[
    {
        "id": 216256,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 15,
        "title": "RAS-2003",
        "content_text": "NOTES AND QUERIES\n\nPhotos from the HKBRAS trip to Canton, October, 2003..... 163\n\nHKBRAS visit to Macau on 26th October 2003 to see an exhibition of George Smirnoff's watercolours of Macau 183\n\nMichael Gillam - The making of Cornell Plant the pilot 185\n\nDavid Mahoney - The history of the Belilios Star: Hong Kong's own life-saving medal .... 201\n\nKeith Stevens - Yet another angle on the Chinese Labour Corps in France, 1918\n\nDan Waters - The Middlesex (\"Tyndareus') Stone\n\nBOOK REVIEWS 205\n\n... 207\n\nFull Circle: A Life with Hong Kong and China, Ruth Hayhoe, Introduction by Mark Bray and Ora Kwo, Comparative Education Research Centre, The University of Hong Kong, Hong Kong, 2004 (reviewed by Gillian Bickley) 213\n\nThe Silk Road, Art and History, Jonathan Tucker, Philip Wilson Publishers, 2003 (reviewed by Elizabeth Teather)....... 217\n\nOBITUARY\n\nIan Diamond, 1924-2004 XV 225\n\nPage 15\n\nPage 16",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    },
    {
        "id": 216506,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 265,
        "title": "RAS-2003",
        "content_text": "217\n\nopportunity to turn knowledge into action? (pp. 138, 131) Will China reaffirm her feeling of acceptance by offering her some new task? Whatever the case, readers of this book, impressed by Ruth Hayhoe's sincerity and passion, will all, surely, wish the writer of this revealing autobiography all things good.\n\nGILLIAN BICKLEY\n\nJonathan Tucker, The Silk Road, Art and History, 2003. Philip Wilson Publishers, 7 Deane House, 27 Greenwood Place, London NW5 1LB. ISBN 0 85667 546 6. 391pp, index, bibliography, maps, 437 plates.\n\nWhy is the term 'the Silk Road' so evocative? Is it because it can be seen as a metaphor for the passage of human history in all its magnificence, cruelty and sheer grit? The patterns of trade that flourished for about fifteen hundred years along the eight thousand kilometre network of routes known today as the Silk Road can be dated back to the time of the Han Emperor Wudi (reigned 141-87 BCE). For strategic reasons, Wudi wanted to set up an alliance against the nomadic Xiongnu tribes with the Yuezhi, who had settled in the area centred on the Hindu Kush. After more than ten years, Zhang Qian, his first emissary to the Yuezhi, brought back news of lands to the far west, but it was hearing of the magnificent 'blood sweating horses' of Ferghana that made Wudi determined to establish links with Central Asia. In 101 BCE a Chinese army reached Ferghana, seized many horses and established suzerainty - much contested, however, for the next few centuries - over territory as far west as the Pamirs. The routes that opened up between China and the West became known as the Silk Road, and they were to become the main land artery along which travelled not only traded goods but also the ideas and technology of east and west.\n\nThose who used the Silk Road were driven by the search for profit, enlightenment, conquest, refuge, by missionary zeal, or by curiosity about exotic lands. Their quests faced the contingencies of physical calamities, for the regions they traversed were, and remain, prone to floods, droughts, storms, extremes of heat and cold, and earthquakes. It is likely that along it, too, from the east, came the Black Death, which brought calamity to medieval Europe.\n\nWhere travellers paused to rest arose tiny places such as forts and",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
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    {
        "id": 216507,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 266,
        "title": "RAS-2003",
        "content_text": "218\n\nshrines, and also larger caravanserai and trading centres. Many of the last developed into great crucibles for cultural development, cities that derived their often stupendous material wealth from trade, but also an equally magnificent cultural wealth derived from their location at the crossing point of cultures. It is this outpouring of human creativity at points along the Silk Road that is a major focus for Jonathan Tucker's book The Silk Road, subtitled Art and History.\n\nTucker's quest is bold, as befits his topic: to describe for the serious but not necessarily academic reader the art that flourished along the Silk Road during the fifteen hundred years of its heyday. Over four hundred colour illustrations conjure up a wonderful picture of the Silk Road, its places and people, its architecture (often in ruins today), paintings, sculpture, and even - through depictions on what remain of palace and temple walls - its music and ritual.\n\nIt is a difficult task that Tucker has set himself. To appreciate the art he presents, a knowledge of the complex passage and interaction of peoples and cultures is necessary. Tucker goes into enormous detail to try to ensure that his readers acquire this background. He gives the clearest picture when he concentrates on individual cities, for example, Chang'an (modern Xi'an) towards the eastern extremity of the Silk Road (which extended to Japan), and Baghdad towards the west (Istanbul is where Tucker draws his line here). By the Tang Dynasty, significant numbers of foreigners were reaching China along the overland route, and by then in Chang'an lived Zoroastrian refugees from Sassanian Persia (conquered by the Arabs in 651); Muslims (though the mosque in Chang'an is probably not as old, says Tucker, as the Huaisheng Mosque in Guangzhou, which dates from 627); Jews, who were significant and numerous Silk Road traders; Nestorian Christians; and followers of Manichaeism. Tucker painstakingly identifies elements that derived from non-Chinese influences in terracotta figurines, tomb paintings and sculptures, statues and other artefacts found in Chang'an and Luoyang from Tang and later periods. Most notable is a marble Bodhisattva, the 'Venus of the East' (his Fig. 119) which, in its sculptured clinging garments, reflected Indian antecedents, and was enormously influential on subsequent sculpture in this part of China.\n\nArt from the one hundred and ninety-three caves not far from",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    }
]