[
    {
        "id": 214212,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 70,
        "title": "RAS-1998",
        "content_text": "33\n\nThen there is another tale which goes as follows (Giles, 1925: Joke64): A Chinese chess player was proud of his ability, although on one occasion he lost three games in a row. The next day a friend asked him how he got on. 'I didn't win the first game,' he replied, and my opponent didn't lose the second.' 'As to the last game, I asked him to agree to a draw but he wouldn't.' Many Westerners talk as if face, which really amounts to 'worth' in the eyes of others, is only important to Asians. U Thant, the Burmese diplomat who was made Permanent Secretary-General of the United Nations in 1962, was fond of saying: 'Face is very important to Europeans.' While the author does not disagree, it would appear Asians place even more emphasis on it than do Westerners.\n\nMuch has been made recently by the media about senior civil servants not being tolerant of Radio Television Hong Kong's political satire when the foolishness of the establishment has been highlighted in an amusing way (Yeung, 1998a). It amounts to what is accepted (especially in the West) as good clean fun being taken seriously by some Hong Kong government servants (Yeung, 1998b). It largely boils down to the fact that, when the joke is on them and they lose face, civil servants are unable to accept it in good heart.\n\nAlthough a bit of a struggle at first, many Japanese politicians have now, apparently, learned more recently to accept criticism, passing it off by describing it as a form of 'art' and saying the attention he receives shows that he must be popular.10 'After all, we do not criticise those who we do not think much of, but we do criticise those who we love and esteem.'\n\nWhen China's President, Jiang Zemin, visited Hong Kong in 1998, a photograph in the Hong Kong Standard, on July 1, showed him travelling in the back of a car with his seat-belt unbuckled. Most Europeans (and some more westernised Chinese too) took this as good, mischievous fun. A letter in the same newspaper, on July 5 from a Chinese living in the United States, however, asked whether, if during colonial days a member of the British Royal Family who was visiting Hong Kong, or a British governor were caught not wearing a seat-belt, whether it would have been publicised (and by implication made fun of) in a similar way. This Overseas Chinese felt it was wrong to publish the photograph of Jiang Zemin in the Standard. In fairness, of course, until",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 216317,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 76,
        "title": "RAS-2003",
        "content_text": "25\n\nYin. While Guanyin has compassionate mercy for those in need, it is Da Shi Zhi who possesses the power to actually carry out her acts of kindness. The San Sheng Dian houses by far the oldest of Longhua's three bronze bells, this one supposedly dating from 1132, which would also make it the oldest historic relic the temple possesses today. The hall itself dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1986.\n\nImmediately behind the San Sheng Dian is a walled garden with trees which unfortunately is closed to the public. Inside this walled garden is a fifth main hall, the Abbot's Quarters (Fang Zhang Shi), which is for the private use of the resident monks and their master, the Fang Zhang. It was the only hall which the monks maintained control of during the Cultural Revolution. Normally it is kept off limits to the public and cannot be visited. However, the author was able to steal a glimpse and found that the hall was furnished with rows of large armchairs, and lacked any large statues. Possibly it is a modern day form of the Meditation Hall (Chan Tang). At the far left end of the hall is a small office decorated with framed color photos of the temple's Buddhist leaders posing with Communist Party leaders such as Jiang Zemin.\n\nBehind the Abbot's Quarters is the sixth and final courtyard, and the sixth hall on the central axis, the newly built two-story Scripture Hall (Cang Jing Lou). This modern building holds most of the temple's few genuine relics, including a library of 7,000 Qing Dynasty volumes; a Ming Dynasty gold seal given to the temple in 1598 by the emperor Wanli (1573-1620); a Ming Dynasty gold-plated bronze Buddha statue; Tang Dynasty scriptures; and a copy of the Heart Sutra dating from the year 1098, the fifth year of the Zhe Zong reign (1085-1100) of Emperor Zhao Xu of the Northern Song Dynasty (960-1126). Exactly how these relics survived the destruction of the Taiping Rebellion, the lengthy military occupation of the Min Guo era, and the Cultural Revolution is unclear. Possibly they were donated to the temple sometime later. Unfortunately the public is not welcomed to visit this sixth hall, and the relics are kept hidden from view, although photographs of them appear in a recent pamphlet sold at the temple's bookstore.\n\nHidden in a seldom visited corner of the temple grounds on the east side of the Fang Zhang Shi's walled garden is a smaller garden",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
        "rank": 0
    }
]