[ { "id": 204299, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1961", "page_number": 67, "title": "RAS-1961", "content_text": "Journal of the Royal Asiatic Society Hong Kong Branch\n\nRASHKB and author\n\nVol. 1 (1961)\n\nISSN 1991-7295\n\n63\n\nThere are two examples of translations of Chinese plays, again by a French scholar, Antoine-Pierre-Louis Bazin (1799-1863), Théâtre Chinois ou choix de Pièces de Théâtre composées sous les Empereurs Mongols, 1838 and Le Pi-Pa-Ki ou l'Histoire du Luth, Drame Chinois de Kao-Tong-Kai. A last example of the work of French sinologues of the early part of last century is Dictionnaire des noms anciens et modernes des villes et arrondissements de premier, deuxième et troisième ordre compris dans l'Empire Chinois, by Edouard Biot, 1842.\n\nSome examples of books published by the press established by Morrison and his colleagues at the Anglo-Chinese College established at Malacca are in the Library. The most interesting from the point of view of the history of the mission is William Milne's A Retrospect of the First Ten Years of the Protestant Mission to China. Accompanied with Miscellaneous Remarks on the Literature, History and Mythology of China, etc., 1820. William Milne was sent to join Morrison by the London Missionary Society and arrived in China in 1813. After encountering many difficulties about obtaining permission to stay in Canton he went to Malacca and finally founded the Anglo-Chinese College there, whose primary object was the establishment of a Chinese free school in the hope that it would prepare the way for a Seminary.\n\nAnother interesting example from this press is Notitia Linguae Sinicae by Joseph Henri Marie de Prémare, S.J. (1666-1736), printed in 1831. There is a letter of March 1825 quoted in the Memoirs concerning the Latin MS of this book from Lord Kingsborough to Morrison. It states that the original MS is in the Royal Library of France, describes the book as giving rules for the composition of Chinese in both classical and modern style with many examples from Chinese texts and says that he is having it transcribed at a cost of sixty guineas for Morrison. He also says that Rémusat had made an index for it and suggests that 'by the publication of a work of this learned Jesuit-confessedly the most profoundly versed in the genius of the Chinese language of the Roman Catholic Missionaries who visited China-he will be doing a thing useful to the friends of science, and creditable to themselves.' Elsewhere in the Memoirs it is recorded that Viscount Kingsborough also gave the College £1,500 to defray the cost of printing the book.\n\nThis then is the brief history and description of a collection of books gathered together to perpetuate the memory of Robert Morrison. But his name is remembered in the most fitting way by his two major contributions to Chinese studies, a record of which is thus written on his tombstone in the Protestant Cemetery at Macao:", "txt_file_path": "txt/dfo323lmgvd/RAS-1961.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/vd6724704", "rank": 0 }, { "id": 208858, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1980", "page_number": 20, "title": "RAS-1980", "content_text": "PRESIDENT'S REPORT FOR 1979\n\n(Covering the period March 27, 1979- March 23, 1980)\n\nI am pleased to report tonight on your Society's activities over the past year and on our ongoing projects. During the period we organized twelve lectures which, because so many members and most of your Council are away from Hong Kong in the high summer season, were arranged mainly for the Spring and Winter months. There were two overseas excursions and one local tour. Let me briefly review the lecture programme first of all:\n\nTalks to the Society\n\nIn April 1979 two lectures were given. The first had Dr. Margaret Ng as our speaker: well-known in Hong Kong for her newspaper column, and also as a social philosopher concerned with different facets of the Chinese world-view. She spoke on \"A Chinese theory of Discontent\". The other speaker in April was Professor Rulan Chao Pian who talked to us once before, in 1975. She is presently visiting professor in Music at the Chinese University of Hong Kong and her talk, entitled \"A Musicological trip to China”, was related to a recent visit to China where she had lectured to the National Academy of Musicology at Peking.\n\nIn May Mr. Leonard Rayner lectured on \"Communism in the Association of South East Asian Nations”. Mr. Rayner who moved to Hong Kong from Singapore a few years ago is a journalist and perhaps best known to us for his regular column in the South China Morning Post. In June Professor D. W. Y. Kwok, who has been Director of the Asian Studies Programme at Hawaii for the past six years, spoke on \"The New Culture Movement in China”. Also in June, Dr. John Young of the Extra-Mural Studies Department of Hong Kong University, lectured on \"The Hong Kong-Canton Connection, 1905-1925”, at the same time sharing his experience with us of a research trip to Canton and pointing out the archival research opportunities which exist in that city. In October Rev. Carl Smith talked on \"The Amateur Dramatic Club (founded 1860) and the early history of Dramatic arts in Hong Kong.\n\nSince the new year we have had a relatively full programme. In January there were two lectures: one by the Rev. Father Harold Naylor who spoke on \"Wah Yan College; a case study of an Anglo-Chinese school directed by an Irish Jesuit\". Father Naylor has\n\nX", "txt_file_path": "txt/dfo323lmgvd/RAS-1980.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/kh04md207", "rank": 0 }, { "id": 210805, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1986", "page_number": 156, "title": "RAS-1986", "content_text": "139\n\nNOTES\n\n'The son of a minor official of K'iungshan, Hai Jui left Hainan at an early age and after passing the superior examination in Beijing, rose rapidly to high office. Although severed at an early age from immediate connection with his native Hainan, Hai Jui continued to bear its interests actively at Court. He died in 1587 (Mayers, 1872).\n\n2\n\nDisappointed by his failure to receive promotion to the Board of Rites in Peking, Wang Hung-hui resigned his office as emissary in 1599 and returned with his family to Hainan. Before leaving, however, he gave the Jesuit, Father Matteo Ricci, letters of introduction to his Peking colleagues (Dunn, 1962).\n\nKnown as Lingnan Agricultural College, the College of Agriculture at Canton Christian College was an indigenous undertaking, and unlike contemporary colleges in Nanking and Peking, it was fostered and developed by the Cantonese and was not directly under western control. Today, Lingnan Agricultural College survives as part of South China Agricultural University in Guangzhou.\n\nWang Guo-xing became the first governor of the Li-Miao Autonomous region which was formed in 1952 (Lee, 1964).\n\nREFERENCES\n\nAnon., (1982a) “Hainan Island Mining and Mineral Survey Mission\", Australian Government Printing Service, Canberra.\n\nAnon., (1982b) \"Hainan Region National Economic Statistical Material — 1981\" Hainan Region Bureau of Statistics, August, 1982, p322.\n\nThe Bulletin (1983) “China's Island Economic Zone\", May 10, 1983 p124.\n\nChin, Mien-min (1962) “Hainan Island under the Chinese Communist Rule,\" Communist China, 2: 231-251.\n\nChina Daily (1981) “Ownership of land will not be altered\", November 4, 1981, published by Xinhua news agency.\n\nChina Daily (1981) “Hainan Island: a place worth investment”, December 4, 1981, published by Xinhua News Agency.\n\nChina Daily (1983) “Special measures for Hainan Island”, June 6, 1983, published by Xinhua News Agency.", "txt_file_path": "txt/dfo323lmgvd/RAS-1986.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/jq08c7063", "rank": 0 }, { "id": 210980, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 42, "title": "RAS-1987", "content_text": "17\n\nOne must always take into account this French addiction to performing and making an impact on their public, whether dealing with the intellectual fireworks in honour of China in the eighteenth century, or on the occasion of more recent and far less pleasant pyrotechnics, somewhere in Polynesia.\n\nSo the Philosophes' encounter with China had, at its own level, contributed to the fall of the French monarchy. And for more than a century, French intellectuals were to be concerned with a completely different range of issues: political revolutions and counter-revolutions, France's position in Europe, industrial development and its social fall-out, freedom of speech and of thought, as well as colonial expansion. China had very little to do with these French-centred debates of the nineteenth and early twentieth century. It had by then become a target for Western imperialism including France, and its cultural prestige was accordingly declining. China only mattered for a few isolated if not eccentric French intellectuals. China in this period was a very marginal feature in French intellectual life.\n\nSome of these marginal Sinophiles of the nineteenth century were belated admirers of an ideal and abstract China in the grand philosophical tradition. In a little-known novel by Balzac, L'Interdiction — a legal measure depriving a spendthrift of control over his estate — a Marquis d'Espard spends all his fortune on reprinting old Jesuit memoirs on China. He is a devoted right-wing monarchist; he admires the Chinese imperial monarchy for allegedly maintaining a social order the French kings had been unable to maintain. His wife, a typical Balzacian marquise, has a legal interdiction passed on him.\n\nThe Marquis d'Espard is a lonely figure in Balzac's little world — the Human Comedy — and equally solitary was the young Baudelaire, who was at college when Balzac was flourishing. In one of his strongest poems, Le Voyage (or 'the trip', also with the colloquial connotations of this word), his concern for China is expressed through brief but extremely challenging verses — a concern he must have developed in his college years:\n\nDe même qu'autrefois nous partions pour la Chine", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 210983, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-1987", "page_number": 45, "title": "RAS-1987", "content_text": "20\n\nbandit will bear the name of France, the other the name of England . . . I hope that some day, France once freed and cleansed will send back to China the booty she has plundered.'\n\n16\n\nIncidentally, the Summer Palace of Peking, sacked and burned by French and British vandals, had been restored in the time of Emperor Qianlong (eighteenth century) by Jesuit architects and painters such as the famous Castiglione. The very contribution of European culture to China was smashed down by European militarism in China.\n\nThat French intellectuals concerned with China not only were very few, but also showed little interest in the political China, is supported by the non-committed attitude of that strange Jesuit, palaeontologist and philosopher, Pierre Teilhard de Chardin. His Chinese years in the 1920s and 1930s were most productive intellectually. He elaborated his partly mystical, partly anthropological views on man's fate and future. Yet, he was utterly indifferent to the complex developments of the Chinese revolution at that time, epoch-making as they were. He was living in a China almost without Chinese --- except fossils.\n\nTeilhard de Chardin was an intellectual explorer, almost an adventurer, and so was the energetic Pelliot, one of the founding fathers of modern French sinology. He had established his reputation with his expedition to the Dunhuang Buddhist caves in the Gobi Desert, had not hesitated to bribe and to steal, brought back to France a unique Chinese library and became a Professor at the College de France at the early age of 27.\n\nFrench sinology then was still entirely oriented towards classical China. Just as British sinology was a by-product of missionary studies on China, French sinology was a distant replica of Latin and Greek studies in the Jesuit tradition. The teaching aids which the Jesuits had prepared for classical Chinese often used Latin. Classical Chinese studies did not have to pay attention to the China of that time, any more than Latin and Greek studies did to the Italy and Greece of modern times. And classical sinology remained quite marginal in French academic life, just as much as China-inspired novels and poetry in French literature. Yet, the\n\nPage 45\n\nPage 46", "txt_file_path": "txt/dfo323lmgvd/RAS-1987.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/rx919b522", "rank": 0 }, { "id": 215406, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 183, "title": "RAS-2001", "content_text": "132\n\nof the façade as part of broader surveys on the church of St. Paul's or the architecture of the Jesuits in China and, regretfully, not much new has been added to this particular question.\n\nIn order to make clearer certain developments related to the façade of St. Paul's, a limited number of churches and altarpieces in Spain and in Portuguese India will be discussed. But because of limitations of time, any detailed references to the ground plans, elevations, and dimensions of St. Paul's or any of these structures or buildings will be left out. It is mainly the façades of buildings as they relate to the main topic that are of greater importance here. Besides these analogies, I will further explore some relevant questions on the development of Jesuit buildings in India first expressed in an article written several years ago.\n\nThe Church of St. Paul's, Macao\n\nWhat once was the Jesuit Church of Madre de Deus, or St. Paul's, is today merely a church front, some 70 feet high, with narrow sections of aisle-walls holding it up at either side at the back. This seventeenth-century ruin is the only remnant of a catastrophic 1835 fire, which destroyed the entire complex of educational and residential buildings of which it was part (Fig. 1).\n\nThe impression that it makes today, when it is mainly admired as a relic of a bygone age, is quite different from that which it made to visitors over three and a half centuries ago. At that time, the church stood in full visible splendour on a hill near the city walls, facing the Portuguese city below and the open sea beyond. Ironically, a fire in November of 1600 had destroyed a previous church, which led to the construction of the church of Madre de Deus, the one that in time became the most splendid Christian temple in a transitional Early Baroque style ever to have been built in China. Seventeenth-century visitors marvelled at what was then the new church of a university college, started two years after the November fire and at the time only recently completed with the addition of a brand new façade.\n\nThis added structure was an amazing showcase of artistic and social co-operation. Artists of East and West had created it. The Portuguese rectors had supported it. The wealthy citizens of Macao had financed it.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215407, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 184, "title": "RAS-2001", "content_text": "133\n\nit, following social precedents with roots in the great cathedrals of the Middle Ages in Europe.\n\nThe testimony of the English merchant, Peter Mundy, today well known to historians of Macao, is a good example of the effect that this novel façade produced. He had actually arrived as one of the English factors in the fleet of Captain John Weddel, which first entered Macao waters on the fifth of July 1637. In fact, Peter Mundy formed part of a party that was allowed by the Portuguese to disembark in Macao on the twenty-eighth of the month, with a missive from Charles I of England to the Captain-General of the city.\n\nOn the very day of landing he and the others went to visit the College of St. Paul's and its church at the invitation of the Jesuit fathers. Mundy waxes lyrical about the splendours of the façade and the church claiming that, 'there is a New Faire Frontispiece to the said Church with a spacious ascent to it by many steppes; the 2 last things mentioned of hewen stone.'5\n\nOne cannot help wondering if Peter Mundy's admiration of the frontispiece was not equally due to the fact that he had before his eyes an impressive retable-façade, something that in all likelihood he has never seen before.\n\nRetable-Façades\n\nBefore continuing, it may be necessary to briefly make clear some basic facts about retable-façades. What are they? When did they acquire this rather peculiar name? As already briefly mentioned a retable is a kind of Iberian wooden altarpiece, one that was often elaborately carved. One could argue that altarpiece-façade is just as accurate a term as the invented phrase retable-façade; but for a number of sensible reasons on which it is not necessary to comment here contemporary art historians have opted for the latter. In certain formal and functional aspects they are not unlike medieval English reredos, although there are important differences.\n\nThe history of what one could call their discovery as types is quite recent. It was mainly during the last century that specialists began noticing groups of unusual church façades in Spain and Latin America", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215415, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 192, "title": "RAS-2001", "content_text": "-reinfo\n\n141\n\nbrackets, enclose a window. Typical Late Renaissance ornaments and geometric designs of various kinds, such as spheres on pedestals, top the entablature and pediment.\n\nJesuit Churches in India\n\nPerhaps the most ingenious exploitation of the motif in India was by the Jesuit Fathers, whose building schemes form such an important part of the history of art of Colonial Iberian architecture in Asia and the Americas. It can be seen not only on the façade of the now vanished collegiate church of São Paulo in Velha Goa, but also in the Church of their College of São Paulo in Baçaim.\n\nThe Arch of Triumph decoration of their Baçaim church is of great interest for my main argument because at least one art historian has noticed its structural similarities to that of retables. David M. Kowal's recent article implies that not only the façade of the Baçaim collegiate church, but also that of Velha Goa should be so considered and he describes them as \"retable-like.\" Not all art historians would classify any of the church fronts in Portuguese India as retable-façades, including those of the Jesuits, although it is difficult to dismiss D. Kowal's claim for these two churches.13\n\nThe name of the church at Baçaim, built between 1561-1579, is actually Nome de Jesus (Name of Jesus). Its large Arch of Triumph indeed resembles those appearing in a number of Renaissance retable-façades in Southern Spain, such as that of the church of St. Elizabeth, in Seville.\n\nAs far as the Arch of Triumph motif itself is concerned, the most important sixteenth-century example in India may be seen in the Church of São Paulo in Velha Goa. Moreover, one could take 1560, the year when building of the new college and church of São Paulo were initiated, as signalling a more ambitious phase in the Society of Jesus' architectural projects in India.\n\nWhen it was completed in 1572 São Paulo was not only the first major church built by the Jesuits in India, it was also one of the most masterful Portuguese churches in Asia, attesting to the importance that the Jesuit fathers attached to it.15 Its association with St. Francis Xavier", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215417, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 194, "title": "RAS-2001", "content_text": "143\n\nexploit for the decoration of the façades of some of their Indian churches of the last third of the sixteenth century and the beginning of the next. The theme would later be adapted to the more ornate decoration of the façades of the churches of their Casa Professa in Velha Goa and of the Jesuit College in Diu.\n\nMinor Basilica of Bom Jesus and the Diu Collegiate Church\n\nNot only the Bom Jesús, but, as we shall see, the façades of the collegiate churches in Diu and of Madre de Deus in Macao point to a further stylistic development of the architecture of the Society of Jesus in Asia.\n\nIt could be argued that the façade decoration of the three mentioned buildings reveals a transitional phase, one in which a Late Mannerist decorative idiom is elaborated to the utmost. Moreover, in the Church of Madre de Deus in Macao this idiom already heralds the Baroque style.\n\nIn India even before Jules Simão's appointment as chief of the cathedral works the Jesuits had begun work on what was to be their finest building project in India. This was their Casa Professa, or Profess House, begun in 1583-85, whose cloisters were also designed by Simão (Figs. 9,10).\n\nToday the church of the Profess House, originally dedicated to the Child Jesus, is better known as the Minor Basilica of Bom Jesus. It was started on the 24 November 1594 to the plans of G.B. Cairatti, an Italian architect from Milan, and completed about twelve years later. Perhaps its chief attraction today is the so-called incorrupt body of St. Francis Xavier and its magnificent 1690s funerary monument by Giovanbattista Foggini.17\n\nThe design of the front of the Bom Jesús, if not of its ground plan, indicates that the architect followed the general lines of the façade of St. Paul as reconstructed by M. Chicó (Fig. 9). There is the same division into three storeys and three bays, plus attic and pediment joined to the storeys below by gracefully curved brackets. Not only the façade but the whole building is crowned by numerous Herreresque spheres on bases placed as accents to the line of rising unifying pilasters. The Arch", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215419, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 196, "title": "RAS-2001", "content_text": "145\n\nThe Façade of São Paulo, Macao\n\nThese novel trends in Jesuit architecture in India occurring at about the turn of the century may have reached their apogee in the church of their new college in Macao, opened to the public on Christmas day, 1603 (Figs. 1, 13).\n\nHowever, amongst other important differences with churches in India, here there is no Arch of Triumph as such; there is not even an entrance arch, but straightforward lintel-and-post doorways. Could the reason for its absence be that Portugal never did conquer Macao? This is an attractive conjecture, although a more likely explanation is that the architect or designer of the façade of St. Paul's was simply following St. Charles Borromeo's recommendations to architects concerning the façades of ecclesiastical buildings. In his influential Instructions of 1572, Charles Borromeo recommends the use of lintel and post for entrances of Christian churches instead of the arch, which he considered a pagan structure18. Be that as it may, the idea that the façade of Madre de Deus represents a symbolic arch of triumph of sorts, although one not based directly on an Arch of Triumph but on some other structure, should not be discarded altogether.\n\nApparently, seventeenth-century visitors, many of whom had seen the churches of the Jesuits in Goa, did not find the lack of arches too unusual. What they do imply in their chronicles is that this façade was something particularly surprising within the architecture of the Society of Jesus, not only in Asia but elsewhere. The way they reacted not only to the magnificent interior of the church but also to its façade is significant. In the case of the latter, were they looking at something not merely visually striking but also quite novel? As already surmised at the start of this paper, were they in fact looking at the first retable-façade in China?\n\nThis is not as improbable as it may seem. Today, once certain historical and art-historical associations are made, the surviving façade of the church recalls the outburst of altarpiece construction that took place in the Iberian Peninsula and its overseas colonies from the last decades of the sixteenth century.\n\nUntil the Portuguese revolt of 1640 and the restoration of the House", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215421, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 198, "title": "RAS-2001", "content_text": "147\n\nWork on it could only have started after the beatification of St. Francis Borgia at the end of 1624. His statue and that of St. Luís Gonzaga appear in niches on the second storey of the façade with pedestals only bearing the title beatus, not saints. Francis Borgia was only canonised in 1670 but had been beatified by Pope Urban VIII on the 23rd November 1624. Luis Gonzaga had already been beatified in 1605 (Figs 14.15).\n\nThe statues of Ignatius of Loyola and Francis Xavier also appear in the second storey and on their pedestals are given the correct title of saints. Both had been declared saints in 1622 with spectacular canonisation ceremonies in Rome, Spain and Portugal. We know from a 1644 Annual Letter written from the college in Macao that the façade was completed the year that this letter was dated. It seems therefore very probable that the frontispiece was constructed between 1625 and 1644 and that the impulse for its construction or reconstruction was very likely the canonisation of Ignatius of Loyola and Francis Xavier.\n\nThe initiative for founding the Macao College as the seat of the Japan missions, later expanded to include China, was due to Alessandro Valignano, the Father Superior and Father Visitor of the Jesuits in the East. As stated, the architect of the church was Father Carlo Spinola, an Italian from Naples. The reputed decoration of the façade at the hands of Chinese and Christian Japanese craftsmen was very likely carried out under the direction of Giovanni Nicolao, an Italian Jesuit painter from Nola. From this it is only too obvious that Italian Jesuits with a Late Renaissance mentality were highly influential in its creation, something characteristic of the historical period in question.\n\nJ.E. McCall, whose pioneering research is fundamental to the subject, has studied the activities of Giovanni Nicolao. Yoshitomo Okamoto, in his Namban Bijutsu, also gives important insights on Father Nicolao, who had actually opened a school of fine arts for young Japanese seminarians as apprentices in Western painting, printmaking and sculpture in various missionary colleges in Japan.19 But apart from Giacomo Niva, a Chinese-Japanese painter and the most brilliant of Nicolao's pupils, we hardly know the names of the other Chinese and Japanese artists who may have formed Nicolao's team in Macao. Unfortunately, this was apparently Jesuit practice at the time. Their famous annual letters sent from China or their Macao College, today", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215424, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 201, "title": "RAS-2001", "content_text": "150\n\nMontanha's transcripts, is the fact that the main altar of Madre de Deus, long lost after the 1835 fire (if not before), had statues of the four Jesuit saints in an order that echoed that of the façade. This third point implies that the design of the façade of Madre de Deus may have been conceived in relationship to that of the main retable inside. The religious and artistic interaction between a retable-façade and a main retable is a development known in some Latin American retable-façades at a later date, of which that of the Jesuit College in Tepozotlán, outside Mexico City, may be the most remarkable example.\n\nThe Architectural Structure of the Façade\n\nOne of the most remarkable features of this work's design is the use of projecting classical orders as main structural elements. However, it is not the use of the orders per se that relates this design to contemporary retables.\n\nFrom the point of view of architecture, what the use of the Ionic order for the first storey, the Corinthian order for the second and the Composite for the third and fourth reveals is a rather sophisticated knowledge of the canons of ancient Roman architecture (Fig. 16). This is perfectly compatible with contemporary architectural practice. At the time Renaissance and Mannerist theorists had made these canons accessible to architects throughout Europe in a number of illustrated publications.\n\nWhoever designed the façade of St. Paul's had evidently had a thorough grounding on these canons. How did he get such knowledge? Most likely from the sixteenth-century illustrated books by Serlio, Palladio or Vignola. Editions of their books circulated not only in Italy but also in the Iberian Peninsula. As the researches of Sylvie Deswarte show, knowledge of the Vitruvian orders had reached Lisbon, Portugal, quite likely around 1549 via Da Pintura Antigua by the Portuguese Francisco de Holanda. Holanda had underhandedly appropriated his main ideas from Serlio and published them in a luxurious edition as his own.22 In Spain, Francisco de Villalpando had already translated Books III and IV a few years before Holanda's book appeared, and his translation was known in Portugal.\n\nThese classical columns are important for my arguments because", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215429, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 206, "title": "RAS-2001", "content_text": "155\n\nimpressions and variations of this image circulated at the time in Europe; 26 the Jesuit fathers had actually been instrumental in introducing similar prints to the East. Apart from prints, Charles Boxer, amongst others, has remarked how the Portuguese had carried retablos with them to Japan.27 It therefore seems equally plausible that related altarpieces might have been present in the minds of the artists of the façade.\n\nBesides the mentioned attributes, the unknown programmer of the decoration also incorporated themes from St John's Book of Revelation 12.1 and 12.3 (John 12.2 was by now conveniently glossed over in artistic representations of the theme), as well as from other sources.\n\nSuch a sophisticated and theological knowledge of Marian themes reveals the mind of a programmer ingenious enough to merit a few words. Although the identity of its author is unknown, Carlo Spinola, the architect of Madre de Deus and the artist Giovanni Nicolao, director of the art school in Japan, come immediately to mind. But I think one should also consider Dom Diogo Correa Valente as another possible candidate for authorship, mainly on account of the contents of his library in the College of St. Paul.28\n\nThe Jesuit Diogo Valente was the learned but controversial Bishop of Japan resident at the College of São Paulo from 1619 to 1624, years when the façade was probably being redesigned and its construction begun. In 1624 Dom Diogo had to leave for Goa in a hurry under the shadow of the violent quarrels that agitated Macao because members of his own order had apparently partisanly elected him as Bishop of the city. But he returned again as Bishop in 1630 and so remained until his death three years later. When he was buried in the chancel of the church of Madre de Deus the decoration of the frontispiece must have been in progress. However, this is a question that can only be settled by future research.\n\nSymbolic Meaning\n\nThe interpretation of symbols relating to Mary (and the other images) is a fascinating but complex subject that cannot be discussed in detail here. However, it is worth considering some of those adorning the façade to get a sense of their poetic and mystical quality.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215432, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 209, "title": "RAS-2001", "content_text": "158\n\nThe prolific use of symbols for the decoration of the façade and the mystical poetry thus created is typical of the way images were used in the decoration of carved wooden retables. It is a topic that could be elaborated at great length, although unfortunately it is not possible here.\n\nConclusion\n\nIn this talk I have endeavoured to elucidate my main contention concerning the façade of St. Paul's by pointing out the way certain of its principal features relate to retables, such as the uniquely decorative nature of its classical supports and the strongly Eucharistic connotations of its decoration.\n\nThis fact connects it to Spanish retable-façades, a kind of structure not typically Portuguese but also appearing in Portuguese architecture at this time. Moreover, two significant artistic developments in Jesuit architecture in Portuguese India could be said to prefigure the originality of the façade of St. Paul's. Firstly, there is some evidence of incipient retable-façades decorating a few of the churches of the Society of Jesus in India in which the Arch of Triumph is used as principal decorative motif. Although not possible here, Secondly, at the turn of the century the Jesuits in India were willing to admit the use of a more elaborate artistic idiom for the façades of their churches, in contrast to the plain styles preferred in the Iberian Peninsula during the latter half of the sixteenth century.\n\nHopefully my extended inquiry has provided convincing answers to the intriguing similarities I believe exist between the unusual features seen in the façade of St. Paul's and those more characteristic of a retable-façade, even if the façade discussed remains an elusive artistic work sui generis.\n\nNOTES\n\nGuillén-Nuñez, César, “The Relationship of the Façade of the Jesuit Collegiate Church of Madre de Deus, Macao, to Retable-Façades”, M.Phil. Thesis, University College London, 1997. Guillén-Nuñez, C., Macau (Images of Asia), Oxford University Press, Hong Kong, 1984, pp. 52-3.\n\n2 Vid. Rafael Moreira, “As Formas Artísticas”, in História dos Portugueses no", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215434, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 211, "title": "RAS-2001", "content_text": "160\n\nM. Hugo-Brunt, \"An Architectural Survey of the Jesuit Seminary Church of St. Paul's, Macao\", Journal of Oriental Studies, Vol. 1, No.2, July 1954, University of Hong Kong, pp.1-21. J.B. Bury, \"A Jesuit Façade in China\", The Architectural Review, VI. CXXIV, No. 743, London, Dec. 1958, pp. 412-3.\n\n\"Macao's St. Paul”, in Actas do III Colóquio Internacional de Estudos Luso-Brasileiros, II, Lisbon, 1960, pp. 30-6. A version of the latter, first delivered in 1957, is found in J.B. Bury, \"A Igreja de São Paulo”, Arquitectura e Arte no Brasil Colonial, São Paulo, 1991, pp. 154-61. With few exceptions Chinese gazetteers of the Ming and Ching Dynasties seem to have ignored the façade altogether.\n\n3 Guillen-Núñez, Cesar, \"Some observations on the architecture of the Jesuits in the Orient\", in St. Paul's Ruins. A Monument towards the Future, (bilingual Portuguese-English exh. catalogue, directed by F.A. Baptista Pereira), Lisbon-Macau, September-December, 1994, pp.49-53. Unfortunately, in this catalogue part of the original English text is corrupted by numerous typographical errors. There is however an excellent Portuguese translation, although a few lines of the original have been misinterpreted.\n\n+ For the dimensions of St. Paul's façade vid. Hugo-Brunt, op. cit., p. 9. plates 2-10, and plate 13.\n\n5 The Travels of Peter Mundy in Europe and Asia, 1608-1667, Hakluyt Soc., London, 1919, III, Part I, pp. 162-3.\n\n6\n\nReynaldo dos Santos, Historia da Arte em Portugal, III, pp. 34-6. R.C. Smith, The Art of Portugal, p. 86.\n\nThe literature on Spanish and Portuguese retable-façades is extensive but often only found piecemeal in more general works on Spanish and Portuguese architecture. Two pioneering researchers were B. Bevan, History of Spanish Architecture, London, 1938, p. 135; and G. Kubler, in Kubler and Soria, Art and Architecture in Spain and Portugal and their American Dominions, 1500-1800, Penguin Books, 1959, p. 1. It should be noted that in the latter San Gregorio's façade is wrongly described as that of the chapel, rather than the College of San Gregorio.\n\nThe following is a selected sample of other important writing on these structures. A. Rodriguez G. de Ceballos, La Iglesia y el Convento de San Esteban de Salamanca, Salamanca, 1987. F.Checa, Pintura y Escultura del Renacimiento", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 215436, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2001", "page_number": 213, "title": "RAS-2001", "content_text": "162\n\n1993, p. 154. Morais, Carlos Alexandre de, Cronologia Geral da Índia Portuguesa, Lisbon-Macao, 1993. Ms. Amita Bairg, UNESCO heritage consultant on India, kindly provided number of churches and convents in 17th century Velha Goa.\n\n10 Arches of Triumph appeared in church portals at the time in Andalusia, in Southern Spain. For Vandelvira's career and famous treatise on architecture, see Barbé-Coquelin de Lisle, Tratado de Arquitectura de Alonso de Vandelvira, 2 vols. Albacete, 1977.\n\n\"V. Fraser. \"Architecture and Imperialism in sixteenth-century Spanish America”,\n\nArt History, 9, No. 3, Sept. 1986, pp. 325-35.\n\n\"The Architecture of conquest: building in the Viceroyalty of Peru, 1535-1633\", 2 volumes, Ph.D. diss., Uni. of Essex, Colchester, 1984.\n\n12 George Kubler's classic thesis on the plain style of Portuguese architecture forms the subject of his book, Portuguese Plain Architecture: Between Spices and Diamonds, 1521-1706, Middletown, Conn., Wesleyan University Press, 1972. For a recent discussion of this style, see Miguel Soromenhos' article, \"Classicismo, italianismo e ‘estilo chão'. O ciclo filipino\", in História da Arte Portuguesa, direcção Paulo Pereira, Volume 2, Lisbon, 1995, pp. 377-403. See in particular pp. 383-86.\n\n13 David M. Kowal, \"Innovation and Assimilation: The Jesuit Contribution to\n\nArchitectural Development in Portuguese India\", in The Jesuits, Culture, Sciences, And The Arts, 1540-1773, University of Toronto Press, 1999, pp. 482 and 488. It is somewhat ironic that D. Kowal uses the term \"retable-like\" for the\n\nportal decoration of the façade of São Paulo. Professor J.B. Bury dismissed an exact term in the first assessment of my MPhil thesis (see note 1) as not precise enough, one which I eventually gave up.\n\n14 See flap of vol. 2, in Barbé-Coquelin de Lisle, op. cit, for illustration of the\n\nseldom reproduced portal of Saint Elizabeth Church.\n\n15 Documenta Indica, (edited by Josef Wicki) Rome, “Monumenta Historica Soc. Iesu\", 18 vols, 1948-1988. For São Paulo, see vol. 4, pp. 726-27; vol. 8, pp. 584-86; vol. 9, p. 491. For an interesting reconstruction of the site of Church and College see, Schurhammer, G., Francis Xavier, vol. 8, Jesuit Historical Institute, Rome, 1980, p. 457.", "txt_file_path": "txt/dfo323lmgvd/RAS-2001.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/zg651950g", "rank": 0 }, { "id": 216208, "series_id": 26, "series_slug": "histsyn-rashkb-journal-engine", "series_title": "RASHKB Journal 皇家亞洲學會香港分會學刊", "series_use_hku_proxy": false, "document_key": "RAS-2002", "page_number": 507, "title": "RAS-2002", "content_text": "441\n\nI\n\nChina, He tried to make informal arrangements but was unable to persuade anyone to smuggle him in. The other Portuguese ships left St John's so that when Francis fell ill of fever in November, his ship was the only Portuguese ship in the port. Francis died unattended by any of his brethren and without the last religious rites.\n\nHis corpse was reported to have been surrounded by lime in the coffin before it was buried in a grave on a beach on St John's Island. The lime was intended to accelerate the decomposition of the flesh so that the bones might be more conveniently returned to Malacca. However, when the Santa Cruz was ready to return in February 1553, the corpse was found to be intact so the whole coffin was returned to Malacca. The corpse was again buried in Malacca for five months but again was found not to have perished when it was exhumed and returned to Goa in 1554. Francis was canonised in 1622 with a feast day of 2 December. His body was transferred to the Basilica of Bom Jesus in 1624. It is now preserved intact, minus a right arm which was severed at the elbow and taken to Rome in 1614 and a toe, reportedly bitten off in ecstasy by a lady on viewing his corpse.\n\nThe 450th anniversary of the death of St Francis was commemorated by the Macau Ricci Institute who arranged a Symposium in Macau on 28th and 29th November. Some members of the RAS HK Branch attended this seminar which was followed by a visit to St John's Island.\n\nPhillip Bruce, a Branch member, had visited St John's Island before he left for Spain. He wrote to us from Spain, and noted that he had visited the castle at Xavier, the birthplace of St Francis. \"A spartan place, with, not surprisingly, a huge Jesuit college next to it. It is really interesting to have seen both the beginning and the end of the story.\"", "txt_file_path": "txt/dfo323lmgvd/RAS-2002.txt", "external_url": "https://digitalrepository.lib.hku.hk/catalog/mp4901278", "rank": 0 } ]