (Ch.14)\n\n**\n\n** In order to prove again how the author of the Fêng-shên Yen-i adapted and utilized confused and promiscuous materials from previous works, we may list some of the arms used by No-cha with their earlier appearances in other prompt-books or plays as follows:\n\n(a) Fiery-pointed spear. In Act 4 of the anonymous play of the Yüan dynasty, Han Kao-huang Cho-tsu Ch'i Ying-pu (漢高皇祖母齊英布), the spear used by Hsiang Yu (項羽) is a \"fiery-pointed spear\".\n\n(b) Wind-wheel. The wind-wheel is originally the wheel, or circle of wind below the circle of water and metal upon which, according to Buddhist teaching, the Earth rests. It appears in many sutras including the Surangama-sutra (楞嚴經), Ch. 4. In Nan-yu-chi (南遊記) (Ch. 2 and 11) and Pei-yu-chi (北遊記) (Ch. 15) it is one of the arms of the Flowery Light (Hua Kuang or Ling Yao 華光, or San-yen Ling Yao 三眼華光). Ling Yao with a deva-eye).\n\n(c) Fire-wheel. The alatacakra, a wheel of fire produced by rapidly whirling a fire-brand. In chuan 3 of his Lêng-yen Ching Shu-chih (楞嚴經疏治) (? “The Principles of the Surangama-sutra\", in the First Series, Second Collection of the Tripitaka in Chinese, 大藏經, 1912), Lu Hsi-hsing says \"as the whirling of a fire-brand, reality does not exist\". In Nan-yu-chi (Ch. 2 and Ch. 11) and Pei-yu-chi (Ch. 15), the fire-wheel is also a weapon of Flowery Light.\n\n(d) Gold brick, The gold brick is also one of the arms of Flowery Light in Nan-yu-chi (Ch, 2 and Ch. 11) and Pei-yu-chi (Ch. 15). But both the gold brick and the fire-wheel are attributed to Flowery Light also in Yang Ching-hsien's T'ang San-tsang Hsi-t'ien Ch'ü-ching, a play of the Yüan dynasty, Scene 8. In Hsü Fu-tso's (徐復祚) T'ou-so Chi (鬧府記), Scene 19, these two weapons belong to Nata of Eight Arms (八臂那吒).\n\n(e) Magic bracelet. In Ch. 11 of the Nan-yu-chi, one of the weapons of No-cha is a \"purple-gold bracelet with raised flowers\" (紅花紫金圈) and it is the origin of the magic bracelet (ch'ien-k'un ch'üan 乾坤圈 the Bracelet of Vitreous & Resinous Electricity) in the Fêng-shên Yen-i,", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204331, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 99, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n95\n\nB\n\n(c) The T'ao T'ien-chün ( or Celestial Master T'ao), one of the four attendant-generals forming the retinue of the Premier Wên T'ai-shih in the Fêng-shên Yen-i is an invention of the author of the Fêng-shên for a particular reason.3\n\nIn any one of the earlier works before the Fêng-shen, whether Taoist canonical texts or popular literature, we can find the other three T'ien-chün but not this one. This fact strengthens the hypothesis that this particular character was created with a purpose. But he appears also in Wu Ch'êng-ên's Hsi-yu-chi. (Ch.4 etc.)\n\n(d) Yin Chiao () in his transformed figure is an ugly and evil god. \"His face was as blue as indigo, and he had long projecting teeth\" (Ch.63, Fêng-shên Yen-i). He was canonized as the T'ai-sui (✯ the God of the Cycle) in Ch.99 of the Feng-shên. Now in Wu's Hsi-yu-chi there is a line of verse, \"The other had a blue face and protruding teeth as ugly as the T'ai-sui.”\n\n(56)\n\n(e) In Wu's Hsi-yu-chi, when Sun Wu-k'ung ( the Monkey) was repelled by Hsüan-tsang (), he thought of “going to the islands (hai-tao ) but he was rather ashamed to meet those immortals in the three fairy-lands (san-tao chu-hsien l)\". (Ch.57) This is probably influenced by the islands and the immortals there (hai-tao tao-yu fă‡) in Chs.38, 47 and 59 of the Fêng-shễn. In Ch.59 of the Feng-shên when Lü Yüeh (BG) was defeated by the troops of Chiang Tzu-ya, he fled to the islands as his last resort.\n\n(f) In Wu's Hsi-yu-chi (Ch.60), the Demon-king of Oxen (Niu Mo-wang 4E) rode on a \"water-proof golden-pupiled monster\" (Pi-shui Chin-ching Shou HR). I think this name was invented after the \"fire-spitting golden-pupiled monsters\" (Huo-yen Chin-ching Shou ) ridden by Chêng Lun, Chiên Ch'i and Ch'ung Hei-hu in the Fêng-shên Yen-i.\n\n(g) In Ch.61 of the Wu's Hsi-yu-chi there are the \"four great Vajras\" (MAI) which are no doubt an adaptation of the “four great heavenly kings\". One of their dwelling-places is in the Chin-hsia Tung ( Golden Clouds Cave) of Mt. K'un-lun. In fact this Chin-hsia Tung is exactly the name of the grotto where the Yü-ting Chên-jên (EMRA Immortal of the Jade Urn) lives in the Fêng-shên Yen-i, and Mt. K'un-lun is the sacred mountain of the Promulgating Sect.\n\n37 Ibid., pp. 251-55.", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 204452, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1962", "page_number": 84, "title": "RAS-1962", "content_text": "CHINA'S 35 MILLION NON-CHINESE\n\nTABLE 1\n\n73\n\nCHINA'S MINORITY POPULATIONS IN ORDER OF SIZE,\n\n1. Chuang\n\n2. Wei-wu-erh (Uighur)\n\n3. Hui (Dungan)\n\n4. Yi (Lolo, etc.)\n\n1953\n\n5. Tsang (Tibetan)\n\n6. Miao\n\n7. Man (Manchu)\n\n8. Meng-ku (Mongol)\n\n9. Pu-yi\n\n10. Ch'ao-hsien (Korean)\n\n11. Tung\n\n12. Yao\n\n13. Pai (Pai-man)\n\n14. Ha-sa-k'e (Kazakh)\n\n15. Ha-ni\n\n16. T'ai\n\n17. Li\n\n18. Li-su\n\n19. Tu-chia\n\n20. She\n\n21. K'a-wa (Wa)\n\n22. Kao-shan (Malay-Polynesian)\n\n23. Tung-hsiang\n\n24. Na-hsi (Na-khi)\n\n25. La-hu\n\n26. Shui\n\n27. Ching-p'o (Singpho, Kachin)\n\n28. Ko-erh-k'e-tzu (Kirghiz)\n\n29. T'u (Mongor)\n\n30. Ta-kuan-erh (Daghor)\n\n31. Mo-lao\n\n32. Ch'iang\n\n33. Pu-lang (Palaung)\n\n34. Sa-la (Salar)\n\n35. Ngo-lo-ssu (Russian)\n\n36. K'e-lao\n\n37. Hsi-po (Sipo)\n\n38. Mao-nan\n\n39. A-chang\n\n40. T'a-chi-k'e (Tadjik)\n\n41. Wu-tzu-pieh-k'e (Uzbek)\n\n42. Nu\n\n43. T'a-t'a-erh (Tatar)\n\n44. O-wen-k'e (Evenki)\n\n45. Pao-an\n\n46. Yü-ku (Sara Uighur)\n\n47. Peng-lung\n\n48. Tu-lung\n\n...\n\n7,000,000\n\n3,640,000\n\n3,559,000\n\n3,250,000\n\n2,775,000\n\n2,511,000\n\n2,418,000\n\n1,463,000\n\n1,247,000\n\n1,120,000\n\n712,000\n\n665,000\n\n567,000\n\n509,000\n\n481,000\n\n478,000\n\n360,000\n\n317,000\n\n300,000 *\n\n286,000\n\n210,000\n\n200,000\n\n155,000\n\n143,000\n\n139,000\n\n133,000\n\n101,000\n\n70,000\n\n53,200\n\n44,100\n\n43,100\n\n35,600\n\n35,000\n\n30,600\n\n22,600\n\n20,800\n\n19,000\n\n18,400\n\n17,700\n\n14,400\n\n13,600\n\n12,700\n\n6,900\n\n6,200\n\n4,900\n\n3,800\n\n2,900\n\n2,400\n\n2,200\n\n450\n\nO-lun-ch'un (Orochun)\n\n50. Ho-che (Nanai)\n\n* Found by Fang Jen in 1955 to be 300,000, but Bruk listed 49,000.\n\n† From April 19, 1957 issue of Kuang-ming Daily News.\n\n† An estimate.\n\n§ Collectively including the So-lun (4,900), T'ung-ku-ssu (Tungus: 1,205), and Ya-k'u-te (Yakut; 137).\n\nHere is the revised response in HTML format using Markdown table syntax for the table:\n\n \n Order\n Minority Population\n Population (1953)\n \n \n 1\n Chuang\n 7,000,000\n \n \n 2\n Wei-wu-erh (Uighur)\n 3,640,000\n \n \n 3\n Hui (Dungan)\n 3,559,000\n \n \n 4\n Yi (Lolo, etc.)\n 3,250,000\n \n \n 5\n Tsang (Tibetan)\n 2,775,000\n \n \n 6\n Miao\n 2,511,000\n \n \n 7\n Man (Manchu)\n 2,418,000\n \n \n 8\n Meng-ku (Mongol)\n 1,463,000\n \n \n 9\n Pu-yi\n 1,247,000\n \n \n 10\n Ch'ao-hsien (Korean)\n 1,120,000\n \n \n 11\n Tung\n 712,000\n \n \n 12\n Yao\n 665,000\n \n \n 13\n Pai (Pai-man)\n 567,000\n \n \n 14\n Ha-sa-k'e (Kazakh)\n 509,000\n \n \n 15\n Ha-ni\n 481,000\n \n \n 16\n T'ai\n 478,000\n \n \n 17\n Li\n 360,000\n \n \n 18\n Li-su\n 317,000\n \n \n 19\n Tu-chia\n 300,000 *\n \n \n 20\n She\n 286,000\n \n \n 21\n K'a-wa (Wa)\n 210,000\n \n \n 22\n Kao-shan (Malay-Polynesian)\n 200,000\n \n \n 23\n Tung-hsiang\n 155,000\n \n \n 24\n Na-hsi (Na-khi)\n 143,000\n \n \n 25\n La-hu\n 139,000\n \n \n 26\n Shui\n 133,000\n \n \n 27\n Ching-p'o (Singpho, Kachin)\n 101,000\n \n \n 28\n Ko-erh-k'e-tzu (Kirghiz)\n 70,000\n \n \n 29\n T'u (Mongor)\n 53,200\n \n \n 30\n Ta-kuan-erh (Daghor)\n 44,100\n \n \n 31\n Mo-lao\n 43,100\n \n \n 32\n Ch'iang\n 35,600\n \n \n 33\n Pu-lang (Palaung)\n 35,000\n \n \n 34\n Sa-la (Salar)\n 30,600\n \n \n 35\n Ngo-lo-ssu (Russian)\n 22,600\n \n \n 36\n K'e-lao\n 20,800\n \n \n 37\n Hsi-po (Sipo)\n 19,000\n \n \n 38\n Mao-nan\n 18,400\n \n \n 39\n A-chang\n 17,700\n \n \n 40\n T'a-chi-k'e (Tadjik)\n 14,400\n \n \n 41\n Wu-tzu-pieh-k'e (Uzbek)\n 13,600\n \n \n 42\n Nu\n 12,700\n \n \n 43\n T'a-t'a-erh (Tatar)\n 6,900\n \n \n 44\n O-wen-k'e (Evenki)\n 6,200\n \n \n 45\n Pao-an\n 4,900\n \n \n 46\n Yü-ku (Sara Uighur)\n 3,800\n \n \n 47\n Peng-lung\n 2,900\n \n \n 48\n Tu-lung\n 2,400\n \n \n 49\n O-lun-ch'un (Orochun)\n 2,200\n \n \n 50\n Ho-che (Nanai)\n 450\n \n\n* Found by Fang Jen in 1955 to be 300,000, but Bruk listed 49,000.\n\n† From April 19, 1957 issue of Kuang-ming Daily News.\n\n† An estimate.\n\n§ Collectively including the So-lun (4,900), T'ung-ku-ssu (Tungus: 1,205), and Ya-k'u-te (Yakut; 137).", "txt_file_path": "txt/dfo323lmgvd/RAS-1962.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/9s166f47f", "rank": 0 }, { "id": 205168, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1966", "page_number": 124, "title": "RAS-1966", "content_text": "The Hanlin Academy\n\n119\n\nAppendix II\n\nGlossary\n\nChang-yüan hsüeh-shih #4±\n\nChang-ch'un yüan ††E\n\nChi-chu kuan $\n\nChiang-yen E\n\nChien-t'ao at\n\nHsiu-chuan 174\n\nHsüeh-shih #+\n\nHu-tsung\n\nHung-Wu pao-hsün RAHM\n\nJih-chiang 14\n\nJu-chih shih-pan kuan 1fHT\n\nK'ang-hai R\n\nKuo-shih hsiu-shu ch'u XOTË\n\nLi-fan yüan JEAM\n\nLiao Chin Yüan-shih žƒ\n\nLiu-Li\n\nNan-shu fang 4*\n\nPan-shih kuan T\n\nPien-hsiu I\n\nSheng yü\n\nShih-chiang M\n\nShih-chiang hsüeh-shih 1444±\n\nShih-lu k\n\nShih-tu it\n\nShih-tu hsüeh-shih ***±\n\nShu-ch'ang kuan &*❀\n\nShu-chi-shih t\n\nSzu-k'u ch'üan-shu\n\nSzu-shu chi-chu #*#\n\nTa-hsüeh yen-i jih-chiang ★HA¤#\n\nYu-tieh #\n\nYung-cheng E", "txt_file_path": "txt/dfo323lmgvd/RAS-1966.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/bz60k0811", "rank": 0 }, { "id": 206348, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1971", "page_number": 165, "title": "RAS-1971", "content_text": "SUNG-TYPE POTTERY FINDS IN HONG KONG\n\n149\n\namong the sites, will at least be an important step towards an understanding of the overall pattern of early cultural and trade relations between China and South-east Asia over a period of several centuries. This comparative study will, of course, become more meaningful still when the pottery traditions of South China are better known,\n\nNOTES\n\n1 A report of the finds at Shek Pik by Hayes and Watt appeared in the Journal of the Hong Kong Archaeological Society, Vol. I, 1968, pp. 19-23.\n\n2 Jao Tsung-i: Kowloon in Historical Records of Sung Period, Hong Kong 1959.\n\n3 Lo Hsiang-lin: Hong Kong and Its External Communications before 1842, Chapter on “Last of the Sungs\", Hong Kong 1963.\n\n4 According to the survey sheets and land ownership schedules kept in the District Office, Islands, New Territories Administration.\n\n5 WW 1963.1, pp. 27-35.\n\n6 WWTKTL 1958.2, pp. 34-37 and WW 1959.6, pp. 62-71.\n\n7 WWTKTL 1958.2, p. 37.\n\n8 L. and C. Locsin: Oriental Ceramics discovered in the Philippines, Tuttle, 1968.\n\n9 Ku-Kung Po-wu-yuan Yuan-k'an, No. 2, 1960, pp. 121-123.\n\n10 WW 1965.2, pp. 26-31.\n\n11 UKK 1965.6, pp. 287-288.\n\n12 Kuang-chou Hsi-ts'un Ka-yao I-tzu, 1958.9, Wen Wu Press.\n\n13 See, for example, Plate V, KKTH 1956.4. Also Plate XVI (2) in J. C. Y. Watt: A Han Tomb in Lei Cheng Uk, Hong Kong, City Museum Handbook, 1970.\n\n14 WWTKTL 1955.10.\n\n15 See notes on pp. 161-3 JHKBRAS Vol. 9, 1969.\n\n16 KK 1962.8 pp. 414-415 and KK 1964.4 pp. 196-199.\n\nWWTKTL = Wen-wu-ts'an-k'ao-tzu-liao\n\nWW = Wen-wu\n\nKKTH = K'ao-ku-t'ung-hsün\n\nKK = K'ao-ku\n\nChinese Names and Terms\n\nNim Shu Wan 稔樹灣 Kai Tak 啟德\n\nPage 165\n\nPage 166", "txt_file_path": "txt/dfo323lmgvd/RAS-1971.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/z029vt43g", "rank": 0 }, { "id": 206792, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 69, "title": "RAS-1973", "content_text": "PERSIANS, ARABS IN T'ANG CHINA\n\n63\n\ncentury. The Persians and Arabs, apart from importing foreign goods to China, also became the middlemen of the maritime trade between China and the rest of the world.23 T'ang China realized that certain steps should be taken to govern this trade and the commercial activities of foreigners. The office of the Shih-po-ssu was first established in Canton in A.D. 714. The governor of Kuang-chou concurrently acted as head of this office. The duty of the office was to levy taxes on imported goods. The office also had regulations dealing with exported goods. According to T'ang law, a number of items were prohibited to be exported, like silver, copper, iron and T'ang currency. Naturally some of the governors in Kuang-chou were greedy, dishonest and corrupt. As a result of this, relations between Canton officials and foreigners were not always amiable. The murder of the Kuang-chou governor, Lu Yüan-jui 路元叡 by the K'un-lun was the result of the evil-doings of these corrupt governors in Kuang-chou.24 Tzu-chih t'ung-chien records this incident as follows:\n\n+\n\n+\n\nthe governor of Kuang-chou, Lu Yüan-jui, was killed by the K'un-lun. Yüan-jui was ignorant and weak; his officials were licentious and extortionate. When merchant vessels came, these officials appropriated (the goods for themselves) without stop; foreign merchants, therefore, complained to Yüan-jui. Yüan-jui wanted to punish (the foreign merchants) so he ordered them to be tied up. The group of foreigners were very angry. Then a K'un-lun came straight into the office with a sword hidden in his sleeves and killed Yüan-jui and more than ten other people around him before he escaped. No one dared to get close (to this man). He boarded a ship and entered the sea. The port-officials gave chase, but it was too late.25\n\nLu Yüan-jui's successor, Wang Fang-ching, was described as a reformer who held the post for several years without any exploitation (of the merchants).26\n\nThe opening of the Ta-yü Ling Pass by Chang Ch'iu-ling in A.D. 728 together with a period of comparative honesty and good administration in Kuang-chou, rendered maritime trade again very prosperous. Communications between Kuang-chou, Lo-yang and Ch'ang-an were no longer a problem, for:\n\nThe (merchants of the) various countries from across the sea may now daily transport their merchandise, so that the wealth", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206816, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 93, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n87\n\nsame tradition. For instance, Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao of 1682 (60 chüan altogether; 30 for painting and 30 for calligraphy); Ku Fu's P'ing-sheng chuang-kuan of 1692 (10 chüan altogether; 5 for painting and 5 for calligraphy); Wu Shêng's Ta-kuan-lu of 1712 (20 chüan altogether; for painting and calligraphy, 10 chüan each); An Ch'i's Mo-yüan hui-kuan of 1742 (There are mainly 2 chüan; one for painting and the other, calligraphy. However, near the end of this work there appears an additional chüan with simplified descriptions of painting); and finally, Ku Wên-pin's Kuo-yün-lou shu-hua-lu of 1882 (6 chüan for painting and 4 for calligraphy). All these important works on the history of either painting or calligraphy were edited by separating records of painting and calligraphy into two different sections.\n\nOn the other hand, speaking in general, works in which records of painting and calligraphy were put together as a combined chronicle were far fewer. From the earlier period, only Huang Po-ssu's Tung-kuan-yu-lun (2 chüan, edited in 1147 by the author's son, Huang Nai) and Chou Mi's Yün-yen kuo-yen-lu (4 chüan, edited probably around 1291) may be regarded as representative works in this line during the Sung and the Yüan.\n\nHowever, during the Ming and the Ch'ing periods, works in this line were innumerable. During the Ming period the most important were: Chu Ts'un-li's (1444-1513) San-hu-mu-nan (8 chüan); Tu Mu's (1458-1525) Yü-i-pien (only 1 chüan); Wên Chia's (1501-1583) Ch'in-shan-r'ang shu-hua-chi (1 chüan, edited in 1565); Chu Chih-ch'ih's Ao-an shu-hua-mu (1 chüan); Sun Feng's Shu-hua-ch'ao (1 chüan); Chen Chi-ju's (1558-1639) Ni-ku-lu (4 chüan); Tung Ch'i-ch'ang's (1555-1636) Hua-chan-shih sui-pi (4 chüan); and Li Jih-hua's (1565-1635) Wei-sui-hsüan jih-chi (compiled in 1616). In all these works, the records of painting and calligraphy of various dynasties were combined, forming one chronicle.\n\nThis type of books became even more numerous during the Ch'ing dynasty. Those completed in early Ch'ing were Sun Chêng-che's (1592-1676) Kêng-tzŭ hsiao-hsia-chi (8", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206817, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 94, "title": "RAS-1973", "content_text": "88\n\nCHUANG SHEN\n\nchuan; completed in the 16th year of the Shun Chih era, 1659); Wu Ch'i-chên's Shu-hua-chi (6 chüan; completed in the 16th year of the K'ang Hsi era, 1677); Kao Shih-ch'i's (1645-1704) Chiang-ts'un hsiao-hsia-lu (3 chuan; completed in the 32nd year of the K'ang Hsi era, 1693); and Miu Yüeh-tsao's (1682-1761) Yü-i-lu (6 chuan; completed in the 11th year of the Yung Chêng era, 1733). During the prosperous period of Ch'ing, there were Lu Shih-hua's (1714-1779) Wu-yüeh so-chien-shu-hua-lu (6 chüan; completed in the 41st year of the Chien Lung era, 1776); Chen Cho's Hsiang-kuan-chai yü-hsiang-pien (12 chüan; completed in the 47th year of the Chien Lung era, 1782). In mid Ch'ing, more works of this kind appeared, such as Pan Shih-huang's Hsü-ching-chai yün-yen-kuo-yen-lu (1 chüan; completed in the 9th year of the Tao Kuang era, 1820); Chang Ta-yung's Chih-i-chai shu-hua-lu (30 chüan; completed in the 12th year of the Tao Kuang era, 1832); Tao Liang's (1772-1857) Hung-tou-shu-kuan shu-hua-chi (8 chüan; completed in the 16th year of the Tao Kuang era, 1836); and Hu Chi-t'ang's Pi-hsiao-hsüan shu-hua-lu (2 chüan; completed in the 19th year of the Tao Kuang era, 1839). Still more were published during the late Ch'ing period. These were: Han Tai-hua's Yü-yü-t'ang shu-hua-chi (4 chüan; completed in the first year of the Hsien Fêng era, 1851); Chang Kuang-hsü's Pieh-hsia-chai shu-hua-lu (4 chüan; completed in the 4th year of the T'ung Chih era, 1865); Li Tso-hsien's Shu-hua-chien-yin (24 chüan; completed in the 10th year of the T'ung Chih era, 1871); Fang Chün-i's Mêng-yüan shu-hua-lu (24 chüan; completed in the first year of the Kuang Hsü era, 1875); Hsieh K'un's Shu-hua-so-chien-lu (3 chüan; completed in the 6th year of the Kuang Hsü era, 1880), Ko Chin-liang's Ai-jih-yin-lu shu-hua-lu (4 chüan; completed in the 7th year of the Kuang Hsü era, 1881); Lu Hsin-yüan's (1834-1894) Jang-li-kuan kuo-yen-lu (40 chüan; completed in the 18th year of the Kuang Hsü era, 1892); and Shao Sung-nien's Ku-yüan-ts'ui-lu (18 chüan; completed in the 29th year of the Kuang Hsü era, 1903).", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206819, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 96, "title": "RAS-1973", "content_text": "90\n\nCHUANG SHEN\n\nfollowing either the joint principle or the separate principle throughout the Ch'ing dynasty.\n\nIt may also be worthwhile for us to look into the editing methods employed in the art catalogues of the five Kwangtung collectors. Starting from the middle of the Ming dynasty (the 16th century is taken here as the demarcating point), the editing methods used in Chinese art catalogues can also be classified into two types. Most of the catalogues completed during the Sung and the Yuan periods, as well as in early Ming, possessed the following three characteristics:\n\n(1) brief description of subject matter seen on the painting proper.\n\n(2) in regard to the colophons written on or outside the painting proper, most of the time only the names of colophon writers were recorded,\n\n(3) as to the seals stamped on or outside the painting proper, most of the time only the names of the seal owners were recorded.\n\nIn other words, before the Wan Li era of mid Ming, art catalogue compilers only gave limited attention to the content of colophons and to the text and shape of the seals. After the Wan Li era, however, in regard to the inscriptions and colophons, a number of innovations in the compilation of Chinese art catalogues began to appear.\n\nFirst of all, in his Tieh-wang san-hu, Chu Ts'un-li not only recorded the artists' own short inscriptions, but also recorded in detail the longer colophons written by the collectors' or the artists' friends on or outside the painting proper. As a result, in reading the catalogue, the reader would have a clear picture of the background of each painting, its history of transmission, as well as other people's opinion of it. In comparison with the editing methods employed in art catalogues of the previous few centuries, Chu Ts'un-li's editing method was undoubtedly a major change. Therefore, although after the publication of the Tieh-wang san-hu, certain compilers ignored Chu's editing method and still adhered to the traditional ways, there were actually a great number of others who accepted the new way readily. The San-hu-wang hua-lu, completed in the 16th year of the Ch'ung Chên era by Wang K'o-yü, was one of the more important art catalogues that first followed this new", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206820, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 97, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES \n\n91\n\nediting method. In it, Wang not only accepted the method introduced by Chu Ts'un-li by recording faithfully all the inscriptions and colophons that appeared on each painting; but more than that, he also entered details about the quality and format of each painting, which were things Chu had overlooked.\n\nIn early Ch'ing, Pien Yung-yü's Shih-ku-t’ang hua-k’ao was the more significant in terms of editing methods. To begin with, Pien not only conformed with Chu Ts'un-li and Wang Ko-yü in entering details of the quality and format, as well as the inscriptions and colophons of a painting, but also recorded all the seals stamped on or outside it. It should be noted here that although the use of seals could be traced back to the T'ang dynasty, it seems that its common use by artists started only in early Ming. In particular, after Ho Chên's Wan School took over the place of the Chê School (founded by Wên Chia, compiler of the Chin-shan-fang shu-hua-chi) and engraved a large number of seals for the scholars during the transitional period of the Ming and Ch'ing dynasties, the use of seals became so popular that it surpassed all such practices in the past. It is very likely that in view of the growing importance of seals, Pien Yung-yü began to record the seals that appeared on old paintings. His ways of recording seals are as follows:\n\n(1) keeping to the original order of the seal text, he rearranged them by recording the transcriptions in the regular script. (2) he denoted the original shape of the seals by enclosing the transcriptions recorded in the regular script in squares or rectangles.\n\n(3) beneath the seals, he added explanatory notes in small characters to indicate the method used in carving the seal (The characters carved in relief are called chu-wên and the incised ones are called pai-wên).\n\nAnother major contribution made by Pien Yung-yü in the matter of methods employed in the compilation of art catalogues was the recording of sizes of paintings and calligraphies. Although Wang Ko-yü had already recorded the quality of paintings in his San-hu-wang hua-lu, nevertheless he had neglected the importance of the measurements. This problem, overlooked by art catalogue compilers in the Ming dynasty, was not given full attention until Pien Yung-yü compiled the Shih-ku-t'ang shu-k'ao and Shih-ku-t'ang hua-k'ao in early Ch'ing. Therefore Pien's work, a combination...", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206822, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 99, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES \n\n93 \n\nwas given about the seals and the measurements of the paintings, and often, only the names of colophon writers and seal owners were included, without any entry of the text of colophons and seals. Nevertheless these works should only be regarded as exceptional cases, since after the publication of the Shih-ku-t’ang hua-k’ao, most art catalogue compilers adopted Pien Yung-yü's editing methods. \n\nAs mentioned above, there is some difference in the editing principles employed in the five Kwangtung art catalogues; in that Yeh and Liang adopted the separate principle, while Wu, Pan and Kung adopted the joint principle. On the other hand, in the matter of editing methods, all the five catalogues are similar to most of the catalogues compiled in the Ch'ing dynasty in that detailed records of the material, size and format of a painting are given, as well as inscriptions, colophons and seals appearing on it. In other words, in compiling catalogues for their own collections, these five collectors unanimously adopted the same editing methods, \n\nAlthough in actual fact, the system of including the five essential elements—material, size, format of painting, inscriptions and seals—were first initiated by Pien Yung-yü, however, according to the introductory notes of these four Kwangtung collectors' art catalogues* these elements originated not from Pien Yung-yü's Shih-ku-t'ang hua-k'ao, but from Kao Shih-ch'i's much later work, the Chiang-ts'un hsiao-hsia-lu. This point of view can be found in the introductory notes of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, in which Wu wrote, \n\nChiang-ts'un hsiao-hsia-lu was the first catalogue that recorded the measurements of scrolls and albums of painting. \n\nand again, Since the seals could not be copied, therefore those recorded in the Chiang-ts'un hsiao-hsia-lu were all written in the regular script and then enclosed by lines. This method is the best. \n\nthe same is adopted here. \n\nI am living in a peaceful and prosperous period, and is thus able to while away the time beneath the woods. In every respect, I shall follow the Chiang-ts'un hsiao-hsia-lu. \n\n* The introductory notes are not available in Yeh's catalogue.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206823, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 100, "title": "RAS-1973", "content_text": "94\n\nCHUANG SHEN\n\nIt should be noted here that the Shih-ku-t'ang hua-k’ao was completed in the 21st year of the K'ang Hsi era, and Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu, in the 32nd year of the K'ang Hsi era. Thus there were eleven years in between. As early as the 21st year of the K'ang Hsi era, Pien Yung-yü had already begun to record the measurements of painting, use the regular script to transcribe the seal text, and squares and rectangles to represent the original shape of the seals. Therefore, the Chiang-ts'un hsiao-hsia-lu was not as Wu Yung-kuang stated \"the first catalogue that recorded the measurements of scrolls and paintings\". Furthermore, neither did the method of \"enclosing seal text transcribed in the regular script by lines\" to record seals that appeared on paintings, as had been extolled by Wu Yung-kuang as the \"best\" method, originate from Kao Shih-ch'i. Kao was only one of those early art catalogue compilers who followed Pien's systems. However, in regard to these two compilers' writings, owing to the fact that no matter on the subject of the classics or literature, Kao by far out-numbered Pien in quantity. His reputation as a connoisseur was also far higher than Pien's. It was probably because of these reasons that Wu Yung-kuang only noticed Kao's Chiang-ts'un hsiao-hsia-lu and overlooked Pien's Shih-ku-t'ang hua-k'ao. Consequently Wu's editing methods adopted in his Hsin-ch'ou hsiao-hsia-chi followed exactly those of Chiang-ts'un-hsiao-hsia-lu. Undoubtedly, the editing methods adopted by Wu were the most perfect ones in the compilation of art catalogues. However, the fact that he was only aware of Kao Shih-ch'i and not Pien Yung-yü seems to show that he had put a wrong emphasis on the first and last, which is something regrettable.\n\nA catalogue that was completed earlier than the Hsin-ch'ou hsiao-hsia-chi was: Yeh Meng-lung's Fêng-man-lou shu-hua-lu. Unfortunately, Yeh Mêng-lung did not give any introductory note to explain his editing system. Therefore it is not known whether his inclusion of the five essential elements i.e. measurements, material, format, seals and colophons was under the influence of Pien Yung-yü or Kao Shih-ch'i. However, since Yeh and Wu were not only good friends, but also later became relatives1, it is possible that when compiling his Fêng-man-lou shu-hua-lu, Yeh Mêng-lung was somehow influenced by Wu Yung-kuang. Thus like Wu Yung-kuang, Yeh's adoption of the five essential elements was probably under the influence of Kao Shih-ch'i and not directly from Pien Yung-yü.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206824, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 101, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n95\n\nThe next catalogue completed soon after the Fêng-man-lou shu-hua-lu and Hsin-ch'ou hsiao-hsia-chi was Pan Chêng-wei's T'ing-fêng-lou shu-hua-chi. One paragraph in the preface is of particular importance here,\n\nIt was Tu Mu's Yü-i-pien which initiated the practice of selecting paintings and calligraphies belonging to masters of past dynasties, and cataloguing them in one chronicle. After that, the most distinguished works were Chu Ts'un-li's San-hu mu-nan and Chang Ch'ou's ## Ch'ing-ho shu-hua-fang **★✰★ · In our period, there was Sun Ch’êng-chê's Kêng-tzu hsiao-hsia-chi, in which in addition to his own collection, Sun also included records of other people's collections. Then there was Kao Shih-ch'ï's Chiang-ts'un hsiao-hsia-lu in which Kao entered details such as the material used (whether paper or silk), the format (album or scroll), the measurements (the length and breadth) of paintings that he had seen, and a full record of all his colophons was also given. Recently the minister Wu Yung-kuang has edited a catalogue entitled Hsin-ch'ou hsiao-hsia-chi in which he adopted the system set down by Sun Ch'êng-chê and Kao Shih-ch'i. He has also selected a few items from my own collection and included them in his work. Moreover, he urged me to compile a catalogue for my own collection and have it published. Thus, following his way, I edited this book.\n\nIn this preface by Pan, there are a few points worth our notice: Firstly, among the art catalogues compiled in the Ch'ing dynasty, he had only mentioned Sun Ch’êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Based on this fact, either Pan was entirely ignorant of Pien Yung-yü's Shih-ku-t'ang hua-k'ao or at least he must have held it in low esteem. This attitude is no different from that shown by Wu and Yeh.\n\nSecondly, although Pan Chêng-wei humbly admitted that the compilation methods of his T'ing-fan-lou shu-hua-chi followed that of Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, in fact, this was only a polite remark made by him. In the opening part of the Hsin-ch'ou hsiao-hsia-chi, it has been clearly stated that this catalogue was compiled by Wu Yung-kuang, but was collated jointly by his brother Wu Mi-kuang ✯ ✯ Ł. Ch’ü Shu-ch’ên # and Pan Chêng-wei. This means that in the course of compiling the Hsin-ch'ou hsiao-hsia-chi, Wu Yung-kuang had consulted Pan Chêng-wei.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206825, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 102, "title": "RAS-1973", "content_text": "96\n\nCHUANG SHEN\n\nThus, instead of saying that the compilation method of the T'ing-fan-lou shu-hua-chi was an imitation of the system used in Wu Yung-kuang's art catalogue, rather, it would be more appropriate to say that Pan compiled it according to his own ideas,\n\nThirdly, if this assumption is reasonably correct, then the fact that Pan, in the preface of his T'ing-fan-lou shu-hua-chi regarded Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as one of the representative art catalogues in the Ch'ing dynasty was due to his high esteem for Kao's work, which incidentally was a view shared by Wu Yung-kuang. Moreover, it is possible that he came under Wu's influence while undertaking the collating work for the Hsin-ch'ou hsiao-hsia-chi, thus regarded Kao Shih-ch'i's work of special importance.\n\nFourthly, Pan Chêng-wei considered Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu as the most representative art catalogues compiled in early Ch'ing. This point of view is worth our notice. It should be noted that though Sun's catalogue was completed in the 16th year of the Shun Chih era (1659), it was being collated only less than a century after its publication, by Ho Cho2 (1661-1722), a well-known scholar of the Chiang Nan district21 and active in the K'ang Hsi era. Moreover, in the Chien Lung period, distinguished scholars like Lu Wên-ch'aoAx 3 (1717-1795), Pao T'ing-po3* ty (1728-1814) and Yu Chi (1738-1823) at one time or other wrote prefaces and colophons for this catalogue3, and in particular, Pao T'ing-po even included it in his Chih-pu-chü-chai ts'ung-shu1 * F & *** in order to publicize it. Not long afterward, it was well appraised by the Ssu-k'u-ch'uan-shu tsung-mu t'i-yao★ATAIRE, an official catalogue completed in the 48th year of the Chien Lung era. Thus, it can be seen that during the 124 years between the 16th year of the Shun Chih era and the 48th year of the Chien Lung era, in regard to the connoisseurship of painting and calligraphy, no matter whether it was in Chiang Nan or in the capital, and regardless of whether privately or officially, there was no one who did not consider Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi as an important work for reference,\n\nHowever, the situation was not quite the same in Kwangtung. Probably up to the Chien Lung era, no Kwangtung scholar had ever noticed the Kêng-tzŭ hsiao-hsia-chi. Even Wu Yung-kuang and Yeh Mêng-lung, relatives who both served for a long time in the", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206826, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 103, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES \n\n97\n\ncapital during the Chia Ch'ing and Tao Kuang eras, did not seem to be aware of the significance of the Kêng-tzu hsiao-hsia-chi. This was why when quoting a representative work among the art catalogues completed in the Ch'ing dynasty, Wu Yung-kuang only commended Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu, and completely ignored Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi. Finally it was only when Pan Chêng-wei wrote the preface for his own T'ing-fan-lou shu-hua-chi in the 23rd year of the Tao Kuang era (1843) that for the first time Sun and Kao's works were given equal attention. In other words, whilst Sun's Kêng-tzu hsiao-hsia-chi had already aroused attention among the scholars of Chiang Nan only half a century after its publication, it had to wait 184 years after its publication to be brought to the notice of Kwangtung art collectors. If Wu Yung-kuang's introduction of Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu to Kwangtung can be regarded as some kind of contribution to the art collectors in his native place, then Pan Chêng-wei's recommendation of Sun Ch'êng-chê's Kêng-tzu hsiao-hsia-chi should in the same way be said to be one of his contributions to the Kwangtung art collectors. It was probably because of Pan's high recommendation of the Kêng-tzu hsiao-hsia-chi that this book later attracted the attention of two other Kwangtung art collectors. Therefore, although in the Chia Ch'ing and Tao Kuang eras, the earlier Kwangtung art collectors Wu Yung-kuang and Yeh Mêng-lung were not fully aware of the significance of the Kêng-tzu hsiao-hsia-chi, it seems that in the Hsien Fêng era, however, the later Kwangtung art collectors Liang Ting-nan and Kung Kuang-tao began to show a certain degree of respect for Sun's catalogue. Evidence for this can be obtained in the compilation system adopted in the art catalogues compiled by Liang and Kung.\n\nNow let us examine the editing system set down in Liang Ting-nan's T'êng-hua-t'ing shu-hua-pa and Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu. In the former there is a preface written in the 5th year of the Hsien Fêng era (1855) by Liang T'ing-nan himself, the last part of which reads,\n\nThis time when I came again to the province, I lived in seclusion ... I decided to keep this part after making a revision. As to this edition, I would not dare to compare it with the two works compiled by Sun and Kao respectively. Moreover, in the matter of the editing system, my book differs from theirs on many points.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206827, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 104, "title": "RAS-1973", "content_text": "98\n\nCHUANG SHEN\n\nNeedless to say, the two works by Sun and Kao mentioned in the text refer to Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi and Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu. Although Liang T'ing-nan pointed out that it would be unsuitable to compare his T'êng-hua-t'ing shu-hua-pa with the two works of Sun and Kao—which was, moreover, something that he would not venture to do—it could be deduced that, in his opinion, the two catalogues compiled by Sun Ch'êng-chê and Kao Shih-ch'i must have been held in reverence. Otherwise, it would be difficult to explain why he must necessarily take his work to compare with the Kêng-tzŭ hsiao-hsia-chi and the Chiang-ts'un hsiao-hsia-lu, and not with Pien Yung-yü's Shih-ku-t'ang hua-k'ao. According to Liang's remark, it is clear that owing to Pan Chêng-wei's recommendation of the Kêng-tzŭ hsiao-hsia-chi, Sun's work became an art catalogue capable of being compared with Kao Shih-ch'i's Chiang-ts'un hsiao-hsia-lu in the mind of Kwang-tung art collectors some time later; while, on the other hand, Pien Yung-yü's work seemed to remain unnoticed, as it was during Wu Yung-kuang's time. It thus seems rather questionable whether Liang T'ing-nan was ever aware of Pien Yung-yü's Shih-ku-t'ang shu-hua hui-k'ao.\n\nAs to the origin of the editing method employed in Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, some hints may be obtained from the preface written by Li Ch'ao-t'ang, which reads,\n\nThe two brothers Huai-min and Shao-tang (i.e., Kung Kuang-yung and Kung Kuang-tao) had the largest collection of books in Kwangtung. At his leisure hours, Kung Kuang-tao compiled this catalogue by following the editing system set down in the catalogues of Sun Ch'êng-chê and Kao Shih-ch'i.\n\nThus, it can be seen that the origin of the editing method employed in the Yüeh-hsüeh-lou shu-hua-lu was also that used in the two catalogues of Sun Ch'êng-chê and Kao Shih-ch'i. From the time when Wu Yung-kuang completed his Hsin-ch'ou hsiao-hsia-chi to the time when Liang T'ing-nan completed his T'êng-hua-t'ing shu-hua-pa, 15 years had elapsed, and up to the completion of Kung Kuang-tao's Yüeh-hsüeh-lou shu-hua-lu, 21 years. During these 21 years, apart from the fact that owing to Pan Chêng-wei's recommendation, Sun Ch'êng-chê's Kêng-tzŭ hsiao-hsia-chi received more attention, and that Liang T'ing-nan's T'êng-hua-t'ing shu-hua-pa", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206828, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 105, "title": "RAS-1973", "content_text": "# FIVE ART CATALOGUES\n\n99\n\ndiffered somewhat from the two catalogues of Sun and Kao, by the time Kung Kuang-tao compiled his art catalogue, the editing method he adopted seemed to be, if not a continuation of that used in Sun's Kêng-tzŭ hsiao-hsia-chi and Kao's Chiang-ts'un hsiao-hsia-lu, at least unrelated to Pien Yung-yü's Shih-ku-t'ang hua-k'ao.\n\nIn a word, although these five Kwangtung art collectors had adopted a new editing system in their catalogues, they had not referred to the work of the compiler who first introduced this system. This is no different from one who counts the records but has forgotten one's ancestors, and can but be regarded as a very unreasonable incident in the history of art catalogue compilation.\n\n## III\n\n## Defects in the Catalogues\n\nAs mentioned above, though the five Kwangtung collectors' catalogues were all compiled by following the new editing method introduced in the compilation of art catalogue, it should be pointed out here that they are not without shortcomings and errors. These, on the whole, can be divided into 3 types, namely: unsuitable compilation method, carelessness in proof-reading, as well as erroneous chronology. Each of these will be discussed below.\n\n### A. Unsuitable Compilation Method\n\nIn Wu Yung-kuang's Hsin-ch'ou hsiao-hsia-chi, paintings done by the same artist are mostly grouped together. However Wu had at least in two instances separately recorded the paintings of two artists. As a result, the reader would feel rather confused when using this catalogue. For example, this catalogue has recorded two paintings by Ni Tsan (1301-1374) in chüan 4. One of these, the Yu-po-t'an-hua-t'u appears in chüan 4, p. 22b, and the other, Ho-lin-t'u, on p. 41a of the same chüan. They are thus nearly twenty pages apart. Between these two paintings, Wu recorded accordingly the hanging scrolls of calligraphy respectively done by Kung Su, Fêng Hai-su and Nao Nao, as well as a handscroll including calligraphies written by Liu Yu-ch'ing, Fan Kuo, Ouyang Ying, Yü Chi, Wu Ch'uan-chieh, Yü-fu-t'u, and Liu Kuan. In addition, in the space of nearly twenty pages, Wu also recorded Wu Chen's and Wang Fu's (1362-1416).\n\nPage 105\n\nPage 106", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206831, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 108, "title": "RAS-1973", "content_text": "102 \n\nCHUANG SHEN \n\n2. Wang Yuan-ch'i £ß \n\n3. Wang Yuan-ch'i \n\n4. Wang Yuan-ch'i \n\n5. Wang Chien £ \n\n6. Wang Chien \n\n7. Wang Hui \n\n8. Fang Shih-shu \n\n9. Hua Yen 華嵒 \n\nhanging scroll of the Fu-ch'un Mountain 富春山軸 \n\nhanging scroll of landscape executed in the style of Huang Kung-wang 黄公望 and Ni Tsan 倪瓒 handscroll of landscape in the style \n\nof former masters. \n\nYün-ho sung-yin-t'u *** H \n\n, hanging scroll \n\nTs'êng-luan-sung-ts'ui-t'u \n\n翠圖 hanging scroll \n\nHsia-k'ou tai-tu t'u \n\n#* \n\nalbum of landscape, figure and flower \n\nhanging screens of flower and bird \n\n10. Wang Shih-min E \n\n11. Liang Pei-lan \n\n12. Ch'ien Tsai \n\nhanging scroll executed in the style of Huang Kung-wang \n\nhanging scroll of poems written in the running script \n\nhanging scroll of orchid and bamboo executed in ink monochrome \n\nAmong the three different kinds of edition available today, no matter whether it is hand-written, or wood block printed, or type printed, all the texts in chuan 5 of this T'ing-fan-lou shu-hua-chi have left out ten items of painting and calligraphy; i.e., from the landscape album executed by the Sung and Yüan artists up to Ch'ing-chieh-t'u executed by Ch'ien Hsi-pai of the Sung dynasty. And similarly, all the texts in chuan 2 of the supplement of the same catalogue have omitted record of the 12 items of painting and calligraphy; i.e., from Wang Hui's hanging scroll executed in the style of Wang Meng up to Ch'ien Tsai's hanging scroll of orchid and bamboo executed in ink monochrome. For the same item of painting, the table of contents in this book lists its painter, its title as well as the format, and yet all these details have not been entered into the text. Such inconsistency cannot but be regarded as a shortcoming in compilation, the more so since this shortcoming arises not because of the difference in edition, but entirely due to the carelessness of the compiler.", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206838, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 115, "title": "RAS-1973", "content_text": "FIVE ART CATALOGUES\n\n109\n\n9 In chuan 4 of Hsin-ch'ou hsiao-hsia-chi pp. 22b-33a, after entering Ni Tsan's Yu-po-t'an-hua-t'u and inscriptions and recording the three colophons written by Tung Ch'i-ch'ang and emperor Chien Lung, Wu Yung-kuang's own colophon follows, beginning thus,\n\nThis painting agrees with the one recorded in Wu's Ta-kuan-lu\n\n4. It was after this painting had been dispersed from Chiêng Chi-pa's collection that Wu Tzu-min came across it. Soon it was acquired by the imperial household.....\n\nIn saying that \"this painting agrees with the one recorded in Wu's Ta-kuan-lu”, it is apparent that Wu Yung-kuang must have used Wu Sheng's Ta-kuan-lu in order to make a comparison between the inscriptions recorded in this catalogue and those appeared on the painting.\n\n10 See Hsin-chou hsiao-hsia-chi chuan 5, p. 54b.\n\n11 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 23a.\n\n12 Ibid chuan 5, p. 54b.\n\n13 See Ping-sheng chuang-kuan chuan 3, p. 20; published in Shanghai, 1962.\n\n14 See Hsin-ch'ou hsiao-hsia-chi chuan 4, p. 39a.\n\n15 Refer to footnote 10.\n\n16 An Ch'i's description of Yü-tung hsien-yüan-t'u can be found in Mo-ylian hui-kuan chuan 3. However he recorded it as Tao-yuan hsien-ching-t'u, which is somewhat different from that recorded by Wu Yung-kuang.\n\n17 See Pien Yung-yu's Shih-ku-t'ang hua-k'ao chuan 37. The edition used here is a photo copy of this catalogue in the collection of Mr. Chiang's Mi-chün-lou, made by Ying-yin chien-ku shu-she of the Cheng Chung Book Co., Taiwan in 1958, p. 4966. (The Chêng Chung Book Co. shows its ignorance in combining two pages of the original book into one page, and instead of following the original page number, gives each page a new number).\n\n18 The titles of these three scrolls of painting can be found in T'êng-hua-t'ing shu-hua-pa chuan 1, which are: Pai-l'ou an-ch'un tu p. 35b; Hua-kuo-r'u, p. 36a; Lan-hua-t'u, p. 36b.\n\n19 Among the documents that were completed in the Ch'ing dynasty and mainly dealt with biographies or names of the Ch'ing painters, the following are, in general, regarded as the most important:\n\n(1) Chang Kêng's Kuo-ch'ao-hua-chêng-lu in 3 chuan, supplement in 2 chuan. According to his own preface, this book was completed in the 13th year of the Yung Chêng era (1734).\n\n(2) P'êng Yün-ts'an's (1780-1840) Hun-shih hui-chüan\n\n史棠傳 in 70 chuan and appendix in 2 chuan.\n\n(3) Fêng Chin's Li-tai hua-chia hsing-shih pien-lan in 7 chuan, published in the 6th year of the Tao Kuang era (1826).\n\n(4) Lu Chün's Sung Yüan i-lai hua-jen hsing-shih-lu in 37 chuan. The preface written by Tang Chin-ch'ao is dated in the 10th year of the Tao Kuang era (1830).", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206845, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1973", "page_number": 122, "title": "RAS-1973", "content_text": "116\n\nSUNG HOK-P'ANG\n\nTang Foo's own grave is well known, as it was mentioned in the \"To Shue Tsap Shing\" (4) a large encyclopaedia of 10,000 volumes written in the 4th year of Yung Ching (£) A.D. 1726 of Tsing dynasty, by order of the Emperor. The volume which refers to the grave is known \"Chik Fong Tin” (*) and it says, \"Tang Foo's grave is in Ab Kai 鄧符墓在横洲丫髻山 Shaan, Wang Chau\".\n\nEven if it is accepted that Tang Foo was the pioneer in settling at Kam Tin, or Kwai Kok Shaan as it was then called, there is very conflicting evidence as to when he actually went there. Although his grave-stone records that he passed the Tsun Sz (±) degree, Government civil examination in the 2nd year of Sung Ning (##) A.D. 1103 of Sung dynasty, there is no record of it in the lists of people who passed the Government examinations (Suen Kui Piu ***), in the annals of Canton, Kwong Chau Foo Chi (✯✯), Tung Kwoon, Tung Koon Yuen Chi (4) or San On, San On Yuen Chi (##) which points to the fact that Tang Foo passed his examinations in Kiangsi before coming to Kwang-tung.\n\nEach of the three books mentioned above has a biography of Tang Foo. On the other hand, it is known that after Tang Foo had held the office of district magistrate of Yueng Ch'un (1★-) district and had been promoted to \"Naam Hung Sui\" ( ) he retired to live in Kwai Kok Shaan, and built a famous school there called Lik Ying Tsai () which was mentioned among “The hundred poems of Po On (Po On Paak Wing (*)\" by Yung Ping(), where it was stated that during Sung Ling time A.D. 1102-1106 Tang Foo lived in Kwai Kok Shaan and founded a school called Lik Ying Tsaai (A) and kept a lot of books in the library.\n\nThis book has unfortunately been lost, and only two poems are still in existence, neither of which deal with the school. Yung Ping was a native of Tung Koon. He was \"Tak Tsau Ming Tsun Sz” (*★21) in the 8th year of K’in To ($) A‚D, 1172 of Sung dynasty.\n\nAnother learned scholar, Fok Wai () of Naam Hoi () district, wrote a long article named Lik Ying Tsaai Kei (4) giving an account of the school. During the reign of Shun Hei ( # ) A.D. 1174-1189 the emperor caused Fok Wai to be admitted to the T'aai Hok (*) (Imperial College) as being a \"man possessing the eight virtues.\" Paat Hang Aff.\n\nOnly one other scholar...", "txt_file_path": "txt/dfo323lmgvd/RAS-1973.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8910rj06r", "rank": 0 }, { "id": 206994, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 65, "title": "RAS-1974", "content_text": "DOGS AND HORSES IN ANCIENT CHINA\n\n59\n\nmust have bred with other unknown races of horses to produce the big-headed pony with an erect mane and a shaggy winter coat sometimes depicted on Shang oracle bones.5\n\nDogs and Horses in Shang Times\n\nBoth dogs and horses were often mentioned on Shang oracle bones. Questions concerning the whereabouts of lost dogs and queries as to the success or failure of hunting expeditions to capture wild horses have been recorded.\n\nBut we also have other testimony from Shang times which shows that in ancient Chinese society, dogs and horses served other purposes as well.\n\nSystematic excavation of Shang tombs began in 1928, and since 1953 the Chinese Government has undertaken a number of archaeological campaigns to excavate Shang sites in and around An-yang (Honan), the Shang capital from 1300 to 1028 B.C. As a result, we know that building of palaces and houses was accompanied by an elaborate ritual requiring both animal and human sacrifices.\n\nAt one site, Hsiao-t’ung, a large number of buildings were excavated and 187 ceremonial pits used to immolate the victims of various consecration ceremonies were discovered. Bones of a total number of 825 human victims, 15 horses, 10 oxen, 18 sheep, and 35 dogs were unearthed.7 The large number of dogs sacrificed here as well as at other sites has led Professor Cheng Te-k'un to claim that:\n\n“There is hardly a tomb, regular or royal, or a building of any kind that was concluded without the sacrifice of a dog.”8\n\nBut dogs were not only sacrificed during consecration ceremonies. Shang oracle bones refer to other rites requiring dogs as sacrificial victims. In particular, there was the Ning (*) rite during which a dog was dismembered to placate the four winds or honour the four directions.\n\nDogs and Horses in Chou Times\n\nThe above sacrifice was carried over into Chou times. In his comments on a similar ceremony described in the Er Ya, Kuo P'o (276-364 A.D.) mentions that in his day it was still customary to dismember a dog to “bring the four winds to a halt.” (£).9", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207002, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 73, "title": "RAS-1974", "content_text": "DOGS AND HORSES IN ANCIENT CHINA\n\nBIBLIOGRAPHY\n\n67\n\nPrimary Sources\n\nChou Li, Ssu-pu Ts'ung K'an, ts'e 9-14, Commercial Press, Shanghai, 1920-1922.\n\nMu Tien Tzu Chuan, Ssu-pu pei-yao, ts'e 1129, Chung-hua shu-chu, Shanghai, 1927-1935.\n\nSsu Ma Ch'ien, Shi Chi; Er. Shih-Ssu pen, Wu Chou Tung, Wen Shu Chu, Shanghai, 1903.\n\nSecondary Sources\n\nANDERSSON, J. G. Children of the Yellow Earth, Kegan Paul, London 1934.\n\nBIOT, Edouard Le Tcheou Li, Wen Tien Ko, Peking 1929, (reprinted 1939).\n\nBURKHARDT, V. R. Chinese Creeds and Customs, South China Morning Post press, Hong Kong 1955 and 1958.\n\nCHANG Kwang-chih The Archeology of Ancient China, New Haven, Yale University Press, 1963.\n\nCHAVANNES, Edouard Les Memoires Historiques de Se Ma Ts'ien, Brill, Leiden (reprinted 1939).\n\nCHENG Te-K'un Archeology in China, Vols. I, II, III, Heffer, Cambridge 1960.\n\nCOUVREUR, S. Le Li Ki, Imprimerie de la Mission Catholique, Ho Kien Fu 1913.\n\nCREEL, Herrlee G. Studies in Early Chinese History, Kegan Paul, London 1938.\n\nDUBS, Homer The History of the Former Han by Pan Ku, Waverly Press, Baltimore 1955.\n\nERKES, Eduard (1) \"Der Hund im Alten China\" in T'oung Pao, Vol. 37 (1944) 186-225.\n\n(2) \"Das Pferd im Alten China\" in T'oung Pao, Vol. 36 (1940-42) 27-36.\n\nKARLGREN Grammata Serica, Museum of Far Eastern Antiquities, Bulletin No. 12, Stockholm, 1940.\n\nLAUFER, Berthold Chinese Pottery of the Han Dynasty, Brill, Leiden 1909.\n\nSCHAFER, Edward The Golden Peaches of Samarkand, University of California Press, Berkeley and Los Angeles, 1963.\n\nSCHINDLER, Bruno (1) \"The Development of the Chinese Conception of Supreme Being\" in Hirth Anniversary Vol., 298-366.\n\n(2) \"On Travel, Wayside and Wind Offerings\" in Asia Major, Vol. 45 (1924) 624-656.\n\nYETTS, Perceval \"The Horse; A factor in Early Chinese History\" in Eurasia Septentrionalis Antique, Vol. 9 (1934) 231-235.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207029, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 100, "title": "RAS-1974", "content_text": "94\n\nR. G. IRWIN\n\nCes trois historiens des MING sont particulièrement distingués à la Chine, & personne n'y révoque en doute les faits qu'ils rapportent; c'est sur leur réputation de fidélité & d'exactitude que le Père de Mailla les a adoptés de préférence aux autres. II a encore puisé dans un recueil de discours & instructions de HONG-VOU, fondateur des MING, que Chun-chi des TSING a fait traduire en tartare pour son usage particulier dans le gouvernement de son nouvel empire & pour l'instruction des grands de sa cour. Ce recueil est intitulé, Ming-kou-lou-hong-vou-han-y-oyong-tatsi-yen; c'est-à-dire, Documens importans de l'empereur HONG-VOU, de la dynastie des MING.\n\nThese authors and their works may well have been renowned at the time of de Mailla, but two centuries later their very identification presents a problem, the results of which are herewith summarized:\n\n1. Ku Ying-t'ai (T. Keng-yü),3 who is credited with the authorship of Ming-ch'ao chi-shih pen-moa by the editors of the Ssu-k'u ch'üan-shu tsung-mu¤$£$#!' was a native of Feng-jun, Pei-Chihli. After taking the chin-shih degree in 1647 he held a secretaryship in the ministry of Revenue, and later in the Chekiang provincial board of education. The history, a work in 80 chüan, each devoted to a separate topic, carries a preface dated 1658.6 On the whole, it is a well-ordered record of the Ming period. Factual errors, which occur, for example, in connection with Chu Yün-wen, who reigned as Emperor Hui (1399-1402), and again with Chang Ma, better known as Empress I-an (consort of Chu Yu-chiao, emperor of the T'ien-ch'i period, 1621-27), are accounted for by the lack of any such standard source as the official history at the time of composition. But the Ssu-k'u editors are of the opinion that the author has handled the available material well.\n\nWhether Ku should be given entire credit for its authorship is open to question, however, since it seems to have been based on Shih-kuei ts'ang-shu♬ §#*, for which he is reported to have paid Chang Tai of Shan-yin, Chekiang, some 500 pieces of gold. Fu I-li# » † (fl. 1862-74), in a colophon, discusses the problem at length, concluding that Chang Tai's material passed through the hands of Hsu Ch'ao-li, who re-wrote it. Ku, in turn, re-worked this, and cannot be accused of out and out plagiarism.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207032, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 103, "title": "RAS-1974", "content_text": "NOTES ON THE SOURCES OF DE MAILLA\n\n97\n\njusqu'à sa quarantième année: Ce prince les revit lui-même, y ajouta une préface de sa façon, & les fit imprimer dans son palais la quarante-septième année de son règne: il en distribua un exemplaire à chacun des grands de sa cour, défendant expressément d'en laisser paraître aucun au-dehors; cependant le P. de Mailla est parvenu à se procurer un de ces exemplaires, qui lui a fourni les détails qu'il donne de l'expédition contre les Eleutes, à laquelle Kang-hi marcha en personne, & où il acquit beaucoup de gloire.\n\nCe que le Missionaire historien dit de l'île Formose, que les Chinois appellent Taï-ouan, est tiré du Tchi-chu, ou Mémoires historiques de ces îles, rédigés sur les ordres de Kang-hi, par les plus habiles lettrés du Fou-kien. Le docteur Tchu-tsing-yen lui a encore fourni le complément de l'histoire du fameux pirate Tchin-tchi-long & de son fils Tching-tching-kong, qui chassa les Hollandais des îles Formoses, où il se forma une principauté indépendante, que Kang-hi n'enleva au prince Taï-van, son petit-fils.\n\nWe have already discussed the first of these works, Chu Lin's Ming-chỉ chi-lüeh; as for the discrepancy between the notes concerning its date of publication, the 35th year of K’ang-hsi, 1696, is correct. The account of Koxinga's campaign against the Dutch in Formosa, specifically attributed to this source, erroneously dates it as 1659,23 instead of 1661. I have been unable to determine whether the blame should be attached to Chu Lin, as de Mailla's editor surmises,24 or to the good father himself, who has elsewhere recorded the date properly.2\n\nThe second, Ch'in-cheng p’ing-ting shuo-mo fang-lüeh *****, provides a detailed account of the K'ang-hsi emperor's difficulties with the Eleuthes, 1677-98, including his campaigns against Galdan (d. 1697).26 Both Manchu27 and Chinese versions are extant, the latter, in 48 chüan (plus 1 chüan of geographical description) having been published with an imperial preface in 1708.28 The director-general of the compilation was Chang Yü-shu # 1₺ (1642-1711) who, in 1696, had accompanied the emperor on his campaign.29\n\nI am at a loss to identify the third, \"Tchi-chu,\" or the \"historical memoirs\" of Formosa, said to have been \"drawn up at the command of K'ang-hsi by the most able scholars of Fukien.\"30 In addition to this source of information, de Mailla must have profited from a trip", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207035, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 106, "title": "RAS-1974", "content_text": "100\n\nR. G. IRWIN\n\n25 Lettres édifiantes et curieuses, écrites des Missions Étrangères (Paris, 1781, nouvelle édition), Vol. XVIII, 455-6.\n\n26 SKCS catalogue, 49/3b.\n\n27 See W. Fuchs, op. cit., 101; also Chinesische und Mandjurische handschriften und seltene drucke (Wiesbaden, 1966), 137, no. 43.\n\n28 T'ao Hsiang, Ku-kung tien-pen shu-k’u hsüan-ts'un-mu (Peiping, 1933), 2/1a.\n\n29 Biography by Fang Chao-ying in ECCP I: 65-6. See also his biography of Galdan in ibid. I: 267-8.\n\n30 Any work ordered by the emperor should be listed in the Ssu-k'u ch'üan-shu catalogue. But no title remotely resembling this is included. My colleague, Mr. Fang Chao-ying, hazards the guess that de Mailla is referring here to Ming-chi chi-shih by a Fukienese scholar, Lin Shih-shan (T.), a native of T'ung-an in Ch'üan-chou prefecture, whose work in 10 or more chüan on the conquest of Fukien covers the years 1646-1683. This has never been published; de Mailla must have consulted a manuscript copy, several of which are known to have existed. Cf. Liu Hsien-t'ing (1648-95, see ECCP 1: 521) in his Kuang yang tsa-chi (Shanghai, 1957), 2/83, who mentions learning that a certain Yang Yu-liang had seen a copy in Peking.\n\n31 A detailed letter concerning this trip and his observations was written to Père de Colonia in August, 1715; see Lettres édifiantes (1781), Vol. XVIII, 413-67.\n\n32 de Mailla, op. cit., Vol. XI, 369, n. 1.\n\n33 Idem.\n\n34 de Mailla, op. cit., Vol. XII, 1, n. 1. The reference is to the 1703-76 edition of Lettres édifiantes, in 34 vols.\n\n35 de Mailla, op. cit., Vol. XII, 61-62, notice historique.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207116, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 187, "title": "RAS-1974", "content_text": "LEGENDS & STORIES OF THE NEW TERRITORIES\n\n181\n\nIt is an ancient custom in China when a man passes a Government degree examination or is appointed as a Government official, for him to have his new official title carved on a wooden tablet and hung in the Hall of his ancestors. By this means the good news is reported to the ancestors that their descendant has become a man of rank, and at the same time an example is set to future generations to encourage them to do their best to rise to the same honour, as the tablet is left hanging in the hall permanently. There are many of these title-tablets hung in Sz Shing Tong, put there not only by Kam T'in men, but by other descendants of the Tang family who have sent their tablets from places far away, where they have gone to live. The oldest among them is the \"Man Fui” or Kui Yan degree put there by Tang Ting Ching who passed it in the 7th year of Shing Fa, A.D. 1471. The most highly honoured title-tablets are the two from Tang Yung Keng from Tung Kwun district. He passed his Kui Yan degree in the 3rd year of Tung Chi, A.D. 1864 and became \"Hon Lam Yuen Shue Kat Sz\" (H.K.N. VIII, p. 110) in the 10th year of T’ung Chi, A.D. 1871. He held the office of On Ch'aat Sz (Provincial Judge) of Kiangsu province, and in 1900 during the Boxer trouble he was appointed by Lei Hung Cheung, the Prime Minister and then Viceroy of Kwangtung and Kwangsi provinces, to be the Superintendent of volunteers in Kwangtung.\n\nTang Ts'ing Lok's eldest son, Tang Wan Kuk was a very rich man, and he owned a lot of cultivated land in San On District. During his time there were twenty-eight Sau Ts'oi (B.A.'s) and nine very rich men all members of his family and living in the same street where his house was situated in Shui Mei village. His house was called Kam Ts'un Tong \"ornamental stream hall\"; it has long since been destroyed and a vegetable garden is on the site of where it once existed, but the remains of a large stone gateway can still be seen (plate 20). Tang Wan Kuk owned a large library in this house, and a fine stone fish-tank, made of pink coloured stone, 2 Chinese feet high, 14 wide and 24 long. (Plate 19). Two scholars of the Tang Family have written inscriptions about this tank, speaking very highly of it, but it now lies in a destroyed school building in Shui T’au village, and no-one cares about it. The dates of Tang Wan Kuk's birth and death are not recorded, but we know that his grave, which is in Noh Mai Ham about seven li from Kam T'in was made before the 8th year of Ching", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207119, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1974", "page_number": 190, "title": "RAS-1974", "content_text": "184 \n\nSUNG HOK-PANG \n\nagain, and the judas tree revived, and soon it was covered with blossoms and looked a beautiful sight. \n\nFrom this story the three Tangs had learnt a lesson, and realizing that any one branch of the family was unable to build a hall alone, they combined together and completed one hall, naming it Mau King T'ong \"The luxuriant judas-tree Hall.” Although there is no record of the year that the hall was completed, the following is what is known of its history. The building was started by Tang Mau Wai, who passed the Tsun Sz degree in the 24th year of Hong Hei, A.D. 1685. The hall was rebuilt by Tang Shiu Chau (RA) who passed Sui Kung A† degree in the 1st year of Kin Lung, A.D. 1736; and was repaired twice, first by Tang Hei Sui (###) who passed Yan Kung Shaang in the 21st year of Ka Hing, A.D. 1816, and secondly by Tang Ming Shiu (*) a Lam Shaang during the To Kwong period (the 1st year of To Kwong was A.D. 1821.) \n\nThe T'in Hau Temple (A) Queen of Heaven Temple, in Shui Mei village, was first built during the Hong Hei period (A.D. 1662-1722) of Ts'ing dynasty and possesses a fine bell of 180 catties in weight which was presented by Tang Ch'un Fooi (**) a Kung Shaang in the 10th year of Kin Lung, A.D. 1745. It is said that the tone of the bell is very clear and can be heard from ten Chinese miles away. The Kam T'in people say that one of the past Governors of Hong Kong heard about it and visited Kam T’in to try the bell, which he agreed was as beautiful as reported. For a long time the temple was in a bad state of repair, and the bell had to be kept in a private house where those wishing to, were allowed to see it. Lately the temple has been repaired and the bell re-instated in it; also an incense burner that was presented by Tang Yiu King (*) and his son Tang Chan Suen (**) in the 11th year of Kin Lung A.D. 1746, \n\nKwong Yue T'ong (***) in Taai Hong village is the ancestral hall of Tang Man Wai, who was the only man to pass the Tsun Sz degree in the New Territories (See H.K.N. IV. p. 106). The building is quite a large one, and the ancestral fund belonging to this hall is a very large sum and is considered the richest in the New Territories. For many years $100 was given each year to each family of Tang Man Wai's descendants for their New Year expenses.", "txt_file_path": "txt/dfo323lmgvd/RAS-1974.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/x633mp077", "rank": 0 }, { "id": 207282, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 50, "title": "RAS-1975", "content_text": "42\n\nWELLINGTON K. K. CHAN\n\n23 P'eng Tse-i, \"Shih-chiu shih-chi,\" 1:73, 90-95.\n\n24 Edgar Wickberg, The Chinese in Philippine Life (New Haven, 1965), pp. 216-17.\n\n25 Chang Chih-tung, Chang Wen-hsiang-kung chi (The papers of Chang Chih-tung), ed. Hsu T'ung-hsin (Peiping, 1919-21), \"tsou-kao,\" 12:1-5b.\n\n26 Ibid.\n\n27 E.g., Hsiang-kang Hua-tzu jih-pao (Chinese Mail of Hong Kong), 1901: 4/27, 5/9.\n\n28 Hua-tzu jih-pao, 22/3/1901.\n\n29 Mark Elvin, \"The Gentry Democracy in Chinese Shanghai,” in Jack Gray (ed), Modern China's Search for Political Form (Oxford, 1969), pp. 41-65.\n\n30 Imperial Maritime Customs, Decennial Reports 1882-1891 (Shanghai, 1893), p. 34.\n\n31 Morse, Gilds of China, pp. 53-54; Decennial Reports, 1882-1891, pp. 537-38.\n\n32 In 1892, those of Yunnan and Kweichow were added.\n\n33 Decennial Reports, 1882-1891, pp. 119-20.\n\n34 Sheng Hsuan-huai, Yü-chai ts'un-kao ch'u-k'an (Collected drafts of Sheng Hsuan-huai, first issue), ed. Lü Ching-tuan (Shanghai, 1939), 7:36a.\n\n35 The China Weekly Review (Shanghai), 24/7/1926, pp. 188, 190.\n\n36 Hua-tzu jih-pao, 10/10/1907; 28/10/1908.\n\n37 The Singapore Chinese Chamber of Commerce: The Fiftieth Anniversary Commemorative Issue (Singapore, 1954), pp. 2-3. These practices, somewhat modified, are still going on today, see Sin Chew Jit Poh (Singapore Daily), 9/2/1975, p. 3.\n\n38 See my own forthcoming article \"The Chamber of Commerce in Late Ch'ing China.\"\n\n**\n\n39 North-China Herald (Shanghai), 23/2/1906.\n\n40 Chang Ts'un-wu, Chung-Mei kung-yüeh fang-chiao (Disputes over the Sino-American labor agreement) (Taipei, 1965).", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207570, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 338, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n329\n\nChapter VI:\n\nChapter VII: (1577-after 1668), Sheng Mao-yueh (act. 1620-40), Hsiang Sheng-mo (1597-1658), Yün Hsiang (1586-1655) and Shen Hao (act. 1630-50).\n\n\"The Sung-chiang School: Triumph of a New Theory\", under this headline five artists of the Ming Dynasty, Mo Shih-hung (ca. 1540-1587), Tung Ch'i-chang (1555-1636), Ku Shau-yu (act. early 17th century), Li Liu-fang (1575-1629), and Pien Wen-yü (act. 1620-1670) are discussed.\n\n\"Various Directions of Late Ming: A Mixture of Old and New\", this chapter covers Mi Wan-chung (1595-1628), Chang Jui-t'u (1576-1641), and Lan Yü (1585-1664).\n\nChapter VIII: \"The Orthodox Masters of Early Ch'ing: The Great Synthesis”, discussions are concentrated on Wu Li (1632-1718), Wang Hui (1632-1717) and Wang Yuan-ch'i (1642-1715).\n\nChapter IX:\n\nChapter X:\n\nChapter XI:\n\nChapter XII:\n\n\"The Lou-tung School: Homage to Wang Yuan-ch'i\", in this chapter the Lou-tung school artists are represented by Huang Ting (1660-1730), Chang Tsung-ts'ang (1686-still alive in 1755) and Wang Ch'en (1720-1797).\n\n\"The Yu-shan School: Homage to Wang Hui”, in this chapter, Chiao Ping-chen (act. 1680-1720), Wang Chiu (act. later 18th century) and Prince Yung-jung (1744-1790) are taken as being representatives of this School,\n\n\"The Anhwei School: Transformation of the Ni Tsan Tradition\", four early Ch'ing artists: Hsiao Yün-ts'ung (1596-1673), Yao Sung (1648-after 1717), Hung-jen (1610-1663), and Mei Ch'ing (1623-1697) are discussed in this chapter.\n\n\"Monks and Hermits: A silent Revolution”, another four early Ch'ing artists; K’un-ts'an (b. 1612-ca. 1673), Kung Hsien (b. 1617-1618, d. 1689), Chu Ta (1626-ca. 1705), and Tao-chi (b. 1641-d. before 1720), are discussed under this heading.\n\nChapter XIII: \"The Yang-chou School: Haven of the creative mind”, two Yang-chou school artists; Chin Nung (1687-1765) and Huang Shen (1687-1768) are discussed in detail.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207572, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 340, "title": "RAS-1975", "content_text": "Chu-tsing Li \n\nYoshito Yonezawa 10 \n\nOsvald Siren 11 \n\nChang Jui-tu \n\n1576-1641 \n\nearly 17th century \n\n1607 obtained chin-shih \n\ndegree \n\nVictoria Contag 12 \n\nB. ca. 158 - after 1660 \n\nChang Hung \n\nHung-jen \n\nK'un-ts'an \n\nChu Ta \n\n1577 - after 1668 \n\n1610 - 1663 \n\n1612 - ca. 1674 \n\n1626-1705 \n\nChen Kuan \n\nact. 1620. 1640 \n\nShen Hao \n\nact. 1630 - 1650 \n\nKung Hsien \n\n1617/18 1689 \n\nTao Chi \n\n- 1663 \n\n1626-1705(?) \n\nearly 17th century \n\nmid-17th century \n\n1625 · 1705 \n\n+ \n\nactive 1600 \n\nact. 1630-1650 \n\nd. 1689 \n\ndied in his forties \n\n1612 - 1697 \n\n1626 - 1705 \n\nc. 1620-1689 \n\nHung Ting \n\n1641 - before 1720 \n\n1660-1730 \n\nChiao Pin-chen \n\nca. 1680 - 1720 \n\nlate 17th century \n\n1650(1660) - 1730 \n\n- 1700 \n\n1630 - after ca. 1717 \n\n166--1730 \n\n1641 - 1707 \n\nChang Tsung-ts'ang \n\n1686. 1756 \n\n1686-1755 still alive \n\nact. 1680 - 1720 \n\n1686 - 1756 \n\nChin Nung \n\n1687 - 1765 \n\nHuang Shen \n\n1687 - 1768 \n\nYung Jung \n\n1744 - 1790 \n\n1687 - 1788 still alive \n\nlate 18th century \n\n1687 - after 1768 \n\nBOOK REVIEWS \n\n331", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207574, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 342, "title": "RAS-1975", "content_text": "BOOK REVIEWS\n\n333\n\n\"On the Road to Mt. T'ien-chu” (or as Prof. Li prefers, \"On the Road to the Peak that holds up the sky\"). This very Mt. T'ien-chu is geographically located in the present western An-hui Province16, south of the Huai River. During the 6th century B.C. (or the active period of Yen Tsu), the area which included Mt. T'ien-chu was part of the territory of the State of Ch'u17. Thus, to associate the oranges of Ch'u to Mt. T'ien-chu is but to relate some old historic and geographic references to the real scenery that Huang Shen might have seen in 1729.\n\nSecondly, in structure and in style, as far as those example-characters in the \"Dictionary of Six Different Scripts for Characters of Chinese Calligraphy\" is concerned, the 16th character hand-written by Huang Shen for leaf 9 of his landscape album, certainly bears more physical resemblances to 'ch'u' rather than ‘yeh'. \n\nThus, there seems to be reason enough to conclude that this problematic Chinese character 'yeh' should be more properly identified as 'ch'u' instead of ‘yeh'. This is not only because the new identification has more possibilities to conform with the old geographical and historical information, but also because it is able to fit in with other calligraphical references as a whole.\n\nThe second example of this nature happens to be Prof. Li's failure in identifying a literary reference. In Volume II, Plate CVII illustrates a fan-painting attributed to K'un-ts'an. In Volume I, p. 203, Prof. Li's English translation, together with the original poem in Chinese inscribed by the artist himself, are presented side by side. It does seem essential to quote them both here again:\n\n“Leisurely I sit in my boat below the valley\n\nIn the vast twilight of dusk, smoke rises gently from an old house;\n\n水屋蒼冥起昏煙;\n\nthe autumn scene is there for me to sing and\n\nto enjoy, 自有秋光共嘯傲,\n\nand one needs no money to own mountains\".\n\nI47#★¶¤·\n\nIt is obvious that after comparison, the literary implication of the term \"Chang-tou\" which appears in the last Chinese line has not been rendered by any literary equivalent in the English version. In fact, this term happens to be not only the key word in terms of an overall understanding of the last line but seems a key point in interpreting the poet's intention as expressed by the whole poem. Documentarily, “Chang-tou” §§ is a reference to Juan Hsiu #k.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 207575, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1975", "page_number": 343, "title": "RAS-1975", "content_text": "334\n\nBOOK REVIEWS\n\na literary figure of the Chin Dynasty. In his biography it has been recorded that whenever he travelled alone he always tied 100 coins on top of his stick, and wherever he found a wine shop he always drank with pleasure, as much as possible. He did not care what his wife prepared for her meals.19 Juan Hsiu is stated by the same source of information as a step-son20 of Juan Chi ✯ (210-263), one of the eccentric masters of a literary circle collectively known as \"the Seven Talents of the Bamboo Groves\".21 Juan Hsiu's alcoholical love, therefore, might have been a reflection of the deep spiritual influence of Juan Chi.\n\nBecause of this reference, it is clear that to tie 100 coins onto a stick, could certainly be interpreted as to have some private money, which can be taken one step further to mean wine money. Thus, the literary meaning of K'un-ts'an's last line, as far as the surface implication is concerned, should read as \"there is no need to take wine money to own mountains\". According to such an understanding, if this line is to be rendered into English, but still taking Prof. Li's same basis for using no explanation of the term \"Chang-tou\", then it suggests as \"I would rather take money to buy wine but not to consider a piece of land.”\n\nA second but more weighty problem is, once again, one of identification. In the Drenowaltz collection there is a 12-leaved album of landscape painting by Chin Nung. This album is dated 1736, the first year of the Ch'ien-lung era, by the artist's own inscription. According to Prof. Li's study of Chin Nung's life, the artist was in Peking in that year, and had attempted to pass the Po-hsueh-hung-tz'u22 degree examination but failed. In this album each leaf contains a landscape painting completed in an extra elaborate manner. This is quite noticeable since the normal subject-matter of this artist, as Prof. Li has rightly pointed out, happens to be either Buddhist figures, horses, bamboo, or plum blossoms, all in ink. Moreover, such stylistic continuity achieved by the careful but conscious use of the brush in these landscapes seems to be extraordinarily unusual for Chin Nung. In addition, in each of these 12 leaves, the un-used space in each composition is always completely filled up by a good number of small but regular characters written in Chin Nung's peculiar Ch'i-shu script. The contents of these inscriptions on each leaf of this album have been identified by Prof. Li. However, this brings up a second type of problem of identification.", "txt_file_path": "txt/dfo323lmgvd/RAS-1975.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j0995146d", "rank": 0 }, { "id": 208323, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 47, "title": "RAS-1978", "content_text": "MILITARY EDUCATION in CHINA, 1842-1895\n\n31\n\nChinese society.103 The new content of military education, which emphasized technical skills and diluted traditional values and loyalties somewhat, created a new professional elite that was significantly different in outlook from even such relatively progressive (and rare) individuals as Chou Sheng-chuan.104 For all his innovativeness, Chou remained bound by the inhibiting institutional structure of the Anhwei Army as well as the limits of his own educational experience within that force. As a result, he was never able to resolve certain fundamental conflicts in his self-image, attitude, and approach toward military affairs and reform.105\n\nOne is tempted to see in Chou the tensions of becoming \"modern\" and remaining \"Chinese\" suggested by Joseph Levenson, and even a kind of nineteenth-century version of the \"red versus expert\" dilemma of more recent times. Although Chou obviously admired Western military organization and repeatedly solicited foreign military advice, he was also anxious to demonstrate that the Chinese yung-ying model was in many respects equivalent or superior to the Western model, and he often reacted quite defensively to foreign criticisms.106 Chou admired foreign technology (at one point maintaining that bullets were more important than rations), but he also repeatedly stressed the human factor in warfare, down-playing on occasion foreign advantages in organization and weapons, emphasizing the importance of \"will\" (chih-ch'i), and periodically suggesting to Li Hung-chang the utility of rapidly recruiting volunteers (i-yung) and employing them as \"surprise troops\" (ch'i-ping).107\n\nObsessed with the need for intensive drill, Chou nonetheless continually employed the Sheng-chün in non-military tasks which undoubtedly compromised its fighting effectiveness—work on military agricultural colonies (t'un-t'ien), land reclamation, flood and famine relief work, and so forth.108 Finally, although Chou seems to have considered himself to be a professional soldier, and was anxious to foster positive attitudes toward the military, he, like virtually all of his fellow officers and commanders, esteemed civil status and sought identification with the civil bureaucracy.109\n\nThe more genuinely professional education provided by the Tientsin Military Academy after Chou's death helped resolve some of the tensions that seem to have plagued Chou.110 Certainly, it allowed the many Tientsin-trained commanders in Yüan Shih-k'ai's Peiyang Army to accept more readily the modern principle and", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208324, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 48, "title": "RAS-1978", "content_text": "32 \n\nRICHARD J. SMITH \n\npractice of \"interchangeable commanders\"--a striking departure from the personalistic command structure of yung-ying armies such as Chou's. Moreover, the Tientsin academy provided a large pool of new talent for modernizing purposes, men whose \"careers were grounded in change\" and whose \"qualifying education and . . . prominence were owed to reform.\"112 Many Tientsin Military Academy graduates became instructors in other military schools established after 1895;113 several prominent engineers were produced by the academy;114 and of course many of the most famous political and military leaders of the early Republic—including Tuan Ch'i-jui, Feng Juo-chang, Wang Shih-chen, Ts'ao K'un, Chang Huai-chih and many others—were Tientsin Military Academy graduates.\n\n \nIn short, significant changes in Chinese military education took place prior to 1895, despite the absence of meaningful reform in either the civil or military examinations and numerous other problems.116 Nonetheless, it took the successive humiliations of the Sino-Japanese War, the \"Scramble for Concessions,\" and the Boxer fiasco to prompt the Ch'ing dynasty into fundamental military reform,117 And even then, \"national\" policies were often implemented piecemeal at the local level.118 \n\nIn retrospect, it seems evident that the obstacles to meaningful reform in Chinese military education were less ideological than institutional. To be certain, Confucian critics of new-style training programs could always be found, especially after the establishment of modern military academies in China during the 1880's.120 But the throne's lack of enthusiasm for military reform along Western lines certainly cannot be explained in terms of ideology alone. In the first place, it must be remembered that little if anything in the way of Confucian learning had ever been expected of regular Ch'ing military officers. Paradoxically, it was in the innovative yung-ying armies, about which the throne had very mixed feelings, rather than the Green Standard and Banner forces of the empire, that the inculcation of Confucian virtues received special stress. Moreover, officials such as Chang Chih-tung, and even the pragmatic Li Hung-chang, emphasized the importance of Confucian education not only in their own \"personal\" armies but also in their new-style military academies.12 Surely, the subordinate officers of Chang and Li were no less \"Confucian\" than their Green Standard and Banner counterparts.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208459, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 183, "title": "RAS-1978", "content_text": "VILLAGE GOVERNMENT IN CHINA, 1933\n\n167\n\nHuc, M.; The Chinese Empire: Forming a Sequel to the Work Entitled \"Recollections of a Journey Through Tartary and Tibet\". 2nd ed., 2 vols.; London, Longman, 1855.\n\nHuc, M.; L'Empire Chinois: Faisant Suite à L'Ouvrage Intitulé \"Souvenirs d'un Voyage dans la Tartarie et le Thibet\". 2nd ed., 2 vols.; Paris, Gaume Frères, 1855.\n\nHummel, Arthur W.; \"The Case Against Force in Chinese Philosophy\" (Chinese Social and Political Science Review, vol. 9, 1925, p. 334-350).\n\nJamieson, G.; Chinese Family and Commercial Law. Shanghai, Kelly and Walsh, 1921.\n\nKulp, Daniel H.; Country Life in South China: The Sociology of Familism. Vol. 1: Phenix Village, Kwantung, China. New York, Columbia, 1925.\n\nLee, Mabel Ping-Hua; The Economic History of China, with Special Reference to Agriculture. New York, Columbia, 1921.\n\nLeong, Y.K., and Tao, L.K.; Village and Town Life in China. London, Allen and Unwin, 1915.\n\nLi, Chi; The Formation of the Chinese People; an Anthropological Inquiry. Cambridge, Harvard, 1928.\n\nMallory, Walter H.; China: Land of Famine. New York, American Geographical Society, 1926. (American Geographical Society, Special Publication no. 6.)\n\nMalone, C.B., and Tayler, J.B.; The Study of Chinese Rural Economy. Peking, China International Famine Relief Commission, Series B, no. 10, 1924. (Reprinted from: Chinese Social and Political Science Review, vol. 7, no. 4, 1923, p. 88-101; and vol. 8, no. 1, 1924, p. 196-226.)\n\nMartin, W.A.P.; \"The Worship of Ancestors a Plea for Toleration\" (Records of the General Conference of the Protestant Missionaries of China. 1890. Shanghai, American Presbyterian Mission Press, 1890. p. 619-631).\n\nMaspero, Henri; La Chine Antique. Paris, Boccard, 1927.\n\nMaspero, Henri; \"La Vie Privée en Chine à l'Epoque des Han.\" (Revue des Arts Asiatiques, vol. 7, 1931-1932, p. 185-201).\n\nMaybon, B.; Essai sur les Associations en Chine. Paris, Plon-Nourrit et Cie, 1925.\n\nMeadows, Thomas T.; Desultory Notes on the Government and People of China. London, Allen, 1847.\n\nMorse, Hosea B.; The Trade and Administration of the Chinese Empire. Shanghai, Kelly and Walsh, 1908.\n\nShryock, John; The Temples of Anking and Their Cults: a Study of Modern Chinese Religion. Paris, Geuthner, 1931.\n\nSmith, Arthur H.; Village Life in China; a Study in Sociology. New York, Revel, 1898.\n\nStaunton, George T. (translator); Ta Tsing Leu Lee, Being the Fundamental Laws, and a Selection from the Supplementary Statutes of the Penal Code of China. London, Cadell and Davies, 1810.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208843, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 5, "title": "RAS-1980", "content_text": "204\n\nDAVID FAURE\n\nhsü 12 (1886). In the Kau Sai Hung Shing Temple, the lintel is dated Kuang-hsü 15 (1889), and the altar Kuang-hsü 20 (1894); and in the Hang Hau T'in Hau Temple (besides the 1840 bell), the lintel is dated Kuang-hsü 1 (1875), a tablet Kuang-hsü 2 (1876), an altar is of the same year, a wooden board of Kuang-hsü 4 (1878), a shrine of Kuang-hsü 10 (1884), a pair of stone lions of Kuang-hsü 13 (1887), and a pair of incense burners of Kuang-hsü 20 (1894). The bell and the incense burner at the Tin Ha Wan T'in Hau Temple are both undated, but Mr. Ip Ch'un, who lived nearby, told us that the temple was already in disrepair over fifty years ago. Historical inscriptions found in Sai Kung and elsewhere in Hong Kong and the New Territories have been transcribed as a special project and may be found in David Faure, Alice Ng, and Bernard Luk, \"A collection of historical inscriptions in Hong Kong\". The report is available in the Institute of Chinese Studies, Chinese University of Hong Kong, and will, it is hoped, be published shortly.\n\n7\n\nMr. Hoh Taai of Ko Tong, aged over 60, knew of the whereabouts of a charcoal burner, but never saw it in operation (Int. 10.6.81). Lime kilns were reported in Wong Yi Chau, Wong Keng Tei, Tai Mong Tsai Tso Wo Hang, Tai Wan, Kiu Tsui, Sha Ha, Pak Sha Wan, Che Keng Tuk, Ta Ho Tun, Tai Tan, and Yau Yu Wan (Ints. Mr. Yau T'aam Shang 15.5.81, 22.5.81, Mr. Wong Yung Ts'ing 20.5.81, Mr. Tang Kei Faat 25.6.81, Mr. Lei Yau 28.6.81, Mr. Wong Ping Lin 29.6.81, Madam Liu 20.5.81, Mr. Lau Lui Faat 23.6.81, Mr. Tse Wing 9.6.81, Mr. Tse Shui Kam 24.6.81, Madam Lo Koon Mooi 21.6.81, Mrs. Hoh née Lei 28.6.81, Mr. Chung 23.7.81, and Madam Lam Yau Ch'un 19.8.81.) The Liu family at Kiu Tsui built the ancestral hall that can be seen today on the main road into Sai Kung Market. For an impression of the long history of lime making in Sai Kung, it should be noted that Madam Lo Koon Mooi was 85 and Mr. Yau T'aam Shang 87 in 1981, and it was their fathers who were engaged in the lime business. Mr. Yau continued working the kilns until his early 40's. Brick kilns were reported in Chek Keng and Pak Tam Chung (Ints. Mr. Chiu Sz 7.5.81 and Mr. Yau T'aam Shang 15.5.81, 22.5.81). The lime industry, of course, also provided income for fishermen who collected coral for the kilns. See \"Return of the approximate number of fishermen employed in taking coral and shell from the sea adjoining the New Territory\", in Hong Kong Legislative Council, Sessional Papers, 1901, p. 685.\n\n\"The best indication of the growing importance of the trade in pigs is a set of account books that belonged to Mr. Yung Sz Ch'iu of Pak Sha O, a photocopy of which is held by the Oral History Project. See also ints. Mr. Chan Tsz K'eung 28.5.81 and Mr. Hoh King 5.6.81.\n\n• There are many instances of seamen recruited by recruitment firms (haang shuen koon); see, eg. Mr. Chiu Sz (Int. 7.5.81). Remittance from abroad was sent back to the village through import-export houses (kam shan tsong), see Mr. Yau T'aai Hong (Int. 11.8.81).\n\n10 Mr. Cheung T'o's grandfather was a cook on Hong Kong Island, and his father was employed on the Kowloon-Canton Railway. Mr. Cheung, of Ho Chung, was c. 70 in 1981 (Int. 15.6.81). Mr. Tsang Yau of Tai Mong Tsai (age unknown, but who married before World War II) worked in a shop started by his father in Shaukiwan on Hong Kong Island (Int. 23.6.81).\n\n11 Ints. Mr. Cheng Chung Ting 21.5.81, Mr. Chan P'aang Hing 29.5.81, Mr. Chan T'aai 22.7.81; Bernard Williams, \"Visit to Ho Chung and Sheung Yeung villages in the Sai Kung area”, in Marjorie Topley, ed. Aspects of Social Organization in the New Territories, Hong Kong, 1965, pp. 46-47, and \"The Chan family of Tseung Kwan O\", JHKBRAS 7 (1967), pp. 158-160.", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 208912, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 74, "title": "RAS-1980", "content_text": "42\n\nFig. 1.\n\nJ1ANN HSIEH\n\nAssociation Clusters of the Waichows in Hong Kong, 1979,\n\nC\n\nD\n\nE F\n\nI\n\nT\n\nB\n\nI.\n\nM\n\nA.\n\n+\n\nformal relationship\n\nassociation cluster\n\nWalchow Clansmen General Association in Hong Kong B. Ten-Districts of Waichow Association in Hong Kong C. Walchow Union Sheung Shui Branch, Hong Kong\n\nD: Walchow Un Long Residents Association Ltd.\n\nE: Walchow Union Hong Kong Tai Po Branch, N.T.\n\nF: Waichow Main Union Tsuen Wan Branch\n\nG. Waichow Clansmen General Association (Hong Kong) Ltd., Peng Chau Branch\n\nH: Walchow Clansmen General Association of Hong Kong, Lamma Island Branch\n\nI: Ha Foon District Association\n\nJ: Lu Foon District Association\n\nK: Loong Chuen Native Association\n\nL: Tze Kam District Countrymen's Association Limited M: Hong Kong Residents of Pok Law District Association N: Ho Yuen Clansmen Association\n\ned, consider these associations as \"gangplanks” which help rural immigrants across pitfalls in their transition to new urban ways of life. Nevertheless, emphases are different among various researches. Little (1974:89-90) and Banton (1968: XVI, 360), arguing from urbanization studies in West Africa, stressed the creation of voluntary associations by the natives anxious to learn the life pattern of the Europeans. Fallers (1967:12), however, focused his attention on the awkward position of the new immigrants - sandwiched between the rulers and the autochthonous. In his excellent introduction to Immigrants and Associations, he wrote:\n\nClearly, then, one reason why the immigrant trading community is so productive of associations is that, lacking satisfying and reliable moral ties with the indigenous local community, it must", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 209278, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1981", "page_number": 181, "title": "RAS-1981", "content_text": "60\n\nJUAN YUAN'S MANAGEMENT OF SINO-BRITISH RELATIONS IN CANTON, 1817-1826 167\n\nIbid., 1:22b-23. Court letter to Juan Yuan et al., TK 2/5/25 (1822/7/13). 07 After Juan Yuan left Canton, his successor as Governor-General of Kwangtung and Kwangsi, Li Hung-pin, established a system of patrol boats to check on opium smuggling. Each boat received a monthly bribe to permit the illicit trade. Liang, Kuang-chou shih-san hang k'ao, p. 299.\n\nChang Shun-ts'un #\n\nTao-Kuang ch'ao\n\nCh'en 陳\n\nCh'en-Li shih ★BA\n\nchin f\n\nchüan-na ‡Ã1⁄4\n\nfen 分\n\nHsiang-shan J\n\nHsin-hui hsien-chih Hsi Nai-chi 許乃濟 Hsüeh-hai t'ang***\n\nHu-Kuang Hu-pu 户部\n\nHuang I-ming *** I-li-pu 伊里布\n\nJuan Yuan 阮元\n\nKuang-tung shih-san hang k'ao\n\nKuang tung tung chi là ki\n\nKung-chung-tang\n\nkung-hong 2Ấ\n\nKuo-Liang shih\n\nLi Hung-pin 李鴻賓 Liang Chia-pin 梁嘉彬 Liang-Kuang✯ Liang-Kuang yen-chih\n\nch'ou-pan i-wu shih-mo\n\ntao-t'ai\n\nTi-tzu chi, for (Lei-t'ang-an-chuɃ‡ƒ‡ ti-tzu chi)\n\nTs'an-chan ta-ch'en ★★★E ts'un += 1/10 Chinese foot) Wai-chi-tang >-*#\n\nWai-chiao shih-liao ££* Wu Kuo-yung Wu-lung-a\n\nWu Shou-ch'ang ££ 3\n\nWu Ts'ung-yao 14\n\nWu Tun-yuan {£✶ ̃\n\nyang-hang *{1\n\nyang-shang 洋商\n\nYeh Huan-shu #£#\n\nYeh Hsia 葉及\n\nYen-ching shih-chi &*£✯ Yun-Kuei +\n\nNei-wu-fu\n\nPan-yü 番禺 pao-chia 保甲\n\nTa-Ku\n\n#", "txt_file_path": "txt/dfo323lmgvd/RAS-1981.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ff36bt18m", "rank": 0 }, { "id": 211382, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 98, "title": "RAS-1988", "content_text": "74\n\nTang family had the right of building shops there, and a stone with an inscription to that effect, was put up in the temple of T'in Hau Kung(g) which can still be seen in old Tai Po market.\n\nWhen the Man family lost their case a wealthy friend called a big meeting of the elders of the seven districts round about Taai Haang (林村), Fan Ling(K), Lam Ts'un(#1), Yip Woh(), Sheung Wan(), Ting Kok(TM) and Cheung Shue Tan(). At his suggestion, and financed by him, they built a new market where the present market now stands. It was called Taai Woh Shei (utmost friendship market)(★Fifi) and was officially opened on the twenty-third day of the 6th month of the twentieth year of Kwong Sui, A.D. 1894. All the trade at once went to the new market and the old one gradually fell into disuse and can now be seen as a very poor and derelict village.\n\nNote. 1. The district of Sun On was formed in the sixth year of Lung Hing() A.D. 1572 of Ming dynasty. Fourteen years later the **History of Sun On District** was written by Yau Tai Kin the district magistrate. It was revised for the first time in the eighth year of Sung Ching(), but this edition was not published until eight years later when a third magistrate Chau Hei Yiu(2) added slightly to it. A second edition was published in the eleventh year of Hong Hei(E) A.D. 1672 of Ts'ing dynasty, a third appeared sixteen years later, and the present edition was published in A.D. 1819.\n\nNote. 2. The second character(W) is read yeuk in Cantonese but in the New Territories dialect it is read as Kwat.\n\n#\n\nNote. 3. Lam Fung is \"Limahong\" (= Lim a hong, not Li ma hong) whose name is already mentioned in the history of the Philippine Islands. It is also translated as in some Japanese books, and Limahong or Lin Ah Hong in some of the European books.\n\n=\n\nLam Fung\n\nLimahong was a native of Raoping district(ATM) In the 10th month of the 2nd year of Lung Hing(), A.D. 1568 of Ming dynasty, he took sixty-two battleships with 2,000 sea-soldiers, 1,500 women, and a large store of food and ammunition to attack the Philippines. He was defeated and his fleet dispersed by the soldiers of", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211384, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1988", "page_number": 100, "title": "RAS-1988", "content_text": "76\n\nLEGENDS AND STORIES OF\n\nTHE NEW TERRITORIES\n\n[E\n\nTS'ING SHAAN UI OR CASTLE PEAK*\n\nSUNG HOK-P'ANG\n\nThe original name of Tsing Shaan was Yeung Haang Shaan (meaning \"Sheep or Goat Ditch Hill\", and nearby there is still a village called Yeung Siu Haang \"Sheep or Goat Little Ditch\", but later on the Peak was called simultaneously Shing Shaan “Saint Hill\", and T'uen Moon Shaan “Military Colonist Gate Hill\". The latter name was given because in olden times the Chinese Emperor sent soldiers there to cultivate the soil, and at the same time protect the countryside from the numerous pirates that infested the coast.\n\nIn A.D. 428 a certain monk named Pooi To became abbot of the monastery, and then the name of Pooi To Shaan was used.\n\nNearly five and a half centuries later, in the 12th year of Taai Po of Naam Hon dynasty, on the 18th day of the 2nd month (A.D. 969) the Emperor gave the hill the special name of Sui Ying Shaan \"Good omen hill\", and caused a stone tablet to be erected on which was carved the history of the monastery. This stone recorded that in the 11th year of K'in Woh A.D. 954 a military officer named Ch'an Ts'un had paid a stone mason to carve a figure of Pooi To which he put in a cave near the monastery, and which can still be seen. In the 4th year of Yuen Yau A.D. 1089 of Sung dynasty a general in Canton named Tseung Chi K'ei wrote an account of the hill, and put it on a stone tablet in place of the old one. This second one has now disappeared, but fortunately the account is in the \"History of the Sun On District\", and from it can be learnt that formerly there was a castle at the north of the hill, and to the west\n\n* The Hong Kong Naturalist July 1935.", "txt_file_path": "txt/dfo323lmgvd/RAS-1988.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/ft84gb83q", "rank": 0 }, { "id": 211647, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1989", "page_number": 62, "title": "RAS-1989", "content_text": "37\n\nPestilence Wang Yeh were revered in Fukien before 1661, the date given for their first arrival in Taiwan. The first images, five in all, bore surnames which have been passed on to individual Pestilence Wang Yeh in all parts of Taiwan. A nineteenth-century missionary, Doolittle,3 noted images of Five Emperors in temples in Fuchou, said to control epidemics and malignant diseases. He understood that the 'idols', much feared by the common people, had several attendants, two of whom were very frequently paraded through the streets, one was the Tall White Devil and the other, the Short Black Devil. These two, Generals Hsieh and Fan, are still commonly seen in Taiwan and South-East Asia but only comparatively rarely are they colocated with the Pestilence Wang Yeh. He went on to describe a ritual involving setting fire to 'spirit boats' floating down the Min river, which were believed to bear diseases and unhealthy influences out to sea. It used to be believed in Taiwan and still is in Singapore, that the Pestilence Wang Yeh themselves could and did spread contagion.\n\nImages of the Pestilence Wang Yeh in temples have in the main been seen in groups of three or five, each bearing an individual surname (see Plate 9). Nowadays they each have only a surname, without any given names and are therefore somewhat more fortunate than the earlier Pestilence Wang Yeh who had neither surname nor given names. It was the practice for migrants to select the Wang Yeh bearing their own surname as their particular protective deity, and although the surnames Chih (李), Wu (武), Wen (温), Su (↡K) and Fan (皖YZ) are common amongst Pestilence Wang Yeh, Li (李*) and Chu (祝) are also quite widespread too. There is little functional difference and though in legend, particularly in South-East Asia, Chih is the main Wang Yeh, \"The Leader of the 108 or 360', Li is a close runner-up for the honour in Taiwan.\n\nDespite the fact that in the Pestilence Wang Yeh temple at Nan K’un Shen near Tainan (claimed to be the oldest Wang Yeh temple in Taiwan) the main deity on the main altar is Li, with the other four, Fan, Chih, Wu and Chu beside him, the Five connected with the Five Protective Spirits of Fukien referred to in the legends below, are Hsu (徐#), Li (李4), Po (舰4), Heng (衡f) and Chu (祝️).\n\nAs one would expect there are individual cults which do not follow standard patterns. One Pestilence Wang Yeh has been referred to by forenames as well as his surname. This also was in Nan K'un Shen where", "txt_file_path": "txt/dfo323lmgvd/RAS-1989.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8336pm92h", "rank": 0 }, { "id": 212770, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1992", "page_number": 79, "title": "RAS-1992", "content_text": "64\n\nSeptember 1885 March\n\nJune\n\nca 1885\n\n1886 January\n\nca 1886\n\nca 1886\n\n1887\n\n1889/1890\n\n1889 23 January\n\n1890\n\nLived in the Chang-fa Chen, an hotel in Shanghai\n\nHis first child, Pin Mesny, also known as Hu-sheng, born in Shanghai Departed Shanghai aboard the Yangtze for Canton and appointed for service in both Arsenals [claimed that during the years 1884/1887 whilst living in Canton, he suffered from boils, eczema and prickly heat]\n\nMany of Mesny's notes lost in Chungking during the destruction of the CIM missionary premises. Mesny had left them for safe keeping with the Rev G Nicoll\n\nOffice Bearer of the Keystone Royal Arch Chapter of Masons in Shanghai\n\nPromoted to the brevet rank of Lieutenant-General [ennobled for three generations: previously claimed to have been bestowed in 1879] In charge of the China Branch of the New York Life Office, in Shanghai\n\nRepresentative of the Lartigue Railway Construction Company in Shanghai\n\nIntention to publish a monthly magazine in Shanghai to be called Yüleh Pao together with Chiang Chao-ling (friend and sworn brother). to be the organ of the Reform Party\n\nMade two journeys through Anhui and northern Kiangsu in connection with famine relief\n\nJourney through Anhui, around Lake Chao from Wu-hu to Lu-chou Fu, returning 5 February 1889\n\nVisited Wu-chang to warn Chang Chih-tung that he was erecting the Iron and Steel Works in Wu-chang in an unsuitable place\n\n1891 7 September Typhoon destroyed the Olympia Skating Rink, his property in Lloyd\n\n1892 January\n\n1894\n\nMay\n\n1895 September\n\n1896 Mar/Sep 1898\n\nMay/June\n\nDecember 1899 Mar/Oct\n\nRoad, Shanghai, ruining him financially.\n\nMesny involved in the Mason case\n\nInvited to organise a naval brigade for service on the Hsiang and Han rivers\n\nStormy interview with Li Hung-chang in Tientsin Visited Peking and had breakfast with Manchu Prince Su Claims to have volunteered for service in Manchuria [Sino-Japanese War]\n\nEn route to Manchura: Visited Liu K'un-1, Generalissimo of Chinese Forces [afloat and ashore] at his headquarters at Shan-hai-kuan Mesny refused permission to visit camps of Wu Ta-cheng and Wei Kuang-tao at or near to T'ien-chuang-tai Liu advised Mesny to return to Tientsin.\n\nHis second and only other child, his daughter, Marie Wan-er, born in Shanghai\n\nBegan the publication of his Chinese Miscellany Volume 1 in Shanghai\n\nPublication of Volume 2 of his Chinese Miscellany\n\nLegally married to Lady Han, mother of Hu-sheng [or Pin] and Marie Wan-er\n\nTrip by chartered boat to Hangchou\n\nVisited Nanking\n\nPublication of Volume 3 of his Chinese Miscellany", "txt_file_path": "txt/dfo323lmgvd/RAS-1992.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/qf85tx75x", "rank": 0 }, { "id": 213479, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1995", "page_number": 75, "title": "RAS-1995", "content_text": "43\n\nTHE PEKING OPERA\n\nD.H. LIU\n\nIt may sound strange to many that the Peking Opera originated, not from Peking, as it is generally believed, but from the obscure county towns of Huang Po (黄陂) and Huang Kong (黄冈) in the Hupeh Province on the upper reaches of the Yangtze River. From its early beginning as local, folk song amusement of surrounding areas, it gradually gained popularity and traveled beyond the provincial boundary to Peking where it settled down and prospered during the reign of Emperor Chien Lung (A.D. 1751-1795)\n\nAs the troupe travelled on its way to Peking, it absorbed many of the methods and techniques of different theatrical groups, notably, the K'un Chu (昆曲) and the Hwei Ban (徽班) with one sole dogma it has persistently adhered to the original dialect of the Hupeh Province in its performance up to the present day.\n\nThe Stage in the Early Times:\n\nAt the beginning, the stage was a very simple structure with no proper sitting arrangement for the audience. People would sit around a square-shaped table with two persons on each side. I remember that, when I was a boy, the first theatre we had in Yienta (烟台) where I was born, was called the Tan Kwei Tea House (谭家祠茶馆). People went there to watch the opera and at the same time, enjoy a cup of tea. Why not? People were out to enjoy themselves. I still remember how people would enter the theatre and leave it at will. You sat at the table watching the play, drinking Chinese tea and cracking melon seeds, all at the same time. You will say that this would divert the attention of the audience from what was going on on the stage. Why worry? If the actor or actress was good, the audience, of course, would automatically stop drinking tea and pay close attention to the stage!\n\nI still remember that, in those happy days, the theatre waiters would throw a hot towel to you from a distance of ten feet to wake you up when you were tired. What a wonderful idea!\n\nPage 75\n\nPage 76", "txt_file_path": "txt/dfo323lmgvd/RAS-1995.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/95941j25g", "rank": 0 } ]