[
    {
        "id": 208395,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1978",
        "page_number": 119,
        "title": "RAS-1978",
        "content_text": "SHIWAN POTTERY EXPLORED\n\n103\n\nMy own research on Shiwan has continued in the Department of Fine Arts and the Centre of Asian Studies over the past two and a half years. This included in March of 1978, the opportunity for a three-week individual study trip in Guangzhou and Shiwan. Encountering the concrete reality of what I had researched for so long, discovering a wealth of material I had no idea existed, while adjusting to completely different perceptions of life and study methods within a socialist system, heightened my sense of exploration. Hence the intent of the present lecture is to introduce, in a little more depth, a few of the problems explored on that trip.\n\nExploration across the border revealed that significant archaeological research relating to Shiwan had been carried on for a number of years. There was great excitement over these discoveries and I was warmed by the measure of trust placed in me by the researchers who, despite their own uncertainty, showed me the new discoveries before publication.2\n\nThe research itself calls for the re-thinking of traditional beliefs concerning the history of Shiwan pottery. These traditional beliefs can be traced back to two major written sources. In 1941, Li Jing-kang (*), principal of the Clementi Middle School in Hong Kong, wrote what was up until that time the most careful and logical account of Shiwan history, taking into account scanty written references, oral traditions, and actual objects available. His main source was a handwritten manuscript in the possession of “a certain gentleman in Fushan\". This manuscript recounted that Shiwan pottery began in Yangjiang Xian (縣), where due to the turmoil of war, potters migrating from the Jun (鈞) kilns in Northern Honan Province (河南), established kilns sometime in the late Southern Song dynasty (early 13th century). In the Ming period (A.D. 1368-1643), according to Li, these Yangjiang potters moved to the present location of the potteries in Nanhai Xian (Figure 1). Xu Zhiheng (#2), a Cantonese, and professor of Chinese literature at Beijing University in the early Republican period, recounts the same story and describes this so-called \"Yang-jiang ware\" as having sky blue-indigo blue-ash blue flambe (i.e. streaky multicoloured) glaze, which imitated Honan Jun ware.4 A group of wares which corresponded to this description were identified and placed on exhibition at the Fung Ping Shan Library in 1940.5",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593",
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    {
        "id": 208398,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1978",
        "page_number": 122,
        "title": "RAS-1978",
        "content_text": "106\n\nFREDRIKKE S. SCOLLARD\n\nnone of the human warmth characteristic of Shiwan sculpture. (Plate 18).\n\nWith familiarity, this very human art then becomes so charismatic that it is often referred to as loveable. The sentiment was well expressed by one of the potters of the Republican period who styled himself “Liang Zui Shi” (#45) (literally Liang drunken rock). Literally translated, Shiwan means \"rock bay\". As Liang's son explained, the style actually referred to the fact that his father was \"drunk\" with “Shi” wan.\n\nIn addition to its handicraft art, in the Qing period Fushan was also the pivot centre for Cantonese opera. Every year between autumn and summer, opera companies from all over the province would come to Fushan to hold auditions. This activity involved the whole community and especially the Shiwan potters who drew material from it for their iconography and figure sculpture, and who in their long rooftop friezes preserved and immortalized this evanescent drama which was so much a part of their lives. (Plate 15).\n\nAccording to Fushan archaeologist Mr. Chen Zhiliang (陈志亮), these ceramic rooftop friezes had two meanings. On the one hand the gala opera scenes such as Jiang Tai Gong deifying the gods (姜太公封神), and Guo Ze Yi celebrating his birthday (郭子仪庆寿), unfolding on the rooftops were auspicious symbols. On the other hand they disguised the anti-Manchu sentiments of \"overthrowing the Qing and restoring the Ming\" (†). In his short history of Guangdong opera, one of Mai Xiaoxia's major thrusts is to reconstruct scattered evidence in emphasizing the opera's role, and especially that of the Guangdong branch, as a disseminator of revolutionary thought. With the fall of the Ming and the advent of the Qing dynasty, heads were shaved, dress and language changed, and the civil service examination system was proclaimed open. But actors and actresses were despised as people of the lower nine grades of society and were prohibited from taking the examinations. Mai describes the opera as being the one loophole in one hundred prohibitions in which everywhere was hidden significance of national revolution. Ming costumes were preserved, except for non-Manchu enemy barbarians who were dressed in Manchu clothing; themes of Song loyalists such as the Yang Family Generals were common. One thousand pieces, Mai says, shared",
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    {
        "id": 209474,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 131,
        "title": "RAS-1982",
        "content_text": "109\n\nproletariat,\" under the leadership of the CCP. It confirmed many of the changes which had taken place in China's legal system since 1958, including the elimination of the procuratorate and Ministry of Justice as well as such individual rights as that of the accused to a defense and an open trial.\n\nHowever, the 1975 Constitution was to have a short life. 1976 was one of the most traumatic years in modern Chinese history. Zhou Enlai died in January and an intense struggle erupted between his supporters and the Gang of Four. Mao himself died in September, in October the Gang of Four headed by Mao's wife Jiang Qing was arrested, and China entered a whole new era with the re-emergence and rise to power of Zhou's chosen successor, Deng Xiaoping, beginning in the summer of 1977.\n\nIn March 1978 a third Constitution was adopted which restored many of the provisions dealing with the legal system contained in the 1954 Constitution, including the Ministry of Justice, procuratorate, the use of people's assessors, and the right to defense and open trial. Article 47 also stipulates that “No citizen may be arrested except by decision of the people's courts or with the sanction of the people's procuratorate.\" Far more important than the Constitution itself were the various steps taken by the new leadership to rectify the excesses of the past, and a series of new laws designed to provide a stable base for a rational legal system.\n\nAccording to published reports, some 110,000 persons who had been detained as “rightists\" were released in June 1978, and by the end of June 1980 people's courts at various levels had reviewed over 1.13 million criminal convictions meted out during the Cultural Revolution and redressed over 251,000 of them.10 In early 1979, political and civil rights were restored to landlords and rich peasants and their descendants as long as they supported socialism. Also, in July 1979, the NPC adopted seven major laws including a Criminal Code, a Criminal Code of Procedure, an Organic Law of People's Courts, and an Organic Law of People's Procuratorates, which took effect in January 1980. By the end of 1980, there were over twenty law departments and institutes producing personnel to meet the needs of the new system. A system of people's lawyers was reinstituted in 1979 and legal",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
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    },
    {
        "id": 209679,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1982",
        "page_number": 336,
        "title": "RAS-1982",
        "content_text": "314\n\nBOOK REVIEWS\n\nofficials, poets and scholars at different periods to illustrate the diffusion of sinitic culture eastward along the Huang He and eventually southward into the Zhang Jiang delta, floodplain and the Red Basin. In spite of the effort, Chen does not add much to our knowledge of the pattern of expansion of the Chinese cultural realm. The discussions on the cities of China (chapter 3) and the urban development of Beijing (chapter 4) are highly descriptive. Apparently Chen has exhausted every possible data source available to him, and he has succeeded in presenting a very detailed discussion on the form and content of Chinese cities, but he leaves much untold regarding the processes involved in their evolution. The Loess Plateau and the Huang He (chapter 5) and the Great Wall and the Grand Canal (chapter 6) are significant and highly humanized landscapes in China. Again, Chen has been able to condense a mass of data into these short chapters which give a detailed chronological description of these landscapes. In connection with these subjects, it is unfortunate to note that the author has made little reference to other scholars who have researched extensively and written on similar topics: for instance, Professor Ho Ping-ti on the loess plateau of China, Professor Chang Sen-dou on the cities of China, Professors Owen Lattimore and Harold Wiens on the expansion of sinitic culture, just to mention a few.\n\nIt should be emphasized, however, that Chen is not offering a holistic treatment on the cultural geography of China, and he is aware of this. What he is offering is a look into the wealth of historical data that may be tapped for geographic studies on China; for instance, the value of local gazetteers (chapters 2 and 9) and records of exploration and travels (chapter 7) and the use of maps in the study of place names (chapter 8). At this point, this reviewer would query the logic used in arranging these topics and the relevance of including Chen's address as the concluding chapter in the book,\n\nThe book contains 32 maps of a remarkably high level of cartographic skill. However, 29 of them are confined to chapters on the migration of the cultural core and on Chinese cities. The bulk of the presentation then, suffers from a lack of illustration which would have added immensely in establishing coherence in an otherwise jumbled and often tedious mass of place-names and",
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        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p",
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    },
    {
        "id": 212510,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 64,
        "title": "RAS-1991",
        "content_text": "44\n\n19\n\nRuan Yuan as a \"bridge for classical learning\" between the Han Learning scholars of Jiang Fan's Guo chao Han xue shi cheng ji (Han Learning scholars of the Qing dynasty) and the later work of Chen Li (1810-1882), Dong xu du shu ji (Chen Li's notes on the classics in which he argued against the viewpoint of the earlier classicists that Han period scholars had ignored metaphysical study.) Qian pointed out that \"recent scholarship has neglected the significance of this transitional period, thereby underestimating the significance of Ruan Yuan's contributions to the development of classical learning of the mid-Qing era.\"10 This finding was echoed by He You Shen# of the University of Hong Kong, who observed that Chen Li's thinking had been influenced by Ruan Yuan.\n\nAfter becoming a fellow of Xue Hai Tang, Chen Li went to visit Ruan Yuan in Yangzhou in 1841, and again three years later. These two visits influenced the direction of Chen's later thoughts tremendously.\"\n\nOther scholars have stressed the importance of Ruan Yuan's patronage activities. Liang Chi Chao wrote that \"Ruan Yuan of Yi-zheng served in the provinces for several decades. Everywhere he promoted learning. He exerted tremendous influence on other scholars of the era in Zhejiang, Guangdong, and Yunnan.”12 Xiao Yi Shan- stated that \"Ruan Yuan's contributions to learning were not confined to his own writing. He established institutions to give other scholars an opportunity to research and to publish. He was extremely influential on other scholars of the era. His scholarly achievements far surpassed those of his contemporaries, such as Wang Chang, Bi Yuan and Zhu Jun.\"'13 Hu Shi went further by analyzing the secret of Ruan Yuan's success.\n\nRuan Yuan's special talents rested in his ability to collect the leading scholars of the day, and have them work together to compile such major works as Jing ji zhuan gu, Shi san jing jiao kan ji, Chou ren zhuan, and others. He also published works of other scholars, among them Ling Ting kan, Jiao Xun, Wang Zhong, Liu Tai gong. His Huang Qing jing jie, 1,400 juan, represented the first conclusive study of classics by scholars of the Qing dynasty.14",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    },
    {
        "id": 212515,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 69,
        "title": "RAS-1991",
        "content_text": "49\n\nchong ding yi chi kuan shi may be gained from perusing a 1853 printed copy of the manuscript of the work. In the preface to the original edition, dated 1804, Ruan Yuan had listed 12 friends who had collections of ancient bronze vessels with inscriptions. Rubbings had been taken of these inscriptions, and the friends had meticulously consulted each other as well as Ruan Yuan on their identifications. Their conclusions had been gathered to be published in this book named after Ruan Yuan's studio, the Jiguzhai, meaning the studio to amass antiquities. Alas, in the preface, Ruan Yuan had singled out Zhu Weibi (1771-1840) \"Who was extremely fond of ancient inscriptions on bronzes. I gave him these rubbings (the collectors had made) for his further scrutiny. A draft of this manuscript had been among the Zhu family papers until the 1850s when it was printed under the same title by Zhu Weibi's great-grandson and great-grand-nephew. Apparently the younger generation had wished to show the scholarly world that this noted work had been done mostly by their ancestor at the behest of the much revered contemporary official and scholar, Ruan Yuan. In the preface of the printed draft, the Zhu boys wrote.\n\n+26\n\nThis is a draft of the manuscript of Ji gu zhai chong ding yi chi kuan shi with editorial changes made by our ancestor and Ruan Yuan. Ruan Yuan had discovered a Song dynasty work on identification of ancient inscriptions and had wanted to have his friends' identification of vessels in their own collections further investigated. Ruan Yuan had planned to have their findings prepared for publication (and had written a preface in 1804). Subsequently, at the time (of the drafting of the text), in 1807, our ancestor was at home mourning the death of his mother, so it was he who performed the task in getting this work for printing. The original manuscript is still in the family collection.\"\n\nOther questions on Ruan Yuan's sharing work and credit with other scholars still need to be investigated further. Those scholars who performed the major share of a particular task, for instance, were given due credit. Yen Jie (1763-1843), was acknowledged as the editor-in-chief of Huang Qing jing jieh, and Jiang Fan (1761-1831) that of Guang dong tung zhi.\n\nIntroducing Ruan Yuan's friends\n\nA list of 200 scholars associated with Ruan Yuan has been collated",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    },
    {
        "id": 212517,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 71,
        "title": "RAS-1991",
        "content_text": "51\n\ndistinguished scholars, Wang Chang (1725-1806) and Sun Xinyen (1753-1818) were invited by Ruan Yuan to serve as senior lecturers at the academy he established in Hangzhou, the Gu jing jing she.\n\nWang Chang, a man-of-letters with expertise in such diverse fields as the Classics, linguistics, Buddhist scripture, border warfare, and copper administration, had attained the jinshi degree in 1754 and had served as a clerk in the Grand Council. After a long career that included serving on the personal staff of Wen-fu (d. 1771), the Manchu President of the Board of Barbarian Affairs during the ten military campaigns of the mid-Qianlong reign, he retired to join Ruan Yuan in Hangzhou. Wang had been one of the three chief compilers of Ping ding liang Jin chuan fang lue [Official history of the Jinchuan war] 136+17 juan, printed 1800, and wrote a dozen or so major works of his own, including Yun nan tung zheng chuan shu [The complete work on copper administration in Yunnan], 50 juan, completed in 1787 (now listed as lost), Qing pu xian zhi [Local gazetteer of Qingpu], 40 juan, 1768, and Tai cang xian zhi [Gazetteer of Tai cang], 65 juan, printed in 1803, Shan sheng lü lie [Statutes and precedents of Shanxi province], 50 juan, c.1786, and many others.\n\nSun Xingen, a leading Classicist, specialist in astronomy, Buddhist scripture, geography and mathematics, never attained the jinshi degree but had passed the provincial examination in 1786. He was a friend of such noted scholars as Yuan Mei (1716-1798), Hong Liangji, Duan Yucai, Sun Zhizu, Gui Fu, Wu Yi and Wang Zhong. He met Ruan Yuan during the latter's tenure as director of studies in Shandong. Before joining the Gu jing jing she, Sun also served as director of the Jishan Academy, Hangzhou (1800) and in 1811 was appointed director of Zhongsan Academy in Nanjing. He participated in the compilation of several local histories but made his reputation as a Classical scholar by meticulously correcting the mistakes made throughout the centuries and publishing new editions of ancient texts. He compiled his own local histories — Lu zhou fu zhi [Gazetteer of Lu zhou in Anhuai], printed in 1803 and Sung jiang fu zhi [Gazetteer of Sungjing, including Shanghai], printed in 1819. His considerable literary works were collected in Sun Yen ru shi wen ji [Poems and essays by Sun Xinyen]. Sun was also a noted calligraphist, specializing in the seal script. His wife, Wang Cai wei (1753-1776), and a daughter, Sun Yi hui (married Xiao), both accomplished in poetry and literature, published poems.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
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    },
    {
        "id": 212519,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 73,
        "title": "RAS-1991",
        "content_text": "53\n\nJiang Fan (1761-1831) was one of the scholars from Yangzhou who followed Ruan Yuan all their lives. After losing his fortune and library in a drought that devastated Yangzhou 1785-86, he worked for a number of major officials on their personal staff, including Grand Secretary Wang Jie (1725-1805) and Ruan Yuan. At the recommendation of Ruan Yuan, who was then Director of Grain Transport, Jiang was appointed to the Lizheng Academy as Director in 1813. He followed Ruan Yuan to Canton as tutor to Ruan Fu (b. 1802), who, alone among Ruan Yuan's children, had entertained any pretension as a classical scholar. While at Canton, Jiang edited the Guangdong tongzhi 1819-1822 under Ruan Yuan's aegis. Ruan Yuan published Jiang's major work, Hanxue shicheng ji.\n\nJiao Xun (1763-1820) was another scholar from the Yangzhou area. He was considered to be a major force of the mid-Qing era in Classics, history, astronomy, mathematics, phonetics, etymology, and geography. He was a close personal friend of Ruan Yuan and worked as Ruan's personal secretary in the early days of Ruan Yuan's official career. A record of anti-piracy campaigns in Zhejiang 1799-1809 was compiled by Jiao and printed as Yingzhou shu ji. Jiao also worked on Chouren zhuan. He was recorded to have been paid 1,000 taels to compile the Yangzhou fu zhi [Local gazetteer of Yangzhou]. With this money, he was able to purchase land and build a house. His own works, mostly printed by Ruan Yuan, included Bei hu xiao zhi [Local history of Bei hu, a community north of Yangzhou], Li tang xue suan ji (Jiao Xun's mathematical studies), and Diao gu lou ji [Studies from Diao gu lou], comprising three major treatises on the Classics.\n\nHung Yixuan (1770-1815) was an example of those scholars whose personality and inclination had made it difficult for them to fit into the trials and tribulations of official life. One of three brothers all known for their intellectual achievements, which embraced astronomy, history, the Classics, and geography, Hung first came to the attention of Ruan Yuan in Hangzhou in 1796 or 1797. As Governor-General at Canton, Ruan Yuan rescued Hung from office by appointing him to his personal staff to work with Feng Dengfu on epigraphical notes they were compiling on Zhejiang.\n\nLing Tingkan (1757-1809) had made his home in Yangzhou, where he had become a close friend of Ruan Yuan. A jinshi of 1790, Ling had",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
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    },
    {
        "id": 212520,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 74,
        "title": "RAS-1991",
        "content_text": "54\n\n-\n\npreferred not to enter government service. He was a contemporary of Hong Liangji on the personal staff of Bi Yuan. Ling excelled in phonetics, textual criticism, the Classic of Rites, including music, as well as astronomy and mathematics both the Chinese and Western tradition. He was asked by Ruan Yuan to tutor his son Ruan Changsheng (adopted 1793, d. 1833). It was Ling who brought the excitement of the Tian yi ge collection to Ruan Yuan's attention. Ling, with Li Rui and Jiao Xun, had worked on the chou ren zhuan from the beginning. His own manuscript, Li jing shi li (Exposition on the Classic of Rites), 13 juan, was edited by and printed by Ruan Yuan after Ling's death. His prose, Jiao li tang wen chỉ [Collected prose of Ling Tingkan], 36 juan, first printed in 1812, has been useful in research on Ruan Yuan as well.\n\nZhang Jian (1768-1850) was one of the scholars who had been associated with Ruan Yuan from the beginning of the latter's official career until after his retirement. Zhang had served on the personal staff of Ruan Yuan, together with Yang Fenghao (1755-1816), Shi Guochi, and He Yuanxi (1766-1829). As a scholar, Zhang worked on various compilations, such as the Jing chỉ zhuan gu, and lectured at the Gu jing jing she. He was more useful to Ruan Yuan in his government, however. Zhang was best known for his expertise on sea transportation of tribute grain. It has been understood that Ying-he's famous memorial on sea transportation was based on Zhang's work. Zhang edited Ruan Yuan's papers on famine relief (in Ying zhou bi tan) and Liang Guang yen fa zhi [Salt Administration of Guangdong and Guangxi]. Zhang also supervised the compilation of Ruan Yuan's nian-pu, Lei tang an zhu di zu ji.\n\nLiu Wen chi (1789-1856) of Yangzhou had studied under Bao Shicheng at Mei hua Academy. He was a nephew of Ling Shu (1775-1829), another scholar who had been close to Ruan. Liu was of a younger generation of scholars who had not known Ruan Yuan in his heyday. Being a neighbour, however, he had corresponded with Ruan Yuan before the latter's retirement in 1838. In 1837, Ruan wrote a preface to Liu's work, Yang zhou shui dao ji. Ruan Yuan in retirement was an important figure in Liu's diary and they worked together on several works including a new printing of a Song-Yuan edition of a prefectural gazetteer of Zheng jiang, for which Liu wrote a preface in Ruan's name (1843). Liu recorded that he had written prefaces to several other works for Ruan Yuan, as the latter grew more\n\n+",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
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    },
    {
        "id": 212523,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1991",
        "page_number": 77,
        "title": "RAS-1991",
        "content_text": "57\n\nCollectively, these secretaries were known as mu.38 There are a number of learned treatises on the subject in Chinese, but I do not think that the function of these people should be expounded here; suffice to say that they were treated as respected senior secretaries by the officials, including Ruan Yuan, and were assigned certain tasks. A few examples of Ruan Yuan's secretaries follow: Zhang Jian was with Ruan Yuan in Zhejiang, Canton, and after his retirement, in Yangzhou as well. He helped formulate and implement such policies as eradication of coastal piracy, famine relief, salt administration, and transportation of tribute grain by sea. Chen Hongshou's expertise ranged from river administration to coastal defence. Together with Chen Wenxu, Zhu Weibi, Shi Guoqi, and Ruan Yuan himself, he also drafted the memorials Ruan Yuan sent to the Jiaqing Emperor while he was Governor of Zhejiang. Scholars with \"an extraordinarily fine hand\"39 who worked as actual copyists for Ruan Yuan's memorials include Fang Pu, He Yuanxi, Shi Guoqi, and Wu Shucheng.40\n\nRuan Yuan found jobs for other scholars in academic institutions. The academies he founded, Gu jing jing she in Hangzhou and the Xue hai tang in Canton, had absorbed scores of scholars. Other academies took on dozens of others. Among the less commonly known academies founded or rejuvenated by Ruan Yuan were the An lan Academy41 in Haining, Zhejiang,42 and the Ta liang Academy in Henan.43 In appointing scholars he considered worthwhile to these academies, Ruan Yuan in fact helped to spread Han Learning throughout the country. Ruan Yuan must have been at his wit's end in trying to find a suitable place for so eccentric a scholar as Fang Dongshu (1772-1851). Fang, from Tongcheng, who only attained the first degree, was noted for his poverty and his inability to get along with anyone, except perhaps Ruan Yuan. In 1819, Ruan Yuan brought him to Canton to work on the Guang dong tong zhi under Jiang Fan. Jiang assigned him research and writing which was supposed to take two years to complete, but Fang finished the task in one month. Ruan Yuan then found him a job at Hai men Academy in Lianzhou, where he lasted less than one year; with a repeat performance at the Chang yang Academy for a similar period. Exasperated, Ruan Yuan took Fang onto his own personal staff.\n\nFor scholars who worked on various literary projects sponsored by Ruan Yuan, see the Appendices to this paper.",
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    },
    {
        "id": 212527,
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        "document_key": "RAS-1991",
        "page_number": 81,
        "title": "RAS-1991",
        "content_text": "Liang Zhe fang hu (ling qin ci mu) lu (REHE)* Zhejiang kao\n\nKu jing jing she wen ji 詁經精社文集\n\n(Wang fu zhai) zhung ding kuan shi (E) H**\n\nXue shi zhong ding kuan shi 薛氏鐘鼎款識\n\nJiao shan ding-kao 焦山定陶鼎考\n\nHuang Qing bei ban lu\n\nHai tang zhi 海塘志\n\nJi gu zhai zhung ding yi qi kuan shi ****\n\n海連考\n\nHai yun kao I\n\nLiang Zhe jin shi zhi 兩浙金石志\n\nShi san jing zhu shu fu jiao kan ji +¶EAH\n\nYang zhou Ruan shi jia miao bei 揚州阮氏家廟碑\n\nYen jing shi wen ji 擘經室文集\n\nSui Wen xuan lou ming\n\nYing zhou shu ji 瀛舟書記\n\nQu jiang ting ji 曲江亭記\n\n**\n\nSi ku wei shou shu mu ti yao 四庫未收書目提要\n\nTian yi ge shu mu 大一閣書目\n\nLing yin shi shu zang mu\n\nChou ren zhuan AM\n\nShi san jing jing fu +*\n\n****!\n\nYi li shang fu da gong zhang zhuan zhu chuan wu Kao x\n\n功章傳注舛考\n\nHan Yen xi xi yue Hua shan bei kao ✶✶U**\n\nRu lin zhuan kao ####N\n\nGuo shi wen yuan zhuan 國史文苑傳\n\nJiao shan shu cang shu mu 焦山書藏書目\n\n(Song ben) shi san jing zhu shu (**)+***\n\nJiang su shi zheng #\n\nJiang xi gai jian gong yuan hao she bei ji 江西改建貢院號舍碑記\n\nGuangdong tong zhi 廣東通志\n\nGai jian Guangdong xiang shi wei she zhuo bei ji *****\n\n碑記\n\nShi shu gu shun 詩書古訓\n\nYen jing shi ji 擘經室集\n\nChong xiu Ruan shi zu-pu CEE**\n\nHuang Qing jing jie 皇清經解\n\nXue hai tang zhi 學海堂集 Yen jing shi shi lu 擘經室詩錄 Shi hua ji 石畫記\n\n61",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
        "rank": 0
    },
    {
        "id": 212536,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1991",
        "page_number": 90,
        "title": "RAS-1991",
        "content_text": "70\n\nhostile rhetoric, they provided no chance for their citizens to know the other country and its people. So, when Nixon made his initiatives to open relations with China, cultural exchanges did receive certain priority, at least as a gesture to break down the fence between the two countries. He lifted restrictions against wanting to travel to China. China, similarly extended to an American table tennis team an invitation to visit China, which was accepted and the trip was made.\n\nFollowing the Nixon visit, American interest in China soon mounted. American cultural groups began to arrive. Among these visitors, the most important was the Philadelphia Orchestra, the first major Western musical group to tour this country. The Philadelphia Orchestra performed in Beijing and Shanghai, staying in China for ten days from 12-23 September 1973.\n\nIn both cities the Philadelphia Orchestra was given a very courteous reception. The then powerful Politburo members in charge of ideology and cultural affairs, Jiang Qing and Yao Wenyuan, attended their performance in Beijing and chatted with leading members of the group afterwards. Meanwhile, the media gave friendly and sufficient coverage of the event. The media even allowed a musician to publish, in a leading newspaper, a review entitled \"friendly, enthusiastic and glorious\" in which he said that the Chinese people and Chinese art workers were very pleased to have the opportunity to enjoy the performance of this world-renowned American performing group and that China could learn from the American artists. He also expressed his hope for further development of friendship between Chinese and American artists and people.\n\nThe tour by the Philadelphia Orchestra took place against the background of the contemporary impoverished Chinese artists scene. Throughout the Cultural Revolution there had been a consistent tendency to eliminate foreign influence in arts and to produce a new \"proletarian\" culture for the Chinese people. As a result, many musicians, a large number of whom had been trained in the west, were either sent to prisons or to the May 7th Cadres' Schools to receive re-education. At the same time, the surviving musical organizations could hardly perform any symphonic music, due to the political environment and lack of qualified musicians. Under such circumstances the significance of the Philadelphia Orchestra's visit could only be political, not artistic.\n\nBy their use of the media and arts as the means for power struggle,\n\nPage 90\n\nPage 91",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j",
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    },
    {
        "id": 213782,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 134,
        "title": "RAS-1996",
        "content_text": "105\n\nIn the Southern Song period the first ancestor (“29th generation\" in the Xus' genealogy, who lived, again, in Jiangxi Province, had the names of Er Shi Jiu (29) Lang, whose grandsons moved to Fujian “at the end of Song dynasty\". The genealogy consistently includes langming designation only when more than one name is given for an ancestor. The first of such examples is a 39th generation ancestor. Although no date is given for him, he was probably a century earlier than a 43rd generation ancestor who lived during the Yongle years (1403-1424). Some segments of this Xu clan had ordination names, with the exception of about five consecutive generations during early Ming dynasty, during a period that spans about 20 generations ending in early Qing. Another Xu genealogy, related to the Xu clan above, using another system of numbering generations, named three ancestors in the 2nd, 3rd and 4th generations with ordination names, the last, a sorcerer/curer widely respected among his kinsmen even long after his death, lived between Wanli and Zhengtong (1436-1619).\n\n65\n\nFor the period between Song and Yuan we have more examples. The Fourth Genealogy of the Hes of Shixing names many ancestors with ordination names; among the earliest were a Wu Lang who moved to Fujian from “[Jiang]Nan ji[di] Luzhou” sometime between the times of Song Jiezong (1086-1100) and Yuan Chengzong (1295-1307). I have already mentioned another genealogy of the He, in which the sons and daughters of the founding ancestor Weitai were all claimed to be “immortals”, at least four generations before an ancestor who moved between 1086 and 1307. L. Hade, to whom many genealogies of the Li surname trace, had several sons with ordination names, whose birth dates were given in one genealogy as 1329-1333. During the Ming the Yaos of Shixing Pingyang Tang had names in the lang style since the first ancestor named in the genealogy who lived near the end of Song. During the Ming there was an ancestor who had an ordination name designated as such, who moved to Shixing of Nanxiong in 1451. Similarly the Miaos had many names in the ordination name styles since their move to the present Guangdong province, with one for an ancestor who died around 1452 designated as such.\n\nNew ordination names probably stopped being included in genealogies early in the Qing dynasty. I have already mentioned the case of the Xus. For this last period there were examples in several Hakka genealogies from the New Territories of Hong Kong.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641",
        "rank": 0
    },
    {
        "id": 213797,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 149,
        "title": "RAS-1996",
        "content_text": "120\n\n24\n\nН\n\nTou To Wang, Changsha Wang and various Muowang \"demons\" I have not consulted Shuton Yoshio eds. Yao Documents (Tokyo Kodansha 1975)\n\nFor example the Buddhist concept of Liu Dao, and the Asura was summoned by the Devil King to fight the Buddha in the Dunhuang narrative literature Buo Muo Branwen, in Dunhuang Brannen, in Tarper Shipe Shuju reprint, 1980, p 347 But in a passage of the Hua Yan Jin quoted by Hong MA,, op cut P. 1680, the King of Asura was among those summoned by the Bodhisattva to come to the rescue of those in turmoil\n\nBut Muowang \"Demon Kings' also featured in canonical Daoism in which They have been conquered by the Daoist gods and can be summoned by Daoist for protection\n\nEven then the Jade Emperor's native place, according to the same document, was \"Puo Xi\" which could have been Persia too\n\nSee Jiang op eit for Qujiang, and Hu Qiwang et al Bancun Yang, Minzu Chubanshe, 1983, for Guangxi Province\n\n\"See Lagerwey for the present situation\n\n\"The SJYLSSDC as we see now, a Qing reprint of the Ming book, has a passage that says Chen went to Lu Shan to study magic. But the next four characters do not make sense The crucial characters will give the master's name as Jiu Lang and can be found in reprints in a more recent series A Ming version reprint of the same book, under the title of Sanpao Yuanliu Shengdi Faozu Shoushen Dachuan, in the series Zhongguo Mijian Xinvang Zijido Hunbuan, Taiwan, 1989, gets most of the characters right. Compare also Shi Shen, a Qing manuscript also reprinted in the same series that quotes a Zheng Shou Shen ji, the passage is otherwise identical with SJYLSSDC\n\n\"See for example Lagerwey, perhaps Liu Zhiwan also. Note the latter being account of practice of the Zhang Fazu sect, which seemed not to involve the Lu Shan Jiu Lang at all\n\nTh\n\nInteresting information is found in John Lagerwey was not mentioned, instead \"John Keupers\", \"A Description of the Fa-ch'ang Ritual as Practiced by the Lu Shan Taoists of Northern Taiwan\", in Saso and Chappell eds Buddhist and Taoist Studies 1. Hawaii University of Hawaii, 1977, p 83 This article on the Lu Shan San Nai sect shows, without saying so, that the confusion has multiplied as the priest has mistaken the pair Lu Shan Jiu Lang and Wang Tu Mu for Dong Wang Gong and Xi Wang Mu, two prominent gods in canonical Daoism, and by two steps of substitution (Xu Xun = Lu Shan Jiu Lang, Dong Wang Gong = Lu Shan Jiu Lang) identified Dong Wang Gong with Xu Xun\n\n-\n\nSee for example the San Jiao Shou Shen Da Chuan\n\nMin Du Wai Ji by den He Qiu, reprinted 1987 by Fujian Renmin Chubanshe\n\nYuan Hao-wen, Yi Jian Zhi, Reprint Beijing Zhonghua Shuju, 1988\n\n14\n\nALL\n\nOp eit pp 1181, 1429\n\n+",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 213873,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1996",
        "page_number": 225,
        "title": "RAS-1996",
        "content_text": "199\n\non the Canton-Hong Kong group. As shall be seen in this article, since the opening of China in 1840 to 1927, when China was nominally united by Jiang Jieshi (7), settlers in Hong Kong at least found three good seasons to invest in China - they were the Western Affairs Movement in the 1870s, the late Qing reform in the 1900s, and the post-revolution “rehabilitation” in the 1910s and the early 1920s. Each occasion was accompanied by investment blooms in China - ship-building and mining in the 1870s, railway, steamship land reclamation and port developments in the 1900s, banking (especially for currency redemption) and real estate in the 1910s and 1920s.\n\nThe Western Affairs Movement\n\nSince the forced opening of China in 1840, and the subsequent establishment of trade ports in Hong Kong, Canton, Shanghai and Tianjin in 1843, 1844 and 1861 respectively, a commercial axis was gradually extending northward within coastal China. This development gave rise to an urban population which was linked by telegraph, railways, steamship, printing, census, minting, urban planning and western schooling. Before the peasant population in the inner parts of China was appealed to in the political movement of the 1930s, it was this urban population in coastal China that was being appealed to in the national politics of China. Among others things, this coastal population played a significant part in the Western Affairs Movement, as well as the \"late Qing reform\" in 1904.\n\nThanks to the hard work of Rev. Carl Smith, we recognize that in the late nineteenth century a Cantonese group was emerging within this commercial axis along coastal China. They were western-educated Cantonese, including Eurasians, who emerged in Hong Kong and Macau, where western missionary schools found their earliest presence. These Cantonese, without proper education in classical Chinese, were regarded by the Chinese as a group marginal to the Chinese community. Their job market was small - they could not climb up the traditional social ladder in the same way as their Chinese-educated counterparts could through the Imperial Examination, and the number of their potential employers was very few. This explains why their career paths were more or less identical - at one time or another, they were employed by the Maritime Customs, the Hong Kong government, or for the lucky few, they would be employed as compradores in western firms.\n\nPage 225\n\nPage 226",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt",
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    },
    {
        "id": 214228,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 86,
        "title": "RAS-1998",
        "content_text": "49\n\nYeung, Chris (1998a, March 22), 'Broadcaster stays open to debate,' Sunday Morning Post.\n\n(1998b, March 27), 'Civil servants fail to see joke,' South China Morning Post.\n\nZeldin, Theodore (1983), The French, Fontana Paperbacks\n\nNOTES\n\nDiscussion with Howard Young, Legislative Councillor Hong Kong Special Administrative Region, the People's Republic of China, 1 February 1999.\n\n2 These appear to be mainly Mainland Chinese jokes with some added, in stages, from Hong Kong and Taiwan. Some jokes appear to be 15 or so years behind the times. Many are not really funny. See Internet web page: http://www.sc.cninfo.net/index/new/yml.htm.\n\n3 Carol A. R. Andrews, Assistant Keeper, conducted a 'gallery talk,' April 1997, on Ancient Egyptian Humour.\n\n4 Mr Bean is played by Rowan Atkinson who was said, in 1998, to be Britain's highest paid actor: see South China Morning Post, 15 November 1998.\n\n5 Howard Young, who although himself a Hong Kong Chinese, tells western jokes as he finds Chinese jokes, to use his own words, 'boring;' interviewed by author on 1 February 1999.\n\n6 This is, in other words, the Lun Yu, one of the Chinese Classics which has been the essence of Confucianism for more than 2,500 years.\n\n7 Fok and the author worked together in the Hong Kong Education Department up to 1980.\n\n8 The 'Gang of Four,' which had been centred around Mao Zedong during the Cultural Revolution, was arrested in October 1976, less than a month after Mao's death. The 'Gang' consisted of Jiang Qing, Mao's widow, Yao Wengyuan, Zhang Chunqiao and the youthful Wang Hongwen.\n\n9 Chinese soldiers too exhausted to march on were taken to the nearest habitation,",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 214351,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 209,
        "title": "RAS-1998",
        "content_text": "174\n\nThe conflict is described in gory detail with both humans and deities waging unrestricted warfare using thunderbolts, poisonous gases, and magic fans. Armies are annihilated by wizardry, bizarre and fantastic magic weapons are deployed by both sides leading to the eventual defeat of the Shang, and the suicide of the ruler and death of his concubine. The story ends with the heroes of both sides being canonised. This historical fantasy describes the struggle in the 11th century BC between the forces of the evil King Zhou3 [Zhou Wang, known also as Zhou Xin] of the Shang [Yin] dynasty and the armies of Duke Fa,a with large bodies of men clashing as well as individual duels between heroes leading to the eventual victory by Duke Fa and the end of King Zhou and his concubine. It describes individual or groups of deities, their origins, careers, and their miracles and supernatural powers during the campaign of Duke Fa against King Zhou. During the struggle, both sides called upon Heaven, who in response sent mythological deities [i.e., not deified humans] to take part in the clashes and battles.\n\nThe major hero of the forces of Duke Fa was his prime minister, Jiang Ziya, who was eventually responsible for handing out honours deifying the human heroes of both sides, with both the victors and the conquered being awarded posts in the Celestial hierarchy. Images of many of these heroes can still be seen on altars, deities in their own right, with responsibility for specific roles as gods of wealth or health or as patron deities. These deified heroes are possibly best thought of as 'human' deities in comparison with the mythological orthodox Daoist and Buddhist deities of the Creation and pre-history, a number of whom also took part in the fictional conflict. It has provided a standardisation of myths and legends woven into a continuous story which has, since its compilation, been the main spring of Chinese popular knowledge about the celestial and Underworld deities. A great many deities were familiar before this work was written, and the problem, therefore, has been well-nigh impossible, of determining how much of the work was original and how much was grafted in from earlier legends.\n\nChinese histories describing the fall of the Shang are far from clear. It was the era when the Chinese in the Yellow River basin were emerging from the mists of pre-history. Dates vary from 1050 BC to 1120 and 1127 BC, but one scenario is well known to the Chinese man in the street, the final act. The Shang was ruled by a degenerate, Zhou Xin [also known as Zhou Wang], whose army was defeated in battle on the Muye plain before the Shang capital. The victor was Duke Fa [Ji Fa], who founded...",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
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    },
    {
        "id": 214353,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-1998",
        "page_number": 211,
        "title": "RAS-1998",
        "content_text": "176\n\nimage with one of the other titles is the same god.\n\nThe Fengshen Yanyi records numerous departments of the Celestial World including, for example, the Department of Thunder. It has a chief, General Wen, and twenty-four subordinates, amongst whom are the spirits of wind, rain and lightning; these are often referred to as the Five Spirits of Thunder, Lei Shen. Another is the Department of Fire Spirits. Its departmental head, Luo Xuan of Fire Dragon Island, called himself Yan Zhong Xian, the Immortal of the Flames, and was a fierce-looking iron-toothed, red individual. His immediate subordinate was Liu Huan, a yellow-faced demonic being who, during the Shang-Zhou struggle, brought along the materials with which they nearly destroyed the capital of Xi Ji, before being themselves routed. Luo Xuan was awarded the title The Chief Spirit Ruler of the Southern Region Three Atmospheres Fire Virtue Star: Nan Fang San Qi Huode Xingjun Zhengshen. Among his subordinates are a pig, monkey, tiger and snake spirits, all representing the different kinds of fires. The tiger is the 'tail fire' which is very hot; the pig is a 'house fire' which bursts out unexpectedly; the monkey is the 'nose fire' which comes suddenly through openings; whilst the snake is the 'winged fire' which leaps from one place to another. Liu Huan causes fires to spread.\n\nThe story begins with the last ruler of the Shang making an offering at the temple of the goddess Nü Wa. Having written a poem on the wall of the temple, a graffiti that offends her, she sends three monsters to bewitch him.\n\nThe following résumé of the last two chapters of the book brings into focus the tenor and style of the story. Jiang Ziya, about whom tales are told of his ineffectual efforts to become a trader and thus satisfy his wife's demands that he should do something useful, was eventually introduced to the Court and King Zhou Xin, who gave him a high position. Jiang antagonised Dan Ji, Zhou Xin's concubine, by getting rid of one of her vampire friends who had disguised herself as a human to share with the evil queen the flesh and blood of the victims she had slaughtered. Jiang was being taken away to be executed outside the palace but managed to slip through a hole in a bridge and disappeared. The guards sought him everywhere and finally assumed that he had been drowned. He had however been able to conceal himself.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    },
    {
        "id": 214354,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 212,
        "title": "RAS-1998",
        "content_text": "177\n\nself and appeared back home, having lost his lucrative post, where he bore the full fury of his wife as she had been enjoying the perks of the wife of a high official. He explained that he had no intention of returning to the palace as the fortunes of the evil Zhou Xin had a further twenty years to run, and went off spending his days fishing.\n\nMany years later the father of the future victorious King Wu heard a fisherman singing and learning that the song foretold the future fall of the Shang and the victory of the Zhou he went in search of the man who had taught the fisherman the song. This turned out to be Jiang who was then encouraged to return to the court of Duke Fa, where after Duke Fa's victory he was made the Prime Minister.\n\nIn the Fengshen Yanyi he was then despatched to the mystic mountains of the West, the Kunlun Shan, where he was to seek from the great deity, Yuanshi Tianjun, the Primordial Heavenly Lord, honours for the loyal ministers, brave warriors, and all the good and bad immortals, male and female, who had died during the struggle. Jiang arrived at the Palace on the Kunlun mountains and was admitted by the White Crane Youth, Bai Hao who escorted him to meet Yuanshi Tianjun. After Jiang knelt and made his plea the Primordial Heavenly Lord promised to send a decree, which would authorise the canonisation of all the warriors, and name each in turn. Jiang returned to report to King Wu, followed a few days later by the White Crane Youth who descended amidst soft music and fragrance to deliver the decree. Jiang then ordered the Terrace to be prepared and soldiers to guard it whilst he purified himself. He entered the Terrace and after unrolling the decree read aloud the order which promised that those to be deified should be free from transmigration, and would be promoted or demoted according to their merits. He ordered that they should be worshipped by the people as protectors of the nation and its people, and they were to regulate the wind, rain and natural forces for the benefit of the people. They were authorised to reward good deeds and punish the wicked. The list of names of those deified was then hung up and the ministers and warriors ordered to approach in a lengthy queue with no one being permitted to leave it. The first to be called was Bai Jian, who was created the God of Pure Blessedness. He was followed one by one until all 365 warriors and worthies had been rewarded. Not all were straightforward. Some had followed the evil King during the struggle and had perpetrated wicked acts but had eventually recanted and had tried to make",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    {
        "id": 214355,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 213,
        "title": "RAS-1998",
        "content_text": "178\n\namends. King Wu also held an audience at which he announced that certain Daoists and generals who had bravely fought and died should be regarded as heroes and revered as such. At that point a number of Daoist mythological heroes stepped forward and declared that as they were uncultured, having lived in the mountains and countryside, they now wished to return to report to their masters. They added that they were unable to accept honours or rewards as they had simply followed the orders of their masters. All seven left the Court, and the following day after a feast, they were reluctantly permitted to leave by King Wu.\n\nMy daughter, a friend and I during a visit to Song Shan in Henan province, one of the Daoist holy mountains, came across a large modern temple which, as we approached its entrance, looked real enough until we came to enter it. There were several young women in a uniform of sorts knocking a badminton cock around to while away the hours and, of all things, a turnstile. We then saw the name of the temple was Fengshen Gong, the Palace of the Investiture of the Gods, and entered wide-eyed wondering what could possibly be inside.\n\nOnce inside we were taken by our guide down a short corridor and out into what proved to be a massive wax-works, images of scenes from the Fengshen Yanyi as well as images of the major local deity, the Lord of Zhong Yüeh, the Lord of the Central Peak [Song Shan]. The exhibition, we were informed, had been built by the Tourist Board of the local city, Deng Feng, for Chinese visitors. Well over 200 images, mostly static but with some dozen or so automatons, lined the winding path leading through the large exhibition hall. With a not too subtle gesture our guide switched each on and off until, apparently bored by her foreign guests who spent quite some time at each exhibit, she abandoned us and returned to her badminton. The place was deserted apart from four small boys who were delighted to be alone with us and took enormous pleasure in switching on and off the various exhibits for our benefit without any guide being there to chastise them.\n\nScenes included the wicked Zhou Wang ascending his throne; Na Zha, the Third Prince, Causing Trouble with the Dragon King; Duke Fa [King Wu] subjugating Zhou Wang; the Terrace of the Investiture on which Jiang Ziya is reading out the decree canonising the heroes, and the Five Sacred Ones returning to Heaven. Several of the automated exhibits had the small boys in fits of giggles; one in particular",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
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    {
        "id": 214356,
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        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
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        "document_key": "RAS-1998",
        "page_number": 214,
        "title": "RAS-1998",
        "content_text": "179\n\nwas the decapitation of a Fox Fairy, possibly the wicked King's concubine, Dan Ji. In legend the spirit of a fox inhabits the body of a beautiful young woman who then bewitches and captivates men. When killed such woman immediately revert to their fox body origins. In the exhibit the young woman is standing and as the sword descends her head rolls off and rolls about on the floor before immediately reverting to its original position on her body. The boys were only too delighted to press the button to cause the head to roll again and again. Another was the birth of the Third Prince out of his caul. In legend he is born an apparent monster but after a swift slash with a sword the caul opens and the child emerges. Once more the boys played this for us several times.\n\nThis was possibly not the most ideal way to be introduced to the Fengshen Yanyi. A year or so earlier my daughter and I heard of the small temple dedicated to Zhou Gong, located at the foot of Phoenix Mountain in a rural area north of Qi Shan in Shaanxi province. We drove there to find in the main hall of a memorial temple, which had just been renovated, an image of Jiang Ziya flanked by two mythological deities, Na Zha and Yang Jian [see Note 8]. The first of the two, is a seven year old youth who caused havoc in Heaven and, better known as the Third Prince. He is nowadays the primary guardian of temple altars in Taiwan where his image stands on the altar table before the main altar. His is a traditional story tracing the age-old conflict between generations, and conflict of power and responsibility. Yang Jian has certain magic powers, which he used during the conflict but is also regarded as a potent deity who protects against demonic attack. He is often referred to as Er Lang, and he and his small dog are to be seen in a number of temples and in many he is regarded as the patron deity of dogs. The murals across the whole of the main hall's side walls depict episodes from the Fengshen Yanyi complete with Jiang Ziya first mobilising the deities of heaven to help the Duke Fa, and finally, the scene of the Investiture itself on the Terrace of the Investiture.\n\n10\n\nA number of temples in the central-west of China used to contain large gilded 'mountains', carved structures representing a mountain with crags and caves on which were superimposed a number of carved wooden gilded images of Daoist deities. The vast majority of these were also characters from the Fengshen Yanyi.11",
        "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794",
        "rank": 0
    },
    {
        "id": 215072,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2000",
        "page_number": 168,
        "title": "RAS-2000",
        "content_text": "125\n\nthe death of his mother who had been defenestrated on orders from her husband, King Zhou, as punishment for bearing such a 'monster.' Yin Jiao was determined to destroy not only his father but also the Imperial Concubine, Da Ji, the Nine-tailed Fox Spirit and current royal favourite who had caused the death of Yin's mother by her calumnies. Yin was presented with two magic weapons by the Goddess Tian Fei, a gold club and a battle-axe, and after the final great battle between the forces of the declining, sinister and corrupt Shang dynasty and the victorious future Zhou dynasty at Wan Xian Chen, Yin Jiao fought first on the side of his father, King Zhou. Later, after switching sides and fighting for the good King Wu, he was unfortunately decapitated by a general during the battles having been sandwiched by the Buddha Randeng between two mountains. He was deified during the general deification at the end of the war by Jiang Ziya, the future Prime Minister of the new dynasty, on the authority of the Jade Emperor. Yin Jiao, at the end of the novel, having been sent by Heaven to bring dread calamity down on to King Zhou because of his blasphemies and evil ways, volunteered to be the executioner of his father and his father's concubine, Da Ji. He was proclaimed Prince Jingming and was rewarded by the Jade Emperor for his bravery and filial piety with the titles of Taisui, Marshal Yin and with the presidency of the Ministry of Time. In the novel, the full title of Yin Jiao, the younger son of the evil King Zhou of the Shang dynasty, is Dou Lei Taisui Yin Yuanshuai.\n\nRC\n\nand as one of the Twenty-four Heavenly Lords he is also referred to as Yin the Heavenly Lord (Yin Tianjun).\n\nAn entirely different story is given in another novel, the Shenyi Jing which tells of Jin Chong, the son of Pan Gu the creator of the world, who lived in the mountains of Shandong province. Jin was canonised as Taisui by Fu Xi, a primeval ruler and sage, the first of the three emperors of the legendary period, for his many good deeds and was made responsible to Heaven for supervising the activities of all the spirits and demons. Few Chinese would appear to know this story.\n\nDoré, who refers to Taisui as the Patron of the Harvests, explains that Yin Jiao's baby name whilst living with He Xiangu was Jin Nazha. This adds further confusion to the legends surrounding Li Nazha [the Third Prince - San Taizi], a very popular deity who appears with great frequency in Chinese legends and fairy tales.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n",
        "rank": 0
    },
    {
        "id": 215317,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2001",
        "page_number": 94,
        "title": "RAS-2001",
        "content_text": "42\n\nFaure, David, 1986. The Structure of Chinese Rural Society: Lineage and Village in the Eastern New Territories, Hong Kong. Hong Kong &c: Oxford University Press.\n\nGu jin tu shu ji cheng 4 (The Complete Collection of Ancient and New Matters from Illustrations and Documents). 1885-88 (1726). Compiled by Chen Menglei and Jiang Tingxi. 3rd edition. Shanghai: Major Brothers.\n\nHODOUS, Lewis. 1974 (1929). Folkways in China. Taipei: Ch'eng Wen Publishing Company.\n\nJing Chu sui shi ji (Records of the Seasons in Jing and Chu). Complied by Zong Lin. Liang Dynasty. In Hubei yunxin yi shutt (Documents on Traditional Morals in Hubei). N.d.\n\nTUN LI-CH'EN. 1987 (1936). Annual Customs and Festivals in Peking as Recorded in the Yen-ching Sui-shih-chi. Translated and annotated by Derk Bodde. Hong Kong: Hong Kong University Press.\n\nTURBAN, HELGA. 1971. Das Ching-Ch'u sui-shih chi, ein chinesischen Festkalender. Augsburg: Dissertationsdruck W. Blasaditsch.\n\nYANG, C.K. 1961. Religion in Chinese Society: A Study of Contemporary Social Functions of Religion and Some of Their Historical Factors. Berkeley: University of California Press.\n\nYiyang xian zhi (Chronicle of the Magistracy of Yiyang). 1874. N.p.\n\nYuanjiang xian zhi (Chronicle of the Magistracy of Yuanjiang). 1807-09. N.p.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g",
        "rank": 0
    },
    {
        "id": 215767,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 66,
        "title": "RAS-2002",
        "content_text": "London: George G. Harrap, 1945.\n\nRitchie, Edmee Alice\n\nMy memoirs or good of its kind. [s.l.: s.n., n.d.].\n\nSecret notes on Japanese army\n\nNorth Melbourne: Victorian Railways Printing Works, 1942.\n\nThe Shanghai directory 1941: City supplementary edition to The China Hong List. Shanghai: The Office of the North-China Daily News & Herald, Ltd.\n\nShneider, Vladimir\n\nTraces of the ten. Beer-Sheva: V. Shneider, 2002.\n\nSmith, Arthur Henderson, 1845-1932.\n\nVillage life in China: a study in sociology. Edinburgh: Oliphant, Anderson and Ferrier, 1900.\n\nTicozzi, Sergio\n\nHistorical document of the Hong Kong Catholic Church. Hong Kong: Hong Kong Catholic Diocesan Archives, 1997\n\nVocational Training Council (Hong Kong) The Morrison Hill story [videorecording]. [Hong Kong: s.n., 199-.\n\nWaters, Dan.\n\nLunch beat [2 sound cassettes]. (Dr Dan Waters shares his in-depth knowledge and stories about Hong Kong's past in two episodes of radio programme The Lunch Beat.\n\n[Hong Kong: RTHK, 1998 - 2001].\n\nWay, Denis M. and Nield, Robert\n\nCounting house: the history of PricewaterhouseCoopers on the China Coast. Hong Kong: PricewaterhouseCoopers, c2002.\n\nWu, You-ru\n\nShen-jiang sheng jing tu. Shanghai: Hua bao zhai shu she, 1999.\n\nZhang, Yingjin\n\nlvii",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 216039,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 338,
        "title": "RAS-2002",
        "content_text": "272\n\nAlthough not part of the Zhenjiang story a Daoist cult centre on Mao Shan, a mountain some fifty miles to the south, was visited annually by a stream of pilgrims in the Spring, a great many of whom passed through the convenient port of Zhenjiang. The Daoist Mao Shan school was arguably the most powerful Daoist sect during the Tang and maintained its great prestige down to at least 1949. The Mao Shan Daopai as it is known, is renowned for its seances and medium trances, and according to Mao Shan sect priests was founded in the fourth century AD with the Mao Shan sect priests considering themselves to be the highest ranking of all Daoist orders.15 The sect originally appears to have been meditative and only later did it fall into line with other sects.\n\nIn 1917 two images were observed by Otterwill in Zhenjiang, in procession, Yan Gong and Jiang Gong #, both patron deities of river boatmen. Both deities were popular on altars in and around Nanchang, Anjing and along the Yangzi. Also popular in central China, C. B. Day records that Yan Gong in Zhejiang province was one of the Five Daoist deities who presided over a period of danger, a member of the Celestial Board of Health 瘟部五帝.\n\nThere have been but few references in western writings to the legend and role of Yan Gong, a Patron of Sailors. According to Doré, \"he was regarded in Central China as the protector of sailors and the god of the tides [Chao Shen].\" This, presumably, means the patron deity of sailors in the rivers and estuaries of the Yangzi basin. However, Yang Laoda is the usual patron of boatmen on the Yangzi. Werner1 provides a more detailed description of Yan Gong, the god of sailors, adding a little to Doré. He notes that Yan Gong had a temple built in his honour near Shanghai during the reign of the first emperor of the period of the Three Kingdoms [ca. AD 240] and that he was the deified hero in that temple who protected Shanghai from rebel attacks during the reign of Ming Shi Cong [ca. 1540]. Other legends claim that he was born during the Song in Jiangxi, that he was one of the four major deities of Jiangxi province, and was a censor famous for his integrity. Or that he was again a native of Jiangxi but born during the Yuan, and drowned during a storm when returning home. He was buried but was seen by the inhabitants of his native district on the same day. When his coffin was brought to Nanchang and opened it was found to be empty, a miracle which led to a temple being built in his honour. Sailors have",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 216040,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2002",
        "page_number": 339,
        "title": "RAS-2002",
        "content_text": "273\n\nsince sought his assistance to calm storms. In yet another legend Yan Gong is claimed to have saved the life of the first emperor of the Ming during a crossing of the Yangzi; and Werner, after relating a complicated story about the presence of a mythical creature being found, noted that Ming Hong Wu, having realized that he had been saved by a spirit called Yan, bestowed the title of Marshal of the Metropolis upon him and ordered a temple to be built in his honour.\n\nImages of Yan Gong have been only noted on altars in the area of Nanchang in Jiangxi, and in the southern maritime provinces of China including Taiwan and Hong Kong, but not within Chinese communities in South-east Asia.\n\nJiang Shen, literally the spirit of the river, is the generic title for a nameless deity on the Yangzi about whom little is known. She is said to have taken on human form and been bathing in the nude when she was stranded by the low tide. A fisherman caught and raped her, and died! The image of the deity seen in the temple near Wuhan on the Yangzi was that of a fish.\n\nJin Shan Si\n\nThe Song emperor Zhen Cong [998-1022] first gave the name of Longyou Dao, the Island of the Imperial Swim, to Jin Shan island after he had had a dream that he had been swimming in the Yangzi from it and then some ten years later gave permission to the monastery on the island to take the name Longyou Chan Si, which indicates that the temple was of the Buddhist Amitabha School of Meditation. It was restored to prominence and imperial patronage in about 1323 following several annual religious congresses.\n\nVisitors nowadays see a hillock, Jin Shan, Gold or Golden Hill, on which the temple stands with its tall octagonal pagoda with galleries marking each of the seven storeys outlined against the sky. This pagoda crowns the buildings and dominates the River and for a small gratuity permission to ascend the spiral staircase may be obtained. Today's pagoda, known as the Cishou Ta, was built in 1900, though according to historical texts there used to be two pagodas. These stood one at each end of the temple, and were first built during the Tang, though reconstructed several times down the centuries.",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278",
        "rank": 0
    },
    {
        "id": 216317,
        "series_id": 26,
        "series_slug": "histsyn-rashkb-journal-engine",
        "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊",
        "series_use_hku_proxy": false,
        "document_key": "RAS-2003",
        "page_number": 76,
        "title": "RAS-2003",
        "content_text": "25\n\nYin. While Guanyin has compassionate mercy for those in need, it is Da Shi Zhi who possesses the power to actually carry out her acts of kindness. The San Sheng Dian houses by far the oldest of Longhua's three bronze bells, this one supposedly dating from 1132, which would also make it the oldest historic relic the temple possesses today. The hall itself dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1986.\n\nImmediately behind the San Sheng Dian is a walled garden with trees which unfortunately is closed to the public. Inside this walled garden is a fifth main hall, the Abbot's Quarters (Fang Zhang Shi), which is for the private use of the resident monks and their master, the Fang Zhang. It was the only hall which the monks maintained control of during the Cultural Revolution. Normally it is kept off limits to the public and cannot be visited. However, the author was able to steal a glimpse and found that the hall was furnished with rows of large armchairs, and lacked any large statues. Possibly it is a modern day form of the Meditation Hall (Chan Tang). At the far left end of the hall is a small office decorated with framed color photos of the temple's Buddhist leaders posing with Communist Party leaders such as Jiang Zemin.\n\nBehind the Abbot's Quarters is the sixth and final courtyard, and the sixth hall on the central axis, the newly built two-story Scripture Hall (Cang Jing Lou). This modern building holds most of the temple's few genuine relics, including a library of 7,000 Qing Dynasty volumes; a Ming Dynasty gold seal given to the temple in 1598 by the emperor Wanli (1573-1620); a Ming Dynasty gold-plated bronze Buddha statue; Tang Dynasty scriptures; and a copy of the Heart Sutra dating from the year 1098, the fifth year of the Zhe Zong reign (1085-1100) of Emperor Zhao Xu of the Northern Song Dynasty (960-1126). Exactly how these relics survived the destruction of the Taiping Rebellion, the lengthy military occupation of the Min Guo era, and the Cultural Revolution is unclear. Possibly they were donated to the temple sometime later. Unfortunately the public is not welcomed to visit this sixth hall, and the relics are kept hidden from view, although photographs of them appear in a recent pamphlet sold at the temple's bookstore.\n\nHidden in a seldom visited corner of the temple grounds on the east side of the Fang Zhang Shi's walled garden is a smaller garden",
        "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt",
        "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390",
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    }
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