[ { "id": 207781, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1976", "page_number": 169, "title": "RAS-1976", "content_text": "154\n\nW. A. REYNOLDS\n\nAll hospitals and medical services in China were very short of medical supplies both in terms of medicines, anaesthetics, equipment and everyday requirements such as bandages and sheets. In addition, in a time of inflation, assets were put into easily saleable form of which medicine, such as quinine, was a favourite. This meant that there was little western medicine for sale in the open market and supplies of such materials, whether in store or in transit, were a favourite target for thieves. However the greatest losses in the Nationalist armies were undoubtedly from the malnutrition/dysentery cycle from which, beyond a certain point, there was no recovery.\n\n3 The daily routine on the road varied with the fuel used, but there were common features. The driver and mechanic (or assistant if carried) slept on the truck, the shorter in the cab and the taller on top of the cargo. This helped to prevent theft of cargo and removal of parts such as headlamps and half-shafts which were in great demand. Passengers slept in the nearest inn, or perhaps mission station. Techniques for an undisturbed and loss-free night in an inn included an oiled sheet (p.8) sewn into the bottom of the mosquito net which was then slit at one end and fastened with clips, and placing the bed or table legs into shoes to make unauthorized removal of them difficult.\n\nActivity started at dawn and after refuelling and a check on wheels and springs a quick breakfast of ji dan dou jiang (p.8) taken from a travelling salesman, the truck would get under way. There would normally be a stop at a convenient fandian (p.8) between 10.30 and 12 noon- refuelling, wheel and spring checks and away again until late afternoon and a stop for the day.\n\nLiquid fuel was carried in 50 (US) gallon drums and was siphoned out into 5 gallon cans for transfer to the truck tank. A skilled man, using a rubber hose, can induce a siphon by sucking at the end and avoid getting his mouth full of raw alcohol, rape seed oil or whatever the fuel might be. Operation and refuelling of the charcoal burning trucks was a much longer and dirtier procedure and is described in the section devoted to them.\n\n4 The Sentinel/HSG trucks had an interesting history. With the loss of the coastal region and the main railway lines, China had not only lost the possibility of importing diesel fuel and petrol but had gained a number of experienced, but unemployed, steam railway engine drivers and firemen. The IRC decided to enquire into the possibility of steam road transport and got in touch with the Sentinel Steam Carriage and Wagon Co. Ltd. at Shrewsbury, England, the major manufacturer in the past of steam road engines. The transport would use local coal or charcoal fuel and the available engine drivers and firemen. However, the tare weight of steam wagons is high and the gross weight would have been greater than the bridges would have stood. The Sentinel company suggested an alternative. They had recently taken up the designs of the High Speed Gas engine and offered a 5 ton capacity truck fitted with a 4 cylinder horizontal HSG engine with a 12:1 compression ratio. This burnt producer gas made from charcoal in a gas generator of the cross-draught type. Four of these Sentinel/HSG were purchased and may have been the first (and possibly only) ones built. One of these had been lost on the Burma Road and the remaining three contributed to the death of one man, resignation of another, and almost broke the hearts of several other Unit members. It should be a cardinal point never to introduce any equipment, mechanical or electrical, into a tough environment lacking supporting services, unless it has been in series production and has been thoroughly tested in similar conditions.", "txt_file_path": "txt/dfo323lmgvd/RAS-1976.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/hq382988q", "rank": 0 }, { "id": 208371, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 95, "title": "RAS-1978", "content_text": "QINGMING FESTIVAL IN CENTRAL CHINA\n\n79\n\nand a new transplantation followed in the fourth moon. In Baling we find that grave worship was conducted in the first moon, at Qingming, and on the 3rd day of the third moon. I think it possible to correlate this unusual dispersion with the existence of two periods of sowing.\n\nThis short sketch indicates how much more we must know in order to make anthropological sense out of the Chinese calendar system. I leave the argument at this juncture. When we know more about the autumn rituals and the New Year celebrations we may, in this new knowledge, find clues to a better understanding of the distribution of ceremonies over the calendric span of time. Again, when we know more about the local conditions and variations to be found in this limited area of Central China, we may find some co-variation in ritual events, which would be helpful in our attempts at establishing the overall system.\n\nNOTES\n\n*This paper was written when in 1975 I was privileged by All Souls College, Oxford, with a Visiting Fellowship. I remain most thankful to the Warden and Fellows of All Souls. I owe a further debt of gratitude to the two Swedish Research Councils for the Social Sciences, and for the Humanities. Part of the material which concerns this essay was found in the Harvard-Yenching Institute, Harvard University, in 1970. I am indebted to that Institute for their hospitality, and also to University of Stockholm and the Nathhorst Foundation for generous support. The argument of this paper was presented at a seminar in the School of Oriental and African Studies, London. I am grateful for this occasion. For comments and discussion I remain thankful to Hwang Tsu-yu, Wang Gung-wu, James Watson, Arthur Wolf and the late Maurice Freedman.\n\n1 See, for instance, the papers by Maurice Freedman, ‘A Chinese Phase of Social Anthropology,' British Journal of Sociology 14, 1-19, 1963, and 'Why China', (Presidential Address 1969) Proceedings of the Royal Anthropological Institute of Great Britain and Ireland 1969, 5-13.\n\n2 Gujin Tushu Jicheng. The Complete Collection of Books of All Times, Eds. Chen Menglei & Jiang Tingxi, 1885-1888 reprint of 1726 edition. (Hereafter GJTSJC). References to this work are given according to the system of Lionel Giles, An Alphabetical Index to the Chinese Encyclopaedia. London: British Museum, 1911.\n\n3 Taoyuan Xianzhi. Records of Taoyuan County. Auths. Fang Kun and Pi Zhen. n.d. juan 3:12a.\n\n4 Yiyang Xianzhi. Records of Yiyang County, Auth. Zhao Zhepei 1807-1819. juan 2:66.\n\n5 GJTSJC, VI:1259 lb, 1193 # 3a, 1120 # 4b.\n\n6 GJTSJC VI:1130 # 2a.\n\n7 Baling Xianzhi. Records of Baling County Auth. 1872 juan 11:7b, quoting that is an earlier sub-prefectural gazetteer.", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 208395, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1978", "page_number": 119, "title": "RAS-1978", "content_text": "SHIWAN POTTERY EXPLORED\n\n103\n\nMy own research on Shiwan has continued in the Department of Fine Arts and the Centre of Asian Studies over the past two and a half years. This included in March of 1978, the opportunity for a three-week individual study trip in Guangzhou and Shiwan. Encountering the concrete reality of what I had researched for so long, discovering a wealth of material I had no idea existed, while adjusting to completely different perceptions of life and study methods within a socialist system, heightened my sense of exploration. Hence the intent of the present lecture is to introduce, in a little more depth, a few of the problems explored on that trip.\n\nExploration across the border revealed that significant archaeological research relating to Shiwan had been carried on for a number of years. There was great excitement over these discoveries and I was warmed by the measure of trust placed in me by the researchers who, despite their own uncertainty, showed me the new discoveries before publication.2\n\nThe research itself calls for the re-thinking of traditional beliefs concerning the history of Shiwan pottery. These traditional beliefs can be traced back to two major written sources. In 1941, Li Jing-kang (*), principal of the Clementi Middle School in Hong Kong, wrote what was up until that time the most careful and logical account of Shiwan history, taking into account scanty written references, oral traditions, and actual objects available. His main source was a handwritten manuscript in the possession of “a certain gentleman in Fushan\". This manuscript recounted that Shiwan pottery began in Yangjiang Xian (縣), where due to the turmoil of war, potters migrating from the Jun (鈞) kilns in Northern Honan Province (河南), established kilns sometime in the late Southern Song dynasty (early 13th century). In the Ming period (A.D. 1368-1643), according to Li, these Yangjiang potters moved to the present location of the potteries in Nanhai Xian (Figure 1). Xu Zhiheng (#2), a Cantonese, and professor of Chinese literature at Beijing University in the early Republican period, recounts the same story and describes this so-called \"Yang-jiang ware\" as having sky blue-indigo blue-ash blue flambe (i.e. streaky multicoloured) glaze, which imitated Honan Jun ware.4 A group of wares which corresponded to this description were identified and placed on exhibition at the Fung Ping Shan Library in 1940.5", "txt_file_path": "txt/dfo323lmgvd/RAS-1978.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/8g84t8593", "rank": 0 }, { "id": 209684, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1982", "page_number": 341, "title": "RAS-1982", "content_text": "BOOK REVIEWS\n\n319\n\ndespite provision of a conversion table printed in very small characters.\n\nDespite these shortcomings, however, this is a useful handbook which will be of value in its field.\n\nP. H. HASE\n\nA Cadre School Life: Six Chapters Yang Jiang, trans. G. Barmé Joint Publishing Co. Hong Kong 1982, 91 pp.\n\nMadam Yang Jiang's \"Six Chapters on a Cadre School Life\", a book well received and translated into English, French, Japanese and other languages, is an epitome of life in the 'May 7 cadre schools' that could be found all over the country during the Cultural Revolution. This book provides food for thought for those free from any bias or prejudice, who will surely be enlightened after reading it. Like Madam Yang, I was an ordinary \"fighter\" of one of these schools. That experience should have made a greater impact on me as I had spent more time in a cadre school than she did. But for lack of literary talent and eloquence, I cannot vividly record this noteworthy episode of history in any way as well as she did.\n\nIn the Foreword he wrote for the book, Mr. Qian Zhongshu said he thought there might well have been a seventh chapter called \"Politics Chapter on Shame\". I, too, have the feeling that there is still so much more worth narrating. We, of course, cannot expect everyone to feel exactly the same because different people have different experiences and also because cadre schools were not entirely identical although they had much in common. So different people will have different things to narrate and appraisals will not be quite the same from the readers.\n\nSo far as I can remember, what struck me most was the damaging effect this period of history had on people of talent. If I were to add a chapter to this book, I would call it \"Transformation Chapter on Fei\". The word 'fei' is used mainly to denote 'waste' as in the term langfei'. It also has the meaning of 'tuition fee' as in 'xuefei'.", "txt_file_path": "txt/dfo323lmgvd/RAS-1982.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mk61z420p", "rank": 0 }, { "id": 209945, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1983", "page_number": 204, "title": "RAS-1983", "content_text": "182\n\nNOTES\n\n1 For historical developments of Taoism, see Ch'en, 1963; Stein, 1979: 53-82; and for a fuller discussion of Jiao-shi, see Saso, 1972: 32-83, Liu, 1974, and Keuper, 1977: 79-94.\n\n\"They hold Jiao-shi in either Cantonese or Fukien dialects and in general, Cantonese-speaking dao-shi provide Jiao-shi to Cantonese-speaking communities and Fukienese-speaking dao-shi to Fukienese-speaking communities.\n\n* The two dao-shi groups who conducted Jiao-shi at these two locations are among the few practicing Taoist groups in Hong Kong. Dao-shi who performed Jiao-shi in Fanling were Cantonese-speaking and in Cheung-chau, Fukienese-speaking.\n\n4\n\nExact instrumentation varies according to the practice of different regions; for example, Fukienese-speaking Taoist team performing at the Cheung-chau Bun Festival employs an er-hu in addition to the melodic instrument suo-na. Ch'en Guo-fu, 1963, mentions that the instrumentation of Jiao-shi music in the Jiang-nan area is quite similar to that of the Shi-fan-luo-go of that area which consists of the melodic instruments of di, xiao, sheng, er-hu, xian-zi, yun-luo, pi-pa and percussion instruments.\n\n6\n\nIt goes without saying that changes of the pitches in the original pattern will result in rhythmic changes as well; they are viewed nevertheless as pitch-variants. In rhythm-variant, the pitches remain relatively stable while rhythmic details change.\n\n• Based on the examples which I have analysed, it seems that the rhythm-variants are rarely used and even if they are used, they are often accompanied by some kind of pitch-variant (e.g.,).\n\n+\n\nOnly the vocal part is included in the transcription. The er-hu part plays the same melody an octave higher. The percussion instruments of luo and po, played by the Taoist priest himself in this case, repeat the following pattern throughout:\n\nluo ро\n\n33 XX- -X333\n\n*This structure makes it possible for the suo-na players to prolong their playing whenever necessary by repeating the middle part several more times before going on to motif k.\n\n• The similar use of instrumentation and seating arrangement, and melodic and rhythmic motives in Jiao-shi music and regional opera of the same locality are two ready examples. Chen, 1963, describes Taoists performing Kun-ju excerpts during Jiao-shi. See also Note 4.", "txt_file_path": "txt/dfo323lmgvd/RAS-1983.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/j9607p61v", "rank": 0 }, { "id": 210222, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1984", "page_number": 193, "title": "RAS-1984", "content_text": "172\n\nR.A. BOWLER, D.S.C. YANG AND A.J.E. SMITH\n\noyster. This type is referred to in Chinese textbooks as C. gigas Thunberg. The second type is called Chi Hao (4) or red oyster, whose Chinese scientific name is Jin Jiang Mu Li, which translates as the riverine oyster. This type is identified as C. rivularis Gould in Chinese textbooks.\n\nThe oystermen's description of the two types is given below, supplemented with notes taken from a Chinese textbook (Nanhai Ocean Research Centre, 1978). This information is included here verbatim, to make it more generally available to English language users.\n\n\"White oysters have an elongated oval shape with length about 3 times the width. Colour is usually white or sometimes yellowish brown. There is a fairly large, brownish yellow horseshoe shaped adductor muscle scar. The white oyster is said to have a higher market value because its taste is superior to that of the red oyster; it also is reputed to take longer to reach market size.\n\n\"Red oysters have a more variable length to width ratio than the white type and the shell can be round, triangular, oval or elongated. There should be reddish brown or even grey, green or purple streaks on the shell. The scales or laminae which make up the shell are thin and brittle. The adductor muscle scar is of the same size as the white oyster but has an oval or kidney shape. Chinese oysterman reported that the market price was lower than the white oyster but that it reached market size one year earlier.”\n\nRecent work (Morris, 1985) suggests that there is no justification to consider that the \"C. rivularis type\" animals form a separate species. Gould originally described an oyster from the South China Sea as C. rivularis; the type specimen has not been examined since Gould's initial publication in 1861 and it appears that the specimen could have been C. pestigris. Despite these taxonomical points Morris accepts that further studies, to include soft tissue anatomy and perhaps electrophoresis of blood, may provide evidence that there is more than one oyster species involved in the commercial oyster industry.", "txt_file_path": "txt/dfo323lmgvd/RAS-1984.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/5h73wh572", "rank": 0 }, { "id": 212510, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 64, "title": "RAS-1991", "content_text": "44\n\n19\n\nRuan Yuan as a \"bridge for classical learning\" between the Han Learning scholars of Jiang Fan's Guo chao Han xue shi cheng ji (Han Learning scholars of the Qing dynasty) and the later work of Chen Li (1810-1882), Dong xu du shu ji (Chen Li's notes on the classics in which he argued against the viewpoint of the earlier classicists that Han period scholars had ignored metaphysical study.) Qian pointed out that \"recent scholarship has neglected the significance of this transitional period, thereby underestimating the significance of Ruan Yuan's contributions to the development of classical learning of the mid-Qing era.\"10 This finding was echoed by He You Shen# of the University of Hong Kong, who observed that Chen Li's thinking had been influenced by Ruan Yuan.\n\nAfter becoming a fellow of Xue Hai Tang, Chen Li went to visit Ruan Yuan in Yangzhou in 1841, and again three years later. These two visits influenced the direction of Chen's later thoughts tremendously.\"\n\nOther scholars have stressed the importance of Ruan Yuan's patronage activities. Liang Chi Chao wrote that \"Ruan Yuan of Yi-zheng served in the provinces for several decades. Everywhere he promoted learning. He exerted tremendous influence on other scholars of the era in Zhejiang, Guangdong, and Yunnan.”12 Xiao Yi Shan- stated that \"Ruan Yuan's contributions to learning were not confined to his own writing. He established institutions to give other scholars an opportunity to research and to publish. He was extremely influential on other scholars of the era. His scholarly achievements far surpassed those of his contemporaries, such as Wang Chang, Bi Yuan and Zhu Jun.\"'13 Hu Shi went further by analyzing the secret of Ruan Yuan's success.\n\nRuan Yuan's special talents rested in his ability to collect the leading scholars of the day, and have them work together to compile such major works as Jing ji zhuan gu, Shi san jing jiao kan ji, Chou ren zhuan, and others. He also published works of other scholars, among them Ling Ting kan, Jiao Xun, Wang Zhong, Liu Tai gong. His Huang Qing jing jie, 1,400 juan, represented the first conclusive study of classics by scholars of the Qing dynasty.14", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212515, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 69, "title": "RAS-1991", "content_text": "49\n\nchong ding yi chi kuan shi may be gained from perusing a 1853 printed copy of the manuscript of the work. In the preface to the original edition, dated 1804, Ruan Yuan had listed 12 friends who had collections of ancient bronze vessels with inscriptions. Rubbings had been taken of these inscriptions, and the friends had meticulously consulted each other as well as Ruan Yuan on their identifications. Their conclusions had been gathered to be published in this book named after Ruan Yuan's studio, the Jiguzhai, meaning the studio to amass antiquities. Alas, in the preface, Ruan Yuan had singled out Zhu Weibi (1771-1840) \"Who was extremely fond of ancient inscriptions on bronzes. I gave him these rubbings (the collectors had made) for his further scrutiny. A draft of this manuscript had been among the Zhu family papers until the 1850s when it was printed under the same title by Zhu Weibi's great-grandson and great-grand-nephew. Apparently the younger generation had wished to show the scholarly world that this noted work had been done mostly by their ancestor at the behest of the much revered contemporary official and scholar, Ruan Yuan. In the preface of the printed draft, the Zhu boys wrote.\n\n+26\n\nThis is a draft of the manuscript of Ji gu zhai chong ding yi chi kuan shi with editorial changes made by our ancestor and Ruan Yuan. Ruan Yuan had discovered a Song dynasty work on identification of ancient inscriptions and had wanted to have his friends' identification of vessels in their own collections further investigated. Ruan Yuan had planned to have their findings prepared for publication (and had written a preface in 1804). Subsequently, at the time (of the drafting of the text), in 1807, our ancestor was at home mourning the death of his mother, so it was he who performed the task in getting this work for printing. The original manuscript is still in the family collection.\"\n\nOther questions on Ruan Yuan's sharing work and credit with other scholars still need to be investigated further. Those scholars who performed the major share of a particular task, for instance, were given due credit. Yen Jie (1763-1843), was acknowledged as the editor-in-chief of Huang Qing jing jieh, and Jiang Fan (1761-1831) that of Guang dong tung zhi.\n\nIntroducing Ruan Yuan's friends\n\nA list of 200 scholars associated with Ruan Yuan has been collated", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212517, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 71, "title": "RAS-1991", "content_text": "51\n\ndistinguished scholars, Wang Chang (1725-1806) and Sun Xinyen (1753-1818) were invited by Ruan Yuan to serve as senior lecturers at the academy he established in Hangzhou, the Gu jing jing she.\n\nWang Chang, a man-of-letters with expertise in such diverse fields as the Classics, linguistics, Buddhist scripture, border warfare, and copper administration, had attained the jinshi degree in 1754 and had served as a clerk in the Grand Council. After a long career that included serving on the personal staff of Wen-fu (d. 1771), the Manchu President of the Board of Barbarian Affairs during the ten military campaigns of the mid-Qianlong reign, he retired to join Ruan Yuan in Hangzhou. Wang had been one of the three chief compilers of Ping ding liang Jin chuan fang lue [Official history of the Jinchuan war] 136+17 juan, printed 1800, and wrote a dozen or so major works of his own, including Yun nan tung zheng chuan shu [The complete work on copper administration in Yunnan], 50 juan, completed in 1787 (now listed as lost), Qing pu xian zhi [Local gazetteer of Qingpu], 40 juan, 1768, and Tai cang xian zhi [Gazetteer of Tai cang], 65 juan, printed in 1803, Shan sheng lü lie [Statutes and precedents of Shanxi province], 50 juan, c.1786, and many others.\n\nSun Xingen, a leading Classicist, specialist in astronomy, Buddhist scripture, geography and mathematics, never attained the jinshi degree but had passed the provincial examination in 1786. He was a friend of such noted scholars as Yuan Mei (1716-1798), Hong Liangji, Duan Yucai, Sun Zhizu, Gui Fu, Wu Yi and Wang Zhong. He met Ruan Yuan during the latter's tenure as director of studies in Shandong. Before joining the Gu jing jing she, Sun also served as director of the Jishan Academy, Hangzhou (1800) and in 1811 was appointed director of Zhongsan Academy in Nanjing. He participated in the compilation of several local histories but made his reputation as a Classical scholar by meticulously correcting the mistakes made throughout the centuries and publishing new editions of ancient texts. He compiled his own local histories — Lu zhou fu zhi [Gazetteer of Lu zhou in Anhuai], printed in 1803 and Sung jiang fu zhi [Gazetteer of Sungjing, including Shanghai], printed in 1819. His considerable literary works were collected in Sun Yen ru shi wen ji [Poems and essays by Sun Xinyen]. Sun was also a noted calligraphist, specializing in the seal script. His wife, Wang Cai wei (1753-1776), and a daughter, Sun Yi hui (married Xiao), both accomplished in poetry and literature, published poems.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212519, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 73, "title": "RAS-1991", "content_text": "53\n\nJiang Fan (1761-1831) was one of the scholars from Yangzhou who followed Ruan Yuan all their lives. After losing his fortune and library in a drought that devastated Yangzhou 1785-86, he worked for a number of major officials on their personal staff, including Grand Secretary Wang Jie (1725-1805) and Ruan Yuan. At the recommendation of Ruan Yuan, who was then Director of Grain Transport, Jiang was appointed to the Lizheng Academy as Director in 1813. He followed Ruan Yuan to Canton as tutor to Ruan Fu (b. 1802), who, alone among Ruan Yuan's children, had entertained any pretension as a classical scholar. While at Canton, Jiang edited the Guangdong tongzhi 1819-1822 under Ruan Yuan's aegis. Ruan Yuan published Jiang's major work, Hanxue shicheng ji.\n\nJiao Xun (1763-1820) was another scholar from the Yangzhou area. He was considered to be a major force of the mid-Qing era in Classics, history, astronomy, mathematics, phonetics, etymology, and geography. He was a close personal friend of Ruan Yuan and worked as Ruan's personal secretary in the early days of Ruan Yuan's official career. A record of anti-piracy campaigns in Zhejiang 1799-1809 was compiled by Jiao and printed as Yingzhou shu ji. Jiao also worked on Chouren zhuan. He was recorded to have been paid 1,000 taels to compile the Yangzhou fu zhi [Local gazetteer of Yangzhou]. With this money, he was able to purchase land and build a house. His own works, mostly printed by Ruan Yuan, included Bei hu xiao zhi [Local history of Bei hu, a community north of Yangzhou], Li tang xue suan ji (Jiao Xun's mathematical studies), and Diao gu lou ji [Studies from Diao gu lou], comprising three major treatises on the Classics.\n\nHung Yixuan (1770-1815) was an example of those scholars whose personality and inclination had made it difficult for them to fit into the trials and tribulations of official life. One of three brothers all known for their intellectual achievements, which embraced astronomy, history, the Classics, and geography, Hung first came to the attention of Ruan Yuan in Hangzhou in 1796 or 1797. As Governor-General at Canton, Ruan Yuan rescued Hung from office by appointing him to his personal staff to work with Feng Dengfu on epigraphical notes they were compiling on Zhejiang.\n\nLing Tingkan (1757-1809) had made his home in Yangzhou, where he had become a close friend of Ruan Yuan. A jinshi of 1790, Ling had", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212523, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 77, "title": "RAS-1991", "content_text": "57\n\nCollectively, these secretaries were known as mu.38 There are a number of learned treatises on the subject in Chinese, but I do not think that the function of these people should be expounded here; suffice to say that they were treated as respected senior secretaries by the officials, including Ruan Yuan, and were assigned certain tasks. A few examples of Ruan Yuan's secretaries follow: Zhang Jian was with Ruan Yuan in Zhejiang, Canton, and after his retirement, in Yangzhou as well. He helped formulate and implement such policies as eradication of coastal piracy, famine relief, salt administration, and transportation of tribute grain by sea. Chen Hongshou's expertise ranged from river administration to coastal defence. Together with Chen Wenxu, Zhu Weibi, Shi Guoqi, and Ruan Yuan himself, he also drafted the memorials Ruan Yuan sent to the Jiaqing Emperor while he was Governor of Zhejiang. Scholars with \"an extraordinarily fine hand\"39 who worked as actual copyists for Ruan Yuan's memorials include Fang Pu, He Yuanxi, Shi Guoqi, and Wu Shucheng.40\n\nRuan Yuan found jobs for other scholars in academic institutions. The academies he founded, Gu jing jing she in Hangzhou and the Xue hai tang in Canton, had absorbed scores of scholars. Other academies took on dozens of others. Among the less commonly known academies founded or rejuvenated by Ruan Yuan were the An lan Academy41 in Haining, Zhejiang,42 and the Ta liang Academy in Henan.43 In appointing scholars he considered worthwhile to these academies, Ruan Yuan in fact helped to spread Han Learning throughout the country. Ruan Yuan must have been at his wit's end in trying to find a suitable place for so eccentric a scholar as Fang Dongshu (1772-1851). Fang, from Tongcheng, who only attained the first degree, was noted for his poverty and his inability to get along with anyone, except perhaps Ruan Yuan. In 1819, Ruan Yuan brought him to Canton to work on the Guang dong tong zhi under Jiang Fan. Jiang assigned him research and writing which was supposed to take two years to complete, but Fang finished the task in one month. Ruan Yuan then found him a job at Hai men Academy in Lianzhou, where he lasted less than one year; with a repeat performance at the Chang yang Academy for a similar period. Exasperated, Ruan Yuan took Fang onto his own personal staff.\n\nFor scholars who worked on various literary projects sponsored by Ruan Yuan, see the Appendices to this paper.", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212527, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 81, "title": "RAS-1991", "content_text": "Liang Zhe fang hu (ling qin ci mu) lu (REHE)* Zhejiang kao\n\nKu jing jing she wen ji 詁經精社文集\n\n(Wang fu zhai) zhung ding kuan shi (E) H**\n\nXue shi zhong ding kuan shi 薛氏鐘鼎款識\n\nJiao shan ding-kao 焦山定陶鼎考\n\nHuang Qing bei ban lu\n\nHai tang zhi 海塘志\n\nJi gu zhai zhung ding yi qi kuan shi ****\n\n海連考\n\nHai yun kao I\n\nLiang Zhe jin shi zhi 兩浙金石志\n\nShi san jing zhu shu fu jiao kan ji +¶EAH\n\nYang zhou Ruan shi jia miao bei 揚州阮氏家廟碑\n\nYen jing shi wen ji 擘經室文集\n\nSui Wen xuan lou ming\n\nYing zhou shu ji 瀛舟書記\n\nQu jiang ting ji 曲江亭記\n\n**\n\nSi ku wei shou shu mu ti yao 四庫未收書目提要\n\nTian yi ge shu mu 大一閣書目\n\nLing yin shi shu zang mu\n\nChou ren zhuan AM\n\nShi san jing jing fu +*\n\n****!\n\nYi li shang fu da gong zhang zhuan zhu chuan wu Kao x\n\n功章傳注舛考\n\nHan Yen xi xi yue Hua shan bei kao ✶✶U**\n\nRu lin zhuan kao ####N\n\nGuo shi wen yuan zhuan 國史文苑傳\n\nJiao shan shu cang shu mu 焦山書藏書目\n\n(Song ben) shi san jing zhu shu (**)+***\n\nJiang su shi zheng #\n\nJiang xi gai jian gong yuan hao she bei ji 江西改建貢院號舍碑記\n\nGuangdong tong zhi 廣東通志\n\nGai jian Guangdong xiang shi wei she zhuo bei ji *****\n\n碑記\n\nShi shu gu shun 詩書古訓\n\nYen jing shi ji 擘經室集\n\nChong xiu Ruan shi zu-pu CEE**\n\nHuang Qing jing jie 皇清經解\n\nXue hai tang zhi 學海堂集 Yen jing shi shi lu 擘經室詩錄 Shi hua ji 石畫記\n\n61", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 212560, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1991", "page_number": 114, "title": "RAS-1991", "content_text": "94\n\nperfected in the United States, Stevenson adopts an approach which gives great emphasis to the expression of the inner, emotional state of the characters, an alternative to the approach Chinese dancers were familiar with. In the summer of 1979, he trained two Chinese student dancers at the Houston Ballet Academy. At the end of the summer, the students returned to China with a pas-de-deux Stevenson choreographed for them. In China, the performance of that piece caused a stir among the audiences and a revision of the approach Chinese dancers took towards their profession. In the succeeding years, Chinese artists choreographed some pieces, such as the Spirit of the Yellow River, which also suggests Stevenson's influence on dance in China.6\n\nObviously, the contributions American Cultural presence made to cultural pluralism are twofold: direct presentations gave a different feature to the cultural life of the Chinese people while they introduce new ideas. The latter, therefore, is of more significance as it is more persistent and penetrating. As for exchanges in arts education and exchanges of specialists, the consequences were also twofold: the influx of new ideas and the improvement in China's artistic activities.\n\nIn this context, the work of David Gilbert can be taken as an example of how American specialists helped Chinese artists in the improvement of artistic quality. David Gilbert, music director and conductor of the Greenwich Philharmonia in the United States, began to serve as principal guest conductor of the Central Philharmonic Orchestra (CPO, affiliated to the CPS) in June 1980. At the conclusion of his first term, he reflected: \"The players (of the CPO) are fine professional musicians but they have no repertory and no experience.” “The orchestra itself had never done Beethoven's Eighth Symphony, and when I scheduled the overture to 'Die Meistersinger' I discovered it was their first Wagner of any kind.\"37 Nonetheless, in mid-1981, he was able to tour with the CPO to Mudan Jiang, Harbin, and Changchun for two weeks with a repertoire made up largely of pieces learnt by the orchestra from him, and since then the orchestra had presented one concert every two weeks, rehearsing six days a week.\n\nIn evaluating the consequences of Sino-American arts exchanges in the 15 years since 1972, and particularly in the eight years since 1979, one important aspect to discuss is whether these exchanges have affected domestic socio-political development of China. It is important, and even vital, to the further development of China's arts exchanges with the", "txt_file_path": "txt/dfo323lmgvd/RAS-1991.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/k356gt84j", "rank": 0 }, { "id": 213795, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 147, "title": "RAS-1996", "content_text": "118\n\n*In Jiang Yinghang, Xinan Bianjiang Minzu Lancong, prefaced 1948, reprinted Taiwan Xinwenfeng Chuban Gongsi 1978. pp 224-228\n\n*Jacques Lemoine, Yao Ceremonial Paintings. Bangkok White Lotus Co Ltd, 1982, pp 24-27\n\n7 See for example Lemoine, op cit, for references to the god as a patriarch of the Yao religion in their documents\n\n*There is evidence suggesting that in the Hakka case the attainment of the fang title does not rely on his sons subsequently being initiated to a high level, as in some Yao cases mentioned in Zhongguo Xinan Yu Dongnanya de Kunjia Minzu. In at least one Hakka case, that of a Xu which we should mention later, the man had a fang styled ordination name but no descendants\n\nリ\n\n*Shi Lian-zhu, She Zu, Beijing Minzu Chubanshe, 1988, pp 113-115\n\n*Meng Hui-ying, Hetai Shenhua (*Living Myths - A Study in the Myths of Chinese Ethnic Minorities*), Tianjin Nankai Daxue Chubanshe, 1990, pp 116-2. See Also ibid p. 222 for a description of the ceremony, which included the learning of 'magic'\n\n\"See, for example, Shezu hanshi, Fujian Fujian Renmin Chubanshe, 1980, p 104. The same characters are found in some Hakka genealogies as a character put before a numeric character to form a name of the fang format. Studies on the She, for example articles in Shi Lianzhu ed. Shezu Yanjiu Lunwenji, Minzu Chubanshe 1987, has shown that the She was in close contact with the Hakka in earlier times. Most of them speak a version of Hakka, apparently as their only language. The She called themselves shan ha, 'guests of the mountain', reminiscent of the name the Hakka used for themselves (Hakka or \"guest\" families'). There are some interesting features of the Hakka language that have not yet attracted the attention of students of language. Although the Hakka of the New Territories of Hong Kong called their Cantonese neighbors va (Hakka pronunciation of she) derogatorily, they do use va for person in certain contexts, e.g. gido sa (\"how many people\"). Sometimes hat, is used instead (gido ha), as is in another expression long ha ('two people'). I suspect that this ha is the same as the ba in shan ha by which the She called themselves. In fact, the Hakka pronunciation of She as Sa could have been a shortened form of san ha. Some books written in the Hakka dialect, however, write sa in such context as chat (\"fellows')\n\n\"See Zhonghua Minzu Fengsu Cudian, Jiangxi Jiaoyu Chubanshe, 1988, p 288-9 under their Luo, op cit, p 230\n\nont\n\nFor example the one in the Savings of Bai Yuchan in the Daoist Canon, vol. 1016\n\nIs Included in Luo, op cit, pp 97-98\n\nIn In Luo op cit p 161\n\n17 In his arguments he does bring our attention to an interesting point fang as a title of some", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 213797, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1996", "page_number": 149, "title": "RAS-1996", "content_text": "120\n\n24\n\nН\n\nTou To Wang, Changsha Wang and various Muowang \"demons\" I have not consulted Shuton Yoshio eds. Yao Documents (Tokyo Kodansha 1975)\n\nFor example the Buddhist concept of Liu Dao, and the Asura was summoned by the Devil King to fight the Buddha in the Dunhuang narrative literature Buo Muo Branwen, in Dunhuang Brannen, in Tarper Shipe Shuju reprint, 1980, p 347 But in a passage of the Hua Yan Jin quoted by Hong MA,, op cut P. 1680, the King of Asura was among those summoned by the Bodhisattva to come to the rescue of those in turmoil\n\nBut Muowang \"Demon Kings' also featured in canonical Daoism in which They have been conquered by the Daoist gods and can be summoned by Daoist for protection\n\nEven then the Jade Emperor's native place, according to the same document, was \"Puo Xi\" which could have been Persia too\n\nSee Jiang op eit for Qujiang, and Hu Qiwang et al Bancun Yang, Minzu Chubanshe, 1983, for Guangxi Province\n\n\"See Lagerwey for the present situation\n\n\"The SJYLSSDC as we see now, a Qing reprint of the Ming book, has a passage that says Chen went to Lu Shan to study magic. But the next four characters do not make sense The crucial characters will give the master's name as Jiu Lang and can be found in reprints in a more recent series A Ming version reprint of the same book, under the title of Sanpao Yuanliu Shengdi Faozu Shoushen Dachuan, in the series Zhongguo Mijian Xinvang Zijido Hunbuan, Taiwan, 1989, gets most of the characters right. Compare also Shi Shen, a Qing manuscript also reprinted in the same series that quotes a Zheng Shou Shen ji, the passage is otherwise identical with SJYLSSDC\n\n\"See for example Lagerwey, perhaps Liu Zhiwan also. Note the latter being account of practice of the Zhang Fazu sect, which seemed not to involve the Lu Shan Jiu Lang at all\n\nTh\n\nInteresting information is found in John Lagerwey was not mentioned, instead \"John Keupers\", \"A Description of the Fa-ch'ang Ritual as Practiced by the Lu Shan Taoists of Northern Taiwan\", in Saso and Chappell eds Buddhist and Taoist Studies 1. Hawaii University of Hawaii, 1977, p 83 This article on the Lu Shan San Nai sect shows, without saying so, that the confusion has multiplied as the priest has mistaken the pair Lu Shan Jiu Lang and Wang Tu Mu for Dong Wang Gong and Xi Wang Mu, two prominent gods in canonical Daoism, and by two steps of substitution (Xu Xun = Lu Shan Jiu Lang, Dong Wang Gong = Lu Shan Jiu Lang) identified Dong Wang Gong with Xu Xun\n\n-\n\nSee for example the San Jiao Shou Shen Da Chuan\n\nMin Du Wai Ji by den He Qiu, reprinted 1987 by Fujian Renmin Chubanshe\n\nYuan Hao-wen, Yi Jian Zhi, Reprint Beijing Zhonghua Shuju, 1988\n\n14\n\nALL\n\nOp eit pp 1181, 1429\n\n+", "txt_file_path": "txt/dfo323lmgvd/RAS-1996.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/3n209j641", "rank": 0 }, { "id": 214351, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 209, "title": "RAS-1998", "content_text": "174\n\nThe conflict is described in gory detail with both humans and deities waging unrestricted warfare using thunderbolts, poisonous gases, and magic fans. Armies are annihilated by wizardry, bizarre and fantastic magic weapons are deployed by both sides leading to the eventual defeat of the Shang, and the suicide of the ruler and death of his concubine. The story ends with the heroes of both sides being canonised. This historical fantasy describes the struggle in the 11th century BC between the forces of the evil King Zhou3 [Zhou Wang, known also as Zhou Xin] of the Shang [Yin] dynasty and the armies of Duke Fa,a with large bodies of men clashing as well as individual duels between heroes leading to the eventual victory by Duke Fa and the end of King Zhou and his concubine. It describes individual or groups of deities, their origins, careers, and their miracles and supernatural powers during the campaign of Duke Fa against King Zhou. During the struggle, both sides called upon Heaven, who in response sent mythological deities [i.e., not deified humans] to take part in the clashes and battles.\n\nThe major hero of the forces of Duke Fa was his prime minister, Jiang Ziya, who was eventually responsible for handing out honours deifying the human heroes of both sides, with both the victors and the conquered being awarded posts in the Celestial hierarchy. Images of many of these heroes can still be seen on altars, deities in their own right, with responsibility for specific roles as gods of wealth or health or as patron deities. These deified heroes are possibly best thought of as 'human' deities in comparison with the mythological orthodox Daoist and Buddhist deities of the Creation and pre-history, a number of whom also took part in the fictional conflict. It has provided a standardisation of myths and legends woven into a continuous story which has, since its compilation, been the main spring of Chinese popular knowledge about the celestial and Underworld deities. A great many deities were familiar before this work was written, and the problem, therefore, has been well-nigh impossible, of determining how much of the work was original and how much was grafted in from earlier legends.\n\nChinese histories describing the fall of the Shang are far from clear. It was the era when the Chinese in the Yellow River basin were emerging from the mists of pre-history. Dates vary from 1050 BC to 1120 and 1127 BC, but one scenario is well known to the Chinese man in the street, the final act. The Shang was ruled by a degenerate, Zhou Xin [also known as Zhou Wang], whose army was defeated in battle on the Muye plain before the Shang capital. The victor was Duke Fa [Ji Fa], who founded...", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214353, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 211, "title": "RAS-1998", "content_text": "176\n\nimage with one of the other titles is the same god.\n\nThe Fengshen Yanyi records numerous departments of the Celestial World including, for example, the Department of Thunder. It has a chief, General Wen, and twenty-four subordinates, amongst whom are the spirits of wind, rain and lightning; these are often referred to as the Five Spirits of Thunder, Lei Shen. Another is the Department of Fire Spirits. Its departmental head, Luo Xuan of Fire Dragon Island, called himself Yan Zhong Xian, the Immortal of the Flames, and was a fierce-looking iron-toothed, red individual. His immediate subordinate was Liu Huan, a yellow-faced demonic being who, during the Shang-Zhou struggle, brought along the materials with which they nearly destroyed the capital of Xi Ji, before being themselves routed. Luo Xuan was awarded the title The Chief Spirit Ruler of the Southern Region Three Atmospheres Fire Virtue Star: Nan Fang San Qi Huode Xingjun Zhengshen. Among his subordinates are a pig, monkey, tiger and snake spirits, all representing the different kinds of fires. The tiger is the 'tail fire' which is very hot; the pig is a 'house fire' which bursts out unexpectedly; the monkey is the 'nose fire' which comes suddenly through openings; whilst the snake is the 'winged fire' which leaps from one place to another. Liu Huan causes fires to spread.\n\nThe story begins with the last ruler of the Shang making an offering at the temple of the goddess Nü Wa. Having written a poem on the wall of the temple, a graffiti that offends her, she sends three monsters to bewitch him.\n\nThe following résumé of the last two chapters of the book brings into focus the tenor and style of the story. Jiang Ziya, about whom tales are told of his ineffectual efforts to become a trader and thus satisfy his wife's demands that he should do something useful, was eventually introduced to the Court and King Zhou Xin, who gave him a high position. Jiang antagonised Dan Ji, Zhou Xin's concubine, by getting rid of one of her vampire friends who had disguised herself as a human to share with the evil queen the flesh and blood of the victims she had slaughtered. Jiang was being taken away to be executed outside the palace but managed to slip through a hole in a bridge and disappeared. The guards sought him everywhere and finally assumed that he had been drowned. He had however been able to conceal himself.", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214356, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 214, "title": "RAS-1998", "content_text": "179\n\nwas the decapitation of a Fox Fairy, possibly the wicked King's concubine, Dan Ji. In legend the spirit of a fox inhabits the body of a beautiful young woman who then bewitches and captivates men. When killed such woman immediately revert to their fox body origins. In the exhibit the young woman is standing and as the sword descends her head rolls off and rolls about on the floor before immediately reverting to its original position on her body. The boys were only too delighted to press the button to cause the head to roll again and again. Another was the birth of the Third Prince out of his caul. In legend he is born an apparent monster but after a swift slash with a sword the caul opens and the child emerges. Once more the boys played this for us several times.\n\nThis was possibly not the most ideal way to be introduced to the Fengshen Yanyi. A year or so earlier my daughter and I heard of the small temple dedicated to Zhou Gong, located at the foot of Phoenix Mountain in a rural area north of Qi Shan in Shaanxi province. We drove there to find in the main hall of a memorial temple, which had just been renovated, an image of Jiang Ziya flanked by two mythological deities, Na Zha and Yang Jian [see Note 8]. The first of the two, is a seven year old youth who caused havoc in Heaven and, better known as the Third Prince. He is nowadays the primary guardian of temple altars in Taiwan where his image stands on the altar table before the main altar. His is a traditional story tracing the age-old conflict between generations, and conflict of power and responsibility. Yang Jian has certain magic powers, which he used during the conflict but is also regarded as a potent deity who protects against demonic attack. He is often referred to as Er Lang, and he and his small dog are to be seen in a number of temples and in many he is regarded as the patron deity of dogs. The murals across the whole of the main hall's side walls depict episodes from the Fengshen Yanyi complete with Jiang Ziya first mobilising the deities of heaven to help the Duke Fa, and finally, the scene of the Investiture itself on the Terrace of the Investiture.\n\n10\n\nA number of temples in the central-west of China used to contain large gilded 'mountains', carved structures representing a mountain with crags and caves on which were superimposed a number of carved wooden gilded images of Daoist deities. The vast majority of these were also characters from the Fengshen Yanyi.11", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 214357, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1998", "page_number": 215, "title": "RAS-1998", "content_text": "180\n\nOne of the many deities canonised by Jiang at the Investiture was Tai Sui, the Ruler of the Year. In the Feng-shen Yanyi he is also known as Yin Jiao and under that title is usually represented on altars by one image. In southern Chinese communities, however, as Tai Sui he is more often portrayed by sixty separate images each representing a year of the sixty-year cycle of the Chinese calendar, and devotees wishing to seek his aid will place spirit money offerings under the image in the group representing the year of the devotee's birth. In a number of the smaller popular religion temples in Hong Kong and Macau several rows of Tai Sui images, depicting all sixty, line one of the sidewalls of the main hall. Although in a few temples each of the sixty images is carved with unique characteristics, in the majority they are merely sixty identical heads, each mounted on a frame concealed under a red cloth robe. Even when the deity is portrayed as a single image, normally he can easily be identified by the pile of spirit money placed under his image.\n\nSome months later, this time in central Shanxi province, we came across a former temple which had been converted into what can only be described as a \"waxworks\" museum of celestial and historical deities. The contents of the former temple had been destroyed during the Cultural Revolution, whilst the structure had recently, in 1995, been turned into a museum. It stands on the major highway between Taiyuan, the provincial capital, and Pingyao, to the south, but rather surprisingly no attempt seemed to have been made to advertise its presence to passing motorists. The halls had been labelled guiding visitors to Historical Heroes, The Eight Immortals, Mythological Worthies and the Underworld.\n\nThese two examples, and there are probably more, are local provincial or county initiatives to remind Chinese of their cultural, feudal heritage but without offering any opportunity for worship or reverence. Similar refurbishing has taken place of many of the old, larger Buddhist and Daoist monasteries in northern China but with a difference. These too are places where visitors can nowadays pass several hours of pleasurable 'tourism' but a number of them have also reverted to being working temples and monasteries with priests and rituals. The weekend visitors from the cities enjoy the scenery and ambience and in some temples offer up incense without let or hindrance to one or more of the major deities. Although to foreign visitors what we saw", "txt_file_path": "txt/dfo323lmgvd/RAS-1998.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/1g05n0794", "rank": 0 }, { "id": 215061, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2000", "page_number": 157, "title": "RAS-2000", "content_text": "114 \n\nIn imperial China the mandarins, i.e. the official class,1 as well as Daoists honoured Taisui at the beginning of Spring. This was an element of the official religion, with Taisui being an early deity who appears to have been first offered official sacrifices during the Yuan [Mongol] dynasty. The cult of Taisui, referred to as far back as the Han dynasty, was linked with the planet Jupiter2 which during its twelve year orbit of the Sun moves through the 28 Constellations.\n\nThe Ministry of Time in the spirit world is ruled over by the President, Yin Jiao, a deified hero, - also known as Marshal Yin, though more frequently and popularly referred to as Taisui, reflecting his canonisation by Jiang Ziya in the popular historico-novel The Deification of the Gods [Fengshen Yanyi]. It was only after his popularisation in The Deification of the Gods that Taisui was identified with Yin Jiao. In the novel Taisui is portrayed as both a good human and a very ugly demonic deity with a face described as blue as indigo and with long protruding fangs. He is also referred to in another well-known novel of the same era, the Journey to the West [Xiyou Ji] where again he is described as blue-faced and with fangs.\n\nThe Composition of the Ministry\n\nThe Deification of the Gods3 lists the composition of the Ministry of Time. Apart from the President, identified as Yin Jiao, the others do not seem to appear by these names anywhere other than in The Deification of the Gods.\n\nYin Jiao 殷郊\nPresident\n\nMembers: Wen Liang\n溫良\n\nChiao Kun\n喬坤\n\nHan Dulong\n韓毒龍\n\nXue E'hu\n薛惡虎\n\nFang Bi\n方弼\n\nThe Day Duty Spirit\n\nThe Night Duty Spirit\n\nThe Spirit who stores up Blessedness\n\nThe Spirit who Shoulders Misfortunes\n\nThe Spirit who Shows the Way", "txt_file_path": "txt/dfo323lmgvd/RAS-2000.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/nk328168n", "rank": 0 }, { "id": 215349, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 126, "title": "RAS-2001", "content_text": "74\n\nperhaps taken over within their own ethnic temple.\n\nThe Iron-ox General is a black-skinned demonic figure dressed in pantaloons and anklets, standing, with a tiger skin draped around his waist, and with a bolero covering his shoulders. He has a narrow plain coronet, and is holding a heavy chain in his left hand and an axe raised above his head in his right.\n\nThe Iron-ox and Bronze-ox were both live oxen transformed by Lishan Shengmu into human, albeit demonic form, to be her guardians and to protect the gateway to her mountain. They have powers in their own right which include, it is claimed, the prevention of natural disasters, and in particular flooding.27\n\nb] In Fujian province prior to 1949 it was not uncommon to see the Eight Youths, young boys running round the procession when the palanquin containing the image of the deity was being borne around his parish. The boys were regarded in most places as the incarnate soldiery of the spirit armies of the deities. In others they were underworld generals whose exorcising dance was performed to rid the vicinity of demons. In Taiwan groups of young men regularly meet in certain temples and practice exorcist drills which they then perform for the public during annual ceremonies. Their other function is to act as bodyguards to the major deity in their temple when he is taken out in his carrying chair to process around the town. These youths are known in Taiwan as the Eight Underworld Generals A#. They are skilled in martial arts, have their faces painted in specific patterns using a number of bright colours, somewhat similar to the actors in Peking opera but generally regarded as demonic faces, and are dressed in a uniform of jacket and trousers and in a few temples, according to one temple keeper, they wear red bands, similar to those worn by the Boxers of the 1900 Rebellion, identifying which unit they belong to. The markings and forms of these youths tend to be identical with the Ba Jia Jiang, the statues lining the walls of Underworld temples in Taiwan. Such statues have also been noted in several Hainanese temples in South-east Asia where the group of Eight is known as Ba Ban Gong A, The \"Eight Bosses\". Whereas the total, Eight, would appear to be somewhat immaterial to most devotees and temple keepers, in Singapore the Eight represented the large number of gaolers in each of eight of the Ten Courts of the Underworld responsible for purging\n\n28", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215594, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 371, "title": "RAS-2001", "content_text": "321\n\nNOTES AND QUERIES\n\nA TALE OF SOUR GRAPES: MESSRS. LITTLE AND MESNY AND\n\nTHE FIRST STEAMSHIP THROUGH THE YANGZI GORGES\n\nKEITH STEVENS\n\nIn 1898 Archibald Little was the first man to take a steam-vessel up through the dangerous Yangzi Gorges amidst great acclaim. This was a red-rag to William Mesny who, in 1905 in his Shanghai periodical Mesny's Chinese Miscellany, furiously wrote that had he been listened to in 1875, a steamboat could have completed the journey up the Gorges within a year or so of that date.\n\nThe 3,200-mile long river, referred to by westerners as the Yangzi is known to the Chinese as Changjiang, Long River, or Da Jiang, the Great River. The foreigner name, Yangzi, is a misnomer from the Chinese reference to the first stretch from the Yellow Sea, approximately a day or so sail up from Shanghai to Yangzhou, hence Yang.\n\nThe River can be divided into four sections. The first stretch from the sea to Wuhan [Hankou and Wuchang], some 600 miles upstream, is navigable for blue water vessels during the summer and small draught steamers at all times of the year. It may come as a surprise to read of the emergency run in September of 1931 of the British aircraft carrier, H.M.S. Hermes to Hankou during major floods. The Chairman of the Nationalist Flood Relief Commission, T.V. Soong, requested the British C-in-C for assistance using RAF reconnaissance aircraft from H.M.S. Hermes to assist the Chinese in flood survey patrol work.\n\nThe second stretch upstream from Wuhan to Yichang is always navigable to small draught vessels and is a very boring run passing, as it does, through a flat plain with many dykes.\n\nThe third stretch from Yichang to Chongqing is fast flowing downstream through the narrow and dangerous succession of Gorges, so popular with foreign tourists. The great variations in water level", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215767, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 66, "title": "RAS-2002", "content_text": "London: George G. Harrap, 1945.\n\nRitchie, Edmee Alice\n\nMy memoirs or good of its kind. [s.l.: s.n., n.d.].\n\nSecret notes on Japanese army\n\nNorth Melbourne: Victorian Railways Printing Works, 1942.\n\nThe Shanghai directory 1941: City supplementary edition to The China Hong List. Shanghai: The Office of the North-China Daily News & Herald, Ltd.\n\nShneider, Vladimir\n\nTraces of the ten. Beer-Sheva: V. Shneider, 2002.\n\nSmith, Arthur Henderson, 1845-1932.\n\nVillage life in China: a study in sociology. Edinburgh: Oliphant, Anderson and Ferrier, 1900.\n\nTicozzi, Sergio\n\nHistorical document of the Hong Kong Catholic Church. Hong Kong: Hong Kong Catholic Diocesan Archives, 1997\n\nVocational Training Council (Hong Kong) The Morrison Hill story [videorecording]. [Hong Kong: s.n., 199-.\n\nWaters, Dan.\n\nLunch beat [2 sound cassettes]. (Dr Dan Waters shares his in-depth knowledge and stories about Hong Kong's past in two episodes of radio programme The Lunch Beat.\n\n[Hong Kong: RTHK, 1998 - 2001].\n\nWay, Denis M. and Nield, Robert\n\nCounting house: the history of PricewaterhouseCoopers on the China Coast. Hong Kong: PricewaterhouseCoopers, c2002.\n\nWu, You-ru\n\nShen-jiang sheng jing tu. Shanghai: Hua bao zhai shu she, 1999.\n\nZhang, Yingjin\n\nlvii", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 }, { "id": 216317, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2003", "page_number": 76, "title": "RAS-2003", "content_text": "25\n\nYin. While Guanyin has compassionate mercy for those in need, it is Da Shi Zhi who possesses the power to actually carry out her acts of kindness. The San Sheng Dian houses by far the oldest of Longhua's three bronze bells, this one supposedly dating from 1132, which would also make it the oldest historic relic the temple possesses today. The hall itself dates from an 1884 reconstruction, when it was rebuilt to replace an earlier structure destroyed during the Taiping rebel attacks on Shanghai in 1860-1862. The hall was last restored in 1986.\n\nImmediately behind the San Sheng Dian is a walled garden with trees which unfortunately is closed to the public. Inside this walled garden is a fifth main hall, the Abbot's Quarters (Fang Zhang Shi), which is for the private use of the resident monks and their master, the Fang Zhang. It was the only hall which the monks maintained control of during the Cultural Revolution. Normally it is kept off limits to the public and cannot be visited. However, the author was able to steal a glimpse and found that the hall was furnished with rows of large armchairs, and lacked any large statues. Possibly it is a modern day form of the Meditation Hall (Chan Tang). At the far left end of the hall is a small office decorated with framed color photos of the temple's Buddhist leaders posing with Communist Party leaders such as Jiang Zemin.\n\nBehind the Abbot's Quarters is the sixth and final courtyard, and the sixth hall on the central axis, the newly built two-story Scripture Hall (Cang Jing Lou). This modern building holds most of the temple's few genuine relics, including a library of 7,000 Qing Dynasty volumes; a Ming Dynasty gold seal given to the temple in 1598 by the emperor Wanli (1573-1620); a Ming Dynasty gold-plated bronze Buddha statue; Tang Dynasty scriptures; and a copy of the Heart Sutra dating from the year 1098, the fifth year of the Zhe Zong reign (1085-1100) of Emperor Zhao Xu of the Northern Song Dynasty (960-1126). Exactly how these relics survived the destruction of the Taiping Rebellion, the lengthy military occupation of the Min Guo era, and the Cultural Revolution is unclear. Possibly they were donated to the temple sometime later. Unfortunately the public is not welcomed to visit this sixth hall, and the relics are kept hidden from view, although photographs of them appear in a recent pamphlet sold at the temple's bookstore.\n\nHidden in a seldom visited corner of the temple grounds on the east side of the Fang Zhang Shi's walled garden is a smaller garden", "txt_file_path": "txt/dfo323lmgvd/RAS-2003.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/2v242g390", "rank": 0 } ]