[
    {
        "id": 204308,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 76,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n72\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nhua-pên (story-tellers' prompt-book), we can hardly know their origin or the invaluable part played by the author of the Fêng-shên in transforming them into interesting characters.\n\nLi Ching, bearing the same name as the historical hero in the early part of the T'ang dynasty, is no doubt derived from the Buddhist heavenly king Vaisravana.\n\nWe know from many Buddhist texts the legends of the Four Heavenly Kings. According to the Abhiniskramana-sutra (出曜集經) translated by Jnanagupta in 587, they are,\n\nDhritarashtra or Chih-kuo T'ien-wang in the East, who leads the gandharvas, musicians in heaven; Virudhaka or Tseng-chang T'ien-wang in the South, who is the sovereign of the kumbhandas or deformed demons; Virupaksha or Kuang-mu T'ien-wang in the West, who is king of the nagas who dwell in their palaces at the bottom of the lakes; and Vaisravana or To-wen T'ien-wang in the North, who is head of the yakshas, strong and brave genii.\n\nThe author of the Fêng-shên Yen-i adapted these four heavenly kings in his novel (Chs.31-40) and called them \"the four generals of the Mo family\". He made them brothers and commanders who took charge of the Chia-mêng Pass under the command of the Premier Wên T'ai-shih. Their individual names are Mo Li-ch'ing, Mo Li-hung, Mo Li-hai and Mo Li-shou. But in Ch.31 when they are summoned by Premier Wên T'ai-shih, the author writes, \"The four heavenly kings (ssu t'ien-wang) strode forward,” thus unconsciously revealing their origin, and afterwards in Ch.99 they are given the titles of Tsêng-chang T'ien-wang (Mo Li-ch'ing), Kuang-mu T'ien-wang (Mo Li-hung), To-wên T’ien-wang (Mo Li-hai) and Ch'ih-kuo T'ien-wang (Mo Li-shou) respectively. In Ch.40 the author describes the weapons of these four brothers through the mouth of General Huang Fei-hu as follows:\n\nThe eldest brother Mo Li-ch'ing is twenty-four feet in height, with a face resembling that of a crab, and his beard is like copper wires. He fights always on foot with a long spear, and he has a sword which is called \"Blue Cloud\", on which there are charms and a seal saying \"earth, water, fire and wind\". The wind caused by the brandishing of this magic sword is a black wind in which hundreds of thousands of spears would run and cut off the limbs of men. Following the wind is a blaze in which flaming golden serpents cover the atmosphere with black smoke. The weapon of Mo Li-hung is an umbrella.\n\n* chúan 16, Shê-kung Ch'u-chia P'in (攝功出家品).",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt",
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    {
        "id": 204314,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 82,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\n78\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nson of Li Ching is Hui-an () who was a disciple of Kuan Yin (Bodhisattva Avalokitesvara), while his name, Mu-ch'a (*), is not mentioned except in one verse, and not in the prose part of Ch.21. This is the name the author of the Fêng-shên Yen-i adopted. The origin of the name Mu-ch'a can be found in chüan 18, Kan-t'ung P'ien (A) of the Sung Kao-sêng Chuan (***) by Tsan-ning (), who was a follower of the Monk Sangha (@). The latter was said to be an incarnation of the Avalokitesvara of eleven faces and died in A.D. 710. Apart from Mu-ch'a, Hui-an was also one of his disciples. Therefore, in popular literature, Mu-ch'a and Hui-an are mixed up into one person and in the \"Four Travels\" Hui-an remains a disciple of Kuan Yin. It was the author of the Fêng-shên who changed the character ch'a (X) to cha (RE) in his novel so that the name could have the same second character as No-cha. In some popular editions of the \"Four Travels\" the character ch'a (X) has also been changed.\n\nNow, in the Tantric works, though the second and third sons of Vaisravana (Tu Chien and Nata) play rather important parts, his other sons, especially his first son, are not mentioned. I have read through a large number of sutras about Vaisravana and consulted some Buddhist scholars in Japan,1a but they could not give me any definite opinion. In Oda Tokuno's (1) Buddhist Thesaurus (#) and in the Chinese work Fu-hsüeh Ta Tz'u-tien (BAND) edited by Ting Fu-pao (TR) based upon it,19 we find that the names of P'i-sha-mên wu t’ung-tzu (£££7 Five Attendants of Vaisravana) include Tu Chien and Nata, but no origin is given. I think they may be identical with the \"Five Yakshas\" which appear under the sub-title \"Princes and Family Members\" (ERB) in Caturmaharaja (19F諸小王及眷屬)in E) in chuan 6 of the Ch'i Shih Ching (). They are, in translation, Fifty-feet (wu-chang £), Wilderness (k'uang-yeh ), Golden Mountain (chin-shan ), Long Fellow (ch'ang-shên ) and Hair of A Needle (chên-mao E). They appear (translated literally from the Sanskrit) also in the Caturmaharaja of the Shih Chi Ching (H) and in chüan 19 of the Dirghagama (£§ÂŒ) as \"Five Attending Genii of Vaisravana.”\n\n20\n\nI Dr. Henmi Baiei), Professor of Buddhist Art, Tama University (9) and others. I have also consulted the Chinese Buddhist priest Tan-hsü (1), aged 89, a disciple of the late T'i-hsien (M) of the Tien-t'ai Sect (R) and some Tantric scholars.\n\n19 The 4th ed., I Hsieh Shu Chũ (885), Shanghai, 1939.\n\n20 No. 24, The Tripitaka in Chinese, translated by Jñanagupta. cf. No. 25, Ch'i-shih Yin-pên Ching (#LFXE), chữan 6 & 7.",
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    {
        "id": 204322,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1961",
        "page_number": 90,
        "title": "RAS-1961",
        "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nORASHKB and author\n\n86\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\nThe prince Siddhartha thereupon asked, \"Is there any good bow in this city which will suit my strength?\" The father, King Suddhodana was very glad and said, \"Yes, there is.\" \"Where is it then, Your Majesty?\" asked the prince. \"Your grandfather Simhahanu (the lion's cheek) had a bow which is now kept in the temple and flowers are offered to it. No man has ever been able to bend it.\" The prince urged the king to send for it, and when it had been fetched, all the Shakya nobles were allowed to have a trial, but no one could string, nor draw it. Then the minister Mahanama was given an opportunity. He exhausted all his energy yet he could not move a single inch of the string and so he presented it to the prince. The prince remained seated without moving. He seized the bow with his left hand and bent the string with a single finger of his right hand. A startling noise broke out throughout the city Kapilavastu which made all the people frightened. \"What noise is it?\". \n\n+\n\n28\n\nIn Ch.2 of the Pei-yu-chi, the king of the Kingdom of Ko-ko () received a tribute from the Western tribes. It was a bronze drum twelve inches thick. Upon the challenge of the tributary messenger, no one in the court, not even the generals, could pierce its surface with an arrow. The prince, \n\nThe prince, who was only seven, claimed that he could shoot through it. \"He seized the bow with his left hand and put on the arrow with his right hand. The arrow darted off and pierced the surface with the feather of the arrow left outside.' \n\nThe age of No-cha and that of the said prince were seven years. We can see that No-cha's story is derived partly from the Pei-yu-chi and both originated from the story of the Buddha.\n\nNo-cha's arrow darted off to a far distance and accidentally killed a Taoist disciple of Madame Shih-chi (ENR), who was a goddess of the Intercepting Sect. Shih-chi sent the Athlete of the Yellow Turban to bring Li Ching to her grotto in the K'u-lou Shan (Mt. Skeleton) and pressed him for an explanation, Li Ching vowed his innocence and was set free so that he could investigate the matter. No-cha again admitted to his father what he had done, and followed Li Ching to Shih-chi's place to settle the matter. At the entrance to the grotto he had a desperate clash with the goddess, and though he hurled all his precious weapons they fell into her hands and sleeves. No-cha fled to Mt. Ch'ien-yüan for protection. His master, the Immortal T’ai-I had a violent quarrel with Shih-chi on his behalf, and the quarrel\n\n28 No. 190, The Tripitaka in Chinese, translated by Jfianagupta; also Sister Nivedita & Ananda K. Coomaraswamy, Myths of the Hindus & Buddhists, Harrap, 1914, pp. 261-2.\n\nPage 90\n\nPage 91",
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